Advertisement
Home Blog Page 1841

‘Once Upon a Time’ Season 5 Episode 4 Recap, Review: The Broken Kingdom

Once Upon a Time Josh Dallas and Ginnifer Goodwin
Josh Dallas and Ginnifer Goodwin in ‘Once Upon a Time’ season five episode four (Photo by Jack Rowand / ABC)

The battle to keep Emma from turning into the Dark One continued with episode four, season five of ABC’s Once Upon a Time which aired on October 18, 2015. The fourth episode of the season also revealed much more about King Arthur and Queen Guinevere’s relationship as well as why Lancelot was pretending to be dead all these years. “The Broken Kingdom” also found Hook doing his best to keep Emma occupied so she wouldn’t have time to think about Rumplestiltskin.

Recap of Season Five’s Fourth Episode:

We start off the episode with Arthur and Guinevere as kids. Merlin’s trapped inside the tree and Arthur tells Guinevere about the prophesy of Excalibur, and he promises to give her flowers every year on her birthday (yes, that will be important later in the episode). Bigger kids tease Arthur about the sword prophesy and warn him that no one will ever kneel to the boy who cleans the stables. But Guinevere makes him feel better by assuring him that she believes he will some day find the sword, if he follows his heart.

Fast forward to when he removes the broken sword from the stone. Arthur (Liam Garrigan) and his knights race back with Excalibur but he doesn’t tell the kingdom that the sword is broken, only showing off the top half and leaving the break concealed in his scabbard. Guinevere senses something’s wrong and Arthur says his quest has only just begun.


David (Josh Dallas) joins Arthur at the Round Table, and Arthur reveals the sword is broken and that the missing piece is the dagger of the Dark One. Arthur believes that with the dagger they wouldn’t need Merlin and could reforge Excalibur and destroy the Dark One on their own.

At Camelot, Rumple (Robert Carlyle) leads Emma (Jennifer Morrison), who was sitting in front of dreamcatchers, to a strange noise. It’s the dagger and Rumple wants her to shatter the spell Regina (Lana Parrilla) put on it and save herself. She tells him to get out of her head, but it’s Hook (Colin O’Donoghue) who actually appears in the doorway. She hugs Hook, telling him Rumple’s always there.

The gang assembles in Regina’s room in Camelot and Emma is awake but unresponsive. David rushes in and tells Mary Margaret (Ginnifer Goodwin) that if they give the dagger to Arthur, he will help them. But Mary Margaret says no way; Arthur’s not trustworthy according to Lancelot. They all believe Lancelot is dead, but Mary Margaret lets them know he’s just hiding out.

Regina says Emma needs somewhere quiet to recuperate, and Henry and Hook take her away. Regina then lets David and Mary Margaret know that Emma must have been in her room looking for the dagger, and David’s still dead-set on giving the dagger to Arthur. Mary Margaret, with fire in her eyes, says no. They argue about Lancelot – who married them – but David’s upset with Lancelot for falling in love with Arthur’s wife, Guinevere (Joana Metrass). Mary Margaret thinks David is starstruck by meeting a king and that he’s not to tell Arthur anything until they know what’s up.

Five years earlier, Arthur is studying up on Excalibur. He’s translating a scroll and has figured out how to find the dagger, but doesn’t know what the symbols Star + Eye + Sun mean. It’s a maddening riddle, says Arthur, but Guinevere wants him to take a break and dance with her at her birthday party. Arthur doesn’t show up, but Lancelot does. She’s upset and dances with Lancelot. Guinevere’s worried because Arthur’s not building a kingdom and instead is locked up in a room all day looking for clues on Excalibur. Flowers are sprinkled and the crowd claps, but Guinevere knows Lancelot actually planned the party and remembered the flowers.

Arthur finally shows up at the party, but he only wants to talk about the dagger. It’s a day’s journey away, he believes, and leaves Lancelot there to protect the queen.

Back in Camelot five years later, David goes back to the Round Table. David confesses to Arthur the real reason the Storybrooke gang is in Camelot. He says he’ll do anything to destroy the darkness and tells Arthur they are going to restore Excalibur tonight… Mary Margaret is not going to take this well!

Arthur’s happy to learn the truth and promises he’ll help David get rid of the darkness inside Emma. Then the ever-trusting David goes ahead and tells Arthur Lancelot is alive. David, David, David, what are you thinking?!

Five years earlier, Lancelot finds Guinevere sneaking out in the dead of night. She broke into Merlin’s tower and took his gauntlet and she’s going to use it to find the dagger, even though Arthur would never do that. She’s going to finish the quest and Lancelot says he’ll join her.

Guinevere puts on the gauntlet, goes into the woods, finds the Dark One’s vault with the symbols from Arthur’s scroll, presses them, it opens and black liquid oozes, and a stairwell is revealed. They venture down and Lancelot is attacked. Guinevere saves him and they passionately kiss. She apologizes and says it won’t happen again. He agrees.

