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‘Supernatural’ Season 12 Episode 7 Recap: Rock Never Dies

Supernatural Season 12 Episode 7 Rick Springfield
Rick Springfield as Vince Vincente in ‘Supernatural’ season 12 episode 7 (Photo by Bettina Strauss © 2016 The CW Network)

The rock star life is more fun than being the devil, as we learn in season 12 episode seven of Supernatural. Last we saw Lucifer, his Vince Vicente vessel was quickly burning up thanks to a spell by Rowena before she sent him to the bottom of the ocean. But that would only keep him away for so long and the fallen angel has definitely returned!

It begins as we see two young guys in black robes around a table, trying to conjure Lucifer with a rock. One of the men breaks out into laughter, feeling the whole thing is ridiculous. His friend attempts to convince him that it isn’t crazy to try, that the rock contains a feather from Lucifer himself. Well, he was right because Lucifer (Rick Springfield) shows up, still in Vince’s body but not looking so great. He immediately kills the non-believer and tells the other that the rock had called him, not their ceremony. Taking the item, Lucifer is able to restore his vessel, at least for a while. The remaining young man recognizes the meat suit now, telling him he’s “kind of famous” just before the devil kills him too. The statement clearly puts an idea in Lucifer’s mind though.

At the bunker, Sam (Jared Padalecki) finds Dean (Jensen Ackles) playing a game on his cell phone with Mary, wherever she may be. They receive a call from Castiel (Misha Collins), who doesn’t seem to be enjoying Crowley’s company, and tells them to look at a live news broadcast featuring Vince. He’s putting the band, Ladyheart, back together and announces that they have a new contract with a major record label. The guys aren’t absolutely sure it’s Lucifer, but Crowley (Mark Sheppard) doesn’t think a sudden contract for a washed-up band could be anything but a less-than-holy deal.

It shouldn’t be much of a surprise when Crowley’s next step is to visit a man at the record label who signed the contract, one the former crossroads demon obviously knows well. The man is glad to see him, offering him some new talent with souls “ripe for the taking.” Yet Crowley is more interested in the deal with Vince at the moment. During the discussion we realize that the man has no idea he was working with the devil, telling Crowley that Vince came to him with a great pitch and he decided to go for it, feeling that the rocker seemed renewed and energized.

Meanwhile the Winchesters are making the drive to Los Angeles, and Dean is clearly sharing how he feels about the city. His complaints continue in detail until he realizes that Sam isn’t listening. The younger brother claims to be listening to a podcast, but Dean pulls the earbuds out of the jack, finding out that he’s actually listening to Ladyheart. Dean’s disgust backfires when Sam makes him listen to the hair metal for the rest of the drive.

In L.A., Lucifer as Vince is getting the rock star treatment and loving it. He’s basking in the attention and adulation, although when his friend and bandmate, Tommy, says they should start recording some music, Lucifer refuses. Instead, he lectures Tommy that music is not the real reason people love them. It’s an excuse to worship, to adore. Tommy isn’t happy but doesn’t exactly want to be thrown through another door like before, or worse.

Also now in the city, Dean and Sam meet up with Castiel where there is no doubt that Crowley is driving the angel crazy. Before he can elaborate, Crowley shows up with the news that yes, Lucifer is in Vince’s body as they suspected. The four search where Lucifer has been staying, first finding he’s been studying famous rock stars and then finding a human tooth pulled out by the root. Ewwww!

Later, we find Vince talking to a fan who has been hanging around him and we quickly notice the woman is missing a tooth. With his encouragement, Roseleen (Crystal Allen) tells him how much she loves him, that she’s been infatuated since she was very young and saw Ladyheart on TV. He asks her what she would do for him to which she replies, “anything.” He then asks her if she’ll bleed and gives her a knife, she hesitates but does start cutting her chest as the scene ends.

Next we’re taken to our group hunting Lucifer at the hospital, finding out what happened to the girl. It turns out she carved Vince’s name into her chest and lost a lot of blood but will be all right. Sam and Dean question Roseleen, asking if Vince had forced her to cut herself up. She insists that he didn’t have to force her, and says she did it to show him how much she cares and to make him happy. She’s also sure he had a good reason, although has no clue what the reason would be, and turns frantic that she needs to get back to him, to get to the show.

