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‘Westworld’ Season 1 Episode 5 Recap: Contrapasso

Westworld season 1 episode 5 stars Evan Rachel Wood and Jimmi Simpson
Evan Rachel Wood and Jimmi Simpson in ‘Westworld’ season 1 episode 5 (Photo: John P. Johnson/HBO)

Dolores is determined to change her life, William fights to remain a good guy, and Lawrence hosts a massive orgy in HBO’s Westworld season one episode five. Airing on October 30, 2016, ‘Contrapasso’ begins with Dr. Robert Ford (Anthony Hopkins) recalling the saddest thing he’s ever witnessed. He tells the story of an old Greyhound his family took in when he was a boy. They took it to the park and the dog spotted a cat, and once off-leash the Greyhound ran so fast it was beautiful to behold. He caught the cat and killed it, tearing it to pieces. But then he simply sat there, confused, because he’d never caught that fluffy thing during his racing career and didn’t know what to do.

Next up we find Dolores (Evan Rachel Wood) standing in a graveyard looking at all the wooden crosses placed on graves. She hears someone say “find me” and then as the camera pans out we see the graveyard is massive and she’s standing with Logan, William, and Slim looking out over a town. They make their way into the town and discover it’s full of Union soldiers, dancing girls, and other interesting/bizarre characters. Logan (Ben Barnes) explains everything in this area is rawer, and he tells William (Jimmi Simpson) about the death of Dr. Ford’s partner, Arnold. The area they’re in now was designed by the dead partner. Just then ex-Confederate soldiers arrive and Logan says they’re the key to the biggest game in the park: war.

Lawrence (Clifton Collins Jr) is still walking behind the Man in Black’s horse as a badly injured Teddy (James Marsden) is draped over the back of another horse. Lawrence doesn’t know why the Man in Black is caring for Teddy who looks like he’s on death’s door. Lawrence thinks Teddy’s about to die and then a small boy wanders up and the Man in Black (Ed Harris) asks him to go fetch them some water. After he leaves, the Man in Black says the boy is “too small.” He slices Lawrence’s throat and hangs him from a tree by his feet. Blood pours from his body and is collected in a bag.

The techs are busy repairing hosts and Maeve’s on the table being worked on. The same techs who accidentally left her awake the last time she was repaired discover her new knife wound seems to have been made while she was looking for something inside her body. One of the techs, Felix, is a little jumpy working on Maeve and after his co-worker leaves, he places something into a cabinet and pets what looks like a dead bird that’s hidden in the cabinet.

Teddy’s still alive after getting an infusion of Lawrence’s blood, which explains why the Man in Black said the boy was too small. The Man in Black asks if he’s ready to get on the road, telling him he used to be beautiful. He used to have a million little perfect pieces but now he’s a sad sack of flesh and bone like real people. Teddy, of course, doesn’t understand what he’s saying. The Man in Black switches topics, telling him Wyatt made off with Dolores which sparks some interest in the injured Teddy. It gets him up and on his feet, which is just what the Man in Black wanted.

Dolores seems to be studying a corpse in a standing coffin, but she’s actually having visions of other deaths in the park. She and William take a stroll down the candlelit street, and she tells him she wants to change her life. William says that’s why people come to this place where there aren’t any rules or restrictions. Dolores asks him what he means when he refers to people in the real world and William is shocked that she would ask that question since the hosts are programmed to ignore those kinds of statements.

Just then Logan grabs William to bring him to a brothel but William doesn’t want to go because of Dolores. Dolores, however, is sidetracked watching a parade in which she sees herself as one of the participants. She’s confused and hearing things, and passes out in the middle of the parade.

Dolores awakens, naked, and with Dr. Ford questioning her. He tells her she’s in his dream and asks if she knows what his dream means. She offers an explanation but she’s wrong. His dreams are about what we can become. Dr. Ford asks if she’s dreamed of taking herself out of her loop and taking on a bigger role. As he speaks, he examines her hand. He wonders if she remembers the man he used to be, and she answers that she’s forgetful. He asks her about Arnold, the man who created her, and she claims to not know anyone by that name. He also asks her if she’s hearing voices and if Arnold’s been speaking to her.

He puts her in analysis mode and she answers it’s been decades since she spoke to Arnold; there isn’t any data in her program containing contact with him since the day he died. The last thing he told her was that she was going to help him destroy this place. Dr. Ford reminds her she didn’t and that she’s been content in her little loop. With that, he brings her out of analysis mode and she asks him if they are very old friends. He says, “No, I wouldn’t say friends, Dolores. I wouldn’t say that at all.”

After he leaves the room, Dolores says out loud to an empty room, “He doesn’t know. I didn’t tell him anything.”

Felix tries to reprogram the bird and it briefly works. He gives it orders and just then his co-worker returns and tries to grab the bird. Felix explains he was just borrowing the bird, he didn’t steal it, and his co-worker reminds him he’s not a coder and has misappropriated corporate property. He tells Felix to destroy it. Maeve returns once again to be repaired and Felix is freaked out.

Morning comes and William asks Dolores if she’s feeling better. She is, and they’re off to meet with Alonzo (who it turns out is Lawrence but in this particular part of the story he’s going by a different name). Logan’s excited to meet him and ready for a bigger adventure, but Dolores interrupts to say there’s something Alonzo is seeking and she can help him find it. Alonzo ignores her, saying he thinks she’s crazy, and then tells William and Logan the Confederales want to attack a shipment of nitro being protected by Union soldiers. William, Logan, and Slim agree to do the job of robbing the stagecoach for the Confederales.

The stagecoach with nitro is on the move in the middle of nowhere and Dolores is ready to do her part having changed into pants and a buttoned-down shirt. She also has a gun but doesn’t want to hurt the soldiers since they’re Union soldiers like her father. The foursome cover their faces and step out in front of the stagecoach. Dolores asks the Union soldiers to do what Logan says or he’ll shoot them, and they comply.

Logan finds the nitro in the back of the stagecoach and kicks the driver a few times for lying about their cargo and for calling him a half-wit. A fight breaks out and William shoots the soldiers to save Dolores. Logan’s being choked and William also shoots that soldier as it looks like Logan’s about to die. Logan is so excited about this adventure that he shouts, “That’s the spirit!” Dolores is upset the soldiers are all dead, as is Slim.

Logan, William, and Dolores bring the stagecoach back to town and deliver the cargo to Alonzo. He receives the payoff from the Confederales and instead of sending them off, he tells them to stick around for the night and have some fun as three naked women painted in gold arrive to pleasure the men.

Elsie (Shannon Woodward) is working on trying to recalibrate a host when the host who smashed his own head in is wheeled by. She’s curious about that particular host and uses blackmail to get a closer view of his body. She shows a technician named Dustin a photo from a surveillance camera showing him screwing a host in order to convince him to allow her to examine the body of the host who’s about to be incinerated. She runs a scan of his data and it’s all corrupted. Elsie then notices something strange about his fingertips and palm. Under the skin of his palm, she sees a red laser light. She traces it up his arm.

