Hannah Einbinder and Jean Smart in ‘Hacks’ season 5 (Photo Credit: HBO Max)
Hacks is going out on an Emmys high note. The critically acclaimed HBO Max series earned 24 nominations in comedy categories, with only HBO Max’s The Pitt earning more 2026 Emmy nominations. Hacks‘ 24 nominations move it into the top spot among all comedies in Emmys history, breaking the record for the most comedy nominations in a single year.
“This year’s nominees represent the extraordinary creativity and artistry that make
television such a dynamic form of entertainment,” stated Television Academy Chair
Cris Abrego. “The breadth of work recognized this year—from intimate character-driven comedies and satires to fantasy, thrillers, and costume dramas—demonstrates that great storytelling knows no bounds. We’re proud to celebrate the artists and craftspeople behind these remarkable achievements and look forward to honoring them at the Emmys this September.”
Following behind The Pitt and Hacks was Apple TV’s newcomer Widow’s Bay, which earned 19 nominations. Pluribus picked up 18, and Beef received 16 nominations.
Winners will be announced live on NBC on Monday, September 14, 2026 at 5pm PT/8pm ET. Law & Order: SVU star Mariska Hargitay will host the 78th Emmy Awards.
Shabana Azeez, Isa Briones, Gerran Howell, and Noah Wyle in ‘The Pitt’ season 2 (Warrick Page/HBOMAX)
2026 EMMY NOMINEES
DRAMA CATEGORIES
OUTSTANDING DRAMA “The Diplomat” (Netflix)
“The Gilded Age” (HBO)
“A Knight of the Seven Kingdoms” (HBO)
“Paradise” (Hulu)
“The Pitt” (HBO Max)
“Pluribus” (Apple TV)
“Slow Horses” (Apple TV)
“Your Friends & Neighbors” (Apple TV)
LEAD ACTRESS IN A DRAMA
Carrie Coon, “The Gilded Age”
Chase Infiniti, “The Testaments”
Keri Russell, “The Diplomat”
Rhea Seehorn, “Pluribus”
Zendaya, “Euphoria”
LEAD ACTOR IN A DRAMA
Sterling K. Brown, “Paradise”
Gary Oldman, “Slow Horses”
Mark Ruffalo, “Task”
Rufus Sewell, “The Diplomat”
Noah Wyle, “The Pitt”
SUPPORTING ACTRESS IN A DRAMA
Taylor Dearden, “The Pitt”
Fiona Dourif, “The Pitt”
Allison Janney, “The Diplomat”
Katherine LaNasa, “The Pitt”
Sepideh Moafi, “The Pitt”
Julianne Nicholson, “Paradise”
Karolina Wydra, “Pluribus”
SUPPORTING ACTOR IN A DRAMA
Patrick Ball, “The Pitt”
Billy Crudup, “The Morning Show”
Shawn Hatosy, “The Pitt”
Gerran Howell, “The Pitt”
Jack Lowden, “Slow Horses”
Tom Pelphrey, “Task”
Carlos-Manuel Vesga, “Pluribus”
GUEST ACTRESS IN A DRAMA
Brittany Allen, “The Pitt”
Tal Anderson, “The Pitt”
Tina Ivlev, “The Pitt”
Miriam Shor, “Pluribus”
Merritt Wever, “The Gilded Age”
Shailene Woodley, “Paradise”
GUEST ACTOR IN A DRAMA
Colman Domingo, “Euphoria”
Ernest Harden, Jr., “The Pitt”
Jeff Hiller, “Pluribus”
Jeff Kober, “The Pitt”
Jonathan Pryce, “Slow Horses”
Bradley Whitford, “The Diplomat”
LEAD ACTRESS IN A COMEDY
Quinta Brunson, “Abbott Elementary”
Ayo Edebiri, “The Bear”
Elle Fanning, “Margo’s Got Money Troubles”
Lisa Kudrow, “The Comeback”
Jean Smart, “Hacks”
LEAD ACTOR IN A COMEDY
Yahya Abdul-Mateen II, “Wonder Man”
Steve Carell, “Rooster”
Matthew Rhys, “Widow’s Bay”
Jason Segel, “Shrinking”
Martin Short, “Only Murders in the Building”
SUPPORTING ACTOR IN A COMEDY
Colman Domingo, “The Four Seasons”
Paul W. Downs, “Hacks”
Harrison Ford, “Shrinking”
Nick Offerman, “Margo’s Got Money Troubles”
Stephen Root, “Widow’s Bay”
Michael Urie, “Shrinking”
Tyler James Williams, “Abbott Elementary”
GUEST ACTRESS IN A COMEDY
Leslie Bibb, “Hacks”
Jamie Lee Curtis, “The Bear”
Betty Gilpin, “Widow’s Bay”
Cherry Jones, “Hacks”
Laurie Metcalf, “Hacks”
Kaitlin Olson, “Hacks”
Lauren Weedman, “Hacks”
GUEST ACTOR IN A COMEDY
Michael J. Fox, “Shrinking”
Brett Goldstein, “Shrinking”
Hamish Linklater, “Widow’s Bay”
Christopher McDonald, “Hacks”
Rob Reiner, “The Bear”
Connor Storrie, “Saturday Night Live”
REALITY CATEGORIES
OUTSTANDING REALITY COMPETITION PROGRAM
“Dancing With the Stars” (ABC)
“RuPaul’s Drag Race” (MTV)
“Survivor” (CBS)
“Top Chef” (Bravo)
“The Traitors” (Peacock)
OUTSTANDING UNSTRUCTURED REALITY PROGRAM
“America’s Sweethearts: Dallas Cowboys Cheerleaders” (Netflix)
“Love on the Spectrum” (Netflix)
“RuPaul’s Drag Race Untucked” (MTV)
“Summer House” (Bravo)
“Welcome to Wrexham” (FXX)
OUTSTANDING STRUCTURED REALITY PROGRAM
“Antiques Roadshow” (PBS)
“Diners, Drive-Ins and Dives” (Food Network)
“Love Is Blind” (Netflix)
“Queer Eye” (Netflix)
“Shark Tank” (ABC)
OUTSTANDING HOST FOR A REALITY/COMPETITION PROGRAM
RuPaul Charles, “RuPaul’s Drag Race”
Alan Cumming, “The Traitors”
Kristen Kish, “Top Chef”
Ariana Madix, “Love Island USA”
Jeff Probst, “Survivor”
OUTSTANDING GAME SHOW
“Celebrity Family Feud” (ABC)
“Jeopardy!” (Syndicated)
“The Price Is Right” (CBS)
“Wheel of Fortune” (Syndicated)
“Who Wants to Be a Millionaire” (ABC)
OUTSTANDING GAME SHOW HOST
Steve Harvey, “Celebrity Family Feud”
Ken Jennings, “Jeopardy!”
