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“All For One” from Five For Fighting’s John Ondrasik Featured on ‘Hawaii Five-0’

John Ondrasik from Five For Fighting Pens Song for Hawaii Five-0

John Ondrasik of Five For Fighting has written a song specifically for the 100th episode of CBS’ Hawaii Five-0. The milestone episode will air on November 7, 2014 at 9pm ET/PT and will feature Ondrasik’s “All For One.”

“I’m excited to contribute to Hawaii Five-0’s landmark moment by writing and performing an original song that will close Episode 100,” said Ondrasik. “The song ‘All For One’ reflects the Ohana bond McGarrett and company have developed over the last five years. There is no show that has a more iconic music theme than Hawaii Five-0. As a fan of the original and current series, it’s a pleasure to join the Island good guys’ ongoing legacy. Book ‘em, Danno!”

“I reached out to John to write something for the show, specifically the 100th, and then pitched him the type of song I was looking for,” said the show’s executive producer Peter Lenkov explaining how Ondrasik got involved. “He brought us a song that perfectly conveys the themes and emotions we discussed. Music has always been such a key element to both the classic and current Hawaii Five-0 series. We’re honored that John’s music could be a part of that.”

According to CBS, “All For One” will be on iTunes on November 7, 2014 immediately after the episode’s East Coast premiere.

“All For One” video:





Jimmy Fallon and Bradley Cooper Play Egg Russian Roulette

Bradley Cooper and Jimmy Fallon Play Egg Roulette
Actor Bradley Cooper and host Jimmy Fallon play “Egg Russian Roulette” on October 17, 2014 (Photo by: Douglas Gorenstein / NBC)

The Tonight Show host Jimmy Fallon faced off against Bradley Cooper in a riveting game of Egg Russian Roulette. The game consisted of Jimmy and Bradley alternately choosing eggs and smashing them on their heads. Eight eights are hard-boiled; four eggs are raw. Whoever smashes two raw eggs first on their forehead loses.

In the second video, Fallon and Cooper can not stop laughing despite the fact they’re discussing Cooper’s dramatic turn on stage in The Elephant Man.

Watch the videos:

James Denton Joins the Cast of ‘The Good Witch’

James Denton Joins The Good Witch
James Denton (Photo Credit: Copyright 2014 Crown Media United States, LLC )

James Denton is going from hanging out with desperate housewives to keeping company with a good witch. Denton’s joined the cast of Hallmark Channel’s The Good Witch as a divorced dad and doctor who lives next to series star Catherine Bell’s character. The primetime series will begin shooting at the end of this month and will air season one in early 2015.

Based on the popular original movie franchise, The Good Witch also stars Bailee Madison.

“For 8 years, James Denton captured the hearts of millions of viewers on Desperate Housewives,” said Michelle Vicary, Executive Vice President of Programming, Crown Media Family Networks. “Having James move from ‘Wisteria Lane’ to ‘Middleton’ to join Catherine Bell and the talented cast of The Good Witch is sure to be another very successful role for him and we are thrilled to have him join the Hallmark family.”

Denton’s credits also include The Pretender, Philly, and Threat Matrix.

The Plot:

The Good Witch series is based on Bell’s beloved character Cassie Nightingale, the raven-haired enchantress who kept audiences spellbound for six installments of the network’s longest-running and highest-rated original movie franchise of all time, with a seventh movie premiering October 25, 9pm ET/PT, 8C. The bewitching Cassie will continue to conjure up her special touch of magic to everyone she meets, in her small town of Middleton.




‘Once Upon a Time’ “The Apprentice” Recap and Review

Once Upon a Time Season 4 Episode 4 Recap and Review
Colin O’Donoghue and Jennifer Morrison in ‘Once Upon a Time’ (Photo © 2014 American Broadcasting Companies, Inc.)

Yes, a lot went on in Once Upon a Time‘s season four episode four titled “The Apprentice” but what stands out is just how incredible Hook looked in real clothes, with two hands, and extending a single red rose to Emma. Hook ditched the pirate attire for a real date with Emma and it was the highlight of a fairly jam-packed episode.

Even the introduction of the Sorcerer’s Apprentice and a showdown between Anna and Rumplestiltskin were just background noise compared to an actual romantic dinner out for the Once Upon a Time couple everyone’s rooting for.

