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AMC’s FearFest to Include ‘Walking Dead,’ ‘Halloween,’ and ‘The Exorcist’

Nightmare on Elm Street star Jackie Earle Haley
Jackie Earle Haley in ‘A Nightmare on Elm Street’ 2010 (Photo © New Line Productions)

This year’s AMC FearFest is set to be the network’s biggest horror event to date. 2016 marks FearFest’s 20th anniversary and will include more than 400 hours of horror/genre programming, with AMC scheduling an 88 hour marathon of all six seasons of The Walking Dead during the frightfest. Among the classic horror films that will be screened this year are movies from the Halloween, Friday the 13th, and A Nightmare on Elm Street franchises.

The 2016 AMC FearFest runs for 19 days, beginning on October 13th and finishing up on Halloween night.


“Movies have always been at the core of AMC, and for 20 years AMC FearFest has given us the opportunity to serve some of the most passionate and engaged movie fans of all – fans of the horror genre,” said Tom Halleen, executive vice president of programming and scheduling for AMC and SundanceTV. “This year’s AMC FearFest is the largest in our history, more than 400 hours of programming including 11 iconic horror franchises, a full 88-hour marathon of The Walking Dead, which premiered as part of the annual celebration in 2010, an all-new two-hour catch-up special and the highly anticipated season seven premiere.”

The AMC FearFest Lineup:

  • Halloween: The original Halloween 1-5 (1978-1989), Halloween (2007) and Halloween II (2009).
  • A Nightmare on Elm Street: The original A Nightmare on Elm Street 1-5 (1984-1989), Freddy’s Dead: The Final Nightmare (#6, 1991), Freddy vs. Jason (2003), and A Nightmare on Elm Street (2010).
  • Friday the 13th: The original Friday the 13th Parts I-VIII (1980-1989), Jason Goes to Hell: The Final Friday (Part 9, 1993), Jason X (Part 10, 2001), and Friday the 13th (2009).
  • The Amityville Horror: The original The Amityville Horror (1979), Amityville II: The Possession (1982), Amityville 3 (1983), and The Amityville Horror (2005).
  • The Exorcist: The original The Exorcist (1973) and Exorcist II: The Heretic (1977).
  • The Omen: The original The Omen (1976), Damien: Omen II (1978), Omen III: The Final Conflict (1981), Omen IV: The Awakening (1991).
  • Alien: Alien (1979), Aliens (1986), Alien 3 (1992), Alien: Resurrection (1997).
  • Chucky: Child’s Play 2 (1990), Child’s Play 3 (1991), Bride of Chucky (1998) and Seed of Chucky (2004).
  • Tremors: Tremors (1990), Tremors 2: Aftershocks (1996), Tremors 3: Back to Perfection (2001), Tremors 4: The Legend Begins (2004).
  • Underworld: Underworld (2003), Underworld: Evolution (2006), Underworld: Rise of the Lycans (2009).
  • Stephen King: Cujo (1983), Carrie (1976, 40th anniversary), Silver Bullet (1985), The Graveyard Shift (1990), Dreamcatcher (2003), Thinner (1996, 20th anniversary), 1408 (2007), Children of the Corn II: The Final Sacrifice (1992), Children of the Corn III: Urban Harvest (1995).




History Announces ‘Curse of Oak Island’ and ‘Hunting Hitler’ Premiere Dates

Curse of Oak Island Season 2
The stars of ‘The Curse of Oak Island’ season two (Photo © A+E Networks, LLC)

The Curse of Oak Island and Hunting Hitler will return to History’s primetime lineup on November 15, 2016. The Curse of Oak Island season four will air at 9pm ET/PT followed by Hunting Hitler season two at 10pm ET/PT. Both shows are among History’s biggest ratings earners, with Curse ranking as the #1 nonfiction series and Hunting Hitler the #2 new nonfiction series.

Kevin Burns, Joe Lessard, Kim Sheerin, Matt Ginsburg, and Michael Stiller are executive producers on The Curse of Oak Island. Hunting Hitler is executive produced by Emre Sahin, Sarah Wetherbee, Kelly McPherson, Jason Wolf, Tim Healy and Melinda Toporoff.


The Curse of Oak Island Plot: For Rick and Marty Lagina, their lifelong dream of solving the 221-year Oak Island mystery may be on the verge of the greatest breakthrough yet. After discovering a mysterious shiny gold object last season in a cavity of the island, the Laginas are going for broke when The Curse of Oak Island returns. With over 450-tons of massive, state-of-the-art technology and heavy digging machinery, this season the Lagina Brothers and their partners are excavating the renowned Money Pit – a manmade hole first discovered by three teenage boys in the late 1700’s – which is believed to be hiding a chest full of valuable items.

The Hunting Hitler Plot: Season two of Hunting Hitler returns as 21-year CIA veteran, Bob Baer, and the UN’s premier war crimes investigator, Dr. John Cencich, continue their investigation to uncover the true fate of Adolf Hitler and the wider Nazi dispatch at the end of WWII. After an exploration last season that took them across thousands of miles and six countries, Baer and Cencich take their hunt to a new level in season two by gaining access to over 14,000 pages of declassified international documents from every major intelligence agency around the world.