Colin Jost, “Pop Culture Jeopardy!”
Jimmy Kimmel, “Who Wants to Be a Millionaire”
Martin Short, “Match Game”
LIMITED SERIES & TV-MOVIE CATEGORIES
OUTSTANDING LIMITED OR ANTHOLOGY SERIES
“All Her Fault” (Peacock)
“The Beast in Me” (Netflix)
“BEEF” (Netflix)
“DTF St. Louis” (HBO)
“Love Story” (FX)
OUTSTANDING TELEVISION MOVIE
“Heads of State” (Prime Video)
“Miss You, Love You” (HBO)
“People We Meet on Vacation” (Netflix)
“Remarkably Bright Creatures” (Netflix)
“Jack Ryan: Ghost War” (Prime Video)
LEAD ACTRESS IN A LIMITED OR ANTHOLOGY SERIES OR MOVIE
Claire Danes, “The Beast in Me”
Sally Field, “Remarkably Bright Creatures”
Carey Mulligan, “BEEF”
Sarah Pidgeon, “Love Story”
Sarah Snook, “All Her Fault”
LEAD ACTOR IN A LIMITED OR ANTHOLOGY SERIES OR MOVIE
Riz Ahmed, “Bait”
Jason Bateman, “Black Rabbit”
Charlie Hunnam, “Monster: The Ed Gein Story”
Oscar Isaac, “BEEF”
Matthew Rhys, “The Beast in Me”
SUPPORTING ACTRESS IN A LIMITED OR ANTHOLOGY SERIES OR MOVIE
Linda Cardellini, “DTF St. Louis”
Dakota Fanning, “All Her Fault”
Laurie Metcalf, “Monster: The Ed Gein Story”
Joy Sunday, “DTF: St. Louis”
Youn Yuh-jung, “BEEF”
Constance Zimmer, “Love Story”
SUPPORTING ACTOR IN A LIMITED OR ANTHOLOGY SERIES OR MOVIE
Jason Bateman, “DTF St. Louis”
Richard Gadd, “Half Man”
David Harbour, “DTF St. Louis”
Richard Jenkins, “DTF St. Louis”
Charles Melton, “BEEF”
Nick Offerman, “Death by Lightning”
VARIETY SERIES & OTHER CATEGORIES
OUTSTANDING SCRIPTED VARIETY SERIES
“The Daily Show” (Comedy Central)
“Jimmy Kimmel Live!” (ABC)
“Last Week Tonight With John Oliver” (HBO)
“The Late Show with Stephen Colbert” (CBS)
“Saturday Night Live” (NBC)
OUTSTANDING VARIETY SPECIAL (LIVE)
The Apple Music Super Bowl LX Halftime Show Starring Bad Bunny (NBC)
83rd Annual Golden Globes (CBS)
68th Annual Grammy Awards (CBS)
The Oscars (ABC)
78th Annual Tony Awards (CBS)
OUTSTANDING VARIETY SPECIAL (PRE-RECORDED)
“Dave Chappelle: The Unstoppable…” (Netflix)
“The Muppet Show” (ABC)
“Nikki Glaser: Good Girl” (Hulu)
“Taylor Swift | The Eras Tour | The Final Show” (Disney+)
“Wicked: One Wonderful Night” (NBC)
OUTSTANDING ANIMATED PROGRAM
“Bob’s Burgers” (Fox)
“Rick and Morty” (Adult Swim)
“The Simpsons” (Fox)
“Smiling Friends” (Adult Swim)
“South Park” (Comedy Central)
“Star Wars: Visions” (Disney+)
Warner Bros. Pictures’ official trailer for Dune: Part Three delivers more action, more interactions between Paul and Chani, and a lot more of the Duncan Idaho-clone, Hayt. The nearly three-minute trailer also serves up a little action intermingled with quieter, character-driven scenes.
Oscar nominee Timothée Chalamet stars as Paul Atreides, Zendaya returns as Chani, Jason Momoa’s back but as Duncan’s clone, and Rebecca Ferguson reprises her role as Lady Jessica. Anya Taylor-Joy plays Alia Atreides, Javier Bardem is Stilgar, Florence Pugh is Irulan, and Robert Pattinson joins the sci-fi franchise as Scytale. Isaach de Bankolé and Charlotte Rampling also star in the concluding chapter of the trilogy.
Timothee Chalamet and Zendaya in ‘Dune: Part Three’ (Photo credit: Warner Bros. Pictures)
“Dune: Part Three is set nearly two decades after Paul Atreides seized control of the Imperium. Now a ruthless Emperor, Paul must face the consequences of his reign as old allies return, terrifying new threats emerge, and betrayal lurks in every shadow,” reads Warner Bros. Pictures’ synopsis. “Haunted by visions of Imperial collapse and the reappearance of his long-lost love, Paul is drawn into a sweeping conspiracy, with Chani at the heart of its unfolding mystery. As rebellion brews and enemies close in, Paul must confront the true cost of power and the fate of those he loves the most.”
Villeneuve’s first Dune film opened in theaters in October 2021, followed by Part Two in March 2024. Warner Bros. Pictures is releasing Dune: Part Three in theaters and IMAX on December 18, 2026.