How Adam Horowitz and Edward Kitsis balance all these storylines is beyond me, but this season’s seen nearly every key player take a turn in the spotlight (Regina’s a bit behind in time on screen as is Belle). Even the Frozen storylines have successfully incorporated the show’s lead characters and have further established the characters’ backstories.

Here’s a look back at Once Upon a Time‘s “The Apprentice” for those who can only remember that magical moment when Hook tells Emma to call him Killian.

The Apprentice Sweeps In:

“The Apprentice” kicked off with an elderly man sweeping up when a gold-faced man, who looks like Rumplestiltskin but isn’t, attempts to steal a jeweled gold box. The sorcerer’s apprentice declares he’s fought Dark One’s before and this one (Zoso) will also be unsuccessful. No Dark One has ever possessed what’s in that box, a warning that will play a big part in the events that transpire over the rest of the episode.

Rumplestiltskin needs a good person to be tempted by his/her inner darkness in order to get the box from the sorcerer’s apprentice. Fortunately for him along comes the sweet and innocent Anna who introduces herself as Joan (remember, she’s on a secret mission). Rumplestiltskin quickly lets her know he’s aware she’s Anna of Arendelle and that he knows why she’s there. He says he did speak with her parents but won’t tell her what was said until she agrees to his terms. If she gets the sorcerer’s apprentice to drink a potion, he’ll tell her everything she wants to know about her parents and Elsa.

Anna’s heard rumors that the sorcerer’s apprentice eats children, but she doesn’t believe they’re true after meeting the gentle elderly man. She spots a tea kettle on the fire and instead of pouring the potion in, she tosses it on the fire, breaking her contract with Rumplestiltskin.

Rumple says what he gave her was the anecdote to the poison he’d already given the elderly man, and because she threw it out, the sorcerer’s apprentice changed into a mouse. She races back to try and find the mouse, but Rumple beats her there. He doesn’t want to change him back and this was all a test to see if she’d be tempted by her inner darkness and turn away from it.

Anna claims she has no inner darkness and was never tempted. She demands he rip up their contract, pulling out a sword and threatening to kill him. Of course, she can’t go through with it, but she thought about killing him. Her tear drops onto his blade and he has what he needs. She tells him he takes the most precious thing, love, and turns it into a weapon. Rumple goes down the stairs at the sorcerer’s apprentice’s house and stands in front of the gold box.

Anna continues to demand details on what her parents were searching for, and Rumple says they wanted to take away Elsa’s powers because they were frightened of her and wished she was born normal. He says they didn’t find what they were looking for but that the gold box contains powerful enough magic to have taken away Elsa’s magical talents because it contains the hat.

The hat’s been guarded by the apprentice all these years and as Rumple continues to talk, the mouse lands on Rumple’s hand and bites him. Anna grabs the knife and quickly realizes it’s special. The knife commands Rumple so Anna demands he send both she and the box back to Arendelle, says he can never hurt her or her sister and makes Rumple turn the mouse back into a man. Rumple does all that and Anna drops the knife when she’s sent back to Arendelle.

In Arendelle, Kristoff tries to feed Sven carrots but he won’t take them, then suddenly Anna appears and Sven’s appetite returns with a vengeance. Anna says her mission didn’t go as planned and that her parents were apparently looking to take away Elsa’s powers with the gold box, something that’s possible using the gold box she now has in her possession. Anna doesn’t know what she’ll tell Elsa, but it’s tearing her up inside.

Catching Up with Storybrooke Folks:

Emma takes the big step and asks Hook out on a date, to which Hook responds by stating he’s the one who’s supposed to be doing the asking. Emma comments on his age saying that he’s about 300 years old as evidenced by his attitude, and Hook playfully replies that at least he’s retained his youthful glow. Glow? The man is smoldering hot as he tells Emma he’ll be planning the date because he knows what to do while she should stick to chasing down monsters. “I don’t pillage or plunder on the first date, just so you know,” says Emma. “Well, that’s because you haven’t been out with me yet,” replies Hook.

As he’s preparing to take Emma out, Hook visits Rumple to make another deal, still threatening Rumple with telling Belle the truth. Rumple kept his hand and Hook wants it reattached so he can hold Emma with both hands (I’m telling you, this episode is Hook at his sexiest and most charming). Rumple warns the hand belonged to Hook’s old self and could negatively influence him, but Hook thinks it’s a trick and demands it be reattached.

