Chris Pratt (Photo Courtesy of Hasty Pudding Theatricals)
Chris Pratt, star of Guardians of the Galaxy and Parks and Recreation, has been chosen by members of the Hasty Pudding Theatricals as the 2015 Man of the Year. This year’s awards will be a Parks and Recreation lovefest as Pratt’s co-star in the half-hour comedy series, Amy Poehler, was already announced as the 2015 Woman of the Year.
“We vehemently deny that the members of the Hasty Pudding Theatricals are obsessed with Parks & Recreation,” said Jason Hellerstein ’15, President of the Hasty Pudding Theatricals. “There is absolutely no basis to the rumors of ritualistic weekly viewings of the show at the Hasty Pudding Clubhouse… Joking aside, Chris Pratt’s recent achievements as an actor are outstanding and we could not be more thrilled to host him and celebrate his talent as only the Pudding can.”
The annual awards honor “performers who have made lasting and impressive contributions to the world of entertainment.” Pratt will be joining a list of past honorees that includes James Franco, Neil Patrick Harris, Tom Cruise, and Clint Eastwood.
Pratt will be honored with the award and presented with his Pudding Pot on Friday, February 6th during a celebratory roast at Farkas Hall in Harvard Square.
Next up for Pratt is a starring role in Jurassic World. The fourth film of the Jurassic Park series will be heading to theaters on June 12, 2015.
Mark Wahlberg, Nicola Peltz, and Jack Reynor in ‘Transformers: Age of Extinction’ (Photo Credit: Andrew Cooper/Paramount Pictures)
Michael Bay’s Transformers 4: Age of Extinction earned the dubious distinction of the most Razzie nominations among films released in 2014. The 35 Annual Razzie Awards are given out in recognition of some of the worst films, actors, and filmmakers of the year, with Transformers 4, Cameron Diaz, Teenage Mutant Ninja Turtles, and Kirk Cameron picking up multiple nominations this year.
In a new twist on the annual awards, this year the category of “Redeemer Award” has been added to the mix. The Redeemer Award is a new category “acknowledging that past nominees and “winners” can (and often do) go on to far far better things.” Movie fans can vote on the winner in that category on Rotten Tomatoes.
“Winners” will be announced on Saturday, February 21, 2015.
2015 Razzie Awards Nominees
Worst Actor 2014
Kirk Cameron – Kirk Cameron’s Saving Christmas
Nicolas Cage – Left Behind
Kellan Lutz – The Legend of Hercules
Seth MacFarlane – A Million Ways To Die in the West
Adam Sandler – Blended
Worst Supporting Actor 2014
Mel Gibson – Expendables 3
Kelsey Grammer – Expendables 3, Legends of Oz, Think Like a Man Too and Trannies #4
Shaquille O’Neal – Blended
Arnold Schwarzenegger – Expendables 3
Kiefer Sutherland – Pompeii
Worst Actress 2014
Drew Barrymore – Blended
Cameron Diaz – The Other Woman and Sex Tape
Melissa McCarthy – Tammy
Charlize Theron – A Million Ways to Die in the West
Gaia Weiss – The Legend of Hercules
Worst Supporting Actress 2014
Cameron Diaz – Annie
Megan Fox – Teenage Mutant Ninja Turtles
Nicola Peltz – Transformers 4: Age of Extinction
Susan Sarandon – Tammy
Brigitte Ridenour (nee Cameron) – Kirk Cameron’s Saving Christmas
Worst Director 2014
Michael Bay – Transformers 4: Age of Extinction
Darren Doane – Kirk Cameron’s Saving Christmas
Renny Harlin – The Legend of Hercules
Jonathan Liebesman – Teenage Mutant Ninja Turtles
Seth MacFarlane – A Million Ways To Die in the West
Worst Picture 2014
Kirk Cameron’s Saving Christmas
Left Behind
The Legend of Hercules
Teenage Mutant Ninja Turtles
Transformers 4: Age of Extinction
Worst Remake, Sequel, or Rip-off 2014
Annie
Atlas Shrugged #3: Who Is John Galt?