With hundreds of new discoveries and promising leads at their fingertips, Baer and Cencich deploy dozens of experts, historians, and military man hunters armed with the most cutting edge technology to uncover the truth. From photographic evidence to the unveiling of a secret Nazi cult in the remote mountains of Chile, the team will stop at nothing in an effort to answer questions that have lingered for over seventy years.




Adam Devine 2017 Standup Comedy Tour Dates Revealed

Adam Devine Tour

Adam Devine will be traveling the U.S. in 2017 with his ‘Weird Life Tour’ kicking off on January 27th in Las Vegas. Devine is the co-creator and star of Comedy Central’s Workaholics and occasionally guest stars on Modern Family. He was recently seen in Mike and Dave Need Wedding Dates with Zac Efron and was Rebel Wilson’s love interest in Pitch Perfect and Pitch Perfect 2.


Tickets are set to go on sale beginning Friday, October 14, 2016 at 10am local time. For more info, visit Facebook.com/adamdevineofficial.

Weird Life Tour Dates:

January 27 Las Vegas, NV The Joint

January 28 Flagstaff, AZ Audrey Auditorium

January 31 Dallas, TX The Majestic Theatre

February 1 Houston, TX Revention Music Center

February 2 New Orleans Orpheum Theatre

February 3 Tampa, FL Tampa Theatre

February 4 Miami Beach, FL The Fillmore Miami Beach at The Jackie Gleason Theater

February 7 Charleston, SC Charleston Music Hall

February 8 Atlanta, GA Tabernacle

February 9 Charlottesville, VA Paramount Theater

February 10 Columbus, OH Capitol Theatre

February 11 Detroit, MI The Fillmore Detroit

February 12 Bloomington, IL Shirk Center (Illinois Wesleyan University)

February 14 Indianapolis, IN Clowes Memorial Hall

February 15 Saint Louis, MO The Pageant

February 16 Kirksville, MO Ophelia Parrish Performance Hall

February 17 Madison, WI Orpheum Theater

February 18 Des Moines, IA Hoyt Sherman Place

February 22 Midwest City, OK Rose State College – Hudiburg Chevrolet Theatre

February 23 Lawrence, KS Lied Center

February 25 Salt Lake City, UT Kingsbury Hall – University of Utah

February 28 Boise, ID Egyptian Theatre

March 1 Spokane, WA Bing Crosby Theater

March 2 Eugene, OR McDonald Theatre

March 3 San Francisco, CA The Masonic

March 4 Los Angeles, CA The Wiltern




‘Scream’ Halloween Special Trailer and Plot Details

Amadeus Serafini in Scream
Amadeus Serafini in ‘Scream’ (Photo Credit: MTV)

The Scream team is back for a Halloween special set to air on October 18, 2016 from 9-11pm ET/PT. Returning for the two hour special are Scream stars Willa Fitzgerald as Emma, Amadeus Serafini as Kieran, John Karna as Noah, Santiago Segura as Stavo, and Bex Taylor-Klaus as Audrey.

The Plot: Just in time for Halloween, MTV unleashes a horrifying new 2-hour special that picks up eight months after Kieran’s (Serafini) arrest. Emma (Fitzgerald) is struggling to focus on her future and who she really is after everything that has happened. Meanwhile, Noah (John Karna) and Stavo (Segura) have combined forces to create a best-selling graphic novel based on the Kieran Wilcox murders and Audrey (Taylor-Klaus) has found herself in a new relationship.

Since the first anniversary of Piper’s killing spree is upon us, Emma and her friends are determined to be as far from Lakewood as possible and Stavo has the perfect solution. He and Noah are researching for their next graphic novel, a Lizzy Borden-esque legend on Shallow Grove Island, and suggest the rest of the group come along for the weekend. Just when they thought they were safe, the Lakewood survivors find themselves in another bloody standoff, leaving them to wonder – is an old legend coming back to life or has murder followed them from Lakewood?” Could there be more Scream to come?…

Watch the Scream trailer:





‘Halt and Catch Fire’ Gets a Fourth and Final Season

Halt and Catch Fire star Lee Pace
Lee Pace as Joe MacMillan in ‘Halt and Catch Fire’ season 3 (Photo Credit: Michael Moriatis / AMC)

Halt and Catch Fire fans will have time to prepare for the end of the series as AMC has announced the show was renewed for a fourth and final season. Season three’s finale airs on October 11, 2016 at 9pm ET/PT, finishing up with back-to-back original episodes. According to AMC, season four will consist of 10 new episodes however the network hasn’t yet set a premiere date for the show’s last season.

Halt and Catch Fire creators/showrunners Christopher Cantwell and Christopher C. Rogers will, per the announcement, “write the series focused on the dawn of the computer industry in the 1980s in Texas and California to conclusion.” The series stars Lee Pace, Scoot McNairy, Kerry Bishé, Mackenzie Davis, and Toby Huss.

“First off, we’ve been incredibly fortunate to have a creative partner in AMC that has nurtured us from new writers into showrunners over these past three seasons. It has been our great privilege to watch the world of Halt and Catch Fire expand and mature in that time, powered by our incredible cast, our exceptional crew, our absurdly talented writers, and our producing partners at Gran Via, all of whom have come to feel like our family,” stated Cantwell and Rogers. “In this fourth and final season, we are excited to end the show on its own terms and to give our story, these characters, and our fans the conclusion they so richly deserve.”