Elsa and Mary Margaret are pouring over tons of books filled with curses in hopes of finding out if Anna ever made it to Storybrooke. Emma emerges looking gorgeous, dressed for her date with Hook, and Mary Margaret whips out a camera to snap a picture while David expresses his displeasure over this whole Hook & Emma dating situation; they’re just like parents of a teenager dating for the first time.

Hook arrives dressed in modern attire and hands Emma a rose using his new hand. “What do I call you now, Captain Hand?” Settling on Killian, the two escape the overprotective David without having to take him along as a chaperone – which at one point looked like would happen.

Arriving at the restaurant, Emma turns down a drink because she needs to stay sober in case the Snow Queen shows up. However, their quiet dinner date is interrupted by the arrival of Will who bumps into the waiter and spills wine all over Emma. Hook’s new hand grabs the thief, but Emma tells him it’s okay. Hook barely pays attention to what Emma’s saying because he’s sidetracked by his hand’s reaction.

Back at Emma’s place (she looks cute wearing Hook’s leather coat), she invites him in for coffee knowing they’ll be hovered over by her mom and dad. They’re very flirty with each other and Hook wants to know if she’ll go out with him again. They share a long kiss, but even with the lip-lock going on Hook is still worried about his hand.

Hook leaves and Emma goes inside only to find Mary Margaret and David have waited up for her. Mary Margaret wants to know everything, but David would rather she didn’t share all the juicy details. “She seems happy,” says Mary Margaret. “I guess he really has changed,” responds David. Emma’s heading to bed but yells that she can hear them. Parents!

Hook’s heading home when he catches Will trying to break into the library. He beats him and then is ashamed of himself and his loss of control, and leaves the confused Will with the warning not to tell anyone or he’s a dead man. Now he knows the Crocodile was right and his hand has a mind of its own.

Hopping into the front seat of Rumple’s car, Hook wants his hook back and is forced into agreeing to Rumple’s terms because his leverage over his adversary is gone. Rumple claims the dagger isn’t fake anymore because he’s switched it back, and only Rumple’s magic can take the hand off and replace it with the hook. When the hand tries to bury the hook in Rumple, Hook knows his control is slipping away. He agrees to meet Rumple at the docks the next morning. There, Rumple whips out a broom (yes, the broom has arrived on the scene!) and tells Hook it’ll help them find an old friend. With that, the broom marches off.

The broom leads them to a house where the apprentice is staying in Storybrooke. Rumple has the box and the dagger and commands the box open. It does and the hat appears. The apprentice had no idea Rumple possessed the box, but the apprentice still feels safe because Rumple won’t be able to collect enough power to do what he wants. Famous last words… Rumple turns the hat sideways and sucks the apprentice into the hat where he’ll remain until he’s needed.

Hook wants his hand off now that the deal is fulfilled, but Rumple is holding what just happened with the sorcerer’s apprentice over his head as he knows Emma will be upset by Hook’s involvement. Then Rumple really messes with Hook’s head by saying the hand isn’t cursed. He says it’s all a lie and that the hand is nothing but a lump of flesh. Hook just believed the hand had power and Rumple says it’s just Hook’s ever-present dark side coming out, with the hand just being an excuse to let it emerge again. They know each other too well, and Rumple says they’re still in business together.

Meanwhile, Will is recuperating in a jail cell when Emma whips out the Alice in Wonderland book that he had on him when he was arrested. He wants out but Emma says she’s keeping him locked up because she crashed her date.

In one of Regina’s few scenes, she and Henry talk about their next step in Operation Mongoose. Regina can’t figure out who wrote the storybook and Henry suggests they need to get the answer out of Mr. Gold since somehow he’s managed to get his a happy ending by marrying Belle. Henry’s going undercover to find the info by asking Mr. Gold for a job. He hopes playing on Rumple’s heartstrings by saying he’s the closest thing he has to his father now that Baelfire’s gone will work. It does, and Henry is Rumple’s new apprentice complete with “the broom” to be used to sweep the shop.

The Bottom Line:

With all the Hook and Emma goodness going on, it would have been easy to overlook a few key elements of “The Apprentice.” First, there’s a Dark One who existed before Rumplestiltskin. Secondly, Rumple definitely isn’t done playing all sides against each other. And third, Mary Margaret has discovered that the Snow Queen didn’t come to Storybrooke via a curse because her name doesn’t appear in the town’s books.