Five years later, Arthur tells David he wants the news that Lancelot lives to be kept a secret. However, Guinevere overhears and wants to know where he is so she can make him pay for his actions. David thinks they’re both equally guilty of infidelity, but Guinevere has a different story to tell. “If Lancelot is in Camelot, then that dagger isn’t safe anywhere,” says Arthur. David says he brought it with him, Arthur and Guinevere exchange looks, but the box it was in is empty.

Mary Margaret goes to Granny’s Diner to talk to Lancelot. She needs his help and tells him they have to hide the dagger.

Henry (Jared Gilmore) and Hook bring Emma to a quiet, out of the way stable that Violet’s family owns. Hook’s overjoyed to hear about this girl Henry has a crush on, but Emma can’t believe he lied about his feelings to his mom who happens to be the Dark One. Hook wants to know what’s going on with her, and Emma tells him she’s seeing and talking to Rumple in her head all the time. She even sees him as she’s telling Hook about this. Hook’s battled demons in his head and purged them by sailing the Jolly Roger, and he thinks getting Emma’s heart racing on a horse might be just the ticket to ridding her – for now – of Rumple’s presence.

Lancelot (Sinqua Walls) and Mary Margaret walk through the woods and she wants to know about his relationship with Guinevere. He says he’ll forever love Guinevere.

And now we’re back to that scene five years earlier in which Guinevere and Lancelot are looking for the dagger guided by Merlin’s gauntlet. She thinks they’re close. They step through a door and there’s the dagger on an altar but when she reaches for it, she’s thrown back. Rumple’s there and sees Merlin’s gauntlet. He won’t give them the dagger after learning she’s Guinevere, but he’ll make a deal if she gives him the gauntlet. He won’t give them the dagger, but he’ll make it appear like the sword has been completed by using enchanted sand. One pinch of it can finish Excalibur. It’ll be their secret, and she can have her husband back. Lancelot doesn’t want her to listen to Rumple, but she accepts the deal. “Good girl, but be careful. Love is a weapon. The most dangerous weapon of all which means the pain you should worry about isn’t the kind inflicted by a broken sword, but the kind that comes from a broken heart,” warns Rumple.

Five years later, Lancelot and Mary Margaret make it to the vault of the Dark One. He pushes the symbols and they retrace Guinevere’s footsteps. Mary Margaret’s been there before… She had a vision of Emma crushing her heart there years ago. Lancelot tells her the altar is shielded by a protection spell, and Lancelot wants to be the one to put the dagger on the altar in case something bad happens. Mary Margaret hesitates and in walks Arthur, sword drawn. He followed them and sent David out to search for them in the wrong place. “If you ever want to see him again, you’re going to hand over that dagger,” says Arthur.

Liam Garrigan Joana Metrass in Once Upon a Time
Liam Garrigan and Joana Metrass in ‘Once Upon a Time’ (Photo by Jack Rowand / ABC)

Five years earlier, Arthur watches Lancelot and Guinevere share a quiet moment together and figures out their relationship. Guinevere comes into the room and Arthur wants to know where she’s been. Hiding the sand behind her back, she tells him they were searching for the dagger of the Dark One. She says she found it in the Dark One’s vault. Arthur goes crazy, trying to find it in her bags, screaming at her. Angry, she tells him she was only able to get the enchanted sand but not the dagger. He thinks she just wanted to trick him, but she says it was because she wanted him back, the king she knew he could be. He says he will be back if she tells him where the vault is, but she threatens him to stop trying to mend the sword or his marriage and the kingdom will be broken forever. He thinks her heart belongs to Lancelot, and he won’t lose her to him. He uses the sand to keep her by his side! She’s now enchanted and her anger is gone. She will support his desire to get the dagger, and he says it’s time to fix the broken kingdom. He tosses sand out the window to fix Camelot.

Five years later, Arthur says he’ll kill Lancelot if Mary Margaret doesn’t hand over the dagger. She gives it to him to save Lancelot. Arthur says, “I have waited a lifetime for this. Now I control your daughter. I can command her to unite the sword and free Merlin. Excalibur’s blade will be the last thing he sees before I use it to run him through,” says Arthur. He will also use the blade to snuff out the darkness. He commands the Dark One to appear but nothing happens. Mary Margaret says she’s not coming because the dagger is not real. It was all a trick and David was in on it. David comes in behind Arthur and holds him at sword point while Mary Margaret disarms him. Arthur’s upset David broke his trust and betrayed him…not in the least bit concerned he was doing the same thing to David that he accused David of doing. Arthur continues to claim he wants to destroy the darkness and David tells him the darkness is in his daughter and every choice he makes is for his family.

