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‘The Walking Dead’ Season 6 Episode 3 Recap and Review – Thank You

Steven Yeun Michael Traynor Walking Dead Season 6
Michael Traynor as Nicholas and Steven Yeun as Glenn in ‘The Walking Dead’ Season 6, Episode 3
(Photo by Gene Page / AMC)

Warning: there are major spoilers ahead as this is a recap and review of season six’s third episode, so please do not read any further unless you’re caught up on every episode of The Walking Dead. You’ve been warned.

“They’re coming,” whispers Michonne (Danai Gurira) to what’s left of her part of group trying to lead and corral the herd of Walkers away from Alexandria. Michonne and her ragtag crew find themselves trapped in an abandoned pet store with the herd headed their way in episode three of the sixth season of AMC’s horror/drama The Walking Dead.

As the episode begins, Rick (Andrew Lincoln), Michonne, Glenn (Steven Yeun), Nicholas (Michael Traynor) and a handful of other Alexandrians are running through the forest trying to stay ahead of the herd of zombies that have been drawn off the main road by the sound of the stuck horn coming from Alexandria. Rick decides he’s going to go solo (of course) and plans to head back to the RV to use that to try and lead the Walkers away from Alexandria and back to the rest of the herd while Glenn and Michonne lead the rest of the small group back to town. Before heading off, Rick tells Glenn and Michonne not everyone is going to make it back but for them to make sure they do, basically telling them not to risk their lives for the local Alexandrians.


While running through the woods Glenn, Michonne, and the rest of the gang don’t do too well with one getting bit by a hungry Walker, ‘Guy wearing big floppy hat’ deserting them and running on ahead, and Annie (Beth Keener) falling down and spraining her ankle. It’s almost as though Rick had the gift of second sight.

The group finally makes it to an abandoned little town where they check to see if any of the deserted cars are usable. With hungry Walkers already roaming the streets, the group decides to hide in a store to rest for a few minutes and figure out their next course of action. Not wanting the herd of Walkers to reach Alexandria and realizing the rest of the winded and wounded group are going to need a distraction in order for them to get out of town without having to fight a small band of zombies, Glenn comes up with the idea to go set a building on fire, saying it will lead the Walkers to it. Michonne offers to go do it but Glenn, taking the role of leader seriously says, “No. It’s my plan. It’s on me.”

Nicholas, supposedly knowing the area since he had done supply runs for Alexandria in the past offers to go along with Glenn, saying he knows where there is an old dry building that should light up easily. Before leaving, Glenn takes out the watch Hershel gave him and looks at it thinking of Maggie. (If you’re starting to worry about Glenn, you should). Glenn then gives Rick an update over the walkie talkie while Rick is eliminating a few rogue Walkers as he runs for the RV. Glenn wishes Rick good luck, ending the short monologue by saying, “Good luck, dumbass.” (For anyone who remembers, Glenn was first heard not seen in the show over a walkie talkie trying to contact Rick who was hiding in the useless tank surrounded by zombies.)

Glenn and Nicholas aren’t gone long when Michonne and the others hear gunfire coming from Alexandria which draws some Walkers in their direction. Michonne lets her group know that as soon as the small band of Walkers are gone they are going to head out and back to Alexandria.

Meanwhile, Rick finally reaches the RV, gets its started and begins to drive it to set it up to lead the scattered Walkers back to the rest of the herd which are still being led away from the town by Daryl (Norman Reedus), Sasha (Sonequa Martin-Green) and Abraham (Michael Cudlitz).

Walking Dead Season 6 Danai Gurira
Danai Gurira as Michonne, Kenric Green as Scott and Jay Huguley as David in ‘The Walking Dead’ (Photo by Gene Page / AMC)

Unfortunately for Michonne’s group two Walkers who were quiet in the back storage room make themselves known by banging around and making noise which draws some of the scattered Walkers outside just as the break-away herd of Walkers enter the town and head over to check out the pet store. Michonne’s group decides to make a break for it and during the chase Annie stumbles again. She goes down fighting, shooting a few hungry Walkers in the head before becoming a meal for some other zombies. Not knowing the ins and outs of the town, Michonne and her now even smaller group end up coming to a dead end and have to scale a wire fence to escape. During the climb the guy who was bit earlier and who had been desperately trying to make it back to his wife succumbs to the hungry mob of zombies while Michonne and the few remaining Alexandrians make a run for it, now protected by the fence they just climbed.

Glenn and Nicholas arrive at the old feed store that Nicholas said would go up in a blaze easily only to find it’s already destroyed. To make matters worse, a group of Walkers is headed their way. Glenn defers to Nicholas, asking which way to go, and Nicholas once again fails and leads them to an alley where they get cut off by an army of very hungry Walkers. Glenn takes out a few Walkers with his handgun and his knife but they are getting closer and there’s just too many of them. He climbs up on top of a dumpster and pulls up a terrified Nicholas. Seeing no way out and being the true coward he always has been, Nicholas looks at Glenn, says “Thank you,” and shoots himself in the head, falling on Glenn and into a mosh pit of ravenous Walkers. The scene ends with Nicholas’ body lying on top of Glenn as the Walkers begin to feast. Is Glenn dead?! Is it his insides the zombies are pulling out and dining on?! The way the scene is shot it’s hard to say but it definitely does not look good for Glenn.

Back at the RV, Rick tries to get in touch with Glenn on the walkie talkie but gets no answer (again, not a good sign) and ends up having to take on a few sneak attack Wolves leaving Alexandria after their attack on the town. After shooting up a good portion of the RV, Rick tries to get the RV started again but to no avail. The episode ends with a group of the scattered Walkers coming out of the forest and headed right for the RV.

Shocking, gory, and depressing, season six episode three titled “Thank You” is perhaps the darkest, saddest, most heartwrenching episode since the series began. It was also a bit annoying and frustrating, with the Walkers having the best timing and luck in the series ever! Really, the scattered herd of Walkers just happen to show up as the small group of town Walkers happen to hear the noise inside the pet store? C’mon!

The stand-out performance this time goes to Steven Yeun as Glenn who’s grown from pizza delivery kid before the zombie apocalypse to being the guy making supply runs for the group to the man who leaves no one behind to finally a husband and leader in his own right. If Rick is the leader of the group, then Glenn is – or was – his second in command…even over Daryl. The quiet scene in the store when he looks at Hershel’s old watch and thinks of Maggie is touching as well as foreboding. Also noteworthy is the scene where Glenn is talking to Rick over the walkie giving him the update of what is happening while Rick is too busy to talk as he’s getting rid of a few Walkers. It’s funny and yet also heartbreaking when he closes out the short monologue by calling Rick a ‘dumbass’ which is the first thing Glenn said to Rick when the character was introduced to the series also over a walkie.