But can we get back to the Hook and Emma hook-up? Seriously adorable and hopefully a sign of good things to come for the twosome, Once Upon a Time‘s fourth episode of season four finally provided the answer to those who were anxious to see if Emma would ever relax her guard and allow Hook to be a part of her life were waiting for. Actors Jennifer Morrison and Colin O’Donoghue have terrific chemistry and getting to see them doing something other than chase after fairy tale creatures or ice monsters was a long-awaited treat.

Overall, Once Upon a Time‘s “The Apprentice” seemed slightly less serious in tone than usual, and even Sven the Reindeer provided a few laughs.

GRADE: B+




Details on A&E’s New Series ‘Godfather of Pittsburgh’

Details on Godfather of Pittsburgh
Adolfo Isolsi, Enzo Isoldi, Vince Isoldi, Romeo Isoldi, Carla Isoldi of A&E’s “Godfather of Pittsburgh” (Photo by Karolina Wojtasik / Copyright 2012 A&E)

The new “real life” series Godfather of Pittsburgh is set to debut on A&E on November 10, 2014 at 10pm ET/PT. The new series will follow Vince Isoldi, a businessman with a sordid past, as he attempts to walk the straight and narrow.

The Plot, Courtesy of A&E:

From a young age Vince felt compelled to look after his family, often going to extreme measures to provide for them. Years later, little has changed – between his wife and sons, and his six brothers and sisters, Vince still finds himself playing the role of provider. While Vince isn’t proud of everything he’s done, he certainly doesn’t regret it either.

Vince’s wife Carla is always by his side for support and his father-in-law Junior Williams, now out of jail for racketeering and known as the “Numbers King” of Pittsburgh, serves as a mentor to Vince whenever he needs trusted advice. His three sons, Enzo, Adolfo and Romeo, are all like Vince in different ways. For Adolfo, that means business. When the eleven-year-old asked his father if he could run one of his businesses, he was handed the reins to his father’s limo company. Following his own rags-to-riches story, Vince struggles to say no to his three boys, often giving them anything and everything they ask for.

While the Italian-born family man is generous to a fault, it doesn’t mean he doesn’t have a dark side. Nothing upsets Vince more than betrayal, especially when it’s coming from someone he trusts. No one knows this better than Vince’s brother-in-law Sam, who has been ostracized from the family for crossing Vince. Vince’s relationship with his sister Rosa, Sam’s wife, is now a point of contention for the whole family. Vince must manage the challenges of family and business while trying not to resort back to his old ways.




Fox Teams with Ryan Murphy on ‘Scream Queens’

Fox Greenlights Scream Queen

Fox has ordered up a new comedy-horror anthology series from American Horror Story executive producers Ryan Murphy, Brad Falchuk, Ian Brennan and Dante Di Loreto. Scream Queens has received a straight-to-series order of 15 episodes which will air next fall.

As with American Horror Story, additional seasons will have new settings and storylines. Season one will revolve around a “college campus which is rocked by a series of murders.”

“One of our top priorities at the network has been to get Ryan Murphy to create a new series for FOX. We loved every element of the pitch for this show – the genre-bending concept, which blends true horror with big comedic moments; the diverse and unforgettable characters and reuniting the phenomenal creative team that delivered Glee,” said Dana Walden and Gary Newman, Chairmen and CEOs of Fox Television Group. “Scream Queens will go straight to series. It’s a huge commitment and an expression of our faith in Ryan. We are ecstatic to have him, along with Brad, Ian and Dante as our partners on this exciting ride.”

“I knew I wanted to work with Brad and Ian again on something comedic, and we are having a blast writing Scream Queens,” said Ryan Murphy. “We hope to create a whole new genre – comedy-horror – and the idea is for every season to revolve around two female leads. We’ve already begun a nationwide search for those women, as well as 10 other supporting roles, and we’re very grateful to Dana and Gary for their enthusiastic support.”




‘Getting On’ Season Two November Episode Details

Getting On Season 2 November Episodes
Alex Borstein, Adam Ray, Kimberly Celemen, Laurie Metcalf, and Verton Banks star in ‘Getting On’ (Photo: Lacey Terrell / HBO)

Season two of the quirky comedy/drama Getting On will debut on HBO on November 9, 2014 at 10:40pm ET/PT. Created by Will Scheffer and Mark. Olsen, Getting On‘s six episode season two will star Laurie Metcalf, Alex Borstein, Niecy Nash, and Mel Rodriguez. Guest stars are set to include Betty Buckley, Jayma Mays, Carrie Preston, Alia Shawkat, and Jean Smart.

