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Interview with ‘Seoul Searching’ Director Benson Lee

Benson Lee Interview on Seoul Searching

I saw Seoul Searching my last night at the Sundance Film Festival, so even though it became my favorite film of the festival, there was no time to interview the cast and filmmakers. When I got back, the producers arranged a phone call for me with the cast, and another with writer/director Benson Lee out of Korea.

Seoul Searching is an ‘80s teen comedy set in Korea in 1986. Lee introduced the film, saying he was inspired by John Hughes movies, and based the film on a real camp he went to. For a few short years in the ‘80s, teenage children of Korean emigrates were sent to a camp to learn about their roots. The camp only lasted a few years because the teens were too rowdy, probably even rowdier than the ones in the film. Look for more news on Seoul Searching as it searches for distribution after Sundance.

So you’re based out of Korea?

Benson Lee: “For the time being I am, yes.”

Has that been since the production of Seoul Searching or even longer?

Benson Lee: “Originally, I came for Seoul Searching but then I stayed here because I ended up doing editing here as well. But I have another project here now, so I’ve extended my stay here. That’s why I’m still here.”

Does the John Hughes influence also extend to the idea that people don’t necessarily change? The resolution to a conflict isn’t that people suddenly get along. It could just be that they come to an understanding.

Benson Lee: “Absolutely, for sure. There’s two things from John Hughes that I really admired very much that had more of an impact on me than it had a conscious design or conscious decision on my end to make this movie. One of them was that teens in teen comedies or teen movies, it’s rare that the director takes them very seriously. That’s usually designated for coming of age movies. Then quite often coming of age films are not that funny. I always felt that comedy, drama and coming of age could always happen naturally with each other in a movie because I feel life is like that.

That was definitely something that was important to me, that I have characters who, because they’re in their teens, they absolutely want to have fun, live life to the fullest, are naive. At the same time, people who were very different from each other. That definitely poses a challenge. It makes people go through very new experiences and quite often makes them re-evaluate who they are. That’s why I think it gets a little bit more serious in the movie. So I wanted to naturally have those elements in the film where the kids are having fun, but at the same time going through some pretty deep experiences that have a profound impact on the rest of their lives.”

And some of their fun can get a little dangerous. Was any of that based on your experiences at the camp?

Benson Lee: “Oh yeah. A lot of that happened at the camp, especially since there was a lot of booze. That’s sort of another rite of passage theme in young people’s movies, where they’re experimenting a lot, getting in a lot of trouble, experimenting with alcohol, roughhousing. There’s fights, especially when alcohol is involved. Alcohol ruins everything basically from the get-go. So yes, the answer is there was a lot of things in the movie that were based on what happened at the camp.”

I don’t know if they would have called them panty raids, but did it go that far at the real camp?

Benson Lee: “Oh my God, are you kidding? The whole summer was about the boys always trying to infiltrate the girls’ floor and doing anything that they could to get up there.”

Was there actually a field trip to the demilitarized zone?

Benson Lee: “Oh yeah. There were a few trips to the DMZ.”

Did anything happen like what happens in the movie?

Benson Lee: “Kind of, yes. It was really crazy. There was a lot of threats and people, I mean, we were kids. Kids do the craziest things without an understanding what the consequences are. At that time, a lot of us had never heard of the DMZ, didn’t know, didn’t understand that that existed and what it represented. So we all took it as a big joke because when you go there for the first time, it’s like I can’t believe these two countries never interact, probably the most sheltered country in the world, are standing right next to each other divided by this yellow line. It was just mind boggling to us. Some people thought it was a joke and tried to make fun of it. Somebody threw a piece of gum and it was just crazy. That is inspired by a true story as well.”

Justin Chon and Jessika Van have some experience as actors, but they’re not necessarily names yet. Then you discovered a lot of new talent like Teo Yoo and Esteban Ahn, Rosalina Leigh and Byul Kang. Were there any names who could have attached themselves to help you get more financing or distribution and was part of your goal to discover new faces?

