Advertisement
Home Blog Page 1598

‘My Father Die’ New Trailer with Joe Anderson

My Father Die Poster

FilmRise has debuted a gritty new trailer for My Father Die starring Joe Anderson (Outsiders, Hannibal). The thriller marks the directorial debut of Sean Brosnan, son of Pierce Brosnan, with Sean also writing the script and Pierce involved as a producer. My Father Die had its premiere at the 2016 South by Southwest Film Festival and stars Anderson, Gary Stretch (Girls of Sunset Place), Candace Smith (End of Watch), and John Schneider. FilmRise will release My Father Die in limited theaters and On Demand on January 20, 2017.


The Plot: Deaf and mute since having his hearing knocked out at the age of 12, Asher (Anderson) has been training for almost two decades to avenge himself on Ivan (Stretch), the man that killed his older brother, 21 years ago. And now that his nemesis is out of prison, he may get his chance. But Asher’s target also happens to be his father.

Watch the My Father Die trailer:





‘The Walking Dead’ Season 7 Part 2 Has a Poster and Premiere Date

The Walking Dead Season 7 Part 2 Rise Up Poster

AMC will kick off the second half of The Walking Dead season seven on February 12, 2017 at 9pm ET/PT. Season seven part two will consist of eight new one-hour episodes, and the network’s just released a new poster titled ‘Rise Up’ for the upcoming second half of the current season. For those who need to catch up on the first half of the season, episodes one through eight are now streaming On Demand.


The midseason finale found Rick (Andrew Lincoln) finally coming to the realization that fighting Negan (Jeffrey Dean Morgan) and his Saviors was the only option. Episode eight’s final scenes showed Rick, Michonne (Danai Gurira), Carl (Chandler Riggs), Rosita (Christian Serratos), and Tara (Alanna Masterson) arriving at Hilltop and reuniting with Maggie (Lauren Cohan), Sasha (Sonequa Martin-Green), Enid (Katelyn Nacon), Daryl (Norman Reedus), and Jesus (Tom Payne). The winter finale sets up the second half of the season to feature a battle between the united towns of Alexandria, Hilltop, and The Kingdom against Negan and The Saviors.

In an interview published on AMC’s The Walking Dead blog, Lincoln described what it felt like to film the reunion scene. “It was like coming up for air. We knew that this part of the story was going to be painful. We knew it from the comics and we got a very strong sense of the cloud forming towards the end of last season, but even though we have no guns, no equipment, nothing to fight him with, just the knowledge that it has begun gives such a sense of purpose again and hope. Filming just that sequence was enough to propel us,” said Lincoln.





Filming Begins on HBO’s Muhammad Ali Documentary

Muhammad Ali Autobiography
The cover of Muhammad Ali’s 2015 autobiography.
Antoine Fuqua (The Magnificent Seven, Training Day) is directing an untitled Muhammad Ali documentary for HBO. The multi-part documentary is backed by LeBron James and Maverick Carter’s SpringHill Entertainment as well as Fuqua’s Fuqua Films. According to HBO’s official announcement, the documentary on the boxing legend is being made with the cooperation and participation of Muhammad Ali’s estate and will include both “cinematic recreations” and archival footage. It will also include footage owned by the family and never-before-released photos.

“Muhammad Ali is indisputably one of the most iconic and distinctive figures in the history of world sports,” said Kary Antholis, president, HBO Miniseries and CINEMAX Programming. “His impact resonates far beyond the boxing ring and is woven deep into the cultural and social tapestry of the second half of the 20th century. From the moment LeBron James told us of his deep visceral connection to Ali’s life and legacy, we were committed to helping him realize this film, and our enthusiasm has only grown as Antoine Fuqua has developed his compelling cinematic vision for telling one man’s incredible journey.”

“It’s tough to put into words how much it means to me to be a part of this project honoring the legacy and telling the extremely important story of the great Muhammad Ali,” stated LeBron James. “He transcended sports and used his platform to empower people, which paved the way for all athletes and people of every race and gender that came after him, myself included. It’s important that his story continues for generations to come, and it’s an honor for SpringHill Entertainment and me to be a part of this.”

“Muhammad Ali meant many things to many people, and he is someone who had a deep impact on me from an early age,” added director Antoine Fuqua. “Being given the opportunity to tell his story, both inside and outside of the ring, is a privilege, and a dream come true, and I couldn’t have found better partners than LeBron and HBO to help memorialize ‘The Greatest of All Time.'”


“We are at a perfect time in history, and in our lives as Americans, to welcome this special documentary on Muhammad with LeBron James and Maverick Carter’s SpringHill Entertainment and HBO. This documentary will have national and global appeal. I’m hopeful this documentary will engage the audience in a similar way Muhammad engaged his audience and fans. Without a doubt, Muhammad’s life journey provides simple yet extraordinary lessons for all of us, with perhaps the most important one being, to see and embrace the humanity in all people,” said Lonnie Ali.

Details on the Documentary: The story of Muhammad Ali is a study in greatness. A 1960 Olympic gold medalist from racially divided Louisville, Ky., and longtime heavyweight champion, he forged a long and tumultuous career inside the ring, and confronted a chaotic life outside the ring. Through it all, he continued to rise above his own imperfections, and challenge the imperfections of the world around him.

Ali never chose the easy path, and that fierce unwillingness to back down helped galvanize his greatness. It also contributed to his ultimate decline, both inside and outside the ring, as tragic and painful as it was to witness. His personality, his voice, his message and his legacy all endure.




2016 San Diego Film Critics Awards Winners: ‘Hell or High Water’ Takes Top Awards

Hell or High Water Ben Foster and Chris Pine
Ben Foster and Chris Pine star in ‘Hell or High Water.’ (Photo Credit: CBS Films)

The San Diego Film Critics Society, a group known for marching to the beat of a different drummer, announced their 2016 winners for the best in feature films on December 12th. Going into the vote, La La Land topped the list with 11 nominations with Nocturnal Animals and Hell or High Water close behind with 10. Moonlight and Manchester by the Sea each earned six nominations, followed by Arrival with five. When the votes were tallied, it was Hell or High Water that emerged the year’s big winner, earning Best Picture, Best Director, Best Supporting Actor (Ben Foster), Best Ensemble, Best Original Screenplay, and Best Cinematography awards from the So. California group.