The special-effects, make-up and design of the zombies and this horrifying world is once again top notch, but the gore and violence factor has been raised to an almost uncomfortable level…even for a show about flesh-eating zombies.

The big question from this episode is is Glenn truly dead? With the arrival of Morgan to Alexandria taking on the role of the group’s moral compass and only killing a person when forced to, the future doesn’t look good for Glenn. It’s a running trend in this show that characters who keep their humanity alive and try to have a set of morals and ethics usually perish. Remember Dale and Herschel?

On a personal note, having been watching and reviewing The Walking Dead since its debut in 2010, this critic’s two favorite characters have always been Daryl and Glenn. So, last Sunday night’s episode upset and infuriated this viewer just as much as any other fan of the show. Here’s hoping this is not the end of Glenn and that the clever, resourceful guy finds a way out of the zombie mosh pit and back to his loving wife, Maggie. Let’s keep our fingers crossed for him.

GRADE: B

More Season 6 Recaps: Episode 1 First Time Again / Episode 2 Just Survive Somehow

Demi Lovato and Nick Jonas Future Now Tour Dates Announced

Demi Lovato Nick Jonas Tour Poster

Demi Lovato and Nick Jonas are teaming up for the Future Now: The Tour kicking off on June 24, 2016 in Sunrise, Florida. The North American tour will hit 40 cities including Virginia Beach, Brooklyn, Vegas, and Nashville before finishing up in Los Angeles on September 17th.

Tickets will go on sale on November 7, 2015 at LiveNation.com.

Lovato’s most recent album, Confident, includes the summer smash hit “Cool For The Summer.” Jonas released his first solo album back in November 2014 featuring the double platinum single “Jealous.”

FUTURE NOW: THE TOUR DATES

Friday, June 24, 2016 – Sunrise, FL BB&T Center
Saturday, June 25, 2016 – Orlando, FL Amway Center
Wednesday, June 29, 2016 – Atlanta, GA Philips Arena
Thursday, June 30, 2016 – Charlotte, NC Time Warner Cable Arena
Saturday, July 2, 2016 – Raleigh, NC PNC Arena
Sunday, July 3, 2016 – Virginia Beach, VA Farm Bureau Live at Virginia Beach
Wednesday, July 6, 2016 – Uncasville, CT Mohegan Sun Arena
Friday, July 8, 2016 – Brooklyn, NY Barclays Center
Tuesday, July 12, 2016 – Newark, NJ Prudential Center
Thursday, July 14, 2016 – Camden, NJ Susquehanna Bank Center
Saturday, July 16, 2016 – Hershey, PA Hersheypark Stadium
Sunday, July 17, 2016 – Buffalo, NY First Niagara Center
Wednesday, July 20, 2016 – Boston, MA TD Garden
Friday, July 22, 2016 – Montreal, QC Bell Centre
Saturday, July 23, 2016 – Toronto, ON Air Canada Centre
Tuesday, July 26, 2016 – Washington, DC Verizon Center
Wednesday, July 27, 2016 – Columbus, OH Schottenstein Center
Friday, July 29, 2016 – Louisville, KY KFC Yum! Center
Saturday, July 30, 2016 – Auburn Hills, MI The Palace of Auburn Hills
Tuesday, August 2, 2016 – Rosemont, IL Allstate Arena
Wednesday, August 3, 2016 – Indianapolis, IN Bankers Life Fieldhouse
Friday, August 5, 2016 – St. Louis, MO Scottrade Center
Saturday, August 6, 2016 – Kansas City, MO Sprint Center
Tuesday, August 9, 2016 – Denver, CO Pepsi Center
Thursday, August 11, 2016 – Salt Lake City, UT EnergySolutions Arena
Saturday, August 13, 2016 – Las Vegas, NV MGM Grand Garden Arena
Sunday, August 14, 2016 – San Diego, CA Sleep Train Amphitheatre
Wednesday, August 17, 2016 – Anaheim, CA Honda Center
Thursday, August 18, 2016 – San Jose, CA SAP Center
Saturday, August 20, 2016 – Portland, OR Moda Center
Sunday, August 21, 2016 – Seattle, WA Key Arena
Wednesday, August 24, 2016 – Vancouver, BC Pepsi Live at Rogers Arena
Friday, August 26, 2016 – Edmonton, AB Rexall Place
Saturday, August 27, 2016 – Calgary, AB Scotiabank Saddledome
Monday, August 29, 2016 – Winnipeg, MB MTS Centre
Wednesday, August 31, 2016 – St. Paul, MN Minnesota State Fairgrounds
Friday, September 2, 2016 – Cleveland, OH Quicken Loans Arena
Wednesday, September 7, 2016 – Nashville, TN Bridgestone Arena
Friday, September 9, 2016 – Houston, TX Toyota Center
Saturday, September 10, 2016 – San Antonio, TX AT&T Center
Monday, September 12, 2016 – Dallas, TX American Airlines Center
Wednesday, September 14, 2016 – Albuquerque, NM Isleta Amphitheater
Friday, September 16, 2016 – Phoenix, AZ Talking Stick Resort Arena
Saturday, September 17, 2016 – Los Angeles, CA The Forum

‘Once Upon a Time’ Season 5 Episode 5 Recap and Review: Dreamcatcher

Once Upon a Time Season 5 Episode 5 Cast
Ginnifer Goodwin, Josh Dallas, Jared Gilmore, Jennifer Morrison, Colin O’Donoghue, and Lana Parrilla in ‘Once Upon a Time’ (Photo by Jack Rowand / ABC)

The secret to how Merlin became trapped inside a tree was finally revealed in the fifth episode of ABC’s Once Upon a Time’s fifth season. The episode also found Merida attempting to make Gold into a hero as well as the discovery of something which may have helped Emma take away all of their memories of Camelot. Airing on October 25, 2015 and titled “Dreamcatcher,” the fifth episode provided more details on what actually went down in Camelot before Emma wiped their memories clean.

“Dreamcatcher” Recap:

Many, many years ago in Camelot the Dark One is commanded to stop by Merlin (you’ll remember him as the usher in the theater who warned Emma to stay away from Excalibur). He prepares to use the dagger to destroy the Dark One but he can’t. The Dark One steals the dagger and takes one of Merlin’s tears into its blade. That tear allows the Dark One to turn Merlin into a tree, and many years later Emma (Jennifer Morrison) watches how this all played out via a dreamcatcher.