The Legend of Hercules
Teenage Mutant Ninja Turtles
Transformers 4: Age of Extinction
Worst Screen Combo 2014
Any Two Robots, Actors (or Robotic Actors) – Transformers 4: Age of Extinction
Kirk Cameron & His Ego – Kirk Cameron’s Saving Christmas
Cameron Diaz & Jason Segel – Sex Tape
Kellan Lutz & Either His Abs, His Pecs or His Glutes – The Legend of Hercules
Seth McFarlane & Charlize Theron – A Million Ways To Die in the West
Worst Screenplay 2014
Kirk Cameron’s Saving Christmas – Written by Darren Doane and Cheston Hervey Left Behind – Screenplay by Paul LaLonde and John Patus, Based on the Novel by Tim LaHaye and Jerry B. Jenkins Sex Tape – Screenplay by Kate Angelo and Jason Segel & Nicholas Stoller Transformers 4: Age of Extinction – Written by Ehren Kruger, Based on Hasbro’s Transformers Action Figures Teenage Mutant Ninja Turtles – Written by Evan Daugherty and Andre Nemec & Josh Applebaum, Based on Characters Created by Peter Laird and Kevin Eastman
Redeemer Award 2014
Ben Affleck – From RAZZIE “Winner” for Gigli to Oscar darling for Argo and Gone Girl
Jennifer Aniston – From 4-time RAZZIE nominee to SAG award nominee for Cake
Mike Myers – From RAZZIE “Winner” for Love Guru to Docu Director of Supermensch
Keanu Reeves – From 6-time RAZZIE nominee to the critically acclaimed John Wick
Kristen Stewart – From 6-time RAZZIE “Winner” for Twilight to the art house hit Camp X-Ray
Do you like your romantic comedies a bit twisted? While recent attempts to revive romcoms on TV have fizzled on some networks (Selfie, Manhattan Love Story, A to Z), FX is having better success in the genre with Married and You’re the Worst. And now FXX is about to debut what is quite possibly the strangest romantic comedy ever to air on any network. On January 14, 2015 FX will premiere Man Seeking Woman, and after watching a sneak peek of the first three episodes, I can honestly say this bizarre comedy is a must-see for those with a warped sense of humor.
In support of the show’s premiere, series star Jay Baruchel participated in a conference call to discuss how he got involved in the series, the concept, and what viewers can expect when they tune in to check out Man Seeking Woman.
Jay Baruchel Interview
How did you find out about this series, and why did you sign on to star?
Jay Baruchel: “It was just one of those really fortuitous things. I got a call from my manager who said, ‘There’s this really awesome dude called Simon Rich and he wrote an amazing pilot based on his book of short stories and they think you could be the guy.’ I read it and it was one of these things where, the best way I can describe it is it had the sort of too-good-to-be-true kind of vibe to it. Sort of like when you meet, you know, or I should say when I meet a girl that I find attractive, I just right away assume that there’s got to be something more to it.
When I read it, it made me laugh out loud and that doesn’t happen very often. I had this burning urge to be a part of it. It was just like when you read something really good, the clock starts ticking. As soon as you read it, you’re just like, ‘Oh, no, okay, all right…I’ve got to get this going. Let’s find a way to do this.’ So, I’m just so bloody grateful that it found its way to me because it’s one of the greatest things I’ve ever been a part of in any medium. So, yes, it was just randomly a script that got sent to me. They were cool enough to have faith and belief that I could do this and we made something pretty funny, I think.”
Were you looking for a TV project? Is the fact it’s so off-the-wall what appealed to you initially?
Jay Baruchel: “Well, yes. I mean, that’s definitely part of why it appealed to me but, to answer your first question, I wasn’t looking for anything. I really wasn’t. I’ve been sort of really fortunate enough to have been kept quite busy with my other gig, which is writing stuff with my friend, Jesse. I had sort of told my people we don’t need to hunt stuff down because I’m quite busy as it is. That being said, if awesome stuff comes to us, or finds its way to us, then I’m not an idiot. I’ll go out to read it.
