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‘Iron Fist’ Season 2: Finn Jones and Jessica Henwick Interview on Fight Training, the Mask, and Difficult Scenes

Netflix brought the cast of Marvel’s Iron Fist season two to the 2018 San Diego Comic-Con to talk to fans about the new season that’s set to premiere on September 7, 2018. Season two showrunner Raven Metzner joined Finn Jones, Jessica Henwick, Alice Eve, and Simone Missick for a packed panel and for roundtable interviews in support of the upcoming season.

Finn Jones, Jessica Henwick, and Raven Metzner were teamed up for interviews, discussing a wide range of topics including the design of the mask, training for season two’s action scenes, K’un-Lun, and where we pick up with Danny and Colleen as Iron Fist‘s second season begins.

What do you think will be the biggest change we’ll see from Marvel’s Iron Fist season one to season two?

Raven Metzner: “Season two is an evolution of the storylines that left off at the end of The Defenders. We’re sort of kicking off two, evolving beyond that. The story at the end of The Defenders is that Matt Murdock tells Danny to protect my city. As we saw in season two, Danny is sort of protecting the downtown area of New York while Luke is handling the uptown, and a big part of that is being on the streets of New York.

I think for Colleen as well – all of our characters, in fact – we’ll see their lives in New York City, on the streets of New York with new friends, with new jobs, with new experiences that will sort of round out those characters’ lives in a very different way.”

How did you go about giving the mystical city of K’un-Lun any sort of dimension in the new season?

Raven Metzner: “It’s interesting. We ground it in a relationship. Our director of our first episode, David Dobkin, is always talking about how the more you ground something, the more you can fly. We got all of the K’un-Lun stuff – a lot of it is about a way to understand the Danny and Davos relationship. To understand what drives it emotionally, not just the mythology of it. I think we were able to really capture a beautiful, interesting new look for K’un-Lun but it all flowed from… In the clip there’s a really cool fight but it’s also deeply emotional.”

Finn Jones: “Deeply emotional.”

Raven Metzner: “I think also Sacha (Dhawan) and Finn – he was saying they really went for it emotionally and physically.”

What kind of a headspace do we find Danny in at the start of the season?

Finn Jones: “Well, he’s protecting the streets of New York, right, so at the end of The Defenders Matt says to him, ‘Protect my city,’ and so he’s taken that very seriously and he’s on the streets doing the vigilante thing. At the same time, he’s just moved in with Colleen. So, he’s kind of like…I don’t know if any of you in your 20s, you kind of get the job, you’ve got the boyfriend or the girlfriend, you move in with them, you’re doing that thing for the first time. Even though it’s really exciting and you feel really confident and renewed in purpose, at the same time it’s like, ‘Oh shit, can I handle this?’

That’s kind of where we find Danny at the beginning, to kind of try and make it more relatable.”

Can you talk about fight training for season two?

Finn Jones: “I started four months ahead of shooting. I probably trained about five days a week. I did mediation, yoga. I worked with a trainer. She trained me in more of like a gymnastic style training where I used my own body weight. Rather than put size on, it was making sure I’m still agile but toned. And then I worked with this ex-Shaman Monk on the lower East Side in New York. It was so cool. He taught me a lot of Kung-Fu, a lot of traditional Kung-Fu and Tai chi. And I also did a lot of Mixed Martial Arts, more modern stuff, to get really the stance correct to know what it feels like to actually throw a punch and take a punch.

That was all leading up to the show and then about a month before the show started, Clayton (Barber) came on board and then we started to get into the nitty-gritty of how we wanted the show to look, working with the stunt performer, choreographing the fights. And then it just went to like another six months where we were in the dojo every day training with the other actors. This season everything you see on screen… Can I say everything? It’s pretty much. A lot of it.”

Raven Metzner: “Very, very much of what you’re seeing…”

Finn Jones: “…is actor on actor. The actors got to learn the rhythms with each other in rehearsals and that was really fun to not only act with another person but to dance with them and fight with them just brought the relationships, I felt, to another level which was really exciting.”

Did you go home with bruises?

Finn Jones: (Laughing) “I got punched in the face once. I’m not going to say who. (Whispers Sacha.) I think I got him back a few times as well.”

Jessica Henwick: “It was actually much more easygoing than last season. I have not that many fights this season in comparison. Last season I was in eight hours, this season I got to kind of be like, ‘Ha-ha Finn, You’re on your own.’”

Finn Jones: “That’s not true, though. You were in the dojo quite a lot.”

Jessica Henwick: “I still was in the dojo but not nearly as much as I was last season. I trained in Hapkido which is a Korean style of martial arts which I found to be fun. I’ve tried Chinese, Korean, and Japanese martial arts now and I just bounce between the three.”

Did you go home with a bunch of bruises?

Jessica Henwick: “A few. A few.”

Finn Jones: “I’ve seen your bruises.”

Iron Fist stars Finn Jones and Jessica Henwick
Jessica Henwick and Finn Jones in ‘Marvel’s Iron Fist’ (Photo by Linda Kallerus / Netflix)

Colleen had a brief appearance in Luke Cage but where will she be as season two of Iron Fist starts?

Jessica Henwick: “I think she thinks she’s okay and she’s not. Everything was taken away from her and she’s given up her passion which is fighting and teaching because it was all ruined. It was all kind of poisoned. I think she’s ticking along thinking she’s all right but is not really thinking about the future or dealing with it, which is something we all do. Telling ourselves that we’re fine. I think that’s where we find her.”

Is it more difficult for you this season because it is more emotional, more draining?

Jessica Henwick: “It’s hard to play someone who’s floundering because you feel like you’re floundering. It’s like, ‘I don’t know what I’m doing!’ That feeling was new because she was so self-assured in season one and I find that much easier to play. Yeah, someone who’s like, ‘This is what I want to do and that’s how it’s going to happen!’ When you take that away from someone, yeah, it’s difficult.”