Benson Lee: “For the longest time as an indie filmmaker, to be honest with you, I fought the normal process of finding a big name actor in order to get my film made. And for that reason, it’s taken me a long time to make Seoul Searching. On top of that, it’s very hard to find an A-list actor who’s Asian. We didn’t have any non-Asian parts in the film, but there was never an actor that I thought of. Aside from Bruce Lee if he was still alive, perhaps it would have been very bankable. Asians just do not have that value in the eyes of Hollywood. For me, it was never about how can I cast this with huge Asian names? It was always about how do I find a German Korean? How do I find a Spanish Korean? I was just so consumed with the challenge of that.”

For those parts, you narrowed your window considerably.

Benson Lee: “Absolutely. You think it’s bad in the States in terms of the dearth of Asian-American actors out there, but it’s worse in Germany. In Spain or Mexico, they have no presence in the media so for that reason, you can’t find anyone that drew me. I never found a Korean German actor. Not one Korean German person, and I know several here in Seoul, said, “Oh, I know a Korean German actor from Germany.” No one ever said that. So I was very fortunate to know Teo. Otherwise we’d be in trouble. I’d have some American actor in the movie playing German.”

What is the new film you’re working on?

Benson Lee: “I’m in Korea because I’m working on a Korean drama series which is kind of like their version of telenovella. Very popular. Korean drama is probably the most popular drama series throughout the world. It’s viewed in Europe and South America. It has a particular format but mine is inspired by the format, but it’s really about expats who live here from around the world. It’s in English and I’m trying to base as much of it on true stories as I can.”

How many episodes is it?

Benson Lee: ” Normally it’s 21 episodes.”




‘If There Be Thorns’ and ‘Seeds of Yesterday’ Coming to Lifetime

Seeds of Yesterday and If There Be Thorns Premiere Dates
Samantha Hanratty (“Cathy Sheffield”), Jason Lewis (“Christopher Sheffield”) and Rachael Carpani (“Cathy Sheffield”) star in the all-new Lifetime Original Movie, ‘Seeds of Yesterday.’ (Photo by James Dittiger)

Lifetime’s set April premiere dates for the film adaptations of the final two V.C. Andrews’ books in the Dollanganger family saga, If There Be Thorns and Seeds of Yesterday. If There Be Thorns will debut on April 5th at 8pm ET/PT followed by Seeds of Yesterday on April 12th at 8pm.

If There Be Thorns was adapted by Andy Cochran with Nancy Savoca (If These Walls Could Talk) directing. Shawn Ku (Beautiful Boy) directs Seeds of Yesterday from a script by Darren Stein (Jawbreaker).

Details on If There Be Thorns:

If There Be Thorns follows Christopher (Jason Lewis) and Cathy Dollanganger (Rachael Carpani) as they live together as man and wife with Cathy’s two sons who are unaware of the incestuous nature of their parents’ relationship. But when a mysterious woman moves in next door and befriends the younger boy, Bart (Mason Cook), he begins a strange transformation and displays accusatory behavior towards Cathy and Christopher. When Christopher discovers their mysterious neighbor is, in fact, his mother Corrine Dollanganger (Heather Graham), all of the family’s long-hidden secrets are revealed in a tragic climax.

Details on Seeds of Yesterday:

The saga of the tormented Dollangangers comes to an end in Seeds of Yesterday, in which the family continues to coexist miserably. Also starring Carpani and Lewis, the film follows Cathy’s two adult sons, Bart (James Maslow) and Jory (Anthony Konechny), half-brothers with little in common whose lives are fueled by deeply troubled relationships, dark secrets and misfortune that come to a head in a way that will haunt the family and its progeny forever.




Riley Keough to Star in ‘The Girlfriend Experience’

Riley Keough to Star in The Girlfriend Experience
Riley Keough (Photo by Richard Chavez / Showbiz Junkies)

Riley Keough will be playing a University of Chicago law student in Starz’s The Girlfriend Experience from executive producers Steven Soderbergh and Philip Fleishman. The anthology series will consist of a 13-part season one written and directed by Lodge Kerrigan and Amy Seimetz.

