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‘The Americans’ Recap Season 4 Episode 12: A Roy Rogers in Franconia

The Americans Season 4 Episode 12
Keri Russell as Elizabeth Jennings, Holly Taylor as Paige Jennings, and Matthew Rhys as Philip Jennings in ‘The Americans’ (Photo by Patrick Harbron / FX Networks)

After seeing Elizabeth (Keri Russell) kill someone earlier in the evening, Paige (Holly Taylor) confronts her mother with a series of questions to open episode 12 of FX’s The Americans season four. “How do you know how to do that?” “How were you so calm?” and “Have you done that before?” she asks. Elizabeth responds that she was trained to defend herself, that it happened so fast, and she wanted to protect Paige. She hesitated before telling Paige that she had killed before to protect herself, but the reason her mother remained calm lies in Elizabeth’s answer that she didn’t know how many times she’s killed. That answer alone should be alarming to Paige. The bewildered expression on Henry’s face when the rest of his family go upstairs suggests that Henry (Keidrich Sellati) may learn the family secret sooner rather than later if he isn’t already suspicious.

When her mother comes to her room the next morning, it is clear that Paige is still deeply troubled. She spent a sleepless night and has more questions. Paige wants to know why her parents told her that their work wasn’t dangerous when Elizabeth admits that sometimes there is danger. “Did you know it would be dangerous?” Paige wonders. Foreshadowing a later exchange, she won’t let her mother evade the question or avoid the whole truth. Elizabeth’s response provides insight into her motivation when she explains that Russians were able to face the devastation, lack of food, and the cold during and after World War II by joining together and fighting back. “I wanted to be like that, to fight back; danger didn’t matter.”


In the best scene of the episode, Elizabeth and Philip (Matthew Rhys) are alone when Elizabeth tells him that Paige was reporting to her, like an operative, about a conversation with Matthew Beeman. Then in a long shot, Elizabeth and Philip are seated apart, staring at each other, but saying nothing. Philip has always hoped to avoid getting Paige involved in espionage and perhaps Elizabeth now feels the same, or is at the very least, ambivalent.

At the rezidentura, Tatiana (Vera Cherny) informs Oleg (Costa Ronin) that she has been offered a position as Rezident in Nairobi because the Centre has been pleased with her work in acquiring bioweapons. She offers Oleg the position of deputy if he comes with her to Nairobi. Later, in a misdirection we see an establishing shot of Russian buildings and think that we’ll catch up with Martha because we had just seen Gabe–with Philip nearby–on the phone reassuring Martha’s mother. Instead of Martha however, it was actually Oleg’s mother in Russia conversing with her son.

Meanwhile at the FBI, Agent Aderholt (Brandon J. Dirden) watches as a technician finds the listening device in the mail robot. They replace the device and subsequent surveillance of the mailroom allows agents to apprehend a woman in the act of retrieving the device. The agents, though doubtful that they will snare a high level operative, make plans to intercept the handler at an exchange of the tape with the titular “Roy Rogers in Franconia.” This plan gets sidelined after Stan (Noah Emmerich) has a meeting with Oleg.

During this meeting, Oleg expresses his concerns about Russians getting their hands on something that is very dangerous because while they have excellent universities, they don’t have the resources to handle things the right way. He knows that America’s military is working on bioweapons and that they subcontract with an outside firm, one that has a Soviet spy working there. Stan immediately tells his superior and they pull back on surveillance of the mail robot listening device exchange so as not to alarm the rezidentura.

Oleg is not alone in his concern about the consequences of Russia getting the deadly Lassa sample. William (Dylan Baker) tells Philip that he can’t go through with the plan to get the Lassa after Philip gives him the code to Level 4. Philip confides to Gabe (Frank Langella) that he also has reservations. Gabe says that we need the steadfast ones, Elizabeth, in Philip’s case. When Gabe tries to persuade William to do this “one last thing” with appeals to his patriotism and the opportunity to go home, William doesn’t look very convinced. Gabe, as it turns out, isn’t either.

