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‘Once Upon a Time’ “Heroes and Villains” Recap and Review

Once Upon a Time Season 4 Episode 11 Recap and Review
Colin O’Donoghue and Robert Carlyle in ‘Once Upon a Time’ (Photo by Jack Rowand / ABC)

The Once Upon a Time season four midseason finale, which aired on December 14, 2014, finished up one storyline while introducing another. The folks from Arendelle bid goodbye to their new friends in Storybrooke, heading back home so that Anna (Elizabeth Lail) and Kristoff could begin their happily ever after together.

Meanwhile, Rumple (Robert Carlyle) found out he’d messed with the wrong beauty when Belle (Emilie de Ravin) took charge of her destiny and protected the citizens of Storybrooke. And as episode 11 of season four titled “Heroes and Villains” drew to a close, Rumple (who’s back in full-on villain mode now) began to build a new team of baddies to assist him in his evil ways.

Here’s a look back at “Heroes and Villains:”

The episode kicks off with Elsa announcing it’s time to bring down the wall of ice that surrounds the town. Unfortunately, the Snow Queen’s curse is still in place and no one will be able to leave the town unless they don’t plan on ever returning. Anna is desperate to leave but Elsa (Georgina Haig) cautions her to be patient as Arendelle will still be there waiting for them and they don’t need to rush. Seems Anna and Kristoff (Scott Michael Foster) forgot to mention Hans and his 12 brothers have taken over ruling Arendelle…a fact that when brought up prompts Elsa to turn into the one impatient to return home.

Heartless Hook (Colin O’Donoghue) visits Rumple to tell him the town line is still holding people in and that Elsa and Anna haven’t left Storybrooke yet. Rumple’s holding his heart and causing him pain as Hook gasps and groans, barely able to say that once Rumple leaves, there’s no coming back. Hook also says the folks from Arendelle are still looking for a way out, which is a major problem for Rumple since Anna knows he’s trying to cleave himself from the dagger in order to leave with his power. Rumple tells Hook to watch Anna and make sure she doesn’t come near the shop or near Belle. Hook has a few more hours to live since Rumple still needs him.

Back in time, Belle explores Rumplestiltskin’s house and picks up a sword. Rumple scolds her for not cleaning but Belle’s not affected by his anger and wants to know all about his travels. Rumple calls her mouthy and foolishly brave, but she’s undeterred and continues to ask questions. She asks about his travels and he even tells her about a gauntlet he has in his possession that can find any person’s greatest weakness.

Flash forward and Rumple wakes Belle with breakfast in bed. He says they’re going away on a honeymoon to New York and that it’s time for her to see the world.

Robin and Regina (Lana Parrilla) visit Marion in her mausoleum where she lays waiting to be awakened. Regina gives her back her heart (now that the Snow Queen’s gone she’s free of the spell) and Marion wakes up and hugs Robin.

Shortly thereafter, Regina’s sitting at the counter of the diner when Marion shows up and sits behind her. Regina would rather be alone, but Marion needs to thank her for saving her life and that she understands the way Regina and Robin look at each other. She knows his heart has moved on.

Regina believes it doesn’t matter because Robin’s a man of honor and will keep his word. Marion doesn’t want him that way and knows it’s been years since she and Robin were actually together, even though to her it feels like just yesterday. Marion wants to be chosen or not with Robin at all and reveals that she’s willing to step out of the way.

Back to Rumple and Hook: The broom walks in front of them as they make their way into the house where Rumple was staying. Hook asks whose house it is and Rumple says it was a powerful sorcerer who brought the Snow Queen to this world, which means his magic can move between both worlds. Rumple needs a portal and the broom makes it appear.

Henry (Jared Gilmore) puts in an appearance, asking Belle if she’s taking a trip and Belle explains she’s going to NY. Henry says that’s impossible as the Snow Queen’s spell means if you leave you can’t return, and Belle thinks Rumple must have a way around that. Henry shows her the book that started it all, and Belle says it doesn’t mean things will always happen that way for Regina.

As she’s packing, Belle figures out she needs another suitcase, and the two search the room where they discover the gauntlet Belle remembered from Rumple’s house years before.

Back in time, Belle has figured out that Rumple has a hole in his heart and that’s why he collects objects. He sends her out to do the laundry where she spots a Dalmatian puppy. It’s adorable and she follows it into the woods where someone grabs her.

Anna, Elsa, Emma (Jennifer Morrison), and Kristoff are at a table at the diner. Hook comes in and tells Swan they need to celebrate. “While I might not be the savior, I’ve just saved the day,” says Hook. She asks what they’re celebrating and he tells her he found the portal to Arendelle, but it’s actually Rumple using Hook’s heart to make him say things. He says all Elsa and Anna have to do is walk through the portal to return home.

Emma knows there’s something wrong, they kiss, and Hook tells her it’s nothing. He grabs her arm hard with a shaking hand, and Emma knows there’s something up even though he’s not talking.