A version of the mask was unveiled in the clips.

Finn Jones: (Cheering) “Two masks.”

How did you guys go about translating that from the Iron Fist comics to the screen?

Raven Metzner: “I think my guiding principle is always you don’t do a thing because it’s a thing, you do it for story. There’s a reason why, to me, in K’un-Lun those masks are worn. It’s to keep people anonymous when you’re fighting people you’ve known your whole life. We use that in interesting ways in the story.

We did a lot of research on different ceremonial masks from different cultures. We had our wardrobe team design that mask and filter it through all these different versions of different masks that real people really wear for ceremonial events. On top of that, the eye black is something that is used in football, it’s used in the military to keep the sun’s glare out so you can do combat.

The point being that it was really, really fun to take something that’s an element like that and say, ‘Why would somebody wear something like this? What does it mean to them?’ The same way that Matt Murdock covers his eyes and the mask evolved to protect his head, we built the story around why the mask needed to be there.”

Finn Jones: “The idea is that Danny and Davos are brothers. They’ve been raised together. They have a very close connection, and in order for them to fight each other, they have to conceal their identities so all they see is another fighter. It’s interesting in that clip what you saw there’s a moment when he takes the mask off and Danny sees into the face of his brother and he questions what he’s doing. That’s when Davos gets the advantage.

That’s another really interesting thing with the fights. The fights aren’t just like, bish, bash, pow! There’s a real emotion, there’s a story to all the fights this season. That’s been really fun to play for an actor. It’s not just about learning the choreography and kicking ass. There’s more like, ‘What is this scene trying to say? How does this propel the characterization and the story?'”

What would you say is the over-arching theme of this season?

Raven Metzner: “There’s a whole bunch of themes. I think duality and seeking balance. What Jessica was saying before, people go through life saying that they’re okay but we’re all looking for the idea of, ‘I’m going to get to a place where I’m on steady ground.’ We all know that’s a really difficult thing and you usually can never get there. The only way you can move through all the landmines is by keeping yourself balanced.

I think all the characters are searching for which side they’re going to land on. So that duality, that balance that we all carry with us, that’s the running theme in story and character all through this season.”

After two seasons, what do you view as Danny’s most defining characteristic? What is it that you latched on to that you love about him?

Finn Jones: “I think it’s his strength of heart. His strength of spirit. No matter what is thrown at him, he will always persevere relentlessly with… Would you say optimism?”

Raven Metzner: “I think positivity.”

Finn Jones: “Positivity. Yeah! He won’t let things get him down for much longer and he always strives to be on the right side, to go towards the light. Danny had a hard upbringing but that doesn’t affect his outlook on life. I love that about Danny. I love that about him.”

Can you give a teaser about the hardest scene to film in season two?

Finn Jones: “Just working through winter in New York was pretty tough. It was really cold. I don’t know if you saw that scene yesterday outside when I was beating up an armored car. I don’t know the Fahrenheit but…”

Raven Metzner: “Everyone was wearing giant parkas. The only person not in a parka was Finn.”

Finn Jones: “It was freezing. But the K’un-Lun fight was a slough. We really did beat ourselves into the ground.”

Jessica Henwick: “There was a scene shown with Missy and Colleen going to some women but I can’t say what they’re called because it’s a reference and people will dig up information and find out who they are. That was hard purely because that building was full of asbestos. So, it was literally like, ‘Okay, cut, but don’t stand under there!’ ‘I’m going to go to the craft table.’ ‘But don’t go through that corridor!’ Yeah, that was quite interesting.”

Finn Jones: “The dreams of working in real New York is you have to face New York’s real problems.”

Raven Metzner: “I’ve read a lot of comics and I wanted to bring some really deep Easter eggs in there. And so there are certain images that I had from different comics that I read for some of these characters that I really wanted to put on screen. Doing that is really hard. You don’t want to be slavish to it; you want to do an homage. I think we worked really hard to make some of those moments work. I’m excited for people to be able to find them.”




First Look: New ‘Terminator’ Photo Features the Film’s Fierce Females

Terminator First Photo
Natalia Reyes as “Dani Ramos,” Mackenzie Davis as “Grace,” and Linda Hamilton as “Sarah Connor” in the untitled ‘Terminator’ film (Photo credit: Kerry Brown © 2018 Skydance Productions and Paramount Pictures Corporation)

Paramount Pictures just unveiled the first official photo from the untitled Terminator film which is currently in production. The latest sequel/reboot of the Terminator franchise is targeting a November 22, 2019 theatrical release date.

The first photo features the film’s stars Natalia Reyes as “Dani Ramos,” Mackenzie Davis as “Grace,” and Linda Hamilton reprising her role as “Sarah Connor.” The cast also includes Arnold Schwarzenegger, Gabriel Luna, and Diego Boneta.

Tim Miller (Deadpool) is directing and James Cameron and David Ellison are serving as producers. The untitled Terminator project is executive produced by Dana Goldberg, Don Granger, Bonnie Curtis, Julie Lynn, Tim Miller, John Kelly, and Edward Cheng.

The new Terminator is the sixth of the sci-fi action film franchise. The series kicked off with The Terminator in 1984, followed by Terminator 2: Judgment Day in 1991. Terminator 3: Rise of the Machines arrived in 2003, Terminator Salvation opened in theaters in 2009, and the most recent entry, Terminator Genisys, was released in 2015.

Linda Hamilton returns to the franchise after originating the role of Sarah Connor in the original Terminator. Hamilton also starred in ’91’s Terminator 2. Emilia Clarke stepped into the role in 2015’s Terminator Genisys. Another Game of Thrones actress, Lena Headey, portrayed the character in the short-lived television series, Terminator: The Sarah Connor Chronicles. Over the years Sarah Connor’s son, John, has been brought to life in the franchise by Edward Furlong, Nick Stahl, Christian Bale, Jason Clarke, and Thomas Dekker.