Elsie meets with Bernard (Jeffrey Wright) and tells him they have a big problem. The now-headless host had a laser-based satellite uplink. He was being used to smuggle data out of the park.

The scene switches back to Alonzo’s town and there’s an orgy going on that looks like a strange mix of Western and medieval influences. Logan and William are offered a chance to participate in the war game, but William doesn’t want to do it. Logan tries to explain there’s no such thing as heroes and villains, and that this place is just a giant circle jerk. Logan then tells William he picked him for a job in his family’s company because he’ll never be a threat to anyone, which is probably why his sister also picked him. William will never go any higher than the rank of Executive Vice President because he’s so non-threatening.

While William and Logan are having their heated discussion, Dolores takes off for a walk around the town. She watches the orgies and then comes upon a fortune teller. She picks a card and it’s the same symbol that was inside the scalp the Man in Black is using as a map. The fortune teller transforms and now looks like Dolores, telling her she must follow the maze and suggesting she’s unraveling. Dolores pulls at a wire on her arm and it opens her skin. She is confused and upset, and her arm is fine when she looks down again. She flees the fortune teller and spies Alonzo pumping nitro into Slim’s dead body while he reveals Slim’s work for the revolution isn’t quite done yet. Slim’s casket and three others are driven out of town.

Dolores tries to tell William they need to leave because Alonzo’s been playing them. William’s not willing to play this game anymore and Dolores says there’s a voice inside of her telling her what to do and that she needs him. They kiss. Outside, the Confederales discover the nitro isn’t real and begin beating up Logan. Logan calls out for help but William says no, grabs Dolores’ arm, and runs away. They’re quickly found by the Confederales and William tries to convince them Alonzo set them up. He tries to shoot them but they overpower him.

William tells Dolores to run but she doesn’t and instead shoots all the Confederales. William doesn’t know how she did that and she explains she imagined a story where she didn’t have to be the damsel. They hear a train whistle and go chasing after it. They climb on board and Alonzo’s also on the train with the coffins. Dolores points her gun at one of the coffins, knowing there’s nitro inside. However, William trusts Alonzo and Alonzo hands over his guns, telling them to settle in because it’s a long ride to the front. He also confesses his real name is Lawrence.

On the top of the coffin is the same symbol that was on the scalp and on the fortune teller’s card. Dolores quietly says, “I’m coming,” to an unseen entity.

The Man in Black orders up a whiskey and sits down with Teddy. Teddy’s still looking like death on a cracker when Dr. Robert Ford arrives and pulls up a chair. The Man in Black asks Teddy if he knows who this man is. Teddy doesn’t, and the Man in Black says everything happens because of Robert. Teddy tells Robert they’re looking for Wyatt because he killed a rancher and took his daughter. The Man in Black and Robert continue to spar with words, with the Man in Black telling Robert he thinks this place was looking for a real villain and that’s the role he’s fulfilling. Robert admits he lacked the imagination to conceive someone like the Man in Black. The Man in Black asks Robert about Wyatt and whether he’s finally made an adversary that can stop him from finding the center of the maze.

The Man in Black tells Teddy he exists because people need purpose and meaning, and in this place they can fulfill what’s missing. The Man in Black also believes there’s deeper meaning hiding under that. Robert tells him to ask whatever question he wants answered, and the Man in Black says it’s Andrew that he needs to see. He pulls a knife out like he’s going to open up Robert and Teddy grabs it lightning fast to save him. Robert, unfazed, says he isn’t there to talk the Man in Black out of his voyage of self-discovery. One tap on the arm by Robert as he gets up to leave rejuvenates Teddy. Teddy’s ready to get back out on the road because time’s wasting.

Felix stands over Maeve and then brings the bird back out from the cabinet. He tries working on its program and this time it flutters to life and acts like a real bird. It flies and Felix laughs with joy about this development. As he spins in a circle watching it, the bird lands on Maeve’s finger. She’s sitting up and informs Felix it’s time they had a chat.

Additional Westworld Episodes:




‘Dirk Gently’s Holistic Detective Agency’ Episode 2 Recap: Lost and Found

Dirk Gently's Holistic Detective Agency Episode 2 Samuel Barnett and Elijah Wood
Dirk Gently (Samuel Barnett) and Todd (Elijah Wood) in ‘Dirk Gently’s Holistic Detective Agency’ episode 2 (Photo by Katie Yu © BBC America)

Episode two of BBC America’s Dirk Gently’s Holistic Detective Agency opens with a quick leap back to two days prior. Farah’s (Jade Eshete) friend calls and says she’s in trouble, and Farah quickly heads out to help her. Farah arrives at the apartment complex, gun drawn, taking down her first attacker before knocking on Todd’s door and asking for help. He ignores her plea and Farah fights off another attacker before finally being taken down by a taser. Fast forward to current circumstances and she’s still incapacitated and on the floor after her kidnapper was killed by the random bullet that first ricocheted around Todd’s apartment in episode one. She comes to and a flock of weird bald men stand around her, looking down.

Detectives Zimmerfield (Richard Schiff) and Estevez (Neil Brown Jr.) visit the coroner to look at Patrick Spring’s headless body (the head is being kept separate). They tell the coroner that the death has some connection to their missing person’s case because Lydia Spring is the daughter of the murder victim. The other two bodies from the crime scene were sent to an FBI lab for testing, because of the murder weapon. The bite marks apparently match those of a Great Hammerhead Shark. And, yes, you read that correctly.

Todd (Elijah Wood) looks like he’s talking to a bush but actually Dirk (Samuel Barnett) is hiding behind it as he spies on the house across the street (the house where Todd delivered the lost Corgi). Todd admits he saw Lydia Spring when he dropped off the Corgi which means he’s connected to Dirk’s investigation, even if he still doesn’t understand what it is Dirk’s doing to solve the case. Todd also reveals he found a winning lottery ticket in the hotel and he can use the $10,000 to pay for his sister’s meds, fix his car, and put his life back together. Dirk is completely convinced this win is the universe congratulating Todd for helping Dirk solve the murder case. Just then a station wagon pulls into the garage of the house they’re surveilling. Dirk grabs Todd’s winning lottery ticket and runs into the house, forcing Todd to chase him.

Bart’s (Fiona Dourif) car stops running in the middle of a side road and she thinks it will turn on again when it wants to. Ken (Mpho Koaho), her reluctant passenger who still has his hands taped together, is freaked out about this whole adventure. Bart wants to know why no one is looking for him and she wants to know who she killed at the power station. He explains he was hired to do something illegal; he was building a power convertor to leech off a network.

Dirk looks around the garage and Todd is incredibly upset Dirk’s dragged him into this mess. Unfortunately for Todd, he has to follow Dirk or else Dirk won’t give him back his lottery ticket.

