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‘Narcos’ Season 2 Premiere Date Revealed

Narcos Season 2 Pedro Pascal and Boyd Holbrook
Pedro Pascal as Javier Peña and Boyd Holbrook as Steve Murphy in the Netflix Original Series ‘Narcos’ (Photo credit: Daniel Daza / Netflix)

Netflix will release all 10 episodes of Narcos second season on September 2, 2016 at 12:01am PT. The critically acclaimed series is executive produced by José Padilha (Elite Squad, RoboCop) and Eric Newman (Children of Men) and stars Boyd Holbrook as DEA Agent Steve Murphy, Pedro Pascal (Game of Thrones) as DEA Agent Javier Peña, and Wagner Moura (Elysium) as drug kingpin Pablo Escobar. Season one is currently streaming on Netflix for those who need to catch up prior to September.

The Plot: Narcos chronicles the gripping real-life stories of the infamous drug kingpins of the late 1980s and the corroborative efforts of law enforcement to meet them head on in brutal, bloody conflict. Its gritty storytelling details the many, often-conflicting forces – legal, political, police, military and civilian – that clash in the effort to control cocaine, one of the world’s most valuable commodities.

New Teaser Trailer for ‘Moana’ with Dwayne Johnson

Moana Animated Movie Trailer
Maui (voiced by Dwayne Johnson) in ‘Moana’. (Photo Credit: Walt Disney Animation Studios)

Native Hawaiian Auli’i Cravalho and Dwayne Johnson, who’s apparently in every movie releasing in the next year, provide the voices of the lead animated characters in Disney’s Moana which has just released a new teaser trailer. Directed by Ron Clements and John Musker, writer/directors of Aladdin, Hercules, and The Little Mermaid, Moana features music from Tony-winner Lin-Manuel Miranda (Hamilton, In the Heights), Grammy-winner Mark Mancina (Tarzan, The Lion King) and Opetaia Foa’i, lead singer of the award-winning band Te Vaka. Moana will open in theaters on November 23, 2016.


The Plot: Three thousand years ago, the greatest sailors in the world voyaged across the vast Pacific, discovering the many islands of Oceania. But then, for a millennium, their voyages stopped – and no one knows why. From Walt Disney Animation Studios comes Moana, a sweeping, CG-animated feature film about an adventurous teenager who sails out on a daring mission to save her people. During her journey, Moana (voice of Auli’i Cravalho) meets the once-mighty demigod Maui (voice of Dwayne Johnson), who guides her in her quest to become a master wayfinder. Together, they sail across the open ocean on an action-packed voyage, encountering enormous monsters and impossible odds, and along the way, Moana fulfills the ancient quest of her ancestors and discovers the one thing she’s always sought: her own identity.

Watch the Moana trailer:

2016 Tony Awards Winners: The Complete List

Can we sign up James Corden to host the Oscars, the Globes, and every other awards show, please? James Corden nailed his first time hosting the Tony Awards, guiding a show that was a joyous yet respectful and highly entertaining celebration of the theater. The 70th Annual Tony Awards on CBS began with Corden acknowledging the horrible mass shooting in Orlando which left 50 people dead and 53 people injured. “On behalf of the whole theater community and every person in this room, our hearts go out to all of those affected by this atrocity. All we can say is you are not on your own right now. Your tragedy is our tragedy. Theater is a place where every race, creed, sexuality, and gender is equal, is embraced and is loved. Hate will never win. Together we have to make sure of that. Tonight’s show stands as a symbol and a celebration of that principle,” said Corden.

As expected, it was a night filled with Hamilton wins. The critically acclaimed musical earned 11 Tony Awards including Best Musical and Choreography, leaving it just one short of tying The Producers‘ 12 wins. Accepting the Tony Award for Best Score, Lin-Manuel Miranda said instead of freestyling he wrote a sonnet which began with a tribute to his beautiful wife. Then, getting more emotional, he said, “When senseless acts of tragedy remind us that nothing here is promised, not one day, this show is proof that history remembers. We live through times when hate and fear seem stronger. We rise and fall and light from dying embers, remembrances that hope and love last longer. And love is love is love is love is love is love is love is love is…cannot be killed or swept aside.”

The 70th Annual Tony Awards made history, with all four of the acting awards in the musical categories going to actors of color for the first time in the awards show’s history. Leslie Odom Jr. Daveed Diggs, and Renée Elise Goldsberry won Tonys for their performances in Hamilton, and Cynthia Erivo was honored for her performance in The Color Purple. Corden even joked early on in the show that the Tonys are “the Oscars with diversity.”

The 2016 Tony Awards Winners:

Best Play
The Humans

Best Musical
Hamilton

Best Revival of a Play
Arthur Miller’s A View from the Bridge

Best Revival of a Musical
The Color Purple

Best Book of a Musical
Lin-Manuel Miranda for Hamilton

Best Original Score
Hamilton, Music & Lyrics by Lin-Manuel Miranda

Best Performance by an Actor in a Leading Role in a Play
Frank Langella for The Father

Best Performance by an Actress in a Leading Role in a Play
Jessica Lange for Long Day’s Journey Into Night

Best Performance by an Actor in a Leading Role in a Musical
Leslie Odom Jr for Hamilton

Best Performance by an Actress in a Leading Role in a Musical
Cynthia Erivo for The Color Purple

Best Performance by an Actor in a Featured Role in a Play
Reed Birney for The Humans

Best Performance by an Actress in a Featured Role in a Play
Jayne Houdyshell for The Humans

Best Performance by an Actor in a Featured Role in a Musical
Daveed Diggs for Hamilton

Best Performance by an Actress in a Featured Role in a Musical
Renee Elise Goldsberry for Hamilton

Best Scenic Design of a Play
David Zinn for The Humans

Best Scenic Design of a Musical
David Rockwell for She Loves Me

Best Costume Design of a Play
Clint Ramos for Eclipsed

Best Costume Design of a Musical
Paul Tazewell for Hamilton

Best Lighting Design of a Play
Natasha Katz for Long Day’s Journey into Night

Best Lighting Design of a Musical
Howell Binkley for Hamilton

Best Direction of a Play
Ivo Van Hove for Arthur Miller’s A View from the Bridge

Best Direction of a Musical
Thomas Kail for Hamilton

Best Choreography
Andy Blankenbuehler for Hamilton

Best Orchestrations
Alex Lacamoire for Hamilton

‘The Conjuring 2’ Scares Up Big Box Office Numbers

Conjuring 2 Vera Farmiga
Vera Farmiga stars in ‘The Conjuring 2.’