2016 San Diego Film Critics Society Winners:

Best Picture:
Winner: HELL OR HIGH WATER
Runner Up: LA LA LAND

Best Director:
Winner: David Mackenzie, HELL OR HIGH WATER
Runner Up: Damien Chazelle, LA LA LAND

Best Actor, Male:
Winner: Casey Affleck, MANCHESTER BY THE SEA
Runner Up: Viggo Mortensen, CAPTAIN FANTASTIC

Best Actor, Female:
Winner: Sonia Braga, AQUARIUS
Runner Up: Emma Stone, LA LA LAND

Best Supporting Actor, Male – Tied:
Ben Foster, HELL OR HIGH WATER & Mahershala Ali, MOONLIGHT

Best Supporting Actor, Female:
Winner: Michelle Williams, MANCHESTER BY THE SEA
Runner Up: Judy Davis, THE DRESSMAKER

Best Comedic Performance:
Winner: Ryan Gosling, THE NICE GUYS
Runner up: Alden Ehrenreich, HAIL, CAESAR!

Best Ensemble:
Winner: HELL OR HIGH WATER
Runner Up: HIDDEN FIGURES

Breakthrough Artist:
Winner: Lily Gladstone, CERTAIN WOMEN
Runner Up: Lucas Hedges, MANCHESTER BY THE SEA

Best Original Screenplay:
Winner: Taylor Sheridan, HELL OR HIGH WATER
Runner Up: Efthimis Filippou, Yorgos Lanthimos, THE LOBSTER

Best Adapted Screenplay:
Winner: Whit Stillman, LOVE & FRIENDSHIP
Runner Up: Taika Waititi, HUNT FOR THE WILDERPEOPLE

Best Documentary:
Winner: WEINER
Runner Up: GLEASON

Best Animated Film:
Winner: KUBO AND THE TWO STRINGS
Runner Up: APRIL AND THE EXTRAORDINARY WORLD

Best Foreign Language Film:
Winner: MOUNTAINS MAY DEPART
Runners Up – Tied: MOTHER (EMA), NERUDA

Best Editing:
Winner: Blu Murray, SULLY
Runner Up: Joan Sobel, NOCTURNAL ANIMALS

Best Cinematography:
Winner: Giles Nuttgens, HELL OR HIGH WATER
Runners Up – Tied: James Laxton, MOONLIGHT, Linus Sandgren, LA LA LAND

Best Production Design:
Winner: Jess Gonchor, HAIL, CAESER!
Runner Up: David Wasco, LA LA LAND

Best Visual Effects:
Winner: THE JUNGLE BOOK
Runner Up: ARRIVAL

Best Costume Design:
Winner: Mary Zophres, LA LA LAND
Runner Up: Madeline Fontaine, JACKIE

Best Use of Music in a Film:
Winner: SING STREET
Runners Up – Tied: JACKIE, LA LA LAND

2016 Body of Work: Michael Shannon – NOCTURNAL ANIMALS, MIDNIGHT SPECIAL, LOVING, ELVIS & NIXON




2017 Golden Globes Nominees: La La Land, People v O.J. Simpson Top the List

Sarah Paulson and Sterling K Brown in People v OJ Simpson
Sarah Paulson as Marcia Clark and Sterling K. Brown as Christopher Darden in ‘The People v. O.J. Simpson’ (Photo Credit: FX Networks)

The 74th Annual Golden Globe Awards nominations were announced by Don Cheadle, Laura Dern, and Anna Kendrick on December 12, 2016, with La La Land earning the most nominations in the film categories and The People v. O.J. Simpson topping the television categories list. La La Land received seven nominations followed by Moonlight with six, Manchester by the Sea with five, and Florence Foster Jenkins and Lion with four each. The People v. O.J. Simpson picked up five nominations, The Night Manager earned four, and black-ish, The Crown, The Night Of, This Is Us, and Westworld each earned three nominations.

The 2017 Golden Globes will be hosted by Jimmy Fallon. The awards show will air live on NBC on January 8, 2017 at 5pm PT/8pm ET from the Beverly Hilton Hotel in Los Angeles.

FILM

Best Motion Picture – Drama

HACKSAW RIDGE
HELL OR HIGH WATER
LION
MANCHESTER BY THE SEA
MOONLIGHT

Best Performance by an Actress in a Motion Picture – Drama
Amy Adams, ARRIVAL
Jessica Chastain, MISS SLOANE
Isabelle Huppert, ELLE
Ruth Negga, LOVING
Natalie Portman, JACKIE

Best Performance by an Actor in a Motion Picture – Drama
Casey Affleck, MANCHESTER BY THE SEA
Joel Edgerton, LOVING
Andrew Garfield, HACKSAW RIDGE
Viggo Mortensen, CAPTAIN FANTASTIC
Denzel Washington, FENCES

Best Motion Picture – Musical or Comedy
20TH CENTURY WOMEN
DEADPOOL
FLORENCE FOSTER JENKINS
LA LA LAND
SING STREET

Best Performance by an Actress in a Motion Picture – Musical or Comedy
Annette Bening, 20TH CENTURY WOMEN
Lily Collins, RULES DON’T APPLY
Hailee Steinfeld, THE EDGE OF SEVENTEEN
Emma Stone, LA LA LAND
Meryl Streep, FLORENCE FOSTER JENKINS

Best Performance by an Actor in a Motion Picture – Musical or Comedy
Colin Farrell, THE LOBSTER
Ryan Gosling, LA LA LAND
Hugh Grant, FLORENCE FOSTER JENKINS
Jonah Hill, WAR DOGS
Ryan Reynolds, DEADPOOL

