Tickets go on sale to the general public on September 30, 2016 for Adam Ant’s Kings of the Wild Frontier 2017 North American Tour which celebrates the 35th anniversary of the release of the Kings of the Wild Frontier album. In addition to the tour, Adam Ant is releasing a newly-remastered boxset version of that album available on Amazon. The tour will be kicking off on January 23, 2017 in Washington D.C. and will feature the pop artist singing all of the songs from the album, marking the first time he’ll perform “Feed Me to the Lions” live.
“I’m really looking forward to performing the ‘Kings of the Wild Frontier’ album live and in sequence plus my other favorite songs from the repertoire, in the USA,” stated Adam Ant. For more info on the tour, visit adam-ant.com.
Adam Ant’s Kings of the Wild Frontier was released in 1980 and features songs including “Antmusic,” “Dog Eat Dog,” and “(You’re So) Physical.” The album reached the #1 position on the U.K. Album Chart and was the United Kingdom’s #1 selling album in 1981. In the US the album made the Billboard Top 200 chart and the above mentioned singles all were Top 20 hits.
Kings of the Wild Frontier 2017 North American Tour
Monday, January 23 – Washington DC at Lincoln Theatre
Tuesday, January 24 – Boston, MA at The Wilbur Theatre
Thursday, January 26 – Philadelphia, PA at The Keswick Theatre
Friday, January 27 – New York, NY at Webster Hall
Sunday, January 29 – Toronto, ON at The Danforth Music Hall
Tuesday, January 31 – Chicago, IL at Vic Theatre
Thursday, February 2 – Portland, OR at Revolution Hall
Friday, February 3 – Seattle, WA at Neptune Theatre
Saturday, February 4 – Vancouver, BC at Vogue Theatre
Tuesday, February 7 – San Francisco, CA at The Fillmore
Thursday, February 9 – Los Angeles, CA at The Fonda Theatre
Friday, February 10 – Las Vegas, NV at Brooklyn Bowl
Saturday, February 11 – Tucson, AZ at The Rialto Theatre
Tuesday, February 14 – Dallas, TX at The Majestic Theatre
Wednesday, February 15 – San Antonio, TX at The Empire Theatre
Saturday, February 18 – San Diego, CA at The Observatory North Park
The official not safe for work or kids trailer and poster have arrived for IFC Films’ King Cobra which debuted during the 2016 Tribeca Film Festival. Described as based on a true story, King Cobra comes from writer/director Justin Kelly (I Am Michael) and will open in theaters and select digital platforms on October 21st. The cast includes James Franco, Mr. Robot‘s Christian Slater, Hairspray Live!‘s Garrett Clayton, and Pretty Little Liars‘ Keegan Allen.
The Plot: Sean Lockhart (Clayton), seventeen and boyishly handsome, dreams of fame and success even though he’s broke and without direction. When he meets the seemingly conservative Stephen (Slater), founder of Cobra Video, he starts to perform in gay porn under the moniker “Brent Corrigan,” creating a slew of wildly successful videos during which he blossoms from a naïve young man into a confident sex symbol. When rival porn producers Joe (Franco), a former youth pastor with a bad temper, and Harlow (Allen), a former military man, set their sights on stealing Sean from Stephen, an all-out porn turf war ensues, resulting in a shocking, gruesome murder in this bizarre, stranger than fiction true story.
Cristina and Rachel star in ‘Born This Way’ (Photo by Adam Taylor Copyright 2016/A&E)
The award-winning docuseries Born This Way has been renewed for a third season. A&E just announced the season three renewal, confirming the series received a 10 episode order for a new season. The news comes a day before the season two finale will air and a week after the show earned the Outstanding Unstructured Reality Program Emmy Award.
“Born This Way is a shining example of what the entertainment business needs more of – powerful, thought-provoking storytelling with a greater purpose,” said Elaine Frontain Bryant, Executive Vice President and Head of Programming for A&E. “It was incredibly rewarding to see the show recognized with the Emmy Award for giving a platform to the extraordinary abilities and wisdom of the cast and their families.”
The docuseries is executive produced by Jonathan Murray, Gil Goldschein, Laura Korkoian, Elaine Frontain Bryant, Shelly Tatro and Drew Tappon.
