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‘Gotham’ Season 3 Episode 16 Recap: These Delicate and Dark Obsessions

Gotham Season 3 Episode 16
Raymond J. Barry and David Mazouz in ‘Gotham’ season 3 episode 16 (Photo by Jeff Neumann/FOX)

Fox’s Gotham star Ben McKenzie stepped behind the camera to make his directorial debut with season three episode 16 titled ‘These Delicate and Dark Obsessions.’ The May 1, 2017 episode kicks off with the Court of Owls meeting to declare Gotham is out of control and action needs to be taken. They’re building a weapon to rebuild the city, and a vote is taken to make sure everyone is on board. They are, and it’s decided Gotham must fall.

Bruce Wayne (David Mazouz) wakes in his cell, asking if the Court of Owls is behind his kidnapping. He’s told his clone is taking his place so no one is even aware Bruce is missing. A temple shaman (Raymond J. Barry) informs Bruce his help is needed, but tells him nothing more.

The scene switches to the GCPD where news is breaking that Aubrey James has been re-installed as Mayor. No one has a clue where Edward Nygma’s disappeared to, and Jim’s preoccupied with researching the drunk driver Michael Ness who killed his father, Peter. Ness was killed in prison, but Jim’s discovered he had chronic persistent hepatitis. Harvey (Donal Logue) says that’s known as the Irish Curse and means your body can’t handle any alcohol. So why was Michael Ness legally intoxicated according to the test results? Harvey says there’s no way the report is legitimate as Ness would be dead if he even registered a .1 alcohol level. Ness wasn’t driving drunk and the report was doctored.

Ivy (Maggie Geha) continues to take care of her patient, Oswald Cobblepot (Robin Lord Taylor). She wheels him outside and he’s furious she’s treating him like a kid. She calls the plants around him her friends, handing him a broth which he slams to the floor. He wants out because he needs to get busy on his revenge, which means he needs to find followers. Ivy offers to help him build an army, and Oswald asks her to get a message to Gabe. She agrees, after he says please.

Jim meets with his uncle in the cemetery, telling Frank (James Remar) about his discovery. Frank says faking the accident and setting up Michael Ness was something the Court of Owls could do, but he’s got a new problem he needs Jim to work on. Frank alerts Jim to a weapon the Court of Owls is working on to destroy Gotham. The high-ranking Court of Owls members are serious about laying waste to Gotham, and Frank doesn’t know how they’re going to do it or how to stop it. Frank’s going to gather more intel and Jim warns him to be careful.

Harvey calls Jim to alert him to the fact Michael Ness was a scumbag and Carmine Falcone paid for his lawyer.

Gabe arrives at Ivy’s place and gives Oswald a huge (and painful) hug. Oswald explains he needs to build an army and exact revenge, and Gabe pledges to help him round up the guys. As Gabe’s calling Oswald’s men, Ivy whispers to Oswald that she doesn’t trust him. Oswald refers to him as a human Labrador who’ll come running, but Ivy wants to work her magic with the help of a perfume that makes men do her bidding. Oswald just wants to leave but Ivy doesn’t understand why because she saved his life. (She has no idea she’s annoying.) She’s stunned he trusts Gabe over her, and Oswald laughs when she says she thought they were friends. She storms out before Gabe proves she was right by knocking out Oswald.

Back to Bruce Wayne… His cell opens and he makes a run for it down a long hallway straight to the stranger. He hightails it out of that room and down the hallway again only to wind up back in front of the shaman once again. It’s a maze and Bruce declares he’ll find a way out. The stranger asks him to sit so he can show him what he has to offer.

Jim meets with Carmine Falcone and there’s no love lost between these men. Jim killed Carmine’s son but now Jim knows Carmine was involved with the murder of his father. After that’s revealed, Carmine sends his men away and Jim asks if he ordered the killing. Carmine denies it, saying he respected Jim’s dad. However, Carmine acknowledges it was a hit ordered by the Court of Owls. Carmine’s not a member but he’s a partner, and he verifies it was Frank Gordon who actually ordered the hit.

The obvious next stop for Jim is to confront Frank which he does, holding a gun to his head. Frank admits he ordered the hit because Jim’s dad was going to expose the Court of Owls. All he wants to do now is bring down the Court, like Peter would have wanted. Jim tries to arrest Frank but Frank gets the drop on him, holding Jim at gunpoint and saying, “Dock 9C.” The weapon will arrive there and Jim has to figure out when without the Court of Owls knowing he’s involved.

Gabe has Oswald tied up and Oswald says to just get on with killing him. But Gabe has other plans… The honor of killing Oswald will go to the highest bidder. Just then four of Gabe’s men arrive and Ivy spies on them from outside the greenhouse. While she’s lamenting the fact no one listens to her, she’s caught by one of the thugs.

Jim explains everything he knows about the Court of Owls to Harvey and he tells his partner about the weapon. Harvey acknowledges that Carmine confirmed the Court’s existence and he thinks Jim should check out the docks. “I tend to give apocalyptic warnings of mass destruction the benefit of the doubt,” says Harvey. Harvey also assures Jim he’s got his back if he wants to go after his Uncle Frank. When Harvey is just about to call a judge to get a court order for the docks, Jim tells him they have to keep the GCPD out of it. Unfortunately, that means they have to involve a third party who no one would suspect is helping them.

Gotham Season 3 Episode 16 Erin Richards
Erin Richards in the “Heroes Rise: These Delicate and Dark Obsessions” (Photo by Jeff Neumann/FOX)

Cue Barbara… With Tabitha (Jessica Lucas) at her side, Barbara (Erin Richards) is accepting payment from some unfortunate soul who she knocks out with her stiletto. Jim rings her up and she knows he’s about to ask for a favor.

Bruce and the stranger are seated facing each other, and Bruce just wants to go home. The man offers him a sort of acupuncture needle to unlock his mind and Bruce is mesmerized looking at the symbol on the needle’s end. The shaman pokes him between the eyes and Bruce finds himself back in Gotham accompanied by the stranger. It’s the night of his parents’ murder and he sees himself walking with them down the street in the moments before the murder. As the trigger is pulled, the stranger removes the needle and Bruce is back in real-time in his cell. The man explains that was a memory that he relived just as if it was happening for the first time. (They were inside Bruce’s mind.) Bruce wants to know why the man showed him that and he explains Bruce has never actually left that alley. He must be able to move forward in order to learn what the shaman is attempting to teach him.

Tabitha tortures a dock worker while Barbara demands to know what’s arriving at Dock 9C. He claims there isn’t a 9C and then he finally admits even Don Falcone never asked about that secret dock. He reveals something came in last week and it’s in a crate just yards away. She wants him to call whoever it is that’s going to claim the package, but their meeting’s broken up by an operative from the Court of Owls. Tabitha and Barbara flee as everyone else is killed.

Meanwhile, Oswald’s having his picture taken so that the bidding can begin. Ivy’s also tied up and they whisper about their situation, with Ivy swearing she’ll be totally fine. Oswald wants to know her plan but she won’t reveal it until he’s nice to her. She says, “Watch and learn.” She calls over one of the henchmen and makes him bend down so she can whisper in his ear. She asks if he likes her perfume and he’s immediately affected by it. She tells him to kill them all and he begins firing. Oswald doesn’t want Gabe killed so Ivy has the thug disarm him and turn the gun over to Oswald. Ivy’s having a blast ordering the thug around, really getting into her role as boss.

The Court of Owls question Frank about Peter’s death, wondering why Jim asked Carmine about who gave the order. They now understand Jim will never be an ally and they order his death.

Barbara reports in on the dock job, and she tells Jim the crate has already been delivered. It’s likely in the Court of Owls possession now, but Barbara did remember that it was stamped from Indian Hill. Neither Harvey nor Jim have any idea what it could contain. Frank calls and Jim lets him know the weapon has arrived, and Frank tells his nephew to meet him at his house, alone, right now.

Oswald learns from Gabe that he betrayed him because Oswald passed him over for a promotion. Gabe gets on his knees and swears he can be loyal again, and Oswald asks Ivy to make Gabe smell the perfume to make sure he obeys. Gabe raises his right hand and swears to be true to Penguin because he never was loyal. He admits, while under Ivy’s influence, he only followed Oswald out of fear. Oswald’s fine with that until Gabe says none of his followers ever respected Oswald. “We always saw you for what you really are, a tiny freak who used to hold an umbrella. Nothing more,” admits Gabe. Oswald repeats freak over and over again and then grabs a garden tool and goes to town on Gabe.

Jim meets with Frank and both men have their weapons drawn. Frank sticks with the story that he doesn’t know what the actual weapon is, but that’s not why he called Jim. Frank says he’s supposed to kill Jim and he needs Jim to replace him on the Court of Owls. They want Jim on the Court, even after everything that’s gone down. When Kathryn calls, Frank wants Jim to say Frank got what he deserved and he’s ready to finish what his dad started. Statement made, Frank shoots himself.

And now we’re back to young Bruce Wayne who attacks the stranger as soon as he enters his cell. The shaman pulls out the needle and sends Bruce back once again to the night of his parents’ murders. Bruce watches it again and screams, “No!” before attacking the stranger. The stranger knocks him off his feet with one simple punch. “I have so much to teach you, Bruce. But your pain blocks you from who I need you to become, who Gotham needs you to become.”

With that, Bruce is once again back in his cell. He’s confused and the stranger explains they’re trying to end the cycle of violence in Gotham. He says he cares about Gotham and believes the city needs something only Bruce can provide: a protector. Bruce doesn’t think he can do it, but the man tells him he needs to become a symbol against fear.

