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2017 Golden Globes Nominees: La La Land, People v O.J. Simpson Top the List

Sarah Paulson and Sterling K Brown in People v OJ Simpson
Sarah Paulson as Marcia Clark and Sterling K. Brown as Christopher Darden in ‘The People v. O.J. Simpson’ (Photo Credit: FX Networks)

The 74th Annual Golden Globe Awards nominations were announced by Don Cheadle, Laura Dern, and Anna Kendrick on December 12, 2016, with La La Land earning the most nominations in the film categories and The People v. O.J. Simpson topping the television categories list. La La Land received seven nominations followed by Moonlight with six, Manchester by the Sea with five, and Florence Foster Jenkins and Lion with four each. The People v. O.J. Simpson picked up five nominations, The Night Manager earned four, and black-ish, The Crown, The Night Of, This Is Us, and Westworld each earned three nominations.

The 2017 Golden Globes will be hosted by Jimmy Fallon. The awards show will air live on NBC on January 8, 2017 at 5pm PT/8pm ET from the Beverly Hilton Hotel in Los Angeles.

FILM

Best Motion Picture – Drama

HACKSAW RIDGE
HELL OR HIGH WATER
LION
MANCHESTER BY THE SEA
MOONLIGHT

Best Performance by an Actress in a Motion Picture – Drama
Amy Adams, ARRIVAL
Jessica Chastain, MISS SLOANE
Isabelle Huppert, ELLE
Ruth Negga, LOVING
Natalie Portman, JACKIE

Best Performance by an Actor in a Motion Picture – Drama
Casey Affleck, MANCHESTER BY THE SEA
Joel Edgerton, LOVING
Andrew Garfield, HACKSAW RIDGE
Viggo Mortensen, CAPTAIN FANTASTIC
Denzel Washington, FENCES

Best Motion Picture – Musical or Comedy
20TH CENTURY WOMEN
DEADPOOL
FLORENCE FOSTER JENKINS
LA LA LAND
SING STREET

Best Performance by an Actress in a Motion Picture – Musical or Comedy
Annette Bening, 20TH CENTURY WOMEN
Lily Collins, RULES DON’T APPLY
Hailee Steinfeld, THE EDGE OF SEVENTEEN
Emma Stone, LA LA LAND
Meryl Streep, FLORENCE FOSTER JENKINS

Best Performance by an Actor in a Motion Picture – Musical or Comedy
Colin Farrell, THE LOBSTER
Ryan Gosling, LA LA LAND
Hugh Grant, FLORENCE FOSTER JENKINS
Jonah Hill, WAR DOGS
Ryan Reynolds, DEADPOOL

Best Performance by an Actress in a Supporting Role in any Motion Picture
Viola Davis, FENCES
Naomie Harris, Moonlight
Nicole Kidman, LION
Octavia Spencer, HIDDEN FIGURES
Michelle Williams, MANCHESTER BY THE SEA

Best Performance by an Actor in a Supporting Role in any Motion Picture
Mahershala Ali, MOONLIGHT
Jeff Bridges, HELL OR HIGH WATER
Simon Helberg, FLORENCE FOSTER JENKINS
Dev Patel, LION
Aaron Taylor-Johnson, NOCTURNAL ANIMALS

Best Director – Motion Picture
Damien Chazelle, LA LA LAND
Tom Ford, NOCTURNAL ANIMALS
Mel Gibson, HACKSAW RIDGE
Barry Jenkins, MOONLIGHT
Kenneth Lonergan, MANCHESTER BY THE SEA

Best Original Screenplay
Damien Chazelle, LA LA LAND
Tom Ford, NOCTURNAL ANIMALS
Barry Jenkins, MOONLIGHT
Kenneth Lonergan, MANCHESTER BY THE SEA
Taylor Sheridan, HELL OR HIGH WATER

Best Motion Picture – Animated
KUBO AND THE TWO STRINGS
MOANA
MY LIFE AS A ZUCCHINI
SING
ZOOTOPIA

Best Motion Picture – Foreign Language
DIVINES (FRANCE)
ELLE (FRANCE)
NERUDA (CHILE)
THE SALESMAN (IRAN / FRANCE)
TONI ERDMANN (GERMANY)

Best Original Score – Motion Picture
Nicholas Britell, MOONLIGHT
Justin Hurwitz, LA LA LAND
Johann Johannsson, ARRIVAL
Dustin O’Halloran, Hauschka, LION
Hans Zimmer, Pharrell Williams, Benjamin Wallfisch, HIDDEN FIGURES

Best Original Song – Motion Picture

“Can’t Stop The Feeling!”, TROLLS
Music by: Justin Timberlake, Max Martin, Shellback
Lyrics by: Justin Timberlake, Max Martin, Shellback

“City Of Stars”, LA LA LAND
Music by: Justin Hurwitz
Lyrics by: Benj Pasek, Justin Paul

“Faith”, SING
Music by: Ryan Tedder, Stevie Wonder, Francis Farewell Starlight
Lyrics by: Ryan Tedder, Stevie Wonder, Francis Farewell Starlight

“Gold”, GOLD
Music by: Brian Burton, Stephen Gaghan, Daniel Pemberton, Iggy Pop
Lyrics by: Brian Burton, Stephen Gaghan, Daniel Pemberton, Iggy Pop

“How Far I’ll Go”, MOANA
Music by: Lin-Manuel Miranda
Lyrics by: Lin-Manuel Miranda


TELEVISION

Best Television Series – Drama
THE CROWN, Netflix
GAME OF THRONES, HBO
STRANGER THINGS, Netflix
THIS IS US, NBC
WESTWORLD, HBO

Best Performance by an Actress in a Television Series
Caitriona Balfe, OUTLANDER
Claire Foy, THE CROWN
Keri Russell, THE AMERICANS
Winona Ryder, STRANGER THINGS
Evan Rachel Wood, WESTWORLD

Best Performance by an Actor in a Television Series – Drama
Rami Malek, MR. ROBOT
Bob Odenkirk, BETTER CALL SAUL
Matthew Rhys, THE AMERICANS
Liev Schreiber, RAY DONOVAN
Billy Bob Thornton, GOLIATH

Best Television Series – Musical or Comedy
ATLANTA (FX)
BLACK-ISH (ABC)
MOZART IN THE JUNGLE (AMAZON)
TRANSPARENT (AMAZON)
VEEP (HBO)

Best Performance by an Actress in a Television Series – Musical or Comedy
Rachel Bloom, CRAZY EX-GIRLFRIEND
Julia Louis-Dreyfus, VEEP
Sarah Jessica Parker, DIVORCE
Issa Rae, INSECURE
Gina Rodriguez, JANE THE VIRGIN
Tracee Ellis Ross, BLACK-ISH

Best Performance by an Actor in a Television Series – Musical or Comedy
Anthony Anderson, BLACK-ISH
Gael Garcia Bernal, MOZART IN THE JUNGLE
Donald Glover, ATLANTA
Nick Nolte, GRAVES
Jeffrey Tambor, TRANSPARENT