Todd’s sister, Amanda (Hannah Marks), takes her pills, applies some makeup, and heads outside in the rain. Down the street, she spots the Rowdy 3’s van and makes a run for it back inside her house.

Dirk and Todd sneak into the Corgi’s house from the garage. The owner of the house, Gordon Rimmer (Aaron Douglas), is on the phone talking about the two guys from the hotel being in on it and saying something about a giraffe and a gorilla trying to kill him. Todd crawls toward the lottery ticket which is wadded up on the floor where Dirk tossed it, while Lydia Spring (Alison Thornton) – who seems to believe she’s a dog – crawls toward him and licks his face. A bit freaked out, Dirk and Todd hide in the bathroom and Dirk finally seems to admit he’s in over his head, but he’s also ecstatic to see Lydia. Dirk thinks it’s possible they’re going to die.

Farah is tased once again by the bald men who call themselves Ed, Zed, and Fred. She tries to get them to say what they’ve done with Lydia and Patrick, and they tell her Patrick is dead. Farah was hired to protect Patrick and now these guys want to know what happened to the kitten. (What’s the deal with the kitten and are the bald men aliens?!) Farah’s not talking so they “expose her” to the light and she begins thrashing on the bed.

Two FBI agents investigate Dorian’s house (remember, he was running a drug ring along with his landlord duties) and aren’t happy to see Detectives Zimmerfield and Estevez show up. Todd is a mutual person of interest in both their cases, so they both have reason to want to know more about his comings and goings. Zimmerfield wants to know what happened to the bodies of the dead men from the hotel crime scene, but the FBI agents say the FBI did not have anything to do with moving those bodies.

A mechanically-inclined stranger who just happened to ride up on his motorcycle works on Bart’s car and Ken tries to drop hints to him that he needs help. It doesn’t work. Ken asks Bart about Dirk Gently and she says it came to her in a dream. The world will lead her to him and then she’ll kill him. Bart wants to kill the guy helping them with the car, but Ken convinces her not to.

Meanwhile, Todd and Dirk are still stuck in the bathroom. Lydia the dog person and the Corgi roam the hallway. Dirk apologizes for taking Todd’s lottery ticket in the first place and just then Lydia crawls into the bathroom with a chew toy. Dirk throws the toy as the Corgi bites at Lydia’s leg, and Todd tries to open a bathroom window to escape. Unfortunately, Todd failed to silence his phone and it begins ringing at the most inopportune time. Todd makes it out through the window but Dirk doesn’t. Gordon tries to shoot Dirk as the house goes up in flames. (When Dirk tossed the dog toy it knocked over a candle and set the house on fire). Dirk grabs the Corgi and makes a run for it while Lydia and Gordon are still inside.

The ringing phone was Amanda calling Todd to tell him about the van outside her house. She starts to leave a message but then decides not to mention the Rowdy 3’s van. She runs outside, grabs something to throw, and launches it at the van. Her medical condition makes her believe her hands have turned to ice, so she runs back inside and takes more pills. She huddles on the floor in the bathroom shaking and crying and then hears something crash through her window. It’s the rock she threw with a note attached that simply reads, “Hi.”

Zimmerfield and Estevez show up at the coroner’s office again but the guy they spoke with earlier is gone. There’s another coroner there and he has no idea who could possibly have been there earlier. They figure out someone is screwing with them.

The bald men place Farah, unconscious, in the back of a truck. The two FBI guys working on the Dorian crime scene contemplate calling the cops but decide against it, even though it’s very suspicious activity.

Todd runs down the street still wearing the shower curtain like a cape. Why? Who knows. As he’s about to call 911, Dirk runs up with the Corgi. Todd’s confused as to why Dirk grabbed the dog, and Dirk explains it’s important as there are lots of animals involved in this particular case – the dog, the shark, the kitten. Todd wants to know how Dirk knows about the shark and then decides never mind, he’s done with this case. But Dirk just keeps going on and on about clues, believing Gordon is up to something. He also remembers that Gordon called Lydia “Rapunzel” which means the Corgi is Lydia Spring. The dog tells Dirk she is (or at least that’s Dirk’s interpretation of the answer to his question) and so he believes they’re dealing with a group that hypnotizes people into believing they’re animals and animals into believing they’re people. Todd just wants to go home and cash in his lottery ticket.

When Dirk asks what Patrick Spring could have done to anger dog hypnotists, Todd yells, “They’re not dog hypnotists!” Todd thinks Lydia wanted to be there and she seemed happy there, and Todd now just wants Dirk to call the police. He walks away and is completely done with this whole mess. Dirk tries to explain that he always gets dragged into horrible things and the world just leads him to these things. If he doesn’t solve these cases, no one does. Dirk gets a text saying they have his friend (the text includes a picture of Farah, who really isn’t his friend) and they’ll kill her if Dirk doesn’t give back the dog. Dirk’s happier now because this is proof the dog is important.

Dirk Gently's Holistic Detective Agency stars Elijah Wood, Samuel Barnett and a Corgi
Elijah Wood, Samuel Barnett, and a Corgi in ‘Dirk Gently’s Holistic Detective Agency’ (Photo by Bettina Strauss © BBC America)

Todd, Dirk, and the Corgi whose name may be Rapunzel meet for the exchange at night on a bridge and Dirk, not realizing the saying is actually bad, brought a knife to a gunfight. The FBI agents watch the exchange from a distance as Gordon walks toward Dirk and Todd. Gordon has Farah kneel and then it’s a very confusing exchange between the two opposing sides as Gordon asks for the dog and asks about the kitten, while Todd says he doesn’t know this woman Gordon thinks is their friend. Gordon wants to know why Dirk burned his house down and Dirk has no idea why Gordon would believe he did that. Todd keeps asking about Lydia and Gordon keeps demanding the dog. Todd wants to know why he wants it, and Gordon keeps asking why they took the dog. This is getting nowhere, and the FBI agents listening in are totally confused. One of them calls the group on the bridge the “stupidest goddam people alive,” which based on this conversation is a true statement.

Gordon continues threatening Farah so Todd walks forward with the Corgi. Then Todd acts as if he’s going to throw the Corgi off the side of the bridge, telling Gordon to let the woman go or else. As Todd keeps threatening to drop the dog, he hears, “No, help me!” coming from the animal and sees a flash of a woman’s face. That shocks him and he does, accidentally, drop the Corgi off the side of the bridge. Farah takes that opportunity to hit Gordon and a sniper fires at Dirk. One of the FBI agents shoots the sniper. All hell breaks loose as more bald guys attack the FBI agents, Farah makes a run for it, and Todd tries to explain he saw a human face on the dog. Dirk, Farah, and Todd drive away while Gordon and the bald guys search for the Corgi. They’ve killed one of the FBI agents and the other is badly injured. Meanwhile, the Corgi watches from her hiding place.