Oswald buries the dead thugs, apologizing to Ivy for losing his temper. He still wants revenge and Ivy suggests he recruit an army of freaks from Indian Hill.

Jim places the photo of Frank and Peter on Peter’s grave and then answers Kathryn’s call. He tells her he killed Frank and now he wants to meet. When he hangs up, a limo is at the cemetery waiting for him.

More on Gotham:
– Gotham Season 3 Episode 15 How the Riddler Got His Name Recap
– Gotham Season 3 Episode 14 The Gentle Art of Making Enemies Recap
– Gotham Season 3 Episode 13 Smile Like You Mean It Recap




‘Lucifer’ Season 2 Episode 14 Recap: Candy Morningstar

Lucifer Season 2 Episode 14 Candy Morningstar
Lindsey Gort and Tom Ellis in ‘Lucifer’ (Photo Credit: FOX)

Fox’s Lucifer is back from its much too long spring break, returning on May 1, 2017 with season two episode 14 titled ‘Candy Morningstar.’ The action takes place two weeks after the events in episode 13 and begins with Charlotte (Tricia Helfer) sucking face with a random stranger in Lux. She’s super pissed Lucifer’s abandoned her and it doesn’t help when the stranger also abandons her after her crazy son talk. Maze (Lesley-Ann Brandt) has no sympathy for Charlotte because Charlotte manipulated Lucifer, and she hopes Lucifer’s busy plotting his revenge.

And what is the sexy Devil up to? Lucifer (Tom Ellis) is meeting with some gangster-looking dudes, turning over a bag of money for something in a silver case. (Definitely a very Pulp Fiction-ish vibe going on in that scene.)

Chloe (Lauren German) confirms she hasn’t seen Lucifer since she left the hospital and Dan (Kevin Alejandro) is surprisingly sympathetic. She claims to be over it – but she’s not – and Ella most definitely isn’t over it. They’re at a crime scene and Ella’s going off about Lucifer being warm and fuzzy on the inside, and if looks could kill Ella (Aimee Garcia) would be dead instead of investigating a murder. She apologizes to Chloe but Chloe’s distracted when she thinks she sees Amenadiel (DB Woodside) standing across the street. She does, but he’s not there when she turns to look.

Ella describes the murder victim’s wounds, saying he died of blunt trauma. He wasn’t robbed and when Dan suggests maybe the guy was a clubgoer who got in a bar fight, Chloe deduces he played in a band. Before you give Chloe credit, there was a flyer right next to his body advertising the Heavy Woolies.

Chloe and Dan visit the band and they’re upset because their upcoming tour was going to be huge. They seem more upset about the band’s future than the fact their guitar player/frontman Ash is dead. They describe Ash as “being in a funk” since getting a divorce, and he’s just been crashing on their couches. They suggest Dan and Chloe talk to the ex-wife, Courtney, since she and Ash fought all the time.

Back at the station, Dan tells Chloe that Courtney did have an arrest for being violent two years ago. As they’re walking and talking, Lucifer chimes in. Chloe can’t believe he’s okay and looks about to hug him but stops herself. He shushes her, saying he has news. Chloe continues, dumbstruck that he’s gone missing and now he shushed her. How dare he?! Dan tells him he’s got explaining to do and that’s when we get a glimpse of who’s been keeping Lucifer busy. A stripper named Candy (Lindsey Gort) has apparently been spending time with Lucifer, and she immediately proves she’s not the sharpest tool in the shed by saying it was too stuffy in Lucifer’s convertible. She calls him her honey and then shows off a gigantic diamond ring. (So the Pulp Fiction thing minutes earlier was just a tease.) Chloe looks incredulous and hurt as Lucifer introduces Candy Morningstar as his wife.

Lucifer and Chloe have it out, with Chloe upset he disappeared and showed up with a ditzy stripper. Lucifer said he went to Vegas and wound up with Candy. (Apparently what happens in Vegas doesn’t stay in Vegas in Lucifer’s case.) Chloe’s disappointed because she thought they were friends, and Lucifer latches onto the word “friends.” He’s happy that’s what they are and wants everything to go back to normal. As Chloe heads off to interrogate Ash’s ex-wife, Dan tells him, “That’s classy, dude. Real classy.” Lucifer says thanks as though he’s not completely sure if that’s a compliment. (It’s not.)

Chloe asks Courtney (Felisha Terrell) why the band fingered her as the likely killer. Courtney claims to have been at work at her online clothing company, calling Ash selfish and childish and explaining she’s the one who had to be the adult in the relationship. Chloe commiserates, saying she also was with an immature partner who made her crazy. Chloe goes a step further, saying she wanted to kill him. Lucifer joins Dan in the next room to listen in on the interview, and Lucifer mistakenly believes the “wanted to kill him” part was about Dan. Lucifer, Lucifer, Lucifer…still not getting it.

Courtney confirms they fought and reveals Ash took everything in their divorce, even though she was the breadwinner. Chloe wonders why Ash didn’t have enough money to rent a place and had to sleep on couches, and Courtney thinks maybe their divorce mediator, who she believes is a crook, took the cash.

Amenadiel and Charlotte are still trying to find Lucifer when Amenadiel discovers CottonCandy86 tagged him at The Grove. When he starts listing off hashtags, Charlotte wants to know if he’s speaking in tongues. What he’s really saying is that Candy and Lucifer are married and got yogurt to celebrate. Amenadiel’s confused because Lucifer told him to watch over Chloe, and Charlotte believes Maze is right that Lucifer has a plan they don’t know about.

Courtney’s alibi holds up and Chloe and Dan decide to check on Anthony Annan (Jonathan Togo), the mediator. Lucifer and Candy return as Chloe and Dan are looking at Anthony’s photo, and Candy calls him “Mannequin Hair,” pointing out he’s also in the picture taken at the murder scene standing outside the police line. Dan actually thanks Candy and Lucifer tells her good job, while Chloe pastes a fake smile on her face. Lucifer thinks they’re having fun and he’s back on duty, and as he’s about to call for a cab for Candy, he comes up with a better idea. Why not go “splitsies” on Trixie’s nanny? She can watch Trixie and Candy. Candy, again proving she’s more than a few bricks short of a load, asks Chloe if she knows Lucifer plays piano better than Elton Tom.

Lucifer believes he’s perfect for this case since it involves a band and Chloe has horrible taste in music, but Chloe’s not about to take him back. She tells him their partnership is over after he ghosted her. “You can’t just march back in here like nothing’s wrong. You can’t just grab what you want when you want,” yells Chloe. A contrite Lucifer listens as Chloe, in tears, tells him he let her down. She adds, “I don’t need you anymore,” and sends him away.

Lucifer and his new bride hop over to Dr. Linda’s (Rachael Harris) and she tries to ask questions without giving away his secret. Lucifer assures her he has no secrets from Candy, and Dr. Linda asks if the trauma has made him act rashly. Lucifer, who rarely admits to doing anything wrong, says no and that he’s thought through everything. She then asks about Chloe and their relationship, and Lucifer says that was just smoke and mirrors courtesy of his dad. Dr. Linda asks just the right question, wondering why he then felt the need to return to Chloe. He covers by saying he missed his work and that they’re a crime-fighting duo. Candy chimes in saying when she got fired she kept going to work anyway and she made herself “expandable.” Yes, expandable. She got her a boob job, making her expandable…

Dr. Linda admits just showing up isn’t a bad idea, and Lucifer compliments his bride.

Dan calls Chloe and tells her the mediator won’t talk, and then calls out Lucifer who’s been following him and is now holding up a stick trying to blend in with a potted plant. Lucifer tells Dan he just wants everything to return to how it used to be and reveals he has a brilliant idea.

So, Lucifer’s idea involves going undercover with Candy who, while he’s talking to Chloe, is bent over with Maze inches from her butt. (Maze’s reaction to Candy’s butt: “Awesome. Lucifer has outdone himself.”) Maze then stares at Candy’s expandables while Lucifer asks Chloe if she’s prejudiced against exotic dancers. Chloe’s had enough and ushers Lucifer and his wife out of her apartment.

Lucifer finally shows up at his place and Charlotte’s there, happy he’s finally returned. After Candy asks if Charlotte’s his sister, Lucifer officially introduces her to his mom. Candy can’t get over how young Charlotte looks and Charlotte takes Candy out on a shopping trip to find out everything about this new development.

Maze asks Chloe what she thinks of Candy, and Chloe replies, “Well, I think she’s perfect for Lucifer.” She also agrees with Maze that Candy’s bra size is about the same as her IQ. Maze realizes Chloe’s mad and tries to make her understand that Lucifer has done this before. He does stupid things but always comes back around. Chloe declares she’s done with Lucifer and she won’t take him back as a partner. Maze suggests Chloe and Lucifer need a mediator, and that gives Chloe an idea.

Chloe and Lucifer visit mediator Anthony Annan, however Chloe’s dressed up and acting like Candy and calling herself Mrs. Candy Morningstar. Chloe tells Anthony her partnership with Lucifer isn’t working anymore after just five days. Lucifer says they work brilliantly together but Chloe says that description only applies to the bedroom. She then adds the problem is really that Lucifer disappears and pops up with a ditzy bimbo. Lucifer resents the implication he’s cheating, and Chloe slams him for taking marriage seriously, saying that’s why he chose a bedazzled tweener as a wife.

Things turn serious as Lucifer and Chloe get real and spill their guts. Lucifer says he’s been through Hell (literally) and Chloe reminds him she almost died. She almost believes he cares and then he asks, “Have you ever known me to lie?” He looks shocked when she says she doesn’t know.