James Cameron directed the first and second Terminator films, with Jonathan Mostow (U-571) taking over the reins for Terminator 3. McG (Charlie’s Angels: Full Throttle) took on the task of directing Terminator Salvation and Alan Taylor (Thor: The Dark World) was at the helm of Terminator Genisys.

The original Terminator completed its theatrical run with a box office take of $78 million. The second film proved to be the most successful of the franchise, ringing up $520 million worldwide before exiting theaters.




‘Outcast’ Season 2 August Episodes Preview: Plot Details and Air Dates

Outlander Season 2 August 2018
Patrick Fugit and Philip Glenister in ‘Outcast’ season 2 (Photo: Kent Smith/CINEMAX)

Season two of Cinemax’s Outcast continues with four new episodes airing in August 2018. The series is based on the Skybound/Image comic created by Robert Kirkman (The Walking Dead) and artist Paul Azaceta. Outcast stars Patrick Fugit (Gone Girl) and Philip Glenister (Kingdom of Heaven) and airs on Fridays at 10pm ET/PT.

In addition to Patrick Fugit and Philip Glenister, the season two cast includes Wrenn Schmidt (The Looming Tower), Reg E. Cathay (The Wire), Kate Lyn Sheil (House of Cards), Julia Crockett (Law & Order: Criminal Intent), David Denman (13 Hours), and Brent Spiner (Star Trek: The Next Generation).


The Season 2 Plot: Plagued by demons since childhood, Kyle is on a journey to find answers – but what he uncovers could mean the end of life as we know it. Continuing to probe the mystery of what lies behind the town of Rome’s supernatural manifestations, and why they are drawn to Kyle, the show explores how people cope with extreme circumstances while protecting the ones they love.

Patrick Fugit stars as Kyle Barnes, a young man who has been plagued by demonic possession all his life. With the help of Reverend Anderson, played by Philip Glenister, a preacher who believes he is a soldier in God’s holy war against the forces of evil, Kyle tries to protect those he holds most dear, now that the otherworldly threats prove greater in scope and number than anticipated. His struggle will grow into a fight for all of his hometown, as he discovers the haunting secrets of his own past.

Outcast August 2018 Episodes:

  • Episode #13 (season 2, episode 3): “Not My Job to Judge”
    Debut date: FRIDAY, AUG. 3 (10:00-11:00 p.m. ET/PT)
    Kyle (Patrick Fugit) and Amber (Madeleine McGraw) visit Allison (Kate Lyn Sheil) at the facility she’s checked herself into, where Amber encounters a creepy patient. Holly (Callie McClincy) rejects Megan’s (Wrenn Schmidt) attempts to return to normalcy. Sidney (Brent Spiner) poses a challenge to a new convert. Patricia (Melinda McGraw) confronts Giles (Reg E. Cathey) about his investigation of Aaron’s case. Anderson (Philip Glenister) and Kyle track down a mysterious figure behind a spate of Rome abductions.
    Written by Jeff Vlaming; directed by Howard Deutch.
  • Episode #14 (season 2, episode 4): “The One I’d Been Waiting For”
    Debut date: FRIDAY, AUG. 10 (10:00-11:00 p.m.)
    Kyle (Patrick Fugit) and Anderson (Philip Glenister) learn more about the role Kyle’s father played in Rome’s history of possession. Anderson is taunted by an old foe, who recently resurfaced and is wreaking havoc in town. With nowhere to go, Megan (Wrenn Schmidt) takes Holly (Callie McClincy) to a familiar but forbidding place. Sidney (Brent Spiner) instructs an ally to keep Giles (Reg E. Cathey) in line.
    Written by Rebecca Sonnenshine; directed by Alrick Riley.
  • Episode #15 (season 2, episode 5): “The Common Good”
    Debut date: FRIDAY, AUG. 17 (10:00-11:00 p.m.)
    Kyle (Patrick Fugit) tracks down Megan (Wrenn Schmidt), who rejects his assertions that Rome’s dark forces are real. Allison (Kate Lyn Sheil) considers checking out of the hospital after disturbing encounters with patients and staff. Anderson (Philip Glenister) discovers he shares a connection with the congregants of Dakota’s (Madelyn Deutsch) church. Owen’s (Toby Huss) town-hall meeting for concerned citizens turns chaotic after a surprise announcement.
    Written by Chris Black & Adam Targum; directed by Ti West.
  • Episode #16 (season 2, episode 6): “Fireflies”
    Debut date: FRIDAY, AUG. 24 (10:00-11:00 p.m.)
    In the aftermath of an epic fight to save Giles (Reg E. Cathey), Dr. Park (Hoon Lee) obscures the truth about Kyle’s (Patrick Fugit) condition to Anderson (Philip Glenister), Megan (Wrenn Schmidt) and Allison (Kate Lyn Sheil), while Amber (Madeleine McGraw) discovers she shares some of her father’s special abilities. Sidney’s (Brent Spiner) latest plan gets derailed by his unpredictable protégé. Rose (Charmin Lee) begins to take matters into her own hands after Giles quits the Rome police force.
    Written by Sarah Byrd; directed by Fernando Coimbra.




‘Legacies’ – Danielle Rose Russell Interview on ‘The Originals’ Spinoff

The CW’s Legacies star Danielle Rose Russell describes the series as one that pays homage to both The Vampire Diaries and The Originals. However, Russell believes Legacies is its own entity. During roundtable interviews at the 2018 San Diego Comic Con, Russell said fans of the new series can expect to see a more mature Hope who takes on new challenges and a new role while attending The Salvatore School for the Young and Gifted.