Moviegoers opted for horror over fantasy and magic during the June 10th weekend, with The Conjuring 2 easily taking first place while Warcraft came in a distant second followed close behind by Now You See Me 2. The Conjuring 2 took in $3.4 million in early screenings on Thursday night, followed by a domestic weekend opening totaling $40.35 million.

The film took in another $50 million internationally.

Commenting on the opening weekend, Veronika Kwan Vandenberg, President, Worldwide Distribution, Warner Bros. Pictures, stated, “Once again, James Wan has proven himself a true master of the scare, building an onscreen world that not only frightens his fans in the best way possible, but remains with them when they leave the theater. We anticipate strong word-of-mouth will carry the film through the summer corridor.”

Wan’s 2013 horror hit The Conjuring grossed $319 million during its theatrical run. That film currently stands as the highest opening for any original horror movie, and its overall gross makes it the second highest-grossing horror film in history. (The Exorcist is the highest grossing.) The Conjuring 2‘s domestic opening weekend is just slightly lower than The Conjuring‘s $41.9 million.

Meanwhile, Universal’s Warcraft was embraced internationally, while its domestic box office numbers came in just about where the studio expected the film to place. Warcraft did just $24.4 million domestically, but in China, it brought in $156 million. Overall, Warcraft rang up $286 million internationally on a budget of $160 million (not including advertising). It’ll have to double its combined opening weekend take to make any money for the studio.

Box Office Top 10: June 10-12, 2016

  1. The Conjuring 2 – $40,350,000
  2. Warcraft – $24,356,000
  3. Now You See Me 2 – $23,025,000
  4. Teenage Mutant Ninja Turtles: Out of the Shadows – $14,800,000
  5. X-Men: Apocalypse – $10,000,000
  6. Me Before You – $9,210,000
  7. The Angry Birds Movie – $6,700,000
  8. Alice Through the Looking Glass – $5,544,821
  9. Captain America: Civil War – $4,300,195
  10. The Jungle Book – $2,721,250




‘Game of Thrones’ Recap Season 6 Episode 8: “No One”

Game of Thrones Season 6 Episode 8 Lena Headey
Hafpor Julius Bjornsson and Lena Headey in ‘Game of Thrones’ (Photo: Helen Sloan / Courtesy of HBO)

Show of hands by those who saw every plot twist in Game of Thrones season six episode eight coming. Airing on June 12, 2016 and titled ‘No One,’ the episode found Cersei thrown for a loop, the battle of Riverrun coming to a surprising conclusion, and Arya remembering she’s a Stark. While we didn’t get to catch up with Bran/the new Three-Eyed Raven, crazy Ramsay Bolton, any of the Starks, or the Greyjoys, Dany did put in the briefest of appearances and the Hound was able to get his revenge. But the major storylines advanced in this episode involved Cersei and Jaime, both of whom showed their ruthlessness but only one of whom found their nasty behavior paid off with a win.

The Recap:

We’re back with the actors on stage and Lady Crane playing Cersei cradling her dead son, King Joffrey. The crowd is really into the scene and she’s even brought some to tears. The applause is long and loud as she leaves the stage. We follow her progress backstage where she discovers Arya (Maisie Williams) hiding in the wardrobe. She’s clutching her stomach and Lady Crane dresses her wounds. She’s not on death’s door as we assumed, and she’s not Jagen H’ghar wearing an Arya face as many had speculated either. Arya asks after Bianca, Lady Crane’s understudy who ordered the poisoning, and Lady Crane admits she did something to her face that will make it hard for her to find work as an actress. Lady Crane wants Arya to go with them as they move to the next city, telling her there’s nothing left for her there. Arya says she’s going west of Westeros, where all the maps stop. It could be the edge of the world but she won’t go with the actors because she doesn’t want to put Lady Crane in danger. Arya reluctantly drinks some milk of the poppy and falls asleep.

Next up is a visit with the members of the Brotherhood who are sitting around a fire joking and having a good old time. Up walks the Hound (Rory McCann), axe in hand. He chops off one head, make that two heads, one penis slice that splits a man in two, and one Brother is whacked in the chest. The Hound asks the one remaining Brother the whereabouts of the man in the yellow coat. He responds by cussing, preferring to die rather than give up his Brothers.

In Meereen, Kinvara (the other red priestess) has made good on her promise to spread the gospel that Daenerys Targaryen is their savior. Lord Varys (Conleth Hill) is ready to set out on a mission back to Westeros and Tyrion (Peter Dinklage) is worried Dany isn’t coming back. Varys leaves Tyrion or, as he calls himself, “the most famous dwarf in the world” in the middle of the marketplace and heads out on his ‘secret’ mission to Westeros.