They take a break and Anthony asks “Candy” if she’s okay. Chloe takes this opportunity to ask him to swing things her way and she’d make it worth his while. He doesn’t take the bait, saying that would be unethical. Lucifer pops into the discussion, telling him he did it for Ash, and Chloe’s forced to pull out her badge. Anthony swears he’d never hurt Ash and Lucifer does his mind trick, getting Anthony to admit he wanted the Heavy Woolies to be the hugest band ever. He then reveals he mediated Ash and Courtney’s divorce for free because he loves the band and their music.

And, Ash had promised him that someday he would be their manager. He opens a closet and it’s full of the Heavy Woolies records they bought using Ash’s ex-wife’s money. The album made it onto the charts thanks to their purchases and the group was booked for a huge tour. Anthony was at the crime scene because he thought Ash was going to kick Marla the bassist out of the band. He was there to see what happened and that’s when he saw Ash, dead. “It was the night the music died,” says Anthony, choking up.

Lucifer and Chloe have uncovered a new suspect, but Chloe’s not ready to forgive Lucifer and sends him home. “Candy needs you more than I do,” says Chloe.

Lucifer Season 2 Episode 14 Tom Ellis and Lauren German
Lauren German and Tom Ellis in ‘Lucifer’ season 2 episode 14 (Photo Credit: FOX)

Candy and Charlotte are out shopping and Charlotte asks if Lucifer mentioned matricide. Candy, of course, believes this is a reference to their mattress. Charlotte asks Candy to spill the beans on their plans, and Candy – unfortunately – does. She talks about some day in the future opening a tanning salon or some other business, and Charlotte is stunned. “You’re speaking and yet I don’t understand a single word,” says Charlotte who’s looking at her daughter-in-law like a weird creature who’s somehow wormed her way into Lucifer’s life. Candy is gushing over Charlotte being her mom and that they’re family, and then she throws her arms around Charlotte and gives her a huge hug.

Charlotte tells Amenadiel Candy’s a sinister genius and her most formidable foe. Candy didn’t give Charlotte anything to work with and they’re no closer to learning Lucifer’s secret agenda. Amenadiel doesn’t believe there is a secret plan and it dawns on Charlotte that maybe Lucifer is a deeply damaged soul. Is it possible her son is broken and she’s the one who did it? Charlotte blames herself for manipulating him and admits she’s a terrible mother.

Back at the station, Chloe, Dan, and Ella go over what Chloe and Lucifer found out from the mediator and take a look at Marla’s limited, mostly minor criminal record. Both Ella and Dan seem genuinely happy Chloe’s patching things up with Lucifer, but she still claims she’s not. Chloe doesn’t think Marla’s the killer but then Ella looks at a photo of Marla’s bass and thinks the marks on Ash’s head could have been made by the knobs on the bass.

Chloe heads to a club where Marla’s supposedly hanging out and moments after she arrives Lucifer Morningstar shows up on stage. He dedicates the song to “a woman who doesn’t need him anymore,” and he sits down at the piano to play The Bangles’ “Eternal Flame.” (Yes! It’s about time Tom Ellis sang again!) Anyway, after a few lines he says he’s dedicated it to Marla, asking if she’s there. People push her toward the stage and she’s not in the least bit happy. “See, you need me,” says Lucifer to Chloe who’s sort of smiling.

Back at the station, Lucifer strums on Marla’s bass. He’s come up with a song for Chloe: “Crime-solving Devil, it makes sense. Don’t overthink it,” he sings before Ella interrupts with news on the forensics from the bass. She found Ash’s blood on the tuning knobs, and Lucifer’s happy it proves the department and Chloe need him. Amenadiel chooses that moment to show up, breaking the staring contest going on between Chloe and Lucifer.

Amenadiel is mad he guarded Chloe at Lucifer’s request, believing she meant something to his brother. Amenadiel calls Chloe special and Lucifer chimes in, saying she’s a “whoopee cushion” sent from his dad. That doesn’t give Lucifer an excuse to turn his back on Chloe and ignore her feelings, says Amenadiel. But Lucifer believes those feelings aren’t real, and Amenadiel says Chloe doesn’t realize the feelings aren’t real. “Which is why I had to save her from…,” reveals Lucifer. “From you,” says Amenadiel, finishing his brother’s sentence.

Amenadiel finally realizes Lucifer’s protecting – not ignoring – Chloe specifically because she had no choice but to have feelings for him. By ignoring her, Lucifer is giving her back her choice. Amenadiel apologizes and wants Lucifer to explain some of this to their mother, reminding him Charlotte died and went to Hell for him because she loves him. Amenadiel believes their mom did what she thought was best for Lucifer, just as Lucifer’s doing what he thinks is best for Chloe. That strikes a nerve with the Devil who, for once, is speechless.

On their way in to interrogate Marla, Dan admits he told Lucifer where Chloe was. He also admits they talk since Lucifer helped save Chloe’s life. Marla says she didn’t kill Ash and only ran because she thought they were busting her for making fake IDs. She didn’t know Ash was going to kick her out of the band and she has an alibi. Posts on Wooble show she couldn’t have killed Ash, and also show Doug the drummer had Marla’s bass last. Dan suggests Chloe take Lucifer to arrest Doug.

Lucifer’s phone rings as they’re entering Doug’s apartment, and he’s distracted talking to Candy when Doug puts a cord around his neck. Chloe yells at Doug to let Lucifer go and Doug says if she doesn’t drop the gun he’ll kill her partner. Lucifer tells Doug to go ahead and kill him since he’s useless to Chloe. Chloe shoots Doug and Lucifer is freed, although she jokes she was aiming for her partner.

Candy arrives at the scene and hugs Chloe for saving him. She also reveals all Lucifer does is talk about his work and about Chloe. Apparently, Lucifer talks all the time about how he almost lost Chloe to poison and how he went through hell. Lucifer arrives and Candy leaps into his arms, and Chloe seems okay with that. She’s also okay with him coming back to work.

Charlotte tries to write a letter to Lucifer, but he arrives before she finishes. He doesn’t forgive her but he thinks she was well-intentioned. He admits he’s more pissed at dad for making the feelings a lie. As he’s leaving, Charlotte confesses all she’s wanted to do is get back to Heaven. She reminds him that if he would have had the flaming sword, he would have won the rebellion. Lucifer says it’s best not to dwell on the past since the sword was destroyed, but Charlotte reveals a huge secret: the sword is on Earth and already in his possession. Azrael’s Blade is the flaming sword, which means they can go home.

And now the big twist… Candy is not Lucifer’s wife. It was a huge setup to get a look inside Charlotte’s head to find out what she was up to. Candy, who is definitely not ditzy, thanks him for saving her life in Vegas. She begins to take off the ring and he tells her to keep it and gives him his ring. They hug and before she gets in the car to leave, she asks what’s going on between him and Chloe. Lucifer doesn’t answer and Candy warns him not to screw that up. “I’m trying not to,” says Lucifer.





‘Riverdale’ Season 1 Episode 12 Preview: Anatomy of a Murder Photos and Trailer

Riverdale Episode 12
Cole Sprouse as Jughead Jones, Casey Cott as Kevin Keller, and Camila Mendes as Veronica Lodge in ‘Riverdale’ (Photo: Bettina Strauss © 2017 The CW Network)

The trailer for The CW’s Riverdale season one episode 12 warns “you can’t unsee a murder,” following that up with clips of the Riverdale gang watching a video, with Veronica and Betty in tears. Directed by Rob Seidenglanz from a script by Michael Grassi, season one episode 12 titled “Anatomy of a Murder” is set to air on May 4, 2017.

The Riverdale cast includes KJ Apa as Archie Andrews, Lili Reinhart as Betty Cooper, Camila Mendes as Veronica Lodge, Cole Sprouse as Jughead Jones, Madelaine Petsch as Cheryl Blossom, Marisol Nichols as Hermione Lodge, Mӓdchen Amick as Alice Cooper, Luke Perry as Fred Andrews, and Ashleigh Murray as Josie McCoy.


The “Chapter Twelve: Anatomy of a Murder” Plot: THINGS ARE NOT ALWAYS AS THEY SEEM – Archie (Apa) and Veronica (Mendes) are shocked to learn of the arrest but know they need to come clean to their parents about what they uncovered. Still hurt by the betrayal of his friends and torn over who to trust, Jughead (Sprouse) reluctantly joins them in a quest for truth. Meanwhile, Cheryl (Petsch) confronts her mom about why she treats her so much worse than she ever did with Jason.


Riverdale Episode 12
Camila Mendes as Veronica Lodge and Marisol Nichols as Hermione Lodge (hoto: Katie Yu © 2017 The CW Network)
Riverdale Episode 12
Cole Sprouse as Jughead Jones and Lili Reinhart as Betty Cooper (Photo: Katie Yu © 2017 The CW Network)
Riverdale Episode 12
Camila Mendes as Veronica Lodge and Marisol Nichols as Hermione Lodge (Photo: Katie Yu © 2017 The CW Network)
Riverdale Episode 12
Cole Sprouse as Jughead Jones and Lili Reinhart as Betty Cooper (Photo: Katie Yu © 2017 The CW Network)
Riverdale Episode 12
Madchen Amick and Lili Reinhart (Photo: Katie Yu © 2017 The CW Network)
Riverdale Episode 12
Cole Sprouse as Jughead Jones, KJ Apa as Archie Andrews and Molly Ringwald as Mary Andrews (Photo: Katie Yu © 2017 The CW Network)




‘Lucifer’ Season 2 – Ildy Modrovich and Joe Henderson Interview on DC Crossovers and Stand-Alone Episodes

Lucifer WonderCon 2017
‘Lucifer’ Executive Producers Ildy Modrovich and Joe Henderson and cast members Lesley-Ann Brandt, Kevin Alejandro and Rachael Harris at WonderCon (Photo by Alan Hess © 2017 Fox Broadcasting)

Fox’s Lucifer starring Tom Ellis as the sexy Devil vacationing on Earth returns from its spring break with season two episode 14 airing on Monday, May 1, 2017 at 9pm ET/PT. The popular series has been renewed for a third season and during the 2017 WonderCon in Anaheim, executive producers Ildy Modrovich and Joe Henderson talked about their vision for the upcoming third season. Modrovich and Henderson also filled us in on the stand-alone episodes as well as the possibility of a DC crossover at some point in the future.