The Girlfriend Experience is inspired by Soderbergh’s 2009 feature film.

Keough’s credits include The Runaways, Magic Mike, and Jack and Diane. Keough’s the daughter of Lisa Marie Presley and granddaughter of Elvis Presley.

The Plot:

The Girlfriend Experience explores the relationships between the exclusive courtesans and their clients, for whom they provide far more than just sex.

Keough will star as Christine Reade, a law student at the University of Chicago and an intern at a prestigious law firm, who is intrigued when a friend introduces her to the world of transactional relationships. Attracted to the rush of control and easy money, Christine has to confront her own conflicting identities. She learns to navigate and manipulate the big personalities in both worlds to get what she wants, in the process becoming a quasi-lover and confidant to men who are willing to pay richly for her time, offering a service known as a GFE (Girlfriend Experience).




‘Avengers: Age of Ultron’ New TV Spot and Iron Man, Hulk Posters

Avengers Age of Ultron TV Spot and Character Posters

Marvel’s unleashed a short new TV spot for the upcoming superhero sequel Avengers: Age of Ultron coming to theaters on May 1, 2015. They’ve also unveiled two character posters for the film featuring Robert Downey Jr as Iron Man and Mark Ruffalo as The Hulk, with more character posters set to be released soon.

The Plot:

Marvel Studios presents Avengers: Age of Ultron, the epic follow-up to the biggest Super Hero movie of all time. When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes, including Iron Man, Captain America, Thor, The Incredible Hulk, Black Widow and Hawkeye, are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron emerges, it is up to The Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure.

Marvel’s Avengers: Age of Ultron stars Robert Downey Jr., who returns as Iron Man, along with Chris Evans as Captain America, Chris Hemsworth as Thor and Mark Ruffalo as The Hulk. Together with Scarlett Johansson as Black Widow and Jeremy Renner as Hawkeye, and with the additional support of Samuel L. Jackson as Nick Fury and Cobie Smulders as Agent Maria Hill, the team must reassemble to defeat James Spader as Ultron, a terrifying technological villain hell-bent on human extinction.

Along the way, they confront two mysterious and powerful newcomers, Wanda Maximoff, played by Elizabeth Olsen, and Pietro Maximoff, played by Aaron Taylor-Johnson, and meet an old friend in a new form when Paul Bettany becomes Vision.

Watch the trailer:

Avengers Age of Ultron Hulk Poster



CBS Announces Its 2015 Summer Slate – ‘Zoo,’ ‘Under the Dome,’ and ‘Extant’

CBS Summer 2015 Schedule Announced
Barbie (Mike Vogel) leads the townsfolk down into a cave in the season 2 finale of ‘Under the Dome’

CBS’ summer slate of programming will feature the return of Extant for season two, a third season of Under the Dome, and the premiere of Zoo based on James Patterson’s bestselling novel. The summertime lineup will find Zoo airing on Tuesdays, Extant on Wednesdays, and Under the Dome moving to Thursdays. Big Brother will also return for another season with Julie Chen back as host.

Details on the 2015 Summer Lineup, Courtesy of CBS:

Zoo:

In the series, a wave of violent animal attacks against humans begin taking place across the globe. As the assaults become more cunning, coordinated and ferocious, a young renegade biologist (James Wolk) is thrust into the race to unlock the pandemic’s mystery before there’s no place left for people to hide.

Zoo stars James Wolk, Kristen Connolly, Billy Burke, Nonso Anozie and Nora Arnezeder.

Under the Dome:

Based on Stephen King’s bestselling novel, Under the Dome tells the story of a small town that is suddenly and inexplicably sealed off from the rest of the world by an enormous transparent dome. This season, Emmy Award winner Marg Helgenberger will guest star in an extended story arc, beginning with the premiere episode, as the town’s inhabitants figure out the Dome’s purpose and what it wants from them.