The Plot:Born This Way follows a group of seven young adults born with Down syndrome along with their family and friends in Southern California. Throughout the series, they pursue their passions and lifelong dreams, explore friendships, romantic relationships and work, all while defying society’s expectations. In their willingness and courage to openly share their lives, through a lens that is not often shown on television, we learn they have high hopes just like anyone else. The series also gives voice to the parents, allowing them to talk about the joy their son or daughter brings to their family, and the challenges they face in helping them live as independently as possible.
Thomas Gasior, Josh Dallas, Ginnifer Goodwin, Beverley Elliot, Lana Parrilla, Jennifer Morrison, and Colin O’Donoghue in ‘Once Upon a Time’ (Photo by Eike Schroter/ABC)
ABC’s Once Upon a Time season six will air episode two on October 2, 2016 at 8pm ET/PT. The episode’s titled ‘A Bitter Draught’ and will feature the return of the Evil Queen (Lana Parrilla). Season six’s first episode found the Savior, Emma Swan, suffering from a shaky hand and new visions of the future, and that will also be further explored in episode two. ‘A Bitter Draught’ was written by Andrew Chambliss and Dana Horgan and directed by Ron Underwood.
The cast includes Ginnifer Goodwin as Snow White/Mary Margaret, Jennifer Morrison as Emma Swan, Lana Parrilla as the Evil Queen/Regina, Josh Dallas as Prince Charming/David, Emilie de Ravin as Belle, Colin O’Donoghue as Hook, Jared S. Gilmore as Henry Mills, Rebecca Mader as the Wicked Witch/Zelena, and Robert Carlyle as Rumplestiltskin/Mr. Gold. Guest starring in season six episode two are Lee Arenberg as Leroy/Grumpy, Raphael Sbarge as Dr. Archie Hopper/Jiminy Cricket, Beverley Elliott as Granny, Craig Horner as the Count of Monte Cristo, Andrea Brooks as Charlotte, Andrew Kavadas as Baron Danglars, Craig Ericsson as butler, Olena Medwid as partygoer #1 and Nadeen Lightbody as partygoer #2.
The ‘A Bitter Draught’ Plot: When a mysterious man from the Land of Untold Stories, who has a past with the Evil Queen, arrives in Storybrooke, David and Snow work together with Regina to neutralize the threat. Belle seeks Hook’s help finding a safe place to hide away from her husband, Mr. Gold. The Evil Queen continues to try to win Zelena over to her side, while Emma resumes her therapy sessions with Archie and shares her terrifying vision of the future.
Mike Colter stars in ‘Luke Cage’ (Photo Credit: Myles Aronowitz/Netflix)
The second trailer for Netflix and Marvel’s Luke Cage has arrived starring Mike Colter in the title role. The new trailer shows more action, more of Luke Cage’s personality, and ends with a cool exchange of hoodies. In addition to Colter, the Luke Cage cast includes Mahershala Ali (Cornell “Cottonmouth” Stokes), Alfre Woodard (Mariah Dillard), Simone Missick (Misty Knight), Theo Rossi (Shades), Frank Whaley (Rafael Scarfe) and Rosario Dawson (Claire Temple). Marvel’s Luke Cage is set to premiere on September 30, 2016 at 12:01am PT.
Marvel’s Luke Cage is executive produced by showrunner Cheo Hodari Coker (Ray Donovan), Charles Murray (Roots), and Jeph Loeb (Marvel’s Daredevil, Marvel’s Jessica Jones).
The Plot:Marvel’s Luke Cage is the third show in the Defenders series to launch on Netflix. After a sabotaged experiment leaves him with super strength and unbreakable skin, Luke Cage (Colter) becomes a fugitive trying to rebuild his life in modern-day Harlem, New York City. But he is soon pulled out of the shadows and must fight a battle for the heart of his city – forcing him to confront a past he had tried to bury.
The CW’s Arrow will definitely be introducing Mr. Terrific in season five. Echo Kellum who plays Curtis Holt in the series confirmed he will be taking on the role of Mr. Terrific in the upcoming season. Kellum was among the Arrow cast members who made the trek to the 2016 San Diego Comic-Con where the season five sizzle reel proved Curtis is now an important member of #TeamArrow.