The show she’s referring to is then explained to Lucifer by the band’s manager. It’s meant to be an exclusive event for the most diehard of Ladyheart’s fans. However, Lucifer wants a different crowd…new fans, new blood. The manager tries to tell him that she doesn’t think it’ll work because music fans nowadays are not profitable. Yet he insists, and she’s intimidated enough to go along with his wishes.

Still at the hospital, the Winchesters meet back up with Crowley and Castiel to discuss the conversation with Roseleen. Crowley enlightens the rest of the group that Lucifer was testing the girl’s devotion, and states being worshipped is intoxicating. This is probably why he decided to stay in the rock star instead of going after Heaven or Hell. They want to bring Rowena into the mix, knowing they are outgunned without her help. Yet they also know she won’t show until they have Lucifer cornered.

With the knowledge that there was a show, the group splits up to try and find the location of the concert. Castiel goes to the bandmate while Crowley goes to the guy at the record label. Dean and Sam pose as potential clients and go to Vince’s manager. They all strike out, as no one wants to risk the success of Ladyheart’s comeback, despite a supposed threat to people’s safety.

That night, Vince, Tommy, the band manager, and the guy from the record label pull up to a club named Meteor for the show in a limousine. The manager is excited by all the social media buzz this secret reunion is causing. But when Tommy comments that they don’t have any new music to play, the record label executive is not thrilled and confronts Vince, stating he took a chance on them and Vince had better not let him down. If only he knew this was really Lucifer he was threatening because the man is then forced to stab himself in the throat with a pen the devil had gifted to him earlier. The other two are horrified, not that Lucifer cares, as he gets out of the limo and begins showing off for his crowd of fans. Though he does notice his vessel beginning to burn up again as he enters the club. The manager gets out of the limo too and promptly quits, walking away.

Inside the building, preparations for the Ladyheart concert are well underway. Tommy, disturbed by the scene in the vehicle, texts Castiel the location of the concert, giving them the information they so desperately needed. They immediately head that way although none of them are all that confident about what they can do against Lucifer. Dean grabs some Enochian handcuffs, although they doubt they will hold him for long. Cas says he’ll go first, willing to sacrifice himself to at least buy them some time. Crowley agrees to help Cas in order to increase the time the Winchesters will have.

Lucifer enters the dressing room, killing the two members of the band we don’t really know anything about before turning on Tommy and saying that he is going solo. Castiel is able to stop him from killing the man at that moment, only to be knocked to the floor. Before Lucifer can do anything else to our angel, Crowley shows his face, distracting his nemesis. The demon throws Lucifer against the wall, says he means nothing to the kids out there, and that they won’t willingly spill their blood for him to which Lucifer replies that regardless, being Vince is easier, better. While everyone’s attention is elsewhere, Tommy makes to escape but Lucifer kills him before he can get out before beginning to beat the living hell out of the angel and the demon.

Supernatural season 12 episode 7 Jensen Ackles and Jared Padalecki
Jensen Ackles as Dean and Jared Padalecki as Sam in ‘Supernatural’ (Photo by Bettina Strauss © 2016 The CW Network)

During the time all this is going on backstage, Dean and Sam are in the waiting crowd. Dean tries to get everyone out by saying he smells smoke and then by making a scene. He’s in the process of getting escorted out by security when Sam pulls the fire alarm. People begin to leave, but Lucifer hears the sound and pauses his assault, using his powers to stop the alarm. Knocking Crowley out cold, he then tells Cas to stick around for the after-party and heads out to the stage.

Greeting his cheering fans, Lucifer promises them a unique show and tells them it might get messy. Not willing to let whatever plan Lucifer has go any further, Dean pulls out his gun and fires it into the air. This has the desired effect as the entire crowd rushes for the doors. Lucifer attempts to stop them from leaving by forcing the doors to close, but Sam is able to hold them open just long enough for everyone, other than the Winchesters, to escape.

Castiel makes a timely return at that moment to smack Lucifer in the face with a guitar, throwing him back into the drumset, and giving us his classic insult of, “Hey assbutt!” So many years after he originally said it to Lucifer, it’s still funny. Anyway, this gives Dean the opportunity to get the handcuffs on him. Unfortunately, Lucifer is immediately able to burn them off of himself.

That plan having failed dismally, our guys try to appeal to him, asking about God after he and Lucifer had made a sort of peace. Yet we see that Lucifer still has some daddy issues. Truly, his father did leave again soon after that peace was found. Lucifer states all of it; Earth, Heaven, and Hell…It’s all meaningless, the same thing over and over. He doesn’t have a plan right now, all he wants is to destroy his father’s creations. Throughout his rant, we see the vessel burning more and more. Pointing this out, Dean follows with the tragic words, “Rock is dead.” Knowing he won’t last much longer in the meatsuit, Lucifer leaves the body, disappearing. For now, at least.

