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Joss Whedon on ‘Agents of S.H.I.E.L.D.’ and the Marvel Universe

Joss Whedon Agents of SHIELD Interview at TCA
Jeffrey Bell (executive producer), Maurissa Tancharoen (executive producer), Jed Whedon (executive producer), Jeph Loeb (executive producer), Joss Whedon (executive producer) at Disney |

How and why is Agent Coulson alive and a central character in Marvel’s Agents of S.H.I.E.L.D.? If you’re expecting Joss Whedon to spill the beans and spell out that answer, I’m sorry to disappoint you. However, at the 2013 summer Television Critics Association event Whedon did talk about how the ABC television series and Marvel films play into each other and whether audiences could see any characters – besides Agent Coulson (played by Clark Gregg) – crossing over.

Joss Whedon Agents of S.H.I.E.L.D. Interview

Buffy famously died twice and you dealt with that. How differently can you deal with Agent Coulson who’s died before?

Joss Whedon: “It’s a very different journey than hers. Part of that is informed by the actor, part of it’s informed by the situation, but the important thing is that we’re going to go on that journey with him.”

What do you say to people who suspect Coulson is a life model decoy? It seems like the most obvious answer right now.

Joss Whedon: “Yes, it does. I don’t say anything because I’m not going to confirm or deny anybody’s ideas. I’ve heard a dozen ideas, more than a dozen. Somebody at some point is going to be right, but I’m never going to say when that happens. I’m not even going to blink.”

Is it weird or refreshing to be in charge of a TV show where you’re not the primary showrunner?

Joss Whedon: “It is weirdly refreshing. It was very important to me to get these guys. When we did Dr. Horrible, even when we worked on Dollhouse, we had a very much ‘finishing each other’s sentences’ thing. Not just Jed [Whedon], Maurissa [Tancharoen] as well. I’m reading every script and every story and doing notes and rewrites. I’m doing all of the stuff. I just can’t be in the room every day.

Knowing that I have a group who’s going to push it forward and share the sort of hard to convey idea of exactly how I want the show to feel, it’s a great relief. It’s why you do television. You build these families. You find people like Jed, Drew Goddard, Tim Minear who are going to take your vision and not just further it but enhance it in ways you couldn’t see coming.”

When you filmed Coulson’s death scene in The Avengers, was that his death scene or did you have something percolating for the character down the line?

Joss Whedon: “I absolutely killed him. It was not percolating.”

That wasn’t your idea either, was it?

Joss Whedon: “No, Kevin Feige told me before I took the gig, ‘You gotta kill Coulson.’ And I understood why and I said, ‘Okay, but you’re taking the rap because I get a lot of heat for that stuff.'”

 

Then why is there the scene where it’s noted that Nick Fury swapped the card decks?

Joss Whedon: “That was a character thing about Nick Fury and about leadership and about the gray area that is S.H.I.E.L.D. versus The Avengers.”

Could Samuel L. Jackson and Cobie Smulders be on the show?

Joss Whedon: “We’ve seen Cobie on the show. We would love to see her again. We’d love to see Sam too, but he’s a movie star and a workaholic so whether or not he’ll make time for us, I can’t say yet. I hope so.”

How often do you think you’ll be able to direct an episode?

Joss Whedon: “I don’t think it’ll happen again for the next couple of years because I’m getting behind another camera in another country, but we have some directors we’ve worked with before that we trust very much. The producers are always on set. We’re very, very careful about making sure that what we have in the script is what shows up on screen.”

Are you prepared to make calls to Samuel L. Jackson, Chris Hemsworth, or any of the others and ask them to come on the show?

Joss Whedon: “I’m prepared insomuch as I think it’s a great idea for the show and a perfectly good idea for them. I’m not going to go begging and I’m not going to use up favors I need for Avengers 2. As I said, the DNA of the show is the show. Those guys would be a delightful bonus but we’re not building our arcs around them, and we’ll see what happens.”

 

Would you worry the movie characters would overshadow the show’s cast?

Joss Whedon: “Well, the good thing about the universe is that they’re superstars in that universe, so if they showed up, if they overbalanced it slightly, it would actually make sense. That’s how people would react to them in the universe of the show. So I don’t think that’s a problem but I do think it’s a problem if you have them too regularly and then people are just wondering when do I get to see the movie star again instead of concentrating on these guys.”

The idea is suggested that Coulson died to unite the Avengers over his death. Would they really have not fought the alien menace if he hadn’t died?

Joss Whedon: “I can’t say. He died, they did.”

What does all this Marvel development mean for Dr. Horrible 2?

Joss Whedon: “It pushes it. S.H.I.E.L.D. took its spot and that’s just the sad reality.”

 

How do you decide the movie tie-ins you want to do? The one in the pilot makes sense.

Joss Whedon: “You know, a lot of it comes from talking to the Marvel movie people. We say, ‘Can we do this? Will this help? Will this tie together? Will this somehow blunt them? We don’t want to hurt the movies at all.’ With Extremis, we said this will give us a ticking clock, this will be useful for us and they were excited. They said, ‘That’s great, it’ll build on the mythology that we just created and then people will get something out of that.’ On other occasions they’d be like, ‘Yeah, don’t touch that. That we need for the movie,’ and I’d like to protect the movies too, particularly the last one in Phase Two. I hear it’s going to be wonderful.”

