Dr. Paul Nassif and Dr. Terry Dubrow from ‘Botched’ (Photo by: Paul Drinkwater/NBC)
Botched, the plastic surgery revision series, has received a second season order from E!. The show scored big numbers (averaging 1.54 million viewers) for the network and E! will be bringing it back along with doctors Terry Dubrow and Paul Nassif.
Season one will wrap up on August 17, 2014 at 10:30pm ET/PT. Season two will air in early 2015.
“The Botched series has struck a chord with viewers who are drawn in by stories of excessive surgeries gone wrong.” stated Jeff Olde, EVP Programming and Development. “In the quest for perfection, we’ve tapped into a pop culture zeitgeist, sharing cautionary tales, positive outcomes and true transformations. We’re glad our audience has responded to these very personal stories.”
The Plot:
In the multi-billion dollar world of plastic surgery, beauty is in the eye of the beholder but for some patients, the quest for ultimate perfection ends in disastrous results. In their debut season, Doctors Terry Dubrow and Paul Nassif, offered viewers a peak into some of their most difficult operations, reversing the effects of horrendous plastic surgeries. The series captivated audiences in its premiere run on E! as most people only see the benefits of good surgery and are not exposed to the other side. The doctors were tasked with restoring, fixing and adjusting what appeared to be unfixable, botched procedures.
Season one of Botched covered over 20+ surgeries/procedures ranging from crippling nose jobs to the more bizarre cases like altering a “uniboob” and horrendous tummy tucks from Tijuana to counseling a man who spent over $100,000 to look like Justin Bieber. Viewers followed patients every step of the way from the complex medical procedures to the intensive recovery process that resulted in the patient reveal. Thousands of people are submitting their stories for season two including a former professional athlete in need of facial work, a man who had a botched surgery to look more Asian and a woman who contracted a flesh eating disease during surgery in Mexico.
Jimmy Fallon looks into a mirror, says “Mirren Mirren,” and asks important questions of Helen Mirren. And when we say ‘important’ we don’t actually mean important as in life-changing or enlightening. Mirren confesses to an admiration of a certain flying shark movie, reveals what she thinks of Fifty Shades of Grey, and discloses what her dream job would be if she wasn’t an Oscar-winning actress.
Pictured: (l-r) Host Jimmy Fallon and Helen Mirren during the “Mirror Mirror” skit during the 100th episode of the “Tonight Show Starring Jimmy Fallon” on August 4, 2014 (Photo by: Douglas Gorenstein/NBC)
Recently I saw Stuart Gordon’s play Taste, which was inspired by a real life incidence of cannibalism.
“It is amazing to me that there is so much about cannibalism in the papers these days,” Gordon told me after the performance, “and when we first announced that we were going to do this the response to it was bigger than any play or movie I’ve ever done. It went through the roof. I felt like we were hitting a nerve here.”
Gordon loves cooking shows so naturally he would be drawn to a play about people who eat each other. What excited Gordon about doing a play involving cannibalism was the “the idea of having a cooking show where you actually smell the cooking. That’s the thing the theater can do that movies can’t do is really engage the senses.”
The play, written by Ben Brand, was a brilliant mix of subtlety and sensationalism. All this made me think about cannibal films.
Cannibal films – in which people mindlessly slaughter and eat others or where carnage soaks the screen – are a dime a dozen. But films in which great care is taken with both the filmmaking and the preparation of human flesh for consumption are more rare. Since the French are renowned for food I will turn to them to help make this distinction clear. I would define the typical cannibal film as something suited for a gourmand, a ravenous and greedy eater, prone to excess, but not too discriminating in what he eats. But the gourmet cannibal film is for a connoisseur, a person with a discerning palate and who prefers items that are exotic or of high quality.
So forget about the bloody excesses of Cannibal Holocaust or Texas Chainsaw Massacre and treat your palate to these elegant gourmet cannibal films. (NOTE: Some descriptions contain spoilers.)