Best Television Limited Series or Motion Picture Made for Television
AMERICAN CRIME (ABC)
THE DRESSER (STARZ)
THE NIGHT MANAGER (AMC)
THE NIGHT OF (HBO)
THE PEOPLE v. O.J. SIMPSON: AMERICAN CRIME STORY (FX)

Best Performance by an Actress in a Limited Series or Motion Picture Made for Television
Felicity Huffman, AMERICAN CRIME
Riley Keough, THE GIRLFRIEND EXPERIENCE
Sarah Paulson, THE PEOPLE v. O.J. SIMPSON: AMERICAN CRIME STORY
Charlotte Rampling, LONDON SPY
Kerry Washington, CONFIRMATION

Best Performance by an Actor in a Limited Series or Motion Picture Made for Television
Riz Ahmed, THE NIGHT OF
Bryan Cranston, ALL THE WAY
Tom Hiddleston, THE NIGHT MANAGER
John Turturro, THE NIGHT OF
Courtney B Vance, THE PEOPLE v. O.J. SIMPSON: AMERICAN CRIME STORY

Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television
Olivia Colman, THE NIGHT MANAGER
Lena Headey, GAME OF THRONES
Chrissy Metz, THIS IS US
Mandy Moore, THIS IS US
Thandie Newton, WESTWORLD

Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television
Sterling K. Brown, THE PEOPLE v. O.J. SIMPSON: AMERICAN CRIME STORY
Hugh Laurie, THE NIGHT MANAGER
John Lithgow, THE CROWN
Christian Slater, MR. ROBOT
John Travolta, THE PEOPLE v. O.J. SIMPSON: AMERICAN CRIME STORY




‘The Walking Dead’ Season 7 Episode 8 Recap and Review: Hearts Still Beating

Walking Dead Season 7 Episode 8
Katelyn Nacon, Chandler Riggs, Alanna Masterson, Norman Reedus, Andrew Lincoln, Lauren Cohan, Christian Serratos, Danai Gurira, and Sonequa Martin-Green in ‘The Walking Dead’ (Photo Credit: Gene Page/AMC)

“I know what the Saviors are and I know what they do. They cannot be trusted,” says Richard (Karl Makinen) to Morgan (Lennie James) and Carol (Melissa McBride) as he tries to talk them into convincing Ezekiel they need to launch a surprise attack against the Saviors in the season seven winter finale of AMC’s horror/drama series, The Walking Dead.

Negan (Jeffrey Dean Morgan) decides to shave off his beard while sitting with Carl (Chandler Riggs) and little Judith in Rick’s kitchen. He’s obviously still enjoying relaxing in Alexandria while waiting for Rick to return with supplies.

Meanwhile, back at Negan’s headquarters, Daryl (Norman Reedus) uses the key that was slid under his door and slowly and carefully makes his way through the place. He finally ditches the sack he’s been forced to wear and puts on real clothes. Daryl finds a small room with a few supplies and eats a jar of peanut butter.

Appetite satisfied, he continues on until he makes his way outside and heads to the motorcycles. Along comes Fat Joey who sees Daryl and, afraid, tells him, “It’s cool, just go please.” But Daryl is not about to just slink away after all the abuse he has been put through, so he kills Fat Joey with a metal pipe and takes Joey’s pistol, which was originally Rick’s. Jesus (Tom Payne) comes running up and tells Daryl they need to leave now. Daryl tells Jesus he’s got the motorcycle’s key and it’s time to go.

Out on the road, Rick (Andrew Lincoln) and Aaron (Ross Marquand) are using a barely afloat boat with bullet holes in it to across the lake full of floating walkers to get to the houseboat, which they believe is deserted and hopefully will have supplies. Aaron almost gets bitten by walkers when he falls out of the boat, but he dives underwater to get away from the walkers. Once at the boathouse, they find some supplies plus a machine gun with no ammo. They also find a note from the owner that says, “Congratulations, you made it, but you still lose.” Rick and Aaron talk about the deal they made with Negan while loading up the supplies, and Aaron says he understands it’s all about the survival of those they care about.

On the outskirts of The Kingdom, Morgan is dropping off some fruit and vegetables for Carol when she stops him and tells him he doesn’t have to do that. She points to a large assortment of vegetables and fruit in her kitchen. She tells him she just wants to be left alone and he says he was trying when she made him come inside. He starts to leave and Richard is on Carol’s doorstep saying he needs to talk to them. Richard tries to convince both Morgan and Carol they need to convince the King to attack the Saviors. Carol doesn’t want any part of it, and Morgan doesn’t want to be the one to end the negotiated peace they have. Richard gets upset and tells them that when it goes bad, the blood of the people at The Kingdom will be on their hands. As he goes to leave, he turns and says to them that maybe they are used to that already.

Back in Alexandria, Spencer (Austin Nichols) tries to get along with the Saviors who are impressed with the load of supplies he brought, and one of them even shakes his hand while a female Savior flirts with him. Later, Spencer is heading over to try to make a good impression on Negan himself when Rosita (Christian Serratos) calls to him and they have a short talk about their one-night stand. “Why did you end it? Why did you even start it?” asks Spencer. “I was trying to forget. You’re tall and cute, I used you. I’m sorry,” says Rosita. Spencer, knowing the truth, still asks her about getting dinner later with no strings attached and Rosita says yes.

Rick and Aaron arrive at Alexandria with their truck full of supplies and are met at the gate by Saviors. The Saviors begin going through the supplies and find the note from the houseboat owner. Thinking it’s Aaron’s way of telling them to go f@#* themselves, they beat him badly while holding back Rick who has to watch helplessly as Aaron is repeatedly hit and kicked.

Spencer’s meet-up with Negan is going well, and Negan says that Spencer might just be his new best friend with the alcohol he’s brought him and telling him about a pool table that they’re now playing on outside Rick’s house. Spencer uses the opportunity to trash Rick and basically tells Negan it would be in his interest to remove Rick as Alexandria’s leader and put him in charge. Negan tells Spencer that Rick is “swallowing his hate and getting sh#@ done. That takes guts.”

He asks Spencer why he hasn’t tried to take Rick out and before Spencer can answer, Negan says he thinks it’s because he doesn’t have any guts. He stabs Spencer, ripping open his stomach and leaving him with his guts hanging out which horrifies members of Alexandria gathered in the street. Negan starts laughing saying he was so wrong, Spencer did have guts. He then says someone needs to step up and clean up this mess, referring to Spencer’s now lifeless body. He beings taunting the crowd asking who wants to finish the game of pool, and Rosita pulls out her hidden revolver and shoots at Negan…hitting Lucille. (Unluckiest shot ever!)

Negan is both shocked and furious at being shot at, and Rosita is immediately tackled by a female Savior who holds a knife to her throat. Negan realizes the bullet was homemade and asks who did it. Rosita says she did, but he doesn’t believe her. Negan tells his female Savior friend to kill somebody as punishment for Rosita’s actions. She turns and shoots poor Olivia in the head. Rick and Aaron finally arrive and hear the yelling and gunshots, and Negan quickly brings him up to speed about what happened. He tells Rick no matter how many supplies he brought back, it’s not enough with all this hostile behavior from his people.