A tweet from @LUCIFERwriters said “Things we want to see in 301,” and then didn’t reveal the answer. What’s really listed there?

Joe Henderson: “It’s funny. What happened was the reason there’s nothing listed under there is because I erased it because we were taking photos. That used to actually be full of stuff. What happened was our room is wrapped right now. (Explaining to Ildy) Tennessee (Martin) had taken a picture and posted it, but I had already erased it because we were taking photos. What happened is we had two weeks before we wrapped our room where we started really figuring out season three. One of the things I always like to do is start a slush list. Just like what are all the things we hope, the things we want to see? What’s the fun that we’ve left on the table? The crazy things that we’ve always wanted to do but haven’t had time or whatever. And then just start looking at that to remind ourselves what the true norths of the season can be.”

Ildy Modrovich: “And then suddenly an arc begins to form. It’s very freeform, like jazz.”

Does it change season three at all now that you’re moving four episodes from season two?

Ildy Modrovich: “No, not so much. It’s funny, the four episodes – they call them stand-alone episodes – but they’re really not in that they move our characters quite deeper almost because we get to spend…like one episode focuses only really on Maze (Lesley-Ann Brandt). We get to really understand what this poor demon who doesn’t have a soul – does she really not have a soul? What does that mean to not have a soul? We spend a lot of time exploring that. And there’s also the nuggets, little mythological nuggets that are kind of in each one where somebody just throws out a line and you go, ‘Wait? What did she just say?'”

Joe Henderson: “Yeah, like, ‘What does that mean?’ We know where we want those episodes to air in season three. What we did is we basically wrote episodes that if aired in season two would set up season three. Or, if they aired in season three they would just more immediately set up the story. So, hopefully when you watch season three you won’t be going, ‘Is that a stand-alone or is that a regular episode?’ Because they do fold in really nicely.

We knew no matter as much as we wanted them to stand-alone, we wanted them to move the story forward. Personally, that’s what I watch the show for. That’s what I love all my shows for. But what it really let us do is play. We made an episode that’s a little darker and weirder. We made an episode that’s a little more fun. Like the Maze episode is like a Bond movie. It’s really cool and it’s both not our show at all and it’s totally our show. What we’ve discovered is going into season three sort of let us open up where the show is a little bit. Like, we have a great ensemble. The show was always going to be called Lucifer and always going to be about Lucifer, but we’ve got a great supporting cast and spending a little bit more time digging into those side characters just makes the world richer.”

Ildy Modrovich: “When we first got the edict, I have to say we were like, ‘What? What does that mean?’ We have a serialized show on our hands even though it’s procedural. How do we make stand-alone episodes in a serialized show? It didn’t make sense. But then we immediately went to shows like The X-Files that we love, and some of the episodes that were our favorites were ones that were just completely close-ended. And so we kind of got excited about it.

I think it did come at the right time because now we have spent time with our characters and we want to know more about them. We want to know about Maze. We want to know about…who else do we explore? We want to know about Ella Lopez.”

Joe Henderson: “We want to know about Lucifer when he first came to LA. That would be a cool episode.”

Ildy Modrovich: “That would be a cool episode, wouldn’t it, to see that first day he landed in LA? (Smiling) We should do that.”

Joe Henderson: “And then what Amenadiel (DB Woodside) was like back then?”


How does it impact what you planned for the end of season two?

Joe Henderson: “Not at all. What’s nice is we were always building an 18 episode arc. What was actually helpful about it is they didn’t try and make us fat. They didn’t try and make us add four episodes or whatever. They’re like, ‘We love this arc. We’re really happy with where you are. Have fun.’ And they really encouraged us, like, ‘Go off format. Play around with the way the show works.’ We took it and ran with it.”

Did you consider a DC crossover and what would you do?

Joe Henderson: “I would love to do something like that. The problem is that the (Greg) Berlanti-verse is so tightly wound together. They’re their own machine. I think Gotham sort of exists in almost its own timeframe, so there’s not really a natural show for us to crossover with.”

Ildy Modrovich: “But, never say never.”

Joe Henderson: “But, man, I would like to.”

Ildy Modrovich: “That’s the thing. Never say never.”

Joe Henderson: “I love those things.”

A Lucifer/Constantine crossover would be a good fit.

Joe Henderson: “But then he crossed over with Arrow so he’s part of the Arrow-verse. At some point we’d love to do something like that.”

Ildy Modrovich: “The thing also, if I may say about our show, is that we can kind of do anything that fits. We have a bit of a license to because we don’t take ourselves too seriously. Hopefully that comes across. So, I think if Batman did show up…I don’t know. Maybe it’s not so weird.”

Joe Henderson: “You know what I want to do? On the next big crossover between all the Berlanti shows, I want all the characters together and in the background you see Lucifer just like smoking, looking at them, and then he shakes his head and walks away. That’s what I want to have happen. That would be the greatest crossover ever for me.”

Watch the full Ildy Modrovich and Joe Henderson Lucifer interview:





‘It Comes at Night’ New Trailer and Poster Starring Joel Edgerton

It Comes at Night Poster

Following It Comes at Night‘s surprise world premiere at the Overlook Film Festival, A24 has unleashed a spooky new trailer for the horror film starring Joel Edgerton. The R-rated thriller screened on the festival’s closing night and has earned positive reviews from critics in attendance. Uproxx describes it as “almost relentlessly scary” and IndieWire says it’s “a top-notch psychological thriller.” Audiences will get to judge for themselves when the film arrives in theaters on June 9, 2017.


It Comes at Night was written and directed by Trey Edward Shults. In addition to Edgerton, the cast includes Riley Keough, Christopher Abbott, Carmen Ejogo and Kelvin Harrison Jr.

A24 also kicked up their marketing campaign for It Comes a Night by mailing creepy cards to the media promoting the film. Here’s short video showing what happens when you open the card:

The Plot: Imagine the end of the world — now imagine something worse. Award-winning filmmaker Trey Edward Shults follows his incredible debut feature Krisha with It Comes at Night, a horror film following a man (Edgerton) as he is learns that the evil stalking his family home may be only a prelude to horrors that come from within. Secure within a desolate home as an unnatural threat terrorizes the world, the tenuous domestic order he has established with his wife and son is put to the ultimate test with the arrival of a desperate young family seeking refuge. Despite the best intentions of both families, paranoia and mistrust boil over as the horrors outside creep ever-closer, awakening something hidden and monstrous within him as he learns that the protection of his family comes at the cost of his soul.





‘House of Cards’ Season 5 Official Trailer with Kevin Spacey and Robin Wright

House of Cards Season 5 Kevin Spacey and Robin Wright
Kevin Spacey and Robin Wright star in ‘House Of Cards’ season 5 (Photo by David Giesbrecht / Netflix)

30 days out from the fifth season premiere and Netflix has just unveiled an official trailer for House of Cards. Season five is set to debut on May 30, 2017 and stars Kevin Spacey, Robin Wright, Michael Kelly, Jayne Atkinson, Neve Campbell, Derek Cecil, Paul Sparks, and Joel Kinnaman. The series was created by Beau Willimon, with Melissa James Gibson and Frank Pugliese showrunning season five. Gibson, Pugliese, Kevin Spacey, Robin Wright, David Fincher, John Mankiewicz, Daniel Minahan, Joshua Donen, Dana Brunetti, Eric Roth, Michael Dobbs, and Andrew Davies also serve as executive producers on the Emmy Award-winning series.

The Plot: The series’s Golden Globe-winning stars Kevin Spacey (as Francis Underwood) and Robin Wright (as Claire Underwood), whose characters have always been each other’s strongest allies, show cracks in their relationship.





Box Office Report: ‘Fate of the Furious’ Finishes 1st, ‘The Circle’ Tanks

The Circle stars Tom Hanks, Emma Watson, Patton Oswalt
Tom Hanks, Emma Watson and Patton Oswalt star in ‘the Circle’ (Photo Credit © 2017 STX Financing, LLC)

Apparently there was a good reason The Circle wasn’t screened for most critics. Not even the combined star power of Tom Hanks and Emma Watson could save this turkey, as ticket buyers awarded it a D+ according to CinemaScore. The critics who did take in a screening were equally disappointed in the film, with its rank on Rotten Tomatoes currently standing at just 17% fresh. The Chicago Sun-Times says it’s “one of the most crashing letdowns” of the year while the Boston Herald says “it also lacks common sense, commanding performances or surprise.”

While The Circle tanked, two less hyped new films snagged the second and third positions at the box office. The Fate of the Furious retained its lock on the top spot for the third weekend in a row, while Lionsgate’s How to Be a Latin Lover was a surprising second place finisher. Opening in just 1,118 theaters, the comedy starring Eugenio Derbez and Salma Hayek rang up $12 million. Great India Films’ Baahubali 2: The Conclusion edged out The Circle for third place while opening in 425 theaters compared to The Circle‘s 3,100+ theaters.