Back at the FBI, agents scour employment records of military contractors based on the lead given to Stan. This task would be much easier today with computers but the reams of paper they need to go through is a nice reminder that this is set in the ’80s. They do discover that William is using the name of a deceased child.

After driving her home, Matthew Beeman (Danny Flaherty) shares a first kiss with Paige. Matthew then goes to the Jennings’ house to help Henry connect the computer to the TV. Paige joins in and she asks Matthew if he worries about his dad’s job being dangerous. This conversation takes place under Elizabeth’s watchful eye.

Alone with her parents later, Paige reports that Matthew told her that Stan hasn’t been home in two days. They tell her that she should see Matthew if she likes him, but they don’t want her to do anything because of them. They also warn her to be very careful in whom she confides. When a phone call prompting Philip to leave interrupts their conversation, Paige demands to know who the caller is. Her parents tell her that she doesn’t need to know and she responds that “you killed a man right before my eyes.” Reluctantly, Elizabeth tells her that Philip is getting part of a weapon the Russian army can use if ever attacked. Paige looks satisfied, but this exchange represents a precedent for Paige’s knowledge of operational details.

Just how much is Paige going to become involved as a spy, and what will be Elizabeth’s reaction when she learns that the Young Hee and Don operation may have been for naught? These are just a couple of questions that may be answered in the final episode airing next week.

TV Land Picks Up ‘Nobodies’ from Melissa McCarthy and Ben Falcone

Nobodies Cast Photo
Hugh Davidson, Rachel Ramras and Larry Dorf star in ‘Nobodies’ (Photo Credit: TV Land)

Melissa McCarthy and Ben Falcone’s Nobodies has been given a 12 episode season one order from TV Land. The comedy has MADTv‘s Michael McDonald on board as showrunner and executive producer, with Hugh Davidson, Larry Dorf, and Rachel Ramras starring, writing, and executive producing. McCarthy and Falcone are also executive producing through their On The Day production company. “Working with our hilarious and talented friends Rachel, Hugh and Larry is a complete joy. Adding a person of Mike’s caliber and a network as supportive as TV Land is truly a dream come true,” said Falcone and McCarthy.


Falcone directed the pilot and stepped in front of the camera as an episode one guest star. Jason Bateman, Maya Rudolph, Jim Rash, and Nat Faxon also guest starred in the Nobodies pilot. “The initial pitch for Nobodies was really funny, and man, did they ever deliver a pilot that is so honest and bold that it’ll make you laugh and cringe at the same time,” said Keith Cox, Executive Vice President, Development and Original Programming TV Land.

The Plot: Groundlings alums Hugh Davidson, Larry Dorf and Rachel Ramras (Mike Tyson Mysteries) and revolves around the three as they try desperately to land one of their famous friends for a feature script that they have developed, so that they, too, can rise to fame in Hollywood.

Jamie Foxx and Tom Kapinos’ ‘White Famous’ Series Coming to Showtime

Jamie Foxx at the Rio Premiere
Jamie Foxx (Photo © Richard Chavez)

Showtime’s ordered a pilot for White Famous from executive producers Jamie Foxx and Tom Kapinos. The half-hour comedy sprang from an idea of Foxx’s and will be written by Kapinos, with the pilot marking Kapinos’ return to Showtime after seven seasons of writing and executive producing Californication. Oscar winner Foxx (Ray) will guest star in a recurring role. According to Showtime, White Famous will “focus on a talented, young African-American comedian whose star is rising, forcing him to navigate the treacherous waters of maintaining his credibility as he begins to cross-over towards becoming ‘white famous.'”

“I came up from standup comedy, so to be able to share that aspect of my life on screen with a project like White Famous is incredibly exciting,” said Foxx. “We couldn’t have found better partners than SHOWTIME, Lionsgate and Tom Kapinos to tell this story in the best possible way.”


“They say you can’t go home again, but I’m thrilled to be back at SHOWTIME, where I’m equally jazzed to be working with the brilliant Jamie Foxx on the creation of another wickedly profane TV antihero,” said Kapinos.