During roundtable interviews in support of the new season, Kellum discussed how long he’s known he’ll be playing Mr. Terrific and what’s going on with Curtis and Felicity’s friendship now that she’s been fired from Palmer Tech.
The CW will premiere Arrow season five on Wednesday, October 5, 2016 at 8pm ET/PT.
Echo Kellum Interview:
What will Curtis’ relationship be like with Felicity in season five?
Echo Kellum: “I think that they are best friends. They’re really, really, really good friends. They confide in each other, are there for each other in hard times, and they have a great working relationship…even though she got fired last season. But, yeah, they still definitely have each other’s back and are very supportive of each other. Felicity (Emily Bett Rickards) looks out for Curtis in so many ways and he’ll definitely reciprocate that for her.”
Are we going to see any more about the T-Spheres this coming season? They’re a big part of your character’s backstory in the comics.
Echo Kellum: “Yeah. I mean, Mr. Terrific is coming this season for sure. He’s definitely going to make an appearance. I think we’re going to dive into that, whether it’s T-Spheres or just really getting more tech that he creates. I think Wendy (Mericle) did an article where she was talking about if Felicity’s the software, Curtis is the hardware. He’s really an engineer at heart. He loves creating different technology. We’ll definitely be diving into that and also getting out in the field, so it will be a lot of fun.”
When you were first joining the cast were the auditions really secretive?
Echo Kellum: “Yeah, it was like Codename Something and I think the name was Barry or something. I’m like, ‘Barry? Okay.’ But I went in and auditioned for David Rapaport originally and from the jump he was like, ‘Man, I think you and Emily could have something special together. I really like how you’re playing it. You’ve got something that could be great.’ I went in with the producers and they agreed with that assessment and they let me know at the end of the audition, ‘Hey, by the way, this is Mr. Terrific. He’s a superhero.’ It was so cool. And then they called me a couple of days later and it was like, ‘Do you want to play this part?’ I’m like, ‘Yeah, absolutely!’
But it was such a fun experience. I mean, the dialogue that he has is so challenging but rewarding to get it out, you know, because it’s so smart and the jargon and all that. I don’t know how Emily does it every episode but I guess I’m kind of learning that now. But, yeah, I was so thrilled to be able to play such an in-depth, cool character.”
At the end of last season, Curtis was sometimes in awe of what he was experiencing, but he also spoke his mind when he had something to contribute. As Mr. Terrific, going forward will he still be in awe of new things he’s discovering?
Echo Kellum: “I think it’s a little bit of both but it probably leans heavier on the latter where he’s really getting out his perspective and calling stuff out when it doesn’t seem right. Really being his own man, you know? I really look forward to everybody getting to see kind of what we’re really getting into this season because I think it’s going to be so much fun to watch the season and see his growth and development. And also we’re really getting back to basics on the show. We’re really kicking ass and taking names so I wait for you to see it.”
Watch the full Echo Kellum interview:
(Interview by Fred Topel. Article by Rebecca Murray.)
The CW is set to premiere Frequency, a new series inspired by the 2000 film starring Dennis Quaid and Jim Caviezel, on October 5, 2016 at 9pm ET/PT. The sci-fi time travel drama stars Riley Smith in the role played by Quaid and Peyton List (swapping the gender from male to female) in Caviezel’s role from the feature film.
The series follows Detective Raimy Sullivan (List) who suddenly hears the voice of her deceased father, NYPD Officer Frank Sullivan (Smith), over her dad’s old ham radio. He’s broadcasting from 20 years in the past and neither understands how they could possibly be communicating. Now with Raimy able to warn her dad about his impending death, both of their lives will be dramatically altered forever.
Sitting down for roundtable interviews at the 2016 San Diego Comic-Con, Riley Smith talked about what it was that he latched onto in getting into his character, working with Peyton List, and the show’s tone.
Riley Smith Interview:
Can you talk about playing this relationship with a daughter when it had been a father and son in the movie?
Riley Smith: “Well, I feel that the father-daughter relationship is the sweetest thing in the world. I don’t have a daughter but I’ve always wanted one. Usually, guys say they want a son, like, ‘I want a mini-me.’ I would want that but I definitely want a daughter. I think it’s so sweet. So when I read the script, immediately that’s what popped off to me is that that element is going to be so much stronger for a series and for us as actors to play off of.”
It’s freaky that 1996 is considered the distant past.