What is different about a show of this scale versus a motion picture?

Joss Whedon: “End of the day, it’s people. Somebody said, ‘How are you going to do this again? It was so big.’ The question is never how big can it be. The question is how small can it be and people are still going to be showing up and really caring. Some of my favorite issues of comics when I was a kid were issues where people just sat around talking and the fight wasn’t coming until the next issue. It was getting into character like that. I’m not really worried about the scale.”

What is it like doing the biggest comic book movie of all time and its TV show?

Joss Whedon: “It doesn’t suck. I’m not going to lie. It’s pretty gratifying.”

Did you ever think, when you were a kid, that you’d be doing this?

Joss Whedon: “Yeah, of course I did. It’s that or get a job.”

When Much Ado turned into an indie phenomenon, was your reaction, “It’s nice that everyone is as excited about this as we are,” or “What’s going on?”

Joss Whedon: “Little bit of both, little bit of both. We definitely made the movie thinking maybe we’re just going to show this to each other at parties, but the movie came completely from passion. The fact that other people responded to that passion, I’m surprised every time it happens and absolutely delighted. In this case, a little more surprised because, you know, black and white Shakespeare home movies don’t usually get this kind of response, but I’m just grateful.”

The transition from trying to get people to watch your shows to having the biggest movie and now this highly anticipated show, what’s it been like personally to go from the guy stumping to this?

Joss Whedon: “You know, here I am stumping. At the end of the day, I had to spend a lot of time selling Much Ado. I want people to see everything and you can’t guarantee that they will just because a show has hype. For me, my biggest concern is I’m looking at the next script and the script after that and the script after that and making sure that we keep our game up because if people are watching, I want to make sure that they get everything they can.”

As both a fan and the producer of The Avengers and Agents of S.H.I.E.L.D., what are your thoughts on DC’s Batman/Superman plans?

Joss Whedon: “You know, I got excited. I only heard about it, was busy doing this when they announced it, but it sounds cool to me.”




TNT 2013 Fall and Winter Premiere Dates

TNT 2013 Premiere Highlights Featuring Cold Justice
A scene from 'Cold Justice' (Photo Courtesy of TNT)
TNT’s upcoming fall/winter schedule includes the new crime series Cold Justice as well as the debut of Marshal Law: Texas from producer Jerry Bruckheimer.

TNT Fall Programming Highlights

Cold Justice – New Series: Tuesday, Sept. 3, at 10 p.m. (ET/PT)
Criminals who think they can get away with murder are in for a rude awakening this fall as two women who have spent their lives putting killers behind bars set out to crack long-unsolved cases in TNT’s brand new real life crime series Cold Justice. This fascinating, unscripted procedural drama will follow former prosecutor Kelly Siegler and former crime-scene investigator Yolanda McClary as they dig into small-town murder cases that have lingered for years without answers or closure. With a fresh set of eyes on old evidence, superior interrogation skills and access to advanced DNA technology and lab testing, Siegler and McClary are determined to bring about a legal and emotional resolution to cases that would have otherwise remained cold indefinitely.
 
Major Crimes – New episodes begin Monday, Nov. 25, at 9 p.m. (ET/PT)
Television’s favorite squad of detectives is on the case in Major Crimes, TNT’s powerful crime-drama that ranks as one of basic cable’s most popular series. Two-time Oscar® nominee Mary McDonnell stars as Los Angeles Police Captain Sharon Raydor. She heads an extraordinary ensemble cast that includes G.W. Bailey as Lieutenant Provenza, Tony Denison as Lieutenant Andy Flynn, Michael Paul Chan as Lieutenant Mike Tao, Raymond Cruz as Detective Julio Sanchez, Kearran Giovanni as Detective Amy Sykes, Phillip P. Keene as tech coordinator Buzz Watson and Jonathan Del Arco as Dr. Morales. In addition, Graham Patrick Martin plays Rusty Beck, a homeless teen and material witness taken in by Captain Raydor, and Robert Gossett is Assistant Chief Russell Taylor. This season, Nadine Velazquez joined the ensemble as Deputy District Attorney Emma Rios. Major Crimes focuses on how the American justice system approaches the art of the deal as law enforcement officers and prosecutors work together to score a conviction.
 
Marshal Law: Texas – New Series: Tuesday, Nov. 26, at 9 p.m. (ET/PT)
Produced with the cooperation of The U.S. Marshal Service, the series from Jerry Bruckheimer centers on the elite Gulf Coast Violent Offenders and Fugitive Task Force, which includes U.S. Marshals working with personnel from the Houston Police Department, the Harris County Sheriff’s Office and other law-enforcement agencies. Marshal Law: Texas follows these dedicated officers as they track down extremely violent offenders, serve warrants and go on the hunt for some of America’s most wanted criminals.
 