Rumple goes in search of Belle, finds a sand dollar, and Belle magically appears as a hologram (think Princess Leia’s message to Obi-Wan Kenobi in Star Wars) with a message to bring the gauntlet he took from Camelot to the base of Demon’s Bluff at midnight or she’ll be killed

Robin and Regina watch Marion play with Robin’s son, Roland, and Robin lets Regina know he chooses her over Marion, even with Roland. He can’t live a lie with Marion and he pulls out pages from the Once Upon a Time book that show Regina kissing Robin. Just then, Marion suffers a relapse of the Snow Queen’s spell. Regina can’t save her again but says if Marion leaves Storybrooke the magic spell will be broken. Without magic, her heart could mend but that would mean Marion would have to cross the town line and she’d never be able to return. It would also mean someone would have to go with her or else she’d be stranded in an unknown world all alone. Robin has to go and once he leaves, that’s it.

Regina parks at the town line and watches Robin, Marion, Will Scarlet (Michael Socha), and the dwarves through the window. Rumple appears and Regina tells him not to gloat. Rumple informs her he’s taking off with Belle and Regina asks him if he knows about the curse that won’t let people back in. Rumple knows that and asks her to pass along a message to Henry that he’ll miss him. Regina says Henry was looking for her happy ending and wanted to find the author of the book, but Rumple doesn’t know who wrote it.

Regina wants to know how he managed to get a happy ending and he says he just took it, and tells her if Marion died all would be well with her. Regina says that’s just not her and she thought Rumple changed. He says he evolved and no one is the author of his fate.

Regina says goodbye to Robin and Marion who are shivering and near death. She crosses the line with her son and is instantly cured. They look back waiting for Robin but he stops to kiss Regina one last time. He’s torn up about having to leave her but does, slipping over the town line and into the outside world. Regina takes the page from the book out of her pocket and tears it into little pieces.

Rumple discovers Belle’s being held by Maleficent (Kristin Bauer van Straten), Cruella de Vil (Victoria Smurfit), and Ursula the Sea Witch (Merrin Dungey) who wraps her tentacles around Belle and starts squeezing. Rumple’s surprised but not frightened by the threesome and wants his maid back, while the three evil ladies want the gauntlet in exchange for Belle’s release. The women want the gauntlet to reveal their enemies’ weaknesses. As Ursula crushes Belle’s heart, Rumple gives in and gives back the gauntlet. Belle wonders why Rumple would make a deal and why he would care that she’s killed.

Rumple prepares for the final part of the spell that will end the dagger’s control over his actions, taking Hook up to the clock tower where when the stars on the hat align with those in the sky the final element of the spell will begin. Hook knows that means his death is near and Rumple’s impressed Hook isn’t crumbling in fear. Rumple prepares to crush his heart…

Henry, Snow, Emma, Elsa, David, Anna, and Kristoff arrive at the portal and Anna is anxious to go home, but takes the time to thank Emma and the group for taking such good care of her sister. Anna’s ready to knock Hans off the throne, and Kristoff’s ready to get married. Emma opens the portal door and Elsa and Kristoff step through, but Anna stops and says she wishes she could have met Mr. Gold (they haven’t called him Rumple).

She thinks he must have been a fairy godfather in the other world, but David says, “Not exactly. He was an evil sorcerer you’re lucky you never met: Rumplestiltskin.” Anna is shocked because she actually knows him, but Emma says Gold told them he didn’t know Anna. Anna’s not surprised and tells them all he does is lie so she’s not surprised he said that. Emma figures out Rumple was playing them the whole time. But why?

The hat starts working and Hook is preparing for his death. Rumple sets down the dagger, the hat rises to the roof and the stars spread out. Emma and Snow rush in and try to stop him but he freezes them before they can act. Rumple begins crushing Hook’s heart but it doesn’t work. Rumple doesn’t understand why and Belle appears over his shoulder saying, “Because I commanded you not to.” She has the dagger and won’t let him kill Hook. Belle makes him drop the heart and release everyone. She then commands him to take them to the town line because she wants them to be alone for what comes next.

Rumple magically transports himself and Belle to the town line where she says she’s finally facing the truth. He wants her to put the dagger down so he can explain, but she says it’s her turn to talk. She asks him if he remembers the first time he saved her life. He traded for her and she thought he was good, but after she found the gauntlet today she realized all the signs she’d been seeing are correct. She knows he wouldn’t give up power for her now and never will. She used the gauntlet to find out Rumple’s weakness – the thing he loved the most – and it led her to the real dagger. His true love is his power. He admits he loves it but thinks there’s nothing wrong with that. She wanted to be everything for him, and she lost her way trying to find herself.

He swears he can change because he has before, but she says he’s never changed. “Once I saw the man behind the beast, now there’s only a beast,” says Belle, crying. She commands him over the town line. He says he won’t be able to come back and that he doesn’t want to lose her, but she says he already has. On opposite sides of the town line, both break down crying. He begs her, but it’s no use.