The Plot:

At the Billy Barnes Extended Care Unit of Mt. Palms Hospital in Long Beach, Cal., the staff attends to the needs of female patients who are often “getting on” in years, while dealing with the challenges of a health-care bureaucracy in need of an overhaul. Even as they attempt to serve their charges under less-than-ideal circumstances, the lives of this ragtag crew are complicated by conflicting agendas, both professional and personal.

Season two finds Dr. James on a research binge, measuring anal-genital distances of her geriatric population, as well as of lab rats, while promoting the ward’s hospice program to bring in extra cash. Facing new responsibilities and added stress, Nurse Didi wants a raise, which ultimately sweeps her up into Dr. James’ mad, mad research world. Nurse Dawn is spinning ever onward toward being the best not-so-good nurse in the history of television as she continues to try and bag co-worker Patsy. Meanwhile, Patsy has a new lean, green program to save money and make the ward more energy-efficient, which is driving everyone crazy.

Getting On November 2014 Episodes:

Episode #7: “No Such Thing as Idealized Genitalia”
Debut: SUNDAY, NOV. 9 (10:40-11:10 p.m. ET/PT)
Other HBO playdates: Nov. 9 (1:25 a.m., 4:05 a.m.), 10 (11:30 p.m.), 11 (3:15 p.m.) and 12 (12:30 p.m.)
HBO2 playdates: Nov. 10 (10:00 p.m.), 12 (7:00 p.m.), 14 (8:00 p.m.) and 16 (10:00 a.m.)
Dr. Jenna James’ (Laurie Metcalf) plethora of research projects threatens to take over the ward. A frustrated DiDi (Niecy Nash) asks for a raise; Patsy’s (Mel Rodriguez) “Lean & Green” initiative causes problems; Dawn (Alex Borstein) gets a surprising answer to what’s been ailing her. Jenna receives unwelcome news that leads her to make an unholy alliance.
Teleplay by Mark V. Olsen & Will Scheffer; directed by Miguel Arteta.


Episode #8: “Is Soap a Hazardous Substance?”
Debut: SUNDAY, NOV. 16 (10:30-11:00 p.m.)
Other HBO playdates: Nov. 16 (12:30 a.m., 2:30 a.m.), 17 (11:30 p.m.), 18 (5:45 p.m.) and 19 (midnight)
HBO2 playdates: Nov. 17 (10:00 p.m.), 19 (5:30 p.m.), 21 (8:00 p.m.) and 23 (9:30 a.m.)
DiDi takes on greater responsibilities when a hospice program is introduced into the ward. Dawn looks ahead to her future and tries to share her news with Patsy, but inadvertently puts his new initiative in question. Patsy finds himself playing patient when he has a medical emergency. Dottie (Betty Buckley), an alcoholic patient, looks for ways around doctor’s orders.
Teleplay by Mark V. Olsen & Will Scheffer; directed by Miguel Arteta.

Episode #9 “Turnips…North Day…Yes, yes.”
Debut: SUNDAY, NOV. 23 (10:30-11:00 p.m.)
Other HBO playdates: Nov. 23 (12:30 a.m., 2:30 a.m.), 24 (midnight), 25 (6:15 p.m.), 26 (midnight) and 28 (8:00 p.m.)
HBO2 playdates: Nov. 24 (10:00 p.m.), 26 (4:30 p.m.) and 30 (1:30 p.m.)
A server crash forces the staff to go “old school” – with disastrous results. DiDi steps on Dr. Stickley’s (Mark Harelik) toes when making a decision about Arlene’s (Jean Smart) mother-in-law, while Dr. James has issues getting through to a deaf patient. Dawn buys a cello, and learns that her life-changing news may not be what it seems.
Teleplay by Mark V. Olsen & Will Scheffer; directed by Becky Martin.