1. The Cook The Thief His Wife and Her Lover (1989)
Peter Greenaway’s delectable art house favorite serves up the perfect example of the gourmet cannibal film. Shot, superbly crafted, and stunningly acted, this film explores the extremes of human jealousy, cruelty, and revenge. Albert is a brutal crime boss who also owns a swanky restaurant with an artisan chef named Richard. Albert’s wife Georgina (played the the scrumptious Helen Mirren) grows bored with her brutish spouse and strikes up an affair with a kind bookseller. The cook covers for the lovers who sometimes conduct their covert affair in the restaurant bathroom as Albert consumes a meal. But Albert eventually catches on and murders his wife’s lover. Georgina comes to Richard and tells him, ‘He’s dead. They stuffed him with pages torn from his favorite book. Could you cook him?’ And so begins her revenge. Richard prepares the man’s corpse like a work of art and Georgina presents it to her husband, ‘Try the cock, Albert. It’s a delicacy, and you know where it’s been.’ Georgina concludes the film with the line: “Cannibal.” This is a four-star gourmet cannibal film.
2. Delicatessen (1991)
Here’s another art house film that tackles cannibalism in an unexpected manner. French directors Jean-Pierre Jeunet and Marc Caro deliver an exquisitely crafted film about a post-apocalyptic world where food is scarce and cannibalism is rampant. The film takes place almost exclusively inside an apartment building where an enterprising butcher comes up with a clever plan to keep the tenants well stocked with meat. He keeps hiring handymen for the building and when the time is right, he butchers them and sells them as meat. His latest handyman is an unemployed clown and a vegetarian. The butcher’s daughter falls in love with him and enlists the aid of the Troglodytes, an under-the-ground vegetarian group that tries to save people from the cannibals. Jeunet and Caro are not interested in making a horror film or in showing gore. Their film is a delicious black comedy that’s surprisingly full of whimsy despite the flesh eating.
3. Parents (1989)
Another black comedy on the subject of cannibalism is Bob Balaban’s Parents. Young Michael lives in a model ’50s suburban neighborhood with his parents (the perfectly cast Randy Quaid and Mary Beth Hurt). Everything seems perfectly Ozzie and Harriet on the surface but Michael is haunted by nightmares and an uneasy concern over where his cheerful parents get their meat. Imagine Ward Cleaver cooking flesh burgers on the grill and June serving them to the neighbors and you’ll get an idea of the perversely funny incongruity of the film. Balaban puts a glossy Technicolor surface on his disturbingly funny tale of suburban cannibals.
4. Silence of the Lambs (1991) / Hannibal (2001)
The horror gets kicked up as well as the gourmet food preparation in a pair of films featuring Anthony Hopkins as Hannibal Lecter. In Silence of the Lambs, Hopkins has a memorable scene where he tells Jodie Foster’s FBI agent, “A census taker once tried to test me. I ate his liver with some fava beans and a nice chianti.” In the sequel Hannibal, we get to see Hopkins’ serial killer/gourmet cannibal prepare Ray Liotta’s brain for consumption. The nasty chef’s trick is that he slices off gray matter while the man is still alive and conscious. Hopkins makes these films a gourmet treat.
5. The Green Butchers (2003)
The Danish film The Green Butchers returns us to a lighter tone and in an odd bit of irony stars Mads Mikkelsen (who now plays Hannibal on NBC’s TV series). The Green Butchers of the title are Svend and Bjarne, who decide to open their own shop to get away from their obnoxious boss Holger. Of course Holger comes by to mock them when no customers show up. But on a whim, their old boss orders some meat for a dinner party. In the meantime, Svend accidentally locks an electrician in the meat locker when he’s fixing the light and is in desperate need of disposing of the body. One thing leads to another and Svend ends up marinating the electrician’s leg and giving the meat to Holger for his party. The next day there’s a line around shop with people demanding “Svend’s chicky-wickies” (his euphemism for the human flesh marinated in his special sauce). Another charming and tastefully delivered tale on cannibalism.