So, yes, like I said, I wasn’t jonesing to do anything in particular and I just read this awesome script and that was that. I loved how strange it was and how truthful it was and how definitive and unique it was. You know, the sort of highest compliment that I can pay it is that it felt like something that came out of my head. As [strange] as that sounds, it’s just like you don’t often get to read stuff, as an actor, that feels like it’s something you would have thought of and this felt like that to me. So, yes, I leapt at the chance.”
What are your thoughts on how the women are portrayed on this show, besides the women who are actually trolls? Do you think this series, for lack of a better term, is feminist-friendly?
Jay Baruchel: “Oh, Jesus Christ, yes. I mean, listen, I think all of the characters, regardless of their gender, are pretty interesting and well-defined. There is obviously, because of the nature of our show and how strange it is, there are some archetypal characters at different times but, yes, I think 100%, I think that as you will see, if you keep watching, the title even becomes malleable. Man Seeking Woman, it happens to be the story of a man, but I think the stories are pretty universal so it could very easily be Woman Seeking Man.
Without giving too much away, it might turn into that at some point. But, yes, to answer your question, 100% feminist-friendly. I think it’s just friendly to smart people, I like to think. And, yes, like I said, I think all the characters are pretty well-defined.”
Do you see any parts of yourself or any parallels between you and your character?
Jay Baruchel: “Oh, always. Not just for him, but, ideally, for every character I play. I think if I don’t find a way to see part of myself in any character I play, then I’m sort of not doing my job completely. With some guys I play, it can hit closer to home than others. I made it through the minefield that is being single in your 20s somehow. So I have, let’s just say, I have plenty of experiences to draw upon for this. A lot of, yes, a lot of victories, defeats, ambitions, malaise. I have the whole panacea of living experiences I’d like to think that I can mine for this. But, yes, hopefully, any part I play has at least a part of me in him.”
Do you think the show covers the myths of dating or is it more about wanting to explore awkward truths, or a little bit of both?
Jay Baruchel: “Yes. I mean, I think it probably leans more to the second than the first, although we do try to sort of hit the nail on the head with some stuff. That being said, it’s not meant to be a guide of any sort so much as it is meant to be when you’re sitting amongst friends at a party and everyone just starts sort of venting and comparing sh** experiences. It’s meant to be that, but it’s also meant to be a celebration of the beautiful stuff, too.
So it’s like romance for lack of a better word – this whole stupid thing, there’s nothing like it. You’re happier than you’ll ever be. You’re sadder than you’ll ever be and, often, stuff in the middle. It’s something that applies to each and every single one of us and so I like to think that when people see this thing they will see at least one thing they went through. Ideally, a whole bunch of things they went through because I this show is about human nature and what it is to be single and to be one of these social animals we call humans.”
Have you worked with Simon on developing the characters? Is it a tightly scripted show or is there some leeway to improv?
Jay Baruchel: “If we shot the entire show word perfect, it would be every bit as funny as it is now, I think. But I think that’s part of Simon’s genius is that anybody who has ever read anything he’s written is that he slaves over his choice of words and his choice of punctuation. That being said, he knows that this is a collaborative medium, so he always wants us to find our own way into stuff, too.
So what you have is, I think, a pretty lovely balance of pretty strong, structured storytelling with some pretty incredible jokes, fused with our riffs, a bunch of which make it into the finished product. But this is Simon’s baby. My job on set is to help him tell his story and to do my best to breathe life into this character he wrote. I’m always chiming in. Whether or not they’re just humoring me, or actually listening to anything I say, I always chime in on any set I have. I just can’t help it. It’s the way my mind and my mouth work, so I’m always pitching ideas and pitching jokes for myself and for other people. Again, this is whether or not they get used and whether or not they’re just humoring me is another question. But, no, we have a pretty amazing staff of writers on this show so we’re well covered.”
Is there an overall character arc other than seeking love for the show or is it more just kind of slices of life throughout the season?
Jay Baruchel: “Yes, both. I mean, there’s definitely both. Again, without giving away sort of the stuff that we know, also they keep me in the dark about certain stuff, too. I think Simon Rich is the only person who knows exactly the complete arc of the show right now. But yes, we kind of know where we want him to get to but the other thing is living and dating.