Meanwhile in King’s Landing, the Faith Militant are in the Red Keep to meet with Cersei (Lena Headey). King Tommen allowed them in but he’s conveniently absent from the meeting. The Faith Militant, led by Lancel Lannister (Eugene Simon), are there to take Cersei to a meeting with the High Sparrow but she won’t leave the Red Keep. They warn her that if she refuses, they’ll take her by force. She tells them to leave and the Mountain steps in front of her to protect his Queen. He won’t move and Lancel says if he doesn’t move, then there will be violence. Cersei answers with the quote that’s been featured prominently in multiple trailers: “I choose violence.” The Mountain rips off one head, with a finger still twitching as the man’s blood spreads. “Please tell his High Holiness he’s always welcome to visit,” says Cersei, rather smugly.

Over at Riverrun, Brienne (Gwendoline Christie) and Pod (Daniel Portman) look out over the Lannister and Frey armies. They’re soon surrounded and Brienne tells the men she’s come to speak with Jaime Lannister. While Brienne and Jaime meet, Bronn (Jeremy Flynn) jokingly chokes Pod, wondering why he’s not dead yet. Bronn goes into an in-depth analysis of the possibility Brienne and Jaime are having sex in the tent right now, and Pod’s completely disgusted by this conversation. Then Bronn wants to know if Pod and Brienne are having sex, and Pod says he’s being trained to fight, not have intercourse with Brienne. Bronn then volunteers to train Pod to protect himself from people sneaking up on him.

Inside the tent, Jaime (Nikolaj Coster-Waldau) confesses to Brienne he assumed Sansa would be dead, and he’s proud of Brienne for fulfilling her oath to Lady Stark. Brienne says she’s come for the Blackfish because Sansa is going to take back Winterfell from the Boltons but she needs the Tullys. Jaime wonders how they’ll do that when he’s there to battle the Tullys, telling her not to ask him to break his oath. Brienne’s plan is to persuade the Blackfish to give up his home so that he can lead the Tullys to Winterfell. Jaime will actually allow that if the Blackfish abandons the castle. She has his word that the Tullys will receive safe passage if they do as she asks. Brienne hands Jaime back his sword, but he says it is hers. “It will always be yours,” says Jaime, and Brienne keeps it. As she leaves, she wants him to know that if she doesn’t persuade the Blackfish then honor compels her to fight for Sansa’s kin – to fight him. “Let’s hope it doesn’t come to that,” says Jaime.

The Blackfish refuses to surrender, telling Brienne he hasn’t seen Sansa since she was a child and doesn’t recognize her writing on the letter Brienne is there to deliver. He does, however, know who Brienne is but he’s completely convinced Riverrun can stand up against the Lannisters. The Blackfish says this is his home and if Jaime wants it, he’ll have to fight him for it. He hands Brienne back Sansa’s letter and she tells Pod they have to get a raven north to Sansa. “Tell her I failed,” she says when Pod asks what to write.

Cersei and the Mountain approach the Iron Throne, inquiring about a Royal announcement she wasn’t informed in advance was taking place. She’s blocked from standing by her son and instead is told her place is in the gallery with the other ladies of the court. King Tommen (Dean-Charles Chapman) tells his people that the Faith and the Crown must work together and those who don’t will be punished. They have determined Sir Loras Tyrell and Cersei’s trials will be held on the Festival of the Mother. King Tommen then reveals something which crushes his mother’s hopes of going unpunished. The Crown has decided trial by combat is now forbidden throughout the Seven Kingdoms because it’s being used to avoid proper trials and punishment. Cersei tears up a bit at the news, but King Tommen barely casts her a glance as he leaves the throne room.

Over in Meereen, Grey Worm (Jacob Anderson), Missandei (Nathalie Emmanuel), and Tyrion are apparently just killing time until Dany returns. The Unsullied don’t drink so Grey Worm at first refuses an offer of wine but then he gives in because Tyrion is very persuasive. Even Missandei has a glass of wine, and Tyrion suggests a toast to the Mother of Dragons. “Long may she reign,” they say in unison. Grey Worm isn’t a fan of his first sip of wine, and Tyrion reveals he’d like to have his own vineyard and make his own wine when things calm down. Tyrion asks if they know any jokes; they don’t, so he tells a joke about three lords who find a fly in their cups. It’s a dumb joke and Grey Worm and Missandei don’t get it, and Missandei has to explain what a joke is because Grey Worm is busy analyzing it for accuracy. Missandei likes the wine and finally agrees to tell a joke about translators on a sinking ship. Courtesy laugh from Tyrion while Grey Worm jokes that it’s the worst joke he’s ever heard. Missandei is getting very giddy and just then bells ring out. There are slaver ships are in the harbor!

Back at the Lannister and Frey encampment, Jaime apologizes to Edmure Tully (Tobias Menzies) telling him he’ll be clothed and fed – he has his word. Edmure says the Blackfish won’t surrender the castle and Jaime talks about Edmure’s child that he sired on his wedding night. Jaime can arrange for Edmure to be with his wife and child, and will even give the child a keep of his own. Edmure wonders if Jaime imagines himself a decent person. Jaime says it’s not a negotiation and Edmure asks if he understands he’s an evil man, with Jaime replying that he’ll leave the judgment to the gods. Edmure admires Jaime’s looks and wonders how he lives with himself. “All of us have to believe that we’re decent,” says Edmure. “How do you tell yourself that you’re decent after everything that you’ve done?”

Jaime recalls being in Catelyn Stark’s (Edmure’s sister) prison and how he admired her more than he did her husband or sons. Edmure doesn’t give a crap what Jaime thinks about Catelyn, but Jaime says he’ll talk anyway. Jaime says the love Catelyn had for her children is like the love he has for his sister, Cersei. Catelyn and Cersei have a fierceness you don’t often see. They go to war, burn cities to ash, and free their worst enemies all to save their children. Edmure says Jaime didn’t come there to talk about their sisters, but Jaime says that’s exactly what he is there for. Jaime will launch Edmure’s son into Riverrun because only Cersei matters. “If I have to slaughter every Tully to get back to her, that’s what I’ll do.” Edmure, visibly shaken, doesn’t reply.