In Arendelle, Elsa looks at a painting of the three sisters Anna found in the East Wing before turning around and gazing with love at Anna’s stunning wedding dress. Anna is ready to get married but Elsa wants to know why she postponed her whole wedding just to find out the truth. Anna says she couldn’t walk down the aisle unless she was as happy as she is. They hug and then they both smell chocolate and giggle. The door opens, Anna and Elsa grasp hands, and Anna walks down the aisle.

Emma is holding Hook’s heart and as he’s asking her to be gentle, she slams it back into his chest. They kiss and share a private moment.

Regina’s back at the diner, depressed and sitting by herself at the counter. Emma sits down and Regina tells her she’s not in the mood for a “hope” speech. Emma says she doesn’t need a speech, she needs a drinking buddy. They order shots and Emma tells her she did the right thing, but Regina says she doesn’t need her validation and she knows she did the right thing because she’s miserable. Emma says, “Well, if it makes you feel any better, so is Gold.”

They clink glasses and Regina replies, “It does.” Henry rushes in and says he found something big. He’s found a secret room at the house with the portal and in the huge library are hundreds of books like Once Upon a Time. All the books in the library are blank and they figure out that maybe this is the author’s house. Regina has a huge smile and is so proud of Henry for figuring it out. They let Emma in on their secret mission, and Emma likes the idea of Operation Mongoose. “Everyone deserves their happy ending,” says Emma.

Six weeks later in New York, Rumple steps off a bus using a cane. He’s remembering back to the day he saved Belle and when, after she was gone, he told the three women he wanted his gauntlet back. They said he made a deal but he said demanding ransom from the Dark One is not a deal, it’s a death wish. Even without their permission, he got his gauntlet back. Cruella tells him no matter what he’s up to, he won’t win; villains never win. He tells her they’ve severely underestimated him. “I always win, and I win alone,” replies Rumple. He doesn’t need to join them. But in NYC, he catches up with Ursula who’s working at an aquarium. He wants to tell her a story about heroes and villains, and that villains always lose. He wants them to go see the author to change the rules, and he tells her they’ve got two more stops to make.

The Bottom Line:

Once Upon a Time finished the first half of season four strong, and the second half looks to be just as engaging – judging solely by the final minutes of episode 11. Hopefully, the writers won’t forget that Once Upon a Time works best when Emma, Hook, Belle, Regina, David, and Mary Margaret are featured and that it’s not all about the new bad guys introduced to throw the Storybrooke folks into a tizzy.

With Rumple teaming up with Cruella, Maleficent, and Ursula, our favorite townsfolk might get lost in the mix. However, the Once Upon a Time team of Edward Kitsis and Adam Horowitz didn’t let us down with the first half of the season, wrapping up the Frozen storyline in a timely manner and not dragging it out so long that the Arendelle characters had worn out their welcome.

GRADE: B+



AMC Shows Off a ‘Better Call Saul’ Poster

AMC Releases the Better Call Saul Poster
First poster for ‘Better Call Saul’

AMC won’t be debuting Better Call Saul, the prequel to Breaking Bad, until February 2015 however the network’s been busy showing off various assets from the upcoming much-anticipated TV series. We’ve been treated to videos and photos from the drama series, and now AMC’s released the official poster for season one.

The poster features Bob Odenkirk as Saul standing at a payphone in the desert outside Albuquerque.

Better Call Saul premieres on Sunday, February 8, 2015 on AMC.

The Plot: This highly-anticipated prequel to Breaking Bad is set six years before Saul Goodman (Odenkirk) became Walter White’s lawyer. Known then as Jimmy McGill, he was a small-time lawyer searching for his destiny and hustling to make ends meet. The series will track Jimmy’s evolution into Saul, Albuquerque’s top criminal (criminal) lawyer.

Working alongside, and often against, Jimmy is another familiar face from Breaking Bad: “fixer” Mike Erhmantraut (Banks). The series also stars Michael McKean as Chuck McGill, Rhea Seehorn as Kim Wexler, Patrick Fabian as Howard Hamlin, and Michael Mando as Nacho Varga.

Interview with Vince Gilligan and Peter Gould

George Lopez is Going to the Dogs

George Lopez to Host the World Dog Awards

The CW’s first-ever The World Dog Awards will be hosted by actor/comedian George Lopez. The canine-centric special is set to air on January 15, 2015 at 8pm ET/PT on The CW and will feature dog lovers Beth Behrs, Ian Somerhalder, JB Smoove, Jason Gann, Justin Silver, Lance Bass, Lisa Vanderpump, Mark Feuerstein, Nikki Reed, Perrey Reeves, Andy Cohen, Robert Herjavec, Ross Mathews, and G. Hannelius.

According to The CW, the inaugural The World Dog Awards will celebrate dogs worldwide. Fans will be able to vote on select awards at worlddogawards.com, including the award for the dog with the most influential social media presence.