Shortly thereafter, the four men, including a very beaten Crowley, pack up. Dean comments that they didn’t get Lucifer but did save a crowd of people and calls it a win. Sam feels differently though, bringing up the fact that Vince is now dead, a man that meant a lot to many people and Lucifer destroyed that. A Lucifer with a plan was bad enough but this one that had completely gone off the rails is even scarier. There’s no choice for any of them but to agree, making their need to find Lucifer and get him caged back up stronger than ever. The question is, how much damage will Lucifer be able to do before they figure out how to stop him?




‘The Belko Experiment’ Restricted Trailer is Seriously Crazy

Belko Experiment stars Tony Goldwyn and John C McGinley
Tony Goldwyn and John C. McGinley star in ‘The Belko Experiment.’

The red band (restricted) trailer for The Belko Experiment is violent and disturbing, and takes having a bad day at work to a whole new crazy level. Guardians of the Galaxy‘s James Gunn wrote the script and Wolf Creek‘s Greg McLean directs the R-rated action thriller. The cast includes John Gallagher Jr. (10 Cloverfield Lane), Tony Goldwyn (Scandal), John C. McGinley (Stan Against Evil), Adria Arjona (True Detective), Josh Brener (Silicon Valley), and Michael Rooker (Guardians of the Galaxy). Orion Pictures’ The Belko Experiment opens in theaters on March 17, 2017.

The Plot: The Belko Experiment is a terrifying, provocative and at times hilarious thrill-ride that literally provokes the question; what does it take to survive at work?

Watch The Belko Experiment trailer:





‘Arrow’ Season 5 Episode 9 Preview: What We Leave Behind

Arrow Season 5 Episode 9
David Ramsey as John Diggle/Spartan, Stephen Amell as Oliver Queen/The Green Arrow and Rick Gonzalez as Rene Ramirez/Wild Dog in ‘Arrow’ season 5 episode 9 (Photo: Jack Rowand © 2016 The CW Network)
The CW’s Arrow celebrated its 100th episode during the epic four-way superhero crossover on November 30, 2016 in which The Flash (Grant Gustin) and Supergirl (Melissa Benoist) co-starred. Season five episode nine airing on December 7th finds Team Arrow back to fighting villains on their own. Titled ‘What We Leave Behind,’ the winter finale is directed by Antonio Negret from a script by Wendy Mericle and Beth Schwartz.


The cast of season six includes Stephen Amell as Oliver Queen/The Green Arrow, David Ramsey as John Diggle, Emily Bett Rickards as Felicity Smoak, Rick Gonzalez as Rene Ramirez/Wild Dog, Joe Dinicol as Rory Regan/Ragman, Madison McLaughlin as Evelyn Sharp/Artemis, Paul Blackthorne as Quentin Lance, and Willa Holland as Thea.

The What We Leave Behind Plot: PROMETHEOUS MAKES A DEADLY MOVE AGAINST OLIVER AND THE TEAM — After Prometheus attacks Curtis (Kellum), Oliver (Amell) realizes Prometheus knows all of Team Arrow’s secret identities and is planning to come for them one by one. Felicity (Rickards) and Detective Malone (guest star Tyler Ritter) discover a clue that links Prometheus to Oliver’s past.


Arrow Season 5 Episode 9 Stephen Amell
Stephen Amell in ‘Arrow’ (Photo: Jack Rowand © 2016 The CW Network)
Arrow Season 5 Episode 9 Stephen Amell
Stephen Amell as Oliver Queen/The Green Arrow and Garwin Sanford as Justin Claybourne in ‘Arrow’ (Photo: Jack Rowand © 2016 The CW Network)

Arrow Season 5 Episode 9 Stephen Amell
Stephen Amell as Oliver Queen/The Green Arrow and Prometheus (Photo: Jack Rowand © 2016 The CW Network)




First Look: ‘The Shack’ Trailer Starring Sam Worthington

The Shack Teaser Poster

Summit’s unveiled the first trailer for The Shack based on the book by William Paul Young (in collaboration with Wayne Jacobsen and Brad Cummings). John Fusco, Andrew Lanham, and Destin Cretton adapted the book for the screen with Stuart Hazeldine directing. The cast is led by Sam Worthington (Avatar) and includes Octavia Spencer, Avraham Aviv Alush, Radha Mitchell, Alice Braga, Sumire, Amelie Eve, Megan Charpentier, Gage Munroe, Graham Greene and Tim McGraw. Summit and Lionsgate are targeting a March 3, 2017 theatrical release.