Title: Pretty Dead Things
Author: Kelsey Cox
Publication Date: July 7, 2026
Rating: 4 out of 5 stars
Pretty Dead Things Synopsis:
Secrets emerge as a Texas beauty pageant turns deadly in this rich and addictive novel with a jaw-dropping twist from psychological suspense author Kelsey Cox.
2000: Isabelle Whitmore vanishes at Sherman Ranch in Anhalt, Texas, without a trace.
2025:The Lone Star Princess Pageant is about to begin, but this year it’s offering more than an annual dose of rhinestone heels and plunging necklines. Competition is stiffer than ever – and long-standing grudges are about to resurface. Ingrid fled Anhalt in the wake of her sister Isabelle’s disappearance and has now returned, just in time for a construction crew to start digging up Sherman Ranch; the pageant brings up past traumas that Melanie can’t forget; Cat, newly sober, starts to feel threatened in ways that bring back old demons; and Sarah Lynn, who comes from a long line of pageant winners, knows that losing is not an option.
When old resentments and new confrontations reach their boiling point, temperatures drop to deadly degrees as a record-setting storm brings down the state’s power grid. With everyone trapped under one roof, scores will be settled, and more than one person will end up dead.
Beauty dies. Secrets never do.
Pretty Dead Things Review:
Welcome to Texas! Where football, the Dallas Cowboy cheerleaders, and pageants aren’t just hobbies, they’re a way of life. But when Ingrid entered the same local pageant in 2000 that her mother once won, the glamour shattered. Her twin sister, Isabelle, went missing without a trace. Could it be a boyfriend? A jealous pageant rival who wanted to throw Ingrid off her game? Or something far more sinister?
Pretty Dead Things is told from multiple perspectives and two main timelines: the fallout of Isabelle’s disappearance in 2000 and the chilling reality of 2025. Author Kelsey Cox offers up an interconnected web of key players: Ingrid, the twin to missing Isabelle who’s desperate for answers; Sarah Lynn, the daughter of cutthroat beauty queen Kennedy Clair, who’s obsessed with all things pageant – including her daughter Sarah Lynn winning; Cat, a recovering alcoholic trying to rebuild her life and be there for her daughter; and Melanie, the sheriff’s daughter who was bullied in high school by Kennedy Clair and others.
Kelsey Cox has a remarkable ability to make absolutely every character seem like a viable suspect. Did I guess whodunit? Well, kind of – but to be fair, I thought every single character was the person who did it at least once, so I don’t think that counts. I usually pride myself on my amateur detective skills (by which I mean I watch way too much Dateline and 48 Hours), but when I finally settled on a suspect, I was dead wrong.
Pretty Dead Things keeps you guessing until the end and even when you thought you knew the answer, guess what? You most likely didn’t get it right. I enjoyed the different points of view and thought it was a nice touch to include the perspective of one of the daughters and not just the women who experienced what happened in 2000, because there were, after all, deaths happening in the present day. I enjoyed the story and although the pacing was a bit slow at times, it wasn’t enough to make my attention stray.
*Thank you, St. Martin’s Press, Kelsey Cox, and Netgalley for this eARC in exchange for my honest review.*
Season 28 of CBS’s Big Brother has an MMA fighter, a literal rocket scientist, and a Drag Race all-star competing as houseguests. The upcoming season, set to premiere on July 9, 2026 at 8pm ET/PT, will also feature Lyric Medeiros, daughter of ’80s pop star Glenn Medeiros.
“Big Brother follows a group of people living together in a house outfitted with more than 100 cameras and 100 microphones, recording their every move 24 hours a day. Each week, someone will be voted out of the house, with the last remaining Houseguest receiving the grand prize of $750,000,” reads CBS’s synopsis.
Julie Chen returns to host and Allison Grodner and Rich Meehan serve as producers. The network previously revealed the upcoming season will have a “Time Trip” theme that takes the houseguests back to the ’80s and Y2K.
Big Brother Season 28 Houseguests:
Name: Ashley Trail
Age: 24
Hometown: Alton, Ill.
Current City: Chicago, Ill.
Occupation: Bartender
Stephen Graham and Liev Schreiber in ‘Nocturne’ (Photo credit: Apple TV)
Liev Schreiber, Zazie Beetz, and Stephen Graham lead the cast of Apple TV’s Nocturne, based on Lars Kepler’s bestsellers Lazarus and The Sandman. The streamer just released the first two official photos and confirmed an October 30, 2026 premiere date. New episodes of the 10-episode season will stream on Fridays.
The cast also includes Bill Camp, Rory Culkin, Chrissy Metz, Poorna Jagannathan, and Gary Carr. BAFTA Award winner Rowan Joffe created the series and serves as a writer and executive producer. John Hlavin developed the series and guides Nocturne as showrunner, in addition to writing and executive producing.
Zazie Beetz stars in ‘Nocturne’ (Photo Credit: Apple TV)
“The project tells the story of Jonah Lynn (Emmy nominee Liev Schreiber), an ex-soldier turned homicide detective who, tired of working the tough streets of Philadelphia, moves to a small town in Western Pennsylvania for a quiet life,” reads Apple TV’s synopsis. “But, as the town and his family come under attack from the diabolically cunning serial killer Jurek Walter (Emmy winner Stephen Graham), Jonah must protect all that he holds dear. When the desperate search for Jurek’s last missing victim forces Jonah to send his surrogate daughter FBI Agent Saga Bauer (Emmy nominee Zazie Beetz) up against Jurek, how far will Jonah go?”
Schreiber, Beetz, author Lars Kepler (Alexandra Coelho Ahndoril and Alexander Ahndoril), Øystein Karlsen, David Rysdahl, Dorothy Fortenberry, and Niclas Salomonsson executive produce. Additional executive producers include Barry Jossen, Tana Jamieson, Heather Kadin, Peter Micelli, and Jack Whigham.
DGA winner Tim Van Patten directed the first two episodes and is an executive producer.
Julia Garner to star in ‘Guilty Creatures’ (Photo Credit: Apple TV)
Ozark star Julia Garner has boarded Apple TV’s adaptation of Mikita Brottman’s true crime book, Guilty Creatures. The three-time Emmy winner will also serve as an executive producer on the thriller, which has Supergirl‘s Craig Gillespie attached to direct.