Back on the lonely side road, Ken tries to tell the man to run but then the stranger, who has now finished fixing Bart’s car, tells him he’s going to shoot him in the head and take the car. He’s done this at least 10 times before which means Bart was right when she thought she had to kill this man. Ken continues to warn the guy that he’s in danger and then finally gives Bart permission to kill this helpful, homicidal stranger. She beats him to death with his own gun. The stranger got off a few shots but none hit Bart, and she tells Ken she can’t be hurt; the universe won’t allow it. She proves her point by putting the gun to her head, pulling the trigger, nothing happens, pointing the gun away, pulling the trigger, and it fires. She does this a few times until Ken finally is convinced. He wonders why she hasn’t killed him yet and she says that must mean he’s special, too.

With just five minutes left in the episode we finally catch up with Colonel Scott Riggins (Miguel Sandoval). He’s called in for a meeting with the oversight committee investigating Blackwing, the operation Riggins is working on. The operation isn’t going well according to the committee and now there are multiple subjects on the loose. Riggins reminds them there’s only enough funds in the budget to surveil one: Dirk Gently. Riggins says the subjects can’t be contained and that’s why he hasn’t brought any of them in. There are too many threats to deal with and the committee leader tells Riggins if he doesn’t bring them in, they will all be eliminated, starting with Dirk Gently.

Amanda’s still watching the van but now she’s in her garage doing it while banging on the drums.

Dirk and Todd bring Farah to Dirk’s place which is nicer than Todd’s. Todd tells her they saved her and he tells Dirk that he’s brave but also surprisingly incapable, and Dirk says that’s why he needs Todd. Todd thinks all the deaths are connected and just as he’s about to talk about the human face on the dog, the kitten meows. Dirks explains it’s the kitten from the crime scene that everyone’s looking for. Farah finally sees Dirk and says his name and that’s when Todd attacks Dirk for lying about not knowing Farah.

Amanda pounds away on the drums and the van starts rocking…




Tom Hardy to Play Al Capone in ‘Fonzo’

Tom Hardy plays Al Capone in Fonzo
Tom Hardy to star as Al Capone in ‘Fonzo’

Tom Hardy (The Revenant, Mad Max: Fury Road) has signed on to star as Al Capone in the dramatic movie Fonzo. Josh Trank (Chronicle) wrote the script and is directing the film which is currently in the pre-production stage. Russell Ackerman, John Schoenfelder, and Lawrence Bender are producing, and Bloom is handling the international sales at the 2016 American Film Market.

Fonzo brings together the myth and lore of notorious American Gangster Al Capone, with the undeniable talent of Tom Hardy and Josh Trank. We are thrilled to bring this film to buyers at the AFM,” stated Bloom’s Alex Walton.

Hardy’s been keeping busy with projects, including a starring role in Ridley Scott’s upcoming FX series, Taboo. He also recently finished work on the action drama Dunkirk directed by Christopher Nolan and starring Cillian Murphy, Kenneth Branagh, James D’Arcy, and One Direction’s Harry Styles. Dunkirk is set to open in theaters on July 21, 2017.

The Plot: Once a ruthless businessman and bootlegger who ruled Chicago with an iron fist, Alfonse Capone was the most infamous and feared gangster of American lore. At the age of 47, following nearly a decade of imprisonment, dementia rots Alfonse’s mind and his past becomes present as harrowing memories of his violent and brutal origins melt into his waking life.




‘Insecure’ and ‘Divorce’ November Episodes Guide

Sarah Jessica Parker Divorce Comedy
Sterling Jerins, Sarah Jessica Parker, and Charlie Kilgore in ‘Divorce’ (Photo: Macall B. Polay / HBO)

HBO’s two new half-hour comedies, Insecure and Divorce, finish up the first season runs with four new episodes each in November 2016. Insecure was created by Issa Rae and Larry Wilmore and stars Rae, Jay Ellis, Lisa Joyce, and Yvonne Orji. Sharon Horgan created and executive produces Divorce, with Sarah Jessica Parker, Thomas Haden Church, Molly Shannon, Talia Balsam, Tracy Letts, Sterling Jerins, and Charlie Kilgore starring in the relationship comedy/drama.


Divorce November 2016 Episodes:

Episode #5: “Gustav”
Debut date: SUNDAY, NOV. 6 (10:00-10:30 p.m. ET/PT)
Other HBO playdates: Nov. 6 (1:00 a.m., 3:00 a.m.), 9 (2:40 a.m.) and 10 (10:45 p.m.)
HBO2 playdates: Nov. 7 (9:00 p.m.), 9 (11:30 p.m.), 10 (8:00 p.m.), 12 (3:05 a.m.), 19 (4:30 p.m.) and 25 (3:00 p.m.), and Dec. 17 (6:00 p.m.)
Frances (Sarah Jessica Parker) discovers that Robert (Thomas Haden Church) has hired a lawyer, and responds in kind. Frances looks to connect with an influential artist. Robert pitches Nick (Tracy Letts) a can’t-miss investment opportunity.
Written by Cindy Chupack; directed by Adam Bernstein.

Episode #6: “Christmas”
Debut date: SUNDAY, NOV. 13 (10:00-10:30 p.m.)
Other HBO playdates: Nov. 13 (1:00 a.m., 3:00 a.m.), 16 (2:35 a.m.), 17 (10:10 p.m.) and 19 (3:05 a.m.)
HBO2 playdates: Nov. 14 (9:00 p.m.), 16 (8:30 p.m.), 17 (8:00 p.m.), 19 (5:00 p.m.) and 25 (3:30 p.m.), and Dec. 17 (6:30 p.m.)
Frances (Sarah Jessica Parker) and Robert (Thomas Haden Church) try to set their differences aside and make their annual Christmas trip to her parents’ house with the kids.
Written by Tom Scharpling; directed by Jamie Babbit.

Episode #7: “Weekend Plans”
Debut date: SUNDAY, NOV. 20 (10:00-10:30 p.m.)
Other HBO playdates: Nov. 20 (12:30 a.m., 2:00 a.m.), 23 (2:15 a.m.), 24 (11:00 p.m.) and 26 (5:05 a.m.)
HBO2 playdates: Nov. 21 (9:00 p.m.), 23 (8:30 p.m.), 24 (8:00 p.m.) and 25 (4:00 p.m.), and Dec. 17 (7:00 p.m.)
Frances (Sarah Jessica Parker) discovers that Robert (Thomas Haden Church) has misled her about their financial situation. Robert tries to re-enter the “dating” pool.
Written by Adam Resnick; directed by Adam Bernstein.

Episode #8: “Church”
Debut date: SUNDAY, NOV. 27 (10:00-10:30 p.m.)
Other HBO playdates: Nov. 27 (12:30 a.m., 2:00 a.m.) and 30 (2:35 a.m.), and Dec. 1 (10:35 p.m.) and 3 (4:15 a.m.)
HBO2 playdates: Nov. 28 (9:00 p.m.) and 30 (8:30 p.m.), and Dec. 1 (8:00 p.m.) and 17 (7:30 p.m.)
Frances (Sarah Jessica Parker) pursues a new job, and is troubled that Robert (Thomas Haden Church) suddenly seems so happy, despite the divorce.
Written by Hayes Davenport; directed by Beth McCarthy-Miller.