6. We Are What We Are (2013)
Cannibalism becomes a kind of religious ritual in Jim Mickle’s superb remake of the Mexican cannibal horror film Somos lo que hay. Mickle’s film gives us a reclusive family headed by patriarch Frank Parker (Bill Sage). He runs his family with fierce sense of conviction to his ancestral traditions. The film begins as his daughters are forced to assume some horrific family customs. The spin Mickle gives this tale of modern day cannibalism is to endow it with a religious, Puritan spin. He doesn’t shy away from gore but unlike the typical cannibal film he finds unexpected beauty in the brutality.
7. Titus (1999)
There is really just one brief reference to cannibalism in Julie Taymor’s adaptation of Shakespeare’s Titus Andronicus but it’s so vivid and horrific yet elegantly executed that it merits inclusion here. This is one of Shakespeare’s bloodiest plays full of senseless violence and cruelty. At one point Titus (Anthony Hopkins once again serving human flesh) finally secures an opportunity to exact revenge on his bitter enemy Tamora. His choice of vengeance is particularly cruel and clever. He kills her sons and serves them to her in a pie.
8. The Untold Story (1993)
This Category III (equivalent of the MPAA X or NC-17 rating) Hong Kong film, like Stuart Gordon’s play, finds its inspiration in real life. It’s based on a true crime that supposedly took place in 1985 in Macau. Anthony Wong plays a man who kills a family and takes over their restaurant. The restaurant specializes in “pork bao” or steamed pork buns and perhaps the film’s alternate title — Human Pork Buns — will make clear where the cannibalism comes into play. The film is gruesomely violent but the human flesh is prepared with care and served up to unsuspecting customers.
9. Sweeney Todd (2007)
Sweeney Todd also looks to a sensational true crime as the basis for its story. Sweeney Todd, aka The Demon Barber of Fleet Street, sounds more like the stuff of urban legends than reality. But evidence suggests that there really was a mad barber who used a straight razor to kill his customers and many of the victims’ bodies ended up as filling for meat pies. Tim Burton’s film, based on Stephen Sondheim’s musical, makes light of the horror as Johnny Depp and Helena Bonham Carter slit throats and serve meat pies to gullible patrons.
10. Eating Raoul (1982)
This indie black comedy from Paul Bartel and Mary Woronov has become a cult classic. Bartel and Woronov play Paul and Mary Bland, a couple who want to open their own restaurant. They happen upon a scheme to raise money when Paul accidentally kills a errant swinger who’s forcing himself on Mary. The man is loaded with cash so the Blands decide to start luring other swingers to their pad and offing them with the fry pan. This works pretty well until a sexy Latin con man named Raoul starts to horn in on their business. The title implies multiple meanings but I think you can guess how the film, with its wannabe restaurant owners, ends up. What makes this film such a gourmet item is the deadpan performances of Bartel and Woronov.
Sarah Hyland (Photo by Richard Chavez/ShowbizJunkies)
Teen Wolf‘s Tyler Posey won’t be handling hosting duties all alone this year when he takes the stage at Teen Choice 2014. Posey’s going to be joined by Modern Family‘s Sarah Hyland who’s been tapped for co-hosting duties.
This year’s Teen Choice awards show will take place on Sunday, August 10th. Fox will air the show live at 8pm ET and tape delayed on the West Coast. Voting is now open at teenchoiceawards.com.
In addition to announcing Hyland as co-host, the Teen Choice 2014 awards revealed the last wave of nominees.