Edmure is freed and approaches the gates of Riverrun, demanding entry. The Blackfish (Clive Russell) doesn’t want Edmure to be allowed in, even after Edmure says he’s the rightful lord of Riverrun. The men say they have to follow Edmure’s command because it’s an order, and the Blackfish says it’s actually Jaime’s order. The men are ready to lower the drawbridge and the Blackfish threatens them with the loss of their heads if they do so. Despite the threats, they lower the bridge to the rightful lord of Riverrun. Jaime and the army wait outside as Edmure enters Riverrun. A Frey tells Jaime he better not be wrong because they just surrendered their most valuable prisoner. Edmure and the Blackfish stare at each other, and then Edmure meets with his men. They welcome him back, but then he commands them to lay down their arms and open the gates. They don’t want to but have no choice – it’s an order. The Frey and Lannister armies march across the bridge and enter Riverrun. Edmure wants the Blackfish put in irons and handed over to the Freys. Edmure has not only given over Riverrun, he’s betrayed the Blackfish. Way to go, Lord Wimp.

Game of Thrones Season 6 Episode 8 Nikolaj Coster-Waldau
Nikolaj Coster-Waldau in ‘Game of Thrones’ (Photo: Helen Sloan / Courtesy of HBO)

Brienne, Pod, and the Blackfish are about to make their exit from Riverrun through secret tunnels but the Blackfish won’t go. The Blackfish tells Brienne she’ll serve Sansa better than he ever could, opting to protect them as they make their escape.

The Lannister banners now hang from Riverrun while the army steps all over the Tully banners. Jaime wants the Blackfish brought to him but he’s told he died fighting. Jaime looks out and sees a lone boat making its ways down the river. It’s Brienne and Pod, and Jaime waves to Brienne. She waves back and continues down the river.

The slavers are firing on Meereen, destroying the city. Tyrion admits he was wrong and Grey Worm takes over plotting their next move. He wants the Unsullied to stay in the pyramid and wait for the slavers to come to them. It’s the only place they can defend. Just then a loud noise alerts them to Dany and her dragon’s presence. Daenerys (Emilia Clarke) strides in while her dragon soars over the city in the background.

The Hound meets up with Beric Dondarrion (a character we haven’t seen in years, played by Richard Dormer) as he and other members of the Brotherhood are about to hang the three men who slaughtered the villagers and hung Septon Meribald (Ian McShane). Beric’s hanging them because of the killings, but he agrees the Hound can have two of them for his own. The Hound wants to gut them but Beric says he’s only allowed to hang them. That pisses the Hound off because he really wanted them to have horribly painful deaths. As they die, the Hound takes their boots for his own and then asks Beric if they have anything to eat. Beric and his men want the Hound to join them, but he’s not much of a joiner. The Lord of Light is keeping Beric alive for a reason, and he explains they’re part of something larger than themselves. The Hound’s not falling for it. Beric says the Hound is a fighter, was born a fighter, and he walked away from a fight. The things Beric and the Brotherhood are fighting will destroy everyone, and he tells the Hound it’s not too late for him to join them.

Lady Crane checks on Arya who’s still alive but sound asleep. She leaves the room and steps on a stool to take down a vial from a shelf, not knowing there’s someone behind her. Arya wakes and yells, “Lady Crane?!” She finds her dead on the floor and the Waif tells her if she would have just done her job, she’d have died painlessly. The Many-Faced God must always receive what’s his and he’s been promised Arya. Arya makes a run for it, fairly spritely for someone who was stabbed repeatedly. They run through the streets and alleys and Arya barely seems injured. She takes cover in a bathhouse and emerges not knowing where the Waif is. The Waif spots her and the chase is on again. Arya mistakes her environment, leaping off a building and falling down a long flight of stairs yet she’s still able to get up and walk away. She leaves bloody handprints behind and the Waif is hot on her trail.

Arya makes her way down another flight of stairs, still leaving bloody handprints for the Waif to follow. The Waif catches up to Arya as she’s huddled in the dark, closing the door behind her and approaching her injured enemy. The Waif asks, “On your knees or on your feet?” What she doesn’t know is that Arya led her back to her own room. She picks up Needle and quickly slices the candle in half to extinguish it, making the room pitch black.

Back in the Hall of Faces, Jagen spots blood on the floor and follows it downstairs where he finds a new face has been added to the Hall. It’s the Waif’s. Arya is behind him and says, “You told her to kill me.” “Yes, but here you are and there she is,” replies Jagen, adding, “Finally a girl is no one.” Arya quickly corrects him. “A girl is Arya Stark of Winterfell and I’m going home.” Jagen smiles and nods as Arya turns and leaves. She walks away without a sign of pain or a limp.

More Season 6 Recaps:




‘The Last Ship’ Postpones Premiere Due to the Orlando Shooting

The Last Ship Season 3 Premiere Postponed
Eric Dane and Bridget Regan in ‘The Last Ship’ (Photo © Turner Entertainment Networks, Inc)

Out of respect to the Orlando shooting victims, their families, and friends, TNT has postponed the third season premiere of its dramatic series, The Last Ship. Season three had been scheduled to debut on June 12, 2016 at 9pm ET/PT with a special two-hour premiere. The first episode of season three included a scene of a shooting at a nightclub, and TNT rightly decided to hold off on the premiere because of the devastating mass shooting in Orlando, Florida.

“After the shootings in Orlando, tonight’s season premiere of The Last Ship is postponed. Our hearts are with the victims and their families,” stated TNT.


