Advertisement
Home Blog Page 1261

‘A Discovery of Witches’ – Interview with Author Deborah Harkness and Owen Teale

A Discovery of Witches author Deborah Harkness and actor Owen Teale (Game of Thrones) were teamed up at the San Diego Comic-Con to discuss the new series based on Harkness’ book series. Teale takes on the role of Peter Knox in the television adaptation which will debut on Sky One on September 14, 2018.

In addition to Teale, the cast of season one includes Teresa Palmer as Diana Bishop, Matthew Goode as Matthew Clairmont, Alex Kingston as Sarah Bishop, and Valarie Pettiford as Emily Mather. Elarica Johnson is Juliette, Trevor Eve plays Gerbert D’Aurillac, and Greg McHugh is Hamish Osborne.

Is there anything you needed to make sure made the leap from the book to the television adaptation?

Deborah Harkness: “When I first started meeting with Jane (Tranter), she was so on top of what the important things were about the story. It was more about how can we keep as much of it as possible. There were things where I wanted to be very sure, for example, that Diana was not turned into a graduate student or not an academic on the grounds that who really wants to see a college professor on the television, etc. There were certain little aspects of things. I didn’t really want to lose the science.”

Owen Teale: “Did you talk to people prior to Jane and Lachlan MacKinnon about making a film?”

Deborah Harkness: “Well, there was a kind of stampede when the book was first bought. It was first optioned by Warner Bros, so there was an 18 months option by Warner Bros. And, Warner Bros brought in an incredibly talented set of producers. […] They hired a Pulitzer Prize-winning playwright, David Auburn, to do the script. It just wasn’t possible to squash that book into 90 minutes. It wasn’t for lack of talent or lack of anybody trying.

It was utterly defeating and so we sort of paused and hit reset and had a moment to think and reflect. When I got off tour, it was just a case where I was pretty clear it should go to television. If you had a pool, a bucket full of people you can imagine, Jane Tranter would have just been at the top of that. I have such respect for her body of work that I kind of pinched myself.”

A Discovery of Witches star Owen Teale
Owen Teale in ‘A Discovery of Witches’

Can you talk about the adaptation and how it will play to book fans and those who haven’t read the novels?

Deborah Harkness: “I think always with an adaptation what you hope you do is you can reach people who maybe the books didn’t reach. For whatever reason it wasn’t the right moment in their life, right? The first book came out seven years ago so people who were maybe 13 when the first book came out are now 20 and might be more interested in it than they would have been at 13. So, we’re always looking to expand the readership, the audience, as much as possible. But, I think really what we wanted to do was to bring aboard new fans without alienating existing fans of the book. That is actually a very hard nut to crack.”

Owen Teale: “The book is written in a certain style. You have the viewpoint of a voice seen through Diana Bishop. Unless you’re going to film it in exactly the same way where there’s voice-over narration explaining who these people are, what are you going to do? You have to build. You have to take these people and learn where are they at that particular moment when Diana Bishop is doing this. We live it very intensely, what happens to her at this moment. But where is Peter Knox? You have to start building their lives. It’s massive. You have to lose it in a way in order to rebuild it. It’s a huge amount of work.”

(After discussing the state of television, Owen Teale talked about his character.)

Owen Teale: “You wrote these two characters – Satu and Peter Knox – and he discovers this witch who has phenomenal power but she’s maverick and she’s alone to herself. He’s just a much more formal character who runs in the Congregation which is like the House of Representatives and the Senate, I guess. He is used to a political world of how to behave. He’s used to manipulating people, getting them to do what he wants, and he meets this witch who’s not on the same wavelength. She’s not against him; she just doesn’t understand. I found that so exciting. I got to work with this great actress, Malin Buska…”

Deborah Harkness: “I wish she had been here today on our all-witch panel because Owen and Malin – Peter and Satu – end up with this really interesting work relationship.”

Owen Teale: “We wouldn’t have had time if we were doing a film to do that.”

Deborah Harkness: “No. But you get this great sense… It kind of makes you, for anybody who’s read the books, think to yourself, ‘Oh my god, so while Diana and Matthew are back in the 16th century in series two, what are Peter and Satu going to get up to over the course of that that we’ve just not ever seen or been able to explore?’”