Legacies is set to premiere on Thursday, October 25, 2018 at 9pm ET/PT.

Danielle Rose Russell Legacies Interview:

You said she’s taking on a new role. Is the new role that she’s really coming into her powers?

Danielle Rose Russell: “Yeah, I think that’s part of it. I don’t know if Hope will ever feel fully comfortable in who she is because there’s so much going on. Her nature is always telling her to do evil and to do wrong, so she’s constantly fighting those inner demons that are telling her to be evil and to succumb. The show is really all about choosing to be good in the face of evil and how these young beings are kind of born to be monsters. It explores how they can do good in the world.”

Who is helping her most on this journey?

Danielle Rose Russell: “I don’t think Hope has a whole lot of people who understand her. Even in her family I think she has always kind of felt like a little bit of an outcast because no one understands what it feels like to be this tribrid. So, I think she deals with a lot on her own and tries to take responsibility and deal with everything on her own. And since certain things have happened on this season of The Originals and since then, I think she kind of pushes people away due to traumas and things that have happened. So, I think she handles a lot on her own.”

She not only has these supernatural powers, she’s also growing into a woman so she’s dealing with that as well. How are you portraying that?

Danielle Rose Russell: “I mean, I think season five kind of shocked some of the fans of Hope because she was always this sweet girl who would draw in her bedroom. That’s who she was. But, when season five came and she was a 15-year-old girl not only battling being hormonal and becoming a young woman for the first time but she’s also battling this immense power that’s inside of her. I did really enjoy playing kind of the messier side of her because teenagers are not perfect at all. They are messy and there’s a lot of self-discovery and you make a lot of mistakes. I really enjoyed playing that part of her and I think that does continue into Legacies, too. But, the show does have a younger vibe and a high school tone to it.”

Who are some of the students that she’s going to meet there?

Danielle Rose Russell: “You have Lizzie and Josie Saltzman, Alaric’s kids. We have a character named Landon Kirby who she will be meeting. A character named Rafael; a character named M.G. who’s a vampire. And, of course, just people along the way. I think that’s all I can say about it.”

Is there anything about her at this point in her life that you really enjoy delving into?

Danielle Rose Russell: “Yes. I really love the fact that Legacies does have a very strong female lead. For me, playing Hope I don’t really relate to her in a lot of ways because I’m not supernatural, but I am a girl who was much more mature for her age and has a strong will and is a little sassier. I really kind of fell into her shoes in that sense and I really love to play it. We’re definitely going to explore some more of that in Legacies.”

Will Hope have a new best friend?

Danielle Rose Russell: “I don’t know. I think that because there are a lot of people who have died and who have really left an impact on her with their deaths, I think that she wants to push people away because she’s afraid of love and afraid of getting close to anyone. She thinks that anytime she does, it will blow up in her face. I think she blames herself a lot for certain things that have happened.

I don’t know. I don’t know if anytime soon she’ll have a friend. I really want her to have a friend. I really do!”

With the fact that she’s a tribrid, are you going to be doing much in the way of action scenes in Legacies?

Danielle Rose Russell: “Matt (Davis) and I did a fight sequence the other day which was a lot of fun. It’s not just Hope casting spells and blowing things up – which is kind of action-y – but you definitely see a little more of her werewolf nature begin to come out because she turns in episode 12. You definitely see some of that in Legacies which has been so much fun.”

Does she hope for a normal life?

Danielle Rose Russell: “I, of course, think so. I think that that’s where she gets a lot of her Aunt Rebekah in that sense. In The Originals for sure I think she really battled with who she was and not being able to have her family around. She blames herself for a lot of it. I’m sure there were many times when she wished she was a normal 15-year-old girl. But, in Legacies you start to see her take her own power back and explore all of who she is which I think is going to be really good especially playing her.”

Will she be interacting with any of the Mikaelsons?

Danielle Rose Russell: “I hope so. That’s up to Julie (Plec) – and anyone who wants to come back! But, I really hope so. I don’t want her Mikaelson roots to ever be lost. I don’t think they will. I think that who Hope is is very Mikaelson and also Marshall from her mother, so that will never be lost no matter if there are characters who come back or don’t.”

What will her support system look like in the school?

Danielle Rose Russell: “In The Originals, Hope was always known as being the baby and being protected by her family. But when she got old enough to where they can’t protect her anymore, I think she said, ‘I have to protect myself.’

So, when we pick up in Legacies, she does push people away and she does have a tendency to not get close to people because she’s afraid. I think she is kind of her own support system which can be really sad and really heartbreaking for her. You see a little bit of that and you definitely empathize with her when we pick up in Legacies. But hopefully she’ll make that transition where she can have a couple of friends. I’m really rooting for Hope to have friends!”

Is most of the action taking place in the school or is there an expanded universe that we’ll see her going out into?

Danielle Rose Russell: “I think that Legacies in the beginning at least will focus on the school. But there is definitely things that are out of the school that we’ll be in touch with, for sure, like supernatural things we’ve never even seen before which is why I say it’s a show of its own kind because we’ve never explored what’s outside of The Vampire Diaries world, basically. It definitely explores that a lot.”

How much do you know at this point about what she’s going to develop into, which powers will emerge and be the most prominent?

Danielle Rose Russell: “I know about three episodes in. (Laughing). I know that she will definitely be fighting some of her own demons and outer demons and trying to connect with people and also coming into her own. I hope to see her at her full tribrid power.”

Also of Interest:

Legacies Star Danielle Rose Russell
‘Legacies’ stars Matthew Davis and Danielle Rose Russell at the Warner Bros. booth during Comic-Con 2018 (© 2018 WBEI. All Rights Reserved)




‘Outlander’ Season 4 Teaser Trailer: Jamie and Claire Make It to the New World

Jamie (Sam Heughan) promises Claire (Caitriona Balfe) they can start anew in North Carolina in the new one-minute teaser trailer for Outlander season four. The official first look trailer also reveals Claire has discovered a skull complete with silver fillings, something that no skull from their current era should contain.