Hook and Emma are walking through the forest with the horse. Hook says Emma has to introduce herself to the horse before she can ride it. The horse shies away and Rumple laughs. Hook tells Emma to knock off talking to the demon in her head and get on the horse. Emma has no idea why and Hook says it’s about her putting her faith in him and their future. “I’ll never stop fighting for us. All you have to do is trust me. This will work,” says Hook, in his most charming way. Up on the horse Emma goes.

At Granny’s Diner, David and Mary Margaret talk about what to do with Excalibur and the dagger. Arthur wanted to reunite them and use it for evil, but David thinks they could be used for good. Lancelot says Guinevere is fit to rule, but Arthur says nothing which makes David and Mary Margaret very suspicious. And for good reason as his knights surround the diner and face off with Lancelot, Mary Margaret and David. Guinevere, still under the sand spell, frees Arthur and tells Lancelot she loves Arthur. Lancelot knows immediately she’s under the sand’s spell, but Guinevere has Lancelot taken away to the dungeon. Arthur gets Excalibur back and Guinevere uses the sand on David and Mary Margaret.

Lancelot lands in the cell and Merida is down there. She’s locked away too, and tells him an enemy of King Arthur’s is a friend of hers.

Regina paces and Robin tells her to stop worrying. In walks Mary Margaret and David who claim Arthur is actually a good guy and Lancelot is where he should be – locked away. They now want Regina to give the dagger to Arthur.

Hook and Emma get off the horse after an invigorating ride. He picks a rose for her and asks what she doesn’t see. “Rumplestiltskin. He’s gone,” says Emma. It worked and they kiss in a field of pink roses.

Storybrooke, present day. Emma holds a pink rose and Gold is tied up. He tells her she can just set him free, but she needs him to be the hero and pull Excalibur from the stone. She’s going to use a ‘secret weapon’ to get him to do it.

She goes back to her VW Bug where she has Merida tied up, pulling her heart out. She instructs her to pull out the bow and make Gold brave, just like her.

“The Broken Kingdom” Review:

“The Broken Kingdom” revealed much more about King Arthur’s obsessive quest for the dagger and how he’s been able to manipulate Guinevere into being such a supportive wife. The reveal really altered our perception of the King who, up until this episode, seemed shady but not truly evil. It will be interesting to see the next step in Arthur’s arc this season and if this particular storyline will end with King Arthur – a beloved, heroic mythological figure – will wind up being one of the series’ big villains.

Hook continues to be a dashing hero while Mary Margaret and David have actually become more interesting as a couple as this season goes on. Episode four also finally pulled Merida back into the story, although it was just two very brief scenes at the very end.

Season five’s fourth episode pulled off a few surprising twists that Once Upon a Time fans may not have seen coming. But while episode four was pretty entertaining overall, unfortunately it also had a few scenes where the visual effects were way too obvious. The scenes down in the Dark One’s vault contained CG effects that weren’t up to par with Once Upon a Time‘s usual efforts. They were jarringly apparent, something unusual for the show, and hopefully just a one-time glitch.

GRADE: B-

Once Upon a Time Season 5 Recaps: Episode 1 The Dark Swan / Episode 2 The Price / Episode 3 Siege Perilous

Season 5 Interviews: Colin O’Donoghue & Jennifer Morrison / Lana Parrilla / Josh Dallas & Ginnifer Goodwin / Sean Maguire & Rebecca Mader / Robert Carlyle & Emilie de Ravin

‘Rosewood’ Gets a Full Season One Order

Rosewood Cast
Anna Konkle, Gabrielle Dennis, Morris Chestnut, Jaina Lee Ortiz, Lorraine Toussaint and Domenick Lombardozzi in ‘Rosewood’ (Photo by Justin Stephens © 2015 Fox Broadcasting Co)

The new dramatic series Rosewood starring Morris Chestnut will be sticking around for a full first season. Fox has given the show a full season one order after averaging 7.3 million viewers since its premiere on September 23, 2015. Created by Todd Harthan, Rosewood is executive produced by Harthan, Wyck Godfrey, and Marty Bowen.

“Rosewood has proven to be a real self-starter for us, which is a tremendous feat on this highly competitive night. Todd Harthan, Morris, Jaina, Lorraine, and the entire cast and crew have done a fantastic job creating a gorgeous, sexy world that is the perfect complement to Empire,” said David Madden, President, Entertainment, FOX Broadcasting Company. “The upcoming episodes are so compelling as we build out the family dynamics, and with today’s order, we’re excited to explore the world of Rosewood even further this season.”

In addition to Chestnut, the Rosewood season one cast includes Jaina Lee Ortiz,
Lorraine Toussaint, Gabrielle Dennis, Anna Konkle, and Domenick Lombardozzi.

The Plot:

Set against the vibrant backdrop of one of the world’s hottest cities – Miami – new medical procedural Rosewood stars Morris Chestnut as Dr. Beaumont Rosewood, Jr., the city’s top private pathologist. Brilliant, cool with tons of charisma, Rosewood teams up with the tough-as-nails Detective Annalise Villa (Ortiz) to uncover clues no one else sees and help the Miami PD solve the city’s most challenging cases.