The Fate of the Furious will be saying goodbye to the #1 spot next weekend as Marvel’s Guardians of the Galaxy Vol. 2 arrives in theaters. The Guardians of the Galaxy sequel is eyeballing a $150 million opening weekend.


Box Office Top 10: April 28-30, 2017

  1. The Fate of the Furious – $19,389,780
  2. How to be a Latin Lover – $12,018,500
  3. Baahubali 2: The Conclusion – $10,138,189
  4. The Circle – $9,320,000
  5. The Boss Baby – $9,050,000
  6. Beauty and the Beast – $6,400,000
  7. Going in Style – $3,580,000
  8. Smurfs: The Lost Village – $3,315,000
  9. Gifted – $3,300,000
  10. Unforgettable – $2,345,000




‘Once Upon a Time’ Season 6 Episode 19 Recap: The Black Fairy

Once Upon a Time Season 6 Episode 19
Colin O’Donoghue, Keegan Connor Tracy, Josh Dallas, Ginnifer Goodwin, Robert Carlyle, Emilie de Ravin and Jennifer Morrison in ‘Once Upon a Time’ (ABC/Jack Rowand)

ABC’s Once Upon a Time season six episode 19 starts off with a flashback to many years ago as Fiona (Jaime Murray) delivers a healthy baby boy. Tiger Lily (Sara Tomko) and the Blue Fairy (Keegan Connor Tracy) arrive just after the birth and reveal a prophesy declared a baby would be born with great light magic that very night. The child would be known as the Savior and Tiger Lily would be his fairy godmother.

Flashforward to Storybrooke where Rumple (Robert Carlyle) believes a stinky unhatched dragon egg will revive Blue. Rumple’s upset when it doesn’t work and storms outside, and Belle (Emilie de Ravin) catches up to reassure him they will not let the Black Fairy harm their son. They’ll get Gideon’s heart back. Rumple confesses he thinks it’s his family’s fate to always get torn apart. Emma (Jennifer Morrison) interrupts with good news; the dragon’s egg worked and Blue is waking up. Snow (Ginnifer Goodwin), Hook (Colin O’Donoghue), and David (Josh Dallas) are also on hand to see Blue wake from her coma.

Before she’s fully awake, Hook asks where the other half of the wand he received from Tiger Lily is hidden. She struggles to answer it’s in the center of Storybrooke, and suddenly Snow puts her hands around Blue’s neck, telling her she shouldn’t share her secrets. Snow is actually the Black Fairy and David is actually Gideon (Giles Matthey), there to keep Blue from spilling dark secrets. The Black Fairy disappears with Blue and before Gideon can do anything, Rumple slaps a bracelet on his arm to block him from doing magic.

Zelena (Rebecca Mader), minus her magic, attempts to put together a crib and is fighting a losing battle. Regina asks if she needs help and reminds her sister that she went 28 years without magic. Regina promises it gets easier and Zelena’s worried because she was just defeated by a crib from IKEA. How will she protect her child? Regina says, “I have a thought,” and shows her a key.

Belle tries to get Gideon to reveal where the Black Fairy’s keeping his heart, but Gideon’s in pain as he talks to his mom and dad and so they stop. Emma comes into the shop and asks if they’ve had any luck locating the wand, but they haven’t. Rumple has an idea on how to speak to Gideon without hurting him but he needs Belle to trust him. She does and Rumple uses the Sands of Morpheus on Gideon, Emma, and himself, sending them all into the dream world.

Rumple says the Black Fairy can’t control the dream world and he tells Emma she’s there so that she won’t kill the Black Fairy before he gets his son’s heart back. They search for Gideon and instead find Rumple’s birthplace. The crib is rocking and they hear singing, and Rumple and Emma realize they’re in Rumple’s dream not Gideon’s. Still, Gideon is there somewhere too and they’ll find him.

A trip back in time finds Fiona unable to eat or sleep after finding out about the Savior. She’s armed with a sword in case someone tries to take her baby, and Tiger Lily arrives and apologizes for giving her The Book of Prophecy. The book tells of a great evil coming and her son will die during the final battle. Tiger Lily has brought more books because Fiona’s been researching the great evil which was born the same time as her son. Fiona cradles her baby and then offers to let Tiger Lily hold him. When Tiger Lily does, Fiona picks up her wand and chanting a spell, turns herself into a fairy so she can protect her son. Tiger Lily’s shocked at this turn of events.

Regina takes Zelena outside and tells her she needs to get out of Storybrooke and escape to New York when the final battle goes down. The only catch is that Zelena doesn’t know how to drive anything but a broom. Regina offers driving lessons which definitely don’t initially go well. Zelena can’t handle a stick and crashes into trash cans. She’s frustrated and says she’ll find another way, but Regina explains she needs Zelena to take Henry far away from the battle. She wants her sister to take Henry to New York with her to start a new life. Zelena’s touched that Regina trusts her to raise Henry, and Regina corrects her saying she trusts Henry to raise Zelena.

The driving lesson is put on hold when Snow calls asking for help. She, David, and Hook are at the clock tower which is the center of Storybrooke and they can’t find the wand. Snow reminds Regina that since she made the town, she must know what Blue meant when she said the wand was at the center of town. Regina figures out when a fairy talks about the center of something she means its heart, which means the wand is at Granny’s.

The Black Fairy holds Blue captive down in the mines, and she’s ready to torture her to get the location of the wand.

Back in time, Fiona and Tiger Lily search for the baby with the crescent scar without having any luck, but Fiona won’t stop until she finds the baby destined to kill her son. Fiona reveals she’s going to create a new spell, but Tiger Lily forbids her. (Fairies aren’t allowed to do that.) Fiona asks for her help, saying everything they need is in the sacred fairy vault.

Over in the dream world, Rumple and Emma continue their search for Gideon. Emma wants Rumple’s assurance he won’t turn on her when she tries to kill his mother, the Black Fairy. Rumple assures her he won’t, saying he doesn’t have any positive memories of his time with his mother. She didn’t even give him a name, and he won’t cry when she dies. Gideon shows up just then, and he and Rumple hug. Gideon thanks his dad for fighting for him and Rumple cries, as does Gideon. He asks where Gideon’s heart is, but he doesn’t have any idea. However, Gideon reveals the one thing the Black Fairy is afraid of is Rumple learning her darkest secret – the reason she gave him up.

Rumple, Gideon, and Emma look at Rumple’s baby blanket in a basket. Gideon’s figured out the answer to defeating the Black Fairy is buried deep inside Rumple.

In Storybrooke the gang is busy disrupting Granny’s business to search for the wand. They look everywhere and finally Hook and David decide to move the jukebox. They find a secret compartment under the floorboards and inside the case is the other half the wand. As they argue about turning it over to Regina, wondering if she’s the Black Fairy in disguise, the real Black Fairy shows up. Hook gives Regina the wand and the Black Fairy demands she hand it over. Regina refuses and the Black Fairy relishes the idea of killing a queen, something she’s never had the pleasure of doing before. Regina’s never killed a fairy before so now it’s game on. They disappear, leaving Hook, David, Snow, and Granny behind.

The Black Fairy and Regina materialize on Main Street, circling each other as Regina warns the others to stay back. The Black Fairy attacks but Zelena runs her over with her car. The Black Fairy vanishes and Zelena’s quite proud of her driving ability.

Meanwhile in the dream world, Rumple stares at the blanket wondering what to do next. Rumple says nothing’s happening, and Emma tries to reassure him they understand he’s scared. He’s never faced anything as terrifying as learning the truth about why his mother gave him up. Emma tells him to do it for his son. Rumple agrees and stares again at the blanket.

Rumple, Emma, and Gideon see back in time to when Rumple was a baby. They watch as Fiona sings to her child in the secret vault of the fairies, and Gideon’s shocked to learn Rumple’s mother wasn’t always the Black Fairy. They watch as Fiona mixes up a spell, and then Tiger Lily discovers it’s a curse. She can’t let Fiona cast the dark curse which will send every child far away to a land without magic. Fiona pleads with Tiger Lily to let her protect her child, and Tiger Lily reminds Fiona her son is destined to die so others may live. He is destined to be the Savior. The adult Rumple watches this and is shocked by what he’s learning. (Robert Carlyle is simply brilliant in this scene.) Fiona rips Tiger Lily’s heart from her chest, threatening to kill her to protect her child. It’s then that Fiona’s transformed into the Black Fairy. On her wrist is the crescent scar she’s been searching for among the babies. Tiger Lily says, “Evil was not born this winter, it was made.” The great evil is Fiona and she and her child are destined to destroy each other.

Once Upon a Time Season 6 episode 19
Jennifer Morrison, Lana Parrilla, Emilie de Ravin, and Robert Carlyle in ‘Once Upon a Time’ (ABC/Jack Rowand)

Rumple, Gideon, and Snow wake up back in Storybrooke just as Regina arrives with the wand. She tries to hand it to Emma, but Emma says Rumple is the Savior destined to fight the Black Fairy. Regina and Belle ask if it’s true and Rumple confirms it is. Belle says she’s known all along there was a good man behind the beast. Gideon says he’ll help but Rumple believes he needs to face his mother alone.

Rumple, wand in hand, meets his mother on the foggy banks of the river. He reminds Fiona he was meant to destroy her with this wand, and she now knows he discovered the awful truth. He knows he was meant to be the Savior and believes she left him because he was meant to kill her. He’s wrong. The Black Fairy reaches out and touches his face, revealing the real reason she left him.