Foxx’s credits include Collateral, Any Given Sunday, Django Unchained, Dreamgirls, The Soloist, Ali, Miami Vice, Annie, Jarhead, Horrible Bosses, White House Down, Due Date, Law Abiding Citizen, The Kingdom, and Stealth. Foxx recently wrapped up working on Sleepless with Michelle Monaghan and Edgar Wright’s Baby Driver co-starring Jon Hamm and Kevin Spacey.

Kapinos’ television career kicked off in 1998 with the teen series Dawson’s Creek. He followed that up with Showtime’s dark comedy Californication starring David Duchovny. Most recently he’s been keeping busy with Fox’s hit series Lucifer starring Tom Ellis and Lauren German.

Julie Andrews Stars in Netflix’s ‘Julie’s Greenroom’ Preschool Series

Julie Andrews Julies Greenroom
Julie Andrews stars in ‘Julie’s Greenroom’ (Photo Credit: Netflix)

Julie Andrews stars in and co-created the new Netflix preschool series Julie’s Greenroom which will premiere in early 2017. The series, which comes from The Jim Henson Company, will kick off with a first season consisting of 13 30-minute episodes. Andrews, Lisa Henson, Halle Stanford, Emma Walton Hamilton, and Steve Sauer are executive producing, Bill Sherman is the series’ composer, and Emmy winner Joey Mazzarino is on board as co-producer and director.

Julie’s Greenroom will feature new puppets who will help Andrews teach kids about the performing arts. Guest stars confirmed for the first season include Alec Baldwin, Sara Bareilles, Joshua Bell, Tituss Burgess, Carol Burnett, Chris Colfer, Robert Fairchild, Josh Groban, David Hyde Pierce, Bill Erwin, Ellie Kemper, Idina Menzel, Tiler Peck, and Stomp.


“This project represents the fulfilment of a long held dream to educate children about the wonder of the arts,” stated Andrews. “I am thrilled to be partnering with my daughter and long time coauthor, Emma [Walton Hamilton], to bring this show to life along with our co-creator, Judy Rothman-Rofe. We could not be more honored to be working with the extraordinary Jim Henson Company. We are equally delighted to be premiering as a Netflix original production.”

“It’s been such an incredible treat to work with Julie on this project,” said Andy Yeatman, Director of Global Kids Content at Netflix. “This show is all about awakening children’s interest in the performing arts while introducing a new era of puppets to the viewers.”

“The best of the best have joined together to bring Julie’s Greenroom to Netflix,” said Lisa Henson, CEO of The Jim Henson Company. “Our award-winning director, Tony-nominated puppeteers, Broadway composer, and accomplished guest artists, led by the incomparable Julie Andrews, together will inspire kids to explore, appreciate and celebrate all forms of performing arts.”

The Julie’s Greenroom Plot: Andrews stars as Ms. Julie – the director of the Wellspring Center for the Performing Arts in which she teaches performing arts workshops in the theatre and its “Greenroom.” Ms. Julie and her devoted assistant Gus (Giullian Yao Gioiello) bring the performing arts to a new generation of kids known as the “Greenies,” played by original puppet characters built by the renowned Jim Henson’s Creature Shop. The Greenies are a diverse group of kids who are mesmerized by all that the arts and creativity has to offer. Over the course of the season, with Ms. Julie’s guidance and inspiration from the visiting guest artists, the kids create an entirely original new show, that is a mashup of all the performing arts including mime, music, dance, improv, circus arts, voice and more.

‘The Legend of Tarzan’ Helps Save Elephants

Legend of Tarzan Alexander Skarsgard
Alexander Skarsgard in ‘The Legend of Tarzan’ (Photo by Jonathan Olley © Warner Bros Entertainment)

Warner Bros. Pictures and Village Roadshow Pictures along with the stars and filmmakers of The Legend of Tarzan are working to help raise funds for and awareness of the important work done by Stop Ivory, a non-governmental non-profit organization. Stop Ivory is dedicated to helping to save Africa’s forest elephants who could become extinct within the next 10 years if action is taken to protect the rare animals who live in Gabon. Conservationist and documentary filmmaker Josh Ponte was the film’s African technical advisor and has dedicated the past 15 years to helping to preserve Africa’s wildlife, with a focus on the forest elephants. Ponte assisted the actors, director David Yates, and the art and costume departments in capturing the history and culture of Africa, and is a director of the Stop Ivory organization.