The World Dog Awards Categories:

Best in Film: Awarded to the best dog-centric film of the past 25 years

Top TV Dog: Awarded to the top dog in a current television series

Celebrity Dog Selfie: Awarded to the top social media-posted selfie featuring a celebrity and his or her dog

Supporting Actor to a Dog: Awarded for the best performance by a human actor alongside a dog

Best Actor Playing a Dog: Awarded for the best performance by an actor in the role of a dog

Top Movie Dog: Awarded for the best contemporary performance by a dog in a film

A-List Dog: Awarded to the celebrity dog that has made the biggest impact in the media

Dog of the Year: Awarded to the dog that has made the biggest impact in pop culture this year

Top Spot: The best television commercial starring a dog

Best Mascot: Honoring the most beloved cheerleader in a dog costume from collegiate sports

VIEWER-GENERATED CATEGORIES

Most Pawpular: Awarded to the dog with the most influential social media presence

Performing Pups: Awarded to the best performing dog

Happiest Reunion: Awarded for the most inspiring moment when a soldier and his or her dog were reunited

Hot Dog: Awarded to the most talented extreme sports dog

America’s Top Mutt: Showcasing the cutest, funniest and most ridiculous mutts

Most Dog-Like Cat: Awarded to the cat with the most canine personality traits

HONORARY CATEGORIES

Dog’s Best Friend: Presented by the ASPCA® (The American Society for the Prevention of Cruelty to Animals®), this award will go to the celebrity who has advanced the welfare of homeless dogs and dog-related causes.

K911: Presented by Subaru, this award will go to a dog that is an everyday superhero for helping to save a child’s life
“The Dog’s Life” Achievement Award: Awarded to an iconic dog character in popular culture that has had a huge cultural impact

Underdog: This honor is bestowed upon a pup who has overcome incredible obstacles or odds

The Makeup and Hairstyling Oscar Race Narrows to Seven Films

7 Films Move Forward in Hunt for Makeup Oscar
Gamora (Zoe Saldana), Peter Quill/Star-Lord (Chris Pratt), Rocket Raccoon (voiced by Bradley Cooper), Drax The Destroyer (Dave Bautista) and Groot (voiced by Vin Diesel) in ‘Guardians of the Galaxy’ (Photo ©Marvel 2014)

Seven films have made the cut and are now on the shortlist to move forward as nominees in the Makeup and Hairstyling Oscar category. According to the Academy of Motion Picture Arts and Sciences, members of the Makeup Artists and Hairstylists Branch will have the opportunity to watch 10 minute excerpts from the seven films still in the running. Three films will ultimately be nominated in the category following the special screening on Saturday, January 10, 2015.

The seven films still in consideration are:

The Amazing Spider-Man 2
Foxcatcher
The Grand Budapest Hotel
Guardians of the Galaxy
Maleficent
Noah
The Theory of Everything

The 2015 Oscar nominations will be announced on January 15, 2015. The 87th Academy Awards will be held on February 22, 2015 and will air live on ABC.


-By Rebecca Murray

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‘Nightcrawler’ Wins Big at the San Diego Film Critics Society Awards

San Diego Film Critics Society 2014 Award Winners
Jake Gyllenhaal stars in ‘Nightcrawler’ (Photo Credit: Chuck Zlotnick / Open Road Films)

Nightcrawler earned seven San Diego Film Critics Society* awards including Best Film, Best Director, Best Actor, and Best Original Screenplay in a vote that took place on December 15, 2014. However, the group spread the remainder of the awards around, giving one award to each of the following films released in 2014:

Birdman
The Grand Budapest Hotel
Edge of Tomorrow
Boxtrolls
Citizenfour
Force Majeure
Gone Girl
Foxcatcher
Two Days, One Night

When it came to voting on the final award of the year – Best Film – the group overwhelmingly threw their support behind Dan Gilroy’s Nightcrawler. The voting wasn’t as close in the Body of Work category where Willem Dafoe narrowly edged out Tilda Swinton. The Body of Work award is given out annually to an artist who was involved in a minimum of three films during the year.

2014 San Diego Film Critics Society Winners:

BEST FILM
NIGHTCRAWLER

BEST DIRECTOR
Dan Gilroy, NIGHTCRAWLER

BEST ACTOR
Jake Gyllenhaal, NIGHTCRAWLER

BEST ACTRESS
Marion Cotillard, TWO DAYS, ONE NIGHT

BEST SUPPORTING ACTOR
Mark Ruffalo, FOXCATCHER

BEST SUPPORTING ACTRESS
Rene Russo, NIGHTCRAWLER

BEST ORIGINAL SCREENPLAY
Dan Gilroy, NIGHTCRAWLER

BEST ADAPTED SCREENPLAY
Gillian Flynn, GONE GIRL

FOREIGN LANGUAGE
FORCE MAJEURE

DOCUMENTARY
CITIZENFOUR


ANIMATED FILM
THE BOXTROLLS

CINEMATOGRAPHY
Robert Elswit, NIGHTCRAWLER

EDITING
James Herbert, Laura Jennings, EDGE OF TOMORROW

PRODUCTION DESIGN
Adam Stockhausen, Anna Pincock, THE GRAND BUDAPEST HOTEL

BEST SCORE
James Newton Howard, NIGHTCRAWLER

BEST ENSEMBLE
BIRDMAN

BODY OF WORK
Willem Dafoe: JOHN WICK, THE FAULT IN OUR STARS, THE GRAND BUDAPEST HOTEL, A MOST WANTED MAN & NYMPHOMANIAC 2

* – I am a member of this group and voted on these awards.