“We are so proud of Halt and Catch Fire – a true passion project – and thank the critics and fans who have embraced this unique program,” said Charlie Collier, president of AMC, SundanceTV and AMC Studios. “Congratulations and thanks to creators and showrunners and to Halt’s enormously talented writing team, producers, cast and crew. It is our great pleasure to renew this project for a fourth and final season, so we can all tune in to see if Cameron, Donna and the rest of the gang turn Swap Meet into eBay, Amazon or Facebook.”

The Plot: Halt and Catch Fire captures the rise of the PC era in the early 1980s, focused on characters attempting to innovate against the changing backdrop of technology, initially in the Silicon Prairie of Texas and ultimately in California’s Silicon Valley.




‘Once Upon a Time’ Season 6 Episode 4 Preview: Strange Case

Once Upon a Time Season 6 Episode 4 star Lana Parrilla
Lana Parrilla stars in ‘Once Upon a Time’ (Photo by Jack Rowand / ABC)
LANA PARRILLA

ABC’s Once Upon a Time season six continues on October 16, 2016 at 8pm ET/PT with episode four titled ‘Strange Case.’ The fourth episode of the current season will find the Evil Queen teaming up with Mr. Hyde to get her hands on Dr. Jekyll’s serum. Directed by Alrick Riley from a script by David H. Goodman and Nelson Soler, ‘Strange Case’ stars Ginnifer Goodwin as Snow White/Mary Margaret, Jennifer Morrison as Emma Swan, Lana Parrilla as the Evil Queen/Regina, Josh Dallas as Prince Charming/David, Emilie de Ravin as Belle, Colin O’Donoghue as Hook, Jared S. Gilmore as Henry Mills, Rebecca Mader as the Wicked Witch/Zelena, and Robert Carlyle as Rumplestiltskin/Mr. Gold.

Episode four guest stars include Lee Arenberg as Leroy/Grumpy, Karen David as Shirin, Olivia Steele Falconer as Violet, Jonny Coyne as Dr. Lydgate, Elizabeth Blackmore as Mary, David Avalon as Doc, Jordyn Ashley Olson as the Oracle, Hank Harris as Dr. Jekyll, and Sam Witwer as Mr. Hyde.

The ‘Strange Case’ Plot: The Evil Queen and Hyde continue on their quest to steal Dr. Jekyll’s serum; Snow looks forward to her first day back as a school teacher; and while Emma looks forward to Hook moving in with her, Hook finds himself trying to protect Belle from Mr. Gold, who has made sure she can’t leave the confines of the pirate ship. Meanwhile, back in the past, Rumplestiltskin helps Dr. Jekyll complete his serum to separate a man’s personality into two – good and evil – but his help comes with a hefty price.


Once Upon a Time Season 6 Episode 4 star Sam Witwer
Sam Witwer stars in ‘Once Upon a Time’ (Photo by Jack Rowand / ABC)
SAM WITWER




‘Lucifer’ Season 2 Episode 3 Recap: Sin-Eater

Lucifer Season 2 Episode 3 star Tom Ellis
Tom Ellis in the “Sin-Eater” episode of ‘Lucifer’ (Photo by Michael Courtney ©2016 Fox Broadcasting Co)

Fox’s Lucifer season two episode three finds Lucifer’s mom on a journey to discover what could possibly be so interesting about being human. The episode titled ‘Sin-Eater’ also finds the crime-fighting super duo of Chloe and Lucifer on the hunt for a serial killer taking out people who post embarrassing videos online.

Airing on December 10, 2016, ‘Sin-Eater’ opened with a man apologizing for everything awful he’s ever done as he’s tied to a post and lit on fire, screaming as he dies. That fire scene fades to a much less disturbing one with Lucifer (Tom Ellis) dripping candle wax onto a gorgeous woman who’s obviously enjoying the experience. Mom/Charlotte (Tricia Helfer) interrupts the moment and Lucifer’s date seems to be interested in a threesome – which Lucifer quickly squashes by telling her Charlotte is his mom. Lucifer wants her to stop barging in, and Charlotte claims she just wants to be a part of her sons’ lives. Yep, she’s now practically begging to see Amenadiel but Lucifer thinks his brother will take her straight back to hell.

Detective Douche (Kevin Alejandro) apparently stood up Trixie but he makes it up to her with chocolate. He’s been busy helping out with everyone’s cases and Trixie wants to know if they’re still planning a family camping trip. Because their relationship is affecting Trixie, Dan asks to talk to Chloe privately later.

Chloe (Lauren German) and Lucifer are called out to the scene of the burned man and learn his confession was posted online on Wobble before he died. Ella (Aimee Garcia) is trying to figure out how the fire started, and she says the burn pattern indicates most of the accelerant was placed on his penis. Which, of course, allows Lucifer to toss in jokes about “great balls of fire,” “hot pants,” and “fire crotch,” and Ella plays along. Chloe’s not laughing. Lucifer decides whoever killed the guy is stealing his jam…you know, it’s Lucifer’s job to punish people. With a wicked smile he declares game on.