Insecure Issa Rae and Jay Ellis
Issa Rae and Jay Ellis star in ‘Insecure’ (Photo: Anne Marie Fox/HBO)

Insecure November Episodes:

Episode #5: “Shady as F**k”
Debut: SUNDAY, NOV. 6 (10:30-11:00 p.m. ET/PT)
Other HBO playdates: Nov. 6 (12:30 a.m., 3:30 a.m.), 8 (11:50 p.m.), 10 (11:15 p.m.) and 12 (2:00 a.m.)
HBO2 playdates: Nov. 7 (1:10 p.m., 9:30 p.m.), 9 (8:30 p.m.), 12 (8:00 p.m.) and 27 (6:30 p.m.), and Dec. 3 (7:00 p.m.)
A mortified Issa (Issa Rae) searches for a way to get her open mic video taken down and finds herself reconnecting with Daniel (Y’lan Noel) during a trip to his studio. Lawrence (Jay Ellis) faces questions about his future with Issa. Molly (Yvonne Orji) invites her “perfect guy” Chris (Jidenna) to her co-worker’s engagement party, while attempting to navigate her “friendship” with Jared (Langston Kerman).
Written by Ben Dougan; directed by Melina Matsoukas.

Episode #6: “Guilty as F**k”
Debut: SUNDAY, NOV. 13 (10:30-11:00 p.m.)
Other HBO playdates: Nov. 13 (12:30 a.m., 3:30 a.m.), 15 (2:15 a.m.), 17 (10:40 p.m.) and 19 (12:45 a.m.)
HBO2 playdates: Nov. 14 (3:30 p.m., 9:30 p.m.), 16 (8:00 p.m.), 19 (8:00 p.m.) and 27 (7:00 p.m.), and Dec. 3 (7:30 p.m.)
Issa (Issa Rae) tries to keep things together while hiding her guilt, as Lawrence (Jay Ellis) doubles down on his commitment to her. Molly (Yvonne Orji) embraces a new relationship, but after learning more than she wants to about her new beau’s past, struggles to focus on their future.
Written by Amy Aniobi; directed by Debbie Allen.

Episode #7: “Real as F**k”
Debut: SUNDAY, NOV. 20 (10:30-11:00 p.m.)
Other HBO playdates: Nov. 20 (midnight, 2:30 a.m.), 22 (11:00 p.m.), 24 (11:30 p.m.) and 26 (4:35 a.m.)
HBO2 playdates: Nov. 21 (1:30 p.m., 9:30 p.m.), 23 (8:00 p.m.), 26 (8:00 p.m.) and 27 (7:30 p.m.), and Dec. 3 (8:00 p.m.)
As Issa (Issa Rae) prepares for an important work fundraiser, her plan to keep focused gets derailed. Lawrence (Jay Ellis) considers a career opportunity. Molly (Yvonne Orji) runs into an old friend with a new outlook.
Written by Prentice Penny; directed by Kevin Bray.

Episode #8: “Broken as F**k” (season finale)
Debut: SUNDAY, NOV. 27 (10:30-11:00 p.m.)
Other HBO playdates: Nov. 27 (midnight, 2:30 a.m.) and 29 (12:05 a.m.), and Dec. 1 (11:05 p.m.) and 3 (2:40 a.m.)
HBO2 playdates: Nov. 28 (12:40 p.m., 9:30 p.m.) and 30 (8:00 p.m.), and Dec. 2 (8:00 p.m.) and 3 (8:30 p.m.)
The lingering tension between Molly (Yvonne Orji) and Issa (Issa Rae) threatens to resurface during a girls’ trip. Lawrence (Jay Ellis) reconnects with his friends.
Written by Issa Rae; directed by Melina Matsoukas.




Justin Timberlake to be Honored at the 2016 Hollywood Film Awards

Trolls star Justin Timberlake
Justin Timberlake as the voice of Branch in ‘Trolls’ (Photo by Jason Bush / DreamWorks Animation)

The 2016 Hollywood Film Awards have selected Justin Timberlake as the recipient of their Hollywood Song Award. Timberlake was chosen for the honor in recognition of his single, “Can’t Stop the Feeling,” from the animated movie Trolls in which Timberlake lends his voice to the character Branch, a very pessimistic troll. Anna Kendrick, Christopher Mintz-Plasse, Russell Brand, Zooey Deschanel, Jeffrey Tambor, Christine Baranski, James Corden, Kunal Nayyar, John Cleese, and Gwen Stefani are also a part of the animated film based on the popular weird-looking toy.


“Can’t Stop the Feeling” is Timberlake’s fifth #1 single and was produced by Timberlake, Max Martin, and Shellback. Justin also served as the executive music producer on Trolls.

The 2016 Hollywood Film Awards will take place on November 6, 2016 with James Corden set to host. Previously announced award recipients include Eddie Murphy, Tom Hanks, Hugh Grant, Natalie Portman, Nicole Kidman, Naomie Harris, Lily Collins, Janelle Monáe, Mel Gibson, Tom Ford, Marc Platt, Kenneth Lonergan, Linus Sandgren, Mychael Danna, John Gilbert, Stephane Ceretti, Richard Bluff, Christopher Boyes, Frank Eulner, Albert Wolsky, Shane Thomas, Angela Conte, Bec Taylor, Noriko Waztanabe, and Wynn Thomas.




‘City of Dead Men’ Trailer Debuts with Diego Boneta and Jackson Rathbone

City of Dead Men Poster

Gravitas Pictures has picked up the North American rights to City of Dead Men starring Diego Boneta and Twilight‘s Jackson Rathbone. The psychological thriller/horror film, which just released its official trailer, comes from first time feature film director Kirk Sullivan and screenwriter Andrew Poston. In addition to Boneta and Rathbone, the cast includes newcomer María Mesa. City of Dead Men is targeting a December 16, 2016 release On Demand and in limited theaters.


“I grew up with death and violence all around me — Medellín was tough back then. This is where the dead men come from; growing up thinking that you are already dead, believe me, living life like that is intense,” said producer Alejo Arango.