The Last Ship stars Eric Dane, Bridget Regan, Adam Baldwin, Travis Van Winkle, Marissa Neitling, Jocko Sim, Charles Parnell, Christina Elmore, Bren Foster, and Kevin Michael Martin. The series was created by Hank Steinberg and Steven Kane who also are the showrunners and executive producers. Michael Bay, Brad Fuller, Andrew Form, Paul Holahan, and Michael Katleman are also executive producers.

The Last Ship Season 3 Plot: Following the epic second-season cliffhanger, the highly anticipated third season finds the crew of the Nathan James shifting their attention to Asia after President Michener hears rumblings that the Chinese leader, President Peng, has been hoarding the “Scott cure” instead of distributing it to the people in the region. Michener sends Chandler to a global summit to investigate this allegation, as well as rumors of a possible mutation of the original virus that has caused a fresh outbreak in Japan. If the mutation has occurred, and Asia has not been protected, the consequences for the world are dire. And with Rachel Scott shot at the end of last season, and her fate as yet unknown, hope is in low supply.

‘Outlander’ Recap Season 2 Episode 10: Prestopans

Outlander Season 2 Episode 10 Sam Heughan
Andrew Gower and Sam Heughan in ‘Outlander’ (Photo © 2016 Sony Pictures Television Inc)

Tulach Ard!! We are finally up to the first battle of the Jacobite uprising, Prestonpans, in Outlander season two episode 10. All of the poisonous activity in France was meant to stop this day from arriving. Nevertheless, it has arrived and with it… anguish. War is never a happy affair, so saddle up for difficulties going forward. The opening title cards pretty much set the stage. The Highland Pipers and the British Drummers lead us into the episode where Claire (Caitriona Balfe) discovers a Highlander who was killed in the brush by the British. She has seen war before, and she muses over the many men that she had seen killed. She knows she will see many more before this war is done. She grabs his weapon, lying next to his rotting body, and rejoins Jamie outside the wood.

And to the war council meeting we go. Jamie (Sam Heughan), Prince Charles Edward Stuart (Andrew Gower), the Lord General Murray (Julian Wadham), the Quartermaster (Gerard Horan), and the rest of the clan leaders are ‘debating’ the need to rush into battle with the British, encamped just a few hundred yards away. One major snag to the Quartermaster’s push to engage emerges: there is a section of boggy ground between the two armies. The General and Jamie are the only two voices of reason in the room, pointing out that the army would be placed in a highly dangerous position if trying to cross that ground on foot or horse. Prince Charlie shows his delusional approach to this entire war at every turn. He suggests having a discussion with the opposing general, like he can talk his way to the British throne. WOW! The General eventually storms out of the gathering.

Jamie and the Prince talk outside the building, alone. The Prince asks Jamie if Claire is making plans to attend to the wounded once the battle does get started. Jamie confirms that she is doing exactly that. The Prince makes a request of Jamie, that is not in the book by the way, that Claire tend to the British before the Jacobite wounded. Jamie points out that Claire is not likely to follow such an order, and that his Jacobite soldiers would not appreciate such sentiment. Claire is a nurse, that means to triage the most urgent cases as a priority; this approach does not lend to singling out British or Jacobite. I do have to say it though, another amazing costume for Prince Charles. He is wearing a tartan kilt set that is really gorgeous.

Jamie goes to look out across the bog and assess the situation. The men have to sit and wait, so they start aggravating each other. Angus (Stephen Walters) humors Rupert (Grant O’Rourke) by spitting ale on some of the Frazer troops sitting with Murtagh (Duncan Lacroix). Jamie quiets the ruckus down when he comes across the scene and asks for Dougal’s (Graham McTavish) private council. They both go to stand looking across the bog. Jamie skillfully talks Dougal into attempting a recon mission to test the ground. It is very dangerous because he would have to come close enough to the British that he might be killed in the effort. The MacKenzie war chief is not one to shrink from a challenge, and an opportunity to gain respect from the other soldiers, as well as the Prince, in the bargain.

Outlander Season 2 Episode 10
Graham McTavish in ‘Outlander’ (Photo © 2016 Sony Pictures Television Inc)

Dougal sets off on his beautiful grey mare to test the ground. The men of both camps come to watch the spectacle. None of this was part of the book, but it is interesting the games men play with their lives in a war. It is not out of the realm of the story that Dougal would do such a thing, partly for the sake of gaining attention. They do need to know the strength of the ground though, so off he goes to test it. The British get a line of muskets aimed right at him and begin firing. Dougal gets dangerously close, so close that one musket ball knocks his hat off and leaves behind a scratch on his scalp. Dougal gets his horse and himself back safely…eventually. After the Prince gives him a very unmanly hug and congratulates him on the task, Dougal makes a crack about having to change his breeks. But the General’s point is made; there will be no way to charge across the bog between the armies.

Claire is with the women working to get things ready for a time when the battle’s managed to get started and wounded come in needing attention. She is instructing the women on their various duties, and Fergus (Romann Berrux) is messing about the room like a child of 10 would be doing. He is restless and fidgety. Fergus does not want to stay with the women tending to the wounded, he wants to be in the battle. How little he knows of the horror of true military engagement. Claire is also having to explain some of her methods to the ladies, but everything Claire does has a purpose to keep the patient alive.

Fergus brings in a man who knows the area exceeding well. His name is Richard Anderson (Alex Hope) and he’s volunteered to scout and guide the army through a passable section of the wood. This would provide a sneak attack and afford the Jacobites a gift, the element of surprise. The Prince is talked into the plan, largely by Jamie, and agrees to the course of action.