Owen Teale: “It was just a dynamic that was there. We could develop that and go further and further and further with that.”

There are obviously three books. Will there just be three seasons or are there plans to branch out beyond that to original material?

Deborah Harkness: “Well, what’s interesting is there are three books in the trilogy but there are additional books coming out in the world. So, there’s actually a new book coming out in September, four days after the television show, called Time’s Convert that goes into depth on the backstory of one of the vampire characters. So, it’s kind of an expanding book universe which may or may not affect what they decide to do with the characters on the screen. The next book sort of picks up about a year after the end of the third book, so there would be a way that they could just keep rolling on if they wanted to.

I think, as of now, we’re thrilled and delighted that Sky and Sundance want to make three seasons of it. But, you never know what might come and what good people like Owen will have room for on their schedule.”

More on A Discovery of Witches:




‘Critics’ Choice Awards’ Will Air on The CW in January 2019

24th Annual Critics' Choice Awards

The Critics’ Choice Awards are returning to The CW Network for the upcoming 24th annual awards show. The 2019 Critics’ Choice Awards will air live on the East Coast on January 13th beginning at 7pm. (The West Coast airing will be tape delayed.) This year’s star-studded awards show will take place at the Barker Hanger in Santa Monica, CA.

The annual awards show is put on by the Broadcast Film Critics Association (BFCA) and the Broadcast Television Journalists Association (BTJA). BTJA and BFCA members cast their votes to recognize the best films, television shows, performances, and directorial achievements, as well as achievements in dozens of other categories.

“The BFCA and BTJA are delighted to continue our successful partnership with The CW,” stated BFCA President Joey Berlin, announcing the network partnership. “It is an adventurous and forward-looking broadcast network and a perfect home for the Critics’ Choice Awards. We look forward to presenting a fabulous celebration of the best of the best on screens of all sizes with our typically gigantic turnout of movie and television stars in the very heart of awards season.”

“We’re thrilled to serve once again as the exclusive home of the Critics’ Choice Awards, and to help honor some of the biggest stars in film and television,” commented Gaye Hirsch, Executive Vice President, Development, The CW. “The CCA is one of the most anticipated events in Hollywood, and we’re delighted to partner with the BFCA and BTJA again this year to share the star-studded celebration with our viewers.”

In addition to announcing The CW as the home of the 2019 awards, the BFCA and BTJA confirmed the timeline for nominations and final voting:

  • FILM AWARDS
    December 3, 2018 – Nominating ballots go out to BFCA members
    December 7, 2018 – Deadline for returning nominating ballots
    December 10, 2018 – Critics’ Choice Awards Film nominations announced
    January 10, 2019 – Final ballots go out to BFCA members
    January 11, 2019 – Deadline for returning final ballots
  • TELEVISION AWARDS
    November 26, 2018 – Nomination Committees begin consideration
    December 7, 2018 – Nomination Committees render recommendations
    December 10, 2018 – Critics’ Choice Awards TV nominations announced
    January 10, 2019 – Final ballots go out to BTJA members
    January 11, 2019 – Deadline for returning final ballots

Last year’s show was hosted by The Predator star Olivia Munn. BFCA members selected The Shape of Water as the winner of four awards including Best Picture and Best Director. On the television side, Big Little Lies captured four awards including Best Limited Series and Best Actress in a Movie Made for TV or Limited Series for Nicole Kidman.

The Critics’ Choice Awards have historically been one of the best indicators of the Academy Awards nominations.




‘The Voice’ Season 15 Switches Things Up By Introducing ‘Comeback Stage’

The Voice Kelsea Ballerini Comeback Stage
Kelsea Ballerini to host “Comeback Stage” companion series (Photo by: Lisa French / NBC)

NBC’s The Voice season 15 announced a big change to the format which will impact the show’s competitors. The Voice will debut a special Comeback Stage companion series with Kelsea Ballerini which will air on YouTube, The Voice Official App, IGTV (Instagram), Facebook and NBC.com. The new companion series will offer six artists the opportunity to earn a spot in the Top 13 live shows.

According to NBC, Grammy Award nominee Kelsea Ballerini will mentor the six artists who auditioned for the show but were not selected by season 15 coaches Kelly Clarkson, Jennifer Hudson, Adam Levine or Blake Shelton. “Comeback Stage” will have a 10 episode run.