Best Performance by an Actress in a Supporting Role in any Motion Picture
Viola Davis, FENCES
Naomie Harris, Moonlight
Nicole Kidman, LION
Octavia Spencer, HIDDEN FIGURES
Michelle Williams, MANCHESTER BY THE SEA

Best Performance by an Actor in a Supporting Role in any Motion Picture
Mahershala Ali, MOONLIGHT
Jeff Bridges, HELL OR HIGH WATER
Simon Helberg, FLORENCE FOSTER JENKINS
Dev Patel, LION
Aaron Taylor-Johnson, NOCTURNAL ANIMALS

Best Director – Motion Picture
Damien Chazelle, LA LA LAND
Tom Ford, NOCTURNAL ANIMALS
Mel Gibson, HACKSAW RIDGE
Barry Jenkins, MOONLIGHT
Kenneth Lonergan, MANCHESTER BY THE SEA

Best Original Screenplay
Damien Chazelle, LA LA LAND
Tom Ford, NOCTURNAL ANIMALS
Barry Jenkins, MOONLIGHT
Kenneth Lonergan, MANCHESTER BY THE SEA
Taylor Sheridan, HELL OR HIGH WATER

Best Motion Picture – Animated
KUBO AND THE TWO STRINGS
MOANA
MY LIFE AS A ZUCCHINI
SING
ZOOTOPIA

Best Motion Picture – Foreign Language
DIVINES (FRANCE)
ELLE (FRANCE)
NERUDA (CHILE)
THE SALESMAN (IRAN / FRANCE)
TONI ERDMANN (GERMANY)

Best Original Score – Motion Picture
Nicholas Britell, MOONLIGHT
Justin Hurwitz, LA LA LAND
Johann Johannsson, ARRIVAL
Dustin O’Halloran, Hauschka, LION
Hans Zimmer, Pharrell Williams, Benjamin Wallfisch, HIDDEN FIGURES

Best Original Song – Motion Picture

“Can’t Stop The Feeling!”, TROLLS
Music by: Justin Timberlake, Max Martin, Shellback
Lyrics by: Justin Timberlake, Max Martin, Shellback

“City Of Stars”, LA LA LAND
Music by: Justin Hurwitz
Lyrics by: Benj Pasek, Justin Paul

“Faith”, SING
Music by: Ryan Tedder, Stevie Wonder, Francis Farewell Starlight
Lyrics by: Ryan Tedder, Stevie Wonder, Francis Farewell Starlight

“Gold”, GOLD
Music by: Brian Burton, Stephen Gaghan, Daniel Pemberton, Iggy Pop
Lyrics by: Brian Burton, Stephen Gaghan, Daniel Pemberton, Iggy Pop

“How Far I’ll Go”, MOANA
Music by: Lin-Manuel Miranda
Lyrics by: Lin-Manuel Miranda


TELEVISION

Best Television Series – Drama
THE CROWN, Netflix
GAME OF THRONES, HBO
STRANGER THINGS, Netflix
THIS IS US, NBC
WESTWORLD, HBO

Best Performance by an Actress in a Television Series
Caitriona Balfe, OUTLANDER
Claire Foy, THE CROWN
Keri Russell, THE AMERICANS
Winona Ryder, STRANGER THINGS
Evan Rachel Wood, WESTWORLD

Best Performance by an Actor in a Television Series – Drama
Rami Malek, MR. ROBOT
Bob Odenkirk, BETTER CALL SAUL
Matthew Rhys, THE AMERICANS
Liev Schreiber, RAY DONOVAN
Billy Bob Thornton, GOLIATH

Best Television Series – Musical or Comedy
ATLANTA (FX)
BLACK-ISH (ABC)
MOZART IN THE JUNGLE (AMAZON)
TRANSPARENT (AMAZON)
VEEP (HBO)

Best Performance by an Actress in a Television Series – Musical or Comedy
Rachel Bloom, CRAZY EX-GIRLFRIEND
Julia Louis-Dreyfus, VEEP
Sarah Jessica Parker, DIVORCE
Issa Rae, INSECURE
Gina Rodriguez, JANE THE VIRGIN
Tracee Ellis Ross, BLACK-ISH

Best Performance by an Actor in a Television Series – Musical or Comedy
Anthony Anderson, BLACK-ISH
Gael Garcia Bernal, MOZART IN THE JUNGLE
Donald Glover, ATLANTA
Nick Nolte, GRAVES
Jeffrey Tambor, TRANSPARENT

Best Television Limited Series or Motion Picture Made for Television
AMERICAN CRIME (ABC)
THE DRESSER (STARZ)
THE NIGHT MANAGER (AMC)
THE NIGHT OF (HBO)
THE PEOPLE v. O.J. SIMPSON: AMERICAN CRIME STORY (FX)

Best Performance by an Actress in a Limited Series or Motion Picture Made for Television
Felicity Huffman, AMERICAN CRIME
Riley Keough, THE GIRLFRIEND EXPERIENCE
Sarah Paulson, THE PEOPLE v. O.J. SIMPSON: AMERICAN CRIME STORY
Charlotte Rampling, LONDON SPY
Kerry Washington, CONFIRMATION

Best Performance by an Actor in a Limited Series or Motion Picture Made for Television
Riz Ahmed, THE NIGHT OF
Bryan Cranston, ALL THE WAY
Tom Hiddleston, THE NIGHT MANAGER
John Turturro, THE NIGHT OF
Courtney B Vance, THE PEOPLE v. O.J. SIMPSON: AMERICAN CRIME STORY

Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television
Olivia Colman, THE NIGHT MANAGER
Lena Headey, GAME OF THRONES
Chrissy Metz, THIS IS US
Mandy Moore, THIS IS US
Thandie Newton, WESTWORLD

Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television
Sterling K. Brown, THE PEOPLE v. O.J. SIMPSON: AMERICAN CRIME STORY
Hugh Laurie, THE NIGHT MANAGER
John Lithgow, THE CROWN
Christian Slater, MR. ROBOT
John Travolta, THE PEOPLE v. O.J. SIMPSON: AMERICAN CRIME STORY




‘The Walking Dead’ Season 7 Episode 8 Recap and Review: Hearts Still Beating

Walking Dead Season 7 Episode 8
Katelyn Nacon, Chandler Riggs, Alanna Masterson, Norman Reedus, Andrew Lincoln, Lauren Cohan, Christian Serratos, Danai Gurira, and Sonequa Martin-Green in ‘The Walking Dead’ (Photo Credit: Gene Page/AMC)

“I know what the Saviors are and I know what they do. They cannot be trusted,” says Richard (Karl Makinen) to Morgan (Lennie James) and Carol (Melissa McBride) as he tries to talk them into convincing Ezekiel they need to launch a surprise attack against the Saviors in the season seven winter finale of AMC’s horror/drama series, The Walking Dead.

Negan (Jeffrey Dean Morgan) decides to shave off his beard while sitting with Carl (Chandler Riggs) and little Judith in Rick’s kitchen. He’s obviously still enjoying relaxing in Alexandria while waiting for Rick to return with supplies.

Meanwhile, back at Negan’s headquarters, Daryl (Norman Reedus) uses the key that was slid under his door and slowly and carefully makes his way through the place. He finally ditches the sack he’s been forced to wear and puts on real clothes. Daryl finds a small room with a few supplies and eats a jar of peanut butter.

Appetite satisfied, he continues on until he makes his way outside and heads to the motorcycles. Along comes Fat Joey who sees Daryl and, afraid, tells him, “It’s cool, just go please.” But Daryl is not about to just slink away after all the abuse he has been put through, so he kills Fat Joey with a metal pipe and takes Joey’s pistol, which was originally Rick’s. Jesus (Tom Payne) comes running up and tells Daryl they need to leave now. Daryl tells Jesus he’s got the motorcycle’s key and it’s time to go.

Out on the road, Rick (Andrew Lincoln) and Aaron (Ross Marquand) are using a barely afloat boat with bullet holes in it to across the lake full of floating walkers to get to the houseboat, which they believe is deserted and hopefully will have supplies. Aaron almost gets bitten by walkers when he falls out of the boat, but he dives underwater to get away from the walkers. Once at the boathouse, they find some supplies plus a machine gun with no ammo. They also find a note from the owner that says, “Congratulations, you made it, but you still lose.” Rick and Aaron talk about the deal they made with Negan while loading up the supplies, and Aaron says he understands it’s all about the survival of those they care about.

On the outskirts of The Kingdom, Morgan is dropping off some fruit and vegetables for Carol when she stops him and tells him he doesn’t have to do that. She points to a large assortment of vegetables and fruit in her kitchen. She tells him she just wants to be left alone and he says he was trying when she made him come inside. He starts to leave and Richard is on Carol’s doorstep saying he needs to talk to them. Richard tries to convince both Morgan and Carol they need to convince the King to attack the Saviors. Carol doesn’t want any part of it, and Morgan doesn’t want to be the one to end the negotiated peace they have. Richard gets upset and tells them that when it goes bad, the blood of the people at The Kingdom will be on their hands. As he goes to leave, he turns and says to them that maybe they are used to that already.

Back in Alexandria, Spencer (Austin Nichols) tries to get along with the Saviors who are impressed with the load of supplies he brought, and one of them even shakes his hand while a female Savior flirts with him. Later, Spencer is heading over to try to make a good impression on Negan himself when Rosita (Christian Serratos) calls to him and they have a short talk about their one-night stand. “Why did you end it? Why did you even start it?” asks Spencer. “I was trying to forget. You’re tall and cute, I used you. I’m sorry,” says Rosita. Spencer, knowing the truth, still asks her about getting dinner later with no strings attached and Rosita says yes.

Rick and Aaron arrive at Alexandria with their truck full of supplies and are met at the gate by Saviors. The Saviors begin going through the supplies and find the note from the houseboat owner. Thinking it’s Aaron’s way of telling them to go f@#* themselves, they beat him badly while holding back Rick who has to watch helplessly as Aaron is repeatedly hit and kicked.

Spencer’s meet-up with Negan is going well, and Negan says that Spencer might just be his new best friend with the alcohol he’s brought him and telling him about a pool table that they’re now playing on outside Rick’s house. Spencer uses the opportunity to trash Rick and basically tells Negan it would be in his interest to remove Rick as Alexandria’s leader and put him in charge. Negan tells Spencer that Rick is “swallowing his hate and getting sh#@ done. That takes guts.”

He asks Spencer why he hasn’t tried to take Rick out and before Spencer can answer, Negan says he thinks it’s because he doesn’t have any guts. He stabs Spencer, ripping open his stomach and leaving him with his guts hanging out which horrifies members of Alexandria gathered in the street. Negan starts laughing saying he was so wrong, Spencer did have guts. He then says someone needs to step up and clean up this mess, referring to Spencer’s now lifeless body. He beings taunting the crowd asking who wants to finish the game of pool, and Rosita pulls out her hidden revolver and shoots at Negan…hitting Lucille. (Unluckiest shot ever!)

Negan is both shocked and furious at being shot at, and Rosita is immediately tackled by a female Savior who holds a knife to her throat. Negan realizes the bullet was homemade and asks who did it. Rosita says she did, but he doesn’t believe her. Negan tells his female Savior friend to kill somebody as punishment for Rosita’s actions. She turns and shoots poor Olivia in the head. Rick and Aaron finally arrive and hear the yelling and gunshots, and Negan quickly brings him up to speed about what happened. He tells Rick no matter how many supplies he brought back, it’s not enough with all this hostile behavior from his people.