Lucifer remains fascinated by the charred crotch and Chloe believes they have to figure out who had a personal grudge against this victim. An officer walks up with info on emails from the victim’s boss, Leila Simms (Robin Givens), at Wobble that seems to indicate she had a problem with him.

They interview Leila who admits they dated briefly, and Lucifer bluntly asks why she tortured Nick to death. She confesses to being upset about pictures he shared because workplace romances are frowned upon, and Lucifer informs her Nick died by having his penis lit on fire. She calls in Ray (Vik Sahay) from Human Resources to pull up a video of Nick lighting an intern’s crotch on fire at a company party. Lucifer thinks it’s funny but the intern, Tommy, was made a laughingstock and quit.

Chloe and Lucifer interrogate Tommy (Harry Katzman) who says Nick made his life at work a living hell. Tommy believes Nick deserved what happened to him but won’t admit he did it. Lucifer uses his power but he barely gets out a word before Tommy confesses. Confession obtained, Chloe and Lucifer walk out of the interrogation room to find Charlotte surrounded by cops, all laughing and having a good time. Lucifer’s incensed, wanting to know why they’re all so chummy. Chloe reminds him Charlotte is a lawyer who used to be a cop. Plus, she’s a knockout.

Lucifer leads Charlotte away from the group and yells at her for showing up at the station and drawing attention to herself, reminding her Amenadiel wants to take her back to hell. She just wanted to see her son at work. He pushes her into the elevator and makes her leave, and Chloe is wondering how he knows her so well. He deflects and turns the attention onto her dysfunctional relationship with Detective Douche. Lucifer wants to know if she’s considered how their fighting affects those caught in the middle. Of course, Chloe thinks he’s talking about Trixie and of course, Lucifer is actually talking about himself. He says he’s bored by it all. Detective Douche interrupts with another video of someone apologizing for a video they made before being killed.

Chloe and Lucifer head out to the murder scene and now it’s apparent there’s a serial killer in town. This victim isn’t burned and is instead tied to a sex rack, as Lucifer dubs it. He was killed by having apples forced down his throat. Chloe finds the victim’s phone stuffed down his shirt and the video he apologized for is queued up. It’s a sex tape and Chloe figures out the serial killer is doing to these victims what they did to the people in the embarrassing tapes they posted online. Their new male victim’s dressed as a schoolgirl and putting two and two together they deduce the woman in the sex tape was a teacher. Good detective work leads to the discovery that the teacher was fired after the sex tape went online and she killed herself. She didn’t kill the apple victim, but a connection exists. Both embarrassing videos were posted to Wobble. Lucifer thinks both victims got what they deserved and so he’s happy with the killer’s work. Back to the bar he goes while Chloe just shakes her head.

Speaking of the bar, Maze (Lesley-Ann Brandt) and Dr. Linda (Rachael Harris) are having a drink there and talking about Maze’s success in stepping out on her own and giving up her work at the bar (she’s there socializing, not working). Charlotte walks up, says a brief hi, and after she walks away Maze says she has to get rid of that b*tch. Dr. Linda misinterprets her response to mean she’s jealous of Lucifer’s new girlfriend. Maze says she’s not jealous but she wants Charlotte to get what she deserves. Dr. Linda tells Maze to talk to Lucifer, and Maze decides to find someone who will listen since Lucifer won’t.

Dan reached out to Wobble but can’t get info without a warrant. Chloe tells him she doesn’t want to put Trixie in the middle of their problems so she doesn’t want to go on the family camping trip.

Lucifer’s smiling as he looks out over his domain, checking out the women when he spots his mom doing some dirty dancing on a table. She just wanted to find out why humans were happy dancing and admits, disturbingly for poor Lucifer, she got a ‘tingle’ rubbing up against humans. He puts her over his shoulder and carries her away from the dance floor. Charlotte says she gets why he has the club and hangs out with Maze, but doesn’t get his job with the police. He tells her he’s a civilian consultant and she doesn’t understand why he still punishes people. He replies, “It’s what I’ve always done.” She says punishing people is what his father wanted him to do and wonders if he’s still trying to win over his dad. He gives her the red-eyed glare and warns her to be careful.

Back at Wobble, Chloe wants Leila to give her a list of who looked at both videos but unfortunately, they don’t track videos that way. Leila explains they have content moderators who take down videos that are too disturbing, and that’s where Chloe catches up with Lucifer. He’s enjoying some videos, especially one of a naked man jumping on the back of a rhino and landing on its horn. He’s extremely amused by it but Chloe’s not. Chloe wants to know what he’s doing there and he admits it’s to find the killer so he can learn why he wants to punish people. Chloe, confused, has no idea why Lucifer wants to talk to the killer about his motivations. He loves this special room and its moderators who get to see everything including all the most disturbing videos, which leads Chloe to believe the killer is one of the moderators.

And now we finally catch up with Amenadiel (DB Woodside) who is drowning his sorrows in wine. Maze shows up and he quickly vacuums up his feathers without letting her in. She breaks down the door and wants to know what he’s hiding. She thinks he’s getting some, and he plays along. Maze tells Amenadiel she wants this new woman in Lucifer’s life gone and as he spots a feather on the ground, he agrees to talk to Lucifer to get Maze to leave.