More Teen Choice 2014 Nominees:
Choice Web Star: Female
Grace Helbig
iJustine
Bethany Mota
Michelle Phan
Andrea Russett
Zoe Sugg (“Zoella”)
Choice Web Star: Male
Cameron Dallas
Connor Franta
Joey Graceffa
Shawn Mendes
Tyler Oakley
Troye Sivan
Choice Web Star: Comedy
Colleen Ballinger (“Miranda Sings”)
Hannah Hart
Jenn McAllister (“Jennxpenn”)
Our2ndLife
Anthony Quintal (“Lohanthony”)
Brittani Louise Taylor
Choice Web Star: Music
Boyce Avenue
Cimorelli
Christina Grimmie
Megan and Liz
Shawn Mendes
Lindsey Stirling
Choice Web Star: Fashion/Beauty
Elle and Blaire Fowler
Bunny Meyer (“Grav3yardgirl”)
Bethany Mota
Ingrid Nilsen (“Missglamorazzi”)
Michelle Phan
Zoe Sugg (“Zoella”)
Choice Web Collaboration
Danisnotonfire & AmazingPhil – The Photo Booth Challenge
Alfie Deyes (“Pointless Blog”) and Ariana Grande – Ariana Does My Makeup
PrankvsPrank and Jack & Finn Harries (“Jacksgap”) – Twin Teleport Prank
Anthony Quintal (“Lohanthony”), Jack Baran (“Thatsojack”), Andrew Lowe, Jenn McAllister (“Jennxpenn”) and Rebecca Black – Fab Five in Real Life
Troye Sivan & Tyler Oakley – The “Boyfriend” Tag
Choice Social Media King
Justin Bieber
Ashton Kutcher
One Direction
Ian Somerhalder
Justin Timberlake
Choice Social Media Queen
Lady Gaga
Katy Perry
Rihanna
Britney Spears
Taylor Swift
Choice Twit
Justin Bieber
Demi Lovato
One Direction
Katy Perry
Ian Somerhalder
Choice Viner
Cameron Dallas
Matt Espinosa
Jack and Jack
Shawn Mendes
Lele Pons
Choice Instagrammer
Justin Bieber
Miley Cyrus
Selena Gomez
Rihanna
Taylor Swift
Star Wars Rebels has unveiled the first seven minutes of the new series set to kick off in October 2014 with a one-hour movie on Disney Channel before moving to Disney XD channels. The new series takes place between the events of Star Wars: Episodes III and IV and this special preview features the Empire arriving on Lothal and bringing tyranny with them. “Imperials and stormtroopers establish an intimidating presence on the planet, enforcing strict new laws for trade and arresting citizens for expressing dissent of any kind. A young boy named Ezra, however, discovers that a mysterious group is attempting to steal cargo from the Empire. Intrigued, he tries to take it for himself – and ends up on the run from both Imperials and this small band of rebels.”
The Plot:
Star Wars Rebels continues the epic tradition of the legendary Star Wars saga with all-new exciting, action-packed adventures. It is a dark time in the galaxy, as the evil Galactic Empire tightens its grip of power from world to world. As the series begins, Imperial forces have occupied a remote planet, ruling with an iron fist and ruining the lives of its people. The clever and motley crew of the starship Ghost is amongst a select few who are brave enough to stand against the Empire. Together, this ragtag group will face threatening new villains, encounter colorful adversaries, embark on thrilling adventures and become heroes with the power to ignite a rebellion.
Disney’s just unveiled two new posters for the upcoming family comedy Alexander and the Terrible, Horrible, No Good, Very Bad Day coming to theaters on October 10, 2014. The first shows a nice-looking family posing sweetly for the camera. The second is a more realistic version of the same pose, complete with frizzy hair and frazzled expressions.
Steve Carell and Jennifer Garner lead a cast that includes Dylan Minnette, Ed Oxenbould, Kerris Dorsey, Megan Mullally, Jennifer Coolidge, and Bella Thorne. The movie’s based on the novel by Judith Viorst, adapted for the screen by Rob Lieber and was directed by Miguel Arteta.