The trailer confirms Jamie and Claire will continue to face life-threatening challenges as they attempt to establish themselves in North Carolina.

In addition to Sam Heughan and Caitriona Balfe, the cast of season four includes Richard Rankin, Sophie Skelton, Lauren Lyle, César Domboy, Maria Doyle Kennedy, and Ed Speleers.

Season four, which will consist of 13 episodes and is based on Diana Gabaldon’s Drums of Autumn, will premiere in November 2018. Starz has already renewed the time-traveling fantasy romance for fifth and sixth seasons.

A Look Back at Season Three: Book Three picks up right after Claire (Caitriona Balfe) travels through the stones to return to her life in 1948. Now pregnant with Jamie’s (Sam Heughan) child, she struggles with the fallout of her sudden reappearance and its effect on her marriage to her first husband, Frank (Tobias Menzies).

Meanwhile, in the 18th century, Jamie suffers from the aftermath of his doomed last stand at the historic battle of Culloden, as well as the loss of Claire. As the years pass, Jamie and Claire attempt to make a life apart from one another, each haunted by the memory of their lost love. The budding possibility that Claire can return to Jamie in the past breathes new hope into Claire’s heart… as well as new doubt. Separated by continents and centuries, Claire and Jamie must find their way back to each other. As always, adversity, mystery, and adventure await them on the path to reunion. And the question remains: When they find each other, will they be the same people who parted at the standing stones, all those years ago?

Outlander Season 4
Caitriona Balfe and Sam Heughan in a scene from ‘Outlander’ season 4 (Photo Credit: Starz)




‘Castle Rock’ – Jane Levy on Her Character, Stephen King, and the Horror Genre

Jane Levy was part of the cast of Hulu’s Castle Rock who took part in a panel at the 2018 San Diego Comic Con. Castle Rock is a new original horror series which takes place within the Stephen King multiverse. Jane Levy plays a character named Jackie Torrance in season one which premiered on July 25, 2018. The last name Torrance immediately struck a chord with Stephen King fans and during roundtables interview at Comic Con, Levy was asked if there’s a connection between her character and those in The Shining.

The Torrance connection was the first question asked of Levy during our roundtable interview. Playing it close to the vest, Levy replied, “Jackie, who I play, brushes up very closely with a famous King character.”

Jane Levy Castle Rock Interview:

Were you a big fan of Stephen King prior to Castle Rock?

Jane Levy: “I was not a big fan but not because I didn’t like it, but because I didn’t know enough about his work. I’ve learned so much about him from working on the show. I’ve become a huge fan, just such a fascinating person. Like, really no comparison. And so smart and interesting. I didn’t know how epic Stephen King was. I didn’t know that Shawshank Redemption was a Stephen King book. I didn’t know that The Shining was a Stephen King book.

I learned all these things from working on the show, and I’m honored to be a part of the universe.”

Is there anything you’re surprised to learn about yourself as you delve more into your character?

Jane Levy: “Sort of. So, my character is the town taxi driver. She’s the self-proclaimed historian of Castle Rock. She’s kind of like you – I’m assuming you guys are Stephen King fans. She’s a huge fan and she’s extremely proud of being from Castle Rock. She thinks the legends she’s grown up hearing are like the coolest shit ever. However, it’s never really happened in her lifetime. She’s like, ‘When is this going to happen to me, guys? Is this even real?’

And then in episode one Henry Deaver shows up and she catches wind that this young person was found in a cage in the bottom of Shawshank. She’s like, ‘Let’s go! This is what I’ve been f*cking waiting for my whole life.’

I’ve done horror films before and when I first started working on horror I was like, ‘I don’t really get it. I just got hired for this thing. It was a really fun experience.’ And when I was working on Jackie who’s like a huge fan of the macabre and anything dark, my dad reminded me – which I totally didn’t remember – truthfully, no irony, I wanted to be a coroner because I thought it would be cool to cut people open. And then I started to remember all the dark shit that goes on in my head. I was like, ‘Maybe I am an actual huge horror fan.’ Whenever a horror movie comes out, it is the only thing that will absolutely without fail get me to the movie theater.

So, yeah, through playing Jackie I realized I am interested in crossing the line and doing things I’m not allowed to. The horror genre allows for that. Playing Jackie brought out my inner horror fangirl.”

How much of her backstory do we get to see?

Jane Levy: “You see some. I don’t know what I’m allowed to say.”

Why did she choose to be a taxi driver and what will her relationships be with the other characters?

Jane Levy: “I do think she chose to become a taxi driver because she likes to be in other people’s business and eavesdrop. Her closest relationship is with Molly, Melanie Lynskey’s character, which is really fun for me because I adore Melanie and we’re friends IRL. I would say that’s her most important relationship but there comes a time where she and Henry show up at the same place at the same time. Without realizing it, they need each other and help one another.”

Why do you think Americans are so fascinated with the notion that picturesque small towns are really a façade for something foul and sinister?

Jane Levy: “I don’t think it’s just Americans because my favorite shows about small towns are like Broadchurch, Top of the Lake, Twin Peaks. I think that it’s my actual favorite genre. I just watched The Sinner – I’m a little late – but I was like, ‘This is so f**king good!’

I think it’s like when you’re in a small space and there’s generational history, there’s neighbors that know each other’s good stuff and bad stuff, that’s really juicy grounds for drama. I think the most dramatic things are actually the most simple. It’s also such a scary idea to think that the town itself might be the villain, at least with Castle Rock. That’s what I felt when I watched Texas Chainsaw Massacre for the first time when I was a kid. I was like, ‘That’s the scariest idea that a whole town is against you.’ This is a little different because it’s the town itself.”