The singing competition is also bringing back the block for season 15. For those unfamiliar with the block, it gives the coaches an opportunity to block a fellow coach during the Blind Auditions so that the blocked coach is unable to recruit the artist on their team.

Season 15 of the four-time Emmy Award-winning The Voice will premiere on Monday, September 24, 2018 at 8pm ET/PT.

Season 14 earned the top spot as the #1 alternative series among adults 18 to 49. The Voice was created by John de Mol and is executive produced by de Mol, Mark Burnett, Audrey Morrissey, Amanda Zucker, Kyra Thompson, and Stijn Bakkers.

The “Comeback Stage” Details: “‘Comeback Stage’ will pair the six Comeback Artists into three Battle Pairings, coaching each artist on an individual song. These artists will go head to head in a Battle Round, and Ballerini will determine the winner of each Battle Round. Then, in the next phase of the series, the three Battle Round winners will move forward to the ‘Comeback Stage’ Finals, each performing a final song in the series. Based on these performances, Ballerini will identify the final two artists who will move on to the final phase of the series and perform live for America’s vote.

On the Live Playoffs Results show airing Tuesday, Nov. 13, the final two Comeback Artists will return to The Voice stage to perform for America’s votes in the first Twitter Instant Save of the season. The winning Comeback Artist will then decide which team they would like to join moving forward in the competition: Team Kelly, Team Jennifer, Team Adam or Team Blake.”




‘Outlander’ Debuts the Official Season 4 Trailer

Claire (Caitriona Balfe) explains to Jamie (Sam Heughan) what’s to come in the New World in the trailer for season four of Starz’ Outlander. The trailer teases life in North Carolina, Jamie building their home, and Roger delivering the news to Brianna that her mom and dad made it to America.

Season four, which consists of 13 episodes and is based on Diana Gabaldon’s Drums of Autumn, will premiere on Sunday, November 4, 2018.

In addition to Caitriona Balfe and Sam Heughan, the cast of season four includes Richard Rankin, Sophie Skelton, Lauren Lyle, César Domboy, Maria Doyle Kennedy, John Bell, and Ed Speleers.

A Look Back at Outlander Season Three:

“Book Three picks up right after Claire (Balfe) travels through the stones to return to her life in 1948. Now pregnant with Jamie’s (Heughan) child, she struggles with the fallout of her sudden reappearance and its effect on her marriage to her first husband, Frank (Tobias Menzies).

Meanwhile, in the 18th century, Jamie suffers from the aftermath of his doomed last stand at the historic battle of Culloden, as well as the loss of Claire. As the years pass, Jamie and Claire attempt to make a life apart from one another, each haunted by the memory of their lost love. The budding possibility that Claire can return to Jamie in the past breathes new hope into Claire’s heart… as well as new doubt. Separated by continents and centuries, Claire and Jamie must find their way back to each other. As always, adversity, mystery, and adventure await them on the path to reunion. And the question remains: When they find each other, will they be the same people who parted at the standing stones, all those years ago?”

Outlander season 4
Caitriona Balfe and Sam Heughan in ‘Outlander’ season 4 (Photo Courtesy of Starz)
Outlander season 4
Richard Rankin (Roger Wakefield) and Sophie Skelton (Brianna Randall) in ‘Outlander’ season four (Photo Courtesy of Starz)
Outlander season 4
Rollo and John Bell (Young Ian) in ‘Outlander’ season 4 (Photo Courtesy of Starz)




‘Daredevil’ Season 3 Teaser Trailer: Matt Murdock Makes a Confession

Charlie Cox as Matt Murdock/Daredevil pours out his heart in the confessional booth in the new teaser trailer for Daredevil season three. “I once believed that justice could be found in a court of law and in the light of day,” says Daredevil. “But I was fooling myself. Darkness only responds to darkness. And the truth is I’d rather die as the Devil than live as Matt Murdock.”

Season three begins by picking up where The Defenders left off, with Daredevil thought to be dead by his fellow superheroes Jessica Jones (Krysten Ritter), Luke Cage (Mike Colter), and Danny Rand/Iron Fist (Finn Jones). The finale of The Defenders revealed Matt Murdock, bloodied and in horrible physical condition, managed to survive the cave-in. The Defenders finale showed Matt being tended to by a nun who says it’s time to summon Maggie.