Boston’s Finest – Season 2 Premiere: Tuesday, Nov. 26, at 10 p.m. (ET/PT)
TNT’s Boston’s Finest gives viewers an up-close and very personal look at the men and women of the Boston Police Department, including patrol officers, detectives, special task forces and members of the SWAT Team, the Fugitive Unit and highly decorated Gang Unit. The show not only follows the fearless actions of the officers while they are on duty, but also provides a glimpse into their personal lives when they are off the clock and living in the same neighborhoods they protect each day. During the first season of Boston’s Finest, viewers got to know officers like Jenn Penton, who joined the force after a military stint in Afghanistan and whose twin sister has been battling addiction; Diamantino “D” Araujo and Manny Canuto, who grew up together as best friends in Roxbury and now partner together on the gang squad; and Officers Greg and Nancy Dankers, who work opposite shifts, making home life a challenge for the couple and their twin sons. Boston’s Finest not only celebrates the bravery of officers who risk their lives every day, but also showcases the heart and soul of one of the oldest and proudest police departments in the nation.
 
Mob City – Series Event: Wednesday, Dec. 4, at 10 p.m. (ET/PT)
The epic battle between a determined police chief and a dangerous mobster inflames 1940s Los Angeles in TNT‘s eagerly anticipated television event Mob City. This powerful drama comes to TNT from Frank Darabont (The Walking Dead), who wrote and directed the pilot and serves as executive producer on the series. Mob City stars an exceptional ensemble cast that includes Jon Bernthal (The Walking Dead), Jeffrey DeMunn (The Walking Dead), Neal McDonough (Captain America), Ed Burns (Entourage), Gregory Itzin (24), Robert Knepper (Prison Break), Milo Ventimiglia (Heroes), Alexa Davalos (Clash of the Titans) and Jeremy Luke (Don Jon).
 
Based on the critically acclaimed book L.A. Noir: The Struggle for the Soul of America’s Most Seductive City by John Buntin, Mob City centers on Det. Joe Teague (Bernthal), an ex-Marine who holds his cards close to his chest. Teague has been assigned to a new mob task force headed by Det. Hal Morrison (DeMunn). The task force is part of a crusade by Los Angeles Police Chief William Parker (McDonough) to free the city of criminals like Ben “Bugsy” Siegel (Burns) and Mickey Cohen (Luke), the ruthless king of the Los Angeles underworld. Parker also won’t hesitate to go after anyone from his own police force who sells out honor and duty for the sake of a big payout.
 
Christmas in Washington – Premiere: Friday, Dec. 20, at 8 p.m. (ET/PT)
Marking its 32nd year in 2013, Christmas in Washington is a star-studded musical celebration benefiting the Children’s National Medical Center. Annually attended by the President and First Lady and other Washington VIPs, the spectacular concert takes place at the National Building Museum in Washington, D.C. This will be TNT’s 15th year presenting Christmas in Washington.
 
Movies
The Lincoln Lawyer – Network Television Premiere – Nov. 22, 23 and 24
The Wizard of Oz – 75th Anniversary Presentation –Dec. 21 and 22
 
Sports
PGA Grand Slam – Tuesday, Oct. 15, and Wednesday, Oct. 16
NBA on TNT – 2013-14 regular-season coverage begins in October.
 
Source: TNT

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Jenna Dewan Tatum on ‘Witches of East End’ and Motherhood

Jenna Dewan Tatum Witches of East End Interview
Rachel Boston, Julia Ormond and Jenna Dewan Tatum star in the all-new Lifetime drama Witches of East End, premiering Sunday, October 6, at 10pm ET/PT on Lifetime. (Photo by Sergei Bachlakov/Copyright 2013)

Lifetime’s prepared to launch their second scripted dramatic series of the year on Sunday, October 6, 2013 with the premiere of Witches of East End, inspired by Melissa de la Cruz’ bestselling novel. The series focuses on one family of witches, the Beauchamps, and stars Julia Ormond, Rachel Boston, Jenna Dewan Tatum, and Madchen Amick. Ormond plays Joanna, mother to Freya (Dewan Tatum) and Ingrid (Boston), and sister to Wendy (Amick).

Witches of East End is not the first series about witches, but executive producer Maggie Friedman says that what will set this show apart from others is the tone and the fact it’s centered on one specific family.

“It’s about mothers and daughters. It’s about sisters. It’s about a multi-generational family and how it’s four very distinct women and how they each deal with their powers and gifts. I don’t think we’ve seen a show like that,” explained Friedman at the 2013 Television Critics Association event in Beverly Hills. “Julia’s character is a mom who has to learn how to let go of her daughters and let them make mistakes and put them in harm’s way, but that’s part of the learning process. And I think it’s kind of a metaphor for motherhood that every mother has to go through, is letting your child out into the world to experience things even if you want to keep them safe and hold them close.”

And speaking of motherhood, new mom Jenna Dewan Tatum was among the actors who took part in the TCA Witches of East End panel, talking about her character, being a mom, and the possibility of an appearance in the series by another Tatum.