Back in time, Tiger Lily begs Fiona not to do this. Blue arrives and snags Tiger Lily’s heart from Fiona, placing it back in Tiger Lily’s chest. Tiger Lily believes there’s a way to change their destiny, showing Fiona the shears that will sever her destiny from her child’s. The catch being Fiona must give up her powers. But, Fiona decides on a different option. She’ll sever her son’s destiny and he won’t be the Savior, therefore she won’t kill him. Blue begs Fiona not to do this because the child is destined to be a great hero. Fiona does it anyway and Blue and Tiger Lily send her away and keep the child.

Flashforward and Rumple wants to know why his mother never told him the truth. Fiona admits it was easier for him to hate her, and Rumple reminds her she made the decision to take his destiny and keep her power. She seems to believe she did it to protect him, but Rumple understands the truth and the appeal of power. Fiona tells him it’s a dangerous world and if her choice was wrong, at least she did it out of love. She apologizes for causing him pain and says the pain she caused Gideon made him strong. He tells his mother he became the Dark One to save Baelfire and that now he’s tried to keep Gideon from his fate.

Fiona says she loves him, believing they can now be a family. She asks for her son’s forgiveness.

Another flashback finds Blue and Tiger Lily visiting Rumple’s father. They let him know Fiona will not be coming back, telling him she tried to protect their son and it was an accident that she’s gone. He blames the baby for Fiona’s death and angry, with tears in his eyes, he names the child Rumpelstiltskin.

Rumple arrives at Granny’s and shows Emma, Hook, David, and Snow the Black Fairy’s heart. He assures them Blue is okay and back with her kind, and Emma says, “You did good, Savior.”

Rumple returns Gideon’s heart and frees him from his restraints. They hug and Gideon tells them he’s missed them, and he apologizes for letting the Black Fairy take control of him. Rumple assures him he’ll never have to worry about the Black Fairy again. Belle’s proud of Rumple, proud he fought for their family and saved Gideon. Rumple assures them everything he does is to keep them safe.

Henry (Jared Gilmore) arrives home and Hook pounces on him, stopping him from going up the stairs. Hook talks about the missions they’ve gone on together and says the most important mission is coming up: Operation Best Man. Henry says he’s honored and Hook makes him the keeper of the wedding rings. Emma wonders what they’re up to and wonders why Henry says he’ll see Hook tomorrow when Hook lives there now. Hook apparently is very old-fashioned and refuses to see the bride before the wedding, telling Emma, “A seafaring man does not take superstitions lightly.” He adds, “After tomorrow there will be no getting rid of me.” They kiss and off Hook goes.

And now we learn the truth… Rumple did not kill his mother. She asks if they believed him and he confirms they did. The Black Fairy wants him to admit he adores being the Dark One and he does, calling it the family trait. Belle and Gideon have no idea what’s to come, and the Black Fairy assures him it will be a happy ending for their family. The Black Fairy says tomorrow will be the day Emma dies. The final battle is here!

More on Once Upon a Time:
– Season 6 Episode 18 ‘Where Bluebirds Fly’ Recap
– Season 6 Episode 17 ‘Awake’ Recap
– Season 6 Episode 16 ‘Mother’s Little Helper’ Recap




‘American Gods’ Season 1 Episode 1 Recap: The Bone Orchard

American Gods Ricky Whittle and Ian McShane
Ian McShane and Ricky Whittle in ‘American Gods’ episode 1 (Photo Credit: Starz)

The tale of a voyage to America is told as episode one of Starz’ American Gods begins. The year is 813, the Vikings are hungry, and the ocean is inhospitable. When they reach the shore, their fortunes don’t improve. Biting insects and snakes greet them, and they’re immediately fired upon with arrows when they attempt to leave the beach. They’re unable to sail away as the wind refuses to help, and they begin sacrificing their eyes to their god. The wind remains elusive so they sacrifice members of their party by burning them alive. When their god still doesn’t show, they engage in bloody, incredibly gruesome hand-to-hand combat. The wind finally arrives and those who’ve survived flee the New World, and none will ever set to sea again.

We’re told when Leif, the son of Erik the Red, arrived 100 years later, his god was waiting on the shore where he’d been summoned.

The story shifts to the introduction of American God‘s lead character, Shadow Moon (Ricky Whittle). He’s in prison pumping iron, just trying to make it through each day. Shadow tells fellow inmate “Low Key” Lyesmith (Jonathan Tucker) he feels as if an axe is hanging over his head. Later, he calls his wife and tells her “something feels weird.” He can’t quite figure out what’s off, and Laura (Emily Browning) reminds him he has 120 hours left before he can come home. She assures him everything is fine and that they’re planning a surprise party for him to celebrate his return home. They exchange I love yous, yet Shadow remains on edge.

He’s restless in his cell, but finally falls asleep. He dreams of his wife and then the dream changes to one of him walking through a strange forest littered with human bones (the Bone Orchard of the episode’s title). Trees reach out and strike him in the face and a noose hangs in his path. The following morning a guard wakes him and he’s brought to see the warden. His prison term ends a few days early because his wife has been killed in an auto accident. Shadow goes through the motions of dressing for the outside world, slipping on his wedding ring and then he’s escorted from the jail by guards.

Shadow arrives at the airport but he’s told he can’t change his flight to Eagle Point without paying an extra $200. The ticket agent is less than helpful, not even sympathetic that he needs to get to a funeral. As he considers his options, he recalls some sage advice from Low Key in jail: Do not piss off those b*tches in airports. Keeping his cool, he asks for a ticket to fly out the next day.

After a sleepless night in the uncomfortable airport chairs, he leaves a message for his friend Robbie and tells him he’s on his way home. He hangs up and then listens in as a disheveled man (Ian McShane) tries to convince the same ticket agent that he has a first-class ticket and needs to get to his newborn son’s christening. She thinks he might be off, and decides to help him out by upgrading him to a first-class seat.

Shadow boards the plane but finds his seat is taken. The flight attendant points him to an empty first-class seat by the disheveled man who it turns out is completely sane and not in the least bit impaired. He’s such a smooth talker he even convinces the flight attendant to pour him a drink instead of collecting the one he already holds in his hand. Shadow admits he’s never flown before and the man tells him to pretend he’s a bird. Shadow congratulates this stranger on finagling a first-class seat, and the stranger tells him he’s already figured out Shadow is fresh out of prison, saying he has an eye for these things. Shadow Moon introduces himself and the man replies, “Oh my boy that is one outstandingly improbable name. Shadow Moon? Moon shadow, goddamn hippie parents.”

The stranger asks the day of the week and then calls himself Mr. Wednesday since it’s Wednesday. Shadow and Mr. Wednesday discuss their circumstances, with Mr. Wednesday wondering whether it’s fate or Mr. Newton keeping their plane aloft. Mr. Wednesday offers Shadow a job for good money, but Shadow claims to already have a job waiting for him. Mr. Wednesday doesn’t give up, offering bonuses and a pension. He even says Shadow could be the next king of America. Shadow continues to decline the offer and Mr. Wednesday falls sound asleep.

Shadow covers his eyes and once again sees the Bone Orchard. This time there’s a White Buffalo with smoke coming out of its eyes. He’s jarred awake by the flight attendant and surprised he slept through the entire flight and is the last passenger on the plane. Unfortunately, the plane made a detour and it will be one more day until he’s able to make it to Eagle Point. Needing to get home, he opts to rent a car for the remainder of his journey home.

Shadow makes a pit stop at Shakamak State Park where frustration, anger, sadness, and despair cause him to let loose with a blood-curdling cry.

We take a break from Shadow’s story for a brief interlude set in Hollywood. A woman (Yetide Badaki) looks at a photo of the man she’s meeting in person for the first time after connecting online and watches as he approaches. They chat and he admits he’s been on three dates with people he met online, but he’s still not sure about this method of finding romance. He compliments her and she shyly asks if he likes her. When he shakes his head yes, she leads him upstairs to a room lit with dozens of candles. The room is completely red – the bedspread, curtains, and candles – and the man is reluctant to have sex because he wants to see her again. When she reassures him they will be together again, he gives in, calling her the sexiest thing he’s ever touched for free. They make love and she asks him to worship her. “Pray to me like I’m your god, your goddess,” she hisses, switching places and climbing on top. She demands he say her name, Bilquis, and he does, repeatedly. He tells her he worships her and he asks for her unpure gift, promising to give her everything. As he says I love you, she absorbs him into herself, pulling him into her through her vagina.

Shadow kills time at a bar, asking what he can get for cheap. Jack (Beth Grant) suggests the buffalo burger and chili, but he can’t afford both. Strangely, Jack tells him he can and when he visits the restroom, guess who’s already there? Mr. Wednesday emerges from a stall, spouting facts about things that can and cannot be rushed into. Shadow tells him to f*ck off – again – but Mr. Wednesday is persistent. Shadow turns down the job offer – again – and Mr. Wednesday shocks him into continuing the conversation by mentioning Shadow’s friend Robbie’s “condition.” Mr. Wednesday informs Shadow that Robbie is dead.

Shadow reads the newspaper article which reveals his wife and Robbie were both killed in the same car accident. They were together in Robbie’s car when Robbie swerved into the path of an oncoming vehicle. Shadow doesn’t have a job (he was going to work for Robbie) and his fate is soon decided by the flip of a coin. He promises to work for Mr. Wednesday if he correctly guesses whether it will be heads or tails. Shadow rigged the toss but even still it came up heads, just like Mr. Wednesday predicted. Despite the fact, Shadow thinks this stranger who’s intruded into his life is creepy and despite the fact he doesn’t like him, he’s now obligated to work for him.