Under the Dome stars Dean Norris, Mike Vogel, Rachelle Lefevre, Alex Koch, Colin Ford, Mackenzie Lintz and Eddie Cahill.

Extant:

This season, astronaut Molly Woods (Berry) discovers she has unwittingly put the human race on a path to destruction, and that she and mysterious stranger J.B. Richter (Jeffrey Dean Morgan) may be the only hope for survival.

Extant stars Halle Berry, Jeffrey Dean Morgan, Pierce Gagnon and Grace Gummer.

Big Brother:

Big Brother follows a group of people living together in a house outfitted with more than 53 cameras and 97 microphones, recording their every move 24 hours a day. Each week, the House Guests will vote someone out of the house. At the end, the last remaining House Guest will receive the grand price of $500,000.

CBS Wednesday, June 24


8:00-9:00 PM BIG BROTHER (Season Premiere, Night 1)

9:00-10:00 PM CRIMINAL MINDS (Repeat)

10:00-11:00 PM CSI: CYBER (Repeat)

CBS Thursday, June 25

8:00-9:00 PM BIG BROTHER (Season Premiere, Night 2)

9:00-11:00 PM UNDER THE DOME (Two-Hour Third Season Premiere)

CBS Sunday, Effective June 28

7:00-8:00 PM 60 MINUTES (Repeat)

8:00-9:00 PM BIG BROTHER (Sunday Premiere)

CBS Tuesday, Effective June 30

8:00-9:00 PM NCIS (Repeat)

9:00-10:00 PM ZOO (Series Premiere)

10:00-11:00 PM NCIS: NEW ORLEANS (Repeat)

CBS Wednesday, Effective July 1

8:00-9:00 PM BIG BROTHER

9:00-10:00 PM CRIMINAL MINDS (Repeat)

10:00-11:00 PM EXTANT (Second Season Premiere)

CBS Thursday, Effective July 2

8:00-8:30 PM THE BIG BANG THEORY (Repeat)

8:30-9:00 PM THE ODD COUPLE (Repeat)

9:00-10:00 PM BIG BROTHER (Regular Thursday Time Period Premiere)

10:00-11:00 PM UNDER THE DOME (Regular Thursday Time Period Premiere)

‘Star Wars Rebels’ Fire Across the Galaxy Episode Preview

Star Wars Rebels Fire Across the Galaxy Preview

Star Wars Rebels finishes up its first season with “Fire Across the Galaxy” airing on March 2, 2015 at 9pm ET/PT on Disney XD. The final episode will find the Rebels attempting to “infiltrate an Imperial fleet over Mustafar to save Kanan. With the Imperials bearing down on them, the team receives help from an unexpected ally.” The episode was directed by Dave Filoni and written by Simon Kinberg (Fantastic Four, X-Men: Days of Future Past).

Disney XD’s also released a look back at the previous episode: “Rebel Resolve.”

Watch the videos:

Linus Roache Interview: ‘Vikings’ Season 3 and Playing King Ecbert

Linus Roache Interview Vikings Season 3
Linus Roache as Ecbert, King of Wessex, a man of strength, knowledge and undisguised ambition in ‘Vikings’ (Photo by Jonathan Hession / HISTORY Copyright 2015)

History’s Vikings continues to build its fanbase, with the series’ season three premiere watched by 4.6 million viewers. The series has an incredible ensemble cast that includes Linus Roache who plays King Ecbert. Sitting down to discuss the show during the Television Critics Association winter press event, Roache was excited about this current season and how the show has continued to expand and grow.

“The show generally is growing in scope, so I’d say for me it’s more that the dimensions of my character are getting played out in a bigger way,” explained Roache. “I’m getting to do more twists and turns, that kind of thing, this season.”

Were you ever worried about your character continuing to be a part of the show?

Linus Roache: “Well, you’re always worried about your character in long-form television. You never really know. But I think King Ecbert’s going to stick around for a while and provide a bit of a nemesis for Ragnar.”