The Plot: Based on the New York Times best-selling novel, The Shack takes us on a father’s uplifting spiritual journey. After suffering a family tragedy, Mack Phillips [Worthington] spirals into a deep depression causing him to question his innermost beliefs. Facing a crisis of faith, he receives a mysterious letter urging him to an abandoned shack deep in the Oregon wilderness. Despite his doubts, Mack journeys to the shack and encounters an enigmatic trio of strangers led by a woman named Papa [Spencer]. Through this meeting, Mack finds important truths that will transform his understanding of his tragedy and change his life forever.

Watch The Shack trailer:





‘Designated Survivor’ Season 1 Episode 8 Recap and Review: The Results

Designated Survivor Episode 8 Maggie Q
Maggie Q in ‘Designated Survivor’ season 1 episode 8 (ABC/Ben Mark Holzberg)

“We cannot live in fear. We will not live in fear. Thank you, and God bless America,” says President Kirkman (Kiefer Sutherland) as he addresses the nation about voting after an act of terrorism has taken place at a polling station in ABC’s political thriller series, Designated Survivor.

As season one episode eight begins, Press Secretary Seth Wright (Kal Penn) is addressing the press and focusing on people getting out and voting during the upcoming election when he’s asked about a super flu in the Midwest. He replies that the CDC is handling it and then gets asked a question about whether the terrorist Nassar is dead. He confirms he is and that leads to a flood of questions from the press.

Kirkman meets with Senator Hookstraten (Virginia Madsen) who’s upset she has to hear about the death of the terrorist on the news instead of from the president. He apologizes and tells her he’ll keep her in the loop from now on and that the most important thing to do now is to move forward with the elections to create the new congress. She agrees to do what she can to make it happen, and the president is called away to yet another problem.

It turns out the flu in the Midwest is actually a bio-chemical terrorist attack at one of the polling stations. It’s clear whoever is behind this is targeting the election. Kirkman considers postponing the election, but after talking to his staff, he decides to have Homeland Security and the FBI inspect the polling places instead.

Secret Service Agent Mike Ritter (LaMonica Garrett) is escorting Leo Kirkman (Tanner Buchanan) to school when a reporter approaches and asks Leo what he thinks about the rumor that Tom Kirkman isn’t really his dad. Mike chases off the headline-chasing media hound and tells Leo not to pay any attention to it. But Leo can’t shake it and decides to cut school to talk to his parents about what happened.

Leo confronts his parents and asks why the reporter asked him about his father. Both Tom and Alex (Natascha McElhone) fumble for answers, finally telling Leo the truth that Alex had broken up with her old boyfriend but there was an overlap. Tom never took the test to find out because as far as he was concerned, Leo is his son. Both shocked and upset (Leo has his dad up on a pedestal), Leo goes to his room to process what he’s just learned.

Kirkman finds Seth and asks why this story is still around after he promised him he’d kill it. Seth offers to find out what happened and confronts the young and attractive reporter, Lisa Jordan (Melanie Scrofano), who tells him her editor has a bone to pick with Kirkman and thinks it’s a good story.

Seth invites the reporter who approached Leo to the White House and tells him if he ever pulls anything like that again, he will be blacklisted. The reporter tells Seth that Lisa put him onto the story saying she couldn’t use it but still thought it was a story worth chasing. That means Seth’s crush basically played him.

Meanwhile, Agent Wells (Maggie Q) is looking for her boss and having no luck finding him when he finally shows up for work and heads right to his office. She follows him in and asks about his missing son and he lies, telling her he was at a friend’s house and everything is okay. His phone rings and he asks her to let him take it. After she’s out of the office, Jason Atwood (Malik Yoba) answers and the mysterious woman tells him to go to his car. He demands to talk to his son and finally, she allows the boy to tell his dad he wants to go home. Atwood then follows directions, drives to the warehouse, and meets the kidnapper up on the roof.

The mystery woman hands Atwood a small piece of paper and demands he does exactly what it says. He tells her he can’t, but she reminds him that if he doesn’t his son will never go home. Unbeknownst to her boss or the kidnapper, Agent Wells followed Atwood and is taking pictures of the meeting from a rooftop across the way. As Wells watches Atwood and the mystery woman, she doesn’t notice that she’s being watched.