Cox confirmed in interviews that the new season is going to be inspired in part by the “Born Again” storyline from the comics. That would make sense as Maggie is, of course, Matt’s mother, Margaret Murdock, who is played by Joanne Whalley in season three.

The cast of season three includes Deborah Ann Woll as Karen Page, Elden Henson as Foggy Nelson, and Vincent D’Onofrio as Wilson Fisk (Kingpin). Wilson Bethel plays an FBI agent and Jay Ali is Rahul ‘Ray’ Nadeem. Erik Oleson is the season three showrunner and Marvel’s Head of Television Jeph Loeb executive produces.

A Look Back at Daredevil Season 2:

“Just when Matt thinks he is bringing order back to the city, new forces are rising in Hell’s Kitchen. Now the Man Without Fear must take on a new adversary in Frank Castle and face an old flame – Elektra Natchios.”




‘Good Omens’ and ‘The Boys’ to Make Their New York Comic Con Debuts

Good Omens stars David Tennant and Michael Sheen
David Tennant and Michael Sheen star in ‘Good Omens.’

Amazon Prime Video will be hosting panels for two new series – Good Omens and The Boys – as well as returning shows The Man in the High Castle and Lore at the 2018 New York Comic Con. The panels, which will feature the casts and creators of the shows, will take place during the October 4-7th event held at Javits Center in New York City.

Among the talent expected to take part in the Amazon Prime Video panels are The Man in the High Castle‘s Alexa Davalos, Rufus Sewell, Joel De La Fuente and Chelah Horsdal. Lore cast members include Josh Bowman, Thomas Kretschmann, Elie Haddad and Alicia Witt. The Boys‘ Karl Urban, Jack Quaid, and Erin Moriarty, and Good Omens‘ David Tennant, Michael Sheen, and Miranda Richardson are also scheduled to participate in the New York Comic Con panels.


In addition to hosting panels, Amazon Prime Video will be holding autograph signings as well as a special NYCC fan experience in support of Good Omens. Per Amazon: “On the convention floor, a peculiar elevator will carry guests to an undisclosed location, detailing their fate in the great cosmic chess game between good and evil. Doors will open to reveal guests’ ill-fated luck, or alternately their blessed end, as they step inside either Heaven or Hell.

‘Heaven’ will welcome guests to fussy angel Aziraphale’s bookshop, where they can explore the antiquities within and even try their hand at speaking to God. Guests destined for ‘Hell,’ will be welcomed to hop inside loose-living demon Crowley’s 1926 Bentley for a devilish photo moment. Fans unable to attend NYCC will get the chance to digitally interact with the experience through a series of social media extensions.”

Amazon Prime Video New York Comic Con Schedule:

  • The Man in the High Castle panel
    Thursday, October 4, 6:00pm-7:30pm
    Hammerstein Ballroom
    Panelists: Executive Producer Isa Dick Hackett and cast members Alexa Davalos, Rufus Sewell, Joel De La Fuente and Chelah Horsdal
    Panel description: To celebrate the premiere of season three of the Emmy Award-winning series The Man in the High Castle, Prime Video will give fans a sneak peek premiere screening followed by a Q&A with cast and creators ahead of its October 5 launch.
  • Lore panel
    Friday, October 5, 12:00pm-1:00pm
    Hammerstein Ballroom
    Panelists: Executive Producers Gale Anne Hurd and Howard T. Owens, showrunner Sean Crouch, podcast creator Aaron Mahnke and cast members Josh Bowman, Thomas Kretschmann, Elie Haddad and Alicia Witt
    Panel description: The Lore panel will feature cast and producers from the thrilling anthology series’ highly anticipated season two, including a first look at footage from the new season. Season two will feature new tales from the podcast, as well as original stories not yet available in podcast form, and will star new cast members.
  • The Boys panel
    Friday, October 5th, 3:00pm-4:00pm
    Hammerstein Ballroom
    Panelists: Eric Kripke, Karl Urban, Jack Quaid, Erin Moriarty, and others to be revealed!
    Panel description: Show creators and the cast discuss what makes this series so different from all other superhero shows. In the universe of The Boys, superheroes are really the bad guys and The Boys are the fed-up vigilantes who are going to take them down. They’ll converge on stage to hash it out and reveal a first look at the show.
  • Good Omens panel
    Saturday, October 6th, 10:00am-11:00am
    Madison Square Garden
    Panelists: Neil Gaiman, Douglas Mackinnon, David Tennant, Michael Sheen, Miranda Richardson, and others to be revealed!
    Panel description: The forces of good and evil take the stage to give fans a first ever sneak-peak of the highly anticipated series adaptation of Terry Pratchett & Neil Gaiman’s best-selling Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch novel. A dark, comedic story set in modern day Britain that centers on the stoic and sensible angel, Aziraphale (played by Sheen) and the suave man-about-town demon, Crowley (played by Tennant) as they join forces to prevent the coming of the Apocalypse.
  • Autograph Signings:
    Exclusive autograph signing for each series will take place at the Javits Center, the day of each panel. Prime Video follows New York Comic Con’s private autographing drawing which opens in mid-September. Visit www.newyorkcomiccon.com for more info.