Chloe thinks when one of the moderators saw the video of Nick, their co-worker, something in them snapped and now they’re killing people. Lucifer argues no one chooses to punish people, to be a Sin-Eater, and absorb the worst of humanity day in and day out. But then Lucifer decides none of the content moderators did it, pointing out photos of “ugly” children, flower pots, and a reunion poster for Destiny’s Child. He says these people still have hope. They discover Leila is actually the person who was moderating the longest, but she disappears before they can talk to her again.

Amenadiel pays a visit to his brother but he’s not home, however, Charlotte is. She’s wearing a towel and nothing else and Amenadiel doesn’t know who she is. She tells him she’s having trouble with her kids and that she’s trying to get closer to them. She asks if he’s a good son and he says he’s trying to be. She asks if a good son would automatically take his father’s side in a divorce and take his mother back to hell? He realizes she’s his mother and she’s going off about Lucifer being obsessed with his human job and Amenadiel still being his father’s loyal soldier. She agrees to go back to hell, telling him to take her back. Then, she hugs him and says she will always love him.

Back at the station, Chloe and Lucifer discover Leila was one step ahead of them all along. Then a message pops up on Wobble’s homepage indicating Leila’s going to kill herself live on air. Lucifer’s upset that he won’t be able to talk to her (making it all about himself as always), but Chloe doesn’t think that Leila killing herself fits the killer’s M.O. They pull up a video of Leila driving and see there’s someone in the backseat pointing a gun at her. She’s a victim, not their killer.

Tracing the signal, they figure out Leila is back at Wobble’s headquarters in the server room. Chloe and Lucifer spot her as she’s shooting her apology video. She begs to be let go but Ray, the H.R. guy, has her at gunpoint. Leila is made to pour gas on herself as Ray lights his lighter. Chloe and Lucifer are hidden but Chloe can’t shoot him because he might drop the lighter. Lucifer tells Chloe to leave but Chloe won’t, and Lucifer decides to go have a chat with the killer. He asks why he’s punishing people since he’s not being forced to do it, and Ray says it’s because he couldn’t take it anymore. Lucifer argues that Ray didn’t have to do this, he wanted to. Lucifer tells him he won’t be able to stop because he loves it, and Ray agrees that he did like seeing them beg for forgiveness. Lucifer tells him he became someone deserving punishment and Chloe pulls the fire extinguisher just as the lighter falls to the floor. Lucifer punches Ray in the face for good measure and then makes a joke about looking “quite extinguished.

Chloe chats with Dan at the station and says she knows she’s been hard on him for a while. She was angry and felt betrayed, but she knows he’s been working hard to make it right. She even agrees to go on the trip but he says no. Dan agrees that she was right and that they shouldn’t lie to Trixie. He knows he’ll always be Trixie’s dad and part of their lives, and it’s time to move on. He tells her it’s time they get a divorce.

Heading home, Lucifer’s surprised when he sees his brother waiting for him and immediately asks if he did it. Charlotte walks in, so the answer is definitely no. Lucifer doesn’t understand why Amenadiel didn’t do it, and Lucifer’s surprised he’s going against their dad. Charlotte’s happy to have her sons back, but Lucifer says not so fast. He punishes because he’s good at it, it makes him happy, and so he decides that his mother’s sentence will be to remain on Earth among the creatures she despises. He’s going to make her live her life like she’s really Charlotte, complete with a husband and children. That’s the price she’ll have to pay if she wants to be with her sons. She agrees.

Charlotte is heading home, walking down a dark street when she’s held up at gunpoint. The robber attacks her when she doesn’t give up her purse fast enough and she pushes him, discovering she’s as strong as her sons.




First Batch of 2016 CMA Awards Performers Announced

Keith Urban 2016 CMA Awards
Keith Urban (Photo Courtesy of CMA World)

2016 CMA Awards nominees Dierks Bentley, Eric Church, Maren Morris, and Keith Urban are confirmed to perform on this year’s awards show. In addition, Brad Paisley and Carrie Underwood will do double duty, performing as well as hosting the Country music awards show. The 50th Annual CMA Awards will take place at Bridgestone Arena in Nashville and will air on live on ABC on November 2nd.

The 2016 CMA Awards will be directed by Paul Miller and executive produced by Robert Deaton. Eric Church, first-time nominee Maren Morris, and Chris Stapleton lead the pack of nominees with five each followed closely by Carrie Underwood, Keith Urban, and Dierks Bentley with four 2016 CMA Awards nominations. Tim McGraw earned three nominations this year. Eligible CMA members determine the winners, with balloting closing on October 25th.


Dierks Bentley’s nominations come in the Male Vocalist, Album, Music Video, and Musical Event of the Year categories. Bentley has been nominated 20 times and won twice. Confirmed performer Eric Church has stacked up a total of 22 nominations and this year will be competing in the Male Vocalist, Album, Single, Song, and Music Video of the Year categories.