Rick tells Negan that his sh%t is waiting for him at the gate and to leave. Negan tells Rick he needs to know who made the bullet first and Tara (Alanna Masterson) says she did it to stop him from hurting anyone else. This is when Eugene shows he’s not a coward and confesses he did it. Negan stands right next to him and Eugene starts to rattle off how he did it. “Okay, shut up. I believe you,” says Negan. He warns Rick he’ll be taking the bullet maker back to his headquarters and leaves.

Back on the road, Michonne (Danai Gurira) asks the Savior she took hostage how long she’s been with them, but the woman won’t talk. They drive up and stop far enough away so Michonne can get a real idea of just how big and spread out Negan’s place is. The Savior tells Michonne she should kill her and make the car disappear. She goes as far as to tell her there’s a silencer in the glove compartment. It’s almost as though Michonne would be doing her a favor.

Michonne does as the Savior suggested, shooting her and returning to Alexandria. She finds Rick and they have a heart-to-heart, telling him they need to stand together and fight. She realizes the numbers are against them, but they have to fight for Carl, Judith, and the rest of their people. They must fight because it’s what has gotten them this far. “It’s what we do,” says Michonne. Rick tells her he knows that now and agrees. (FINALLY! Geez, took long enough).

The final scene is with Rick, Carl, Michonne, Rosita, and Tara arriving at the Hilltop. They’re greeted by Maggie, Sasha, and Enid, and Rick gives Maggie a huge hug and tells her she was right and they are now ready to fight. After the hug, Rick sees Daryl and Jesus nearby and now it’s time for a Daryl and Rick reunion. They hold onto each other as if they’re never going to let go but finally do and the group walks up toward the main Hilltop house.

The Walking Dead Season 7 Episode 8 Review:

Overlong and with a story that drags out, episode eight titled “Hearts Still Beating” is redeemed by its uplifting ending that sets up the unification of Alexandria, The Hilltop, and The Kingdom to take on The Saviors in an all-out war. The episode did have a few surprises including Spencer’s well-deserved death at the hands of Negan and the less-deserved death of Olivia.

The winter finale also had some very touching moments. Especially effective was the final scene where some members of Rick’s original group are reunited and are incredibly happy to see each other. Maggie’s huge smile that lit up her face when she saw Rick, Carl, and her other companions speaks volumes to just how much a family they have become to each other. The scene where Rick sees that Daryl is free from Negan and the two men hug is also very moving.

With Rick finally on board to take Negan on at a time when some members of The Hilltop and The Kingdom are ready to fight back, here’s hoping it doesn’t take too long to organize and come up with a strategy to take Negan and his Saviors out.

GRADE: B-




Box Office Report: ‘Moana’ Finishes 1st Again, ‘Office Christmas Party’ Settles for 2nd

Moana Animated Movie Trailer
Maui (voiced by Dwayne Johnson) in ‘Moana’. (Photo Credit: Walt Disney Animation Studios)

Families are once again driving the weekend box office traffic, with Disney’s Moana securing the top spot for the third weekend in a row. The animated comedy featuring the voices of Dwayne Johnson, Auli’i Cravalho, and Jemaine Clement has pulled in $145 million domestically while sitting at a 96% fresh rating on RottenTomatoes. The R-rated Office Christmas Party performed slightly better than anticipated, grossing $17.5 million over its first weekend. Critics seem to be split on the ensemble comedy starring T.J. Miller, Jennifer Aniston, Jason Bateman, Kate McKinnon, and Courtney B. Vance, while ticket buyers awarded the film a ‘B’ according to CinemaScore.

The December 9-11, 2016 weekend will be Moana‘s final weekend in first place as it will be handing over the top spot to another Disney release, Rogue One: A Star Wars Story, which opens on December 16th.


Box Office Top 10: December 9-11, 2016

  1. Moana – $18,842,000
  2. Office Christmas Party – $17,500,000
  3. Fantastic Beasts and Where to Find them – $10,785,000
  4. Arrival – $5,600,000
  5. Doctor Strange – $4,631,000
  6. Allied – $4,000,000
  7. Nocturnal Animals – $3,193,685
  8. Manchester by the Sea – $3,155,330
  9. Trolls – $3,110,000
  10. Hacksaw Ridge – $2,300,000




‘Fate of the Furious’ Trailer: A Betrayal Fuels F&F #8

Fate of the Furious Charlize Theron and Vin Diesel
Charlize Theron and Vin Diesel in ‘The Fate of the Furious’ (Photo © 2016 Universal Pictures)

The official trailer’s arrived for The Fate of the Furious, the eighth film of the Fast and Furious franchise. The latest addition to the series finds Dom (Vin Diesel) turning on his family and gathering together a new team. Directed by F. Gary Gray, The Fate of the Furious also stars Dwayne Johnson, Jason Statham, Michelle Rodriguez, Tyrese Gibson, Chris “Ludacris” Bridges, Nathalie Emmanuel, Elsa Pataky, Charlize Theron, and Kurt Russell. Universal Pictures is releasing the eighth Fast and Furious film on April 14, 2017.


The Plot: Now that Dom and Letty are on their honeymoon and Brian and Mia have retired from the game—and the rest of the crew has been exonerated—the globetrotting team has found a semblance of a normal life. But when a mysterious woman (Theron) seduces Dom into the world of crime he can’t seem to escape and a betrayal of those closest to him, they will face trials that will test them as never before.

From the shores of Cuba and the streets of New York City to the icy plains off the arctic Barents Sea, our elite force will crisscross the globe to stop an anarchist from unleashing chaos on the world’s stage…and to bring home the man who made them a family.

Watch The Fate of the Furious trailer:





Critics’ Choice Awards 2016 Winners: ‘La La Land’ and ‘People v. O.J.’ Win Big

La La Land Emma Stone and Ryan Gosling
Sebastian (Ryan Gosling) and Mia (Emma Stone) in ‘LA LA LAND’ (Photo courtesy of Lionsgate)
T.J. Miller returned as host of the Critics’ Choice Awards, kicking off the awards show honoring the best in films and television for 2016 by not actually acknowledging the elephant in the room, his run-in with an Uber driver on Friday night. Instead, Miller briefly touched on the Russian hacking of America’s election, the anniversary of A Chorus Line, and a handful of other subjects before the first award of the night was given out.

The big winner at the Critics’ Choice Awards turned out to be La La Land, the romantic musical starring Emma Stone and Ryan Gosling. The film went into the awards show with the most nominations and earned eight awards including Best Director and Best Picture. On the television side, The People v. O.J. Simpson picked up four awards including acting honors for Best Actor (Courtney B. Vance), Best Supporting Actor (Sterling K. Brown), and Best Actress (Sarah Paulson).