‘Viper Club’ with Matt Bomer and Susan Sarandon Unveils a New Trailer and Poster

YouTube Originals and Roadside Attractions just released a full trailer along with a new poster for the dramatic film, Viper Club. The two-minute trailer sets up Susan Sarandon as a mom who fights to get her journalist son back from kidnappers.

In addition to Susan Sarandon, the cast includes Matt Bomer, Lola Kirke, Julian Morris, Shelia Vand, Adepero Oduye, and Edie Falco. Director Maryam Keshavarz co-wrote the screenplay with Jonathan Mastro.

Viper Club will open in limited theaters on October 26, 2018.

The Viper Club Plot:

“At her job, veteran emergency room nurse Helen Sterling (Susan Sarandon) is unflappable: she can navigate crises at her hospital with strength and grace. On the inside, though, she’s starting to fall apart. Her son, a freelance journalist named Andy (Julian Morris), has vanished while covering a war zone in the Middle East, and she’s just gotten word from the kidnappers making demands she doesn’t even begin to know how to meet.

Helen first seeks help from the FBI, who demands she tell no one, and warns her it’s illegal to pay terrorist organizations. The State Department is even less help. When she is contacted with a ransom demand for twenty million dollars, her government handlers tell her to stall the terrorists with negotiations, even though they seem to have no plan to rescue Andy.

Unable to share any of her ordeal with her colleagues at work, Helen finds herself connecting with a young patient critically injured in a mass shooting, and the hesitant new resident, Dr. Rahimi (Amir Malaklou), a recent immigrant from Iran. She’s plagued by memories of her lifelong connection to her son, a relationship fraught with Andy’s perpetual need for independence and adventure far away from the sheltered life his mother built for him.

Andy’s ex-girlfriend, Iraqi-American reporter Sheila (Sheila Vand) brings Helen a morsel of hope: a secret fraternity of international journalists called the Viper Club might be able to help. Sheila puts Helen in contact with photojournalist Sam (Matt Bomer) and with Charlotte Spencer (Edie Falco), a wealthy New Yorker whose son also was kidnapped by terrorists. Helen grows close to Andy’s network of friends and colleagues and starts to understand the man her son has become.

Desperate, determined, and disenchanted with bureaucracy, Helen must decide whether to follow the rules of ineffective government officials or to join with her newfound community to get Andy back at all costs.”

Viper Club Poster

‘West Side Story’ Open Casting Call: Steven Spielberg’s Searching for Singers and Dancers

West Side Story Casting Call
A scene from 1961’s ‘West Side Story’ (Photo © Metro-Goldwyn-Mayer Studios Inc.)

Three-time Oscar winner Steven Spielberg (Saving Private Ryan, Schindler’s List) is holding an open casting call for West Side Story, a new version of the iconic Broadway musical. Spielberg’s directing the film from a screenplay by Pulitzer Prize-winner Tony Kushner (Oscar nominee for Lincoln and Munich).

According to 20th Century Fox, the open dance call will be held in New York City for “males and females to fill the roles of The Sharks and The Jets. The Sharks are Latinx and The Jets are Caucasian. Those auditioning should be between 15 and 25 years old. They must be able to sing, and a strong dance background is required.”