These are cyclical things, right? Whereas a movie ends in three acts and a lesson is learned and that’s very finite; you sometimes have to learn the same lesson. You sometimes find your place and think you’ve got it, only to realize that it wasn’t meant to be and all these different things. So without sounding too much like it’s a cop-out answer, really both. Yes, definitely both.”
Are you looking forward to hearing people’s reactions when they realize how insane or hilarious some of these sequences actually are?
Jay Baruchel: “Yes, man, really. I can’t wait for the world to see it and everything that means. So that means, hopefully, they find themselves surprised at how much they end up giving a sh** about the plot and the characters. I am really excited to see the world react to, yes, how f***ing weird everything is.
Yes, I’m so thoroughly convinced that there’s really nothing like it on television and I think it will find its own little spot because I don’t know that any of the promos that we’ve aired yet, or anything we’ve shown about our show, I don’t know that any of it does it justice. It’s the kind of thing that you won’t know what it’s like until you watch it.”
How does it feel playing with this version of reality in Man Seeking Woman on the small screen after just having played with surreal things in reality on the big screen in This Is The End?
Jay Baruchel: “Oh, yes, that’s neat. I hadn’t actually thought of that. Yes, I guess maybe it just sort of speaks to my taste and what I find interesting and the generation I was a part of, or I am a part of, I should say. I don’t know. I love cartoons, I guess. The Simpsons is pretty much one of my top three favorite things ever, in any format, and so to me Man Seeking Woman, at times, feels like a live action version of The Simpsons.
It was neat when my mother, I showed her some episodes and, she said that of her own accord. I told her that, well, one of our writer/producers is a fellow called Ian Maxtone-Graham who worked on The Simpsons for 17 seasons. So, yes, I think I love it.
The answer to your question, what’s it like is I adore it. You never get bored. There’s always something new and interesting to find a way to play with and all acting professional, or otherwise, seem to come out of, seem to be born out of play acting when you’re a kid, whether you play house, or cops and robbers, or whatever. When you get to find a way, in adulthood, to show up to work every day with monsters, and aliens, and Hitler, and all sorts of crazy nonsense, yes, you feel like a kid again.”
Have any of your own dating experiences been incorporated into any episodes or are there any that you hope will be in future seasons?
Jay Baruchel: “Oh, yes, definitely. Definitely. Definitely. I’ll say that this first season, there’s stuff that happens to Josh that happened to me, but without Simon knowing that. I think that’s kind of part of the fun and part of the point of the show is that we find a way to distill these kind of universal experiences and truths into these really messed up little half hours. You can’t be on the set of our show and not join in the complaint fest at some point, right? Just given the nature of what our show is about, there is definitely a bit of group therapy to it where, yes, considering the subject matter, everyone can’t help but chime in with all their own experiences, some of which are funnier than others and some of which we hope to find a way to make fun of next year.”
Johnny Depp and a fake mustache star in a new Mortdecai trailer that introduces the character over and over and over again. Based on the book Don’t Point That Thing At Me and directed by David Koepp, the Mortdecai cast also includes Ewan McGregor, Jeff Goldblum, Paul Bettany, Olivia Munn, and Gwyneth Paltrow.
Mortdecai opens in theaters on January 23, 2015.
The Plot:
Juggling some angry Russians, the British Mi5, his impossibly leggy wife and an international terrorist, debonair art dealer and part-time rogue Charlie Mortdecai (Depp) must traverse the globe armed only with his good looks and special charm in a race to recover a stolen painting rumored to contain the code to a lost bank account filled with Nazi gold.
The bear star of ‘Paddington’ (Photo Courtesy of The Weinstein Company)
The live-action/hybrid family-friendly, bear-friendly film Paddington will be heading to theaters on January 16, 2015, and just days before its theatrical release a music video for “Shine” has arrived online. “Shine” was co-written by The Voice coaches who’ve previously teamed up on “Hollaback Girl” and Stefani’s new single, “Spark the Fire.”
The lyric video for “Shine” features scenes of the lovable bear Paddington (voiced by Ben Whishaw) along with his human co-stars.
Directed by Paul King, the cast includes Hugh Bonneville, Sally Hawkins, Jim Broadbent, Julie Walters, Peter Capaldi, Michael Gambon, Imelda Staunton, and Nicole Kidman.