‘The Walking Dead’ Season Six Midseason Premiere Date Announced

Walking Dead Norman Reedus Season 6
Norman Reedus as Daryl Dixon in ‘The Walking Dead’ Season 6, Episode 1 (Photo Credit: Gene Page / AMC)

AMC’s once again splitting The Walking Dead in two, with the network just announcing the premiere day of the current season’s second half. Season six, which is airing on Sunday nights at 9pm ET/PT, will air eight new episodes in the first half of the season and then return on Valentine’s Day 2016 with eight more season six episodes.


The Walking Dead season six premiered on October 11th to 19.5 million viewers making it the #1 premiere among adults 18-49 for the 2015/2016 season. According to AMC, The Walking Dead‘s the only cable program to hold the #1 spot, with the current season the third in a row to top the chart.

“What an unforgettable week for all who love The Walking Dead – from sharing the premiere with more than 13,000 screaming fans at a packed Madison Square Garden to our sixth season return on Sunday as the number one show in all of television. We’re so humbled and proud of the way this incredibly ambitious episode has been received,” stated Charlie Collier, president of AMC, SundanceTV and AMC Studios. “All credit goes to the amazing talent that continues to drive this show, beginning with Robert Kirkman, Scott M. Gimple, the executive producers, cast and crew and, of course, the terrific fans who inspire us all.”

The Walking Dead starring Andrew Lincoln, Norman Reedus, Danai Gurira, Lennie James, Michael Cudlitz, and Steven Yeun also returned to a big welcome on social media, generating almost one million tweets on October 11th.

Box Office Report: ‘Goosebumps’ Wins, ‘Crimson Peak’ Underwhelms

Goosebumps Jack Black, Odeya Rush, Dylan Minnette
Jack Black, Odeya Rush, and Dylan Minnette in ‘Goosebumps’ (Photo 2014 Columbia Pictures Industries, Inc.)

Family audiences turned out to check out Goosebumps in theaters, with the film’s opening weekend slightly over-performing its pre-release estimates while taking the number one spot away from the high-flying The Martian. The Martian‘s domestic box office take stands at $143 million after this weekend and it’ll likely wind up being Ridley Scott’s biggest box office film by the time it ends its release in North American theaters.

Meanwhile, Guillermo del Toro’s Crimson Peak just didn’t catch on with audiences. Even with a top-notch cast led by Tom Hiddleston, Charlie Hunnam, Jessica Chastain, and Mia Wasikowska, Crimson Peak failed to make an impression at the domestic box office ringing up just $12.8 million over its first three days in theaters.


Top 10 Box Office – October 16-18, 2015
1. Goosebumps – $23,500,000
2. The Martian – $21,500,000
3. Bridge of Spies – $15,530,000
4. Crimson Peak – $12,850,000
5. Hotel Transylvania 2 – $12,250,000
6. Pan – $5,860,000
7. The Intern – $5,405,000
8. Sicario – $4,500,000
9. Woodlawn – $4,100,000
10. Maze Runner: The Scorch Trials – $2,750,000

‘Star Wars: The Force Awakens’ Poster Arrives, Trailer Coming on Oct 19th

Star Wars: The Force Awakens Poster
Poster for ‘Star Wars: The Force Awakens’

Lucasfilm and Disney will be releasing the new trailer for Star Wars: The Force Awakens during halftime of ESPN’s Monday Night Football broadcast of the New York Giants and Philadelphia Eagles game on October 19, 2015. The game will start at 5:15pm PT so you can expect halftime about 6:45ish.


With the trailer set to debut tomorrow, today Lucasfilm unveiled a poster that’s loaded with clues. In fact, there might be too much going on in the poster but curiously Mark Hamill is nowhere to be seen even though Harrison Ford’s Han Solo and Carrie Fisher’s Princess Leia are present. And once again John Boyega’s Finn is seen with a lightsaber.

In addition to the new poster and trailer, Lucasfilm and Disney confirmed online ticket sellers will begin selling tickets to the much-anticipated December 18, 2015 release of the new Star Wars film following the launch of the trailer.

J.J. Abrams directed Star Wars: The Force Awakens which stars Boyega, Hamill, Ford, Fisher, Adam Driver, Daisy Ridley, Oscar Isaac, Lupita Nyong’o, Andy Serkis, Domhnall Gleeson, Anthony Daniels, Peter Mayhew and Max Von Sydow.