-By Rebecca Murray

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Spotlight On: Hattie McDaniel from ‘Gone With the Wind’

Hattie McDaniel from Gone with the Wind Biography
Vivien Leigh and Hattie McDaniel in ‘Gone With the Wind’

Everybody loved Hattie McDaniel. She had one of those personalities that simply made you smile and want to cuddle her. She achieved worldwide fame when she was the first African-American to win a Best Supporting Actress Oscar® for her role as “Mammy” in the spectacular 1939 David O. Selznick production of Gone With the Wind at the ceremonies in 1940. It was a sensation at the time because previously no black entertainer had ever been nominated in the all-white film industry.

McDaniel was born June 10, 1895 to former slaves. The family of 13 children moved from Wichita, Kansas to Denver in 1900. It was there Hattie graduated from Denver East High School. Her family was a musically-oriented group, as several siblings and her mother were singers and performers. She and her brothers formed a minstrel show during which Hattie honed her songwriting skills.

From 1920 to 1925, she performed with Melody Hounds, a touring black ensemble. They got a break by singing on the radio in Denver, which led to Hattie signing contracts to record her songs on the Okeh, Paramount, and Meritt labels during the years 1926 to 1929.

Unfortunately, the Stock Market Crash came in 1929 and wiped out millionaires by the dozens. There was no work for anybody, and Hattie was caught in the unemployment trap. She took a job as a washroom attendant while working as a waitress at a nightclub in Milwaukee. She convinced the club owner to let her go on stage one night, and she knocked them dead. She became a regular in the show.

Hollywood was a bright and sunny place filled with orange groves along Sunset Boulevard when Hattie moved out to LA in 1931 with her brother and two sisters. She took jobs working as a maid and a cook. Her brother Sam worked at radio station KNX and got her a spot as “High Hat Hattie” on the comedy “The Optimistic Do-Nut Hour” where she became a hit.

Being in Hollywood, the urge to crack into films was a strong one. Hattie got a part as a maid in the 1932 film The Golden West. The voluptuous Mae West hired Hattie to be her manicurist in the rollicking and campy comedy I’m No Angel in 1933 at Paramount. Mae threw out some of her funniest lines and sexual innuendos at newcomer Cary Grant. West sparred with Hattie, and the film was a laugh riot. Film critic James Robert Parish wrote: “The most freewheeling of all Mae’s screen vehicles and the most satisfying of the lot.” West was famous for the risqué lines “It’s not the men in your life that count, it’s the life in your men,” and “When I’m good I’m very good, but when I’m bad I’m better.” Hattie just rolled with Mae’s punches and the two got along just fine.

The year 1934 saw Hattie playing her first major role in Judge Priest, directed by soon-to-be-legendary director John Ford. She got a chance to sing a duet with Will Rogers. Another big break came her way from 20th Century Fox when they cast her and fellow African-American entertainer and dancer supreme Bill ”Bojangles” Robinson in the Shirley Temple musical The Little Colonel (1935).

The 1930s were the years when McDaniel was building up her reputation in such A-list films as RKO’s Alice Adams with Katharine Hepburn in 1935, China Seas with MGM’s platinum bombshell Jean Harlow, the great Universal Pictures’ Southern-themed musical Show Boat (1936) in which Hattie sang with stars Irene Dunne, torch singer Helen Morgan, and black singer Paul Robeson. She again went over to MGM to appear with Clark Gable and Jean Harlow in Saratoga (1937), and then made appearances in the Technicolor comedy Nothing Sacred (1937) at Selznick with Fredric March and Carole Lombard, the Ginger Rogers/James Stewart romantic comedy Vivacious Lady (1938) at RKO, and The Mad Miss Manton (1938) with the zany Barbara Stanwyck and Henry Fonda also at RKO.

Life was not all peaches and cream for the comic actress. McDaniel was accused by the NAACP of pandering to Hollywood and not standing up for blacks to get better roles. Her response was, “Why should I complain about making $700 a week playing a maid? If I didn’t, I’d be making $7 a week being one.” She had them there.

Hattie McDaniel in Gone with the Wind
Hattie McDaniel as Mammy in ‘Gone With the Wind’

McDaniel was not the first choice to play Mammy in Gone With the Wind. There were other actresses who auditioned for the role, but Hattie had an extra advantage: Clark Gable was a friend after having made several other pictures together. Gable recommended her and that was that. When Hattie auditioned in a maid’s uniform, Selznick was sold. She went on to steal every scene she was in, and that led to her being nominated for a Best Supporting Actress Oscar.

When the premiere of the film was held in Atlanta, Georgia (home of the book’s author Margaret Mitchell) on December 15, 1939, McDaniel was not allowed to attend because of racial prejudice that was rampant in the South. Gable came to her defense, but McDaniel graciously bowed out and decided instead to attend the Hollywood premiere on December 29, 1939.