What is season three going to be like for Ecbert?

Linus Roache: “Well, he’s actually working with Ragnar for now. At the end of last season and the beginning of this, Ecbert is working with the Vikings and actually getting them to work for him. He’s a politician. He’s a very smart man, but he’s also someone you can’t completely trust. So we have to see what the outcome of that will be. [Laughing] I’m not going to give it away.”

And King Ecbert’s based on a real historical figure, correct?

Linus Roache: “Indeed. He was a King around that period. He was the King of Wessex and by the end of his reign, the kingdom of Wessex was pretty much the kingdom of England. I like to think of Ecbert as like one of the founding fathers of the English monarchy. Many people say that Ecbert was the first King of England. He actually wasn’t because when he died, he peacefully handed the crown to his son, Aethelwulf, and that was still the kingdom of Wessex.

Aethelwulf’s son was Alfred the Great who was the first actual King of England. But without Ecbert, he’s the one who positioned all the different kingdoms and brought them together under one umbrella. He was the overlord of all the kingdoms.”

How far away are we from that story in this season of Vikings?

Linus Roache: “Quite away. The story is focused through the lens of the Vikings. [Laughing] I feel like sometimes I’m almost in another show called Saxons.”

How much of your character comes to you as soon as you put the costume on?

Linus Roache: “A lot, actually. All of it – the set, the costumes, the atmosphere – it’s so well done and so authentic, that it really helps. You suddenly stand on the set and you don’t feel like you’re a phony. There are people running by carrying a pig’s head on fire. There’s that sense of authenticity on the set, and with the costumes there’s a weight and heaviness. As a King I get to wear fine robes and you feel so powerful.”

How does Vikings compare to other costume dramas/period pieces you’ve done?

Linus Roache: “I think Vikings is probably the scale of it is pretty epic. Michael [Hirst’s] writing is amazing, so the scope of the story and the scope of the characters keeps it very alive. So I’d say it’s probably the biggest and most authentic period drama I’ve done, in terms of big historical dramas.”

What else should we know about Vikings season three?

Linus Roache: “I think that the way that Michael manages to make the scope of the show much bigger and the consequences of everyone’s actions and the way the Vikings keep moving out, it’s compelling story in terms of just walking through history. But the way he’s taking so many characters on this big, big journey yet keeping it very personal, I think the audience are probably going to be surprised at where it goes in the later part of the season. It’s quite interesting to see. There’s a few big twists as well.”

Is there a particularly big episode for King Ecbert that we should be on the lookout for?

Linus Roache: “Around the middle of the season. Watch out in the middle of the season.”

Looking back, do you have a favorite episode?

Linus Roache: “I have to say I love every scene that Michael writes for me. You don’t always get to say that in a show. I relish every scene because he writes such great drama and dialogue. I’m not one of those actors who says, ‘Oh, I don’t like this. Can we change this?’ I’m happy with everything. But I love working with Travis [Fimmel].

In season two, I got that big scene at the beginning with him, and that was fun. I love all of my seasons with George Blagden who plays Athelstan. That was fun developing that relationship with him. That’s the luxury of long-form storytelling. You don’t get that in movies. You can keep on going with relationships and keep building. It’s a great cast and a great company to work with.”

– Also of interest: Travis Fimmel and Alexander Ludwig interview / Katheryn Winnick interview / Clive Standen interview / Kevin Durand interview




‘Arrow’ Season 3 Episode 15 Recap – “Nanda Parbat”

Arrow Season 3 Episode 15 Recap
Stephen Amell stars in ‘Arrow’ (Photo © 2015 The CW Network, LLC)

Arrow season three episode 15 titled “Nanda Parbat” leaves us with something to chew on until it returns in March. Plus, Olicity ‘shippers should have a punching bag handy.