“Based on the book Guilty Creatures: Sex, God, and Murder in Tallahassee, Florida, the series delves into the psyche of a torrid romance and subsequent act of murder between two young, adulterous but God-fearing lovers, unraveling their complex lives and the emotional toll of living as killers for 18 years,” reads Apple TV’s synopsis. “This riveting true-crime narrative, set against a backdrop of sex and murder in the Florida panhandle, promises to become an instant classic.”
Stuart Zicherman (The Shrink Next Door) will guide the series as showrunner, and Sarah DeLappe (Bodies Bodies Bodies) adapted Mikita Brottman’s novel. Executive producers include Zicherman, DeLappe, Gillespie, Marty Adelstein, Becky Clements, Alissa Bachner, Annie Marter, and author Brottman. The series is produced by Tomorrow Studios.
Colin Woodell joins ‘Myron Bolitar’ (Photo Credit: Chelsea Lauren/Shutterstock, Courtesy of Netflix)
The Continental‘s Colin Woodell will play the titular role in Netflix’s Myron Bolitar, based on Harlan Coben’s bestselling book series. The streamer also announced KJ Apa (Riverdale) and Diane Guerrero (The Lincoln Lawyer) will star in the upcoming drama.
Netflix offered this description of the series: “After an injury ends his NBA dreams, Myron Bolitar reinvents himself as a sports agent—using charm, smarts, and a ruthless partner to navigate the high-stakes and dirty world of sports, where saving his clients often means risking himself.”
The Key Characters:
Colin Woodell as Myron Bolitar: A former college basketball star whose NBA career came to an abrupt end, Myron reinvented himself as a sports agent. He built his agency, MB Sports, on an unwavering belief in overlooked athletes, with the same heart and fierce competitive drive he once brought to the court.
KJ Apa as Win Lockwood: Born into extraordinary privilege, Win walked away from the family business to build something of his own alongside his closest friend, Myron. Unflappable, endlessly resourceful, and fiercely loyal, he’s the one Myron turns to when clients find themselves in trouble.
Diana Guerrero as Esperanza Diaz: A former professional wrestler turned Myron’s indispensable right hand at MB Sports. Armed with endless grit and razor-sharp wit, Esperanza is the backbone of the agency and the steady force keeping both Myron and clients in check.
Prolific series creator David E. Kelley (Margot’s Got Money Troubles) and Kyle Long (Suits) are the co-showrunners, writers, and executive producers. Additional executive producers include Harlan Coben, Matthew Tinker, and Rick Muirragui. Greg Yaitanes is directing multiple episodes and serving as an executive producer.
Harlan Coben and Netflix’s nearly decade-long partnership includes recent adaptations of his Hold Tight, The Stranger, Missing You, Just One Look, and Caught novels. Coben’s I Will Find You, released on June 18, has become the year’s biggest original scripted series.
Discovery Channel’s Naked and Afraid survival franchise is expanding to include a season of the series’ all-stars trapped on an isolated island. The new series, Naked and Afraid: Shipwrecked, will premiere on August 2, 2026, with new episodes airing on Sundays at 8pm ET/PT.
The trailer shows 12 N&A all-stars on boats, ready to start a 35-day challenge. However, they are shocked to find they have signed up to compete on a remote island and will be dropped off in the middle of the night.
Season one of the new series features:
• Adam Kavanaugh – 61 Days Survived
• Ally Frueh – 21 Days Survived
• Ana Lis Pitter – 21 Days Survived
• Dani Beauchemin – 114 Days Survived
• Darrin Reay – 115 Days Survived
• Jamie Frizzell – 55 Days Survived
• Jarrell Banks – 21 Days Survived
• Jonny Yates – 21 Days Survived
• Malu Beyonce – 17 Days Survived
• Mandy Bublitz – 35 Days Survived
• Patrick French – 110 Days Survived
• Shawn Bretschneider – 21 Days Survived
Discovery Channel offers this description of Shipwrecked:
“Under the impression that they are entering a standard 35-day group challenge at dawn, the survivalists instead begin their insertion adrift at sea overnight. With emergency flares shooting overhead, the survivalists must grab whatever limited resources they can before making their way ashore.
Divided into four groups of three, the survivalists are stranded on a mysterious and isolated island on the lost coast of the Philippines, often described as the ‘Bermuda Triangle of Southeast Asia,’ due to its history of past shipwrecks and unexplained disappearances. The terrain offers both opportunities and risk, with a dense, resource-rich jungle that contains the remnants of those who came before.
Teams work together to build shelters and tools from the wreckage, including a 300-foot primitive water aqueduct. In the surrounding seas, survivalists must contend with tiger and hammerhead sharks, stingrays, sea snakes, and box jellyfish whose venom contains one of the ocean’s most lethal toxins.
Far removed from civilization and with no food, no fresh water, and no clothing, the survivalists must adapt quickly, relying not only on their individual skills but also on their ability to innovate and salvage whatever they can from the environment. With each team receiving only one piece of the challenge map, they must track down the others and combine pieces to rescue themselves from the island on Day 35.”
Emma D’Arcy in ‘House of the Dragon’ season 3 episode 3 (Photo by Ollie Upton/HBO)
Lord Ormund Hightower (James Norton) rides through his men and approaches Daemon (Matt Smith), who’s backed by three dragons, as HBO’s House of the Dragon season three, episode three begins. Daemon informs him the war has ended and there’s a new queen. Ormund has heard rumors and Daemon suggests that if he bends the knee, he’ll allow Ormund to return to Oldtown in peace.
(The following is a recap of season three, episode three, and there are spoilers.)
Ormund is itching for a fight, but Daemon warns him to rethink his position. Otherwise, Ulf (Tom Bennett) would be interested in taking over his place in Oldtown. Ormund submits, but only to protect his men. He pledges his fealty to Queen Rhaenyra, and Daemon allows him to turn his men around and head home in peace. Oh, but there’s a catch, of course.