Per Warner Bros Pictures, here’s the details on The Legend of Tarzan‘s partnership with Stop Ivory:

Now, the cast, filmmakers and Studios behind The Legend of Tarzan are joining forces with Stop Ivory in support of the Elephant Protection Initiative to help save this endangered animal. The partnership was forged in the spirit of creating entertaining, informative and meaningful ways to engage the global community of moviegoers to join the effort to end the poaching of Gabon’s surviving forest elephants while reinforcing the film’s central themes of humanity’s deep connections with wildlife and nature.

The campaign began in earnest with a Public Service Announcement (PSA) for the Elephant Protection Initiative, featuring the film’s star Alexander Skarsgård and appearing on Regal Cinemas screens across the United States as part of their “Stars of Hope” program. More information is available at www.regmovies.com. Skarsgård and Margot Robbie will also be featured in an international Stop Ivory PSA, which will be seen in theaters, as well as broadcast and a variety of digital and social platforms.

On Twitter, Warner Bros. and Stop Ivory are participating in a “ReTweet for Good” campaign, with the studio making a donation to the organization for retweets of select Stop Ivory PSAs at designated times. Details will be available on Twitter and on the organization’s website.

Additionally, the Studio has created a featurette, entitled “From Gabon to the Big Screen,” which chronicles director David Yates’ journey with Ponte to capture the landscapes of Gabon for the film. It will bring viewers face-to-face with the beautiful animals they’ve joined forces to save. This video piece will open up the lush rainforests of Gabon and highlight the integral role forest elephants play in the ecological backbone of the region.

Finally, a limited number of movie-goers who see the film in international markets will receive a special plush elephant, signifying an additional donation has been made by Warner Bros. to the Stop Ivory campaign.

The Plot: It has been years since the man once known as Tarzan (Alexander Skarsgård) left the jungles of Africa behind for a gentrified life as John Clayton III, Lord Greystoke, with his beloved wife, Jane (Margot Robbie) at his side. Now, he has been invited back to the Congo to serve as a trade emissary of Parliament, unaware that he is a pawn in a deadly convergence of greed and revenge, masterminded by the Belgian, Captain Leon Rom (Christoph Waltz). But those behind the murderous plot have no idea what they are about to unleash.

‘Shameless,’ ‘Masters of Sex,’ ‘The Affair’ 2016 Premiere Dates

Masters of Sex Lizzy Caplan, Michael Sheen and Annaleigh Ashford
Annaleigh Ashford as Betty, Lizzy Caplan as Virginia Johnson and Michael Sheen as Dr. William Masters in ‘Masters of Sex’ (Photo: Michael Desmond / SHOWTIME)

Showtime has set their 2016 fall schedule and announced the return dates of Shameless, Masters of Sex, and The Affair. Masters of Sex is the first to return to the Showtime lineup, with season four kicking off on September 11th at 10pm ET/PT. Shameless will rejoin the schedule for its seventh season beginning on October 2nd at 9pm ET/PT. And The Affair‘s third season will premiere on November 20th at 10pm ET/PT.

Masters of Sex is based on Masters of Sex: The Life and Times of William Masters and Virginia Johnson, The Couple Who Taught America How To Love by Thomas Maier and stars Michael Sheen and Lizzy Caplan as William Masters and Virginia Johnson. The upcoming season will begin in 1968 and “will take viewers into the ‘swinging ’70s’ during which time our characters will take on new partners both professionally, personally and sexually.” Michelle Ashford developed and executive produces the critically acclaimed series, with Sarah Timberman, Carl Beverly, Amy Lippman and Judith Verno also executive producing.