The Plot: When Michael (Boneta), a young American tourist running away from his own demons, arrives in Medellin, Colombia, after a long journey throughout South America, he realizes he’s gone through all of his money and must resolve the situation soon. Then he meets Melody (Mesa), a pretty Colombian girl who knows the city well and hooks him up with a group of young misfits led by the mysterious Jacob (Rathbone). The intoxicating group lives in an abandoned psychiatric hospital for children on the outskirts of the city and when they offer Michael their friendship and shelter – he quickly accepts. But slowly, Michael begins to sense the horror that went on in the hospital and feels the energy permeating the premises. His new friends only feel immortal, testing their limits every single day, pulling Michael into their dangerous dynamic — and it may be too late for him to get out alive…

Watch the City of Dead Men trailer:





Halloween Treat: One Direction’s Niall Horan and James Corden Sing ‘Candy’

Niall Horan and James Corden sing Candy
Niall Horan and James Corden during “The Late Late Show with James Corden” (Photo by Terence Patrick © 2016 CBS Broadcasting, Inc)

One Direction’s Niall Horan and The Late Late Show host James Corden teamed up to sing a new Halloween-inspired single, “Candy,” set to the tune of Ginuwine’s “Pony.” Horan, who just launched his solo career with the song “This Town,” dons pirate garb to seduce a woman while Corden channels his inner Batman and tries to win a different woman over. “I’m just a Batman, looking for some Pop Rocks, something that’s sweet inside. You look like the right fun size,” sings Corden while the woman looks completely confused about this strange man at her door dressed as a superhero.

The woman Horan’s attempting to seduce seems much more into the sexy pirate trick or treating her house. “Girl, when you break me off a KitKat, I’m going to make your tootsie pop,” sings Horan will stuffing his mouth with Halloween candy.

Corden and Horan switch up costumes in the “Candy” music video, dressing as vegetables, an astronaut, a vampire, a ghost, and even a cow to go with Corden and Horan singing, “What’s your Halloween fantasy? You want a ghost? Baby, boo. You want a cow? Baby, moo.” The video ends with the two comparing the size of their Hershey bars.

Watch the Niall Horan/James Corden “Candy” video:





The CW Announces Its Special Winter Holiday Programs

Fifth Harmony IHeartRadio Jingle Ball 2015 Fifthy Harmony Performance
Fifth Harmony perform onstage during Z100’s Jingle Ball 2015 (Photo by Chris Owyoung for iHeartMedia)

The CW has already prepared for the upcoming winter holiday season even though we haven’t even made it through Halloween yet. The network just announced it slate of holiday-themed specials, including a new limited series with Terry Crews and a special hosted by Dean Cain (Supergirl) celebrating the best Christmas movies of all time. The CW’s holiday plans also include repeat airings of Grandma Got Run Over By a Reindeer as well as 2016’s iHeartRadio Jingle Ball featuring Ariana Grande, Justin Bieber, and The Chainsmokers.

Details on The CW’s Holiday Schedule:

New this holiday season, The CW will broadcast an original holiday special, TERRY CREWS SAVES CHRISTMAS, for five hour-long episodes across four consecutive nights, starting Tuesday, December 20 (8:00-9:00pm ET). In each episode, comedy superstar and Christmas super-fan Terry Crews will visit a hopeless holiday enthusiast and put them through a hilarious crash-course in how to do Christmas right. After spying on the makings of a Christmas mess, an expert team led by Terry and his no-nonsense food, beverage and design experts, will intervene and provide tips and tricks to pull off a Christmas that friends and family will remember for years to come. TERRY CREWS SAVES CHRISTMAS is produced by Tim Warren, and Chris Grant, Drew Buckley, Justin Dudek and Max Levenson of Electus.

On Friday, November 25 (8:00-9:00pm ET), the one-hour special GRANDMA GOT RUN OVER BY A REINDEER returns to The CW. Based on the hit song that became a worldwide holiday phenomenon, this goofy and heartwarming adventure features young Jake Spankenheimer on the quest of a lifetime to track his missing Grandma down on Christmas Eve to prove that Santa Claus is indeed real. Michele Lee provides the voice of Jake’s greedy Cousin Mel and recording artist Elmo Shropshire provides the narration. An encore presentation of GRANDMA GOT RUN OVER BY A REINDEER will air on Monday, December 12 (8:00-9:00pm ET).

On Monday, December 12 (9:00-10:00pm ET), The CW presents GREATEST HOLIDAY COMMERCIALS COUNTDOWN 2016 as Kevin Frazier and Keltie Knight host this holiday celebration with a countdown of the 12 best holiday commercials ever – one for each of the 12 days of Christmas. In addition to the top 12, the special features other great commercials from both the U.S. and abroad, that capture the true spirit of the holiday season – from the heartfelt to the hilarious, from the outstanding to the ridiculous. Executive Producers are Robert Horowitz and Lewis Fenton. An encore presentation will air on Tuesday, December 20 (9:00-10:00pm ET).

Dean Cain hosts THE TOP 12 GREATEST CHRISTMAS MOVIES OF ALL TIME, airing on Wednesday, December 14 (8:00-9:00pm ET). In this special, Dean Cain and friends present a fresh look inside the 12 Greatest Christmas Movies of All Time counting down to the number one choice! We look at the magical moments in each of these films that make us laugh, cry, and mostly want to watch them again and again. These great films define what the holidays are all about!

On Thursday, December 15 (8:00-9:30pm ET), The CW will feature the return of iHEARTRADIO JINGLE BALL 2016, a 90-minute star-studded concert from Madison Square Garden, with musical performers including Justin Bieber, Ariana Grande, The Chainsmokers, Meghan Trainor, Fifth Harmony, Ellie Goulding, Diplo, Charlie Puth, Lukas Graham and Daya, with special guest appearance by Niall Horan, scheduled to perform. An encore presentation of iHEARTRADIO JINGLE BALL 2016 will air on Monday, December 26 (8:00-9:30pm ET).

THE 85th ANNUAL HOLLYWOOD CHRISTMAS PARADE returns to The CW on Friday, December 16, (8:00-10:00 p.m. ET), with Olivia Newton-John serving as Grand Marshal. The “Largest Christmas Celebration in America” will be hosted by popular personalities Erik Estrada, Laura McKenzie, Dean Cain and Montel Williams, with special co-hosts Elizabeth Stanton and Garrett Clayton. The parade on Hollywood Boulevard will include live musical performances that will take place on two stages. A true Hollywood tradition, the parade features larger-than-life inflatable character balloons, and celebrity-filled cars making the heralded trek down the parade route.