The casting call will take place on Tuesday, September 11, 2018 at the Gelsey Kirkland Academy (29 Jay Street, Brooklyn, NY). Men need to sign in between 9-10:30am ET. Sign ups for women are open between 1-2pm ET.

Per Fox’s casting call announcement, all dancers should “come warmed up and ready to dance in the proper attire and shoes. Men should wear comfortable movement clothes and bring jazz shoes or sneakers. Women should wear comfortable movement clothes and bring heels, ballet or jazz flats, and a rehearsal skirt.”

Interested dancers should prepare a short cut of a classic musical theatre song and bring sheet music. A recent photo and resume with contact info is also required.

Dancers who can’t attend but would like to try out can email a video, headshot, resume and contact info to [email protected].

Two additional casting calls have also been announced: September 27th in Puerto Rico and October 9th in Los Angeles.

Arthur Laurents and Stephen Sondheim wrote the original 1957 West Side Story, and Leonard Bernstein wrote the music. The musical was adapted into a feature film in 1961 starring Natalie Wood as Maria, Richard Beymer as Tony, Russ Tamblyn as Riff, Rita Moreno as Anita, and George Chakiris as Bernardo. The musical earned 11 Oscar nominations, winning 10 including Best Picture, Best Director (shared by Robert Wise and Jerome Robbins), Best Supporting Actress (Rita Moreno), Best Supporting Actor (George Chakiris), and Best Music.




Box Office Report: ‘The Nun’ Sets a ‘Conjuring’ Franchise Record

Audiences were apparently ready to embrace a horror film as the fall box office season kicked off, with The Conjuring franchise’s The Nun setting a new record for New Line’s popular horror series. The Conjuring introduced the franchise in 2013 with a $41 million domestic opening weekend. Annabelle, the demonic doll spinoff, followed in 2016 and rang up $37 million over its first weekend. Next, The Conjuring 2 arrived in 2016 to carry on the story of demonologists Ed and Lorraine Warren (played by Patrick Wilson and Vera Farmiga).

The sequel earned a $40 million opening, domestically.

2017’s Annabelle: Creation delved back into the creepy doll’s story and earned the smallest opening weekend of the franchise at $35 million. 2018’s The Nun, a spinoff of The Conjuring 2, picked up $53 million from horror fans over the September 7-9th weekend. A third The Conjuring movie as well as a third film featuring Annabelle are reportedly in the works.

Although The Nun provided the biggest bang over its opening weekend at the box office, it was the least appreciated film of the series by critics. The Nun earned a 28% rotten score on Rotten Tomatoes, one point below Annabelle which had been the franchise’s worst reviewed film. The original The Conjuring holds the highest score of the series at 86% fresh, followed by The Conjuring 2 at 79% and Annabelle 2 at 70%.

The Nun Box Office
Taissa Farmiga as Sister Irene in New Line Cinema’s horror film ‘THE NUN,’ a Warner Bros. Pictures release.(Courtesy of Warner Bros. Pictures)

Box Office Top 10: September 7-9, 2018

  1. The Nun – $53,500,000
  2. Crazy Rich Asians – $13,600,000
  3. Peppermint – $13,260,000
  4. The Meg – $6,030,000
  5. Searching – $4,515,000
  6. Mission: Impossible – Fallout – $3,800,000
  7. Christopher Robin – $3,196,000
  8. Operation Finale – $3,043,000
  9. Alpha – $2,505,000
  10. BlacKkKlansman – $1,565,000
  11. God Bless the Broken Road – $1,562,000

The Nun Plot: When a young nun at a cloistered abbey in Romania takes her own life, a priest with a haunted past and a novitiate on the threshold of her final vows are sent by the Vatican to investigate. Together they uncover the order’s unholy secret. Risking not only their lives but their faith and their very souls, they confront a malevolent force in the form of the same demonic nun that first terrorized audiences in The Conjuring 2, as the abbey becomes a horrific battleground between the living and the damned.




‘Fear the Walking Dead’ Season 4 Episode 13 Recap: “Blackjack”

Fear the Walking Dead Season 4 Episode 13 Recap
Lennie James as Morgan Jones, Jenna Elfman as June, Mo Collins as Sarah, and Daryl “Chill” Mitchell as Wendell  in ‘Fear the Walking Dead’ season 4 episode 13 (Photo Credit: Ryan Green / AMC)

AMC’s Fear the Walking Dead season four episode 12 concentrated on moving Morgan (Lennie James), June (Jenna Elfman), and Al’s stories forward while also providing more details on Morgan’s new traveling companions. The episode ended with June and Al (Maggie Grace) reunited with Morgan’s group while not far away the mysterious stranger turned Quinn, an adversary turned potential friend, into a walker.