Daemon wants Ormund to hand over Prince Daeron Targaryen (son of Queen Alicent and King Viserys Targaryen) and his dragon, promising to treat him kindly. There’s no way that they’ll allow him to exist outside their supervision.
Queen Rhaenyra (Emma D’Arcy) speaks of the air being thick with ghosts. She fondly recalls her younger days and her dad, strong, before he became ill. Daemon isn’t feeling nostalgic and is still upset they didn’t kill Ormund, Daeron, and the rest. Rhaenyra’s understandably anxious to be crowned queen, but there’s so much to organize.
She meets Daeron and introduces herself as his half-sister. Daeron is a prisoner, but how he’s treated depends on how he acts – and how he answers questions regarding Ormund, Aegon, and Aemond. He remains silent, and Rhaenyra orders him to be locked up.
Grand Maester Orwyle (Kurt Egyiawan) informs Lord Corlys (Steve Toussaint), Rhaenyra, and Daemon that the treasury has been depleted. Mysaria (Sonoya Mizuno) speaks up, and Daemon immediately shuts her down, but Rhaenyra stands up for her, calling her the Mistress of Whisperers.
Rhaenyra tries to remain positive, but she insists she needs a proper ceremony to show that she is the rightful heir. However, she’s informed that the Triarchy is ransacking villages and kidnapping women, the small folk don’t have any food, and spending money now would turn people against her. She orders ravens sent to all the great houses to make tributes in her honor.
Corlys asks about Rhaenyra’s small council from Dragonstone and learns she’s done with them. Grand Maester Orwyle informs those assembled that Aemond burned Daemon’s garrison at Harrenhal.
Rhaenyra wants Baela sent out to look for Sheepstealer and Aemond. She places a bounty on Aemond the One-Eye and promises Harrenhal to whoever catches him.
As she walks through the hallways, everyone peppers Rhaenyra with questions and tells her about problems. She does not answer any of them. Instead, she meets with Alicent (Olivia Cooke) and Helaena (Phia Saban) and demands to know where the gold has been taken. Alicent swears the Master of Coin was in charge and that they kept her in the dark. Helaena wonders if killing Otto made her feel better, and Rhaenyra admits she’d rather have killed Aegon. Alicent continues to insist that no one confided in her and suggests that Rhaenyra announces Aegon is dead. He’s so disfigured that no one would recognize him now or believe Larys Strong if he claims Aegon’s alive.
Rhaenyra agrees that when Aemond is found and removed, then Alicent and Helaena will be set free. She’ll treat them kindly until then. Alicent protests that what Rhaenyra is offering means she must hope for the capture and death of Aemond.
Mysaria wonders if Rhaenyra believes Alicent, and Mysaria agrees that Daeron is a threat. Killing him would be justified. Rhaenyra asks Mysaria to oversee finding staff members who remain loyal to the Hightowers and dismiss them.
Rhaenyra informs High Septon Balman (Simon Chandler), the head of the Faith of the Seven, that he will anoint her since Aegon is dead. Balman doesn’t believe Aegon’s dead and he doesn’t approve of dragons. They destroy but don’t create.
“There’s no good that can come of them,” he says. Rhaenyra turns her back on him and he warns her to underestimate the Seven at her peril.
Emma D’Arcy, Clinton Liberty, Abubakar Salim, and Steve Toussaint in ‘House of the Dragon’ season 3 episode 3 (Photo by Ollie Upton/HBO)
Lord Corlys informs Rhaenyra over dinner that Alyn and Adam are his illegitimate sons, who he never claimed. She accepts them and believes they are stout of heart, praising both. Corlys adds that he wants to name Alyn his heir and asks her to legitimize them as lords of the realm. All he needs is her to announce this, but she seems reluctant.
The following day Rhaenyra prepares to speak with the small folk, wearing no jewels apart from her crown. Suddenly she realizes she’s menstruating just as she has to sit on the uncomfortable throne and listen to requests. She’s in pain and fidgeting as she offers suggestions of possible solutions, each of which gets shot down either by the small folk or gently and diplomatically by Corlys.
One woman asks for justice from the rich folk, saying the highborn took everything and left the lowborns without food or supplies. She reminds Rhaenyra that she came to power as a champion of the people.
Back at the council table, Daemon thinks that it’s a dangerous path to travel to allow the small folk to blame the rich. Rhaenyra changes the subject to ask about Baela’s search for Vhagar and Sheepstealer. Apparently, the only dragon she’s seen so far is the rotting corpse of Sunfyre.
Mysaria asks Rhaenyra what her father would do and she thinks he’d host a banquet.
She meets with Ulf, Hugh (Kieran Bew), and Addam (Clinton Liberty) and asks what they want to be called. Daemon then knights them each but doesn’t recognize Addam with the Velaryon last name, instead calling him Addam of Hull.
Hugh asks about his housing, and Rhaenyra confirms she’ll give him a house as soon as she finds her footing and solves a few problems. Rats (the literal creatures) are everywhere and they’re putting her on edge.
Later, Alicent asks nicely for her father’s remains to be sent to Oldtown to lie next to her mother’s. Rhaenyra agrees and wonders how she handled hearing petitions from the small folk. Alicent’s brutally honest and says that choices have to be made, and there are times that she’ll have to allow people to suffer and die. A door will have to close inside her to deal with the problems of the kingdom.
Rhaenyra refuses to believe that she’ll ever change. After all, her father didn’t. Alicent correctly points out her father lived in his own world.
Rhaenyra has members of the rich merchants and minor nobles gather for a banquet. She serves them rats, just like what the small folk are forced to eat. Rhaenyra believes they took everything for themselves and left nothing for the lowborn. As they’re sitting there, the gold cloaks are at each of their houses, gathering everything from their storerooms to feed the small folk. This is what will be required of them from now on.
Ser Torrhen Manderly (Dan Fogler) greets Queen Rhaenyra, and she wonders why he’s smiling. He believes it was a bold move that will win over the small folk.
Daemon’s not sure this is a solution since it will only help for a few weeks and will upset the rich. Rhaenyra doesn’t care. She orders Daemon to fly to the Vale and return with gold. She wants the great houses to assemble at the Red Keep and needs each to pledge gold.