The Plot:
Disney’s Alexander and the Terrible, Horrible, No Good, Very Bad Day follows the exploits of 11-year-old Alexander (Ed Oxenbould) as he experiences the most terrible and horrible day of his young life—a day that begins with gum stuck in his hair, followed by one calamity after another. But when Alexander tells his upbeat family about the misadventures of his disastrous day, he finds little sympathy and begins to wonder if bad things only happen to him. He soon learns that he’s not alone when his mom (Garner), dad (Carell), brother (Minnette), and sister (Dorsey) all find themselves living through their own terrible, horrible, no good, very bad day. Anyone who says there is no such thing as a bad day just hasn’t had one.
Tina Majorino, Sean Bean, Ali Larter and Morris Chestnut star in ‘Legends’ (Photo @ Richard Chavez / Showbiz Junkies)
Tina Majorino was determined to be completely prepared for whatever executive producers Howard Gordon and David Wilcox threw at her in Legends, a new TNT series premiering on August 13, 2014 at 9pm ET/PT. Majorino did extensive research for her role as the newest member of the FBI’s Deep Cover Operations (DCO) division, going as far as even to take the FBI agent test to understand her character. And at the 2014 San Diego Comic-Con, Majorino discussed getting into the role and what audiences can expect from Legends.
Tina Majorino Legends Interview
So your character is the ‘newbie’?
Tina Majorino: “Yeah, she’s kind of the noob. It’s not really like the driving force behind the character. She’s part of the support team so she sets up some of the missions and keeps the agents safe. She’s in the situation room which means that she watches all the missions, she hears all the missions, she sends in support or maps things out. So I don’t really think that it’s super relevant after a while because all of these people, it’s not a career, it’s not a job, it’s a life mission.
There’s a commitment level that at a certain point it’s like who cares if I’m the new kid? I have a purpose and it’s not about that. It’s about supporting my superiors and doing that. She’s definitely an important part of the team, but I like the fact that all of the people that are on the team, like Sean [Bean] and Ali [Larter] and Morris [Chestnut] and Steve Harris, everybody has a very specific role that they play in making these things successful.
[…]I feel like when you’re watching it, she kind of mentions it in the first or second episode. I think it’s the first quarter. After that, it’s not shoved in your face and she’s not inept in any way, meaning like she doesn’t drop the ball. She really busts her ass to prove that she should be there. So I don’t want to oversell that she’s just the newbie, like, ‘What’s happening?’ It’s not like that. They hired her for a reason so I think over time through the series, you see more how important it is that all these people work together. Regardless of personal sh*t, they have to work together to keep each other alive and safe.”
The character had to have a skill set to get the job, and she wouldn’t make mistakes and freak out.
Tina Majorino: “Right, and that’s very true and on point, because especially when you think of the FBI, they’re not joking around. They’re not going to hire people, especially a young woman, who doesn’t know what she’s doing. Especially when being a part of this specific team, you’re sending people into [danger]. Cases only come through the DCL when it’s highly dangerous and it’s imperative that it be undercover and underwraps and nobody knows about it. Thinking of it from that standpoint is a huge amount of responsibility, so you better know what you’re doing.
I love the fact that all of these characters, like I said, it’s definitely not a career. It’s a life mission, because you get no credit for it. It’s kind of like working for the CIA. Nobody knows what happens in this office. Nobody knows what they’re sacrificing. Nobody knows what they’re really going through or what they’re doing. It has to be enough for these people that they are making some difference hopefully.”
What was your way into the character? Was there something about her you really latched onto?
Tina Majorino: “A lot of it. It’s hard because in the beginning we were still working out what the show was going to be, so it was really difficult because you don’t know who anybody is, really. So when you’re trying to create a character, my thing was six months before I wanted to…obviously, law enforcement and all that stuff, that’s so far outside of my wheelhouse. I’m not around those people all the time, definitely didn’t go to school for it, so a lot of my research happened six months before, just reading up on things, meeting different people.