Riley Smith: (Laughing) “I know! That was my senior year in high school. For me this is a blast, it’s like literally walking back in time. The music, the look, the feel of it – I knew it so well. Oasis ‘Wonderwall’ is my opening song for me and I got chills when that came on because that was like my song when I was driving in Iowa as a senior in high school trying to get the nerve to move to California to be an actor. And so there it was in this pilot so it’s fun. For me, it’s an era I want to play and I am.”
There seems to be a lot of nostalgia for the ’90s right now.
Riley Smith: “Everything comes back around. Remember the ’80s were popular? It comes with the wardrobe and styles and the hair, and all that stuff. I think everything is about 20 years is what they say. Like the fashion in Paris or whatever, the ’80s was just big and now the ’90s is about to make a huge comeback. Between the ’90s making a comeback and us having a ’90s element and time travel obviously being a big thing this year – and we’re a time travel show – we hit it on the head. We got really lucky that that is all playing at the same time.”
What is the tone of Frequency?
Riley Smith: “Deeply rooted in the characters and in the relationships. The sci-fi time travel genre elements will take care of themselves. We play the scenes as real and deeply rooted as possible. All the surroundings, that’s the surroundings. That’s the fun for the audience. We can’t get caught up in that. We have to stay true to the words on the page and the dynamic of the relationships, and our goals as characters.
What’s great about it is we have a very strong goal, an objective, that’s going to give us a timeline, basically a time clock. I did a show called 24 back in the day and everybody really liked that idea that there’s a countdown. We have that countdown on this show. We know exactly when my wife, Peyton’s mom, goes missing. And so we know exactly what we have to do.”
When you’re doing the scenes where you communicate via radio with your daughter, do you get to see Peyton List actually perform those scenes?
Riley Smith: “Yeah. Peyton and I vowed for the pilot that we would be there for each other off camera for the whole thing because it really makes a big difference. Peyton and I have been acting partners for 10 years. Nobody really knows that but we’ve worked countless hours on so many things that we did get, so many things that we didn’t get. We never actually physically worked together in a scene on TV though until now. And so all that history and work that we put in really showed and came across in the bond that we had as father and daughter.
It was very important for us, because we have that bond and we know each other so well as actors, to be there for each other off camera. I’m trying to do it for the whole series. It gets tougher because we’re working so much faster on a series than the pilot. So, I was talking to her the other day about it. I was like, ‘Let’s at least for the beginning of the show until we get it rolling, let’s still do that.’ Regardless, I can hear her in my head. I’ve worked with her so much I know how she would deliver it. But it always sounds better from her than probably a script supervisor off camera…no offense to the script supervisor.”
How would you describe Frank Sullivan and how he’s changed by the arrival of a daughter who’s essentially a voice?
Riley Smith: “It turns his world upside down. He doesn’t believe it at first – not until it saves his life. What I love about Frank is he’s the anti-hero. He’s a flawed human being and for me personally as an actor I was looking for that. It’s hard to find a lead role that’s flawed. A lot of times in a lot of ways they’re generic and perfect. I’m not that guy; I’ve never played that guy. I knew I needed to find a guy who was flawed that you could get behind and root for, and that was Frank.
He doesn’t have a lot of trust. He’s basically given up everything he has and loves for this job. I think after episode one when he comes in contact with Raimy, she saves his life, he realizes at that point forward nothing else matters except finding the person who’s going to do this to his wife, reconnecting with his daughter, reconnecting with his wife. I mean, really ultimately it comes down to Frank realizes that – and a lot of people realize that – ultimately at the end of the day it’s about family. It’s all you really have and the rest of this stuff doesn’t really matter if it’s all going to be taken away from you.”
Watch the full Riley Smith interview:
(Interview by Fred Topel. Article by Rebecca Murray.)
Josh Dallas, Lana Parrilla, and Jared Gilmore in ‘Once Upon a Time’ (Photo by Jack Rowand/ABC)
There were just a few minutes of happiness – and one very hot kiss – in Once Upon a Time season six’s first episode before our Storybrooke heroes once again faced potentially life-threatening (or at least relationship-ending) challenges. Season six episode one titled ‘The Savior’ aired on September 25, 2016 and opened with a flying carpet chasing a man on a horse. The horseback rider makes it to a village and asks for the savior, but the savior isn’t doing well. His hand’s shaking and he looks ill. Hot on the rider’s heels is Jafar (Oded Fehr), the man who had been riding on the flying carpet. He taunts Aladdin (Deniz Akdeniz) but doesn’t want to kill him immediately. Jafar says making him a hero made him fall apart. He also tells Aladdin you never hear “and they happily ever after” said about a savior. Jafar leaves, warning Aladdin to take care.