Rick tells Negan that his sh%t is waiting for him at the gate and to leave. Negan tells Rick he needs to know who made the bullet first and Tara (Alanna Masterson) says she did it to stop him from hurting anyone else. This is when Eugene shows he’s not a coward and confesses he did it. Negan stands right next to him and Eugene starts to rattle off how he did it. “Okay, shut up. I believe you,” says Negan. He warns Rick he’ll be taking the bullet maker back to his headquarters and leaves.

Back on the road, Michonne (Danai Gurira) asks the Savior she took hostage how long she’s been with them, but the woman won’t talk. They drive up and stop far enough away so Michonne can get a real idea of just how big and spread out Negan’s place is. The Savior tells Michonne she should kill her and make the car disappear. She goes as far as to tell her there’s a silencer in the glove compartment. It’s almost as though Michonne would be doing her a favor.

Michonne does as the Savior suggested, shooting her and returning to Alexandria. She finds Rick and they have a heart-to-heart, telling him they need to stand together and fight. She realizes the numbers are against them, but they have to fight for Carl, Judith, and the rest of their people. They must fight because it’s what has gotten them this far. “It’s what we do,” says Michonne. Rick tells her he knows that now and agrees. (FINALLY! Geez, took long enough).

The final scene is with Rick, Carl, Michonne, Rosita, and Tara arriving at the Hilltop. They’re greeted by Maggie, Sasha, and Enid, and Rick gives Maggie a huge hug and tells her she was right and they are now ready to fight. After the hug, Rick sees Daryl and Jesus nearby and now it’s time for a Daryl and Rick reunion. They hold onto each other as if they’re never going to let go but finally do and the group walks up toward the main Hilltop house.

The Walking Dead Season 7 Episode 8 Review:

Overlong and with a story that drags out, episode eight titled “Hearts Still Beating” is redeemed by its uplifting ending that sets up the unification of Alexandria, The Hilltop, and The Kingdom to take on The Saviors in an all-out war. The episode did have a few surprises including Spencer’s well-deserved death at the hands of Negan and the less-deserved death of Olivia.

The winter finale also had some very touching moments. Especially effective was the final scene where some members of Rick’s original group are reunited and are incredibly happy to see each other. Maggie’s huge smile that lit up her face when she saw Rick, Carl, and her other companions speaks volumes to just how much a family they have become to each other. The scene where Rick sees that Daryl is free from Negan and the two men hug is also very moving.

With Rick finally on board to take Negan on at a time when some members of The Hilltop and The Kingdom are ready to fight back, here’s hoping it doesn’t take too long to organize and come up with a strategy to take Negan and his Saviors out.

GRADE: B-




Box Office Report: ‘Moana’ Finishes 1st Again, ‘Office Christmas Party’ Settles for 2nd

Moana Animated Movie Trailer
Maui (voiced by Dwayne Johnson) in ‘Moana’. (Photo Credit: Walt Disney Animation Studios)

Families are once again driving the weekend box office traffic, with Disney’s Moana securing the top spot for the third weekend in a row. The animated comedy featuring the voices of Dwayne Johnson, Auli’i Cravalho, and Jemaine Clement has pulled in $145 million domestically while sitting at a 96% fresh rating on RottenTomatoes. The R-rated Office Christmas Party performed slightly better than anticipated, grossing $17.5 million over its first weekend. Critics seem to be split on the ensemble comedy starring T.J. Miller, Jennifer Aniston, Jason Bateman, Kate McKinnon, and Courtney B. Vance, while ticket buyers awarded the film a ‘B’ according to CinemaScore.

The December 9-11, 2016 weekend will be Moana‘s final weekend in first place as it will be handing over the top spot to another Disney release, Rogue One: A Star Wars Story, which opens on December 16th.


Box Office Top 10: December 9-11, 2016

  1. Moana – $18,842,000
  2. Office Christmas Party – $17,500,000
  3. Fantastic Beasts and Where to Find them – $10,785,000
  4. Arrival – $5,600,000
  5. Doctor Strange – $4,631,000
  6. Allied – $4,000,000
  7. Nocturnal Animals – $3,193,685
  8. Manchester by the Sea – $3,155,330
  9. Trolls – $3,110,000
  10. Hacksaw Ridge – $2,300,000




‘Fate of the Furious’ Trailer: A Betrayal Fuels F&F #8

Fate of the Furious Charlize Theron and Vin Diesel
Charlize Theron and Vin Diesel in ‘The Fate of the Furious’ (Photo © 2016 Universal Pictures)

The official trailer’s arrived for The Fate of the Furious, the eighth film of the Fast and Furious franchise. The latest addition to the series finds Dom (Vin Diesel) turning on his family and gathering together a new team. Directed by F. Gary Gray, The Fate of the Furious also stars Dwayne Johnson, Jason Statham, Michelle Rodriguez, Tyrese Gibson, Chris “Ludacris” Bridges, Nathalie Emmanuel, Elsa Pataky, Charlize Theron, and Kurt Russell. Universal Pictures is releasing the eighth Fast and Furious film on April 14, 2017.


The Plot: Now that Dom and Letty are on their honeymoon and Brian and Mia have retired from the game—and the rest of the crew has been exonerated—the globetrotting team has found a semblance of a normal life. But when a mysterious woman (Theron) seduces Dom into the world of crime he can’t seem to escape and a betrayal of those closest to him, they will face trials that will test them as never before.

From the shores of Cuba and the streets of New York City to the icy plains off the arctic Barents Sea, our elite force will crisscross the globe to stop an anarchist from unleashing chaos on the world’s stage…and to bring home the man who made them a family.