The Paddington Plot:
Paddington tells the story of the comic misadventures of a young Peruvian bear who travels to the city in search of a home. Finding himself lost and alone, he begins to realize that city life is not all he had imagined – until he meets the kindly Brown family who read the label around his neck that says “Please look after this bear. Thank you,” and offer him a temporary haven. It looks as though his luck has changed until this rarest of bears catches the eye of a museum taxidermist. The film features an entirely computer-generated bear who interacts with a cast of esteemed actors.
Patricia Arquette was still riding a Golden Globes high when she took part in the TCA winter press event for the CBS series CSI: Cyber. Arquette spent a dozen years working on the independent coming-of-age dramatic movie Boyhood and that hard work and commitment paid off with a win for Best Supporting Actress at the 2015 Golden Globes.
Sitting down to chat with a small group of journalists at the TCAs, Arquette explained why she’s comfortable going back and forth between films and television and why she’ll continue to do so in the coming years. Arquette confessed that she paid her babysitter and her dog walker more than she actually earned from working on Boyhood, and that she was able to do so because of her television projects.
“Television allows you to actually make a living, feeds your children, send them to college, and important, significant things. And to have the ability, the luxury to make the choices of doing little movies where people can’t pay,” said Arquette.
Discussing the upcoming series, Arquette said CSI: Cyber appealed to her because it challenged her to stretch as an actress and presented the opportunity to explore a topic she found both fascinating and scary.
The Plot:CSI: Cyber stars Arquette “in a drama inspired by the advanced technological work of real-life Cyber Psychologist Mary Aiken. Special Agent Avery Ryan heads the Cyber Crime Division of the FBI, a unit at the forefront of solving illegal activities that start in the mind, live online, and play out in the real world. She also knows firsthand how today’s technology allows people to hide in the shadows of the Internet and commit serious crimes of global proportion.
Ryan’s supervisor, Assistant Director Simon Sifter, is a shrewd FBI career insider and the clearing house between FBI Cyber and all other branches of government. Also on the team are FBI Agent Elijah Mundo, a self-proclaimed action junkie who is an expert in battlefield forensics; Daniel Krumitz, an introverted tech genius with a quick wit; Brody Nelson, an expat hacker who chose to work for the FBI over a life of cyber-crime; and Raven Ramirez, a rookie tech who is an expert in social media, cyber trends, and international relations.
While other agents search for criminals in dark homes and alleys, Ryan and her team search the ‘dark net,’ a place deep in the bowels of the Web where criminals are anonymous, money is untraceable, and where everything is for sale with just a keystroke.”
CSI: Cyber will premiere on Wednesday, March 4, 2015.
Patricia Arquette Interview:
How do you know when to become attached to a project and is it a leap of faith?
Patricia Arquette: “It’s about discovery and learning, and hopefully learning as you go and sometimes choosing things that aren’t your go-to strength, that are difficult, that will help you grow as an artist, help you grow as a person. And just interesting material, interesting concepts. To me, this is interesting. To me, we have landed on a new planet. This kind of crime is fascinating to me, and terrifying to me. And so I’m interested in that. Also, to play a member of law enforcement when we’ve had that so long [where] it’s a male-dominated field. All of those things.
And Boyhood was just a no-brainer. I wanted to work with both of those guys and the concept was so beautiful. The way [Richard Linklater] talked about making the movie, stripping away all the conventional ways of storytelling…it’s funny because this show’s the opposite. It’s like they’re so good at this way of telling stories. Rick was talking about breaking all the rules of movies and stripping all the ways that you usually tell stories and let love and life and flaws and mistakes and time and all these things take the lead.”
How many seasons of CSI: Cyber are you contracted for?
Patricia Arquette: “Well, you always have to sign contracts for several years, if they want to pick you up. It’s kind of a strange scenario. They have the option or not.”
So you’re in this for the long haul, even if the Oscar happens?
Patricia Arquette: “I’m kind of the long-hauler type of person. I also have a strong work ethic and gratitude for people that I work with. It’s easy for people to come in when they think you’re in a hot moment of your life, but it’s really nice also for people who believe in your work for the long term and are there not when something hip’s happening at that moment.”