FRIDAY, NOVEMBER 25
8:00-9:00pm GRANDMA GOT RUN OVER BY A REINDEER
9:00-10:00pm PENN & TELLER: FOOL US (Encore)

MONDAY, DECEMBER 12
8:00-9:00pm GRANDMA GOT RUN OVER BY A REINDEER (Encore)
9:00-10:00pm GREATEST HOLIDAY COMMERCIALS COUNTDOWN 2016

WEDNESDAY, DECEMBER 14
8:00-9:00pm THE TOP 12 GREATEST CHRISTMAS MOVIES OF ALL TIME

THURSDAY, DECEMBER 15
8:00-9:30pm IHEARTRADIO JINGLE BALL 2016
9:30-10:00pm WHOSE LINE IS IT ANYWAY? (Encore)

FRIDAY, DECEMBER 16
8:00-10:00pm THE 85TH ANNUAL HOLLYWOOD CHRISTMAS PARADE

TUESDAY, DECEMBER 20
8:00-9:00pm TERRY CREWS SAVES CHRISTMAS
9:00-10:00pm GREATEST HOLIDAY COMMERCIALS COUNTDOWN 2016 (Encore)

WEDNESDAY, DECEMBER 21
8:00-9:00pm TERRY CREWS SAVES CHRISTMAS

THURSDAY, DECEMBER 22
8:00-9:00pm TERRY CREWS SAVES CHRISTMAS

FRIDAY, DECEMBER 23
8:00-9:00pm TERRY CREWS SAVES CHRISTMAS
9:00-10:00pm TERRY CREWS SAVES CHRISTMAS

MONDAY, DECEMBER 26

8:00-9:30pm IHEARTRADIO JINGLE BALL 2016 (Encore)
9:30-10:00pm WHOSE LINE IS IT ANYWAY? (Encore)

FRIDAY, DECEMBER 30
8:00-10:00pm IHEARTRADIO MUSIC FESTIVAL – NIGHT 1 (2016) (Encore)

MONDAY, JANUARY 2, 2017
8:00-10:00pm IHEARTRADIO MUSIC FESTIVAL – NIGHT 2 (2016) (Encore)




‘Lucifer’ Season 2 Episode 6 Preview: Monster

Lucifer season 2 episode 6 stars Lesley Ann Brandt and Scarlett Estevez
Lesley-Ann Brandt and Scarlett Estevez in the “Monster” episode of ‘Lucifer’ (Photo by Bettina Strauss © 2016 Fox Broadcasting Co)

Fox’s Lucifer season two isn’t taking a break for Halloween and instead has an episode planned that finds Maze hitting the streets with Trixie for a little trick-or-treating. Episode six titled ‘Monster’ will air on Monday, October 31, 2016 at 9pm ET/PT and stars Tom Ellis as Lucifer, Lauren German as Chloe, DB Woodside as Amenadiel, Lesley-Ann Brandt as Maze, Kevin Alejandro as Dan, Scarlett Estevez as Trixie, Rachael Harris as Linda Martin, Tricia Helfer as Charlotte and Aimee Garcia as Ella. The episode six guest cast includes John Prowse as Jack Peterson, Tosca Leong as Sally Peterson, Annamaria Demara as Peggy Russo, Sean Hunter as Jason Myers, and Karen Holness as Sidney Loomis.

The ‘Monster’ Plot: Guilty and self-destructive, Lucifer clashes with Chloe during an investigation, leading her to team up with Dan instead. Meanwhile, Amenadiel bonds with Charlotte, and Maze takes Trixie trick-or-treating in the all-new “Monster” episode.

Lucifer Series Details: Lucifer is the story of the original fallen angel. Bored and unhappy as the Lord of Hell, he has abandoned his throne and retired to L.A., where he has teamed up with an LAPD detective to take down criminals.


Lucifer season 2 episode 6 Tom Ellis and Rachael Harris
Rachael Harris and Tom Ellis in the “Monster” episode of ‘Lucifer’ (Photo by Bettina Strauss © 2016 Fox Broadcasting Co)
Lucifer Season 2 Episode 6 Tom Ellis and Lauren German
Tom Ellis and Lauren German in the “Monster” episode of ‘Lucifer’ (Photo by Bettina Strauss © 2016 Fox Broadcasting Co)




‘Supernatural’ Season 12 Episode 3 Recap: The Foundry

Supernatural Season 12 Episode 3
Jared Padalecki as Sam, Jensen Ackles as Dean and Samantha Smith as Mary Winchester in ‘Supernatural’ (Photo by Katie Yu © 2016 The CW Network)

This week on episode three of season 12 of Supernatural, we get a bit of a hybrid episode which continues the ongoing story of the hunt for Lucifer and mixing it with the monster-of-the-week format that usually ends up being just as entertaining. We begin with a couple in St. Paul, Minnesota walking from a restaurant. They are discussing the area when they hear the sound of a baby crying in an old abandoned house. The place looks completely empty, but as the cries become louder and more worrisome, they call 911 and enter the building. Following the sound, they find a room with a crib and a lone flickering light above. Instead of finding an infant in the crib as they expected, they discover a creepy doll. When the woman feels something touch her arm and they move to escape, the door slams shut, trapping them in the room as the doll’s eyes open.

The show now takes us to the bunker, where Mary (Samantha Smith) is reading through John’s journal, unable to sleep. It is obvious that she has a lot on her mind. Castiel (Misha Collins) finds her there and she decides to try sleeping again. As she goes, Mary asks him how long after coming down from Heaven it took to feel like he fit, giving a hint at part of the trouble plaguing her. He admits that he’s still not sure he does but encourages her that she is where she belongs. She seems relieved, yet back in her room she begins to cut her hair.

The next morning, Dean (Jensen Ackles) and Sam (Jared Padalecki) discuss the British Men of Letters. They have been looking for any information about them in the bunker, with very little luck and nothing useful. The conversation ends when Cas informs them he has to leave for Cleveland. He has a lead on Lucifer and wants to check it out. They try to join him, to back him up but he declines. Castiel feels responsible for Lucifer being out of the cage and thinks it is his duty to put him back. Yet they all know this isn’t a fight he can take alone, so he assures them he will call if the lead turns into anything and mentions that the boys are needed more at the bunker. Sam realizes he means Mary and tells Dean he is concerned. Dean, however, feels she is fine and just needs some time.

When the woman they had just been talking about enters, Sam asks about the haircut, to which Mary responds that it is more practical for hunting. Of course, Dean can’t resist joking that he’s been telling Sam that for years. As the discussion turns serious again, Sam asks about the hunting comment. Apparently, Mary found a case. It’s the couple in Minnesota, found dead, locked in the room of the empty house. Dean is excited about a family hunting trip while Sam seems uncertain about whether it’s a good idea but doesn’t have much choice but to go along with it.

In Cleveland, we find Castiel talking to Vince’s bandmate about his last encounter with the rock star where he saw the red eyes and claimed that it was not the man he knew anymore. As Castiel is leaving, Crowley (Mark Sheppard) gets his attention and tries to convince him that they should work together since they have the same goal: putting Lucifer back in the cage for good. Castiel has no interest in them teaming up. However, Cas doesn’t have any clue where to look next. Whereas, Crowley had been in Vince’s room and found some postcards from Vince’s sister, Wanda, which include an address for them to check out.

Meanwhile, the three Winchesters are at the morgue discussing the dead bodies with the coroner when they notice a handprint burned into the arm of the woman. When they ask about it, they learn that’s not even the weirdest thing about the deaths. The people died of hypothermia in a room that was over sixty degrees. Definitely a sign that this is right in their wheelhouse. So they do the next logical thing, at least for a hunter, by heading into the house with their EMF meters to search for ghost activity.

Mary’s meter goes crazy as she finds the room with the crib and the doll. Just like the couple we saw before, she immediately gets locked in the room. As Dean and Sam frantically try to get the door open, a hand grabs Mary and she glances down to see a child staring up at her. The guys do manage to break open the door and the boy disappears, yet Mary now has the handprint burn on her arm too.