At the Oscar ceremony, Hattie McDaniel was the first African-American to ever win an Academy Award. During part of her acceptance speech, she said, “I shall always hold it as a beacon for anything that I may be able to do in the future.”

Winning the Oscar helped to keep her employed, but it did nothing to get her out of playing maids and secondary roles. She did manage, however, to work with top people in the industry such as Bette Davis in the Warner Bros. hit In This Our Life (1942), the second film directed by John Huston (Maltese Falcon). The film was based upon the 1941 Pulitzer Prize-winning novel by Ellen Glasgow. Others in the cast were George Brent, Olivia de Havilland, Dennis Morgan, and Lee Patrick.

During World War II the military was segregated. Hattie set up an acting and entertaining troupe to visit black soldiers in military hospitals and camps. Bette Davis was the only white star who was a member of McDaniels’ entertainers. Despite all her USO work for the fighting men, but she managed to squeeze in parts in Thank Your Lucky Stars with Miss Davis and Warner’s top male star Humphrey Bogart as well as the comedy The Male Animal (1942) with Henry Fonda, Olivia de Havilland, Jack Carson, and Joan Leslie.

One of the most popular films during the war was Since You Went Away (1944) from producer David O. Selznick. It was definitely a tearjerker, but it was also a flag-waving patriotic film that got people into the theatre. Max Steiner won an Oscar for his music, and the picture received Academy Award nominations for Best Picture, and acting nods to Claudette Colbert, Jennifer Jones, and Monty Wooley, as well as for Art Direction and Editing. Once again McDaniel was part of a superb film.

Film roles were slim for Hattie McDaniel in the late ’40s. She did a role in Mickey in 1948 and in 1949’s Family Honeymoon at Universal with Fred MacMurray and Claudette Colbert. With film roles rapidly disappearing, McDaniel turned to radio and did the comedy series “Beulah.” She was the first African-American to star in her own radio show. The show was a huge hit and executives at ABC-TV proposed she do a television series of the comedy antics of the feisty maid. The show was a huge hit. Unfortunately, during the run of the show McDaniel was diagnosed with breast cancer and had to leave the series. Excellent actress Louise Beavers replaced McDaniel in 1952.

Ms. McDaniel was taken to the Motion Picture House Hospital in Los Angeles, where industry members are cared for during their illnesses. At the age of only 57, Hattie McDaniel died on October 26, 1952. Thousands of mourners were at her funeral at Angelus-Rosedale Cemetery. Out of the 86 films she made, Hattie will always be remembered as the feisty, funny, no-nonsense Mammy in Gone With the Wind.




Jason Statham Kicks Butt in the First Trailer for ‘Wild Card’

He’s Jason Statham so, of course, he’s kicking butt in the upcoming film Wild Card which has just released the first trailer. Lionsgate’s also put out the official poster for the thriller which co-stars Michael Angarano, Milo Ventimiglia, Dominik García-Lorido, Anne Heche, Chris Browning, Matthew Willig, Greice Santo, Hope Davis, and Stanley Tucci.

Wild Card opens in theaters on January 30, 2014.

The Plot:

Nick Wild (Jason Statham) is a Las Vegas bodyguard with lethal professional skills and a personal gambling problem. When a friend is beaten by a sadistic thug, Nick strikes back, only to find out the thug is the son of a powerful mob boss.

Suddenly, Nick is plunged into the criminal underworld, chased by enforcers and wanted by the mob. Having raised the stakes, Nick has one last play to change his fortunes…and this time, it’s all or nothing.

Wild Card Movie Poster
Poster for ‘Wild Card’ starring Jason Statham

KROQ Almost Acoustic Christmas Night #1 Recap and Photos

KROQ Almost Acoustic Christmas 2014 Recap and Photos
Linkin Park performs during the KROQ Almost Acoustic Christmas concert (Photo by Christina Radish Photography)

The KROQ Almost Acoustic Christmas concerts hit a milestone 25th anniversary this year, playing to two sold-out crowds at the beautifully remodeled Forum in Inglewood, Calif. on December 13th and 14th. The radio station’s multi-act bills are always an interesting balance of some of the biggest bands in rock and some of the newest, and it’s a great gauge for how much the past years’ bands have evolved over time.

With KROQ being the biggest alternative rock station in Southern California, and their annual Christmas concerts being one of the biggest shows of the year, it seemed fitting that the last three bands of Night #1 were all Southern California natives. Led by vocalist Brandon Boyd, Incubus, who hail from Calabasas, showcased strong vocals on such hits as “Megalomaniac,” “Wish You Were Here,” “Anna Molly,” “Pardon Me” and “Drive.” Their relaxed, laid-back vibe spread throughout the venue and had everyone singing along.