Melissa Leo and Sebastian Stan Join ‘I’m Dying Up Here’

Sebastian Stan Iron Man 3 Red Carpet
Sebastian Stan at the ‘Iron Man 3’ premiere (Photo By Richard Chavez)

Showtime’s signed Oscar winner Melissa Leo and Clark Duke to star in I’m Dying Up Here, a new dark comedy pilot from writer/executive producer Dave Flebotte (Masters of Sex). If the pilot’s picked up, Sebastian Stan would guest star (he’ll star in the pilot episode). The cast also includes Ari Graynor, Andrew Santino, RJ Cyler, Erik Griffin, and Stephen Guarino. Jim Carrey, Michael Aguilar, and Christina Wayne are on board as executive producers and Jonathan Levine (Warm Bodies) is directing the pilot.


Filming is expected to take place this fall. I’m Dying Up Here is based on William Knoedelseder’s non-fiction book.

The Plot:

Set in L.A.’s celebrated, infamous stand-up comedy scene of the 1970s, during which the careers of most of our comedy superstars began, the pilot will delve into the inspired and damaged psyches that inhabit the hilarious, but complex business of making an audience laugh.

Leo will play the role of “Goldie,” a brassy comedy club owner who rules over her business with an iron fist and nurtures her comedians with tough love. Stan will play “Clay,” a funny, charming comedian on the rise, who declares irrelevancy as his biggest fear. He is idolized by his ex and fellow comedian Cassie (Graynor). Duke will play “Larry,” a ballsy young comedian from Boston who moves to L.A. with the hopes of making it big.

‘Rookie Blue,’ ‘Defiance,’ ‘Dominion’ Have Been Cancelled

Rookie Blue Missy Peregrym and Ben Bass
Missy Peregrym, Benz Antoine, and Ben Bass in ‘Rookie Blue’ (Photo by Caitlin Cronenberg / ABC via Getty Images)

ABC has ended the run of Rookie Blue starring Missy Peregrym after six seasons, with the recent season finale now serving as the series’ finale. Creator Ilana Frank confirmed the decision, saying, “On behalf of the whole Rookie Blue family, thank you to all the fans for your dedication over the last six years. After six fun and dramatic seasons, our story has come to a natural close.”


Series stars Peregrym, Enuka Okuma, and Priscilla Faia took to twitter to thank fans for their six years of support:

“Message to the fans from Charlotte Sullivan. She is forever grateful for you support and wanted to say….”They’ve burst my heart open and I’m going to need biomaterials to replace my busted heart. I will never be the same.” – Charlotte AKA Gail” – @mperegrym

“6 amazing years of memories and friendships that will last a lifetime. Thank u @RookieBlue_ABC @Rookiebluetv and LOVE 2 the best FANS ever!” – @enukaokuma

“With the official word out. I would like to thank all of you for your undying support. Some of the best times in my life. @Rookiebluetv” – @priscillafaia

Syfy is also saying goodbye to two of its primetime shows. Neither Defiance nor Dominion will be returning for additional seasons. Defiance‘s third season ratings were down from season two while Dominion just never caught on with viewers and will end after two seasons.

Confirming the cancellation of Defiance, Syfy released a statement: “Defiance was a truly groundbreaking series, delivering an immersive, cross-platform experience that transcended the television screen in a way that viewers had never seen before. We are incredibly proud of the work of the extraordinary cast, writers, artists and designers — and especially showrunner Kevin Murphy — who together brought the rich world of Defiance to life over its three season arc.”

Dominion star Chris Egan also tweeted a thanks to his fans:

‘Collide’ Gets a 2016 Release Date and a Teaser Trailer

Nicholas Hoult in Collide
Nicholas Hoult stars in the action film ‘Collide.’

Director Eran Creevy’s Collide has been picked up by Open Road and will open in theaters on April 1, 2016. Nicholas Hoult (Mad Max: Fury Road) leads the cast which includes Felicity Jones, Anthony Hopkins, and Ben Kingsley.

Creevy’s Collide (previously known as Autobahn) was originally slated for release this year by Relativity but returned to IM Global after Relativity filed bankruptcy. Open Road acquired the U.S. distribution rights in a deal with IM Global which was officially announced by Open Road Films CEO Tom Ortenberg and IM Global Founder and CEO Stuart Ford.

Joel Silver, Ben Pugh, Rory Aitken, and Brian Kavanaugh-Jones produced Collide.

The Plot:

In Collide a young American couple Casey (Hoult) and Juliette (Jones) are plunged into an adrenaline- pumping game of cat and mouse across Germany when they find themselves caught between two ruthless feuding criminals (Hopkins and Kingsley).

‘Bridge of Spies’ Movie Review: One of the Year’s Best Films

Bridge of Spies Mark Rylance and Tom Hanks
Tom Hanks is Brooklyn lawyer James Donovan and Mark Rylance is Rudolf Abel, a Soviet spy arrested in the U.S. in the dramatic thriller ‘Bridge of Spies’ (Photo by Jaap Buitendijk © DreamWorks and 20th Century Fox)

“The next mistake our countries make could be the last one,” says Jim Donovan (Tom Hanks) to one of the chief KGB negotiators while trying to come to an agreement about the United States and Russia swapping spies during the height of the Cold War in the thriller, Bridge of Spies.