I did a lot of training for it just in case, which we didn’t end up using. But I was like, ‘You know what? If one day Howard [Gordon] comes up to up to me and says, ‘I want you to run across this field and everything’s gonna blow up and you’re going to have a gun,’ I wanted to be able to know I could do it.’
And also just even being in the office, all of these people, if this is really the most elite unit, I needed to know for myself. I can’t sit here and try to sell this if I can’t do what these people really do. So I trained for six months and I took the FBI agent test, which was insane. I’ve never felt my lungs burn like that in my life, but I passed so that was good. But that was really my way through is that research, reading, the physicality of it. Then when I actually got on set, I worked with the costume designer and really tried to make her a young, eclectic professional that didn’t just totally fade into the background. So we did a lot of that with how she dressed. She did a phenomenal job, Nadine Haders, she was amazing. That’s how I found my thing.”
Do we see any of Maggie’s backstory or life outside this unit?
Tina Majorino: “Not yet. No. Of course I have her backstory in my head but no, we didn’t, not in this season.”
Did the research change your mind or opinion of the FBI? What stereotype did you want to break?
Tina Majorino: “I’m not this person that forms solid opinions if I’m not completely educated on a topic. I’m not opinionated in that way. I don’t make snap judgements if I don’t have all the information. I didn’t know a lot about the FBI but I obviously have respect for it. Thank God that there are people who want to do that job so that I don’t have to, because I don’t know if in reality I could. But I think I definitely have a lot more respect, gratitude, and it’s a little bit scary thinking about the things that happen in the world that all of us don’t know about. It really makes you think about that and it’s frightening.
I’m grateful for the people that have made this specific job their life mission because it keeps us all safe. It’s just crazy to think, so I didn’t have a bad opinion of the FBI by any means. I just didn’t understand it fully and now, not that I understand it fully now, but I just have a broader understanding of what these people go through on a daily basis. I’m really lucky that I’m an actor and I just get to dip my toe in whenever I feel like it.
And as far as Ali and I both I think felt this way, like a lot of time women in law enforcement roles, there’s no femininity to it. It’s easy to lose the woman aspect of it, and it’s also easy to oversell that as well. So I think for me personally, I didn’t want to make it about I’m a woman. I’m one of two women in an office. It wasn’t about that. It was just like everybody was really equal and it was about playing that.
And a big fight for me is do not dress me dowdy. Don’t dress me not cute because I’m definitely not the person that’s sending that message, like being smart is unattractive. So understanding that a lot of my job is aesthetically based, it’s important to me that girls watching this show of all ages, little girls, women, see that the sexiest thing you can be is smart and be yourself. Don’t conform to what you think is cute or pretty or what everybody else is doing. There is something really admirable about somebody that can stand firm in who they are and not be afraid. I don’t want girls to be afraid to be smart. If anybody’s intimidated by you being intelligent, then… You know? So that’s a definite thing that I am always aware of.
If I’m ever playing a smart girl, I want to make sure that she’s cute. All girls want to feel comfortable in their own skin and feel cute and stuff, but that’s a big point for me is do not make it look like I should live under a bridge because some of the sexiest, most amazing women in the world are both cute and smart. It’s possible. You don’t have to be one or the other and a lot of the time what makes people beautiful anyway is their individuality, who they are inside that shines outside. So that’s one of the main things that always happens I feel like. ‘Oh, you’re smart. You’re a nerd.’ It’s not true.”
Dylan O’Brien from MTV’s ‘Teen Wolf’ at the 2014 San Diego Comic Con (Photo by Richard Chavez/ShowbizJunkies)
Dylan O’Brien’s ‘Stiles’ has been through the wringer the past few seasons on MTV’s popular Teen Wolf. From being the fun sidekick to possessed by a demon, Stiles has undergone a lot of changes but fortunately he’s now got Malia (played by Shelley Hennig) to help him over the bumps while he in turn helps her adjust to life back as human after years spent as a coyote. Teaming up together to discuss the series at the 2014 San Diego Comic Con, O’Brien and Hennig talked about their characters’ relationship and Stiles’ darker side.