Next was Linkin Park, who have played this particular show seven times now, opening the night on their first appearance, only to skyrocket to headliner by the following year. Their set of hit after hit showcased the band’s perfect blend of talent and passion, making it clear why they are one of the top rock acts in the world. They are an impressive band to watch, and no one can hold a scream quite like Chester Bennington. Joined by System of a Down guitarist Daron Malakian on “Rebellion” and Rise Against frontman Tim McIlrath on “Bleed it Out,” they blasted through songs from their collection of albums, including “Final Masquerade,” “Numb,” “In the End,” “Faint,” “Crawling,” “Until the End” and “What I’ve Done,” with the promise to return for another U.S. tour in the new year, this time teaming up with Rise Against.

Earlier in the night, Royal Blood opened the show, followed by energetic sets from New Politics (whose frontman even did a bit of break dancing, much to the crowd’s enjoyment) and Walk the Moon. Rise Against, Bush, and Fall Out Boy were all in top form, keeping the fans singing along.

Closing out Night #1 were the eclectic, bombastic tunes of System of a Down, who got the crowd on the floor worked up into a mosh pit frenzy. Serj Tankian is a compelling frontman, with his blend of dramatic vocals and equally as dramatic facial expressions. Altogether, it was a great night of music that will prove a lot to live up to in 2015.

KROQ Almost Acoustic Christmas 2014 Night 1 Photo Gallery




‘The Hobbit’ Heads to ‘The Office’ on ‘SNL’

Martin Freeman's Bilbo Baggins Goes to Work at The Office

When Martin Freeman hosted the December 13, 2014 episode of NBC’s Saturday Night Live one of the best skits of the night was a The Hobbit/The Office mash-up that found Bilbo Baggins, Gollum, Gandalf, Legolas, and even Orcs working at the paper company. Gandalf, of course, is the boss who’s dubbed himself Lord of the Reams while Bilbo torments his fellow paper salesman Gollum (played by Taran Killam, who nails it) by hiding The One Ring in Jello.

And a bit of trivia for those who weren’t into the original British version of The Office: Martin Freeman played salesman Tim Canterbury in the BBC comedy series.

Watch the video:

‘Birdman’ Flies High with Critics’ Choice Movie Awards Voters

Critics Choice Movie Awards 2015 Nominations
Michael Keaton as “Riggan” in BIRDMAN. (Photo courtesy of Fox Searchlight Pictures)

The Broadcast Film Critics Association (of which I’m a member) awarded Birdman the most 2015 Critics’ Choice Movie Awards nominations with 13 including Best Director, Best Ensemble, Best Picture, and Best Actor (Michael Keaton). The Grand Budapest Hotel followed with 11 nominations and Boyhood, an early awards favorite, picked up eight nominations.

Interstellar earned seven nominations, followed by Gone Girl and The Imitation Game each with six. Guardians of the Galaxy, Into The Woods, Selma, and The Theory of Everything were each nominated for five awards, while Edge of Tomorrow, Inherent Vice, St. Vincent, Unbroken and Whiplash each earned four.

The 2015 Critics’ Choice Movie Awards will be held on January 15th and will air live on A&E. Michael Strahan has been tapped to host.

2015 Critics’ Choice Movie Awards Nominees:

BEST PICTURE

Birdman
Boyhood
Gone Girl
The Grand Budapest Hotel
The Imitation Game
Nightcrawler
Selma
The Theory of Everything
Unbroken
Whiplash

BEST ACTOR

Benedict Cumberbatch – The Imitation Game
Ralph Fiennes – The Grand Budapest Hotel
Jake Gyllenhaal – Nightcrawler
Michael Keaton – Birdman
David Oyelowo – Selma
Eddie Redmayne – The Theory of Everything

BEST ACTRESS

Jennifer Aniston – Cake
Marion Cotillard – Two Days, One Night
Felicity Jones – The Theory of Everything
Julianne Moore – Still Alice
Rosamund Pike – Gone Girl
Reese Witherspoon – Wild

BEST SUPPORTING ACTOR

Josh Brolin – Inherent Vice
Robert Duvall – The Judge
Ethan Hawke – Boyhood
Edward Norton – Birdman
Mark Ruffalo – Foxcatcher
J.K. Simmons – Whiplash

BEST SUPPORTING ACTRESS

Patricia Arquette – Boyhood
Jessica Chastain – A Most Violent Year
Keira Knightley – The Imitation Game
Emma Stone – Birdman
Meryl Streep – Into the Woods
Tilda Swinton – Snowpiercer

BEST YOUNG ACTOR/ACTRESS

Ellar Coltrane – Boyhood
Ansel Elgort – The Fault in Our Stars
Mackenzie Foy – Interstellar
Jaeden Lieberher – St. Vincent
Tony Revolori – The Grand Budapest Hotel
Quvenzhane Wallis – Annie
Noah Wiseman – The Babadook

BEST ACTING ENSEMBLE

Birdman
Boyhood
The Grand Budapest Hotel
The Imitation Game
Into the Woods
Selma

BEST DIRECTOR

Wes Anderson – The Grand Budapest Hotel
Ava DuVernay – Selma
David Fincher – Gone Girl
Alejandro G. Inarritu – Birdman
Angelina Jolie – Unbroken
Richard Linklater – Boyhood