Hook (Colin O’Donoghue) and Emma (Jennifer Morrison) are in the middle of a hot and heavy make out session, both wearing their leather jackets, when all of a sudden the room starts rocking. They race outside and see a ship sailing overhead. The rest of the gang race to the woods and Jekyll (Hank Harris) explains it’s a dirigible from the Land of Untold Stories. Hyde (Sam Witwer) shows up to announce it’s there because of him since now Storybrooke is his town; Rumple gave it to him. Emma and Regina (Lana Parrilla) combine forces and try and take Hyde down but he just laughs. Hyde warns them there’s nothing more dangerous than an untold story.
The dirigible crashes and Emma’s the first to enter. No one’s inside and the gang tries to figure out where they went. Snow (Ginnifer Goodwin) points out there are lots of footprints and it looks like they scattered after crashing. According to Hyde the stories could create chaos, and Jekyll needs help finding a weapon to take down Hyde. As they’re searching, Emma has a vision of a sword fight and her hand starts shaking. She won’t tell anyone what’s wrong and walks away, hand still shaking.
And now it’s time to spend a little time with Rumple in the woods. He pulls out a map to the Temple of Morpheus which is where Jekyll told him he’ll find sands that will let him walk in Belle’s dreams and enable him to wake her. In the temple, Rumple waves his hand over the box and Belle materializes, still asleep. He sprinkles sand over her and instead of Belle, he meets Morpheus (Giles Matthey). Morpheus asks if he wants to wake up Belle.
Regina pays Zelena (Rebecca Mader) a visit and her house looks like a hurricane hit it inside. Zelena welcomes her to the “mad house” while Regina explains Rumple gave the town to Hyde. Zelena’s ready for a showdown but Regina thinks she should stay with the baby because their magic doesn’t work on Hyde. Zelena’s still in thankful loving sister mode and she reveals she has a feather from Robin’s arrow Roland gave her to give to Regina. But, her house is a complete mess and she has no idea where she put it. Regina tries to convince her she’s not angry, but she really wants the feather if Zelena can find it.
Regina puts a protection spell around her vault and Snow lets her know Jekyll finished the special weapon. Regina looks pissy and Snow figures out there’s something wrong. Regina tells her the feather story but Snow doesn’t believe that’s really what’s bothering her. Snow says to just talk to Zelena about it and get over it once and for all.
The gang gather in front of the Storybrooke Town Hall to try and take down Hyde. Regina acts like she’s going to kill Jekyll but Hyde doesn’t go for it. He tells Regina no one is afraid of her now and that’s when Emma is supposed to use the special weapon. Unfortunately, Emma’s distracted by another vision of a sword fight – and her hand is shaking again. As Hyde’s strangling Regina, Emma finally gets herself under control and fires the weapon. The jolt knocks Hyde into a parked car where Jekyll slaps special handcuffs on him that he can’t escape. As Hook and David (Josh Dallas) are taking him away, Hyde mentions Emma’s tremors and she demands to know what he knows about them. Hyde tells her she knows where to find him if she wants the truth about the tremors.
Emma is wandering around the dirigible when up walks Archie (Raphael Sbarge) with coffee and an adorable Dalmatian. She knows her parents are worried and sent him to her to discuss her problems. He tells her her emotional walls are down now, which is a good thing, but it also let in all the collateral damage from all the fighting. He says it’ll take time and hard work to handle the change.
Emma secretly visits Hyde and wants proof he knows what’s wrong with her. She’s not offering him anything he wants and she thinks he doesn’t know anything and that it’s a bluff. But then he reveals he knows about the visions of the battle she’s been having – visions she hasn’t told anyone (not even Hook) about. She knows he loves to talk and threatens to leave him alone with no one to talk to. As he reaches for her neck, he’s pleased to see she’s afraid of him. He tells her she has to find the red bird and she must face her own story.