Watch The Fate of the Furious trailer:





Critics’ Choice Awards 2016 Winners: ‘La La Land’ and ‘People v. O.J.’ Win Big

La La Land Emma Stone and Ryan Gosling
Sebastian (Ryan Gosling) and Mia (Emma Stone) in ‘LA LA LAND’ (Photo courtesy of Lionsgate)
T.J. Miller returned as host of the Critics’ Choice Awards, kicking off the awards show honoring the best in films and television for 2016 by not actually acknowledging the elephant in the room, his run-in with an Uber driver on Friday night. Instead, Miller briefly touched on the Russian hacking of America’s election, the anniversary of A Chorus Line, and a handful of other subjects before the first award of the night was given out.

The big winner at the Critics’ Choice Awards turned out to be La La Land, the romantic musical starring Emma Stone and Ryan Gosling. The film went into the awards show with the most nominations and earned eight awards including Best Director and Best Picture. On the television side, The People v. O.J. Simpson picked up four awards including acting honors for Best Actor (Courtney B. Vance), Best Supporting Actor (Sterling K. Brown), and Best Actress (Sarah Paulson).


Critics’ Choice Awards Winners:

FILMS:

BEST PICTURE – “La La Land”

BEST ACTOR – Casey Affleck, “Manchester by the Sea”

BEST ACTRESS – Natalie Portman, “Jackie”

BEST SUPPORTING ACTOR – Mahershala Ali, “Moonlight”

BEST SUPPORTING ACTRESS – Viola Davis, “Fences”

BEST YOUNG ACTOR/ACTRESS – Lucas Hedges, “Manchester by the Sea”

BEST ACTING ENSEMBLE – “Moonlight”

BEST DIRECTOR – Damien Chazelle, “La La Land”

BEST ORIGINAL SCREENPLAY – TIE: Damien Chazelle, “La La Land” and Kenneth Lonergan, “Manchester by the Sea”

BEST ADAPTED SCREENPLAY – Eric Heisserer, “Arrival”

BEST CINEMATOGRAPHY – Linus Sandgren, “La La Land”

BEST PRODUCTION DESIGN – David Wasco, Sandy Reynolds-Wasco, “La La Land”

BEST EDITING – Tom Cross, “La La Land”

BEST COSTUME DESIGN – Madeline Fontaine, “Jackie”

BEST HAIR & MAKEUP – “Jackie”

BEST VISUAL EFFECTS – “The Jungle Book”

BEST ANIMATED FEATURE – “Zootopia”

BEST ACTION MOVIE – “Hacksaw Ridge”

BEST ACTOR IN AN ACTION MOVIE – Andrew Garfield, “Hacksaw Ridge”

BEST ACTRESS IN AN ACTION MOVIE – Margot Robbie, “Suicide Squad”

BEST COMEDY – “Deadpool”

BEST ACTOR IN A COMEDY – Ryan Reynolds, “Deadpool”

BEST ACTRESS IN A COMEDY – Meryl Streep, “Florence Foster Jenkins”

BEST SCI-FI/HORROR MOVIE – “Arrival”

BEST FOREIGN LANGUAGE FILM – “Elle”

BEST SONG – “City of Stars” from “La La Land”

BEST SCORE – Justin Hurwitz, “La La Land”

TELEVISION:

BEST COMEDY SERIES – Silicon Valley, HBO

BEST ACTRESS IN A COMEDY SERIES – Kate McKinnon, Saturday Night Live, NBC

BEST ACTOR IN A COMEDY SERIES – Donald Glover, Atlanta, FX

BEST SUPPORTING ACTRESS IN A COMEDY SERIES – Jane Krakowski, Unbreakable Kimmy Schmidt, Netflix

BEST SUPPORTING ACTOR IN A COMEDY SERIES – Louie Anderson, Baskets, FX

BEST GUEST PERFORMER IN A COMEDY SERIES – Alec Baldwin, Saturday Night Live, NBC

BEST DRAMA SERIES – Game of Thrones, HBO

BEST ACTRESS IN A DRAMA SERIES – Evan Rachel Wood, Westworld, HBO

BEST ACTOR IN A DRAMA SERIES – Bob Odenkirk, Better Call Saul, AMC

BEST SUPPORTING ACTRESS IN A DRAMA SERIES – Thandie Newton, Westworld, HBO

BEST SUPPORTING ACTOR IN A DRAMA SERIES – John Lithgow, The Crown, Netflix

BEST GUEST PERFORMER IN A DRAMA SERIES – Jeffrey Dean Morgan, The Walking Dead, AMC

BEST MOVIE MADE FOR TELEVISION OR LIMITED SERIES – The People v. O.J. Simpson, FX

BEST ACTRESS IN A MOVIE MADE FOR TELEVISION OR LIMITED SERIES – Sarah Paulson, The People v. O.J. Simpson, FX

BEST ACTOR IN A MOVIE MADE FOR TELEVISION OR LIMITED SERIES – Courtney B. Vance,The People v. O.J. Simpson, FX

BEST SUPPORTING ACTRESS IN A MOVIE MADE FOR TELEVISION OR LIMITED SERIES – Regina King, American Crime, ABC

BEST SUPPORTING ACTOR IN A MOVIE MADE FOR TELEVISION OR LIMITED SERIES – Sterling K. Brown, The People v. O.J. Simpson, FX

BEST REALITY COMPETITION SERIES – The Voice, NBC

BEST STRUCTURED REALITY SERIES – Shark Tank, ABC

BEST UNSTRUCTURED REALITY SERIES – Anthony Bourdain: Parts Unknown, CNN

BEST REALITY SHOW HOST – Anthony Bourdain, Anthony Bourdain: Parts Unknown, CNN

BEST TALK SHOW – The Late Late Show with James Corden, CBS

BEST ANIMATED SERIES – BoJack Horseman, Netflix

Television Nominees / Film Nominees




‘The Exorcist’ Season 1 Episode 9 Recap: 162

The Exorcist Season 1 Episode 9 Geena Davis
Geena Davis in ‘The Exorcise’ season one episode nine (Photo by Jean Whiteside © 2016 Fox Broadcasting)

Fox’s The Exorcist moves closer to what’s sure to be a terrifying season one finale with the season’s penultimate episode which finds Angela Rance integrated with the demon and her family living in terror. Airing on December 9, 2016 and titled ‘162,’ the ninth episode kicks off with Chris MacNeil’s dead body being wheeled out by the coroner’s office while Angela (Geena Davis) explains to the police how she found her mom’s body at the base of the stairs. They’re skeptical about Chris’ death being just an accidental fall given the recent return of Casey who claims not to remember where she’s been.