TV has shifted and there are more women starring in projects. Do you see that?
“We are pushing through. We are coming on through. We’re going to change things.”
Are you a high-tech type person?
Patricia Arquette: “That’s probably what’s to me fascinating about this part is it’s totally the opposite of me. I’m not a technical person. It’s not something I personally do love. I’m actually terrified of it, and that is what’s interesting to me about it. And to play someone who is proficient in it, I need help as much as possible and the writers’ help. But I think there are a lot of people my age who are like me.”
Are you on the computer much?
Patricia Arquette: “Not really, no.”
What’s the scariest thing you’ve learned about technology for the show?
Patricia Arquette: “How little we know about it, but it’s in our lives. It’s really strange what we have in our lives. You know, Stephen Hawking said artificial intelligence could be the end of mankind. I mean, that’s scary. That’s crazy. I’m excited to be alive in this insane time, but also I’m terrified at what’s happening in this insane time. To deal with a television show that’s really well told as far as entertainment goes in this world of this subject matter, that’s so far away from where I am – that’s interesting.”
There’s an emphasis on the young people that are a part of this show. What do you think you’re learning from them?
Patricia Arquette: “Here’s the thing: they really are geniuses. They really do know how to write code, not all of them but a lot of them. A six-year-old can probably do more on their iPad than you can do and access more. My daughter’s swiping away windows and doing all these things that I don’t know how to do. She’s 11 now. So young people…there’s been very little places in positions of authority in law enforcement for young people’s skill sets, but the truth is we need them. As a teenager, you have so much energy and hormones and you feel powerless in your life, and you can get power on life if it can be channeled in the right way.”
How did it feel to win the Golden Globe for Boyhood?
Patricia Arquette: “I felt like somebody injected adrenaline directly into my vein! I mean it was like, ‘I think he said it. He did say it. He said it, didn’t he?’ And this immediate shaking through my whole body.”
Is there a sequel?
Patricia Arquette: “We keep trying to pressure Rick. I mean I was really lobbying the last year. Like, ‘This is not a 12-year movie, this is a 20-year movie. This is the movie that ends when mom’s 80 or 90 and dies. I think that’s when the movie ends. You can make an 80-year-long movie.’ Wouldn’t that be amazing?”
Keri Russell as Elizabeth Jennings and Matthew Rhys as Philip Jennings in ‘The Americans’ (Photo by James Minchin / FX)
The Americans, one of the best-reviewed drama series, on TV returns on January 28, 2015 for its third season. FX’s The Americans is a must-watch series, populated by interesting, well-developed characters led by Matthew Rhys and Keri Russell’s Phillip and Elizabeth Jennings.
And with season three about to debut, FX has released two new videos for the series. The first one focuses on Phillip and Elizabeth’s daughter, Paige (played by Holly Taylor), who could be joining her parents as a Russian spy. Video two is a 20 second promotional clip featuring Rhys and Russell.
The Plot:
The Americans is a period drama about the complex marriage of two KGB spies posing as Americans in suburban Washington D.C. shortly after Ronald Reagan is elected President. The arranged marriage of Philip (Rhys) and Elizabeth Jennings (Russell), who have two children – 14-year-old Paige (Holly Taylor) and 11-year-old Henry (Keidrich Sellati), who know nothing about their parents’ true identity – grows more passionate and genuine by the day, but is constantly tested by the escalation of the Cold War and the intimate, dangerous and darkly funny relationships they must maintain with a network of spies and informants under their control. The trickiest of Philip’s sources continues to be Martha (Alison Wright), the assistant to Special Agent Gaad (Richard Thomas).
In order to ensure her continued loyalty, Philip, in the guise of FBI bureaucrat “Clark,” one of his numerous cover identities, marries her. Things were going smoothly until Martha began pressuring Clark to start a family. Their neighbor, FBI Agent Stan Beeman (Noah Emmerich), could also prove to be a renewed threat. When forced to choose between betraying his country or his KGB double-agent and paramour Nina (Annet Mahendru), Stan chose the USA. Nina has been sent back to Moscow to face charges of treason, much to the dismay of her boss Arkady (Lev Gorn), Director of the KGB Rezidentura.