SPOILERS AHEAD (You’ve been warned)

“Nanda Parbat” opens, appropriately, on Ra’s al Ghul (Matt Nable) soaking in his primitive bath. His daughter, Nyssa (Katrina Law), comes in and announces that Oliver Queen (Stephen Amell) is still alive. Ra’s tells her that he already knows and that he knows Oliver is back in Starling City. They begin to argue about Oliver’s fate, and about Sara, Nyssa’s late lover. Ra’s tells her he never approved of Sara because he knew she would break Nyssa’s heart. Nyssa vows to end Oliver Queen.

In the basement lair of Verdant, Oliver, Malcolm Merlyn (John Barrowman) and Thea (Willa Holland) are busy training. John Diggle (David Ramsey) comes in and tells them that he has stepped up the club’s security and closed Verdant, in case the League of Assassins comes for them. Malcolm tries to convince Oliver to live at the lair, with Thea, but Ollie tells him they’re staying in the loft.

Meanwhile, Laurel (Katie Cassidy) tells Thea that Thea’s fighting style looks like Sara’s, which makes Thea uncomfortable. Away from the others, Diggle expresses concern for Oliver’s health, saying that he’s not sleeping enough. Oliver tells him they can sleep when they’re dead.

[Flashback] Oliver is being debriefed by the army. General Shrieve comes in and tells Ollie that the Alpha/Omega clean-up is the army’s duty now, not Amanda Waller’s. He tells Oliver he is free to go, shakes his hand and thanks him.

At Verdant, Roy talks to Thea. Thea confesses that she killed Sara, but Roy (Colton Haynes) already knows. Roy shares his experience of being drugged and killing someone, hoping to alleviate her misery.

In his apartment, Ray Palmer is (hot!) working on the suit that will allow him to fight criminals. Felicity (Emily Bett Rickards) shows up, saying he’s been missing too long. She begs him to get some rest and tells him it looks like he’s punishing himself for Brick taking half the city hostage. He dismisses her.

At her office, Laurel calls her dad, Captain Lance (Paul Blackthorne), asking him to call her, even though they argued. After she hangs up, Thea comes in. She confesses to Laurel that she killed Sara under the influence of Malcolm’s drug. Laurel tells Thea she doesn’t blame her, she blames Malcolm. Laurel questions Thea’s willingness to work with Merlyn. Laurel tells Thea to start making the right decisions.

In Verdant’s basement, Laurel comes in while Oliver is training. She tests Ollie, saying she wants to find Sara’s killer. He lies and she confronts him about it. She argues that Ollie shouldn’t ally himself with Merlyn. She says something hurtful and leaves.

At the loft, Oliver confronts Thea about telling Laurel about Sara’s death. Thea tells him that they don’t have to worry about working with Malcolm Merlyn anymore. She says that the two of them are out of danger, but that Malcolm will face justice. Oliver figures out that she’s handed him over to the League.

In an alley, the Canary attacks Malcolm. He takes her down easily. She brings out a gun, but the League of Assassins shows up before she can shoot. They capture Malcolm and Nyssa tells Laurel that Sara’s death is avenged.

In the basement, Oliver tells everyone that they have to get Malcolm back from Ra’s al Ghul. Laurel and Felicity argue against it, but he tells them that Thea will be eaten up with guilt if they let Merlyn die. Laurel walks out and Oliver suits up.

[Flashback] The Yamashiro family and Oliver meet at the docks to head back to Japan, but they’re ambushed.

Back in Starling City, Nyssa is putting Merlyn onto a helicopter when the Arrow shows up to stop her. Merlyn fights for his escape while Nyssa fights Oliver. Oliver keeps Nyssa down while the chopper takes off with Malcolm.

In the lair, Nyssa is being held prisoner. Oliver asks everyone to leave so he can be alone with her. They’re worried he’s going to torture her to get Ra’s al Ghul’s location. Diggle warns him against torturing Nyssa but leaves. Nyssa tells Oliver that she’s happy to give him the location of Nanda Parbat, because she wants Oliver to go there and get killed for getting in her way of killing Malcolm.