Kat (Brianne Howey) defends her sister and Angela talks about all of the tragedies that have recently befallen her family. As she touches Superintendent Jaffey’s hand while grabbing a tissue, Angela has a flashback to Casey’s exorcism and watching the demon twist Casey’s head. She whispered, “Take me instead,” and the scene froze as the demon spoke directly to her.

Back to the present and Jaffey calls off the interview with the Rances and promises to get the news people off their lawn. Angela’s in a much better mood than she should be given that her mother just died as she announces to Kat and Henry (Alan Ruck) it’s time to go pick up Casey.

The Rance family returns home with Casey (Hannah Kasulka) and she looks as if she’s been horribly beaten. Outside their house is a makeshift memorial to Chris MacNeil as well as three growling dogs who stand completely still as they make eye contact with Angela. She smiles back before heading into the house.

Marcus (Ben Daniels) meets with Lester (Ken Marks) and Cherry Rego (Keira Naughton) about the missing Father Bennett. Lester says they need to investigate Maria Walters (Kirsten Fitzgerald), the wealthy woman funding the group arranging the Pope’s visit to Chicago. Marcus looks at a photo and recognizes Brother Simon (Francis Guinan) who’s working with Maria on fundraising. Marcus says Simon was once a counselor at a center for deviant priests, and he remembers Simon watching him. Marcus thinks Father Bennett was taken and tortured for information, which means Father Tomas and Mother Bernadette are likely in danger. He suggests the Regos get out of town immediately.

Back at the Rance house, Father Tomas (Alfonso Herrera) joins them for dinner and Kat leads grace prior to the meal. Angela eats during Kat’s prayer, but no one seems to notice. The family discusses their plans, and now Angela’s not sure they should leave Chicago. Father Tomas announces that his commitment has been renewed and he’s going to rededicate himself to his parish. Angela makes a toast to her family but leaves out a mention of Chris. Kat adds it, and they drink to her memory.

Father Tomas and Henry have a chat after dinner and Henry says he feels better at times but then heads back to “potato land,” as his daughter calls it. As they chat, Angela heads out saying she’s going to the hotel to work. Father Tomas reminds Henry about their conversation in which Henry told the young priest how to get in touch with Father Marcus. Henry has no idea what Father Tomas is talking about, and Father Tomas tells Henry that God spoke through him. Henry hands Father Tomas a yellow pad with the number “162” written repeatedly on a page. Henry says that after the accident, he hears low-frequency sounds like yammering in the background. Sometimes, he hears all the noise saying “162.” Father Tomas asks if the people are talking to him now, and Henry says yes but he has no idea what it means.

Lester and Cherry are taking pictures of the priests and Lester sees Brother Simon’s demon eye through the camera lens. He immediately tells his wife they have to get out of there.

Maria, Brother Simon, and Superintendent Jaffey meet to go over the parade route planned for the Pope’s visit. Brother Simon jokes, “And the pig pops out of the pig mobile!” Maria’s group has people on the inside and they’re ready to take action at the parade. Angela Rance shows up unexpectedly at the meeting, wondering where the Popes are who take advantage of their power.

Jaffey welcomes Angela – or, actually, Pazuzu – to the meeting. Brother Simon didn’t think he’d ever see Pazuzu after the demon’s run-in with Father Merrin, but now Pazuzu wants in on their plans to take on Pope Sebastian. Brother Simon protests, stating he’s planned this for six years and the honor is his alone. Pazuzu doesn’t take kindly to this and uses its powers to make everyone, including Brother Simon, kneel. Pazuzu allows Maria to remain standing, telling her she’s never been chosen because of her smell. Maria smells of desperation mixed with mediocrity, according to the demon inside Angela. Pazuzu wants to use the Pope’s visit to send a message to all of their enemies, including the nuns at the Convent of Our Lady of Mercy.

Father Tomas and Bishop Egan (Brad Armacost) discuss the Pope’s visit while walking around St. Brigid. It’s been prepared for the Pope’s visit and the interior is sparkling, with flowers adorning the end of each pew. Bishop Egan offers Father Tomas the church as its current priest is involuntarily retiring. It’s one of the city’s finest parishes, and St. Anthony’s – Father Tomas’ parish – is going to close because it’s losing money. It will be shuttered no matter what, but Father Tomas confesses he has sinned and doesn’t deserve a promotion. Shockingly, Bishop Egan knows about Tomas’ affair and can handle the problem if Father Tomas takes care of the woman.

Exorcist Season 1 Episode 9 Ben Daniels and Alfonso Herrera
Alfonso Herrera and Ben Daniels in ‘The Exorcist’ (Photo © 2016 Fox Broadcasting)

Marcus is waiting in Father Tomas’ office, riffling through the paperwork on the Pope’s visit when Father Tomas returns from his meeting with Bishop Egan. Marcus is sorry to hear St. Anthony’s is closing and tells Father Tomas to be careful and watch his back. Father Tomas jokes that he might be able to get Marcus a good spot on the parade route, and then Marcus receives a text with a photo of Bishop Simon’s demon eye clearly visible. Marcus passes on Father Tomas’ parade route offer and leaves.

At the Rance house, Casey’s concentrating on her laptop while Kat’s looking through her clothes for something for Casey to wear. She threatens Casey with the “tickle monster,” and finally they have a heart-to-heart. Casey doesn’t want to talk, and Kat sees that she’s been looking at articles online about the paramedics who she murdered while possessed. Kat reminds her it was the demon, but Casey feels responsible. She had to watch, and the demon thought it was fun making her suffer. Kat hugs her younger sister, telling her they’ll figure it out.