In addition to his rededication to his mission of uncovering the identities of the Russian spies living among them, Stan is also attempting to rebuild a relationship with his estranged wife, Sandra (Susan Misner). Meanwhile, in the Jennings’ house, Philip and Elizabeth find themselves at odds over Paige’s future now that the KGB has made it clear that they want her to join the family business.
Cover art for ‘Fifty Shades of Grey Original Motion Picture Soundtrack’
Republic Records has revealed the official cover art for the Fifty Shades of Grey Original Motion Picture Soundtrack and has released the full song and artist list for the R-rated film. Contributing songs to the first film of the Fifty Shades series are artists including Beyonce, Frank Sinatra, Ellie Goulding, and The Weeknd, with a total of 16 songs featured on the movie’s soundtrack.
Fifty Shades of Grey opens in theaters on February 13, 2015 and the soundtrack will hit stores a few days earlier on February 10th.
The first single from the film, The Weeknd’s “Earned It”, has been viewed 5 million times on YouTube/VEVO, and the film’s trailer has raked in more than 100 million views. Directed by Sam Taylor-Johnson, the Fifty Shades cast is led by Jamie Dornan as Christian Grey and Dakota Johnson as Anastasia Steele. The supporting cast includes Luke Grimes, Victor Rasuk, Eloise Mumford, Marcia Gay Harden, Rita Ora, Max Martini, Callum Keith Rennie, Jennifer Ehle, and Dylan Neal.
1. “I Put A Spell On You (Fifty Shades of Grey)” – Annie Lennox
2. “Undiscovered” – Laura Welsh
3. “Earned It (Fifty Shades Of Grey)” – The Weeknd
4. “Meet Me In The Middle” – Jessie Ware
5. “Love Me Like You Do” – Ellie Goulding
6. “Haunted (Michael Diamond Remix)” – Beyoncé
7. “Salted Wound” – Sia
8. “Beast Of Burden” – The Rolling Stones
9. “I’m On Fire” – AWOLNATION
10. “Crazy In Love (2014 Remix)” – Beyoncé
11. “Witchcraft” – Frank Sinatra
12. “One Last Night” – Vaults
13. “Where You Belong” – The Weeknd
14. “I Know You” – Skylar Grey
15. “Ana And Christian” – Danny Elfman
16. “Did That Hurt?” – Danny Elfman
Kevin Hart, Josh Gad, and Kaley Cuoco-Sweeting, the stars of the R-rated comedy The Wedding Ringer, have been traveling the country promoting the film which is heading to theaters on January 16, 2015. The threesome obviously enjoy each other’s company, with it taking very little prompting to get them to discuss the Screen Gems release directed by Jeremy Garelick. Their final stop on the publicity tour was a visit to the Marine Corps Air Station Miramar where Hart, Gad, and Cuoco-Sweeting teamed up to talk/joke about their movie that’s actually more of a bromance than a romantic comedy. But they also took a moment at MCAS Miramar to get serious as they gave shout-outs in support of the troops.
The Plot: Jimmy Callahan (Hart) is the owner and CEO of Best Man, Inc., a company that provides flattering best men for socially challenged guys in need, such as Doug Harris (Gad). While Doug is a loveable, he’s a bit socially awkward and this groom-to-be has a big problem problem: he has no best man. With less than two weeks to go until he marries the girl of his dreams (Cuoco-Sweeting) Doug is desperate and enlists Doug’s services. What ensues is a hilarious wedding charade as they try to pull off the big con, and an unexpected budding bromance between Doug and his fake best man Jimmy.
Watch the interview:
Also making the trip to chat about The Wedding Ringer was writer Jay Lavender (The Break-Up) who talked about the cast and why it took so long to get this clever script made into a feature film:
(Interviews by Rebecca Murray. Videos by Gary Murray.)
Outlander writer/executive producer Ronald D. Moore (Battlestar Galactica, Roswell, Star Trek: Deep Space Nine) says fans of the bestselling book series by Diana Gabaldon can expect the remainder of season one and the following seasons of the Starz series to remain faithful to the source material. While Moore couldn’t promise every event from the books will make it into the show starring Sam Heughan and Caitriona Balfe, he did tell us during the TCA winter press event that he believes 90% of the major events from Gabaldon’s riveting book series will be included in the Starz series.