Upstairs, Roy is marveling at the security system while Laurel is questioning the practice of taking prisoners. Felicity lets slip about the island prison. Oliver enters and says he knows where to go. Everyone tries to talk him out of going. Diggle asks everyone to leave, then questions Oliver, saying that he thinks there’s something going on that Oliver’s not talking about.

At Palmer’s apartment, Felicity returns and Ray tells her that he has been mysteriously locked out of Palmer Technologies’ computer system. Felicity tells him that she locked him out, but she’ll give him the password if he gets a meal and some sleep.

At Diggle’s apartment, Lyla asks John if he asked Ollie for an as-yet-unknown favor. They talk about Oliver going off to Nanda Parbat. Lyla figures out that John wants to go and tells him he should. Diggle asks if they can take the Argus jet.

At the lair, Thea confronts Oliver about going after Malcolm. He tells her that she doesn’t know what it’s like to have death on her conscience. Thea begs him to stay, but he says he’ll be back as soon as he can.

In the alley, Oliver runs into Diggle, who informs Oliver that he’s coming too.

At Nanda Parbat, Maseo brings Malcolm to Ra’s. Ra’s tells Malcolm that he’s disappointed in him. Malcolm begs Ra’s for a chance to prove himself, but Ra’s says he must pay for his crimes with pain and blood.

At Palmer’s apartment, Felicity is looking at Palmer’s artwork when Ray comes out of the bathroom in a towel. She gives him the password while trying to avert her eyes. He apologizes for his behavior and being so obsessed. Suddenly, Felicity kisses him. She says, “I’m sorry,” (for kissing him), but he says, “I’m not.” More kissing ensues.

Oliver and Diggle arrive at Nanda Parbat. Diggle asks Oliver again why they’re really there, just as flaming arrows are fired at them. They begin fighting their way in.

[Flashback] The Yamashiros and Oliver are still under fire. Oliver covers Maseo while he takes out some of the shooters.

In the lair, Laurel visits Nyssa. They talk about Merlyn’s impending death, and they share stories about Sara. They bond over how much they miss her.

Diggle and Oliver breach Nanda Parbat. Oliver tracks Malcolm, thanks to a device he planted on him months ago. They continue to take out guards until they find Merlyn bleeding, hanging over hot coals. Merlyn tries to warn them that it’s a trap, but it’s too late. Bars drop-down to lock them in, and Ra’s appears on the other side.

Oliver and Diggle wake up, chained in a prison. Diggle pushes Oliver to tell him the real reason they’re there. Oliver tells him that he’s haunted by his defeat at the hands of Ra’s, and he wants another chance to fight him. Diggle understands, then he asks Oliver to be his best man in his and Lyla’s wedding. Just then, Maseo comes in and says, “It’s time.” (If I were Maseo, I’d be pretty ticked off at Oliver. Maseo risked his life to get Oliver out of there, and now he’s back!)

[Flashback] Tatsu and Maseo get separated from Oliver and their son. Maseo yells to Oliver to get their son out of there. Oliver leaves with the boy, while Tatsu sobs.

Thea and Roy are in Roy’s car outside someone’s house. He explains they’re watching the family of the cop he killed. He tells her that he gives the family things, anonymously, to try to help alleviate his guilt. Thea thinks maybe she really is a killer because she chose to let Malcolm into her life and then sent him to his death.

Ray and Felicity are in his bed. Ray wakes up, gets an idea, and starts working again. He finishes the A.T.O.M. suit. He’s on the rooftop, in full gear. The jets fire up and he takes off, even flying past Felicity, who still sleeps.

Thea visits Nyssa. She tells her that she lied about who killed Sara and confesses. Thea opens the cage and gives her a blade, telling her to take vengeance for Sara’s death.

Oliver is brought before Ra’s. He begs Ra’s to kill only him, not Diggle. But Ra’s explains he doesn’t want to kill Oliver. He asks Oliver to take his place and become the next Ra’s al Ghul.