Shameless season seven will pick up with the Gallagher clan after they tossed Frank (William H. Macy) into the Chicago River after destroying Fiona’s wedding. Returning cast members include Macy, Emmy Rossum, Jeremy Allen White, Ethan Cutkosky, Shanola Hampton, Steve Howey, Emma Kenney, Cameron Monaghan and Isidora Goreshter. John Wells executive produces along with Christopher Chulack, Nancy M. Pimental, Krista Vernoff, Etan Frankel and Sheila Callaghan.

Showtime also released details on what viewers can expect in season three of The Affair. “Over its first two seasons, told from distinctly different perspectives, The Affair has explored the emotional and psychological effects of an affair that destroyed two marriages, and the crime that bound these individuals together. The Affair features Ruth Wilson in her Golden Globe-winning role as Alison, a young woman attempting to move on from tragedy and build a lasting relationship while contending with the judgment of others and her own self-doubt. Her lover Noah (Golden Globe nominee Dominic West) is a burgeoning writer trying to balance the temptations of success, the family he left behind, and the woman he loves. Noah’s former wife Helen (Emmy Award nominee Maura Tierney) is attempting to piece her life together while navigating divorce proceedings, care for her children, and her parents’ noxious influence. Screen Actors Guild(R) nominee Joshua Jackson plays Cole, Alison’s former husband struggling to overcome past heartbreak and start a promising new life. At the conclusion of season two, the mystery of who killed Scotty Lockhart was finally solved when it was revealed that Helen (Maura Tierney) was at the wheel of the hit-and-run that killed him on the night of Cole’s (Joshua Jackson) wedding. To save Helen, his ex-wife and the mother of his children, Noah (Dominic West) confesses to the crime. Meanwhile, his new wife Alison (Ruth Wilson) is left to raise her daughter, whose father turns out to be Cole, Alison’s ex-husband.”




‘Homeland’ Season 6 Pushed to Winter 2017

Homeland Mandy Patinkin, Rupert Friend, Claire Danes
Mandy Patinkin as Saul Berenson, Rupert Friend as Peter Quinn and Claire Danes as Carrie Mathison in ‘Homeland’ Season 5 (Photo: Jim Fiscus / SHOWTIME)

Showtime’s shifting their schedule around and, unfortunately, viewers won’t be able to catch up with Homeland until January 2017. The series has been moved from its fall spot to a winter premiere, but the network didn’t provide details behind the decision to delay the show’s sixth season. However, Showtime did confirm that season six will begin shooting this summer and that the story will be set in the U.S., with filming taking place in New York. Seasons four and five were shot in South Africa and Berlin.

Confirmed returning cast members include Claire Danes as Carrie Mathison, F. Murray Abraham as Dar Adal, and Mandy Patinkin as Saul Berenson. Showtime also lists Emmy nominee Rupert Friend as on board for season six, reprising his role as Peter Quinn who you’ll remember was left near dead at the end of season five.


“We are proud that Homeland has been so consistently recognized for its excellence with awards and critical acclaim, but we are in awe of how the series fearlessly mines the geopolitics of our complicated world and translates that into compelling human drama,” said David Nevins, President and CEO, Showtime Networks Inc. “Under Alex Gansa’s brilliant leadership, Homeland has shown an uncanny ability to reinvent itself which makes us supremely confident that this show will remain as distinctive, relevant and cutting edge as anything on television for as long as these producers want to continue.”

The Homeland Season Six Plot: After she thwarted a terrorist attack in Berlin, season six picks up several months later and finds Carrie Mathison (Danes) back on American soil, living in Brooklyn, NY. She has begun working at a foundation whose efforts are to provide aid to Muslims living in the United States. Season six will tackle the after effects of the U.S. presidential election, with the entire season taking place between election day and the inauguration. It’s a strange, transitional time in the halls of government filled with anxiety and different competing interests, where a very fragile and complex transfer of power takes place between the outgoing president and the incoming president-elect.