CMA Awards newbie Maren Morris was nominated this year in the Female Vocalist, Album, Single, Song of the Year, and New Artist of the Year categories. Keith Urban has been nominated every single year since 2004, adding to his long list of CMA Awards nominations with Entertainer, Male Vocalist, Album, and Musical Event of the Year in 2016.

Complete list of 2016 CMA Awards nominees




‘Gotham’ Season 3 Episode 4 Recap: New Day Rising

Gotham Season 3 Episode 4
Camren Bicondova and David Mazouz in the “Mad City: New Day Rising” ‘Gotham’ (Photo by Jessica Miglio © 2016 Fox Broadcasting Co)

Lee’s back, Alice is hiding from the Mad Hatter, and Penguin has turned into a politician in Fox’s Gotham season three episode four. Titled ‘New Day Rising’ and airing on October 10, 2016, episode four begins with Harvey Bullock (Donal Logue) interrogating Alice (Naian Gonzalez Norvind) at the station. Alice explains her brother Jervis Tetch/Mad Hatter kept her locked up for years and she’s scared of him. She only ran away to Gotham to get away from Jervis, and unfortunately Hugo Strange found her and locked her up. Alice warns Harvey her brother is coming for her and no one understands what he’s capable of.

Meanwhile, Jervis (Benedict Samuel) has found an old amusement park he thinks would be perfect for his sister. He tells the owner that only reuniting with his sister will keep him sane, delivering that statement immediately before killing the owner.

Election day comes and Oswald Cobblepot (Robin Lord Taylor) and Aubrey James (Richard Kind) are running neck-and-neck. At Oswald’s campaign headquarters Ed Nygma (Cory Michael Smith) thanks his new BFF for everything. Oswald’s framed their Arkham release certificates and Butch (Drew Powell) interrupts the two to tell Oswald he’s needed. (Butch doesn’t hide the fact he doesn’t like Ed and the feeling appears to be mutual.)

At the GCPD station, Captain Barnes (Michael Chiklis) is yelling, once again, at Jim Gordon (Ben McKenzie) because of this new problem on his desk: what to do with Alice. Barnes wants blood drawn from Alice and he wants Jervis brought in for questioning. Barnes warns Jim to stay away from Jervis, but Jim pretty much just tells him off.

Lee (Morena Baccarin) draws blood from Alice, asking her about her blood condition. Alice says just by coming into contact with her blood a person is changed. She thinks it “brings out a person’s true nature.” Alice says Jervis isn’t infected but instead says they’re two sides of a coin. She’s the blood; he’s the mind. Jervis preys on fear, anger, and regret.

Outside the station, the campaigning continues with Oswald using the “Make Gotham Safe Again” slogan to rally the citizens. After pushing the button to cross the street and hearing its little rhythmic clips, Jim is immediately back under by Jervis’ control. Jim steps in front of a truck and is almost killed. A stranger pulls him away just in time.

Alfred (Sean Pertwee) discovers the car is in an impound lot and Bruce (David Mazouz) asks Alfred if he thinks Five went to the city to impersonate him, wondering where he would go. Alfred definitely thinks so but doesn’t know where he went. Alfred mentions the address of where the car was found and Bruce figures out Five went to see Selina.

Five and Selina (Camren Bicondova) are walking around the city and Five doesn’t understand half of what she’s saying. She heads into a betting parlor to rob it, causing a fight to create a diversion. She starts gathering up cash but she’s caught by the boss and one of his henchmen.

Oswald delivers a speech to his supporters, telling them there’s nothing they can’t do. Ed sees Butch at the back of the room pass an envelope to a member of the election board. Ed takes a look at what’s inside the envelope as Butch tells one of his men to secretly follow Ed for the rest of the day.

Jim visits Barbara (Erin Richards) at the club, asking if she knows where Jervis is. Barbara isn’t much of a help, but then Jim tells her he needs this favor. He tells her Jervis is dangerous and Barbara finally reveals Jervis was in earlier, looking to hire some muscle for an upcoming performance.

Jervis finds his muscle in wrestling siblings, the Tweed Brothers. He wants them to help break Alice out of the GCPD, hypnotizing the brothers to get them to agree.

Selina’s tied up and is about to have her fingers cut off when Five interrupts, taking out both of the men without breaking a sweat. He frees Selina and they run out of the building.

A radio broadcaster says Oswald’s campaign has been run on name-calling and fear-mongering but his message of “Make Gotham Safe Again” seems to have connected with voters.

Jim meets with Captain Barnes, asking for five minutes with Alice. Jim confesses that Alice’s brother did something to him and Captain Barnes is sympathetic. He tells Jim to make peace with his decisions and then agrees to let Jim speak with Alice for five minutes.

Selina asks Five (who she still thinks is Bruce) how he took out those men. She then sees a huge cut on his stomach along with scars. She figures out he’s not Bruce and wants to who/know what he is.

Ed wants to know if Oswald realizes Butch is paying off officials, and Oswald admits he does. Ed tells him he can win it without cheating and wants Oswald to call off Butch. Just then a little girl interrupts, thanking Oswald for getting rid of the monsters. Oswald says he feels wanted and then Ed pays the little girl, trying to prove a point. Oswald tells Ed to stay out of his business.