Episode #10: “The 7th Annual Christmas Card Competition”
Debut: SUNDAY, NOV. 30 (10:30-11:00 p.m.)
Other HBO playdates: Nov. 30 (12:30 a.m., 2:30 a.m.) and Dec. 1 (11:15 p.m.), 2 (6:00 p.m.), 3 (11:00 p.m.) and 5 (8:00 p.m.)
The staff finds itself in an awkward situation when one of Jenna’s “adult” study photos mistakenly makes its way into the Christmas card competition. DiDi is tempted by Parker Owens (LaMonica Garrett), a visiting doctor. Denya (Carrie Preston), a patient with terminal cancer, proposes a “final solution” to a startled Jenna. Patsy and Dawn’s relationship comes to a head.
Teleplay by Mark V. Olsen & Will Scheffer; directed by Becky Martin.

-By Rebecca Murray

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Meghan Trainor and Ariana Grande Will Perform on the ‘Country Music Awards’

Meghan Trainor and Arianna Grande Sign on for CMA Awards
Meghan Trainor will perform with nominee Miranda Lambert during “The 48th Annual CMA Awards” Wednesday, Nov. 5 on ABC. (Photo Credit: Courtesy Epic Records)

The 2014 Country Music Association Awards looked outside the Country genre for musical guests, confirming both Meghan Trainor and Ariana Grande will perform on this year’s awards show. Trainor, who’s currently sitting at the top of the charts, will team up with Miranda Lambert to duet on “All About That Bass.” Grande will join Little Big Town to perform live on stage at the awards show (what song they’ll be singing hasn’t been announced yet).

The 48th Annual CMA Awards will take place on November 5th with Carrie Underwood and Brad Paisley back as hosts. Pretty Little Liars star/Country singer Lucy Hale will be among the presenters. Jason Aldean, Dierks Bentley, Luke Bryan, Kenny Chesney, Eric Church, Florida Georgia Line, Lady Antebellum, Tim McGraw, Kacey Musgraves, Paisley, Blake Shelton, The Band Perry, Underwood, and Keith Urban have already been announced as performers.

Country Music Association members determine the winners who will be announced live during the ABC special on November 5th.

– Complete list of nominees

Disney Reveals Details on ‘Moana’ Along with Concept Art

Moana Shows Off Concept Art and Story Details
First concept art arrives from ‘Moana’ (Photo © 2014 Disney. All Rights Reserved.)

Walt Disney Animation Studios has unveiled the first concept art from the upcoming animated movie Moana. Coming to theaters in 2016, the comedy adventure film will be directed by Ron Clements and John Musker, the filmmaking team behind The Little Mermaid, The Princess and the Frog, and Aladdin.

“Moana is indomitable, passionate and a dreamer with a unique connection to the ocean itself,” Musker said. “She’s the kind of character we all root for, and we can’t wait to introduce her to audiences.”

The Plot:

In the ancient South Pacific world of Oceania, Moana, a born navigator, sets sail in search of a fabled island. During her incredible journey, she teams up with her hero, the legendary demi-god Maui, to traverse the open ocean on an action-packed voyage, encountering enormous sea creatures, breathtaking underworlds and ancient folklore.


-By Rebecca Murray

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‘The Newsroom’ Season Three November Episode Guide

The Newsroom Season 3 November Episodes
Olivia Munn, Sam Waterston, and Jeff Daniels in ‘The Newsroom’ season two (Photo: Melissa Moseley / HBO)

The final season of HBO’s critically acclaimed drama series The Newsroom will kick off on November 9, 2014 at 9pm ET/PT. Jeff Daniels, Emily Mortimer, and Sam Waterston are returning in starring roles for season three. The cast also includes John Gallagher, Jr., Alison Pill, Thomas Sadoski, Dev Patel, and Olivia Munn.

Joining the show as guest stars for this six-episode final season are B.J. Novak, Mary McCormack, Joanna Gleason, and Clea DuVall. Returning guest stars include Jane Fonda, Chris Messina, David Harbour, and Marcia Gay Harden.

The Plot:

The third and final season of The Newsroom finds Will and Mac and the staff of “News Night” facing two explosive situations: the possibility of a hostile takeover of the network looming on the horizon, and leaked classified government documents that unleash a legal firestorm that threatens to topple more than one professional career.

Going beyond the headlines, the six-part season turns its attention inward, focusing on a series of internal events at ACN that rock the very foundation of the network, and tackles such topics as privacy issues, the influence of social media on traditional news gathering and corporate takeover. The men and women of “News Night” are faced with personal and professional dilemmas that will forever determine their futures.