Wells follows Atwood as visits the president, but since she’s not on the list, she can’t get in. Atwood walks into the Oval Office with the president who’s hoping that the Deputy Director has a real update for him this time and he claims he does. Atwood confesses to the murder of Nassar, giving the necessary details about the murder and saying that after he questioned him, he knew he wasn’t going to get anything out of him so he killed him because someone that evil didn’t deserve to live.

Kirkman is having a very hard time believing his confession, but Atwood won’t take it back and tells the president to press the button for the Secret Service. He does, and they arrive and take Atwood away. Kirkman isn’t convinced and tells Aaron (Adan Canto) to question Atwood’s co-workers and see if they noticed anything off about his behavior.

Tom and Alex sit down with Leo, and Tom again tries to explain that the reason they never told him about the possibility that Tom might not be his father was because Tom believes he is. As far as Tom’s concerned, nothing will change that. Tom hands Leo the results of the blood test, but it’s sealed. Tom tells Leo if he wants to know, it’s up to him. Tom adds, again, that as far as he’s concerned Leo is his son.

Word comes down that one of the volunteers at the poll attacked with toxin has died. To make matters even worse, they caught a suspect, but they can’t determine if he acted alone. With the short amount of time before the election, they can’t guarantee all the polling stations are safe. Kirkman plans on canceling the election for safety’s sake until he sees the daughter of the woman who died talking about her mom and how she believed it to be a true honor to volunteer at the polls to make sure every citizen has a voice. Tom decides to call her, and 45 minutes later he addresses the press and the nation confirming the election will go forward. President Kirkman reminds them they cannot live in fear.

On election day, the president heads to the polls and, unfortunately, it’s empty except for him, his wife, his security detail, and a few reporters. However, a few hours later he sees on the news that voters are coming out in droves because they saw the president voting and figured it had to be safe.

Meanwhile back at home, Leo reveals he couldn’t sleep all night and he doesn’t want the results in his room anymore. He hands them back to his mom and dad, and the test is still sealed. Leo then hugs Tom and says, “I know you’re my dad,” and returns to his room to study. When Tom has a minute alone, he looks at the test and smiles a little.

Kirkman then finds Lisa the reporter and shows her the results. They prove beyond a shadow of a doubt that Leo is his son and since she’s so interested in the truth, she should know. After he leaves, Seth – who set up the meeting for the president – calls Lisa out for using him and tells her from now on they’re strictly professional.

Wells meets with Aaron and is shocked to find out what her former boss confessed to. After getting over the initial shock, Wells doesn’t reveal anything that she and Atwood had discovered about Nassar and the Capital attack. Wells does this because just before going into the meeting, she received a text advising her to say nothing.

Later, she has a friend trace the number and calls it to find it’s the mystery female who gave her a clue about the room. She tells the woman she wants to meet, but the woman says they’ll never have a face-to-face. She also tells Agent Wells to look into 11:14pm.

As the episode ends, MacLeish (Ashley Zukerman) meets with Kimball and informs her he won’t back a private investigation into what happened to Nassar. Kimball tells him he’s backing the wrong horse and if he has plans of trying to sit in the president’s chair after becoming VP, she’ll take him down along with Kirkman. As MacLeish leaves, he’s approached by the mystery woman who was blackmailing Atwood. He asks her how many more people have to pay before this is over and she answers, “Just one.”

Designated Survivor Episode 8 Review:

Dramatic and suspenseful, episode eight titled “The Results” sees the beginning of the country’s government being put back together and the possible end of Atwood as he’s locked up for a crime he didn’t commit. It also moved forward the conspiracy to get MacLeish into the White House as the Commander in Chief. The writing was strong as was the episode’s pacing, balancing both the suspense of Atwood’s situation and the domestic issue for the Kirkman family. Both storylines wound up with unexpected results as Atwood confessed to killing Nassar, which no one saw coming, and the question of Tom being Leo’s biological father was finally answered.

Thankfully, the answer put an end for good to that soap opera-ish storyline.

With Agent Wells on her own against the conspiracy and MacLeish getting closer to being the VP, here’s hoping that Wells finally brings Kirkman into what’s really going on before it’s too late.