Jim speaks with Alice, telling her he needs her help finding Jervis. She knows he’s in Jim’s head, but she doesn’t know how to stop it. She says Jervis has tapped into something he’s struggling with and tells him there’s always a trigger. They figure out anything resembling Jervis’ watch ticking will trigger the impulse to kill himself. He also did this to Alice when she was a kid, giving her thoughts she shouldn’t have and that’s why she wants to kill him.

The Tweed brothers, dressed in their wrestling attire, disrupt the Gotham City police station. Jervis’ voice is heard over the loudspeaker and the five Tweed brothers start throwing officers around. Jim attempts to escape with Alice and Jervis spots them, pulling out his watch. Jim yells for Alice to leave as Jim points his own gun at his head. Captain Barnes knocks him out before he can pull the trigger.

It looks like Selina’s gotten over being freaked out by Bruce’s doppelgänger. She stitches him up and he tells her whatever they did to him at Indian Hill caused him to never feel pain. Five tells her that when Bruce didn’t have the answers he was looking for, he left Wayne Manor. She asks why he pretended to be Bruce and he says it was because of how she looked at Bruce. Five’s never had a friend and wanted to feel what it was like. She tells him he’s more normal than he thinks and they kiss!

Jim comes to and he’s handcuffed to a chair in Lee’s office. He wants to be uncuffed but she won’t set him free because she doesn’t know what she’d do if something happened to him. She says she had no choice but to move on, after crying herself to sleep every night. She wanted him to show up at her door and he never did. She turned to Mario because he helped her pull herself back together. The only thing Jim has to say in response is, “The past is the past. There’s nothing I can do to change that.” Lee puts him on a 48-hour suicide watch.

Butch promises all of the gangsters that they’ll run the city when Oswald is mayor and they toast to the news. Just then the guy he assigned to keep an eye on Ed reports he lost him. Butch receives a phone call and they all rush out.

Two Tweeds are dead, two escaped, and Harvey interrogates the one who was caught. Harvey tries to get through to the Tweed by talking about his brothers, and even says he was a fan of the Tweeds when they wrestled. He threatens to burn the dead Tweeds’ wrestling masks and the remaining Tweed tells him where Jervis took Alice.

Jervis took Alice to the old amusement park and he needs her to understand how important she is to him. Jervis begins taking her blood. Meanwhile, Harvey frees Jim (Lee told Harvey where Jim was headed) and together they head out to find Jervis.

Bruce and Alfred find Five up on the roof by Selina’s pigeons. Bruce’s pissed at Five for impersonating him, but Five is strangely calm. Five and Bruce argue and then Five says he’s leaving and knows he doesn’t belong in Gotham. He jumps off the roof and lands without injuring himself. Before he goes he tells Bruce to say goodbye to Selina and thank her for the kiss.

Alice wants to know what Jervis will do with her blood and he says he’ll put it in the public’s water. She promises to do whatever he says. Harvey and Jim show up and tell Jervis to let Alice go. Jervis says he’ll free Jim from the impulse if he lets him take Alice. Jim refuses and a Tweed starts a metronome. Jim begins losing control of his gun and is suddenly frozen in an inner struggle as a gunfight breaks out. Jim sees visions of Lee kissing Mario and recalls saying the past is the past. He regains control and shoots the metronome. The spell’s broken and Alice tries to get away from Jervis. She falls to her death and Jervis goes crazy.

The paramedics bag up Alice and Captain Barnes confronts Harvey about freeing Jim against his orders. Barnes says Jim will get him killed, but Harvey promises to never turn his back on his partner.

Ed and Oswald wait for the election results, and Butch comes in and attacks Ed. Ed took all the money back from the district officials and Oswald’s incredulous. Butch is about to shoot Ed and Oswald asks why he shouldn’t let him. Just then a cheer breaks out because Oswald has won the election, fair and square. It was a landslide decision. Oswald cries and can’t believe they really wanted him as mayor. Ed tells him if he would have bought the election he never would have known if the people really loved him. Now he knows for sure. Ed assures Oswald he believes in him. Oswald turns his anger on Butch and now it’s Ed who is Oswald’s number one guy.

Bruce and Alfred drink tea and wonder why Hugo created Five in the first place. With everything going on, the one thing that bothers Bruce the most is the idea Selina kissed Five. He asks Alfred if he thinks that Five was lying and Alfred refuses to have the conversation. Bruce finally decides Selina must have thought Five was him.

Lee and Jim have a semi-friendly conversation back at the station, and Jim lets her know he’s no longer controlled by Jervis. And then comes the big confession… Jim tells Lee she was right about everything and that he’s happy for her – or at least trying to be.

Five’s walking down the street when the leader of the Court of Owls tells him he can be so much more than Bruce Wayne. He’s drugged and taken away in a car.

Oswald accepts the role as mayor, introducing Edward Nygma as his Chief of Staff. Ed’s surprised and Butch is definitely jealous.

Back at the amusement park, Barnes sees blood is dripping from somewhere and a drop hits his eye. Something changes within him.