Regina (Lana Parrilla) wants to know why Mary Margaret (Ginnifer Goodwin) and David (Josh Dallas) think they should give the dagger to Arthur (Liam Garrigan) against Lancelot’s advice, as she’s still not convinced it’s the right idea. As she’s about to hand it over, Emma freezes her parents and tells Regina Arthur has them under a spell. She explains that the dagger is part of Excalibur which Arthur wants to reunite in order to kill Merlin. Regina asks where she got this info and how they’re going to help Merlin. Emma says they’ll use dark magic to free Merlin because it’s their only hope.


In Storybrooke, the squire’s cell is empty and Arthur lies to the group, telling them he must have used the bean to go home. Guinevere (Joana Metrass) says they need to raise the spirits of the villagers and Henry suggests a dance. David jokes Henry (Jared Gilmore) wants to throw a party because then he can ask his girlfriend out on a date. Hook (Colin O’Donoghue) pipes up that he’ll give Henry dating tips, and Regina’s going crazy trying to find out about this mysterious girlfriend. Before Regina can get the juicy scoop, Belle (Emilie de Ravin) rushes up to tell them Gold (Robert Carlyle) is missing.

In her basement Emma frees Gold’s hands and he just wants to leave. She won’t let him go until he frees Excalibur, but she won’t tell him why she needs it freed. “The more you justify what you’re doing, the more you push them away,” says Gold, telling Emma she’s jeopardizing her family. “You will always lose the ones you love the most.”

Emma instructs Merida (Amy Manson) to go to the woods with Gold, and Merida is desperate to get her heart back so she has to obey. She takes him to the woods and tries to make him a hero.

Emma leaves her house and goes into the garage which is full of dreamcatchers. She clutches one and cries.

Back in Camelot, Regina refuses to help Emma until she tells her how she knew her parents were under a spell. Emma says she saw it in a dreamcatcher and Regina warns her those things capture more than just dreams. Emma reveals that it was one of Merlin’s tears of lost love that was used to trap him in the tree, and Regina figures out another tear may get him out.

Henry and Violet clean the horses and flirt, and also bond over the fact they both have parents who have died. When Violet goes to put away the saddle, Henry plays with a sword pretending it’s Excalibur. In walks Violet’s dad who questions Henry about his skills and tells him Violet belongs with someone who will become a knight, a hero, someone more like her.

In Storybrooke, Violet’s sad because her horse ran off and she’s not in the mood for a dance. Henry promises to find her horse.

Henry visits Emma and tells her the mission she accepted when she first came to Storybrooke isn’t over yet. “Show me that the mom I know is still in there somewhere,” says Henry, asking her to help him return his friend’s happy ending.

Once Upon a Time Amy Manson Robert Carlyle
Amy Manson and Robert Carlyle in ‘Once Upon a Time’ (Photo by Jack Rowand / ABC)

Out in the woods, Merida is teaching Gold how to fight with a sword but he can barely walk let alone fight. She makes him a cane and he’s still horrible at sword fighting. He says he can never be brave and that it’s no use, but Merida tells him he has to because she wants to see her family again. She knocks him out and takes off to find a way to force him to be brave.

Henry and Emma take off in her VW to try and find Violet’s beloved horse.

Back in Camelot, Henry’s in the woods swinging a sword when Regina and Emma walk up. He says he wants to fit in and Emma tells him he shouldn’t change into someone else. Regina reminds him of Daniel, her first love, and how she loved him because he was different and unique. Emma reminds Henry he’s a mysterious stranger from an exotic land, and Henry runs off much happier and less in need of sword fighting lessons. That makes Regina think that maybe she can supply the missing ingredient.

They’re preparing the spell and Emma gives her a chance to back out but Regina wants to go through with it. Emma hands Regina the dreamcatcher and she looks back at the time she told her mother she was in love with Daniel. Her mother took Daniel aside and stabbed him to death in front of Regina. Regina cries watching the memory and Emma collects her tears.

In Storybrooke, Regina, Hook, Robin, and Belle go to Emma’s while she’s out with Henry but she has a protection spell on her door. Regina can’t get in and Hook says there’s no way Emma would let him in, but Belle suggests Henry would be allowed in. Regina uses magic to retrieve one of Henry’s scarves and opens the door using it.

Back in Camelot, Henry lays out a romantic dinner at Granny’s Diner, setting a table for two. In walks Violet looking gorgeous, and she’s happy to be with Henry. Henry’s stumbling over his words and Violent’s impressed when he pours a soda. She says it tastes like “a carnival in a can.” He’s going to heat up lasagna and then they’ll watch a movie on his phone. He has it all planned but then Violet questions whether he’s courting her. She doesn’t feel the same way about him as he feels about her, and it has nothing to do with her dad. She put him in the friend zone and wants to keep him there, which leaves Henry devastated.

In Storybrooke, Merida looks through the book and sees what it is that makes Gold happy: Belle. She shoots her way into Gold’s shop and finds something that will make Gold act like a hero.

Emma and Henry go to a pumpkin patch where they find Violet’s horse. It’s his love of pumpkins that’s drawn him there, but because she’s the Dark One the horse won’t come near Emma. Henry goes to feed it pumpkins and the horse willingly takes it from his hand. Place a checkmark in the ‘one horse needs to be rescued’ box.

In Emma’s basement they find Excalibur and realize the design on it is the same as the dagger. They wonder what Emma’s up to with Gold and Hook reaches for the sword but Regina yells at him to stop. “I can’t believe I’m about to say this but it could be boobytrapped and you could get killed,” says Regina. “Oh, I didn’t know you cared,” answers Hook. “I don’t but right now you’re useful-ish,” she responds. Henry texts them to let them know Emma’s on her way back. As they’re about to leave, Hook sees a box with a dreamcatcher similar to the one Baelfire gave her. Regina knows they can be powerful and thinks that might be how Emma took their memories.

Back in Camelot, Emma and Regina prepare the spell outside in the dark under the tree. Regina’s tear is the final ingredient but it doesn’t work. Emma says Regina’s heartbreak wasn’t strong enough. Henry strolls up and they’re both concerned because he’s obviously heartbroken. He tells them about his date and starts crying. Regina takes his tear and says he’s a hero, even if Violet doesn’t think so. Just then Arthur and his knights appear and order them to stay away from the tree. Regina threatens him and Arthur yells at her for bringing the Dark One into his kingdom. As she holds them off, Emma works the spell using Henry’s tears. Regina shoots fireballs at Arthur while Emma aims the magic at Merlin and the tree. It works! Merlin is free. He smiles and says, “I’ve been waiting for you, Emma.”