Rumple’s dreamwalking with Morpheus as his guide. Belle (Emilie de Ravin) is dreaming about Rumple’s castle when he enters the room. She sees him as Rumpelstiltskin not Gold, and she’s still a servant. She races out to get him tea, and Morpheus lets Rumple know he has to wake her within an hour or she’ll remain under the sleeping curse forever. Rumple tells Morpheus he’ll wake her up by making her fall in love with him again. Interestingly, the castle is a terrifying place for Belle but Rumple says it’s also where they fell in love. Rumple will trick her to get her to wake up, but he’s not lying that he loves her.
Belle looks nervous trying to pour the tea and he catches a cup she drops. He then tells her to take a break, puts on “Beauty and the Beast,” and asks her to help him practice dancing for a ball he has to attend. As they dance, the room transforms and becomes beautiful. He changes her outfit into a gorgeous ball gown as the music plays on. They circle the room and she’s no longer scared of her beast.
Back in Storybrooke, Zelena’s happy they captured Hyde but she’s concerned to see Regina’s crying. Regina says it’s because it’s her first visit back to the house since Robin died. She wants Zelena to leave the room, even though Zelena thinks they should help each other. And now the truth is out…Regina blames Zelena for everything that happened. And now Zelena admits she’s pissed because Regina went to Snow about ripping out the Evil Queen, not to her own flesh and blood. “You ripped out the part of yourself that was most like me!” yells Zelena, crying. Regina has no response and Zelena tells her she and the baby are leaving.
Colin O’Donoghue in ‘Once Upon a Time’ (ABC/Jack Rowand)
David and Snow are still out in the woods and it’s getting dark. They spring one trap and Snow figures out the strangers are hiding because they’re scared. She yells out that she’s Snow White and Hyde is locked up. The strangers appear but keep their distance, with Snow telling them that they can go to Granny’s for food and shelter. She and David leave so as not to further scare the visitors.
Emma lets Hook know Snow and David found some of the people and sent them to Granny’s. Hook’s also hungry from a day searching in the woods, but just then Emma spots the red bird. She tells Hook to go and get something to eat and that she’ll stay in the woods. He thinks it’s because she’s avoiding talking to him and she says she just wants to be alone. He notices her hand shaking and she won’t tell him what’s going on. She tells him to leave and he finally does.
Emma follows the red bird and encounters a stranger who calls her by name and says she knows why she’s there. Emma wants to know about the visions and the girl tells her they’re telling the story of her future.
Henry (Jared Gilmore) finds Regina kneeling in front of the fireplace doing a locator spell with Robin’s quiver. She tells him she’s trying to find Robin’s feather and Henry says the spell was looking for Robin, not the feather. Regina knows Robin’s soul was obliterated but Henry says Hades said that to hurt her. Henry believes that when a hero’s story is over there’s a special place for them.
Back at Rumple’s, the couple are still sharing a dance. Belle seems to be getting friendlier and says it’s a shame he’s lived there alone for so long. Rumple tells her he had a son but that he left because he saw the darkness in his father’s soul. Rumple couldn’t change then, but for Belle he would be the best man he could be. They kiss and Belle remembers they’ve done this before. Rumple gives her a brief rundown of their history and reminds her she’s with child and fell asleep to keep the unborn baby safe. He wants her to wake up, swearing this is the truth. Belle remembers all the broken promises and loves him, but being with him causes heartbreak. She thinks the baby would be better waiting with her. Just then Morpheus arrives and is happy Belle didn’t fall for Rumple’s lies again. He is ready to wake her up and she asks how. He replies, “With true love’s kiss, of course.” She says she doesn’t love him – or even know him – but he says she does.
Morpheus is Belle and Rumple’s unborn son all grown up! Morpheus says this is his dream world too and wants her to promise not to destroy them like he did his last family. Rumple tells her not to listen to Morpheus because he can’t be their son. He proves he is by giving her a gentle kiss on the forehead. She wakes with Rumple standing over her. She remembers her son was testing her, and Rumple says he’s lost his son before he was even born. Rumple opens a portal for them to return to Storybrooke and Belle says she will not go back to their house. She’s determined to follow her son’s warning.