Jenna Dewan Tatum Witches of East End Interview

How is being a new mother informing what you’re doing on the show? Have you found that being a mom now is helping you in getting into this role?

Jenna Dewan Tatum: “Yes. It was one of those things that happened without me even realizing it, kind of organically. […]We just started filming and doing a couple of the scenes, realizing that, you know, I’m saying these certain lines and it added so much more depth to what I was saying given that now I have this little soul, this life that I’m taking care of.

We’re dealing with so many family issues and we’re dealing with loss and finding out truths and just all this stuff that, having done that before having my daughter it probably would have come out a little bit differently. And then now seeing it having had this sort of transformation of my own life, really without even thinking about it, really, to transform the way I said it, the way I delivered it. So, I’m excited about that.

I think that that’s something that I was really looking forward to about becoming a mom. I think it’s going to just in life and in your art, art is life and in your work kind of deepens everything a little bit, and especially on this show because this show is all about the family dynamics between a mother and her daughters – and here I am with a daughter. You know, it’s one of those ‘Art is life.’ Art imitates life.”

Is there any thought of a very special episode with somebody else named Tatum?

Jenna Dewan Tatum: [Laughing] “Which one? My daughter or my husband? Everly will not be in the show. She’s too young. I don’t know. Maybe we’ll sweet-talk a certain little husband, and maybe he’ll come on and do it. Maybe he’ll be a bad guy. That would be fun.”

How does immortality work on this show? Do the characters stay a certain age?

Jenna Dewan Tatum: “It gives us a lot of places to go with the story, with the layers of our characters because it can play on past lives. We can play on what’s happening now, and is it all happening at the same time? Just a lot of really fun themes and stories that we can do.”

 

What powers does your character have? What power would you like to have in real life?

Jenna Dewan Tatum: “In real life, I can tell you what I want my power to be right now. Being a new mom, I would like to be able to sleep like this. I’d like to snap my fingers and be asleep because I’m a little sleep-deprived at the moment. But I guess on the show, I would say I’m ruled…I’m a very emotional character.

Freya is very ruled by her emotions, and so my power sort of comes from my emotions and how I’m feeling and how the situation is making me feel, which therefore transforms the energy of a room or something like that. I think that’s a little bit I can tease.”

Another project about sister witches was Practical Magic. How do you think the sisters in that movie stack up against what the two sets of sisters are doing on this show?

Jenna Dewan Tatum: “[…]It’s like my favorite movie ever. When I read the script, that’s exactly what the script reminded me of was Practical Magic as a TV show, especially with the sisters and the mom and the family dynamic. And I think there’s a lot of similarities. I think especially in the tone as well there’s a very tonal similarity, I think, to Practical Magic. It was one of the things that really excited me about the project because I think that’s a really great movie, and it’s a really great tone as far as witches and family and that dynamic goes.”

 

The magic was very grounded in that film.

Jenna Dewan Tatum: “Yeah, that was the thing. I mean, in our meeting, my very first meeting, I was like, ‘Is the magic going to be grounded? Or is it going to be larger than life?’ and all that stuff. It is very grounded and in a very exciting but believable way, which excited me the most because I wanted to do something like that.”

Can you describe the challenges of going back to work as a new mom six weeks after having your baby? And how much is your husband able to be around and help out?

Jenna Dewan Tatum: “Yeah. It is hard. It’s hard. It definitely is a challenge. It’s a whole other job on its own. I’m finding I’m getting more in the flow of things now, but, you know, it’s about switching the brain from, ‘Okay, now I’m mom. Now I’ve got to go to set and be an actress,’ jumping into Freya and then coming back and breastfeeding.

You know, it’s a juggle but I sort of feel like every new mom who goes back to work feels, and I feel really grateful that I have these amazing women and an incredible network and studio behind us that’s so supportive. They’re working the schedule around with me. I’m having just tons of help, so I’m managing. I’m managing, and actually it’s been quite nice to go and be creative and be able to sort of, I don’t know, ignite that part of myself. I believe it’s going to make me a better mom at the end of the day.

And Channing has been amazing. He comes and visits me. He’s working at the same time right now. But we prepared for that, and so we have a rule: we have a two, three week rule and we don’t break it. So it’s a little crazy. It’s a little crazy in my house, but it’s good.”




Telluride Film Festival Honors Roger Ebert

Roger Ebert Passes Away at 70The 2013 Telluride Film Festival has been dedicated, in part, to film critic Roger Ebert who passed away on April 4, 2013 after a lengthy battle with cancer. According to the festival organizers, Ebert was a huge supporter of the annual event and once said the Telluride Film Festival’s setting and selection of films was “like Cannes died and went to heaven.”
 
“I’m deeply touched that the board of the Telluride Film Festival decided to honor Roger this way and I send my sincere thanks and congratulations on their 40-year anniversary to festival directors Tom Luddy, Gary Meyer, and Julie Huntsinger,” stated Ebert’s wife, Chaz. “Roger loved going to film festivals to find little movie gems and always had a soft spot for Telluride in particular. He admired the wide diversity of films and the fact that, in many cases, it offered attendees their only chance to see certain important retrospectives.”
 