Merlin faces Arthur and tells him he’s disappointed in him. Arthur’s equally angry, telling Merlin he gave him false prophecies, sent him on an impossible quest, and ruined his life.

In Storybrooke, Hook, David, Mary Margaret, and Belle let Arthur and Guinevere know that Emma has Excalibur in her basement. Hook also says it bears a striking resemblance to the Dark One’s dagger. Arthur wants to know how Hook knows about the dagger and Hook tells him he has a lot of experience with it, but doesn’t know why it looks like Excalibur. Arthur reveals they were forged together as one weapon and then broken in two. The restored weapon can eradicate all dark magic forever. It can also snuff out all light magic, which is what they believe Emma is going to do.

There’s partying in the streets of Storybrooke and in rides Henry on Violet’s horse. Even her father approves of his rescue and tells him they owe him thanks and that he’ll make a fine knight someday. He gives them his blessing to enjoy the festivities which leads to Violet planting a kiss on Henry’s check.

Merida is back with Gold and he’s still claiming he can’t fight. But Merida now has something to fight for, pulling out the teacup she took from the shop. He still won’t fight and she threatens to drop it. Finally, she gets him going when she talks about Belle. Merida is happy he’s fighting but he’s got a long way to go before he can take on Emma.

Regina and David examine the dreamcatcher and Regina thinks they can use it to find out what happened to them in Camelot. But she hesitates, and Robin says it’s because she’s afraid of what she might see. Henry’s watching from the doorway but neither Regina nor Robin notice him. Regina brings up the memories via the dreamcatcher and they seem to be Violet’s. They see Emma ripping out Violet’s heart and telling her she needs the tear of a lost first love – she needs Violet to break Henry’s heart! Henry is, once again, devastated.

In Camelot, Merlin works his magic on Mary Margaret and David and takes away Arthur’s spell. The gang is assembled in Granny’s Diner and those who haven’t met him yet are introduced to Merlin. David expects someone older and Merlin jokes that being trapped in a tree has been good for his skin. Hook wants to know if he can free Emma from the darkness and Merlin can…but with a caveat. “Darkness like this takes a hold of a person and finds its way deep inside where nobody else can see,” says Merlin. “So if I’m to free you from its grasp I must know one thing. Emma, is your heart truly ready to be free because it is as much up to you as me?”

In Storybrooke, Emma knocks on Regina’s door and says she’s there to see Henry. Regina demands to know what Emma’s trying to do. Emma keeps saying what she’s doing is for the best. Regina holds up the dreamcatcher and says she knows Emma ripped a 13 year old girl’s heart out. Emma is pissed about the breaking and entering, but Regina tells her she can’t be self-righteous after what she’s done. Regina knows Emma let the horse out in the first place, and Emma keeps trying to justify everything. Emma says she wouldn’t have done it to Henry if she didn’t have good reason. What she did in Camelot she did to protect Henry. “There’s always a choice, Emma,” says Regina. Emma says it was the only way they could free Merlin in Camelot, but Regina doesn’t remember any of that. Regina tells her Henry doesn’t want to see her, and as she leaves Henry glares at her from his upstairs bedroom window.

Review of Episode Five:

Five episodes in and Merlin’s finally released from the tree, but the reveal as to why Emma wasn’t saved by the wizard is still yet to come. The episode also shifted some of its focus to Henry’s storyline, something which doesn’t happen often as most episodes devote the majority of their running time to the adults. And although Henry’s not the most popular character on the show, it’s actually been fun watching him mature and experience his first crush.

“Dreamcatcher” also served up a few scenes of Regina and Hook trading insults (one of the best parts of any episode), and Emma’s lighter side was seen once again in a quiet scene with Henry in her VW bug. And speaking of Emma, up until this episode her darkness has manifested less as evil and more as anger at her friends and family. With “Dreamcatcher,” the Dark Swan displayed a few more layers and for the first time this season Emma’s embrace of the darkness felt complete.

GRADE: B

Once Upon a Time Season 5 Recaps: Episode 1 The Dark Swan / Episode 2 The Price / Episode 3 Siege Perilous / Episode 4 The Broken Kingdom

Season 5 Interviews: Colin O’Donoghue & Jennifer Morrison / Lana Parrilla / Josh Dallas & Ginnifer Goodwin / Sean Maguire & Rebecca Mader / Robert Carlyle & Emilie de Ravin

‘Wicked City’ TV Review: Episode One Starring Ed Westwick

Wicked City Ed Westwick and Erika Christensen
Ed Westwick and Erika Christensen star in ‘Wicked City’ (Photo by Eric McCandless / ABC)

Ed Westwick’s deliciously evil as a psychopath who preys on impressionable young women seeking a romantic connection in ABC’s new series Wicked City debuting on October 27, 2015 at 10pm ET/PT. Created by Steven Baigelman, Wicked City is a one-hour crime drama that’s less about the gore and more about exploring the psychological thrills and chills of following a charismatic serial killer as he selects his next victim.

Set on the Sunset Strip in 1982, Wicked City perfectly captures the ‘80s vibe. From the cars to clothing to the big hairstyles and makeup, the series authentically brings to life the weird world of the 1980s. The series also makes effective use of the music of the era, with the pilot episode featuring tracks by Billy Idol, Foreigner, Joan Jett and the Blackhearts, and Romeo Void.

Baigelman and his cast describe the era as literally all about sex, drugs, and rock ‘n roll, with Wicked City reflecting the darkness of the time and how Los Angeles was a hotspot for people attempting to follow their dreams sometimes with devastating results. Episode one introduces the key players: Kent, the serial killer (played by Westwick), Detective Jack Roth (Jeremy Sisto), Roth’s new partner Paco Contreras (Gabriel Luna), up-and-coming reporter Karen McClaren (Taissa Farmiga), and nurse Betty Beaumont (Erika Christensen). It also introduces the wild world of the Sunset Strip with its hip night clubs and bars, including the legendary Whisky a Go Go.

As it’s pointed out in episode one, LA is the reigning murder capitol of the country and its citizens are just recovering from the shock of the arrest of the Hillside Stranglers (Kenneth Bianchi and Angelo Buono) when a new serial killer emerges who’s attempting to copy much of the Hillside Stranglers’ work. Kent can suss out what a woman wants, fill the void, and talk her into getting into his car with what appears to be minimal effort. He’s handsome, charming, and says all the right things. For one woman he’s an in-the-know real estate agent with the inside details on the market. For the fledgling reporter, he’s an A&R man who can get her the scoop she needs on the music scene.