Season four episode 13 begins with June, Al, and Morgan trying to find Quinn. He’s not at mile marker 21 and they decide to continue looking, making Sarah (Mo Collins), Wendell (Daryl Mitchell), and Jim (Aaron Stanford) wait back at the truck. As they wait, a walker arrives to keep them busy. Jim’s never taken one out before and doesn’t get to this time because Sarah steps in and handles it, stripping him of his opportunity to make his first kill.

It turns out the walker’s the one the mysterious woman was keeping as a pet, and it has “take what you need…” written on its face. Sarah radios Morgan that he needs to return to the truck ASAP.

June keeps trying to reach Quinn and finally the mysterious woman puts him on the walkie-talkie. He’s a walker now and can only growl, and the woman tells June that Quinn is now what he was meant to be. Morgan recognizes the voice, takes over the walkie, and when the woman calls him by name it freaks out the group. She explains they shouldn’t be leaving boxes by the road because they make people weak. She assures Morgan if they stop with the boxes, she won’t have to make him strong again – meaning she won’t make him into a walker. She also hints she knows what Morgan’s capable of.

Finally, it’s time to reconnect with Victor Strand (Colman Domingo) and John Dorie (Garret Dillahunt). Victor rummages through supplies at a ranger station and then uses binoculars to check out the nearby forest and river. John’s busy cutting up branches which he ties together to make a raft. He’s interrupted by a walker who emerges from the water which, it turns out, is actually a flooded road. John thinks it will be weeks before the water drains since the levy broke, but Victor’s unwilling to get on the raft and escape. He’d rather stay in the ranger station where at least it’s dry.

John’s sure Victor will run out of food before the flooding subsides, but Victor really doesn’t care. John won’t be dissuaded and is ready to embark on this mission solo. He’s determined to find June and the rest of their crew.

Fear the Walking Dead Season 4 episode 13 recap
Danay Garcia in ‘Fear the Walking Dead’ season 4 episode 13 (Photo Credit: Ryan Green / AMC)

Next, we get to catch up with another character who’s been missing from the action, Luciana (Danay Garcia). She’s made it to the Nolan County Library where she believes she might find Charlie. No one answers when she calls out inside the library, and when she heads back outside, she finds an injured man trapped in a car. He was hurt during the storm and Luciana tries to help. He introduces himself as Clayton as Luciana gets to work trying to free his legs.

John gives Victor one last chance to accompany him on his rafting adventure. Victor turns John down but takes pleasure in having a seat and watching him struggle to keep his raft afloat. It’s hopeless and the raft won’t carry his weight, falling apart just a foot from the shore.

Victor’s the first to notice a massive alligator heading John’s way, and John’s able to shoot at it before it attacks. Alligators, wet walkers, and a raft that doesn’t float combine to keep John from setting off to find the others. He realizes he’s stuck with Victor until the water recedes.

Morgan, Al, and June make it back to the truck and after a brief discussion/argument, they decide they need to continue to try and track down their friends.

Meanwhile, Luciana continues to try and free Clayton from the car. He tells her it’s no use; the car’s what’s holding his body together at this point. Luciana asks if there’s anyone she can find for him, and there isn’t. Instead, he just wants one last beer. She promises she’ll find one.

John finds a truck with a camper shell and figures out they can use the camper shell to make it across the river. John can’t climb the small hill, take out the walker inside, and get the truck because he’s still not fully recovered from being shot. He tries to make Strand feel guilty since he was with Alicia when she shot him, but Strand’s not having it. However, he does reluctantly agree to try to get the camper shell.

Morgan’s ragtag group debates whether they should continue to leave the supply boxes. Jim doesn’t believe they should, while Morgan thinks they need to continue to help others. He even adds another message on their latest box: “If you need help VHF channel 4.”

Morgan assures June they’ll find John and all the others.