This year’s festival is also dedicated to documentarian Les Blank, philanthropist and Telluride supporter George Gund, and writer/director Donald Richie.
 
Per the official announcement:

This year’s festival also marks the opening of the 650-seat Werner Herzog Theater. An anonymous donor made a generous financial contribution toward this theater in honor of Ebert.

It’s an appropriate tribute: Ebert and director Herzog had a long relationship of mutual admiration. ‘You are the most curious of men,’ Ebert once wrote in a letter to Herzog. ‘You are like the storytellers of old, returning from far lands with spellbinding tales.’

Herzog is just as complimentary of Ebert. In an essay about the critic in this year’s festival program, he writes: ‘He was the last mammoth alive, the last to create excitement and intelligent discourse about movies … His passing signifies much, much more than the passing of one wonderful man.'”

Source: Telluride Film Festival
 

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Movie Review: ‘Getaway’

Selena Gomez and Ethan Hawke in Getaway Movie Review
Selena Gomez and Ethan Hawke in 'Getaway' (Photo © 2013 After Dark Films)

“Get in. Get out. Getaway.” That’s the tagline for Getaway and there’s only one thing wrong with that sentiment: You should NEVER “Get in” – whether that means your car to see this movie in theaters or the mood to see this for free at home.

Hmm, I’ve spoiled the surprise of what I think about this “movie.” Well, at this rate it probably won’t matter that I’m going to SPOIL a whole bunch of the so-called plot either. Seriously, if you think seeing this movie is a good idea, even with crazy low expectations and simply looking for the thrill of car chases, just go. Don’t say I didn’t warn you and don’t say I didn’t provide a few better options for your money (charity, kindling, ice cream, fake dog poop).

And I reiterate, what’s about to spew forth from my keyboard will reveal pretty much everything in the movie. It’s just too ridiculous to leave at “this movie is terrible, you should avoid it,” even on the off chance you were like me and hoped that it would be so bad it was somehow slightly fun. It is to some degree but not enough to justify actual dollars being spent so don’t be tricked out of any of your time or money. This is free and should only take a minute or two (insert joke here).

As for what the movie has to offer, well it’s not much. Even with its brief 90-minute runtime, you’ll probably be checking your watch/phone/sundial to see how much is left to go. It all begins like some bad made-for-TV affair, with Ethan Hawke discovering his home a mess and his wife (Rebecca Budig) missing. A cell phone rings and wouldn’t you know it, there’s Jon Voight on the phone. They try to hide his face, but his voice is so recognizable it’s like watching Phone Booth; you know, that awful movie about Colin Farrell trapped in a phone booth while Kiefer Sutherland messes with his life and tells him if he leaves he’ll be shot. Why pick such obvious voices if you want to hide their identity? You might as well go with Optimus Prime or Bugs Bunny. Idiots.

Anywho, back to Getaway. Hawke is a former racecar driver, and he’s been chosen by Voight to utilize his skills in an armored Ford Shelby GT500 Super Snake (the car should get top billing). Voight (who’s doing all of this remotely and with virtually no way to track him down) has him zipping around Sofia, Bulgaria, wreaking havoc with no apparent agenda. Selena Gomez shows up with a gun wanting the car … I’ll pause to let that sink in. Okay, so why would this Disney TV Princess want to steal the car? Because it’s hers … I’ll pause again to let that sink in. And her Dad happens to be the CEO of a big investment bank but she’s not brought into the action because she’s needed for leverage, no she’s brought in because Voight wants to frame her for the eventual theft of valuable information from the bank (everything’s digital these days) … I’ll pause once again to let that sink in.

Look, let me explain why I wanted those things to sink in. Voight spends the entire movie 3 steps ahead of Hawke and Gomez (despite her hilarious iPad hacking skillz – yes, with a ‘z’). He’s NEVER in danger of getting caught … and yet, he bothers to attempt to frame this little girl. WHY? And in the end, he lets Hawke’s wife go and even provides the cops with someone to put in jail WHO ISN’T ANY OF THEM. What the h-e-double hockey sticks is the point? Aside from the many, many cops and henchmen who get smashed to bits in car crashes, no one is in any real danger.

Then there’s the only reason one might have thought seeing this movie was a good idea in the first place: the car chases. I love the idea of them and was walking into the theater expecting the kind of awful dialogue and plot that ended up on-screen. Still, I thought maybe the action would be enough to keep the brain in neutral while the cars zip around and do crazy stuff. Sadly, while most of the stunts are done with real cars (kudos for that), very little of it was anywhere near exciting. There’s only one interesting idea in the whole movie and it’s the minute or so when the audience gets to experience a high-speed chase from a camera mounted on the grill of the Shelby. I was starting to get a little motion sickness, but it was the only element of the production that set itself above the trash that is the rest of things.