A chameleon with a killer smile and bedroom eyes, Kent haunts the popular clubs looking for women who will allow him to live out his insane desires. Kent tells these unsuspecting women he just wants to help them out. “So kill me…I like giving back,” he says, an altruistic statement that couldn’t be further from the truth. Once they give in and get in his car, they never get out alive. A knife is the weapon of choice for this sadist who can only get sexually aroused when his victim is dead.

Speaking of dead victims, Betty plays one in bed without – at first – realizing what she’s doing. After being randomly picked up at a club, Kent discovers a kindred spirit in the single mom/nurse. The two have instant chemistry, but their connection runs much, much deeper. Betty’s got her own sadistic streak and it’ll be fascinating to watch how these two play off of each other as we learn more about their shared tendencies.

Wicked City Jeremy Sisto Photo
Jeremy Sisto in ‘Wicked City’ (Photo: Eric McCandless / ABC)

On the law enforcement side of the story is Detective Jack Roth who’s dealing with the death of his friend/partner and is forced into working with Paco Contreras, an ambitious new detective who he doesn’t trust and who always has an angle. Married with a teenage daughter, Roth has his own share of demons he wrestles with, including an affair he’s involved in with an undercover detective who’s in line for a promotion to lieutenant. Roth was the detective who investigated the Hillside Stranglers’ first victim, and episode one centers on the murder of a woman named Emily, who is found decapitated in the same spot as the Hillside Stranglers’ first kill.

Reporter Karen McClaren finds herself involved in the investigation when after seeing Emily’s severed head she realizes she saw her in the Whisky a Go Go just prior to her murder. Detective Roth believes that makes Karen an important witness which leads to another trip to the Whisky a Go Go, this time when Billy Idol is on the stage performing.

Wicked City won’t make you wish we were back in the ‘80s – not even the best series ever developed could make people long to travel back to the 1980s – but it’s definitely a compelling drama filled with colorful, flawed characters. In episode one, it’s Westwick’s performance that stands out from the ensemble, but it’s easy to see how other characters will be spotlighted in upcoming episodes allowing other actors to show off more depth than offered in the first episode.

After an intimate moment, Christensen as Betty says, “That was weird and kind of amazing,” and that pretty much sums up Wicked City’s pilot episode. Just when you think the twists have stopped coming, Wicked City hits you with another even more bizarre turn in the plot. With an outstanding cast and a premise that allows a lot of room for growth, Wicked City should become one of this fall’s most talked-about shows. It’s surprisingly fresh for being a crime drama set 30 years ago and well worth checking out.

GRADE: B





Box Office Report: Record-Breaking Bombs, ‘Martian’ Flies High

Matt Damon in the Martian
Matt Damon in a scene from ‘The Martian’ (Photo Photo credit: Courtesy Twentieth Century Fox – TM & © 2015 Twentieth Century Fox Film Corporation)

What an incredibly horrible weekend at the box office for new releases. Rock the Kasbah and Jem and the Holograms couldn’t even crack the top 10 over their opening weekends in wide release, with Jem and the Holograms taking the title as the worst opening in history for a major studio release playing in more than 2,400 theaters. Rock the Kasbah is Bill Murray’s lowest opening weekend ever, earning a measly $1.5 million domestically as well as overwhelmingly negative reviews. Rock the Kasbah‘s low opening numbers make it the fifth worst studio release in history for a film debuting in more than 2,000 theaters while Jem and the Holograms took the fourth place spot on that same list.

The news was only slightly better for Paranormal Activity: The Ghost Dimension, The Last Witch Hunter, and the Steve Jobs biopic with Michael Fassbender. The turnout for this final Paranormal Activity film was the lowest in the franchise’s history, ringing up just $8 million. However, it’s also playing in less than 2,000 theaters after some chains declined to play the horror film because of its planned early VOD release. Vin Diesel’s Last Witch Hunter failed to live up to pre-release expectations which will likely put the planned sequel in jeopardy. With a budget of $80 million-ish, pulling in just $10 million domestically doesn’t justify those early sequel talks. And Steve Jobs, though critically acclaimed and a potential multiple Oscar nominee, just didn’t connect with audiences who gave it a pass in favor of heading into space with Matt Damon in The Martian.


Top 10 Box Office – October 23-25, 2015
1. The Martian – $15,900,000
2. Goosebumps – $15,500,000
3. Bridge of Spies – $11,365,000
4. The Last Witch Hunter – $10,825,000
5. Hotel Transylvania 2 – $9,000,000
6. Paranormal Activity: The Ghost Dimension – $8,200,000
7. Steve Jobs – $7,270,000
8. Crimson Peak – $5,560,000
9. The Intern – $3,855,000
10. Sicario – $2,950,000

‘You’re the Worst’ Desmin Borges Interview: Edgar’s Relationships, PTSD, and Improv

You're the Worst Season 2 cast
Chris Geere as Jimmy, Aya Cash as Gretchen, Kether Donohue as Lindsay, and Desmin Borges as Edgar in ‘You’re the Worst’ (Photo by Byron Cohen / FX)

FXX’s You’re the Worst is currently in the middle of its second season, airing on Wednesday nights at 10:30pm ET/PT and starring Aya Cash, Chris Geere, Desmin Borges, and Kether Donohue. The half-hour show from writer/executive producer Stephen Falk could best be described as a twisted anti-romantic comedy, an edgy adult comedy that never fails to surprise viewers. With season two underway, Desmin Borges took the time to participate in a conference call with journalists to discuss what’s happening with his character, Edgar. Edgar is a veteran who’s dealing with PTSD and trying his best to get back to a ‘normal’ life, and in our Q&A Borges chatted about Edgar’s new love interest, improv comedy, and why his character is You’re the Worst‘s Ringo Starr.

Even with all he’s dealing with, Edgar seems the most normal one of the group of friends. Do you think he is the voice of reason in the group?

Desmin Borges: “Yeah I guess so. I like to call him the moral compass of the show. I feel like at any point we can turn the camera over to Edgar and really get away from the ‘worst’ captioning that’s kind of going on. You know, it’s kind of like The Beatles from back in the day, right? John was the front runner, Paul was the pretty boy, George wrote the best lyrics, and then Ringo was just the lovable guy on the drums over there, that everyone just kind of took for granted. But Ringo kept the beat going and I think that’s what Edgar does.