Jim Donovan is an insurance lawyer who is handpicked by the U.S. government for the unwanted and undesirable task of representing and defending KGB spy Rudolf Abel (Mark Rylance) who’s on trial for the crime of espionage against the United States. Donovan struggles to do his best to build a case with a client who is guilty and a family who doesn’t understand why he has to be the one to defend an enemy of the state. He finds his will, determination, and belief in the law to be his only allies in trying to deliver a solid defense and fair trial for Mr. Abel. Despite his best efforts, Rudolph Abel is found guilty of his crimes. However, thanks to Donovan having had a discussion with the judge about not sentencing Abel to death for doing his job for his country, using the argument that it might influence Russia to make the same decision if they ever catch a U.S. spy, Abel is instead sentenced to serve a jail term.


Almost as though Donovan had seen a glimpse of the future it’s not long before the famous CIA U-2 spy plane is shot down and pilot Francis Gary Powers (Austin Stowell) is captured, put on trial, and found guilty of espionage. This is when the CIA reaches out to Donovan and recruits him for the intense mission to negotiate the release of Powers in exchange for the Russian spy Abel. Both countries agree to have the negotiations in Berlin just as the city is being split in two by the Berlin Wall dividing East and West, with the East side being communist loyal to Russia.

Based on a true story and expertly directed by Steven Spielberg, Bridge of Spies is a suspenseful, taut, engaging, historical spy drama that brings back to life up on the big screen the fear, hatred, and mistrust that existed between the U.S. and Russia in the late 1950s and into the 1960s. It’s an incredibly engaging film with a tight script and two stand-out performances.

Tom Hanks delivers another dynamic performance as Jim Donovan the insurance lawyer who loves the law and gets pulled into a very dangerous and intense game of spy trade for the good of both countries. It’s the classic situation of an everyman being in way over his head and rising to the occasion. Hanks displays perfectly the concern, frustration, fear, and determination Donovan goes through trying to make this historical, never been done before swap and becomes even more steadfast in being successful when the stakes are raised and he has to try to get two Americans back for the price of one KGB agent.

The other stand-out performance is given by Tony Award-winner Mark Rylance as the seasoned KGB spy Rudolph Abel. It’s a low-key almost mild-mannered performance of a man who views himself as a patriot to his country and just doing his job, which happens to be espionage. The scenes between Rylance and Hanks are some of the best in the film, with both actors having real chemistry on screen and showing how these two men eventually grow from being lawyer and client to borderline friends. Here’s hoping Rylance’s performance is remembered by Academy Awards voters when considering nominees in the Best Supporting Actor category.

The production design, costumes, set design, and cinematography are all excellent in bringing to life the late 1950s and early ’60s so vividly that audiences are sure to feel teleported back to a time when the U.S., Russia, and Germany were full of mistrust, suspicion, hate, and even courage.

Compelling and intriguing, Bridge of Spies is an extremely well-crafted historical drama that’s sure to entertain as well as enlighten moviegoers. It’s one of this year’s best films.

GRADE: B+

MPAA Rating: PG-13 for some violence and brief strong language

Running Time: 141 minutes

Release Date: October 16, 2015

Also of Interest: Top 10 Best Spy Films

‘Chicago Fire’ – Steven R. McQueen, Kara Killmer and Matt Olmstead Interview

Steven R McQueen in Chicago Fire
Steve McQueen as Jimmy Borrelli in ‘Chicago Fire’ (Photo by Elizabeth Morris / NBC)

Season four of NBC’s popular dramatic series Chicago Fire kicked off on October 13, 2015 with an episode that found Lt. Kelly Severide (Taylor Kinney) stripped of his leadership duties and a new cadet making quite an impression – mostly negative – on Chicago Firehouse 51. The new cadet is played by The Vampire Diaries‘ Steven R. McQueen who joins the cast as Jimmy Borrelli. With the season just getting underway, Chicago Fire newbie McQueen joined Kara Killmer who plays paramedic Sylvie Brett and executive producer Matt Olmstead on a conference call to discuss what’s in store for Chicago Fire‘s fourth season.

Matt, how did you go about casting Steven as Jimmy Borrelli?

Matt Olmstead: “We opened to casting and it was Jason Beghe who plays Voight on Chicago P.D. who called me and mentioned Steven. They know each other… I don’t know how exactly they know each other.”

Steven R. McQueen: “We workout together in (Alba).”

Matt Olmstead: “[…]And I’m like, ‘Yes, can we get him? I know he’s come off the show.’ And he, Jason, talked up Steven not only as a talent but as a person which goes a long way. Because you go to Chicago, you’re away from home. You kind of have a new family. You’re going through the cold, and it takes a certain personality. You kind of have to go through it together and so when we were looking to get a read for it and it’s one of those things. You know, it’s like when Kara read for Brett, it was just, ‘This is it.’ And so it came through Jason. He recommended and did little phone calls and negotiated and we made it happen. And, we’re very fortunate.”