To no surprise, Hawke is phoning it in here, as is Voight – LITERALLY. As Hawke’s wife, Budig is entirely useless, and I couldn’t tell you if she was a good actress or not based on this movie because the script and direction were so piss-poor in terms of presenting her as a real person that it’s hard to say where the crap begins and the wiping ends. Speaking of directing, as a public service announcement, I should make sure to mention it’s Courtney Solomon calling the shots here. You probably don’t know that name, but that’s because he made 2000’s Dungeons & Dragons. Yes, he’s that “good” of a director. This ought to keep him out of theaters for a few more years (if there’s any justice in the world).

This leaves me left with talking about Selena Gomez. I haven’t seen her Disney show, but I’ve heard one of her songs, and now I’ve seen her act in two movies this year (Spring Breakers being the other). I’ve seen enough. She’s got zero presence on-screen and makes bad dialogue even worse. Not everyone can act, sing, and dance. There’s no shame in that. I can’t do any of those three things, and I somehow get to sleep at night. So Selena, if you’re reading this (let’s ignore how unlikely that is right now), just stick to the singing and the Disney TV. I don’t partake in either of them so whether you’re any good at it, I simply couldn’t care less. The movie acting thing though? I have to watch that stuff … and I’d rather not if you keep showing up.

Somehow, after all of that complaining, Getaway manages to be more entertaining than a few other clunkers this year. That’s not to say it’s good. Clearly, I’ve laid out some reasons why this is an awful mess. But there’s some joy in laughing AT the movie for so much of its ridiculous antics, and it wasn’t me alone, nor was it just the film critics scoffing at how bad this thing is. The screening audience even found it within themselves to simply react with laughter when the script attempted to do just about anything. Yes, it’s got a pretty car speeding through intersections but there’s simply no ability to care about any of the events the script purports to unfold. If it weren’t for my love of laughing at bad cinema, I’d simply have changed the channel if I had been at home, or asked the theater manager for my money back if I had made the mistake of paying for this on the big screen.

In the end, even in presenting such an easy title to make fun of, the filmmakers got it wrong. It’s not Getaway, it’s Get Away. After all, it’s not just a title, it’s a request.

GRADE: D

Getaway opens in theaters on August 30, 2013 and is rated PG-13 for intense action, violence and mayhem throughout, some rude gestures, and language.




First Look: All is Lost Movie Poster

Robert Redford is left adrift at sea battling the elements in the thriller All is Lost, and the new poster from Lionsgate and Roadside Attractions shows pretty much that scenario. Written and directed by J.C. Chandor (Margin Call), All is Lost is set to float into theaters on October 18, 2013.
 
The Plot:
 
Deep into a solo voyage in the Indian Ocean, an unnamed man (Redford) wakes to find his 39-foot yacht taking on water after a collision with a shipping container left floating on the high seas. With his navigation equipment and radio disabled, the man sails unknowingly into the path of a violent storm. Despite his success in patching the breached hull, his mariner’s intuition, and a strength that belies his age, the man barely survives the tempest.
 
Using only a sextant and nautical maps to chart his progress, he is forced to rely on ocean currents to carry him into a shipping lane in hopes of hailing a passing vessel. But with the sun unrelenting, sharks circling and his meager supplies dwindling, the ever-resourceful sailor soon finds himself staring his mortality in the face.
 
All is Lost Poster Starring Robert Redford
 

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Movie Review: ‘Drinking Buddies’

Drinking Buddies Movie Review
Olivia Wilde and Jake Johnson in 'Drinking Buddies,' a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.

Every year, amidst the heaping pile of celluloid I sort through as a film critic, there seems to be one film that makes a true emotional connection with me. Like anybody, I have cinematic preferences, and while I try to balance objectivity and subjectivity in a style that people enjoy reading, whenever that one film comes along, it turns into a review with more uses of “I” than a Roman numeral convention.

The Spectacular Now is likely going to be that movie for me this year but right on its heels is Drinking Buddies. Directed by Joe Swanberg, he’s also credited with writing it, but that’s a bit of a misnomer. He gave his cast (the primary foursome being Olivia Wilde, Jake Johnson, Anna Kendrick and Ron Livingston) the basic plot points and had them improvise their way through it. The final film was really created by their choices and in the editing room.

Even if you weren’t as familiar with Swanberg by reputation, reading that description probably leads you to figuring out that this is essentially a mumblecore film. While the production values were actually quite decent and it features some high-profile actors, this does fit into the vein of naturalism and lack of forced plot structure that have come to define the genre.

That’s not to say there’s an aimless or wandering narrative; Far from it. What Drinking Buddies delivers is a snapshot of two couples over a short course of time. Wilde and Livingston are at that make-or-break juncture and end up spending some time holidaying with Wilde’s co-worker (Johnson) and his girlfriend (Kendrick), the two of whom are attempting to find the right way to have the marriage discussion. Problems arise as everyone begins to realize that the spark of passion might lie more in each other’s significant other than within the established couples.

For all four actors, it’s some of the best acting of their careers. Wilde and Kendrick are especially impressive, not just because I’m a man (ish) and they’re stunningly beautiful women. These are characters neither have portrayed before and it shows off ranges previously kept in check for the most part by fairly stereotypical wife/girlfriend roles. Johnson and Livingston are in excellent form as well, and in a film so focused on the chemistry among its cast, their contributions are not to be taken for granted.