Daniel Craig to Star in Showtime’s ‘Purity’ Series

Daniel Craig in Spectre
Daniel Craig as James Bond in ‘Spectre’ (Photo © 2015 Metro-Goldwyn-Mayer Studios Inc., Danjaq, LLC and Columbia Pictures Industries, Inc)

Daniel Craig (James Bond in Spectre, Skyfall, and Quantum of Solace) has signed on to star and executive produce Purity, a limited series set up with Showtime. The series will be based on Jonathan Franzen’s bestselling novel and has Todd Field (Little Children) on board to write, direct, and executive produce. Author Franzen will also be involved as a writer and executive producer. Writer David Hare, Scott Rudin, and Eli Bush are also executive producing.

According to Showtime’s official announcement, the limited series will consist of 20 episodes airing over two years. Filming’s expected to get underway in 2017.


“Jonathan Franzen’s Purity is an epic American novel that pulses with the energy of a psychological thriller. I whipped through it in a week,” said David Nevins, President and CEO, Showtime Networks Inc. “His gripping and timely story has attracted a powerhouse team – Todd Field, Scott Rudin, Eli Bush, David Hare, along with Franzen himself, and the brilliant Daniel Craig who is perfectly cast as the charismatic, mysterious ‘Andreas Wolf.’ Put it all together and Purity promises to be the kind of taut, long-form, serialized storytelling that is the best of premium television, and is precisely what we at Showtime aspire to deliver.”

The Plot: Purity is a morally complex story of youthful idealism, extreme loyalty and cold-blooded murder. Jonathan Franzen’s intricately plotted novel is populated by characters both hungry for the truth and desperate to hide it. From STASI offspring to Oakland anarchists, Franzen tracks his characters’ landscapes as varied as East Berlin, the Bolivian jungle, East Harlem walk-ups, and the California Redwoods. Purity is at once supremely ambitious in scope and intensely intimate in its treatment of character – a decades-spanning tragicomedy that builds to a contemporary climax.

‘Outlander’ is Renewed for Seasons 3 and 4

Outlander Season 3 and 4

What better way to celebrate World Outlander Day than with the news that Starz has renewed the series for a third and fourth season. Outlander season two is currently airing on Saturdays, with the second season earning higher ratings than season one. According to Starz, the third and fourth seasons will cover the material in Diana Gabaldon’s third and fourth novels of the Outlander series, Voyager and Drums of Autumn. However, Starz has not announced the number of episodes fans can expect from seasons three and four.

Outlander is like nothing seen before on television,” stated Starz CEO Chris Albrecht. “From its depiction of a truly powerful female lead character, to the devastating decimation of the Highlander way of life, to what is a rarely seen genuine and timeless love story, it is a show that not only transports the viewer, but inspires the passion and admiration of its fans. On this 25th anniversary of the publication of the first book in the U.S., we are thrilled and honored to be able to continue the story that began with author Diana Gabaldon, and is brought to life by the incredibly talented Ronald D. Moore. There are no better storytellers for Outlander than this team, both in front and behind the camera.”

Created by Ronald D. Moore, Outlander stars Sam Heughan as Jamie, Caitriona Balfe as Claire, Tobias Menzies as Frank Randall/Black Jack Randall, Duncan Lacroix as Murtagh, Claire Sermonne as Louise De Rohan, Rosie Day as Mary Hawkins, Andrew Gower as Prince Charles Stuart, Romann Berrux as Fergus, Frances de la Tour as Mother Hildegarde, and Dominique Pinon as Master Raymond.

Details on Season 2: Book Two of Outlander begins as Claire and Jamie arrive in France, hell-bent on infiltrating the Jacobite rebellion led by Prince Charles Stuart, and stopping the battle of Culloden. With the help of his cousin Jared, a local wine merchant, Jamie and Claire are thrown into the lavish world of French society, where intrigue and parties are abundant, but political gain proves far less fruitful. Altering the course of history presents challenges that begin to weigh on the very fabric of their relationship. However, armed with the knowledge of what lies ahead, Claire and Jamie must race to prevent a doomed Highland uprising, and the extinction of Scottish life as they know it.