Daemon points out that she has come far, but we still do not know who she is. She should be rejoicing being queen with an unassailable empire. Daemon brings up the prophecy and Rhaenyra reminds him that her father said dragons are a power “no man should trifle with.” Daemon agrees Viserys was a good man, but he renounced his dragon. Rhaenyra wants to get King’s Landing under control before taking on other worries.
Before Daemon leaves, he reminds her she must kill Daeron.
Rhaenyra enters Daeron’s bed chamber and watches him sleep.
The following day she admits she’s exhausted because she can’t sleep in her father’s bed. Mysaria believes she’s buried her grief, and Rhaenyra claims she doesn’t feel grief – just rage. She’s determined to bring Aemond and the rider of Sheepstealer to justice for killing her sons.
The small folk cheer Rhaenyra as she delivers a rousing speech. She’s taken her rightful place and promises to rule judiciously and with strength and mercy. She brings them food that Mysaria helps pass out.
Corlys finds her and asks why she didn’t do as he requested. She insists that it’s impossible for her to raise up illegitimate children at the beginning of her reign. Rhaenyra promises she will someday. Corlys reminds her that he’s sacrificed everything for her and supported her when others didn’t. He even stood up and accepted Lucerys as the heir to the Driftwood Throne, even though he knew he was a bastard. Corlys raises his voice and draws the attention of others nearby when he says all of Rhaenyra and Laenor’s children are bastards. (She’s sending for Joffrey now to raise as her heir.)
Olivia Cooke, Phia Saban, and Emma D’Arcy in ‘House of the Dragon’ season 3 episode 3 (Photo by Ollie Upton/HBO)
Rhaenyra informs Alicent that she has Daeron, taken from Lord Ormund two days ago in exchange for their surrender. Rather than kill him, Rhaenyra has decided that he’s innocent and has only done what he was told. He will join the Night’s Watch. Alicent admits she doesn’t know him and hasn’t seen him since he was a baby.
Daeron doesn’t react to anything, not even when Rhaenyra says Alicent wishes to see him. Alicent enters the room and it’s immediately apparent something is wrong. The boy isn’t Daeron. He was forced to take Daeron’s place while Ormund keeps the real Daeron safe. Alicent wasn’t aware of Ormund’s plans.
The episode ends with a dragonkeeper at the gates reporting that Ormund and his army have taken Tumbleton. Women and children were taken hostage. A young dragon was taken inside the city and burned the men alive. Only he managed to escape.
Rhaenyra wonders what Lord Ormund hopes to accomplish. Her face hardens into a snarl as she watches all the Hightower banners burned in the courtyard.
Cole Hauser as Rip Wheeler and Kelly Reilly as Beth Dutton in ‘Dutton Ranch’ (Photo Credit: Emerson Miller/Paramount+)
Paramount+ hosted a Zoom interview with Dutton Ranch stars Kelly Reilly and Cole Hauser on the eve of the release of the first season’s finale. The Yellowstone spinoff focuses on fan favorite characters Beth and Rip, and the new series moves the action from Montana to Texas.
In season one, Beth and Rip bought an established ranch in Rio Paloma and renamed it Dutton Ranch. Even though they’re in a new state and a new ranch, Beth and Rip still haven’t found a way to live peacefully. Dealings with the 10-Petal Ranch, run by Beulah Jackson (Annette Bening) and her sons Rob-Will (Jai Courtney) and Joaquin (Juan Pablo Raba), have put Beth and Rip smack dab in the middle of a new war, this time one that crosses the border into Mexico.
The following are highlights from the lengthy press conference with Reilly and Hauser, who’ve now spent six seasons as Beth Dutton and Rip Wheeler. (There are a few spoilers ahead so make sure you’ve watched the finale before reading any further.)
On having to find their feet again at the start of Dutton Ranch season one:
Kelly Reilly: I think a new endeavor, a new show—it’s almost like by the time we were in the last few seasons of Yellowstone, I mean, we were on our feet; we knew what this was. We knew where we were going. We had an audience that [was] with us. And there was a sense of a ship that we knew how to sail. And this one, it was a brand-new endeavor that felt as every new creative endeavor should feel. Challenging and exciting, but challenging. So, there was definitely a sense of finding new feet for all of us. And it’s like, how do you maintain the soul of something while also wanting to explore new parts of characters?
[…] And we were starting a new terrain. So, it was definitely daunting. Way more daunting than Yellowstone was. It was very similar to the beginning of Yellowstone, the first season of Yellowstone. That’s the closest thing I can relate it to, I think.
Cole Hauser: Yeah, I mean, just to piggyback off what she said, for me, you know, I think what was the most comforting is having Kelly and Christina Voros. You can take all three of us and put us on the moon, which is what it felt like when we got to Texas. We’re so used to Montana at this point. It’s such a character in our show and has become so much ensouled in these characters. And so, to bring them out of that place and to literally burn it down to the ground and start fresh is something that both Kelly and I, and Christina as well, and everybody, the whole cast, we just developed as best we could. And, in many respects, the show kind of imitates the characters and what’s going on truly with them.
So that was a real pleasure. The other thing I would say that was wonderful is, you know, as much as this is a new show, Kelly and I have the ability as actor and actresses to look at each other and be able to really navigate together, which is kinda what Beth and Rip are doing throughout this process. And that to me was always very comforting. So, it was a new beginning, but in many respects, we got an opportunity to continue to build these characters that we love.
Cole Hauser as Rip Wheeler and Kelly Reilly as Beth Dutton in ‘Dutton Ranch’ episode 9 (Photo Credit: Emerson Miller/Paramount+)
On their characters’ evolution in this new environment:
Kelly Reilly: Well, for me, this went back to the fire at the beginning. I mean, literally that is figuratively the end of Yellowstone. It’s like it’s letting everyone know that we’re starting again. She says, “We’ll start again.” And out of the ashes, out of loss, is new life.