Ronald D Moore Outlander Interview:
How did you decide the way you wanted the characters to sound?
Ronald D. Moore: “First, we take a clue from the book and the style and structure of the voices that were established in the book. Then you translate it to screen and you’re hearing a certain rhythm. It’s a subjective process. You’re listening for something that sounds odd to your ear and that doesn’t work, something that sounds too modern. Sometimes, you have to look up specific idioms and see whether or not they actually would’ve said this in the time or not. What we know of the period was a more formal time. They did tend to speak in a more formalized way. They weren’t as casual in conversation. So you’re trying to ride that balance where you’re giving the audience a sense of a time and a place without making it so impenetrable that they have trouble relating to it.”
Do you put in surprises for people who read the books?
Ronald D. Moore: “Well, you try to put in as much as you can. I wanted it to be a faithful adaptation. I wanted people who love the book to love the show, so you’re starting from that place. But then you’re also thinking about it with two parts of your head. You’re also aware of the audience that has never read the book and you have to be clear and make sure that they’re able to follow it, they’re not getting lost in some reference to something that you’re throwing in for no reason.
Most of the major events of the book are present in the series. I would say, really, 90-something percent are all there in some way, shape, or form. Even if we alter them or maybe did them in a different sequence, we always start from a place of ‘be as faithful as you can to the book and then make changes when you need to.'”
Did anything surprise you because it turned out even better than you anticipated?
Ronald D. Moore: “The big thing was, in terms of Claire, I needed an actress who was really intelligent because I thought that was her defining characteristic. She’s a really smart woman and everything comes out of that. Her strength comes out of her intelligence, her empathy, her sexuality, and her competence or humor, it was all based in her intellect. And, it had to be somebody we could watch in every scene and listen to her voice on top of that. So you kind of cross your fingers and you hope that you can find an actress who can take that kind of burden.
With Caitriona, she makes it look effortless. I never get sick of watching her or listening to her. There’s just ease that I didn’t really expect. I thought we might have to work a little harder to get you to like that character because you’re going to be with her for so long.”
Did Diana Gabaldon do all the research about the time?
Ronald D. Moore: “Yeah, she did a huge amount of research so we can take the book as already researched. Then when we have questions beyond that, we have resources to go to, to check in with other things or to fact check this or that. All the different departments have their own individual research that they do in addition. They’ll bring things to me and they’ll just say, ‘Well, the research actually says…’ For instance, there’s a boar hunt that we did in the first half of the season.
Our research said, ‘Well, actually, the boars were all gone in Scotland by this point. Do you still want to do this?’ And I thought about it for a minute. I thought, ‘Well, we could do a stag hunt instead of a boar,’ but then opted… You know, I get it, that’s anachronistic but that’s pretty down in the weeds. We’re just going to make it a boar hunt because that’s what it was in the book.”
Are the Wentworth scenes going to be even more brutal than the Jamie flogging scene?
Ronald D. Moore: “Yeah. I mean, they’re different, obviously, but they’re pretty difficult and pretty challenging, and it’s spread across two episodes as opposed to just being all in one episode. So, yeah, it’s pretty tough stuff.”
What are they actually drinking in the booze on the set?
Ronald D. Moore: “Oh, it’s all iced tea and colored water because they have to do a lot of takes. We couldn’t get through the day otherwise.”
Do you know when season two will air?
Ronald D. Moore: “I don’t think we have an air date yet. We’ll start shooting season two in May. We’ll be shooting in Scotland until around February, and I assume we’ll be on the air sometime in 2016.”
Did you ever consider following season one directly in the timeline, or are you going to follow the books?
Ronald D. Moore: “Well, we’re playing around with the structure of that right now. But the second book is structured in a specific way and I think it does work, so we’re going to follow that template pretty much.”
Have you cast Brianna, Roger, or John?
Ronald D. Moore: “We’re casting. We haven’t cast them yet, but we’re looking at tape. We’ve been looking at tape for a while so it’s an active process.”
Are Sam and Caitriona in the series until the end?