‘Person of Interest’ Season 5 Episode 10 Recap and Review: The Day the World Went Away

Person of Interest Season 5 Episode 10
Sarah Shahi as Sameen Shaw, Amy Acker as Root, and Michael Emerson as Harold Finch in ‘Person of Interest’ (Photo by Giovanni Rufino © 2016 WBEI)

“I’m just protecting a number, Harold. It’s what you hired me to do,” says Reese (Jim Caviezel) to his employer and friend Harold Finch whose number has been given to Team Machine in the 100th episode of CBS’ crime thriller series, Person of Interest.

As the episode begins, Finch (Michael Emerson) is sitting at a café talking to the Machine and asking if there is any scenario where any of his friends make it out alive. A waitress brings him his order, commenting on how nice it is to see him again. Finch tells her she must have him mistaken for someone else. Finch quickly leaves the café realizing he’s just made a mistake.

Back at the subway headquarters, Root (Amy Acker) tries once again to talk to Harold about his decision to close the Machine. Root still believes they have a small chance of beating Samaritan but only if Harold gives the Machine the tools to fight back. She accuses Harold of never giving the Machine her own voice because he knew deep down he might kill it again. Finch responds to this by telling Root, “I imagined one day that it might wish to choose one for itself.” Finch then sits at the computer and locks the system.

The Machine gets a new number and it’s Reese and Fusco (Kevin Chapman) who receive it. It turns out the number is Harold’s so Team Machine immediately attempts to protect Finch and minutes later a couple of Samaritan thugs show up to grab him. It seems Finch was once at the café before and Samaritan picked up on it so his cover is blown. The group takes Finch to a safe house and decide to split up, with Elias (Enrico Colantoni) going with Finch to keep him off the grid, Reese and Fusco following the one lead they got off the thugs they took down, and Root and Shaw (Sarah Shahi) staying behind and holding off the other Samaritan agents headed to the safe house. Before they split up Root tells Harold that before he closed the Machine she armed it with the tools to fight back but it will only work if Finch activates it.

Elias takes Finch to the old high-rise where he first met Reese and Harold to keep him out of sight. It’s now an area where two rival gangs fight, but Elias is still king of the underworld so he calls in a favor to make the gangs stop fighting for a day. This actually is a mistake because Samaritan notices the change and realizes the high-rise is where Finch is hiding. Elias and Finch begin to make their way down to the street with Elias taking on more of Samaritan’s agents. Just as Finch and Elias are about to get in their getaway car, two Samaritan agents quickly come up and shoot Elias in the head. The king of the underworld is dead. In shock, Finch can’t seem to move as a Samaritan agent puts him into a car and drives off.

Meanwhile, Reese and Fusco go check out the info gathered from the Samaritan thugs which leads them to a fake business in a building Samaritan is using. Reese and Fusco end up having to fight their way out, which is not a problem since they came heavily armed.

Back at the safe house, Root and Shaw have effectively knocked out the Samaritan thugs and Root tells Shaw that for the first time in her life since joining Team Machine she feels like she belongs.

Reese and Fusco show up on the scene and get help from a neighborhood kid who tells them that everyone respected Elias. Fortunately, the kid was smart enough to snap a photo of the car that drove off with Finch inside. The very next scene is the car pulling into a parking garage where Greer (John Nolan) is waiting. He tells Harold that Samaritan wants him to work for it and that it knows he won’t do that now but in time will of his own accord. Greer has another thug take Finch out to yet another car…and who should pull up but Root and Shaw.

The two very tough ladies engage in a firefight with the Samaritan agents, and Root decides this is the right time to flirt with Shaw and try to make her feel better. Since her escape and reconnecting with Team Machine Shaw has been wondering if it is all real or just another simulation. Root tells Shaw, “The real world is essentially a simulation anyway, even if we’re not real we represent a dynamic, a tiny finger tracing a line in the infinite.” Shaw doesn’t find her theory very comforting, but Root manages to get a smile out of her.