GRADE: B




‘Sons of Anarchy’ Spinoff ‘Mayans MC’ Moving Forward

Sons of Anarcny Charlie Hunnam and Emilio Rivera
Emilio Rivera and Charlie Hunnam in ‘Sons of Anarchy’ (Photo Credit: FX)

FX officially confirmed the Sons of Anarchy spinoff Mayans MC will shoot its pilot episode in March 2017. The spinoff will revolve around the Mayans motorcycle club and is set after the events of the Sons of Anarchy finale. Sons of Anarchy creator Kurt Sutter is executive producing the new series and co-wrote the pilot with Elgin James. Sutter’s also set to direct the Mayans MC pilot.

Fox 21 Television Studios and FX Productions are producing the SoA spinoff. Sons of Anarchy was FX’s highest rated original dramatic series in the network’s history.

The Plot: Mayans MC is set in a post Jax Teller world, where EZ Reyes, a prospect in the Mayan MC charter on the Cali/Mexi border, struggles with his desire for vengeance against the cartel, and his need for respect from the women he loves.




‘The Mummy’ Returns: Teaser Trailer and New Poster Arrive

The Mummy Teaser Poster

Tom Cruise took to Twitter to reveal The Mummy‘s super short (15 seconds) teaser for the real trailer which will arrive on Sunday, December 4, 2016. Brendan Fraser’s out and Tom Cruise is in in Universal Pictures’ reboot of the iconic movie monster who was most recently the subject of a film franchise starring Fraser and Rachel Weisz. The new mummy film was directed by Alex Kurtzman from a script by Jon Spaihts and Christopher McQuarrie. In addition to Cruise, The Mummy cast includes Sofia Boutella (Kingsman: The Secret Service, Star Trek Beyond), Annabelle Wallis (King Arthur, Peaky Blinders), Jake Johnson (Jurassic World, New Girl), Courtney B. Vance (American Crime Story: The People V. O.J. Simpson) and Russell Crowe (The Nice Guys).

The Plot: Tom Cruise headlines a spectacular, all-new cinematic version of the legend that has fascinated cultures all over the world since the dawn of civilization: The Mummy. Thought safely entombed in a tomb deep beneath the unforgiving desert, an ancient princess (Boutella) whose destiny was unjustly taken from her is awakened in our current day, bringing with her malevolence grown over millennia and terrors that defy human comprehension. From the sweeping sands of the Middle East through hidden labyrinths under modern-day London, The Mummy brings a surprising intensity and balance of wonder and thrills in an imaginative new take that ushers in a new world of gods and monsters.





Critics’ Choice Awards 2016 Movie Nominations: ‘La La Land’ Leads with 12

La La Land Emma Stone and Ryan Gosling
Sebastian (Ryan Gosling) and Mia (Emma Stone) in ‘LA LA LAND’ (Photo courtesy of Lionsgate)

La La Land with Ryan Gosling and Emma Stone leads the 22nd Annual Critics’ Choice Awards film nominees with 12 nominations. The romantic musical earned nominations in categories including Best Picture, Best Director, Best Original Screenplay, Best Actor, and Best Actress. Moonlight and Arrival followed close behind with 10 each, while Manchester by the Sea earned eight nominations. Hacksaw Ridge picked up seven, and Doctor Strange, Fences, Hell or High Water, Jackie, and Lion all received six nominations.

The annual awards show moved its date forward to get a jump on the awards season. This year’s winners will be announced on December 11th and air live from Santa Monica on A&E beginning at 8pm ET/5pm PT. T.J. Miller (Deadpool, Silicon Valley) returns to host the Critics’ Choice Awards which are voted on by the Broadcast Film Critics Association (BFCA) and Broadcast Television Journalists Association (BTJA). (Disclaimer: I’m a member of the BFCA.)

“This year’s nominees showcase the best that Hollywood has to offer, spanning a wide array of genres, subject matters, time periods, and more,” said BFCA President Joey Berlin. “We hope that they will serve as a roadmap for viewers, offering guidance for movie lovers and ticket buyers as we launch this awards season. We are so thrilled to be able to recognize these incomparable artists and look forward to bringing them together for an unforgettable evening!”