Also of Interest:

Castle Rock star Jane Levy
Jane Levy stars as Jackie in ‘Castle Rock’ (Photo by Art Streiber/Hulu)

‘Venom’ Trailer #2: Tom Hardy Embraces the Dark Side

The new full trailer for Venom declares the world has enough superheroes. Each successive trailer has shown more of Tom Hardy (Mad Max: Fury Road, The Dark Knight Rises) as Eddie Brock struggling to come to terms with the symbiote who is sharing his body. The teaser and first full trailer provided only a glimpse of Venom, but this new three-minute trailer shows everything from the transformation to action scenes involving Venom taking on good guys (and bad). It also confirms the film will have a touch of humor, with Eddie joking he has a parasite after a store clerk witnesses an attack by Venom.

Oscar nominee Tom Hardy (The Revenant) leads a cast that includes four-time Oscar nominee Michelle Williams (Manchester by the Sea, My Week with Marilyn, Blue Valentine, Brokeback Mountain), Emmy winner Riz Ahmed (The Night Of), Screen Actors Guild award winner Reid Scott (Veep), and Scott Haze (Only the Brave, Thank You for Your Service).

Ruben Fleischer (Gangster Squad, Zombieland) directs from a screenplay by Scott Rosenberg, Jeff Pinkner, Kelly Marcel, and Will Beall. Avi Arad, Matt Tolmach, and Amy Pascal produced the Marvel Comics film adaptation. David Householter and Stan Lee served as executive producers.

The Very Generic Plot Description: One of Marvel’s most enigmatic, complex and badass characters comes to the big screen, starring Academy Award nominated actor Tom Hardy as the lethal protector Venom.

Venom New Trailer
A scene from Columbia Pictures’ ‘Venom’ (Photo © 2018 CTMG, Inc)




Tom Arnold Interview: ‘The Hunt For The Trump Tapes’

The Hunt for the Trump Tapes star Tom Arnold

Tom Arnold may be best known as Roseanne Barr’s ex-husband, Arnold Schwarzenegger’s co-star in True Lies, or the host of the Best Damn Sports Show Period. If his newest show is successful, Tom Arnold will go down in history. He is hosting The Hunt For The Trump Tapes on Viceland.

On The Hunt for the Trump Tapes, Tom Arnold is looking for recorded evidence of Donald Trump being racist, misogynistic and otherwise offensive. The show does not air until September, but if Arnold obtains a tape, he would spoil the show by releasing it immediately.

“First of all, I wouldn’t withhold it,” Arnold said at a Television Critics Association panel. “If it’s going to help our country, I would not withhold it. Number two, this network couldn’t hold it. We’re going to continue filming until each episode goes on the air and you’ll see this. You’ll also see documentation of the pee-pee tape and by the time you see this, you will know for sure there is a pee-pee tape.”

“Pee-pee tape” got an audible giggle from professional journalists in the TCA ballroom. That was only the beginning.

“In my show, I will prove this one point about the pee-pee tape,” Arnold said. “Trump says, ‘Oh, it couldn’t be me because I’m a germaphobe.’ Jane Mayer, the biggest thing she ever broke in her huge career — Koch brothers, Dark Money — she proves without a doubt that Trump is not a germaphobe, because how many germaphobes raw dog that many porn stars? I mean, she lays it out. That’s a medical, scientific fact.”


Even if Arnold finds the pee-pee tape, in which Trump is rumored to have paid escorts to pee on a bed in which the Obamas slept, would it change anything? The 40% of America that supports Trump is unwavering.

“I don’t give a sh*t about the 40%,” Arnold said. “I’m going to do this until he resigns. He is a crazy person. He’s putting our country on the precipice of a war, literally right now. I’m working on the show right now with people that are much more talented and much more connected than I am. There are things going on right now that affect our world, that are scary. For some reason, I am in a position to do something and it is working and I am going to continue to do this until that guy resigns and the world is a little bit safer. It is going to happen.”

While many feel hopeless that the worse it gets, the stronger Trump gets, Arnold sees forces clamping down on Trump.

“Since Helsinki big things are breaking about that knucklehead,” Arnold said. “It’s putting more pressure on him and he’s acting even crazier and we’re getting closer and closer to him saying, ‘Okay, you know what? I’m quitting on my terms.’ That is going to happen, okay? And his 40%, f*** ‘em, okay? Seriously. Okay?”

Arnold believes there is video of Trump using the N word. But would the people who already defend his racism be swayed if he used that particular slur?

“50% of the country knows he’s racist,” Arnold said. “Hearing that, the N word, I think we’re going to have to do that too. Black people know he’s racist, I know he’s racist, but there’s some people that are like, even after they hear it, they’re going to be like, ‘Yeah, but that was a one-time thing.’ Well how about five times? ‘Okay, it was a five-time thing. Everybody does that. Every 72-year-old man does that. I’ll tell you, everyone from New York does that.’ It’s all bullsh*t. And it’s really on the person that’s covering for him. It’s all these people that are protecting him.”

The N word tape isn’t even Arnold’s Holy Grail.

“The tape I want [is] one 12-hour day of Trump Tower in that room they used to have the board room and those 18 cameras,” Arnold said during his Television Critics Association panel. “That’s what I want to show America that. I’m going to just keep hammering Mark Burnett until he shows America that, because he’s got $500 million. People are at the border, they’re getting their kids snatched from them and it’s cruel. Mark Burnett says he’s a Christian and he lets that man do all this bullsh*t and he’s in this town making money and people are working for him. He let a sexual harasser work on his show. One thing I have learned from doing this show, four times the producers pulled Donald Trump out, the producers of The Apprentice and they had to pull him out and say, ‘Whoa, whoa, hey bud, you can’t do that on this show.’ That’s something you’re going to see on my f***ing show, okay?”