Nickelodeon Adds Three More Scripted Series to Its Lineup

Nickelodeon Adds 3 More Shows To Its Lineup
Jodi (Louriza Tronco), Sun Hi (Meghan Lee) and Corki (Erika Tham) in the new live-action series, Make It Pop (Photo Credit: Nickelodeon © 2015 Viacom International, Inc)

Nickelodeon will be adding the live-action series Make It Pop, Talia’s Kitchen (working title), and The W.I.T.s Academy (working title) to its lineup in the upcoming season. The network also announced they’re renewing both Every Witch Way and Max & Shred. Every Witch Way has earned a fourth season order and Max & Shred will be back for a second season.

“Between the enormous amount of shows we have in production, and the strong foundation of our recent launches, we are giving our audience some of the most fresh and innovative content we’ve ever produced,” stated Russell Hicks, President, Content Development and Production, Nickelodeon. “The new daily scripted shows we’ve picked up are right in line with kids’ demand for more content, in different formats, and we can’t wait for kids to see and love them.”

Info on the New Shows [Courtesy of Nickelodeon]

Make It Pop (20 episodes) is a comedic, music-infused daily strip about three unique girls who come together to start their own K-Pop-inspired band. Randomly selected to room together at boarding school, bookish Corki, fashion-forward Jodi and social media maven Sun Hi meet and bond over music. With the help of fellow boarding school classmate and DJ hopeful, Caleb, the girls grow from roommates to bandmates as they become a school-wide sensation and compete for a place in the upcoming school musical.

The series, which will feature original songs and performances in every episode, is co-created by Thomas W. Lynch and Nick Cannon and produced by DHX Media. Make It Pop is executive produced by Lynch and Cannon, together with Steven DeNure and Anne Loi for DHX Media.

Talia’s Kitchen (working title; 40 episodes) is a live-action series, inspired by the daily telenovela format that follows 14-year-old Talia who moves in with her grandmother and starts spending time in the kitchen of their family-owned restaurant. There, she discovers her true calling: cooking. With the help of her special “salt and pepper sense”–and her late father’s magical spices–Talia is able to infuse emotion into her food and cook just what each customer needs. Talia’s Kitchen is created by Catharina Ledeboer and produced by Viacom International. Tatiana Rodriguez will serve as Executive Producer.

The W.I.T.s Academy (working title; 20 episodes) is a daily strip spun off from the hit Every Witch Way. In this new series, teenage Guardians will oversee young witches- and wizards-in-training at a magical academy. There, the Guardians will have to decide who is friend, and who is foe. The series is created by Catharina Ledeboer and is produced by Viacom International. The W.I.T.s Academy is executive produced by Tatiana Rodriguez.




‘Radio America’ Gets Picked Up by Indican Pictures

Radio America Finds a Distributor

Radio America starring Jacob Motsinger, Christopher Alice, and Kristi Englemann has been picked up for distribution by Indican Pictures and will be released later this year. Clint Morris and Christopher Showerman of Shorris Film produced the movie along with Chris Durand and Eliza Washabaugh, with Showerman also writing the script and making his directorial debut with Radio America.

“If Indican were the stage, and we were musicians, we couldn’t ask for a better stage to present our act. With their passion, knowledge, and skill, they are undoubtedly the right distributor to bring Radio America to the masses,” stated Shorris Film’s Clint Morris.

The Plot:

Eric (Motsinger) and Dave (Alice) are two farm boys who dream of escaping their rural roots to achieve fame and fortune as rock stars. As they grow up, their talent grows with them. However, the real impetus behind their momentum is their friend Jane (Englemann), who manages their musical career. She finally gets them in front of a major label A&R scout who sees the potential of the act.

Dave and Jane become romantically involved and this strains their friendship with Eric. When the A&R scout replaces Jane as the manager and puts the act before America, the pressure is almost too much for their friendship to handle.

Their first tour puts them on a roller coaster of euphoria and tragedy that mercilessly puts the value of friendship vs. commercial success back into perspective for the survivors.

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