Critics’ Choice Awards Winners:

FILMS:

BEST PICTURE – “La La Land”

BEST ACTOR – Casey Affleck, “Manchester by the Sea”

BEST ACTRESS – Natalie Portman, “Jackie”

BEST SUPPORTING ACTOR – Mahershala Ali, “Moonlight”

BEST SUPPORTING ACTRESS – Viola Davis, “Fences”

BEST YOUNG ACTOR/ACTRESS – Lucas Hedges, “Manchester by the Sea”

BEST ACTING ENSEMBLE – “Moonlight”

BEST DIRECTOR – Damien Chazelle, “La La Land”

BEST ORIGINAL SCREENPLAY – TIE: Damien Chazelle, “La La Land” and Kenneth Lonergan, “Manchester by the Sea”

BEST ADAPTED SCREENPLAY – Eric Heisserer, “Arrival”

BEST CINEMATOGRAPHY – Linus Sandgren, “La La Land”

BEST PRODUCTION DESIGN – David Wasco, Sandy Reynolds-Wasco, “La La Land”

BEST EDITING – Tom Cross, “La La Land”

BEST COSTUME DESIGN – Madeline Fontaine, “Jackie”

BEST HAIR & MAKEUP – “Jackie”

BEST VISUAL EFFECTS – “The Jungle Book”

BEST ANIMATED FEATURE – “Zootopia”

BEST ACTION MOVIE – “Hacksaw Ridge”

BEST ACTOR IN AN ACTION MOVIE – Andrew Garfield, “Hacksaw Ridge”

BEST ACTRESS IN AN ACTION MOVIE – Margot Robbie, “Suicide Squad”

BEST COMEDY – “Deadpool”

BEST ACTOR IN A COMEDY – Ryan Reynolds, “Deadpool”

BEST ACTRESS IN A COMEDY – Meryl Streep, “Florence Foster Jenkins”

BEST SCI-FI/HORROR MOVIE – “Arrival”

BEST FOREIGN LANGUAGE FILM – “Elle”

BEST SONG – “City of Stars” from “La La Land”

BEST SCORE – Justin Hurwitz, “La La Land”

TELEVISION:

BEST COMEDY SERIES – Silicon Valley, HBO

BEST ACTRESS IN A COMEDY SERIES – Kate McKinnon, Saturday Night Live, NBC

BEST ACTOR IN A COMEDY SERIES – Donald Glover, Atlanta, FX

BEST SUPPORTING ACTRESS IN A COMEDY SERIES – Jane Krakowski, Unbreakable Kimmy Schmidt, Netflix

BEST SUPPORTING ACTOR IN A COMEDY SERIES – Louie Anderson, Baskets, FX

BEST GUEST PERFORMER IN A COMEDY SERIES – Alec Baldwin, Saturday Night Live, NBC

BEST DRAMA SERIES – Game of Thrones, HBO

BEST ACTRESS IN A DRAMA SERIES – Evan Rachel Wood, Westworld, HBO

BEST ACTOR IN A DRAMA SERIES – Bob Odenkirk, Better Call Saul, AMC

BEST SUPPORTING ACTRESS IN A DRAMA SERIES – Thandie Newton, Westworld, HBO

BEST SUPPORTING ACTOR IN A DRAMA SERIES – John Lithgow, The Crown, Netflix

BEST GUEST PERFORMER IN A DRAMA SERIES – Jeffrey Dean Morgan, The Walking Dead, AMC

BEST MOVIE MADE FOR TELEVISION OR LIMITED SERIES – The People v. O.J. Simpson, FX

BEST ACTRESS IN A MOVIE MADE FOR TELEVISION OR LIMITED SERIES – Sarah Paulson, The People v. O.J. Simpson, FX

BEST ACTOR IN A MOVIE MADE FOR TELEVISION OR LIMITED SERIES – Courtney B. Vance,The People v. O.J. Simpson, FX

BEST SUPPORTING ACTRESS IN A MOVIE MADE FOR TELEVISION OR LIMITED SERIES – Regina King, American Crime, ABC

BEST SUPPORTING ACTOR IN A MOVIE MADE FOR TELEVISION OR LIMITED SERIES – Sterling K. Brown, The People v. O.J. Simpson, FX

BEST REALITY COMPETITION SERIES – The Voice, NBC

BEST STRUCTURED REALITY SERIES – Shark Tank, ABC

BEST UNSTRUCTURED REALITY SERIES – Anthony Bourdain: Parts Unknown, CNN

BEST REALITY SHOW HOST – Anthony Bourdain, Anthony Bourdain: Parts Unknown, CNN

BEST TALK SHOW – The Late Late Show with James Corden, CBS

BEST ANIMATED SERIES – BoJack Horseman, Netflix

Television Nominees / Film Nominees




‘The Exorcist’ Season 1 Episode 9 Recap: 162

The Exorcist Season 1 Episode 9 Geena Davis
Geena Davis in ‘The Exorcise’ season one episode nine (Photo by Jean Whiteside © 2016 Fox Broadcasting)

Fox’s The Exorcist moves closer to what’s sure to be a terrifying season one finale with the season’s penultimate episode which finds Angela Rance integrated with the demon and her family living in terror. Airing on December 9, 2016 and titled ‘162,’ the ninth episode kicks off with Chris MacNeil’s dead body being wheeled out by the coroner’s office while Angela (Geena Davis) explains to the police how she found her mom’s body at the base of the stairs. They’re skeptical about Chris’ death being just an accidental fall given the recent return of Casey who claims not to remember where she’s been.

Kat (Brianne Howey) defends her sister and Angela talks about all of the tragedies that have recently befallen her family. As she touches Superintendent Jaffey’s hand while grabbing a tissue, Angela has a flashback to Casey’s exorcism and watching the demon twist Casey’s head. She whispered, “Take me instead,” and the scene froze as the demon spoke directly to her.

Back to the present and Jaffey calls off the interview with the Rances and promises to get the news people off their lawn. Angela’s in a much better mood than she should be given that her mother just died as she announces to Kat and Henry (Alan Ruck) it’s time to go pick up Casey.

The Rance family returns home with Casey (Hannah Kasulka) and she looks as if she’s been horribly beaten. Outside their house is a makeshift memorial to Chris MacNeil as well as three growling dogs who stand completely still as they make eye contact with Angela. She smiles back before heading into the house.

Marcus (Ben Daniels) meets with Lester (Ken Marks) and Cherry Rego (Keira Naughton) about the missing Father Bennett. Lester says they need to investigate Maria Walters (Kirsten Fitzgerald), the wealthy woman funding the group arranging the Pope’s visit to Chicago. Marcus looks at a photo and recognizes Brother Simon (Francis Guinan) who’s working with Maria on fundraising. Marcus says Simon was once a counselor at a center for deviant priests, and he remembers Simon watching him. Marcus thinks Father Bennett was taken and tortured for information, which means Father Tomas and Mother Bernadette are likely in danger. He suggests the Regos get out of town immediately.