22ND ANNUAL CRITICS’ CHOICE AWARDS FILM NOMINATIONS

BEST PICTURE
Arrival
Fences
Hacksaw Ridge
Hell or High Water
La La Land
Lion
Loving
Manchester by the Sea
Moonlight
Sully

BEST ACTOR
Casey Affleck – Manchester by the Sea
Joel Edgerton – Loving
Andrew Garfield – Hacksaw Ridge
Ryan Gosling – La La Land
Tom Hanks – Sully
Denzel Washington – Fences

BEST ACTRESS
Amy Adams – Arrival
Annette Bening – 20th Century Women
Isabelle Huppert – Elle
Ruth Negga – Loving
Natalie Portman – Jackie
Emma Stone – La La Land

BEST SUPPORTING ACTOR
Mahershala Ali – Moonlight
Jeff Bridges – Hell or High Water
Ben Foster – Hell or High Water
Lucas Hedges – Manchester by the Sea
Dev Patel – Lion
Michael Shannon – Nocturnal Animals

BEST SUPPORTING ACTRESS
Viola Davis – Fences
Greta Gerwig – 20th Century Women
Naomie Harris – Moonlight
Nicole Kidman – Lion
Janelle Monáe – Hidden Figures
Michelle Williams – Manchester by the Sea

BEST YOUNG ACTOR/ACTRESS
Lucas Hedges – Manchester by the Sea
Alex R. Hibbert – Moonlight
Lewis MacDougall – A Monster Calls
Madina Nalwanga – Queen of Katwe
Sunny Pawar – Lion
Hailee Steinfeld – The Edge of Seventeen

BEST ACTING ENSEMBLE
20th Century Women
Fences
Hell or High Water
Hidden Figures
Manchester by the Sea
Moonlight

BEST DIRECTOR
Damien Chazelle – La La Land
Mel Gibson – Hacksaw Ridge
Barry Jenkins – Moonlight
Kenneth Lonergan – Manchester by the Sea
David Mackenzie – Hell or High Water
Denis Villeneuve – Arrival
Denzel Washington – Fences

BEST ORIGINAL SCREENPLAY
Damien Chazelle – La La Land
Barry Jenkins – Moonlight
Yorgos Lanthimos/Efthimis Filippou – The Lobster
Kenneth Lonergan – Manchester by the Sea
Jeff Nichols – Loving
Taylor Sheridan – Hell or High Water

BEST ADAPTED SCREENPLAY
Luke Davies – Lion
Tom Ford – Nocturnal Animals
Eric Heisserer – Arrival
Todd Komarnicki – Sully
Allison Schroeder/Theodore Melfi – Hidden Figures
August Wilson – Fences

BEST CINEMATOGRAPHY
Stéphane Fontaine – Jackie
James Laxton – Moonlight
Seamus McGarvey – Nocturnal Animals
Linus Sandgren – La La Land
Bradford Young – Arrival

BEST PRODUCTION DESIGN
Arrival – Patrice Vermette, Paul Hotte/André Valade
Fantastic Beasts and Where to Find Them – Stuart Craig/James Hambidge, Anna Pinnock
Jackie – Jean Rabasse, Véronique Melery
La La Land – David Wasco, Sandy Reynolds-Wasco
Live by Night – Jess Gonchor, Nancy Haigh

BEST EDITING
Tom Cross – La La Land
John Gilbert – Hacksaw Ridge
Blu Murray – Sully
Nat Sanders/Joi McMillon – Moonlight
Joe Walker – Arrival

BEST COSTUME DESIGN
Colleen Atwood – Fantastic Beasts and Where to Find Them
Consolata Boyle – Florence Foster Jenkins
Madeline Fontaine – Jackie
Joanna Johnston – Allied
Eimer Ni Mhaoldomhnaigh – Love & Friendship
Mary Zophres – La La Land

BEST HAIR & MAKEUP
Doctor Strange
Fantastic Beasts and Where to Find Them
Hacksaw Ridge
Jackie
Star Trek Beyond

BEST VISUAL EFFECTS
A Monster Calls
Arrival
Doctor Strange
Fantastic Beasts and Where to Find Them
The Jungle Book

BEST ANIMATED FEATURE
Finding Dory
Kubo and the Two Strings
Moana
The Red Turtle
Trolls
Zootopia

BEST ACTION MOVIE
Captain America: Civil War
Deadpool
Doctor Strange
Hacksaw Ridge
Jason Bourne

BEST ACTOR IN AN ACTION MOVIE
Benedict Cumberbatch – Doctor Strange
Matt Damon – Jason Bourne
Chris Evans – Captain America: Civil War
Andrew Garfield – Hacksaw Ridge
Ryan Reynolds – Deadpool