Outside some of the men wait, so they start having conversations that men on the eve of battle would tend to have. Ross (Scott Kyle) and Kincaid (Gregor Firth) are promising to take care of the other man’s family and home in the event one of them dies. Angus overhears this exchange and tries to have a similar conversation with Rupert. Rupert is a bit more superstitious and does not want to have such conversations. Both men know how the other feels anyway; they have been close friends for a very long time and both are clan MacKenzie.

Jamie finds Murtagh and knows he is stewing over something. Murtagh, not one for long-winded emotional conversation in the books, does a fair more opining on issues in the show. Murtagh is a wise and comforting soul in both situations! He mentions to Jamie how he feels lesser given the wide number of troops when dealing with formal military battle. He knows that in a smaller raid between clans he had a specific part to play and thus had greater meaning in the fight. Jamie mentions that he has and does feel much the same way. He acknowledges that he almost lost his marriage in France trying to keep these events from happening, and failed in the doing of it. Murtagh reminds him that they failed together. It is comforting to know when your feelings are validated, even if they cannot be changed at the time.

The men are about to set off in the effort to get the battle started just before first light across on the other side of the bog. Murtagh, Rupert, and Angus come in to get Jamie. Angus is trying to beg Claire for a kiss, and Rupert says goodbye with more respect. He says they shall celebrate on his return. Murtagh promises to watch over Jamie for her. Murtagh has heard Claire say that they do win the day, but that does not mean they don’t die in the doing of it. Claire knows that some Jacobites die in this battle, so she is still afraid for them, Jamie most of all. She and Jamie share an embrace. When Jamie hesitates to go right away Claire says, “On your way, Soldier.” This elicits a smirk from Jamie because it is a similar tone to the one she used in the first episode of the first season when she told him to get back on his horse. He gave her a gallant bow, like the one he bestowed on her for their wedding day. This brings a smile to her face, and he takes his leave of the room. I doubt many would have dry eyes after all that – I know I sure don’t. Sending your man off to war; how painful and gut-wrenching it would be at any time and for any reason.

The men are escorted by Richard Anderson across the path he mentioned. As will happen in Scotland, a fog rolled in, which also lends to the support of the surprise attack. The Prince and other commanders are held back, but Jamie leads the men into the battle. The battle in the show took exactly the same time as the actual battle of Prestonpans: 15 minutes. As Claire is trying to steady the woman to concentrate on their tasks, Jamie is getting the troops ready for the charge. All eyes are on him as they receive the silent motion to move forward. The men head off through the fog and catch the British camp completely by surprise. The women can hear the charge once the men start their battle cry. The swords, dirks, and even rifle butts are flying. Blood is going everywhere. Men are dying right and left.

Back at the hospital, Ross takes his friend Kincaid in because he’s wounded. Claire has to inform him that Kincaid is dead and that she can do nothing to bring him back. The scene shifts to Fergus standing in the middle of the battle. The little trickster snuck his way into the battle but has no idea what to do. It is amazing he was not killed. Then we see one British soldier, without a scratch on him, laying on the ground playing dead and shivering. The next we see a different British soldier hold a bleeding stump that was his left arm. The Jacobites route the British and win the day. You see one of the British on horse slice a sword across Rupert’s gut. In the book this wound was one Jamie sustained, but was a good twist in the show. Angus brings him to the hospital for Claire to treat him. It is a large gash that she has to sew closed, but Rupert starts shouting about Angus and a cannonball that landed behind him just as Rupert was about to hit the ground.

The British soldiers come in looking for help for their wounded. After Claire gets as many settled in the chaos as possible, Jamie and Murtagh enter with shouts of victory. They lament the fact that they were not able to pursue the British to end the war that very day, but they have no cavalry to do that job. Claire is overjoyed but asks where Fergus is. Jamie says Fergus is waiting outside. He’s in a bit of a state of shock. He relays the story that he thinks he killed a British soldier. Claire is naturally upset on several levels; he scared the daylights out of her by going, and now she is concerned for him after having done battle at his age. She holds him close for a minute trying to calm him and her both. Then she takes him away to get him food and rest.

Dougal is still over in the British camp slaughtering the wounded who are littered about the battlefield. Dougal continues to live up to how we feel about him. One minute he does something good, the next he does something terrible. How does one get close enough to hear a man’s last breath leave him and enjoy it!?

Back in the hospital, Jamie, Angus, and Murtagh joke over Rupert being saved by his wide gut and that no vital organs were injured. Angus is looking rather peaked so he sits down. Claire walks up and sees a horse’s hoofprint on Jamie’s back, right over his kidney. She makes Jamie fill a jar with urine so she can see if he has internal injuries after being stepped on by a massive horse. He sees that many of the men around are downcast, so Jamie makes a joke and game of it. He gives the cup to a British soldier and tells him to hold it while Jamie takes aim. In the book (loved it in the show, too) this scene is hilarious. They didn’t do this in the show, but Jamie plays it up a bit more of a show for the men by acting like he can’t find the equipment to do the job. In the show and book, while Jamie is relieving himself the Prince walks in to look over the injured.

The Prince is giving a bit of a speech when Dougal bursts into the hospital. He intends to attack the British who are in the room once he notices them there. The Prince decides he should be expelled from the army entirely. Jamie has an idea to use Dougal instead. This is not something that was part of the book either, but since Dougal wasn’t involved with the battle in a similar way to the book it does make complete sense to have it in the show. Dougal is to be the new commander of the Jacobite Cavalry; he is to harass British supply lines and bring scouting news of British movements. The Prince agrees to the scheme, but Dougal is not so happy about it. He knows that Jamie both saved him and exiled him all at once.