Surprisingly, it wasn’t until the film had ended and I took some time to sort through it all that I came to raise my esteem for the project to the level I have. This isn’t breaking new ground or setting the cinematic world on fire with anything in particular. It’s the sum of its parts that will have me coming back to watch it time and time again. The self-destruction, introspection, and indecision evident in the characters is completely identifiable to most people and it had me grinding the gears and cogs within my head long after I had left the theater.

I’m going to be interested in talking with people who have seen it as well to see if they came to the same conclusion I did about the future of the characters. In some ways, it was established, but in others, I question whether the audience is supposed to infer whether their choices will work out or if I’m just infusing far too much of myself into it all and coming away with an unintended result. I’m okay with that, it makes the experience something even more personal (kind of like how I end Say Anything right after John Cusack is done blaring Peter Gabriel’s In Your Eyes and haven’t actually watched the real ending in years now).

I hope that Drinking Buddies finds an audience. It’s actually attempting to explore the human condition. I’m constantly frustrated that the market is dominated by escapist entertainment, and while I like escapism every now and then, it’s nice when something like this comes along and asks people to stop and take stock of their own lives. Hopefully, having the cast that it does, more people will be exposed to mumblecore and look to explore more options. I’ll start you off with three recommendations: Quiet City, Douchebag, and Swanberg’s own Hannah Takes the Stairs. After seeing all three of these, you’ll either come over to my side of the street on the genre or you won’t; and it’s okay either way but keeping an open eye out for new experiences in cinema should be the goal of any true film lover.

GRADE: B+

Drinking Buddies is rated R for language throughout.




‘Cloudy with a Chance of Meatballs 2’ Sacrifices Foodimals

Cloudy with a Chance of Meatballs 2
Earl (Terry Crews), Manny (Benjamin Bratt), Sam Sparks (Anna Faris) holding Barry the strawberry, Steve (Neil Patrick Harris) on top of Flint Lockwood’s head (Bill Hader) in ‘CLOUDY WITH A CHANCE OF MEATBALLS 2’ (Photo © 2013 Sony Pictures Animation, Inc)

Yes, many, many “foodimals” will be munched on courtesy of Sony Pictures Animation’s Foodimoble tour. Food trucks will be hitting the road in support of the family-friendly animated film Cloudy with a Chance of Meatballs 2, offering up the film’s “foodimals” in “healthy and tasty lunch-sized portions.”

Foodimals are a cross between food and animals, obviously, and the animated sequel includes such bizarre creatures as tacodiles, hippotatomuses, fruit cockatiels, subwhales, and watermelophants. And with the Foodimobile tour, those creations will be served up alongside ordinary carrots, pickles and celery. The tour kicks off today with two trucks heading out – one starting off in Salt Lake City and the other in Miami. The foodimals and other munchies will be given out in lunch boxes featuring the foodimal characters.

For details on the tour, visit Cloudy2FoodTrucks.com.

The Cloudy with a Chance of Meatballs 2 Plot:

Cloudy with a Chance of Meatballs 2 picks up where Sony Pictures Animation’s mouth-watering comedy left off. Inventor Flint Lockwood thought he saved the world when he destroyed his most infamous invention — a machine that turned water into food causing cheeseburger rain and spaghetti tornadoes.

But Flint soon learns that his invention survived and is now creating food-animals – “foodimals!” Flint and his friends embark on a dangerously delicious mission to battle hungry tacodiles, shrimpanzees, hippotatomuses, cheespiders and other foodimals to save the world – again!

Cloudy with a Chance of Meatballs 2 opens in theaters on September 27, 2013.




It’s a Boy for Fergie and Josh Duhamel

Josh Duhamel, Cesar Millan and Fergie
Josh Duhamel, Cesar Millan and Fergie (Photo Courtesy of Fergie)

The Black Eyed Peas’ Fergie and actor Josh Duhamel (Scenic Route, Safe Haven) are now the proud parents of a 7 lbs. 10 oz. baby boy. Axl Jack Duhamel was born today at Cedars-Sinai Hospital in Los Angeles during a pre-scheduled C-section.

Fergie (38) and Josh (40) have been married since 2009, and Axl is their first child.

Josh has been singing to Fergie’s belly throughout the pregnancy, and recently Fergie told E! that her hubby’s going to be a great dad. “He’s been amazing,” said Fergie in an interview with E!. “He so nice and wonderful. He sings and talks to my belly all the time. He’s very complimentary. I’m very lucky that he’s really good to me.”

Just two days ago, the couple visited Dog Whisperer Cesar Millan in order to get their four-legged family member ready for the new arrival. Hopefully that instructional session went well and their “doggie daughter” is prepared to greet new arrival, Axl.

Congrats to the entire family!