Marcus arrives back at the Regos’ place and they’re both dead. He prays for them and then takes their gun and bullets.

Meanwhile at the convent, Angela arrives with a present for Mother Bernadette (Deanna Dunagan). Mother Bernadette knows Angela’s possessed, telling the demon they should have killed it when they had the chance. She calls Pazuzu a “child throwing a tantrum,” and Pazuzu kills her without lifting a hand, snapping Mother Bernadette’s neck back as three nuns walk into the room. (Pazuzu is incredibly powerful!)

Casey sits on the bed in her room which is still equipped like it was when she was possessed. The chains are still there, and the mattress is on the floor. Angela enters the bedroom and Casey asks what her mom remembers from when she was possessed. Casey says to her it felt like nothing belonged to her anymore, and Angela says that’s because he was inside her and it was so intimate. Angela continues, telling Casey she asked for it and she knows she fell in love with him and enjoyed it. She knows Casey is experiencing the loneliest feeling in the world, but they’re going through it together. Kat interrupts, and Angela keeps acting weird.

Marcus arrives at the convent and is shocked at the horrific, bloody deaths.

The wealthy are mingling with Father Tomas, Bishop Egan, and the rest of the priests at a gathering in support of the Pope’s upcoming visit. Jaffey compliments Father Tomas, and then Maria gives a toast, saying there’s no brighter light than Pope Sebastian. “May his visit bring joy and inspiration to a city that so badly needs it,” says Maria, lifting her glass to the crowd.

Meanwhile, over at the Rance house Henry asks Angela about a funeral for her mom, but Angela wants to know when the last time was they had sex. She’s definitely in the mood and aggressively asks Henry to take his pants off. She gets rough with him but then backs off, leaving Henry completely confused.

Marcus spies on the papal entourage and Bishop Simon.

Casey wakes, hearing a noise from elsewhere in the house. She finds her mom on Kat’s bed rubbing her hands down Kat’s body in the dark. Casey coughs and then enters the room, asking what’s up. Angela says she’s savoring what she has. Casey crawls into bed with her sister, claiming the couch is too lumpy to sleep.

Father Tomas is on the phone, demanding his staff come with him and that a shuttle be used to bring his parishioners to the larger church in the better neighborhood.

Bishop Simon relaxes in his hotel room, drinking, feasting, and basically indulging himself. He answers a knock at his door and upon opening it, he’s immediately attacked by Marcus. Marcus tells him to stay down and then drags him into the bathroom. He fills the bathtub, prays over it, and asks if Bishop Simon killed Father Bennett, the Regos, and the nuns. Simon claims he didn’t kill anyone, blaming their deaths on Marcus.

Father Tomas tells Jessica about his promotion and that he knows he doesn’t deserve it. Father Tomas wants to be the man God wants him to be, and Jessica realizes it’s over. She thinks they would have been so good together, but Father Tomas says he can’t give her what she deserves and wishes her a long and happy life. She doesn’t want to hear from him again because that would just make things more difficult.

Marcus pushes Bishop Simon’s head underwater and then brings him back up, asking if he killed all those people. Steam comes off Simon’s face as he confirms he killed the Regos but did not kill the nuns or Mother Bernadette. He says that was Angela Rance, and with that Marcus pushes him underwater again. Marcus knows for sure now that they’re going to kill the Pope, pushing Bishop Simon under the water for a longer amount of time. He pulls him up again, asking if the assassination will take place during the parade. Bishop Simon describes what’s going to happen and that he, a disgraced priest, will murder the Pope while the world watches. He also tells Marcus that if he kills him, another priest will take his place. Before Marcus can plunge him into the water again, two priests arrive and beat him up.

Kat sneaks into her parents’ bedroom and wakes her dad, getting him out of bed without disturbing their mom. Casey’s waiting by the front door and she tells her father Angela isn’t herself. Casey explains to Henry that the demon left her, went into Angela, and they have to leave now. Henry agrees and just then the front door slams shut as Angela comes down the stairs. “Time for a family meeting,” she says menacingly.

The Rance family is seated in the living room, and Kat asks to speak with her mom – mentioning that her mother doesn’t have three pupils. Angela, without even flinching, causes Kat to have a bloody nose while Henry draws his wife’s attention, telling Angela to fight through it. Angela reveals she’s not possessed; the demon is integrated into her because she invited him in. It’s permanent now and Casey wants to know what the demon wants. Angela/Pazuzu says what they’ve always wanted – that which is rightfully theirs. She describes the creation of demons, the evolution of humans, and how God created this earth with sensual delights that the demons can never feel. But, now they’re going to take it back.

Father Tomas and his assistant, Tara (Melissa Russell), are going through books and paperwork in preparation for the closing of his parish when Tara gets sidetracked reading from Chris MacNeil’s book, The Devil In My Daughter. He wants to know where she got the book and Tara explains she got it from Chris and thinks it was her own personal copy. But, actually, Father Tomas is asking about where she got the red feather she’s holding. Tara says it was in the book. He asks for the book and turns to page 162. Father Tomas reads, “I knew then that the demon would never rest, never stop until it has taken Regan for its own. It would keep coming for her until the end of time.” Father Tomas has finally put two and two together.

Marcus is tied up, and Brother Simon explains they offered the Pope a peek behind the curtain years ago, but he turned his back on their offer. Brother Simon is going to offer Marcus a chance to become one of them now.

Angela suggests her family should go down to the parade in the morning and wave at the Pope. Her family’s freaked out by that offer, and then more so when she says that as punishment for disobedience she’s going to have to hurt one of them…a little. Casey asks if Angela killed grandma and Angela chokes Casey (again, while doing nothing more than looking at her). Angela forces Henry to remain in place as Kat swears they’ll behave. Casey’s near death when Father Tomas shows up and tells Angela to get the hell away from the family.




Trending