Shadow tosses the coin a few times and it continually lands on tails. One toss is intercepted by a passing stranger who takes the coin, flips it in the air, and it disappears. The stranger is named Mad Sweeney (Pablo Schreiber) and he introduces himself as a leprechaun. Given that Mad Sweeney’s taller than most men, Shadow finds this hard to believe. Mad Sweeney calls that a stereotype and Shadow’s coin finally falls from the air onto the table. He asks if Shadow knows who Mr. Wednesday really is and then Mr. Wednesday joins them with a tray of mead (honey wine). The drinks seal the deal and now Shadow is Mr. Wednesday’s bodyguard/aide-de-camp/driver. If necessary – but only if necessary – Shadow will “kick the asses of those whose asses require kicking.”

Mad Sweeney tosses darts, chiming in that Mr. Wednesday is a hustler. Mr. Wednesday admits that’s true, and Shadow says all he wants is to go to his wife’s funeral. He agrees to work for Mr. Wednesday for $2,000 a week after that, but says he won’t hurt anyone for fun or profit. Two more shots of mead and the deal is sealed.

American Gods Pablo Schreiber
Pablo Schreiber as Mad Sweeney in ‘American Gods’ (Photo Credit: Starz)

After Mr. Wednesday walks away, Mad Sweeney shows off his own coin trick, pulling gold coins out of the air and from behind his ear. He even spits one out of his mouth, and Shadow’s freaked out by this gigantic leprechaun. Mad Sweeney says he simply plucked them out of the air, offering to fight Shadow for the details on how he pulled off this mysterious gold coin trick. Shadow refuses to fight, but Mad Sweeney keeps egging him on, calling him a coward. He slaps Shadow with the newspaper open to Laura’s obituary while calling his dead wife a fine-looking lady. Shadow loses it and punches Mad Sweeney in the nose. Mad Sweeney tosses Shadow around, but Shadow manages to get in a few good licks. Mr. Wednesday looks on smiling as Shadow bloodies Mad Sweeney’s face. When Mad Sweeney asks him if he can feel the joy of the fight, Shadow declares the fight is over. It’s not, and Mad Sweeney attacks again.

The scene switches to the following day with Mr. Wednesday driving a hungover and sore Shadow. He asks if Mad Sweeney taught him the gold coin trick and Mr. Wednesday says he did, but Shadow’s new boss didn’t hear the details.

They pull over so Shadow can clean up for his wife’s funeral. They finally arrive in Eagle Point, check into a motel, and Shadow heads off to say goodbye to his wife. He finds an empty seat at the funeral service next to Robbie’s wife, Audrey (Betty Gilpin), and she says the funeral home did a good job of reconstructing Laura’s face for the open casket. After Shadow talks about how much Robbie and Laura loved her, Audrey breaks the news Laura died while performing fellatio in the car on Robbie while he was driving.

Shadow remains seated by Laura’s grave after the funeral is long over. It’s deep into the night when he finally speaks out loud, asking if it was a one-time thing or if it was love. He had a surprise for her – he read 813 books while he was locked up – because he wanted to come back better than when he left. He pulls out the gold coin and it lands on Laura’s grave.

Audrey stumbles up, either high or drunk, angry over attending two funerals in one day. She’s not sure how long Laura and Robbie were together, but she believes it was a long time. She also reveals Robbie’s penis was severed in the accident and she told the coroner to leave it where he found it. She adds that although that was Laura’s mouth, she actually had them put it “somewhere special.” Audrey suggests closure for both would be if she did to Shadow what Laura was doing to her husband when they crashed. Shadow keeps telling her no and demanding she stop, and finally, Audrey collapses in his arms and cries.

The gold coin sinks through the dirt on Laura’s grave and disappears.

Shadow walks away from the cemetery, keeping to the middle of the road. He hears weird sounds coming from behind him and sees little white lights flying a few feet off the ground. They disappear as he approaches and he finds some sort of metallic box with lights emanating from inside on the ground. It transforms into a small robot-like thing and flies up, attaching itself to Shadow’s face.

Technical Boy (Bruce Langley) materializes and Shadow asks to be dropped off at a motel in Maryland. He’s hit by two incompletely formed faceless bodyguards, and Technical Boy tells Shadow not to f*ck with him. Technical Boy confirms Shadow’s working for Mr. Wednesday and blows smoke in his face from synthetic toad skins. He asks what Wednesday’s game plan is and Shadow replies that he’s just an errand boy. The toad skin-smoking stranger says Mr. Wednesday and his ilk are forgotten and old, and as the smoke affects Shadow the stranger pixelates. Technical Boy asks again what Wednesday is up to and Shadow again says he doesn’t know. Technical Boy commands his bodyguards (now there are more than just two) to kill Shadow and then pauses their attack to advise Shadow that he won’t just be killed, he’ll be deleted. He presses a button and Shadow flies out of the car (or whatever vehicle he was in) with the robot-like thing still attached to his face. It falls off and Shadow lands and is immediately set upon by more faceless bodyguards who continue to beat him. They fasten a noose around his neck and hang him from a tree as he desperately tries to get free.

Shadow’s body stops moving and blood suddenly fills the air. The noose breaks and Shadow falls to the ground where he’s quickly coated with blood. American Gods season one episode one ends with Shadow looking out over dead bodies, all of whom have been chopped into pieces.

More on American Gods:
– American Gods Season 1 Episode 2 The Secret of Spoon Recap
– American Gods Season 1 Episode 3 Head Full of Snow Recap




‘The White Princess’ Episode 3 Recap: Burgundy

The White Princess episode 3
A scene from ‘The White Princess’ episode 3 (Photo Credit: Starz)

Episode three of Starz’ riveting period drama The White Princess begins with Lizzie (Jodie Comer) in pain and ready to give birth. King Henry (Jacob Collins-Levy) is busy organizing the diplomatic mission to Burgundy, with his decision on who to send being questioned. He sticks with his choice of Jasper Tudor (Vincent Regan) to lead the mission, despite the misgivings of others.

Lizzie’s being tended to by Maggie Plantagenet (Rebecca Benson) as Lizzie’s sister, Cecily (Suki Waterhouse), rushes to retrieve Lady Margaret (Michelle Fairley). Lizzie’s worried about the baby’s birth because of the curse and cries out for her mother to be brought to her, but no one obeys.

And now we see Lizzie’s mother, Dowager Queen Elizabeth (Essie Davis), penning a note to her sister-in-law begging for help. Elizabeth claims to have been kept from Lizzie for two months, blaming King Henry and his mother. She writes of how Lady Margaret murdered her sons and killed Richard. She tosses the note, which asks for Burgundy to wage war against King Henry, to the stable boy, Ned.

King Henry is elsewhere in the castle, worried that his son has not yet been born. Bishop Morton (Kenneth Cranham) reveals Elizabeth asked to be allowed to be with Lizzie, but he dismissed the request.

Jasper and his men prepare to sail to Burgundy to meet with the Duchess of Burgundy, the sister of King Richard III and King Edward IV.

Back with Lizzie, she’s being comforted but the baby is not coming. Lady Margaret tells her she must push harder, demanding she deliver the child. Lizzie is certain her baby will die but she pushes and screams, crying out in pain. Maggie can see the baby and encourages Lizzie to continue to push. The baby finally arrives and his little cries sound healthy. Lady Margaret immediately asks for the baby.

King Henry’s working out his frustration by sharpening his sword-fighting skills. Lady Margaret rushes into the garden and tells him Prince Arthur has arrived. Henry runs to be with his newborn son and wife, while his mother yells after him he’s not supposed to see the child yet. Henry doesn’t listen.

Lizzie cradles her son and Maggie asks her what she meant about the curse. Lizzie declines to explain, suggesting she not think about it. King Henry arrives just then and he’s beaming. He can’t believe the baby has arrived and is perfect. Henry calls his wife radiant and asks to hold his son. Henry tells Lizzie he’s in her debt, and assures her he’ll send for her mother. Henry races from the room, setting off to command the bells to ring and the bonfires to be lit.

After Henry leaves, Lizzie assures Maggie she’ll ask for Teddy to be freed from the tower. “I have delivered on my bargain, now he must give something in return,” says Lizzie.

At the Palace of Mechelen in Burgundy, the Duchess (Joanne Whalley) has been brought the note written by Dowager Queen Elizabeth asking for war. She has also received the note from King Henry seeking peace. The Duchess tells Duchess Cecily (Caroline Goodall) she never responded when informed of Jasper Tudor and Lord Strange’s upcoming visit. Frances Lovell (Anthony Flanagan), who’s been hiding out since his attack on King Henry, hopes the Duchess will stand with Elizabeth. However, she takes offense that he’s trying to tell her what to do. She chides him on failing to assassinate the King and says for now she’ll be a thorn in King Henry’s side. If King Henry’s envoy arrives, the Duchess has decided she will not receive them.

The mood lightens as her stepdaughter Mary (Emmanuelle Bouaziz) joins the group, and after the Duchess leaves Mary speaks of how her stepmother hasn’t yet mourned the death of her brother. She’s kept hidden inside and is not dealing with the death. It’s decided without the Duchess’ approval that it’s time to be a York and take a stand.

Elizabeth is finally brought to see her daughter and grandson. Lizzie says the baby is an answer to her prayer, not Lady Margaret’s prayer, and Cecily chimes in to comment on how loud Lizzie screamed. Elizabeth sends her away and unaware Lady Margaret is eavesdropping, she warns Lizzie the child belongs to the throne. She also reminds Lizzie the red in the rose represents the blood shed by her family and Richard. Lizzie’s quick to reply, “Richard is gone. All that there is now is Arthur.”