10 Most Realistic Films About Going Insane

Spider star Ralph Fiennes
Ralph Fiennes stars in ‘Spider’ (Photo © Sony Pictures Classics)

Going insane is a terrifying thing and it’s often been used as the foundation for horror films ranging from Psycho to The Shining. Depicting a deteriorating mind is tempting for filmmakers but often the resulting films are designed as showcases for actors who want to chew up the scenery (this happens in a good way with Whatever Happened to Baby Jane?) or as glossed over stories of recovery (A Beautiful Mind, Girl, Interrupted). Here is a list of films that either place you in the head of a character who is insane to convey what that outlook on the world is like or that realistically try to depict what mental illness is like. There are a lot of films to choose from but this is a starting point of some of the best and most serious or sincere explorations of the topic.

1. A Woman Under the Influence (1974)
John Cassavetes directs his wife Gena Rowlands in this portrait of a wife and mother who struggles with mental illness. Rowlands is heartbreakingly good as Mabel, and Peter Falk, as her husband Nick, shows the role love and patience can play in coping with mental illness. An honest, raw, and deeply moving film that is one of the most realistic explorations of insanity ever put on film.

2. Repulsion (1965)
Roman Polanski’s Repulsion is perhaps the best film (although stiff competition from Spider and many of the works of David Lynch) at conveying what it might feel like to be inside the mind of someone going insane. Catherine Deneuve (no stranger to playing insane; see her work in Belle Du Jour) is a woman repulsed by sex and by the behavior of her sister’s boyfriend. The film provides a first-person perspective on a descent into depression and madness, stunningly conveying the kind of horrific visions Deneuve’s character is haunted by.

3. Spider (2002)
David Cronenberg’s Spider is right up there with Repulsion for putting us into the head of someone slipping into madness. Both films create worlds where we can’t tell what’s real and what’s in the character’s head. Cronenberg and Polanski make us understand how that inability to distinguish that difference is the very root of their characters’ insanity. Ralph Fiennes is a mentally disturbed man who lives in a halfway house and is thought to be on the road to recovery. But through the course of the film he slips back into a world he has created where he replays a pivotal moment from his childhood. Meticulously crafted and absolutely riveting, this is one of the most unnerving portraits of what it feels like to lose your grasp on the real world.

4. Frances (1982)
This biography of actress Frances Farmer is chilling in the way it portrays the mental health world of the recent past when lobotomy was considered acceptable treatment for someone who might have just been stubborn, strong-willed, opinionated, and just not willing to conform to a conventional lifestyle. The film is realistic in depicting how someone can lose control over his or her own life and be subjected to sanctioned abuse and horrific institutional treatment. Jessica Lange delivers a ferocious performance, which makes the character’s tragic end all the more painful.

5. The Snake Pit (1948)
Anatole Litvak’s film is very much a product of Hollywood but it is significant for being one of the first films to tackle the taboo topic of mental illness, and to try and remove the stigma from people who have been labeled as mentally ill. Based on Mary Jane Ward’s autobiographical book, the film served up a scathing indictment of how psychiatric patients were treated. Litvak asked star Olivia DeHavilland to visit mental institutions and attend psychiatric lectures, and she supposedly threw herself into doing research for the film. A little dated now but no less powerful, and extremely significant in terms of turning attention to mental health treatment and its patients.

6. Through a Glass Darkly (1961)
Ingmar Berman has dealt repeatedly with characters that are suffering from mental illness of varying degrees and it was difficult to pick which one was best. Persona and Hour of the Wolf were also strong contenders but Through a Glass Darkly stands out as the most realistic. It focuses, as with A Woman Under the Influence, on how a family copes with the deteriorating mental state of one member. In this case, it is the eldest daughter played by Harriet Andersson.

7. Betty Blue (1986)
Jean-Jacques Beineix’s film starts almost like a romantic comedy but then descends into a brutal portrait of a woman whose insanity often results in violence. Beatrice Dalle is terrifyingly good as a woman whose proclivity for violence can be dangerous to both those around her and to herself.

8. We Need to Talk About Kevin (2011)
Lynne Ramsay’s film looks at mental illness from the outside taking the point of view of a mother (magnificently played by Tilda Swinton) whose son displays increasingly disturbing and manipulative behavior. This film explores the darker side of insanity to ask what happens if we can’t reach or help a family member and feel challenged to continue loving him or her.

9. Taxi Driver (1976)
Martin Scorsese’s film about Travis Bickle is an intense look at what can unhinge a mind and lead to violence. The irony here, though, is that the violence gets interpreted by society as something heroic. Robert De Niro’s performance as Travis captures a man who is wound too tight and ready to explode. It provides insights into the kinds of things that can trigger violence in someone like Travis Bickle.

10. The Fisher King (1991)
Terry Gilliam has dealt with elements of insanity in many of his films be it Jonathan Pryce’s character in Brazil who escapes torture by going to a world he’s created in his head or the drug induced insanity of Fear and Loathing in Las Vegas. But in The Fisher King the setting and the exploration are the most rooted in the real world. Jeff Bridges plays a former radio shock jock who becomes depressed and suicidal after his on-air advice leads to violence. He meets up with a homeless man played by Robin Williams who is on a quest for the Holy Grail.

The film depicts two kinds of mental illness, one that might be manageable with treatment and one that might not. Plus it has Gilliam’s outrageous cinematic style.




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