Back in the forest, the girl says she was once called an oracle and Emma has seen a small piece of future time. Emma wants to see more, but the girl says the future changes although it is inevitable. Emma doesn’t care, she wants to see more. Emma looks into the eyes of the red bird and sees the sword fight. She’s battling someone in a hood as Hook, David, Snow, and Henry run toward her. Emma’s hooded enemy knocks the sword from her hand and it goes up in a puff of red smoke. Emma tells the person she won’t let them hurt her family. She’s stabbed in the stomach and reaches out with her shaking hand to grab the person’s arm. Emma is told this is a small piece of her final story and she can change the path to it, but not the outcome. “On the day you saw and the battle you saw, you will die.” The oracle leaves her.
Emma pays another visit to Hyde and wants to know how to stop it. She says even without his help she’ll defeat it, but he says she’s not the first savior he’s dealt with and they always say the same thing. A villain always brings down a savior…always. Hyde doesn’t know who the villain is.
Hook’s drowning his sorrows when Emma sits next to him at the counter. She’s happier and tells Hook her hand was just from stress, promising that’s the truth.
Time for a Snow and Regina heart-to-heart. Snow tells Regina it’ll all be fine eventually. Regina says the problem isn’t she and Zelena being honest with each other, it’s Robin. Regina wants to know how Snow retained hope after her mother died, and Snow said the Evil Queen actually accidentally taught her to never give up and to have faith. Snow says the Evil Queen taught her hope is a choice. Then Regina has an epiphany: Hades is wrong and Robin is at peace. Regina also realizes that she’s been thinking badly of the people who hid out in the Land of Untold Stories, but she did the same thing. She hid out too and kept telling herself that she was the Evil Queen. But now she knows her life is not just one thing, it is many stories. To some people she’s a villain while to others she’s a hero. Regina wants to start a new story now, one without the Evil Queen. “I choose to believe that this story will have a better ending than my last,” says Regina.
Hook, David, Henry, Emma, and Granny pass out food and blankets to the visitors. Emma leaves Granny’s and clutches her shaking hand.
Regina and Snow stand up, link arms, and walk away. As they do, a feather falls gently from the sky, landing on the bench where they were seated.
Zelena and the baby go home only to find the Evil Queen sitting at her table. Zelena can’t believe she’s alive and the Evil Queen offers her a drink, saying it’s time for some sisterly bonding.
The CW’s long-running horror/thriller/comedy series Supernatural will return for its 12th season on October 13, 2016 at 9pm ET/PT. Kicking off the new season with an episode titled ‘Keep Calm and Carry On,’ the 12th season finds the Winchester brothers – Dean (Jensen Ackles) and Sam (Jared Padalecki) – struggling to come to terms with the return of their deceased mother, Mary Winchester (Samantha Smith). Returning cast members also include Misha Collins as Castiel, Mark Sheppard as Crowley, and Ruth Connell as Rowena MacLeod. The new season will also introduce musician/actor Rick Springfield as Lucifer.
In addition to the strange Winchester family reunion that will be taking place in season 12, fans of the popular series can expect to see the Winchesters battling Hitler and more on Castiel’s past. And with the addition of Springfield as Lucifer inhabiting the body of a musician, there will be an episode that delves into the world of rock stars.
The ‘Keep Calm and Carry On’ Plot: MAMA WINCHESTER IS BACK — Dean (Ackles) is overwhelmed as he comes face to face with his mom, Mary Winchester (Smith). Meanwhile, Sam (Padalecki) is fighting for his life after Toni, from the Woman of Letters, shot him. Phil Sgriccia directed the episode written by Andrew Dabb.
Are we experiencing the rebirth of the Western genre? The Magnificent Seven finished first at the box office, ringing up $35 million over its first three days in release. Led by Denzel Washington, Chris Pratt, and Vincent D’Onofrio, The Magnificent Seven earned high ratings from ticket buyers who gave the film an A- rating on CinemaScore. Also receiving an A- score was the animated family-friendly comedy Storks which opened in second place. While audiences who did check it out apparently liked what they saw, Storks only delivered a $21 million first weekend which was way below pre-release estimates. Made for around $70 million, it’s unlikely Storks will have legs (or wings) moving into the October weekends.
Up next, Deepwater Horizon, Masterminds, and Miss Peregrine’s Home for Peculiar Children will enter the box office fray.