There are other powerful people working for Burnett too. Arnold cryptically suggested that they could help him under the table.

“At a certain point you say to Mark Burnett, you say, ‘You’re supporting this guy that’s obviously a racist,’” Arnold said, promoting The Hunt for the Trump Tapes at the TCA event. “Then you say about Mark Cuban on this other show that is a Mark Burnett show, although Mark Burnett doesn’t show up over there, but [Shark Tank]’s a Mark Burnett show. Here’s Donald Trump going again at the NFL, out of nowhere, and it’s obviously because he hates black dudes, right? The kneeling thing, because Donald Trump doesn’t give a sh*t about America. He doesn’t give a sh*t about the troops. He’s never been to Afghanistan to entertain the troops.”

The Hunt for the Trump Tapes premieres September 18 at 10:30 on Viceland.




Rachel Brosnahan Interview – ‘The Marvelous Mrs. Maisel,’ Standup, and Emmy Nominations

Marvelous Mrs Maisel star Rachel Brosnahan
Rachel Brosnahan stars in ‘The Marvelous Mrs. Maisel’ (Photo Credit: Amazon)

The Marvelous Mrs. Maisel became an instant phenomenon on Amazon Prime. Now it’s nominated for multiple Emmys including for star Rachel Brosnahan who plays Midge Maisel, a ‘50s housewife who becomes a standup comic.

The show made its first appearance at the Television Critics Association press tour to promote its second season, which filmed a bit in Paris, France. After the panel, Brosnahan stayed to speak with journalists.

Here’s a little preview of season two, premiering this fall on Amazon, and a look back at the first season’s phenomenon.

How does Midge take to Paris?

Rachel Brosnahan: “Well, I can’t say much about Paris. I can’t really say anything about Paris other than that Midge has extraordinary clothes and that she doesn’t get to spend nearly enough time there.”

What was it like for you to be there?

Rachel Brosnahan: “It was incredible. We started the season there. We shot parts of our first two episodes there and I had never spent very much time in Paris myself. I ate a lot of baguettes. I drank a lot of espresso and I look forward to going back.”


What did you love about that midcentury French wardrobe?

Rachel Brosnahan: “Everything. I can’t say anything.”

Has this experience felt very different than doing House of Cards and Manhattan?

Rachel Brosnahan: “Very different. I’m not dying. I’m not crying very much. It’s night and day, and as an actor that’s every dream I could have possibly imagined.”

Are friends and family trying to get you to do jokes?

Rachel Brosnahan: “No, the friends and family do not want to see me do [a routine]. But I actually have a lot of friends in the standup world. Two of my friends are standups. I had the privilege of watching one of my best friends go from doing basement comedy clubs, nasty little rooms, ringer shows. Now she works for The Tonight Show. So, I had the privilege of watching her from the very beginning and seeing this enormous success through a ton of her own hard work and never knew as it was happening how useful it would be to this job and this role. She’s been a huge mentor for me. Jasmine Pierce is her name.”

What was the morning of the Emmy nominations like for you?

Rachel Brosnahan: “Well, we were on set shooting a very, very complicated scene with about 100 background that involved a dance number. That’s all I’ll say. And so we were very preoccupied. We were shooting, shooting, shooting and suddenly someone pulled us aside and told us. We were thrilled for about 2.5 seconds and then just had to run back in and finish shooting.”

Have you absorbed what this nomination really means?

Rachel Brosnahan: “I still truthfully don’t think I’ve absorbed it. We haven’t had very much time off, but we’re so thrilled. I’m the most excited that so many different departments of the show have been recognized, because I’ve been privileged to work on so many shows that are collaborations but this may be the most collaborative project I’ve ever been a part of. This show is nothing without our hair, makeup, wardrobe, sound, VFX, writing, directing, production design. We are nothing without any of those things, so I am so thrilled that the entire team has been recognized this way.”

What do you feel makes Midge relevant in 2018 and how do you relate to her?

Rachel Brosnahan: “I think Midge is finding a voice that she didn’t know she had. I think that’s something that everybody can relate to and aspire to in some way. We all hope that we get the opportunity to reinvent ourselves as we grow older, to take new paths and try new things. Midge is someone who lived in a bubble. She’s experiencing things anew for the first time. I think that’s both inspiring and hopefully probably a little bit frustrating for audiences as well. She’s a little bit naive.”

Do you think Midge and Joel are good parents?

Rachel Brosnahan: “They love their children, but truthfully I think Midge is a great example of somebody who wanted to have children. She definitely wanted them. She felt that it was the only thing she could aspire to and I don’t think that she was aware of that until her world opened up. She says in episode three, something that I think about a lot, she has a line, ‘Maybe some women aren’t supposed to be mothers.’ I think that’s a fear that she has deep down now that she knows that there were other paths. There maybe were other options for her, and I think it will always be a struggle for her and for them and dads at the time were not hands on.”

Do you know a good brisket recipe?

Rachel Brosnahan: “I learned one. It involves beer.”




Alison Brie Interview: ‘GLOW’ Season 2

GLOW star Alison Brie
Alison Brie in season two of ‘GLOW’ (Photo by Beth Dubber / Netflix)

Netflix held a Television Critics Association panel for GLOW, which premiered its second season last month. After the panel, Alison Brie stayed to speak with reporters further about the season.

Now that everyone’s had a chance to watch the second season, we were able to get specific. If you haven’t caught up on GLOW yet, this is your spoiler warning. We asked Alison Brie about specific scenes from season two episodes.