Jasper Tudor and Lord Strange’s party arrive at the castle where they find the citizens of Burgundy outside enjoying musicians. They discuss who really holds the power in Burgundy while watching the Duchess, who has not greeted them, move through the crowd.

Lady Margaret suggests an immediate christening, but Henry wants to wait. Lady Margaret is of the opinion it’s best to do it now so everyone is aware he has an heir. She’s obviously shocked when Henry wants to consult with Lizzie before making a decision.

The Duchess of Burgundy peeks around a curtain as Mary and her husband, Archduke Maximilian of Austria, meet with Jasper Tudor and Lord Strange. Jasper is told the Duchess won’t meet with the man who beat her brother on Bosworth Field, and Jasper says he’s sorry for her loss. He asks for leave to stay until the Duchess has had sufficient time to grieve. (He’s attempting not to rush the meeting or to appear insensitive.)

Outside the castle, Mary asks Lord Strange if he’d like to play sword fighting with her children. Her young son, Philip, immediately hits Lord Strange on the shoulder.

Lizzie asks Henry why Arthur must be christened at Winchester since it’s so far away, and his answer is that he’s agreed her mother can come with him in her place. Henry unveils a “badge” for Arthur that’s a red and white rose, a sign of the merging of the houses. She asks again if he’ll release Teddy, begging that he’s terrified. Henry agrees only to consider it when he returns.

Lady Margaret arrives to pick up the baby, and Lizzie asks why the christening can’t be in London so that she may attend. An unsympathetic Lady Margaret reminds Lizzie she can’t return to court until the priest sanctifies her. Outside, the power struggle continues as Lady Margaret and Dowager Queen Elizabeth both want to be in charge of the baby.

The Duchess of Burgundy finally grants Jasper Tudor an audience. He delivers a gift from King Henry – a solid gold coin with the King’s image. Jasper reiterates the King wants peace with Burgundy, but the Duchess shows little regard for what Henry desires. He hasn’t lost anybody and knows nothing of politics. Jasper reminds her she attempted to hand over Henry to her brother to be executed, but that doesn’t earn Henry any sympathy. She’s lost too many people and Henry’s lost no one.

Meanwhile, Lizzie is yearning to be with her son. Maggie keeps her company and again brings up the curse. Lizzie finally gives in and tells her it was a curse against whoever killed her brother. The curse specified that person’s male line would die, which is why Lizzie was scared for her newborn son. By trying to convince Maggie no harm will come to Arthur, Lizzie’s also attempting to quell her own fears.

Arthur is christened, crying his way through the ceremony. While Arthur is christened, Lizzie is sanctified by a priest and she can finally leave her room. When the christening ceremony ends, Lady Margaret signals to Bishop Morton to command Dowager Queen Elizabeth to come with him.

Maggie and Lizzie visit Teddy (Rhys Connah) in the tower and he’s anxious to leave. They can’t let him out yet, but Maggie assures him he’ll be freed and they’ll live peacefully far away from King Henry.

A feast celebrates Arthur’s christening, however, King Henry isn’t in the mood to celebrate. Lady Margaret informs him of Dowager Queen Elizabeth’s treachery and suggests he lock her away. Lady Margaret adds that Elizabeth has been telling York supporters she wants Edward (‘Teddy’) Plantagenet to sit on the throne.

Baby Arthur arrives back home and Lizzie rushes to the carriage to be reunited with her son. Cecily excitedly announces to her sister that she’s going to be married to John Welles, Lady Margaret’s half-brother. When Lizzie asks after her mother, Cecily suggests she ask her husband.

Lizzie catches up with Henry who tells her he’s locked her mother in the dungeon for plotting to kill him. Because of her plotting with Henry’s enemies, the King will no longer agree to free Teddy from the tower. Lizzie forbids Henry to keep Elizabeth in a dungeon, demanding she be moved to an Abbey. He changes the subject and discusses her upcoming coronation.

Jasper Tudor watches as the children and Lord Strange play, and he apologizes again to the Duchess for any pain he’s caused. She informs him she knows about the birth of Arthur and after talk of future marriages and alliances with France that will put Burgundy at a disadvantage, the Duchess admits she does not like King Henry. However, she doesn’t like war, either. They discuss the Battle of Bosworth, with Jasper saying he’d give his life for King Henry, calling him loyal, brave, and strong. “Then he would make someone a very fine dog,” replies the Duchess of Burgundy. Jasper doesn’t give up, convinced they can forge a peace between enemies.

The scene shifts to Bermondsey Abbey in London with Bishop Morton telling Dowager Queen Elizabeth she’s been shown mercy by King Henry. Elizabeth and her youngest daughters will live at Bermondsey but they will not be allowed any visitors, including her daughter Lizzie.

Cecily continues to show she’s an irritating self-centered twit, going on about the ugly clothes Lizzie will wear as Queen. Maggie arrives with a drink for Lizzie, and Lizzie passes her a note to give to her mother at Bermondsey. Lizzie now believes her mother is their only hope of getting Teddy freed.

King Henry sends for Lizzie, asking if she’s thankful about the coronation. She replies that unless he frees her mother and Teddy, she can’t be thankful. She also wonders what her role will be, and Henry takes her question as a jibe at his knowledge of how to rule. King Henry admits he waits from sun up to sundown to be killed by someone who hates him, and he knows people smile at his face and conspire against him behind his back. Lizzie asks point-blank why then did he want to become King, and he replies it’s what he’s been trained to do his entire life. He had no other choice. His mother believed he had a destiny, and his mother is actually the one who dreamed of power. He wonders what he would have become had his mother not set him on this path, and Lizzie understands. “That is what my life has been as well. A puppet for my mother’s own ambition,” reveals Lizzie. Lizzie only wanted to marry a man she loved, but her mother craved the throne for her.

Henry, speaking sincerely, addresses his wife who has tears in her eyes after realizing just how much they have in common. They open up their hearts to each other, with Henry admitting he hoped she would at least have a kindness toward him, a tenderness. Lizzie wonders if that would be enough for him, and Henry says he doesn’t know because he’s never had someone who longed to be with him and loved him for who he is. He acknowledges that she doesn’t love him, but asks that she not plot against him. Lizzie says nothing and Henry walks off, hurt she couldn’t promise even that.

Elizabeth, who’s been watching her daughters play in the limited time they have outside, receives a note tucked inside an apple. It was tossed to her by a young boy sitting high in a tree. The note from Lizzie informs her mother Teddy is still in the tower and she needs her mother’s guidance.

Lady Margaret approaches Lizzie while she’s holding Arthur, telling her that they’re now friends and joined together. “Any threat against Henry is a threat against our boy as well,” warns Lady Margaret.

The apple tree boy runs the reply back to Ned who delivers it to Lizzie. It’s not written down but instead recited. Dowager Queen Elizabeth advises Lizzie to come to her at the Abbey and also write to the Duchess of Burgundy saying they must go to war. Elizabeth believes that if Lizzie, who is just minutes from being crowned Queen, writes to the Duchess, the Duchess will agree to go to war. Lizzie’s puzzled about how this course of action would help either Teddy or Arthur.

Elizabeth of York is crowned Queen Elizabeth. The bells toll and the Dowager Queen listens to them from the Abbey.

King Henry and Queen Elizabeth are seated on their thrones and Henry asks if she feels different. Lizzie admits she feels as if she’s aged 1,000 years. He laughs and Lizzie feels better when Arthur’s brought to her. When Henry wonders how Arthur will feel when he’s King, if Henry’s enemies allow him to live, Lizzie tells her husband not to say such things.

Lizzie returns to her room and Maggie asks if she’s decided if she’ll try to go to her mother. Lizzie is considering it, but Maggie doesn’t want her to go. She believes Lizzie should earn Henry’s trust and maybe he’ll want to make her happy. Lizzie doesn’t know how she’d be able to choose between Arthur and her mother, and Maggie continues to urge her not to go.

Meanwhile in Burgundy, Jasper Tudor and Lord Strange continue their diplomatic mission. Lord Strange has been losing to the children in a variety of games (he claims he’s losing on purpose), and Mary suggests they have a race. Mary’s an expert rider so it should be yet another loss for Lord Strange.

The Duchess appears to be softening her stance toward Jasper Tudor. They take a walk and discuss what life would have been like for Jasper if he hadn’t gone to war. He confesses he was in love with a woman, but it wasn’t meant to be. The Duchess is pleasantly surprised by that answer.

Mary and Lord Strange race on horseback while the Duchess and Jasper talk, and now the Duchess is actually flirting with this man who represents her enemy.

Dowager Queen Elizabeth is beginning to realize Lizzie won’t be coming to her. Alone, she rails against those who have taken Cecily and now Lizzie from her, saying she won’t have it. As Elizabeth says, “Damn them all to hell,” while toppling a statue of the Virgin Mary, hundreds of miles away Mary of Burgundy falls from her horse. Everyone races to her side and it’s obvious she’s grievously injured.

Lizzie lies in bed, staring at the ceiling, decision made.

Duchess Cecily delivers the news to the Duchess of Burgundy that Mary’s back was broken in the fall. The Duchess and Mary’s husband hold Mary’s hand as she passes away.

Lizzie joins Henry in his bed. She touches him and he rolls over, just inches from her face. Lizzie closes her eyes and Henry’s now wide awake, obviously moved by this turn of events.

Mary’s body is laid out and Jasper tells the Duchess he’s sorry for her loss. Mary’s death has changed the Duchess and she kicks Jasper out, telling him he’s not welcome in Burgundy.

More on The White Princess:
– The White Princess Episode 2 Hearts and Minds Recap
– The White Princess Episode 4 The Pretender Recap
– The White Princess Episode 5 Traitors Recap




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