As all of this is going on, Angus is sitting on the edge of a cot and about to fall over. Dougal tries to ask him a question and Angus not only does not answer but starts convulsing. Claire gets him laid down but all Angus can do is continue to bleed internally until he drowns in his own blood. The cannon blast did damage after all, but no one knew it until it was too late. Everyone stands there completely in shock and helplessness as Angus dies. Then the next sound everyone hears is Rupert getting up off his cot to gather up his friend’s sword and carry it back to his bed with him.

Later that night, some are celebrating, others are lamenting friends lost. Jamie points out that Claire was right about the win of Prestonpans. Claire points out that it might also mean she’s right about the disaster awaiting them all at Culloden Moor. Just then Rupert and Ross come out of the hospital, drinking heavily and singing a song in honor of their friends who both died that day. Everyone knows there is more death to come; for their kin certainly, and possibly for themselves.

Outlander Season Two Recaps:




Streisand Teams Up with Hollywood Stars for ‘Encore’ Album

Barbra Streisand Encore Album

A new album of songs from Barbra Streisand is planned for release on August 26, 2016. The album titled Encore: Movie Partners Sing Broadway will feature Streisand singing duets with a wide variety of actors including Star Wars star Daisy Ridley and Les MisAnne Hathaway. Encore will also include duets with Alec Baldwin, Antonio Banderas, Jamie Foxx, Hugh Jackman, Seth MacFarlane, Melissa McCarthy, Chris Pine, Patrick Wilson, and Anthony Newley. The album is made up of classic Broadway show tunes, and Streisand is allowing fans a behind the scenes look at the recording of her new album with the release of a video showcasing Hathaway and Ridley performing “At the Ballet” from the Tony Award and Pulitzer Prize winning musical, A Chorus Line.

Additional tracks include:

  • Two-time Tony Award nominee Patrick Wilson (Fargo, The Conjuring 2) sings “Loving You” from Stephen Sondheim’s Passion.
  • Grammy Award winner Anthony Newley sings “Who Can I Turn To (When Nobody Needs Me)?” from The Roar of the Greasepaint – The Smell of the Crowd by Leslie Bricusse and Anthony Newley.
  • Emmy Award winner Alec Baldwin sings “The Best Thing That Ever Has Happened” from Road Show with music and lyrics by Stephen Sondheim and book by John Weidman.
  • Tony Award winner Hugh Jackman sings “Any Moment Now” from an unproduced version of Smile.
  • Oscar nominee Melissa McCarthy sings “Anything You Can Do” from Annie Get Your Gun, music and lyrics by Irving Berlin and a book by Dorothy Fields and her brother Herbert Fields.
  • Emmy Award winner Seth MacFarlane sings “Pure Imagination” written for the film Willy Wonka and the Chocolate Factory and included in Charlie and the Chocolate Factory opening on Broadway in 2017.
  • Tony Award nominee Antonio Banderas sings “Take Me To The World” from Evening Primrose, book by James Goldman and lyrics and music by Stephen Sondheim.
  • Chris Pine sings “I’ll Be Seeing You” from Right This Way and “I’ve Grown Accustomed To Your Face” from My Fair Lady.
  • Oscar winner Jamie Foxx sings “Climb Ev’ry Mountain” from The Sound of Music, music by Richard Rodgers, lyrics by Oscar Hammerstein II and book by Howard Lindsay and Russel Crouse.





‘The Last Heist’: Torrance Coombs Interview

Torrance Coombs Stars in The Last Heist
Torrance Coombs stars in ‘The Last Heist’ (Photo Credit: XLrator Media)

Torrance Coombs goes from sword-fighting in Reign to leading a gang of bank robbers with his starring role in the dramatic film, The Last Heist. Directed by Mike Mendez, the action thriller also stars Henry Rollins as a serial killer who coincidentally happens to visit his bank on the same day Coombs and his team have planned their hold-up. The Last Heist opens in theaters, VOD, and iTunes on June 17, 2016 and in support of the film’s upcoming release, Coombs discussed what it was that drew him to the project and what sets it apart from other heist movies.

Torrance Coombs Interview:

What was your entry into Paul? What did you find fascinating about the character?

Torrance Coombs: “I guess what I found fascinating is that to be honest it’s tied into my experience when I did the first read-through with everybody. I didn’t know what I was going to do with this character exactly or what the entry point would be. But the read-through I got there and everybody…it was like a bunch of really, really big dudes. Paul is the leader of a band of bank robbers and somehow, me – I’m not small but we’re talking about being surrounded by like a bunch of MMA fighters. You know what I mean? A lot of tattoos, a lot of big guys. These guys, they could just crush me. So I was like, ‘Okay, how did he get these guys to respect him? How did he get them together?’

I think when I walked into that room I think a lot of people in that room thought I was playing a different character. [Laughing] They pictured something different and to be honest I might have pictured something a bit different. So then I had to get that out of my head and say, ‘Okay, how do I be the leader of these guys?’ And that was challenging and I was a bit nervous about it, but I think we found the right approach. It’s hard to say exactly how, but we launched right into it. I got cast and then a couple of days later we were shooting and so I didn’t have time to sit and think about it too much. It was sort of just like I just showed up on the day, I did as much work as I could and then they want you to show up and you start feeling your way through it. Everybody was feeling their way through it and I think we jelled pretty quickly as a team.”

Do you find that that’s your favorite way of working is when you don’t really have a lot of time to think about it, or do you prefer to have a few weeks to get into the character?

Torrance Coombs: “Both are fun. I think back to my college days when I was given an essay. You give me a month to write an essay and I’m still going to write it the night before it’s due. [Laughing] So in that sense I guess I don’t mind being thrown into the fire and working that way. That’s the pace of television too is that you get the script the night before. I’ve mostly worked in TV so I’m really accustomed to that pace of working. So, it was fine.”