How much involvement does Dick Wolf have in the series now?

Matt Olmstead: “He has a lot, by his own assessment. He likes to keep, as he’ll say, a light hand on the wheel. When it’s going well, he encourages everybody to do their job, put them in the position to succeed. And when it starts to wobble or when there’s interference, infrequently I’ll say, from network on something that’s when he gets involved which is nice to have, I might add, you know?. The, ‘Call Dick,’ is nice to kind of be able to pull out of your pocket when you need it.

But in particular he’s involved at the beginning of each season, in terms of making sure the shows are going in the right direction. There’s enough conflict. He’s fully aware of the fact that with these relationship ensembles, you can burn through stories. If you’re going to do it, you’ve got to have new characters or new conflicts like that. It was his idea to introduce this Patterson character having come in at the beginning of the season and the Riddle character, and it was a good idea. He’s there with fresh eyes to assess and make sure that everybody’s doing their best work and that the material is feeding, hopefully the prior season’s material.”


Steven, how many takes did you do of your introduction scene in episode one of this season?

Steven R. McQueen: “We had to do it a couple of times but it was a lot of fun. It was a great way to meet the cast and crew. You know, everyone was there. I met them all when my box is wrapped up in toilet paper. So, you know, I don’t think there’s a better way to make an entrance – or break the ice at least.”

The character got hazed. Did any of the actors do any hazing as well?

Steven R. McQueen: “You know what? That’s honestly been one of the coolest parts about this experience is coming to Chicago and then being in a new place. This cast and this crew has been so incredibly welcoming that it’s made it feel more like a family than work.”

Kara, after a season of playing Sylvie, what are some of the things you like most about the character?

Kara Killmer: “I think what I love about Sylvie is that she comes from a small town. Obviously I know all about that. And similar just even to my own personal [life], she’s having to figure out how to kind of start over. She’s figuring out what she’s made of and she’s having to learn how to do that with this incredible group of people who are very supportive but very challenging. So I think throughout last season and certainly through this season, you get to see different scenarios where Sylvie is really having to kind of reach in for her inner gumption. I really like that about her because she seems very resilient and sort of an eternal optimist.”

How will Jimmy’s arrival affect the house and the squad this season?

Kara Killmer: “I think with last season obviously we start out by losing Leslie Shay. And then at the end of the season we lose Peter Mills, so I think that the house, Firehouse 51, is still just a tad bit raw from all of the transitions. But I think that people really welcome him in. There’s always an adjustment period. You know, there’s always a period and I think you can see that well in the first couple of episodes where people are still just trying to kind of figure him out, as you would. Because if you’re running into a burning building, you need to know that the person who’s running in there with you is going to have your back. And so I think you really see everyone trying to figure him out and really kind of testing him in a good way, in a friendly way.”

Steven R. McQueen: “Yes. I mean from the new guy’s perspective, you’re the cadet so people are going to – I don’t know if I’m allowed to say this – but bust your balls. But the thing about Jimmy is he’s kind of a hard worker and he finds a way to wean himself in there right away. So while they’re tough on him, he finds a way to hold his own pretty quick.”

Steven, how are you holding your own in Chicago?

Steven R. McQueen: “You know what? It’s a beautiful city. You know, we get to shoot on location a lot of the time during these action sequences. It’s cool. I get to see just this and that.”

Chicago Fire Dora Madison and Kara Killmer
Dora Madison as Chili and Kara Killmer as Sylvie Brett in ‘Chicago Fire’ (Photo by Elizabeth Morris / NBC)

Kara, Sylvie went through so much last season but are there any particular challenges that she’ll will have to face this season?

Kara Killmer: “Oh yes. I think towards the end of last season we introduced Dora Madison’s character, Chili, as Sylvie’s new partner. And while they’ve had a few opportunities to kind of adjust to one another, I think the season is really going to be about them really coming together as partners and as friends. There’s just a rainbow of different scenarios that paramedics get met with. And, you know, we’ve seen Sylvie go through a journey of having to kind of toughen up and get thicker skin whenever she’s running on some of these emergencies. But I think season four is really taking it to the next level. I mean, there’s so much emotion and so much at stake; it’s just a taxing job physically and emotionally. The writers have written a lot of conflicts and just very challenging circumstances that Sylvie’s going to have to overcome emotionally and physically. And [she’s] trying to figure out who can she lean on for those things and bond with in the process, so there’s going to be a lot of that this season.”

What can you tell us about Jimmy that we don’t know yet?

Steven R. McQueen: “Well I think that’s going to be kind of the fun of it. You know, you kind of see it as it comes. He’s the new guy so he’s got to earn his place, but he’s eager and hardworking and he wedged himself in there, you know?