And so, for me, I wanted Beth to wonder for a minute what does that look like. She’s lost her father. She’s lost her reason for living, which was to fight for him, to preserve a legacy, to preserve a land. And now all of that is gone. Who is she? What sort of woman is she beyond that? And it was something I was always curious to leaning into playing. Who is she beyond the ranch and beyond her father?
Now she is a wife and mother figure, and she’s moving into matriarch. And that excited me. I knew the Beth of wild days. We all know her very well, and that hasn’t gone anywhere. But I was interested in finding the adult woman in there that could, you know, align with her husband in making a new life for themselves. And what do they want? So that’s where I was moving into.
And also, not having Taylor Sheridan’s words. You know, Beth was his, and I had to take her on as myself. It was like passing on the baton, really. And so with that, there’s losses, and there’s also things that I could get to explore that maybe he didn’t have much interest in exploring. So, you know, it’s a brand-new creative endeavor, and there’s something just so beautiful about that for us, yeah.
Cole Hauser: You know, it’s interesting because he’s such a pillar of a man, you know? He’s so consistent in who he is. And I think, you know, the way we started Dutton Ranch, it just gets spun on its heels immediately. And it’s about trying to adapt to a new environment. Trying to cowboy, deal with the Hispanic culture in Texas, and be able to try to get along with them, their language, their land, you know? So being able to go and cowboy down there was just a feat in itself.
[Laughing] I mean, we talked about it a lot the last couple months, but it’s the heat down there. I mean, it’s just different. Everything’s different. You know, becoming a father figure in a way for the first time. And really, that responsibility … there’s always this great strength and kind of beautiful love between Beth and Rip, but they’re challenged.
I mean, it’s a new world for me, a new way of trying to get along. And by the way, they’re not at the top anymore. They’re at the bottom. And that to me, again, it’s such an honor to play a character for so long and then get to a place where it’s like, “Let’s burn it all to the ground, and let’s start fresh, and let’s get after it. And let’s challenge these characters at the highest level.”
And I feel like if we can continue to do that into the second season, we’ll be—well, hopefully be—successful.
Kelly Reilly: It felt the most authentic thing to do, actually, Cole. You know, I don’t think we were aware that that’s what we were doing, is like there was something bold and brave about going, you know?
Cole Hauser: Bravery.
Kelly Reilly: Yeah. There was something about that that just went, that’s the only way we could start this, was we were gonna just wipe the slate clean and hope that in our own DNA, in our own mind of the characters that were in our body that live in our soul, that they’re there, and we’ve got one another.
Cole Hauser: But that was a real reality too. That was an energy. I mean, that’s something that we live through and put on camera together. And looking back at it, I’m sure years from now, Kelly and I will be sitting hopefully on an island laughing about all the struggles and the ups and downs and the beauty of it too, you know? You can’t forget that, you know? Sometimes it’s the lowest part. As long as you have somebody special like Kelly there to kinda lift you up and just go, “Let’s keep f**king powering forward.” [Laughing] You know what I mean? And that’s what we did together. It was a two-way street.
On Mariano being revealed as the big season one villain:
Cole Hauser: There was always someone lurking, I would say. But I think what’s really good about the show and the way that it was laid out is that we’re learning with the audience versus they’re ahead of, meaning Beth and Ripper, anybody. And then, so, I like to call it walking the dog, and I think they did a great job. And we as creatives, all of us, did a great job of making sure that we kind of left people on the edge of their seat each and every ending of the episode, to watch with us and go through what our journey is.
And so, it starts with Ed [Harris] and the initial meeting that they have, which is fabulous. And then, you know, that brings us to Beulah. So the dots start to connect, and that’s something that I think, ultimately, the editor did a very good job of doing. So, I’m proud of that. But, you know, Mariano, there was something lurking towards the end where Beth and Rip are starting to sniff out this other world that might exist behind Beulah.
Kelly Reilly: But you don’t really see Beth on the back foot in any of Yellowstone, which enables her to maybe, you know, in this moment of just trying to just live a quiet, simple life that she dreams of with her family, be left alone, honestly, I think is what her dream is. Not to own a piece of land that everybody wants to take chunks out of. She doesn’t want to fight. But there’s that essence of like, well, if she has to, she’s gonna.
And so, building up to that in the last episode of what it is that could be taken from her, that she’s willing to go back into warrior mode, it was fun for me to kind of remember that that was still there. And actually, that is, such an engine in her.
Cole Hauser: They’re so offensive characters, you know, throughout the seasons when it comes to Yellowstone. But to see them, like Kelly alluded to, on their back foot and playing a little bit of defense and trying to figure which way to run the ball … you know what I mean?
Kelly Reilly: Yes.
Cole Hauser: And I think that is what’s really interesting about season one of Dutton Ranch. And I think that that has to continue into season two, of course.
Kelly Reilly as Beth Dutton and Cole Hauser as Rip Wheeler in ‘Dutton Ranch’ season 1 (Photo Credit: Emerson Miller/Paramount+)
On the secret of Rip and Beth’s relationship:
Kelly Reilly: They’re each other’s only love. They loved each other when they were 15. They’ve never loved another person. They’ve never, you know, been romantic with another person. Like, they are each other’s other half. And so, in a strange way, it almost feels it’s a love story, like, out of another time and there’s a romance about them. And there is a “I’ve got your back,” and like I said, this mirror image of either, like, he is one side of the coin and she is the other.
And Cole and I love one another, you know. And we were given [five] seasons of Yellowstone written by Taylor Sheridan, and he loved writing for Beth and Rip. And he created such a love story from these fierce characters. But when they’re with one another, you get to see their heart. So, that was the gift, and we’re just trying to protect it now and expand on it. And who are they now as the adults, the patriarch, the matriarch of their world together? We know what they’re capable of together and individually, and we’ve just got to remember that sweetness.
She’s so vulnerable with him and he’s vulnerable with her. And I think people love to see that.
Cole Hauser: Yeah, I can’t put it any better, to be honest. I mean, the only thing I would say is that there’s this really beautiful thing that I always tell myself. It’s just love, honor, and friendship—if you can have those three things. And I think that they have always done that for each other. They’ve always been there for each other in that way, and it’s such a beautiful simplicity with a lot of complex things going on around them.