Since you didn’t have much time before shooting to bond with the actors who are supposed to be playing your cohorts in crime, was there anything you did off the set to try and connect?

Torrance Coombs: “Nope. There was no time. We sort of met at the read-through and then a couple of days later we were shooting. It was just all day, every day. No, we only had time hanging out on set while waiting for them to light. I mean, there was a lot to laugh about. We had a lot of fun shooting this thing. It’s a fun movie. It’s fairly silly, so we just had a lot of laughs. We had fun with blood flying everywhere and guns. We just got to be little kids playing as bank robbers.”

Did you pick up on the tone right from the first read-through?

Torrance Coombs: “Yeah, I mean you sort of know what you’re in for when you sign up to do a low budget action movie, and that is to say that you aim for truth. The script is very testosterone-y. It’s got a very male energy to it. You aim to make the best movie you can with the constraints you’re given and you do whatever you can to elevate it. I suppose at the end of the day it ends up being the producer’s call. If you’ve failed at that you can in the editing room change the tone of it and make it completely silly. What I thought when I was going to watch it…I’m always nervous to see exactly what they’ve done with it and so when I saw it I was like, ‘Okay, we’ve actually achieved something where they didn’t go a complete B-movie on us.’ I think that it holds up.”

Was it kind of a release to go from Reign to something that’s the polar opposite with The Last Heist? Was that a fun way to change things up?

Torrance Coombs: “Because Reign shoots 10 months out of the year and you only have two months off, you only have time to do one thing. I’m like, ‘If I’m going to give up my time off, it’s going to be on something that is tonally completely different.’ And so when this came along I was like, ‘Oh, yes, it’s perfect.’ And then immediately I was jarred by it. I wasn’t sure I had it in me. I realized I’d become really comfortable working for a couple of years in that Reign environment. I realized how kind of gentle I’ve had it. This was immediately a very different thing. Very testosterone-y, a lot of swearing, a lot of guns, so I was actually scared by it at first. I was very intimidated by that, but then I remembered I’m an actor, you know? [Laughing] ‘Let’s just have fun.’ It’s funny how it really does start out with the feeling like you really don’t belong here and you feel bad for shooting that guy. You get over it and have some fun. But the change of pace was appealing to me but then immediately I was wondering if I’d made a mistake. And then I had a ton of fun doing it.”

The Last Heist doesn’t seem to take itself quite as seriously as most heist movies do, which is an interesting change of pace.

Torrance Coombs: “It’s the heist movie that throws in a serial killer. There’s something inherently campy about that. That is a lot of fun. It’s bank robbers versus a serial killer – I don’t know if I’ve seen that done before. The concept was a little bit different which was interesting to me.”

Speaking of serial killers, did you ever get to see Henry Rollins on the set?

Torrance Coombs: “We overlapped for about two or three days. I got to meet him and talk with him over lunch, but we actually had no scenes together. It’s strange and we didn’t really realize it until we were there that we didn’t actually work together. We were carrying completely different sides of the story. He’s picking my guys off, but I don’t ever get to see him.”

Also of Interest: Torrance Coombs on Reign Season 4 and Still Star-Crossed




Game of Thrones’ Kit Harington Confirmed for Call of Duty: Infinite Warfare

Kit Harington Call of Duty: Infinite Warfare
Screenshot of Kit Harington courtesy of Call of Duty on Facebook.

Kit Harington, best known for his role as Jon Snow in Game of Thrones, will be portraying the main bad guy in Activision’s Call of Duty: Infinite Warfare. The new Call of Duty game is set for release on November 4, 2016 with Harington tackling the role of the enemy in the newest addition to the popular video game franchise. “Kit is an amazing talent, and the consummate pro,” said Taylor Kurosaki, narrative director, Infinity Ward. “Our story is about an epic showdown of opposing forces, and Kit immersed himself into the role and truly became the embodiment of the enemy, the Settlement Defense Front. We can’t wait for fans to see Kit play an entirely different kind of character.”

Activision and Infinity Ward also confirmed director Guy Ritchie is involved in the new Call of Duty. Ritchie was previously involved with Call of Duty: Black Ops II as the director of the live-action trailer. “Guy Ritchie is a friend of the franchise, so it was great to have him back to work with us, assisting in bringing Kit Harington’s character to life in Infinite Warfare,” stated Dave Stohl, studio head, Infinity Ward. “It meant a lot to us to develop the role into everything it could be. We’re excited about the performance Kit delivered and can’t wait to get it out to the public. We’re committed to delivering a compelling story with rich character depth, and this was a special opportunity to add to our fantastic cast.”


“Gathering this level of talent together for this role speaks to our studio partner’s drive to deliver a powerful narrative in Call of Duty,” added Tim Ellis, chief marketing officer, Activision. “We challenge ourselves to constantly be fresh and expansive in creating gripping, immersive experiences that are exciting to play for our fans every year.”

Check out the behind the scenes of Call of Duty: Infinite Warfare video featuring a clean-shaven Kit Harington here.

Details on Call of Duty: Infinite Warfare – Award-winning studio Infinity Ward breaks new ground in storytelling, by exploring the weight of leadership and the responsibilities that come with it in an emotional, character-driven narrative. Players are thrust into wartime leadership as Captain Reyes, a Tier 1 Special Operations soldier, who takes the helm of the Retribution, one of Earth’s last remaining warships. In a time of unthinkable hardships, Reyes must lead the remnants of coalition forces against a relentless enemy in a war that stretches to new terrains across the vast expanse of our solar system beyond Earth.

Infinite Warfare introduces new weaponry, new player abilities and stunning new settings to the Call of Duty franchise. In addition to a riveting single player campaign, Call of Duty: Infinite Warfare will also deliver a robust multiplayer mode, and a unique cooperative zombies experience.

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