Back at the Rance house, Father Tomas (Alfonso Herrera) joins them for dinner and Kat leads grace prior to the meal. Angela eats during Kat’s prayer, but no one seems to notice. The family discusses their plans, and now Angela’s not sure they should leave Chicago. Father Tomas announces that his commitment has been renewed and he’s going to rededicate himself to his parish. Angela makes a toast to her family but leaves out a mention of Chris. Kat adds it, and they drink to her memory.

Father Tomas and Henry have a chat after dinner and Henry says he feels better at times but then heads back to “potato land,” as his daughter calls it. As they chat, Angela heads out saying she’s going to the hotel to work. Father Tomas reminds Henry about their conversation in which Henry told the young priest how to get in touch with Father Marcus. Henry has no idea what Father Tomas is talking about, and Father Tomas tells Henry that God spoke through him. Henry hands Father Tomas a yellow pad with the number “162” written repeatedly on a page. Henry says that after the accident, he hears low-frequency sounds like yammering in the background. Sometimes, he hears all the noise saying “162.” Father Tomas asks if the people are talking to him now, and Henry says yes but he has no idea what it means.

Lester and Cherry are taking pictures of the priests and Lester sees Brother Simon’s demon eye through the camera lens. He immediately tells his wife they have to get out of there.

Maria, Brother Simon, and Superintendent Jaffey meet to go over the parade route planned for the Pope’s visit. Brother Simon jokes, “And the pig pops out of the pig mobile!” Maria’s group has people on the inside and they’re ready to take action at the parade. Angela Rance shows up unexpectedly at the meeting, wondering where the Popes are who take advantage of their power.

Jaffey welcomes Angela – or, actually, Pazuzu – to the meeting. Brother Simon didn’t think he’d ever see Pazuzu after the demon’s run-in with Father Merrin, but now Pazuzu wants in on their plans to take on Pope Sebastian. Brother Simon protests, stating he’s planned this for six years and the honor is his alone. Pazuzu doesn’t take kindly to this and uses its powers to make everyone, including Brother Simon, kneel. Pazuzu allows Maria to remain standing, telling her she’s never been chosen because of her smell. Maria smells of desperation mixed with mediocrity, according to the demon inside Angela. Pazuzu wants to use the Pope’s visit to send a message to all of their enemies, including the nuns at the Convent of Our Lady of Mercy.

Father Tomas and Bishop Egan (Brad Armacost) discuss the Pope’s visit while walking around St. Brigid. It’s been prepared for the Pope’s visit and the interior is sparkling, with flowers adorning the end of each pew. Bishop Egan offers Father Tomas the church as its current priest is involuntarily retiring. It’s one of the city’s finest parishes, and St. Anthony’s – Father Tomas’ parish – is going to close because it’s losing money. It will be shuttered no matter what, but Father Tomas confesses he has sinned and doesn’t deserve a promotion. Shockingly, Bishop Egan knows about Tomas’ affair and can handle the problem if Father Tomas takes care of the woman.

Exorcist Season 1 Episode 9 Ben Daniels and Alfonso Herrera
Alfonso Herrera and Ben Daniels in ‘The Exorcist’ (Photo © 2016 Fox Broadcasting)

Marcus is waiting in Father Tomas’ office, riffling through the paperwork on the Pope’s visit when Father Tomas returns from his meeting with Bishop Egan. Marcus is sorry to hear St. Anthony’s is closing and tells Father Tomas to be careful and watch his back. Father Tomas jokes that he might be able to get Marcus a good spot on the parade route, and then Marcus receives a text with a photo of Bishop Simon’s demon eye clearly visible. Marcus passes on Father Tomas’ parade route offer and leaves.

At the Rance house, Casey’s concentrating on her laptop while Kat’s looking through her clothes for something for Casey to wear. She threatens Casey with the “tickle monster,” and finally they have a heart-to-heart. Casey doesn’t want to talk, and Kat sees that she’s been looking at articles online about the paramedics who she murdered while possessed. Kat reminds her it was the demon, but Casey feels responsible. She had to watch, and the demon thought it was fun making her suffer. Kat hugs her younger sister, telling her they’ll figure it out.

Marcus arrives back at the Regos’ place and they’re both dead. He prays for them and then takes their gun and bullets.

Meanwhile at the convent, Angela arrives with a present for Mother Bernadette (Deanna Dunagan). Mother Bernadette knows Angela’s possessed, telling the demon they should have killed it when they had the chance. She calls Pazuzu a “child throwing a tantrum,” and Pazuzu kills her without lifting a hand, snapping Mother Bernadette’s neck back as three nuns walk into the room. (Pazuzu is incredibly powerful!)

Casey sits on the bed in her room which is still equipped like it was when she was possessed. The chains are still there, and the mattress is on the floor. Angela enters the bedroom and Casey asks what her mom remembers from when she was possessed. Casey says to her it felt like nothing belonged to her anymore, and Angela says that’s because he was inside her and it was so intimate. Angela continues, telling Casey she asked for it and she knows she fell in love with him and enjoyed it. She knows Casey is experiencing the loneliest feeling in the world, but they’re going through it together. Kat interrupts, and Angela keeps acting weird.

Marcus arrives at the convent and is shocked at the horrific, bloody deaths.

The wealthy are mingling with Father Tomas, Bishop Egan, and the rest of the priests at a gathering in support of the Pope’s upcoming visit. Jaffey compliments Father Tomas, and then Maria gives a toast, saying there’s no brighter light than Pope Sebastian. “May his visit bring joy and inspiration to a city that so badly needs it,” says Maria, lifting her glass to the crowd.

Meanwhile, over at the Rance house Henry asks Angela about a funeral for her mom, but Angela wants to know when the last time was they had sex. She’s definitely in the mood and aggressively asks Henry to take his pants off. She gets rough with him but then backs off, leaving Henry completely confused.

Marcus spies on the papal entourage and Bishop Simon.

Casey wakes, hearing a noise from elsewhere in the house. She finds her mom on Kat’s bed rubbing her hands down Kat’s body in the dark. Casey coughs and then enters the room, asking what’s up. Angela says she’s savoring what she has. Casey crawls into bed with her sister, claiming the couch is too lumpy to sleep.

Father Tomas is on the phone, demanding his staff come with him and that a shuttle be used to bring his parishioners to the larger church in the better neighborhood.

Bishop Simon relaxes in his hotel room, drinking, feasting, and basically indulging himself. He answers a knock at his door and upon opening it, he’s immediately attacked by Marcus. Marcus tells him to stay down and then drags him into the bathroom. He fills the bathtub, prays over it, and asks if Bishop Simon killed Father Bennett, the Regos, and the nuns. Simon claims he didn’t kill anyone, blaming their deaths on Marcus.

Father Tomas tells Jessica about his promotion and that he knows he doesn’t deserve it. Father Tomas wants to be the man God wants him to be, and Jessica realizes it’s over. She thinks they would have been so good together, but Father Tomas says he can’t give her what she deserves and wishes her a long and happy life. She doesn’t want to hear from him again because that would just make things more difficult.