Phoebe Tonkin Talks About ‘The Originals’

Phoebe Tonkin The Originals Interview
Phoebe Tonkin in a scene from 'The Vampire Diaries' (Photo by Bob Mahoney © 2013 The CW Network. All Rights Reserved)

The original family of vampires – Klaus (Joseph Morgan), Elijah (Daniel Gillies), and Rebekah (Claire Holt) – head off to New Orleans for new adventures separate from what they’d been up to in Mystic Falls in The Vampire Diaries spin-off, The Originals. Also making the jump from Vampire Diaries to the The Originals is Phoebe Tonkin who played Hayley in eight episodes of season four of the popular The CW series.

Hayley is a werewolf who, as we pick up her story in The Originals, is pregnant with Klaus’ baby after a drunken one-night stand. And at the 2013 Television Critics Association summer press event, Tonkin talked about being a part of The CW family and her role in The Originals.

Phoebe Tonkin The Originals Interview

What has it meant for you to stay in The CW family with The Secret Circle, Vampire Diaries, and now The Originals?

Phoebe Tonkin: “I’ve been very grateful.  It’s really nice.  I definitely think of The CW as a family and I hope to grow old on The CW.  That make such great shows.”

That’s an interesting phrase – “grow old”. I don’t think they do that on The CW.

Phoebe Tonkin: “I know. In about three years my cut-off will be done and I’ll be playing a grandmother on The CW. I’ve been really lucky.  It’s so exciting to be on these shows. I’m a fan of them myself, so to be on them is really great.”

You’ve been on Vampire Diaries a while now so you’re used to the fan reaction, but are you ready for all these eyes on you now that you’re a regular on this show or does that kind of scare you at all?

Phoebe Tonkin: “No, I think that fans are so loyal to the Vampire Diaries and I just hope that they accept our show as well and they’re excited by our show. It’s nice, especially on Twitter, so nice to interact with the fans, to hear their direct reactions to things that happen on the show as it happens, which is I think great. It’s something that has happened over the last few years.”

How does The Originals have a different feel from Vampire Diaries?

Phoebe Tonkin: “I think it’s a little darker. It’s a little bit more twisted. There’s some very weird, kind of quirky things and characters that come in. I think the Vampire Diaries are still very dark, too, but it’s just a different tone. Also being in a different town like New Orleans where it’s a party town, it’s not like a small town where there’s the pub and the restaurant that you go to. This is like a town of nightlife, which I think is going to change the show a lot.”

The Originals Season 4 Episode 1
Phoebe Tonkin as Hayley (Photo: Annette Brown © 2017 The CW Network)

Do you remain close to The Vampire Diaries‘ family now that you’ve branched out?

Phoebe Tonkin: “We’re all kind of close. We all live in Atlanta, so we see each other every day. Someone will be going to get coffee, or someone will be at the restaurant you walk past. It’s kind of nice. It feels like a bit of a college town because everyone sees everyone all the time. It’s nice to have a bigger group of people as opposed to a small.”

What do you guys do off set?

Phoebe Tonkin: “Go to dinner, there’s amazing restaurants in Atlanta so we just eat and be merry.”

You’re supporting a lot of causes, including green ones.  Why is this important to you and which ones are you especially excited about?

Phoebe Tonkin: “From a young age, my father’s a travel agent so we traveled a lot as children. We were always aware of what was going on in different countries, especially Third World countries. When I was 18 I decided all my friends were going off to college and I decided to go to Cambodia for six weeks and volunteer.  I just fell in love with the place and the people and the children.  Since then I struck up a friendship and a relationship with a beautiful woman called Tara who works in the Cambodian Children’s Trust since I was about 18 or 19.   I’ve been quietly supporting them, just myself, over the last few years. But now with social media, it’s such a great tool to bring awareness. We’ve been working, especially recently, to bring awareness to that charity.  It’s still a very small charity.”

That’s the main one. But I, myself, am very green.  I have a website with my best friend about health tips, with Teresa Palmer: Yourzenlife.com.  That site is about eating healthy, recycling, and gardening.  It’s everything that we are interested in and like talking about.”

How would you have liked The Secret Circle to have ended if you could have really wrapped it up?

Phoebe Tonkin: “Well, I think that Faye would be living in Europe somewhere and flying around causing trouble with Diana.”

You were supposed to do a sequel to Tomorrow, When the War Began, and now it’s been so many years. Even director Stuart Beattie said he doesn’t think the continuity will work, but would you still like to do a sequel?

Phoebe Tonkin: “I would love, love to be reunited with that group of actors and with Stuart as well.  I saw Stuart at Comic Con actually, and unfortunately, I think probably too much time has passed.  Caitlin Stasey is here today as well.  It’s so funny.  I love that.  I hope that they continue, maybe just with a different cast because it’s such a great story.  I think it deserves to be told.”

Rumors are circulating that Ian Somerhalder might be doing the Christian Grey part in Fifty Shades. What do you think of that? Do you think he’d be good in the role?

Phoebe Tonkin: [Laughing] “I don’t know. I actually started reading that book in St. Lucia and then it got rained on. I couldn’t finish the book, so I couldn’t tell you. I don’t know enough about the book to tell you, but he’s so lovely I’m sure he could play any great part.”

* * * * *

The Originals premieres on The CW on October 15, 2013 at 8pm.




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