Victor makes it up the hill to the truck and instead of loosening the camper shell, he gets distracted by a bottle of Scotch Whisky on the floorboard. He struggles to reach it and is pulled into the truck by the walker in the driver’s seat. Their fight causes the truck to tumble down the hill, landing right-side up at the edge of the river. The walker’s been impaled in the process and Victor makes it out of the tumble just fine – and so does the bottle.

John’s angry at Victor for almost killing himself, but Victor seriously doesn’t care. He wishes John luck with his second raft.

Luciana continues to search for beer. John sets to work making the camper shell into a raft.

Victor relaxes with his bottle and John, taking a break from his raft building, wonders if he’s always been a drinker. Victor admits he drinks more now because he’s drinking to forget he doesn’t have anyone to drink with anymore. He believes he only has his memories and nothing to look forward to.

John shows Victor the car horn he’s rigged up as a noisemaker to distract the gator. Victor’s not sure it’ll work but admits he didn’t think John would survive a gunshot either. John tells him he has to believe in something and needs to keep on fighting.

Victor finally agrees to join John on the raft.

Luciana discovers a bottle of root beer, which has her fooled for a minute, but otherwise her search for beer has been a failure. Clayton thanks her over the walkie for doing what not many strangers would have done. He then tells her a story about his former life and how he ran away from those who cared about him. When the zombie apocalypse hit, he realized his mistake. He then dedicated himself to helping others.

John sets off the horn and they wait by the raft to make sure the noise is bringing walkers to the water to distract the alligator. They then start paddling across the river. They watch the alligator make a lunch out of walkers as they slowly paddle across the river. Unfortunately, the noise stops when they’re not even halfway across. The walkers about to enter the river stop and turn around, which means the alligator is no longer distracted. It comes for the raft, knocking a hole in the bottom.

John shoots at it but either misses completely or just wings it. As the boat takes on water, John and Victor argue over the next course of action. John thinks they can make it to the other shore by swimming, but Victor knows John isn’t even strong enough to row the raft. Victor demands John fire his gun which will draw the walkers back into the water. While the gator munches on zombie meat, they’ll swim back to the closer shore.

John reluctantly agrees. They dessert the raft and return to shore.

Luciana comes upon the box with Morgan’s note to use channel 4. Inside the box is a bottle of beer, and Luciana smiles. She returns to Clayton, mission accomplished. He can’t believe she didn’t give up and Luciana explains she couldn’t help a friend during his last moments, and she wasn’t going to let that happen again. Clayton takes a sip and looks content as he thanks Luciana.

Clayton asks if he can give her a couple of notebooks he used to record where he left supplies. Tears streaming down her face, she nods her head yes and then asks about the job that took him away from his family. He reveals he was a truck driver.

Clayton passes away and Luciana uses her walkie to reach out to the person who provided the beer. “Whoever left that box, if you’re listening thank you. What you left, it helped more than you will ever know.”

After a brief pause, Morgan replies, “Luciana, is that you?”

John and Victor are back on dry land and John’s obviously upset he failed to embark on his search for June.

Luciana’s reunited with Morgan and the gang, and she has the notebooks. She explains Clayton said what he recorded could help people, and Morgan wonders if he knew where she found the beer. Luciana confesses she didn’t get a chance to tell him.

As Morgan, Al, June, and Luciana are catching up in the back of the truck, they hear another unexpected voice. Charlie and Alicia (Alycia Debnam-Carey) have made it to one of the boxes and before Alicia can stop her, Charlie uses the walkie. Morgan replies and Alicia immediately recognizes his voice. Alicia tells him they’re at mile marker 84 at a box. Morgan says they’ll come back, and just then the mysterious woman chimes in. “I gave you the chance to be strong,” she warns.

Morgan tells the stranger she’s wrong and that helping people doesn’t make anyone weak. He confesses he’s been where she is and she’s not doing the right thing, even though she thinks she is. He confirms they’re going to keep finding the people they’re looking for and helping them, and then they’ll help her.

Sarah’s been driving the truck during this reunion, and she uses the radio to tell the group in the back of her truck that Al’s van is on their tail. Al wants Sarah to try and outrun it, but the van keeps gaining on them.

The mystery woman’s in the van and she pulls even with the truck. She opens fire using Al’s guns. Alicia and Charlie can only listen over the walkie to the roar of gunfire.

More on Fear the Walking Dead:




Trending