BEST ACTRESS IN AN ACTION MOVIE
Gal Gadot – Batman v Superman: Dawn of Justice
Scarlett Johansson – Captain America: Civil War
Margot Robbie – Suicide Squad
Tilda Swinton – Doctor Strange

BEST COMEDY
Central Intelligence
Deadpool
Don’t Think Twice
The Edge of Seventeen
Hail, Caesar!
The Nice Guys

BEST ACTOR IN A COMEDY
Ryan Gosling – The Nice Guys
Hugh Grant – Florence Foster Jenkins
Dwayne Johnson – Central Intelligence
Viggo Mortensen – Captain Fantastic
Ryan Reynolds – Deadpool

BEST ACTRESS IN A COMEDY
Kate Beckinsale – Love & Friendship
Sally Field – Hello, My Name Is Doris
Kate McKinnon – Ghostbusters
Hailee Steinfeld – The Edge of Seventeen
Meryl Streep – Florence Foster Jenkins

BEST SCI-FI/HORROR MOVIE
10 Cloverfield Lane
Arrival
Doctor Strange
Don’t Breathe
Star Trek Beyond
The Witch

BEST FOREIGN LANGUAGE FILM
Elle
The Handmaiden
Julieta
Neruda
The Salesman
Toni Erdmann

BEST SONG
Audition (The Fools Who Dream) – La La Land
Can’t Stop the Feeling – Trolls
City of Stars – La La Land
Drive It Like You Stole It – Sing Street
How Far I’ll Go – Moana
The Rules Don’t Apply – Rules Don’t Apply

BEST SCORE
Nicholas Britell – Moonlight
Jóhann Jóhannsson – Arrival
Justin Hurwitz – La La Land
Micachu – Jackie
Dustin O’Halloran, Hauschka – Lion

2016 Critics’ Choice Awards Television Nominees




‘The Ottoman Lieutenant’ Teaser Trailer with Michiel Huisman and Josh Hartnett

Ottoman Lieutenant stars Michiel Huisman and Hera Hilmar
Michiel Huisman and Hera Hilmar in ‘The Ottoman Lieutenant’ (Photo Courtesy of Paladin)

Paladin has just released the first teaser trailer for the dramatic film, The Ottoman Lieutenant. Josh Hartnett (Penny Dreadful), Michiel Huisman (Game of Thrones), Hera Hilmar (Da Vinci’s Demons), and Ben Kingsley star in the World War I film written by Jeff Stockwell and directed by Joseph Ruben. The Ottoman Lieutenant will open in theaters in 2017.

The Plot: The Ottoman Lieutenant is the first movie to explore the eastern front of World War I, and tells the story of a beautiful, strong-willed woman (Hilmar), who, frustrated by ongoing injustice at home, leaves the United States after meeting Jude, an American doctor (Hartnett) who runs a remote medical mission within the Ottoman Empire — a world both exotic and dangerous, and on the brink of what is about to become the first World War. There, she finds her loyalty to Jude and the mission’s founder, (Kingsley) tested when she falls in love with a lieutenant in the Ottoman Imperial Army (Huisman). Now, with invading army forces at their doorstep, and the world about to plunge into all-out war, she must decide if she wants to be what other people want her to be, or to be herself.

Watch The Ottoman Lieutenant trailer:





Paul Bettany Joins Discovery Channel’s Unabomber Series

Paul Bettany
Paul Bettany (Photo © Richard Chavez / Showbiz Junkies)

Paul Bettany’s taking on a leading role in Discovery Channel’s Manifesto, a scripted drama about Ted Kaczynski (aka the Unabomber). The series is backed by Lionsgate and Trigger Street Productions, with Kevin Spacey, Dana Brunetti, Troy Searer, John Goldwyn, and Greg Yaitanes executive producing. Yaitanes (Banshee) is also on board as the director and showrunner.


Bettany, the first cast member announced, is best known for his roles in A Knight’s Tale, Master and Commander, A Beautiful Mind, The Da Vinci Code, and Captain America: Civil War. He’s currently busy working on Journey’s End with Toby Jones, Sam Claflin, and Asa Butterfield. Manifesto will mark Bettany’s first starring role in a U.S. television series.

The Plot: Manifesto will trace how Jim “Fitz” Fitzgerald challenged the “old school” ways with his radical new approach to intelligence gathering. Fitzgerald had training as a profiler, but it was his focus on linguistics that became vital to breaking the case. He believed that the key to unlocking the true identity of the Unabomber would be found in the language of The Manifesto, a detailed account of some of Kaczynski’s plots.




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