The two ladies manage to get the better of the agents and begin to leave the area with Finch when a Samaritan vehicle with a turret gun pulls up. Shaw stays behind to cover Finch and Root’s escape, with Root saying she won’t lose Shaw again and Shaw telling her that she will shoot her if she doesn’t get Harold out of danger. Root and Finch speed away in a bullet-ridden car. As Root speeds down the highway, she tries once again to convince Finch to let the Machine fight back and to work with her to beat Samaritan. Harold keeps insisting that the war is already over and they are just delaying the inevitable. The turret gun car catches up to them and Root tells Finch to give her the 338 gun. Finch asks which one is that and she replies, “The really big one.” With the big gun and using one of her feet to partly steer, with Finch’s help Root goes up and out the sunroof and fires her weapon, hitting the Samaritan car in the hood causing it to crash and explode.

Samaritan hasn’t given up and sends operative Jeff Blackwell to a sniper position on a roof to take out Root and Finch. As the car approaches and Blackwell gets ready to shoot, Root sees him and swerves the car quickly so Blackwell misses hitting Finch but the bullet hits Root instead. Harold asks Root if she’s hit and she lies and says she’s fine. The two come upon a police roadblock and Finch tells Root they’ll have to take their chances with the NYPD. Finch is taken into a police car and sees Root not responding as the cops try to get her out of the car. (NO! C’mon! Not Root!)

Once at the police station, the FBI is called in when Finch’s fingerprints lead the authorities to discover that he might be wanted for treason. While he sits in the interrogation room Finch says, “I’m going to kill you, but I need to decide how far I’m willing to go, how many of my own rules I’m willing to break.” The FBI agent tells Harold he can add threatening a federal agent to the list of charges and Finch looks at him disgustingly and says, “I wasn’t talking to you,” and looks up at the surveillance camera. Yes, he was talking to Samaritan.

The FBI begin to escort Finch back to the holding cell when one agent gets distracted by another and steps a few feet away from Finch. It’s then that a payphone rings and Finch, realizing it’s most likely his Machine, answers. It is the Machine and it has found its voice…Root. It’s using Root’s voice to talk to Harold who realizes that Root must be dead. Finch asks if the Machine can get him out of the police station and it answers, “Of course,” shutting off the power to the prison and allowing Finch to escape along with hundreds of other prisoners.

Outside the jail, Reese and Shaw get brought up to speed about what’s happening. Fusco calls from the hospital where the ambulance took Root and tells Reese that Root is dead. Reese looks at Shaw and just by the look on his face she knows Root is gone. Always attempting to be strong, Shaw quickly moves on by telling Reese they need to find Harold. She wonders why the Machine gave them Finch’s number and not Root’s, and Reese realizes that the computer is worried what Finch might do. He’s now the perpetrator.

Person of Interest Season 5 Episode 10 review:

Suspenseful, action-packed, and tragic, the 100th episode of CBS’ crime thriller series titled “The Day the World Went Away” said goodbye to a major cast member and a recurring guest star. It also gave new strength and determination to Finch who it seems is finally ready to do what is necessary to beat Samaritan.

The stand-out performances in this episode were delivered by Amy Acker for her final portrayal of Root and Michael Emerson who experiences the loss of two close friends who knew Finch perhaps better than he knew himself.

Acker is nothing less than superb in showing how far Root has come to love her friends more than herself and the Machine. She once again is willing to sacrifice herself to protect Finch from certain death but this time it costs Root her life. It’s that continuing theme of courage and self-sacrifice that has always made Person of Interest a show that’s a cut above the others and what makes the main characters so likable. Emerson is wonderful as Finch who, to be honest, has been just a tad annoying with his doom and gloom outlook. His transformation in the interrogation room is mesmerizing when he tells the evil AI he’s going to kill it. Now that’s a Finch worth cheering on!

The episode is also jam-packed with shoot-outs and a very impressive action scene where Root takes on Samaritan’s turret gun vehicle while also driving with her foot. It’s as exciting and explosive as any big-screen action scene to date.

With the loss of Root and Finch seeming to be more determined than ever to stop Samaritan, it will be interesting to see what Team Machine’s next move is.

GRADE: A-

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