It was interesting. When I first got to Chicago, I got to talk to a couple of firefighters and asked them what it was like fighting their first fire. None of them said fear. They all said it was kind of like clockwork. You all have to move like gears working together to accomplish one goal. So if you’re the cadet, you’ve got to find your place in that clock. You’ve got to become a gear and you’ve got to make it work.”

Matt, how has the writing process changed from when you first started to this season? Have you evolved in a certain sort of way or figured out some shortcuts?

Matt Olmstead: “Not really. You know, one of the things, if you’re fortunate you can get some great writers on your staff. In my opinion, based on my experience, that makes or breaks the show. We’ve had Andrea Newman and Michael Gilvary since day one and they’re still on the show. Derek and Michael who created Chicago Fire are still on the show, so there’s been a continuity since the beginning. And bringing in new voices always helps certainly.

But the process doesn’t really change because there really is a tried and true formula that works on any show and has for many, many years that you don’t really mess with it. You’ve got to have the right people hopefully and work your ass off and cross your fingers.”

Kara and Steven, how do you feel right before you read a script? Are you excited? Are you nervous?

Steven R. McQueen: “I’m absolutely excited. It’s exciting to see what’s coming next.”

Kara Killmer: “It’s less stressful. These last couple of episodes have been like a page-turner. I’ve got to stop reading them on set because they’ll be like, ‘Kara, we’re calling you. Can you please come?’ It’s like, ‘I’m finishing this last page, just let me, okay, okay here I go.’

These last couple have just been kind of riveting. So, it is exciting. It is exciting to see where they take things. And I feel like even as an audience member watching the show, it’s interesting to see the arcs that the writers are able to put into the stories. Like, I feel like it’s sort of a pendulum swing. It always goes back and forth between conflict that’s happening within the house and within the characters with conflict that’s happening outside of the house and the adversity that they’re met with and that forces them to kind of stick together. I feel like you can really see the pendulum swing back and forth between those two things, and it just makes it so interesting and keeps things fresh.”

Steven R. McQueen: “Yes, the same. I mean, I get excited with every script. And for myself, since this is a newer character for me, I kind of like [that] I get to see more parts of Jimmy with every episode. So I’ll see like some episodes where he’s just a super nice guy and some moments where he kind of snaps and it’s fun. It keeps it fun.”

How is the series going to handle Casey’s pregnancy?

Matt Olmstead: “That is a big turning point for the show, for the character, for the Casey character. You can’t be an active duty firefighter while pregnant and so she goes to work for Arson Investigation. And Severide had kind of helped there a little bit in the past. He was recruited to work there. His dad, Benny, had worked there so it’s kind of in the blood a little bit. He had shown an aptitude towards it and so had Dawson when they both investigated the Shay death/arson, and so it’s already in her wheelhouse. There are already connections there so it’s a pretty easy move for her, though jarring because she’s away from her extended family. She’s away from the adrenaline of being a firefighter which she really wanted to be and was intending on doing it for many, many years.

It’s at once a step down and a step up because fairly quickly she is in charge of investigating an arson that 51 responded to and 51 is in hot water for. She has a lot on the line in terms of investigating this arson to see if she can essentially clear the name of 51. But arson, as it’s been pointed on the show and in reality, is difficult to prove. It’s a slower process than perhaps 51 would care for but she is doing the best she can. So, yes, she transfers over to Arson Investigation and does that.”

How does Severide’s demotion affect his relationship with his peers and his superiors as well?

Matt Olmstead: “Actually it’s a pretty cool storyline and going back to a question that was posed earlier about that, that was a Dick idea in terms of how to shake things up. Because, just to go back to the question a little bit to inform this question that you really do have to be vigilant, storytelling wise. There is an old tip that was brought up by a screenwriter many, many years ago to me who said you can’t have your story turn into village of the happy people. If you take your eye off the ball, all of the sudden everybody kind of gets along. Everybody is friends and then you’re like, ‘Oh sh*t, where did all the conflict go?’ And maybe it’s too late, hopefully it’s not too late.

There was this assessment at the beginning of the season how to bring in some conflict that is natural, that is organic. That’s real world for firefighters. And we looked at Severide’s track record and you start to add up the people who’ve rotated through the squad, friends, not friends and that becomes a black mark on his record. That’s why he gets dinged. And for Severide in particular, it’s great because he has to when he’s demoted it’s humiliating. His approach to it is, ‘I can either do what I’ve always done in life and in relationships which is just breeze on out of here and go to the next girlfriend, or the next town, or the next job, or the next whatever which I’m good at. Or am I at the place in my life and is this house worth fighting for and sticking around with to suck it up and work my way back. And, also, is there a part of me that admits that maybe they’re right in a way? Maybe I am too aloof as a manager, a leader. Maybe I can get better at it.’ So he has to step down and work for somebody else for a while in hopes of one day getting his lieutenantship back and take over a squad. So, it really throws him in the deep end.”

Trending