BEST ORIGINAL SCREENPLAY

Birdman – Alejandro G. Inarritu, Nicolas Giacobone, Alexander Dinelaris, Jr., Armando Bo
Boyhood – Richard Linklater
The Grand Budapest Hotel – Wes Anderson, Hugo Guinness
Nightcrawler – Dan Gilroy
Whiplash – Damien Chazelle


BEST ADAPTED SCREENPLAY

Gone Girl – Gillian Flynn
The Imitation Game – Graham Moore
Inherent Vice – Paul Thomas Anderson
The Theory of Everything – Anthony McCarten
Unbroken – Joel Coen & Ethan Coen, Richard LaGravenese, William Nicholson
Wild – Nick Hornby

BEST CINEMATOGRAPHY

Birdman – Emmanuel Lubezki
The Grand Budapest Hotel – Robert Yeoman
Interstellar – Hoyte Van Hoytema
Mr. Turner – Dick Pope
Unbroken – Roger Deakins

BEST ART DIRECTION

Birdman – Kevin Thompson/Production Designer, George DeTitta Jr./Set Decorator
The Grand Budapest Hotel – Adam Stockhausen/Production Designer, Anna Pinnock/Set Decorator
Inherent Vice – David Crank/Production Designer, Amy Wells/Set Decorator
Interstellar – Nathan Crowley/Production Designer, Gary Fettis/Set Decorator
Into the Woods – Dennis Gassner/Production Designer, Anna Pinnock/Set Decorator
Snowpiercer – Ondrej Nekvasil/Production Designer, Beatrice Brentnerova/Set Decorator

BEST EDITING

Birdman – Douglas Crise, Stephen Mirrione
Boyhood – Sandra Adair
Gone Girl – Kirk Baxter
Interstellar – Lee Smith
Whiplash – Tom Cross

BEST COSTUME DESIGN

The Grand Budapest Hotel – Milena Canonero
Inherent Vice – Mark Bridges
Into the Woods – Colleen Atwood
Maleficent – Anna B. Sheppard
Mr. Turner – Jacqueline Durran

BEST HAIR & MAKEUP

Foxcatcher
Guardians of the Galaxy
The Hobbit: The Battle of the Five Armies
Into the Woods
Maleficent

BEST VISUAL EFFECTS

Dawn of the Planet of the Apes
Edge of Tomorrow
Guardians of the Galaxy
The Hobbit: The Battle of the Five Armies
Interstellar

BEST ANIMATED FEATURE

Big Hero 6
The Book of Life
The Boxtrolls
How to Train Your Dragon 2
The Lego Movie

BEST ACTION MOVIE

American Sniper
Captain America: The Winter Soldier
Edge of Tomorrow
Fury
Guardians of the Galaxy

BEST ACTOR IN AN ACTION MOVIE

Bradley Cooper – American Sniper
Tom Cruise – Edge of Tomorrow
Chris Evans – Captain America: The Winter Soldier
Brad Pitt – Fury
Chris Pratt – Guardians of the Galaxy

BEST ACTRESS IN AN ACTION MOVIE

Emily Blunt – Edge of Tomorrow
Scarlett Johansson – Lucy
Jennifer Lawrence – The Hunger Games: Mockingjay Part 1
Zoe Saldana – Guardians of the Galaxy
Shailene Woodley – Divergent

BEST COMEDY

Birdman
The Grand Budapest Hotel
St. Vincent
Top Five
22 Jump Street

BEST ACTOR IN A COMEDY

Jon Favreau – Chef
Ralph Fiennes – The Grand Budapest Hotel
Michael Keaton – Birdman
Bill Murray – St. Vincent
Chris Rock – Top Five
Channing Tatum – 22 Jump Street

BEST ACTRESS IN A COMEDY

Rose Byrne – Neighbors
Rosario Dawson – Top Five
Melissa McCarthy – St. Vincent
Jenny Slate – Obvious Child
Kristen Wiig – The Skeleton Twins

BEST SCI-FI/HORROR MOVIE

The Babadook
Dawn of the Planet of the Apes
Interstellar
Snowpiercer
Under the Skin

BEST FOREIGN LANGUAGE FILM

Force Majeure
Ida
Leviathan
Two Days, One Night
Wild Tales

BEST DOCUMENTARY FEATURE

Citizenfour
Glen Campbell: I’ll Be Me
Jodorowsky’s Dune
Last Days in Vietnam
Life Itself
The Overnighters

BEST SONG

Big Eyes – Lana Del Rey – Big Eyes
Everything Is Awesome – Jo Li and the Lonely Island – The Lego Movie
Glory – Common/John Legend – Selma
Lost Stars – Keira Knightley – Begin Again
Yellow Flicker Beat – Lorde – The Hunger Games: Mockingjay Part 1

BEST SCORE

Alexandre Desplat – The Imitation Game
Johann Johannsson – The Theory of Everything
Trent Reznor & Atticus Ross – Gone Girl
Antonio Sanchez – Birdman
Hans Zimmer – Interstellar

-By Rebecca Murray

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