Marcus pushes Bishop Simon’s head underwater and then brings him back up, asking if he killed all those people. Steam comes off Simon’s face as he confirms he killed the Regos but did not kill the nuns or Mother Bernadette. He says that was Angela Rance, and with that Marcus pushes him underwater again. Marcus knows for sure now that they’re going to kill the Pope, pushing Bishop Simon under the water for a longer amount of time. He pulls him up again, asking if the assassination will take place during the parade. Bishop Simon describes what’s going to happen and that he, a disgraced priest, will murder the Pope while the world watches. He also tells Marcus that if he kills him, another priest will take his place. Before Marcus can plunge him into the water again, two priests arrive and beat him up.

Kat sneaks into her parents’ bedroom and wakes her dad, getting him out of bed without disturbing their mom. Casey’s waiting by the front door and she tells her father Angela isn’t herself. Casey explains to Henry that the demon left her, went into Angela, and they have to leave now. Henry agrees and just then the front door slams shut as Angela comes down the stairs. “Time for a family meeting,” she says menacingly.

The Rance family is seated in the living room, and Kat asks to speak with her mom – mentioning that her mother doesn’t have three pupils. Angela, without even flinching, causes Kat to have a bloody nose while Henry draws his wife’s attention, telling Angela to fight through it. Angela reveals she’s not possessed; the demon is integrated into her because she invited him in. It’s permanent now and Casey wants to know what the demon wants. Angela/Pazuzu says what they’ve always wanted – that which is rightfully theirs. She describes the creation of demons, the evolution of humans, and how God created this earth with sensual delights that the demons can never feel. But, now they’re going to take it back.

Father Tomas and his assistant, Tara (Melissa Russell), are going through books and paperwork in preparation for the closing of his parish when Tara gets sidetracked reading from Chris MacNeil’s book, The Devil In My Daughter. He wants to know where she got the book and Tara explains she got it from Chris and thinks it was her own personal copy. But, actually, Father Tomas is asking about where she got the red feather she’s holding. Tara says it was in the book. He asks for the book and turns to page 162. Father Tomas reads, “I knew then that the demon would never rest, never stop until it has taken Regan for its own. It would keep coming for her until the end of time.” Father Tomas has finally put two and two together.

Marcus is tied up, and Brother Simon explains they offered the Pope a peek behind the curtain years ago, but he turned his back on their offer. Brother Simon is going to offer Marcus a chance to become one of them now.

Angela suggests her family should go down to the parade in the morning and wave at the Pope. Her family’s freaked out by that offer, and then more so when she says that as punishment for disobedience she’s going to have to hurt one of them…a little. Casey asks if Angela killed grandma and Angela chokes Casey (again, while doing nothing more than looking at her). Angela forces Henry to remain in place as Kat swears they’ll behave. Casey’s near death when Father Tomas shows up and tells Angela to get the hell away from the family.




San Diego Film Critics 2016 Awards Nominees: ‘La La Land,’ ‘Hell or High Water’ Earn Multiple Nominations

Hell or High Water stars Ben Foster and Chris Pine
Ben Foster and Chris Pine in ‘Hell or High Water’ (Photo Credit: CBS Films)

The San Diego Film Critics Society* announced their 2016 awards nominees, with La La Land, Manchester by the Sea, Hell or High Water, Moonlight, and Nocturnal Animals picking up multiple nominations. This year’s list of nominated films in the Best Picture category matches up with the Best Director nominees, which should but doesn’t always happen. The list of nominees wasn’t without a few shockers, with Sonia Braga snagging a Best Actor, Female nomination and April and the Extraordinary World being recognized with a Best Animated Feature nomination. Hell or High Water‘s Jeff Bridges and Ben Foster will be competing against Nocturnal Animals co-stars Michael Shannon and Aaron Taylor-Johnson in the Best Supporting Actor category. And after the initial round of nominations followed by a round of voting to break ties, the SDFCS’s Best Actor field consists of seven worthy nominees, rather than five.

2016 marks the introduction of a Best Comedic Performance category following a vote by members of the San Diego Film Critics Society to recognize performances in comedies or action films that are normally overlooked at awards time. Alden Ehrenreich (Hail, Caesar!), Ryan Reynolds (Deadpool), Ryan Gosling (The Nice Guys), Kate McKinnon (Ghostbusters), and Julian Dennison (Hunt for the Wilderpeople) picked up nominations in that new category.


Winners will be announced on Monday, December 12, 2016.

2016 San Diego Film Critics Society Nominees:

Best Picture
HELL OR HIGH WATER
LA LA LAND
MANCHESTER BY THE SEA
MOONLIGHT
NOCTURNAL ANIMALS

Best Director
Barry Jenkins, MOONLIGHT
Damien Chazelle, LA LA LAND
David Mackenzie, HELL OR HIGH WATER
Kenneth Lonergan, MANCHESTER BY THE SEA
Tom Ford, NOCTURNAL ANIMALS

Best Actor, Male
Adam Driver, PATERSON
Casey Affleck, MANCHESTER BY THE SEA
Chris Pine, HELL OR HIGH WATER
Jake Gyllenhaal, NOCTURNAL ANIMALS
Joel Edgerton, LOVING
Ryan Gosling, LA LA LAND
Viggo Mortensen, CAPTAIN FANTASTIC

Best Actor, Female
Annette Bening, 20th CENTURY WOMEN
Emma Stone, LA LA LAND
Natalie Portman, JACKIE
Ruth Negga, LOVING
Sonia Braga, AQUARIUS

Best Supporting Actor, Male
Aaron Taylor-Johnson, NOCTURNAL ANIMALS
Ben Foster, HELL OR HIGH WATER
Jeff Bridges, HELL OR HIGH WATER
Mahershala Ali, MOONLIGHT
Michael Shannon, NOCTURNAL ANIMALS

Best Supporting Actor, Female
Greta Gerwig, 20TH CENTURY WOMEN
Judy Davis, THE DRESSMAKER
Lily Gladstone, CERTAIN WOMEN
Michelle Williams, MANCHESTER BY THE SEA
Nicole Kidman, LION

Best Comedic Performance
Alden Ehrenreich, HAIL, CAESAR
Julian Dennison – HUNT FOR THE WILDERPEOPLE
Kate McKinnon, GHOSTBUSTERS
Ryan Gosling, THE NICE GUYS
Ryan Reynolds, DEADPOOL

Best Original Screenplay
Barry Jenkins, Tarell McCraney, MOONLIGHT
Damien Chazelle, LA LA LAND
Efthimis Filippou, Yorgos Lanthimos, THE LOBSTER
Kenneth Lonergan, MANCHESTER BY THE SEA
Taylor Sheridan, HELL OR HIGH WATER

Best Adapted Screenplay
Eric Heisserer, ARRIVAL
Luke Davies, LION
Taika Waititi, HUNT FOR THE WILDERPEOPLE
Tom Ford, NOCTURNAL ANIMALS
Whit Stillman, LOVE & FRIENDSHIP