(Showbiz Junkies’ question:) Do you see a future for Beth and Rip where they don’t have to constantly fight outside forces just to survive?
Cole Hauser: God, that’s a great question. [Laughing] I would say yes and no. I think that we’ve talked about it a lot, Kelly and I; trouble seems to find them and it’s what creates great television and great drama. I think, ultimately, you want to be able to show many colors. And I think by doing that you have to have some kind of drama.
I think the endgame, one day, I mean, we’ve talked about this as well, is they get back to Montana. But there’s gonna be a whirlwind of shit before we do that, I think. So, I think that, to me, is sitting on a porch, the two of us, one day in this beautiful place that we love so much. But I’m looking forward to the struggle over the next few years to build an empire, to get what we want. And it doesn’t have to be this legacy, you know, this ranch. It could be a lot of different things that make them happy. And it could be, again, the simplicity of life too.
Kelly Reilly: And something they get to pass on to Carter.
Cole Hauser: Exactly.
Kelly Reilly: Like, as you get older, you start to think about what you’re gonna leave behind. And, you know, they’re starting to think about things that are different.
Cole Hauser: Yeah, they’re not spring chickens.
Kelly Reilly: Yeah, exactly.
Cole Hauser: They can’t fight forever, you know.
Kelly Reilly: That’s the other thing. Like, you know, with Beth and Rip getting older, not old but, like, older in the middle of their lives. And so are Cole and I. So, there is a whole new other playground.
Cole Hauser: Maybe grandchildren?
Kelly Reilly: Maybe. Oh, my God, Grandma Beth. [Laughing] Watch out!
Cole Hauser: [Laughing] I would love to see that one.
On playing Beth’s fiercely destructive and deeply vulnerable sides:
Kelly Reilly: You know, I enjoy polarities and complexities and conundrums in people in my life, and I really enjoy them in writing and great characters. I think kind of not letting her lean into caricature is really important to me. I think it would have been an easy thing to do. So, to try and just keep approaching the work with a level of seriousness and truthful intention, integrity. I think that I could then, you know, allow myself to just trust that if the writing is good, I could hit that ceiling and then go further, and then I’d bring it back down again. So, it has to be what is it when she is that fiercely destructive or fiercely protective. It has to mean something. It has to be for a reason.
It’s not just this sort of random, crazy character. It is usually because she feels like she’s fighting a war, and that’s certainly how she felt in [five] seasons of Yellowstone, to play her. So, now, putting the weapons down for a minute, it’s a moment of reflection and what do I want. What does she want? What makes her happy? And, honestly, the truth is him. Him and Carter and their little bit of land and making a go of it and having their farm-to-table. It’s just truly simplicity and moments of happiness.
But yeah. I’m not afraid of holding different aspects of a character in her. I think that’s what makes her really interesting to play.
Kelly Reilly and Annette Bening in ‘Dutton Ranch’ episode 6 (Photo Credit: Emerson Miller/Paramount+)
On welcoming Annette Bening to the Yellowstone universe:
Kelly Reilly: She’s a powerhouse, a force. One of the most beautiful actresses I’ve ever gotten to work with. Such a kind, fun, warm person. I think Cole and I really lucked out with having some heavyweights come join us in our little spin-off show. They made it legit, quite honestly. And her and Ed Harris, you know, especially going into a season two, it’s the four of us. We share our show with them and we’re in their world.
Annette Bening is so playful. She is constantly just coming up with new things. She’s an acting animal in the best way possible and you gotta be on your toes. You gotta be prepared and ready, and it’s exciting and thrilling. In my very first scene with her, I was nervous and I fluffed my lines and my first take. And I was like, “Aw, man, I’ve dropped the ball.” You know, I need to hold my own. But she was nervous too. So, once we’d gotten the first few takes out of the way, we went at it and it was like, “I can’t wait to work with her again.”
(Moderator: And then, at the end of the season, of course, you’re staring down the crosshairs of a shotgun pointed in her direction.)
Kelly Reilly: But did you see how she walks off? She didn’t care. She did it with such class.
You know, when Beth’s like the opposite of Rip’s warrior spirit of going calm, Beth gets the teeth out, right? She’s like a f**king badger. She’ll take your throat out. And I love that fire of Beth, obviously, and when it comes out. But for Beulah to just walk up and she just sort of shakes her hair and she walks past me as if it doesn’t bother her at all, I just thought was perfect.
On what they hope’s in store for season two:
Cole Hauser: Well, we have some work to do, you know. And I think we all know what that is. I mean, getting our child back is key in the beginning. But, you know, I’m really excited about this new kind of adventure with Ben [Cavell, the new showrunner]. You know, I love what Chad [Feehan] did and he brought a different kind of game to this year. And certainly, with Ben, I’m looking forward to getting to know him—for him getting to know me, the character. To spend some time with him and really just pick his brain and not come in with any ideas of what I want. I want to hear what he thinks.
And we’ve had an amazing conversation, Kelly and I, with him. And he’s a lovely human being. I have friends that have worked with him for six, seven years at a time for S.E.A.L Team, Neil Brown. So, I got to know a little bit of how he communicates, how he works. And it’s just gonna be refreshing for Kelly and I, I hope. And, again, I look forward to it, and I don’t want to put any preconceived notions of what I want. I want him to be able to speak his truth, his mind, and go from there.
Kelly Reilly: I think Cole and I both have a competitive spirit. We want to deliver real high-quality entertainment. I think a season two, it’s almost like, “Right now, let’s go.” Now we’ve done the hard job of season one of beginning it and getting through that sort of birth moment of the show. Now, we can really get in there and get into some character work. That’s what I’m interested in, like getting back to the characters and exploring something and blowing it up even more. And let’s make it even better.
And I think we’ve all got some ideas about how we want to do that, because of the passion we have for the show and what it could be and what it means to us. This is not just a job. We really have cared about it, and why would we stop now? So, it’s a privilege and it’s exciting. And so, yeah, season two? Can’t wait.