I will say that’s the first time that I’ve ever compared myself to Ringo Starr or us to The Beatles…and it will be the last because I now just realized how ridiculous I sounded right there.”

How much of your personality do you bring into the character?

Desmin Borges: “I think with acting in general there’s always a bit of you that’s in every character. Whether it’s a part that you’re scared to recognize or a part that you’re eager to recognize, there’s always a little bit of you that’s in there. Like, I know the similarities between myself and Edgar revolving around food are totally there. Stephen [Falk] and I worked previously together on his other show on NBC, Next Caller, that didn’t quite make it to the air, and I don’t remember if he found out then how crazy I am about going out and eating and cooking my own food. I’m a foodie to the 10th degree, but then it just kind of turned into Edgar’s normal day activity here and I love it. I love the shot that we have with Edgar making the breakfast lasagna or making the protein shakes. I find it to be very comforting and very easy to be following that sort of the storyline.”

I’m so excited that Edgar has an actual, real person he can date and not somebody he’s just lusting after. What can you say about Dorothy and where that relationship is going to go?

Desmin Borges: “Oh, she’s so lovely, isn’t she?”

Yes.

Desmin Borges: “It’s like a breath of fresh air. There’s like an actual real person because I guess Edgar is the most ‘real person’ within the group, but Dorothy is a real actual human being and she’s going to infiltrate our group. Hopefully she’ll add some of that normalcy on to Edgar’s plate, because I know that’s what he’s striving for with this transition like in civilian-hood here. But other than that, it’s just such a breath of fresh air for someone to be as down to earth and as nerdy and as kind of nervous as Edgar is about the whole situation he’s having. Dorothy is just kind of the exact same way and, I don’t know, it feels very easy and at home.

And, it’s with Collette [Wolfe] who’s a good friend of mine who I’ve worked with prior on Stephen’s other show Next Caller. She was actually the lead on that show, so she and I have great chemistry together and I very much enjoyed it to play around with her on the set.”

What has impressed you the most about the second season compared to the first?

Desmin Borges: “Well, I mean there’s a lot of things, but the ease with which we were able to kind of transition into the second season and we picked up running full speed ahead from where we left off with the final four episodes of the first season that really I feel like pushed us over the edge, and put us up front. Then, the issues that we’re tackling specifically within the Jimmy and Gretchen storyline, I just think that we’re about to witness something that’s never been witnessed on television before, definitely not within a comedy or romantic comedy or an anti-romantic comedy setting. Then there’s also just that I’m floored by the way Stephen and the writers can set up three to four individual storylines that weave in and out together but can take the show and make the show individually by themselves, on their own, and that’s just credit to how brilliant they are in that are in that room.”

Desmin Borges You're the Worst
Desmin Borges as Edgar in ‘You’re the Worst’ (Photo by Byron Cohen / FX)

Do you sometimes wish Edgar could have some of the traits of Jimmy or Gretchen that make them the worst and maybe have some fun playing with that?

Desmin Borges: “Oh yeah, all the time. I constantly beg Stephen to let me break bad…I want Edgar to shoot heroin. [Laughing] I know that’s probably never going to happen and it’s not something I’m actually interested in doing in my personal life. Before we started shooting the first season, a veteran came in and spoke to us in the writers room. He told us his entire story of the triumphs and the pitfalls of having PTSD and going to multiple tours in Iraq, and one of the things he said to me is that during his darkest times he would go out and look for someone to beat the hurt out of him, not that he was wanting to engage in any fight, but he wanted someone to beat it out of him because he didn’t know how to get it out. That really affected me and stayed with me, actually stays with me till this day. At some point I would like for us to explore what it would be like for Edgar to have the hurt beat out of him, which might cause him to be the worst. […]That’s definitely something that I’d like to go through.”

Edgar was surprisingly forward in asking Dorothy out. Is that the secret to asking people out nowadays?

Desmin Borges: “I’ve been saying my whole life that truth is key, right? I mean honesty is the key. No one really likes to hear it, sometimes it’s hard. You know, sometimes the truth is very hard to hear, sometimes the truth is hard to say, but everyone respects each other in the end for it. For Edgar specifically, for someone who is still trying to navigate what it’s like to be a human, who isn’t told what to wear, what time to wake up and what exactly to eat all the time, this is his first major step in actually evolving into someone who might be able to define his own path or at least start walking in the way where he can start making his own decisions, and break down those walls of just being me is unforgettable because he’s so forgettable because at the heart of it he is anything but that. I feel like he has a whole lot to offer someone with all his love – and his cooking.”


Do you think Jimmy and Gretchen would survive without Edgar living with them?

Desmin Borges: “As much as they give Edgar s**t, and the three of us living together is kind of like a dysfunctional tripod – it’s never quite balanced, it’s never quite even – I think that they desperately need Edgar there to kind of counter-balance their worstiness. And at the same time, they would never eat or drink other than alcohol out of a bottle so just for survival’s sake they have to need Edgar there. But I think Edgar is open to the idea and the possibility of moving out, becoming his own man, and having his own girlfriend and real relationship and trying to figure out what that’s like in life. I feel like those are the next steps for Edgar, and I think we’re kind of putting them into place.

But yeah, Jimmy and Gretchen, I think they might die from starvation, like, literally in the house.”

In season one Edgar and Lindsey talked about how they might just be Gretchen and Jimmy’s sidekicks, but now it seeems Edgar and Lindsey are really also leads. Was that always planned to have the four leads and the different storylines or they were supposed to be sidekicks and then it kind of evolved beyond that once the show got going?

Desmin Borges: “No, that was planned from the beginning. Stephen talks a lot about coming from the world of Jenji Kohan from Weeds and the way that in Weeds – and in Orange is the New Black where she’s an executive producer and a writer – the way that they’re able to flush out storylines with multiple characters [throughout] the season. It really gives you a lot more room to bring in other guest characters and to really widen and deepen your main characters while making everybody 3-D and real. You think about it now from the scope of last year, it was funny that we recognized in our way that we were sidekicks but that was all to bringing us to the forefront so that we would be seen as equals at some point.”

How do you feel that Edgar’s new improv adventure is contributing to the character?

Desmin Borges: “Well, it’s actually a quite common thing for vets dealing with PTSD. It gives them the ability to think quickly on their feet, think outside the box. […]From that standpoint, it’s definitely helping Edgar in that way. I think this is something that he actually is kind of good at. […]He’s actually not too bad at it so it gives him a level of confidence because this whole season is about him becoming normal. I always use quotations when I say that word because no one really knows what the hell that means. But for Edgar becoming normal is no longer being labeled a formal drug dealer or some Mexican with PTSD.