Best Documentary
DE PALMA
GLEASON
O.J.: MADE IN AMERICA
TOWER
WEINER

Best Animated Film
APRIL AND THE EXTRAORDINARY WORLD
KUBO AND THE TWO STRINGS
LONG WAY NORTH
MOANA
ZOOTOPIA

Best Foreign Language Film
A MAN CALLED OVE
AQUARIUS
MOTHER (EMA)
MOUNTAINS MAY DEPART
NERUDA
THE HANDMAIDEN

Best Editing
Blu Murray, SULLY
Jake Roberts, HELL OR HIGH WATER
Joan Sobel, NOCTURNAL ANIMALS
Joe Walker, ARRIVAL
Tom Cross, LA LA LAND

Best Cinematography
Bradford Young, ARRIVAL
Giles Nuttgens, HELL OR HIGH WATER
James Laxton, MOONLIGHT
Linus Sandgren, LA LA LAND
Seamus McGarvey, NOCTURNAL ANIMALS

Best Production Design
Anna Rackard, LOVE & FRIENDSHIP
David Wasco, LA LA LAND
Jean Rabasse, JACKIE
Jess Goncher, HAIL, CAESAR
Patrice Vermette, ARRIVAL
Shane Valentino, NOCTURNAL ANIMALS

Best Visual Effects
A MONSTER CALLS
ARRIVAL
DOCTOR STRANGE
LA LA LAND
THE JUNGLE BOOK

Best Costume Design
Eimer Ni Mhaoldomhnaigh, LOVE & FRIENDSHIP
Madeline Fontaine, JACKIE
Marion Boyce, Margot Wilson, THE DRESSMAKER
Mary Zophres, LA LA LAND
Suzy Benzinger, CAFÉ SOCIETY

Best Use of Music in a Film
EVERYBODY WANTS SOME
HELL OR HIGH WATER
JACKIE
LA LA LAND
SING STREET

Breakthrough Artist
Alden Ehrenreich, HAIL CAESAR, RULES DON’T APPLY
Anya Taylor-Joy, THE WITCH
Julian Dennison, HUNT FOR THE WILDERPEOPLE
Lily Gladstone, CERTAIN WOMEN
Lucas Hedges, MANCHESTER BY THE SEA

Best Ensemble
20TH CENTURY WOMEN
HELL OR HIGH WATER
HIDDEN FIGURES
MOONLIGHT
NOCTURNAL ANIMALS

Complete List of the San Diego Film Critics Society 2016 Winners

* – I’m the President of the San Diego Film Critics Society.




First Look: ‘War for the Planet of the Apes’ Trailer and Poster

War for the Planet of the Apes Poster

The battle between humans and apes escalates in the third film of the current Planet of the Apes series, War for the Planet of the Apes. Directed by Matt Reeves (Dawn of the Planet of the Apes) from a script he co-wrote with Mark Bomback, this latest Apes film stars Andy Serkis, Woody Harrelson, Steve Zahn, Amiah Miller, Karin Konoval, and Terry Notary. 20th Century Fox will be releasing the film in theaters on July 14, 2017.


The Plot: In War for the Planet of the Apes, the third chapter of the critically acclaimed blockbuster franchise, Caesar (Serkis) and his apes are forced into a deadly conflict with an army of humans led by a ruthless Colonel. After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind. As the journey finally brings them face to face, Caesar and the Colonel are pitted against each other in an epic battle that will determine the fate of both their species and the future of the planet.

Watch the War for the Planet of the Apes trailer:





‘Spider-Man: Homecoming’ 1st Trailer Starring Tom Holland and Robert Downey Jr.

Tom Holland as Spider-Man in Captain America: Civil War
Tom Holland as Spider-Man in Marvel’s ‘Captain America: Civil War’

Tony Stark (Robert Downey Jr) dispenses advice that probably isn’t going to be taken by the teenage Spider-Man (Tom Holland) in the first official trailer for Spider-Man: Homecoming. Holland proved to be a scene-stealer in Captain America: Civil War, and this first full trailer shows this Spidey film is going to take a lighter, more playful tone while still dishing up epic action scenes. Spider-Man: Homecoming was directed by Jon Watts from a script by Jonathan Goldstein, John Francis Daley, Watts, Christopher Ford, Chris McKenna and Erik Sommers. In addition to Holland and Downey Jr, the cast includes Marisa Tomei, Michael Keaton, Jon Favreau, Zendaya, Donald Glover, Tyne Daly, Jacob Batalon, and Logan Marshall-Green. Sony’s releasing the reboot of the Spider-Man franchise in theaters on July 7, 2017.

The Plot: A young Peter Parker/Spider-Man (Holland) begins to navigate his newfound identity as the web-slinging super hero in Spider-Man: Homecoming. Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May (Tomei), under the watchful eye of his new mentor Tony Stark (Downey, Jr.). Peter tries to fall back into his normal daily routine – distracted by thoughts of proving himself to be more than just your friendly neighborhood Spider-Man – but when the Vulture (Keaton) emerges as a new villain, everything that Peter holds most important will be threatened.

Watch the Spider-Man: Homecoming trailer:





‘Supernatural’ Season 12 Episode 8 Recap: LOTUS

Supernatural season 12 episode 8 Jared Padalecki, Misha Collins, Jensen Ackles
Jared Padalecki as Sam, Misha Collins as Castiel and Jensen Ackles as Dean in ‘Supernatural’ (Photo by Diyah Pera © 2016 The CW Network)

It’s the midseason finale for Supernatural, meaning they want to leave us with big events to eagerly wait for over the next month and a half. Season 12 episode eight continues the plot of all the destruction Lucifer can do when he doesn’t even have a plan. It beings in a church, where a priest is listening to a story on the radio about a recently deceased man. He quickly shuts it off when his elder enters the office, telling him to stay focused on God’s work. The younger man agrees, then gives his condolences as he knew the archbishop was friends with the man who had died. After a response lacking much emotion, the archbishop walks out of the room and down the hall. As he makes the trek, each crucifix on the wall that he passes turns itself upside down and the man’s eyes glow red. Interesting choice, Lucifer.

Next we go to Sam (Jared Padalecki) and Dean (Jensen Ackles) as they meet Castiel (Misha Collins) and Crowley (Mark A. Sheppard) at a morgue where they all look at the body of another vessel Lucifer burnt out quickly. This leads them to some internet research about the man where they find a picture of the deceased with the archbishop. Only there’s a difference between the previous photos of the holy man and the most recent pictures…he’s missing the large cross he always wore around his neck. Quickly putting it together, they have a suspicion of who Lucifer is now residing inside.

When they get to the church, it’s dark and empty. The office is the first room they make it to, where their flashlights reveal that there’s been a struggle and they find the priest, battered and nearly dead. He has enough strength at least to tell them that he’d seen the crosses turn as the archbishop had walked by and that they had tried to perform an exorcism. Dean and Sam continue searching the building and discover several others killed in gruesome and violent ways. The search ends when instead of finding Lucifer, they find that this vessel has also now lost its use and the devil is long gone.