For instance, now was a chance to talk about the show’s sexual harassment storyline, in which Tom Grant (Paul Fitzgerald) lured Ruth (Brie) to his room expecting sexual favors. When she refused, even Debbie (Betty Gilpin) said she should’ve taken one for the team.

There’s been no news about a possible third season of GLOW, but season one and two are now available on Netflix.

Has getting better at wrestling impacted your psyche? Do you feel more confident now?

Alison Brie: “Yes, I definitely think I feel more confident. Learning how to wrestle sort of changed my life. I think it really took me out of my head when it comes to my body, got me thinking of my body in a different way, in a utility way, in an athletic way rather than an actress sort of commodity way. And looking at my body as a tool in that way and then learning the stuff we do and having a secret knowledge of what a badass I am in the ring or things that I’m capable of has been very empowering and given me more confidence. I’m not picking fights with anyone in the street, but I think I get to walk around with my head held a little higher.”


You’ve talked about how much you love the role in GLOW and how lacking other offers have been. Is that still the case? Why have those other roles been lacking?

Alison Brie: “Sure. I certainly don’t want to disparage other roles that I’ve played because I think I’ve been really lucky. I think shows like Mad Men and Community were groundbreaking and extraordinary. For me personally, it’s been hard to break through on the film side. In film, I think I’m not seeing the same types of roles that we’re seeing in television. Maybe a big part of that is just that so much television is being produced, you have so many avenues to make shows, but on the film side there’s really big budget movies and then there’s really tiny movies. So, the range of characters to be played are really small.

It sort of does feel dated that you see women as the love interest in superhero movies now, or even women who are superheroes in movies and we’re just cracking into female superheroes getting their own movies, but that’s taken a really long time. Then I think the smaller movies are still sort of reflective, and there are interesting roles there to be mined, but my journey as an actress is still trying to change people’s minds about what types of roles I can do. It’s sort of what all these women are saying that GLOW is so unique in that it gives us an opportunity to do so many different types of acting within one show. For the most part I think a lot of people still look at us and say, ‘Oh, you still do this one thing.’ So, I’m still trying to work to find different opportunities.”

Do you go out for those big franchises that all the studios are making?

Alison Brie: “I try to. I certainly do. I’m not opposed to it. That’s the funny thing anyway I think about doing a press tour for GLOW that is such a fulfilling show in every way. We get to sit on a high horse and make statements like, ‘This is the most fulfilling job as an actress and I don’t ever want to play the silent girlfriend again.’

In six months, might you see me in a movie? If a job opportunity came up to work with an amazing actor or director, would I take a role like that again? Of course, and the main reason is because I want to keep working. The industry hasn’t totally caught up to where GLOW is as a show in terms of having such extensive and diverse female roles. In the meantime, I’ll keep taking those jobs I think, or not working, and hopefully getting to come back to this every year.”

You probably would have done this storyline dealing with women’s wrestling in the ‘80s anyway, but was it really gratifying to have the sexual harassment storyline come out during the #MeToo movement?

Alison Brie: “It actually was. The story was written for episode five prior to even the Harvey Weinstein stories coming out, but by the time we were shooting it, the media was really overwhelmingly packed with stories like that. I think it made all women in Hollywood reflect on our own experiences and I certainly was in a moment of thinking about my own experiences and people I’ve worked with. So, it was sort of cathartic to shoot an episode like that and go through the motions and be able to play out almost a fantasy way of Ruth who does get to leave the room and escape it, even though she’s then met with further resistance through Debbie.

I also think the most important thing about that episode is the conversation that happens between Ruth and Debbie at the end of the episode. It was important to show, I think, how easy it is for a woman to find herself in a bad situation and then it was equally as important to see that there were a variety of female perspectives working at that time. Something that’s very different in society now versus the ‘80s is that we are talking about it and women are supporting other women. Whereas for years, I think women have felt like we had to behave a certain way and they felt like other women should fall in line. That’s a dangerous way that we’ve been made to feel.”

What kind of conversations did that episode spark among the cast of GLOW?

Alison Brie: “I think just reflective conversations, really. When I first read episode five, my question was: is it enough? Is it bad enough what he’s doing to her?”

That’s a lot of the conversation we’re having now, isn’t it?

Alison Brie: “Exactly, and that’s why I think it’s brilliant the way we did it, the subtlety to it and also not. We don’t have a grotesque-looking man walking out of the bathroom fully nude. We don’t have something that’s so in your face and everyone knows it’s wrong. There are all these shades of gray that have happened in women’s lives and, again, I think it just had me sitting in my trailer talking to Betty going, ‘You know, there are some things in my life that I think have rubbed me the wrong way.’ Or ‘Wow, there are some certain behaviors that I’ve tried to excuse away that were not right.’

So, it was an empowering feeling I think and the tone on the set while we were shooting it was so incredibly sensitive and supportive. Claire Scanlan directed with such a light touch and the actor who plays Tom Grant was incredibly sensitive. The difficulty was more coaxing the perv out of him. We were like, ‘Go further, go further. It should feel a little creepier.’ But I love the journey that it takes to get there. When Ruth enters the room, it doesn’t seem like anything bad might happen. She has a moment of seeing someone she knows and feeling quite safe and very quickly that can pivot into something else.”

How great is it that so many of the social issues in GLOW feel relevant today, and how crappy is it that so many of these social issues are still relevant?

Alison Brie: “It’s great and it’s terrifying. More than anything, the word I would use is surprising because our writers, Liz and Carly, keep writing stories that were true then and that we know to be true now, but by the time the show gets put up, they seem to be even more relevant. In a very selfish way I guess, it’s nice that it makes the show really resonate with people now, but I would prefer it were the opposite, I think, where we would be able to look back and go, ‘Wow, it was so different then.’ At the same time, I think sometimes it’s so disappointing to say, ‘Wow, this is still relevant now and more than ever.'”




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