Set against the backdrop of the Boston Marathon bombing, The Newsroom kicks off the season with a highly charged look at the core issue of maintaining journalistic integrity in the era of 24-hour news cycles, while crowd-sourcing and “citizen journalism” result in the dissemination of misinformation.

November 2014 The Newsroom Episodes:

Episode #20: “Boston”
Debut: SUNDAY, NOV. 9 (9:00-10:00 p.m. ET/PT)
Other HBO playdates: Nov. 9 (11:45 p.m., 2:25 a.m.), 12 (10:00 p.m.), 13 (8:00 p.m.), 14 (2:00 a.m.) and 15 (9:45 p.m.).
HBO2 playdates: Nov. 10 (9:00 p.m.), 11 (8:00 p.m.), 12 (2:45 a.m.) and 15 (3:45 p.m.)
In the wake of the Genoa debacle, Will (Jeff Daniels), Mac (Emily Mortimer) and the “News Night” team decide to err on the side of caution in reporting a major breaking story, which may enhance credibility, if not ratings. Neal (Dev Patel) faces a slippery slope when he’s contacted by an anonymous source in possession of stolen government documents revealing how false press stories planted in newspapers spawned fatal riots in Kundu. Sloan (Olivia Munn) looks to solve a takeover puzzle; Maggie (Alison Pill) is forced to pinch-hit for Elliot (David Harbour) in the aftermath of the Boston Marathon bombings.
Written by Aaron Sorkin; directed by Anthony Hemingway.

Episode #21: “Run”
Debut: SUNDAY, NOV. 16 (9:00-10:00 p.m.)
Other HBO playdates: Nov. 16 (11:00 p.m., 1:00 a.m.), 18 (1:15 a.m.), 19 (10:00 p.m.), 20 (8:00 p.m.), 21 (2:00 a.m.) and 22 (11:25 p.m.)
HBO2 playdates: Nov. 17 (9:00 p.m.), 19 (2:00 a.m.) and 22 (1:00 p.m.)
With Rebecca (Marcia Gay Harden) again tasked with defending ACN in a possible lawsuit, Will tries to protect Neal from the fallout over the DOD leak. Charlie (Sam Waterston) and Leona (Jane Fonda) enter the fray of a hostile-takeover gambit involving Reese’s (Chris Messina) half-siblings, Blair (Kat Dennings) and Randy Lansing (Chris Smith). Sloan fears Don (Thomas Sadoski) may be guilty of cashing in on insider information; Maggie ponders the ethics of eavesdropping; Hallie (Grace Gummer) pays a price for a late-night tweet.
Written by Aaron Sorkin; directed by Greg Mottola.

Episode #22: “Main Justice”
Debut: SUNDAY, NOV. 23 (9:00-10:00 p.m.)
Other HBO playdates: Nov. 23 (11:00 p.m., 1:00 a.m.), 25 (12:30 a.m.), 26 (10:00 p.m.), 27 (10:00 p.m.), 28 (midnight) and 29 (1:30 a.m.)
HBO2 playdates: Nov. 24 (9:00 p.m.), 26 (2:45 a.m.) and 29 (3:30 p.m.)
Leona and Reece look to raise cash in order to salvage ACN and thwart Blair and Randy. Will gets a surprise at the White House Correspondents’ Dinner, while Charlie trades visions with ACN suitor Lucas Pruit (B.J. Novak). Maggie’s EPA scoop makes it to “News Night.” Sloan and Don try to keep their relationship a secret from a new HR veep.
Teleplay by Aaron Sorkin; story by Jon Lovett & Aaron Sorkin; directed by Alan Poul.

Episode #23: “Contempt”
Debut: SUNDAY, NOV. 30 (9:00-10:00 p.m.)
Other HBO playdates: Nov. 30 (11:00 p.m., 1:00 a.m.) and Dec. 2 (12:30 a.m.), 3 (10:00 p.m.), 4 (8:00 p.m.), 5 (midnight) and 6 (1:45 a.m.)
Facing a court subpoena and possible incarceration for contempt, Will stands firm in refusing to reveal the source of the stolen DOD documents. As Charlie’s disdain for Lucas grows, Sloan and Mac scramble to find a more acceptable 11th-hour buyer for ACN. Jim’s relationship with Hallie is put to the test by her new job at Carnivore, a start-up website.
Teleplay by Aaron Sorkin; story by Deborah Schoeneman; directed by Anthony Hemingway.

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