He just wants to be a regular old guy who’s not shooting heroin anymore and can actually contribute to society in any way possible. So now he has a job, he’s in improv comedy which will open the door for him to have more friends, and to find someone who’s lovable and charming as [Dorothy] is. I think ultimately as we watch the season progress it just really is another vehicle and doors for Edgar to just continue expanding and rounding out. Edgar is opening the door and help shaping this other world for more people to come in and play and more avenues for the storylines to go on.”

124 Documentaries Move Forward in the Oscar Nomination Process

Amy Winehouse Documentary Poster

The Academy of Motion Picture Arts and Sciences announced 124 documentary films have been submitted for consideration in the 2015 Oscar Best Documentary Feature category. In December, 15 of these documentaries will move forward and of those, the nominees will be selected. These films are also eligible for consideration in the Best Picture category if they meet all of the other requirements. The 88th Academy Awards nominees will be announced on January 14, 2016.

All of the films must screen in New York and LA in order to qualify, and some of the films on the list have yet to have their theatrical runs.

The 2015 Academy Awards will be hosted by Chris Rock and will air live on ABC on February 28, 2016. Nominees will be announced on January 14, 2016.

The list of submitted documentaries, in alphabetical order:


“Above and Beyond”
“All Things Must Pass”
“Amy”
“The Armor of Light”
“Ballet 422”
“Batkid Begins”
“Becoming Bulletproof”
“Being Evel”
“Beltracchi – The Art of Forgery”
“Best of Enemies”
“The Black Panthers: Vanguard of the Revolution”
“Bolshoi Babylon”
“Brand: A Second Coming”
“A Brave Heart: The Lizzie Velasquez Story”
“Call Me Lucky”
“Cartel Land”
“Censored Voices”
“Champs”
“CodeGirl”
“Coming Home”
“Dark Horse”
“Deli Man”
“Dior and I”
“The Diplomat”
“(Dis)Honesty – The Truth about Lies”
“Don’t Think I’ve Forgotten: Cambodia’s Lost Rock and Roll”
“Dreamcatcher”
“dream/killer”
“Drunk, Stoned, Brilliant, Dead: The Story of the National Lampoon”
“Eating Happiness”
“Every Last Child”
“Evidence of Harm”
“Farewell to Hollywood”
“Finders Keepers”
“The Forecaster”
“Frame by Frame”
“Gardeners of Eden”
“A Gay Girl in Damascus: The Amina Profile”
“Godspeed: The Story of Page Jones”
“Going Clear: Scientology and the Prison of Belief”
“He Named Me Malala”
“Heart of a Dog”
“Hitchcock/Truffaut”
“How to Change the World”
“Human”
“The Hunting Ground”
“I Am Chris Farley”
“In Jackson Heights”
“In My Father’s House”
“India’s Daughter”
“Ingrid Bergman – In Her Own Words”
“Iraqi Odyssey”
“Iris”
“Janis: Little Girl Blue”
“Karski & the Lords of Humanity”
“Killing Them Safely”
“Kurt Cobain: Montage of Heck”
“Lambert & Stamp”
“A Lego Brickumentary”
“Listen to Me Marlon”
“Live from New York!”
“The Look of Silence”
“Meet the Patels”
“Meru”
“The Mind of Mark DeFriest”
“Misery Loves Comedy”
“Monkey Kingdom”
“A Murder in the Park”
“My Italian Secret”
“My Voice, My Life”
“1971”
“Of Men and War”
“One Cut, One Life”
“Only the Dead See the End of War”
“The Outrageous Sophie Tucker”
“Peace Officer”
“The Pearl Button”
“Pink & Blue: Colors of Hereditary Cancer”
“Poached”
“Polyfaces”
“The Prime Ministers: Soldiers and Peacemakers”
“Prophet’s Prey”
“Racing Extinction”
“The Resurrection of Jake the Snake”
“Ride the Thunder – A Vietnam War Story of Victory & Betrayal”
“Rosenwald”
“The Russian Woodpecker”
“Searching for Home: Coming Back from War”
“Seeds of Time”
“Sembene!”
“The Seven Five”
“Seymour: An Introduction”
“Sherpa”
“A Sinner in Mecca”
“Something Better to Come”
“Song from the Forest”
“Song of Lahore”
“Steve Jobs: The Man in the Machine”
“Steve McQueen: The Man & Le Mans”
“Stray Dog”
“Sunshine Superman”
“Sweet Micky for President”
“Tab Hunter Confidential”
“The Tainted Veil”
“Tap World”
“(T)error”
“Thao’s Library”
“Those Who Feel the Fire Burning”
“3 1/2 Minutes, Ten Bullets”
“The Touch of an Angel”
“TransFatty Lives”
“The True Cost”
“Twinsters”
“Very Semi-Serious: A Partially Thorough Portrait of New Yorker Cartoonists”
“The Wanted 18”
“We Are Many”
“We Come as Friends”
“We Were Not Just…Bicycle Thieves. Neorealism”
“Welcome to Leith”
“What Happened, Miss Simone?”
“What Our Fathers Did: A Nazi Legacy”
“Where to Invade Next”
“Winter on Fire: Ukraine’s Fight for Freedom”
“The Wolfpack”

CBS Gives ‘Limitless’ a Full Season One Order

Jennifer Carpenter, Jake McDorman Limitless Photo
Jennifer Carpenter as Agent Rebecca Harris and Jake McDorman as Brian Finch in ‘Limitless’ (Photo: David M. Russell © 2015 CBS Broadcasting, Inc)

Fans of CBS’ new dramatic series Limitless can breathe a little easier as the network’s definitely sticking with the show for a full season one. The action drama is inspired by the hit movie and features Jake McDorman, Jennifer Carpenter, Mary Elizabeth Mastrantonio, and Hill Harper in the lead roles. Bradley Cooper, the star of the 2011 feature film, not only executive producers but also appears in occasional episodes as a pivotal character. Craig Sweeny, Alex Kurtzman, Roberto Orci, Heather Kadin, Marc Webb, Todd Phillips, Ryan Kavanaugh, Tucker Tooley and Tom Forman also executive produce Limitless.


Limitless‘ season one order is now a full 22 hour-long episodes. The series is currently the #2 most watched new series. Limitless airs Tuesdays at 10pm ET/PT and has brought in 11.43 million viewers.