We are then taken to a man praying in his bedroom while a man appearing to be a bodyguard is in the living room. As the prayer goes on, the man says yes and he’s taken over. Lucifer seems quite pleased with this new vessel and begins to speak to the spirit of the man, Jeff. The fallen angel had made some promises to the man in return for his agreement, which included helping people and doing good deeds. Obviously, he didn’t really know who he was agreeing to be a vessel for.

Hearing Jeff’s voice from the other room, the bodyguard walks into the bedroom in time to overhear Lucifer (David Chisum) saying he needs personal details so people will truly believe that he’s the President of the United States. What?! He may not have a plan but he is sure thinking big! Of course, the man we now realize is a secret service agent doesn’t live long after that.

The next morning, we see the body being wheeled out and the “president” telling a story to the group in his living area about finding the agent collapsed on the floor. The head of the secret service states that the man died of a brain hemorrhage. His inner circle asks him to pray and it’s clear this is a normal request, so he’s forced to hold a Bible that burns his hand and fakes his way through a prayer to his Father. It’s good enough to suffice for the group, and one woman who works for him comments that he always knows the right thing to say.

Later, we see Lucifer rather bored in a meeting with his staff. But afterward, the woman from before, Kelly, asks another advisor to give them a minute. The next thing we know, Lucifer and the woman are in his bed having a post-coital conversation. Kelly wants to make their relationship public, even though the public might not be happy about it due to their positions. She mentions that he had been lonely since his wife died and makes it clear that she has a lot of faith and trust in him and wants to have a full life with him, kids and all. Lucifer appears rather pleased by this statement.

Meanwhile, Crowley pays a visit to the head of the secret service whose soul Crowley apparently owns. The woman shares the story of what happened with the president that morning, stating the death was anything but natural. He then returns to the rest of the group with the news that he believes Lucifer is now in the president. News which they are understandably not thrilled about.

Back at the place where the president is staying, he calls for his main secret service agent, Rick, and tells him that two disturbed individuals have plans to assassinate him. When asked why, Lucifer states, “Because I’m Satan.” He quickly fixes it by saying that the men think he is and the president wants the threat eliminated. Rick wants to bring in more help but he insists on keeping it within the secret service only.

Back to our guys hunting this bad man, we see Sam calling someone but quickly hanging up when Castiel walks into the room. Instead, he returns to his computer and they get back to work trying to figure out how they are possibly going to get to the President of the United States and deal with Lucifer. At this point, they know they need to bring Rowena in to help.

Flashing to the woman, we can tell right away that she’s in the process of being dumped – for an heiress, even. Crowley shows up in time to hear his mother and the man arguing. The now ex-boyfriend sees him and assumes that he’s the driver being waited for. After asking what’s going on and getting the story, Crowley snaps his fingers and makes the man, well…explode. Rowena (Ruth Connell) is covered in blood and guts but is immensely touched by the sentiment.

At the bunker, Castiel begins to shake, and cries out as a major headache hits him. The Winchester brothers rush in to see what happened, finding out that angel radio is going crazy. A presence has been felt, one of the offspring of an angel inside a human. They immediately figure out it has to be Lucifer and try to track down who the woman could be.

In the Impala, the brothers and Castiel drive toward the house where the president is staying, but are pulled over by secret service agents. They attempt to use their FBI badges, but these guys have been told about them. They know their names and that the badges are fake. A fight begins, one that our boys definitely don’t win. Castiel gets out of the car to help, but Sam and Dean tell him not to do anything.

Everyone pauses as another car pulls up calmly. A man steps out, raises a grenade launcher, and destroys their car. He then tells Castiel to erase the memories of the agents and lectures the Winchesters about what they’ve gotten themselves into this time. Only then does he get around to introducing himself as Arthur Ketch from the British Men of Letters.

Away from the scene of the fight, Mr. Ketch explains that he showed up because Sam had called Mick, who we met previously and had wanted to work with the hunters. Apparently, when Sam hung up they figured the boys must be in trouble, and they were right. He understands why they wouldn’t necessarily trust his group but he’s there to help, although he does make it clear he’s just doing his job too. In order to show them the types of things Dean and Sam could learn from the group, he shows some of his “toys” such as a new way to kill vampires and an orb to make exorcisms easier and faster.

This gives the Winchesters an idea to use the exorcism orb to try and get Lucifer out of Jeff’s body. As they come up with their plan, Crowley has also been able to find out who the girlfriend is too. So he pops in to see her, teleporting her out away from the house and to a hotel room where the guys are staying. The next part is a challenge; explaining to Kelly that Jeff is possessed by the devil, that she’s pregnant with Lucifer’s child, and that she should help them. It’s not easy, but when Castiel grabs a Bible and tells her to put her hand on it, the book begins to burn and then burst into flames. Now she’s convinced. Some bad news though, Lucifer knows she’s pregnant and was thrilled that he’d finally created something himself.

Returning to Lucifer, we see him take a call from Kelly. At first, his expression is positive, yet whatever she says makes that quickly go away. A short time later, he and the secret service agents arrive at the motel where Lucifer stays in the car while they go search the room to make sure it’s safe. The group is hiding in the adjoining motel room and are nearly found until Castiel makes the doors appear to open into a closet and uses his Jedi powers to convince the man that no one is there except Kelly. Satisfied that the room is safe, the agent goes back to the car and deems it safe for the president to go in.

Lucifer finds Kelly in the room and asks what she’s doing, to which she responds that it’s as she said on the phone. She can’t have the baby. This infuriates Lucifer and he immediately becomes violent, strangling her. At that moment, Sam exits the bathroom and uses the orb along with the necessary words to work it. There is a reaction in both the orb and Lucifer, but right then it’s impossible to tell whether it will actually work on him or not.

In the other room, Rowena performs a spell to help the process. Between her magic and the orb, Lucifer leaves the body and Jeff falls to the floor. Hurrying to check on the man, the president is found to still be alive, but he’s unconscious and not looking so good. Sam and Dean tell Castiel to get Kelly out of there, through the other motel room, and the boys are left there alone. Dean is surprised, yet pleased, and thinks they officially got Lucifer. Sam doesn’t look totally sure as he saw part of the spirit escape through a heater vent, but he agrees anyway.

Outside, the secret service agents seem to come out of a trance and burst into the room as Sam and Dean are trying to wake the president. It doesn’t look good, however, and the Winchesters are arrested. Again.

Having left with the woman, Castiel has no idea the arrest has occurred and takes Kelly to a diner, presumably to wait for our boys to meet up with them. Kelly excuses herself to go to the bathroom but something clicks in her mind as she makes her way there, causing her to sneak out instead and leave in a cab. Once she’s officially on her way to who-knows-where, she calls Castiel, stating she can’t get rid of the child; it’s hers.

So, now we wait until the end of January to see where all this goes. Dean and Sam are in cuffs and on their way to what will surely not be a vacation and Lucifer’s child is on the way. Well, we have a while to speculate. See you then. And happy holidays!




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