Back at the hotel, Dean and Sam are on their laptops researching any information they can when Mary mentions that they should get out and knock on doors, talk to neighbors, etc. An awkward moment begins as they explain that the internet has made a lot of that obsolete. Sam shows that by hacking into the St. Paul Police database he was able to find a series of kids that died in the house. So much about hunting has changed since Mary’s time, and it visibly upsets her despite Sam’s assurance that they’ll teach her all of the new ways to get the information they need.

Cas and Crowley are out knocking on doors though, only to have it slammed in their face when Wanda answers and they ask about Vince. Crowley decides to do things his own way, appearing in the house in time to hear Wanda leaving a voicemail for Vince and mentioning how strange he was acting the previous day. As he lets Castiel in, the angel can tell that Wanda has recently been healed. They see a wheelchair and realize that she hadn’t been able to walk before the visit from “her brother.” When Crowley threatens to take away her new gift if she doesn’t talk, Cas stops him, appealing to her that they want to help Vince. She explains that yes, he did heal her but he was very cold about it, like he was just doing an errand. She also mentions the red-head he was with, which Castiel immediately realizes she means Rowena.

Cas is a bit irritated that Crowley didn’t tell him Rowena was with Lucifer then makes the assumption that this devil-hunt isn’t so much about revenge as it is to save Crowley’s mother. The demon will not have his reputation of being heartless ruined, explaining that Rowena is way too powerful of a witch and Lucifer will use her for his own purposes.

Lucifer (Rick Springfield) is having some problems of his own at that moment as Vince’s body is already showing signs that it won’t hold him for much longer. Now we know a big reason he kept Rowena, he wants her to make the body strong enough to be his vessel moving forward. Rowena (Ruth Connell) states that she would need the Book of the Damned and doesn’t know where it is, which he knows is a lie on both parts. Not only does she know where it is, he knows she already learned what she needed from the book. And if she wants to live any longer, she has to do the spell.

Not having any other choice, she does what he asks while trying to convince him that she can continue to be valuable so he won’t kill her as soon as the spell is over. Lucifer won’t make any promises, only responding with, “We’ll see.” However, like mother like son, Rowena has some tricks up her sleeve and the spell actually speeds up the decaying process instead. Of course, Lucifer is furious as his vessel starts to decompose before our eyes. He states he is going to kill her and make sure it sticks this time, but she is defiant and uses another spell to send him far, far away.

A while later, Cas and Crowley make it to the address Wendy had given them to look for Vince and find Rowena. After telling them what happened, she admits that while trying to put all of the witch-stuff behind her, she had tried to forget about Lucifer and how much she hated him. Crowley takes this as an offer to help them. Although Rowena doesn’t agree to help them find Lucifer again, she does promise that when they track him down and have him cornered she will be there.

Now, back to our Winchester family. Internet research has led Sam and Dean to some Scandinavian lore about mylings, vengeful souls of unbaptized children. They believe this is what is haunting the house. Mary isn’t so certain, saying that the boy she saw didn’t want to hurt her. He was scared. The lore fits the signs so far though, and the boys decide that the best course of action is to salt and burn the bodies of the children who died in the house. At that moment, Mary has a vision of the kid and the house, appearing to nearly faint. Dean and Sam are concerned, yet she doesn’t share what she saw so they leave her behind to rest while they take care of their task.

As soon as they’re gone, Mary starts making some phone calls and ends up speaking to the mother of the last child who died in the house. The woman tells Mary the story of the night her son died, how she couldn’t understand how he was fine one minute when she checked on him, then freezing cold and dead the next. Mary asks what the woman’s son, Lucas, looked like and realizes that it was the boy she had seen.

Next, we flash over to Sam and Dean as they salt and burn the bodies. Sam mentions again that he’s worried about their mom. Dean, not the best at talking through problems as it is, just wants to have something good and not make everything into a problem when it doesn’t need to be. He insists that Mary is adjusting and that she will be all right. Yet Sam disagrees, claiming she’s burying herself in hunting to avoid thinking about how hard the adjustment is. They continue to ponder that thought while returning to the motel. But when they get there, Mary isn’t in the room and neither is the weapon bag.

That’s because she’s at the house, armed up and ready to deal with whatever is truly causing these deaths. The boy appears again and this time she tries to talk to him, calling him Lucas and telling him she talked to his mother. Once she puts down the weapons which were frightening him, he silently leads her over to a boarded-up door before disappearing again. Taking this as a sign of where she needs to go, Mary removes the boards and enters the basement. But what is she supposed to do there? Lucas shows up again, speaking this time, asking for help. Before she can find out exactly how to help, a call comes in from her own sons. She’s at least able to tell them where she is and that burning the bodies didn’t work, since Lucas is still right in front of her, before the call drops.

Returning upstairs, Mary finds the ghost of a man in the room now, recognizing him as the father of the little girl that first died there. Placing a hand on her chest, the ghost begins to freeze her heart. Thankfully, Dean and Sam get there just in time to stop him from killing her. All is not good, however, because Mary is now possessed by his spirit. She attacks them, throwing Sam against a wall and pushing Dean against another, saying they’re her children…forever. Mary begins to freeze Dean as he tries to appeal to his mother somewhere still in her body to get her to stop.

Showing her strength again, Mary fights the spirit controlling her, letting Dean go and managing to tell them to go to the basement. Sam follows her instruction while Dean stays behind to help her fight the ghost, getting his butt kicked in the process. As soon as the spirit realizes that Sam is in the basement, having torn down a wall to reveal another body and is giving it the salt and burn treatment, it gets angry and intends to go stop him until Dean wraps Mary in an iron chain. The body burns, the chain rips the spirit out, and the ghosts of the children appear as their captor/killer also burns. Finally, the kids are able to move on to Heaven.

As the episode concludes, the Winchesters return to the Bunker where Dean apologizes to Mary if she felt like they sidelined her when this was her hunt. He also compliments her on how well she did, which she doesn’t feel quite so much. He reminds her that she was right, the kids were innocent and mentions that he wishes they knew why the events in that house occurred. Mary shares that she knows exactly what happened, saw it when she was possessed. When the man lost his daughter, he went mad. He walled himself up and starved to death. Then as new families with children moved into the house, he wanted them for his own so he took them.

The knowledge understandably bugs her to which Dean consoles that everything is okay, she’s home now. Her response surprises him when she says no, she’s not. She misses John and how she remembers her boys as small children. Apologetically, Mary states she has to go and that she needs some time on her own. She says goodbye to them, giving a saddened Sam a hug. Dean is sad too, but is also angry and hurt, backing away and unable to look at her as she takes John’s journal and leaves. They sure do like to toy with our emotions! Now we have to wait until the next episode to see how our boys handle getting their mother back for such a short amount of time, and what kind of danger they’ll get themselves into next.





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