“We’re excited how Limitless continues to evolve creatively each week and stand out with its unique style of storytelling,” stated Glenn Geller, President, CBS Entertainment. “It’s off to a strong start in a highly competitive environment.”

The Plot:

Limitless is about Brian Finch (McDorman) who discovers the brain-boosting power of the mysterious drug NZT and is coerced by the FBI into using his extraordinary cognitive abilities to solve complex cases for them. Working closely with Brian in the major case squad in New York City is Agent Rebecca Harris, a formidable investigator with a dark past, and Agent Boyle, a former military officer and Rebecca’s confidante. They report to Special Agent in Charge Nasreen “Naz” Pouran, a canny manipulator of the reins of power. Unbeknownst to the FBI, Brian also has a clandestine relationship with Senator Edward Morra (Academy Award nominee Bradley Cooper, recurring), a presidential hopeful and regular user of NZT who has plans of his own for his new protégé. Fueled now with a steady supply of NZT that enables him to use 100% of his brain capacity, Brian is more effective than all of the FBI agents combined, making him a criminal’s worst nightmare and the greatest asset the Bureau has ever possessed.

More on Limitless: Jake McDorman and Hill Harper Interview

‘Marvel’s Jessica Jones’ First Trailer: Jessica Jones vs Purple Man

Krysten Ritter, Rachael Taylor Jessica Jones Photo
Krysten Ritter and Rachael Taylor star in ‘Jessica Jones’ (Photo Credit: Netflix)

Hot on the heels of the release of the poster, today Netflix has unveiled the official full trailer for Marvel’s Jessica Jones. The comic book inspired series will premiere on November 20, 2015 at 12:01am PT with all 13 one-hour episodes immediately available at that time for binge-watching. The cast is led by Krysten Ritter in the title role and includes David Tennant (Dr. Zebediah Kilgrave / Purple Man), Mike Colter (Luke Cage), Rachael Taylor (Trish Walker), Carrie-Anne Moss, Eka Darville, Erin Moriarty, and Wil Traval.


Melissa Rosenberg (the Twilight films screenwriter, Dexter) is the series’ showrunner and executive produces along with Liz Friedman (Elementary) and Marvel’s Head of Television Jeph Loeb.

Other series included in Netflix’s deal with Marvel include Marvel’s Daredevil, Marvel’s Luke Cage, and Marvel’s Iron Fist.

The Plot:

Jessica Jones is a suspenseful, edgy look into the life of Jessica Jones, one of the most popular new Marvel characters of the last decade, as she faces demons from within and without.

After a tragic ending to her short-lived Super Hero stint, Jessica Jones is rebuilding her personal life and career as a detective who gets pulled into cases in New York City.

Watch the trailer:

‘Rock the Kasbah’ Movie Review

Rock the Kasbah Bill Murray
Bill Murray in a scene from ‘Rock the Kasbah.’

“Last night I heard a girl singing. This has got to be fate,” says Richie Lanz (Bill Murray), a down-on-his-luck music manager stuck in Afghanistan after his client, Ronnie (Zooey Deschanel), leaves him high and dry with no passport or money in the comedy movie, Rock the Kasbah.

Upon arriving in Afghanistan where his client will be the opening act of a USO tour, Lanz finds himself dealing with an emotionally stressed-out Ronnie who can’t handle being in a country in the middle of a war and who ends up stealing all his money and his passport, leaving him no way to get back to the States. With no immediate help in sight, Lanz meets two Americans, Jake (Scott Caan) and Nick (Danny McBride), who help supply things such as weapons and ammo to different tribes for a price. Fortunately for Lanz, they are friendly, hard-partying guys who offer to help him out.

In exchange for the money to get home, Lanz is charged with making a delivery for Jake and Nick. They ask him to take ammunition to a tribe in the middle of the desert, and Lanz actually impresses the tribe’s chief and gets invited back to the village to have dinner and spend the night. Later that night Lanz can’t sleep and takes off for a walk in the desert to take in the night air. He hears the most beautiful female singing voice and traces it to a cave. The voice belongs to the lovely Salima (Leem Lubany), the chief’s daughter who it turns out sneaks out at night to watch the country’s equivalent to American Idol: Afghan Star. After being discovered by Lanz, Salima runs back to her tribe’s village so as not to get caught out alone at night by her father. Convinced that all the terrible events that have happened to him since he got to Afghanistan have occurred so he could discover Salima’s exceptional voice, Lanz now sets out to try to persuade Salima’s father to allow her to go to Kabul to perform and compete on Afghan Star. The problem: her religion and culture forbid women to sing in public.


Directed by Barry Levinson (Good Morning, Vietnam, Rain Man), Rock the Kasbah is an uneven, disjointed mess of a film with few laughs. The performances, if you really want to call them that, are uninspired. And in the case of one particular actor, the lack of effort is glaringly obvious.

Bill Murray is well cast as the schlock music manager still looking to find a way into representing big time talent while making a quick buck at some unsuspecting, untalented poor soul’s expense. (He charges “up and coming talent” to represent them while never really doing anything for them.) Still, the dialogue and monologues Murray delivers are weak and have little comedic value. For an actor who has delivered so many great comedic performances in hilarious films such as Ghostbusters, Groundhog Day, Stripes, and Caddyshack, this is without a doubt one of the most forgettable and unfunny performances Murray has given in his career.

Kate Hudson is horribly miscast as Merci, the stunning prostitute who is also at times Lanz’ muse and business partner. She has zero chemistry with Murray and just seems completely out of place in the film. Bruce Willis as Bombay Brian, a gun-running mercenary for hire, seems to be trying to get ready for a glare-off showdown with Clint Eastwood. All he does in the film is stand around and glare at Murray, the camera, and off into space. He does deliver one of the few funny lines in the film that managed to generate a few chuckles, but other than that one line of dialogue it’s a huge waste of a truly talented actor.

The only redeeming part of the film is in the first 25 minutes when Murray and Deschanel, who have solid chemistry together, are traveling to, landing in, and trying to get settled in Afghanistan. The scene on the plane with Murray trying to calm down Ronnie by telling her an old story of his managing a rock star back in the day while she keeps crying and vomiting into her air sickness bag is one of the few funny scenes in the film that actually works.

With the waste of a talented cast, an uneven script, and almost no laughs, Rock the Kasbah is sure to be the big comedy disappointment of the year. Here’s hoping moviegoers miss it all together.

GRADE: D

MPAA Rating: R for language including sexual references, some drug use and brief violence

Release Date: October 23, 2015

Running Time: 100 minutes

Watch the trailer:

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