Dylan O’Brien and Shelley Hennig Teen Wolf Interview
How do you think the introduction of Malia to Stiles has affected them both?
Dylan O’Brien: “Yeah, definitely. I think that’s what’s so sweet about them is that Stiles has been a really good positive thing for Malia, and Malia has been the same thing for Stiles. Both coming at times when they’re struggling with things in their own lives. You know, they met in a mental institution because Stiles was being possessed by an evil spirit and killing everyone around him. And Malia has just like now been transformed into a human and found out that she murdered her family. It’s sort of like we’re both very…it comes at a really good time where it’s like that’s why I love that scene in the basement. It’s just very nice; it’s sort of like a break. We kind of take a break for a second from all the chaos that happens all the time. I think it’s just been very sweet to have this relationship for each of our characters in this difficult time.”
Shelley Hennig (Photo by Richard Chavez/ShowbizJunkies)
Shelley Hennig: “I think both of our characters make the other character better, which is a good thing in real life relationships. In real life, sometimes people do come into your life at the right time and that relationship really works because you’re making each other better. I like that it’s really relatable.”
The show’s gotten really dark for Stiles. You still have your light moments, but do you like the darker side of Stiles?
Dylan O’Brien: “Yeah. I loved doing the #3B arc, playing what he was in A was awesome. I love doing both the comedy and the drama, and then evil was so cool. But, yeah, I’m happy to have him back. I like that Stiles is back now you know. I really enjoyed playing the nogitsune but I sort of missed him on the show a little bit. I feel like he’s necessary in there, so I’m glad to be back in that funny [way].”
If Stiles had to choose to become a supernatural being, what do you think he’d choose?
Dylan O’Brien: “I don’t know. I don’t think Stiles would choose to become anything. I feel like he almost feels a responsibility to be human. It just helps, in a weird way, because he can’t physically help anyone.”
Shelley Hennig: “You’re not useless.”
Dylan O’Brien: “Exactly. I don’t know. It’s just a heroic thing about the show, having a human always be a part of things and actually help out. You don’t have to have superpowers in real life to be a hero. I think that heroes are actually defined by completely other things and qualities, and I think he represents that. So I don’t know that I would choose anything.”
Malia seems to be getting herself more under control but will she continue to struggle with her transformation?
Shelley Hennig: “I think that is a huge turning point for her. She’s getting better and better at human things and controlling her coyote powers. I think it will always be there. I mean, just like you saw at the chalkboard her claws came out. I think she’s getting a better handle on it.”
Do you think she still wants to go back to being a coyote?
Shelley Hennig: “I showed up to season four and I was like, ‘Yep, I’m still going to fight.’ I was thinking my character was still in that same place. I didn’t realize that off-camera some time had passed and Malia had accepted human life. I think Stiles had a lot to do with that, and I think in real life coyotes choose their mate very early on and they stick with them until they die. That’s a little dramatic to say about teenage kids, but I do think it’s a part of Malia. They’re very loyal and so she’s going to be very loyal to Stiles, and he’s been very helpful.”
Jennifer Connelly (Noah) will star opposite Ewan McGregor in American Pastoral, based on the novel by Philip Roth and adapted for the screen by John Romano (Lincoln Lawyer). Phillip Noyce (The Giver, Salt) is directing and filming is expected to get underway in March 2015.
“Jennifer Connelly is one of the great actresses of our time,” stated Lakeshore CEO, Tom Rosenberg, in the official announcement of Connelly’s casting. “We always wanted her to play ‘Dawn’ in American Pastoral and we’re thrilled to be working with her.”
The Plot:
American Pastoral follows Seymour “Swede” Levov, a legendary high school athlete, who grows up to marry a former beauty queen and inherits his father’s business. Swede’s seemingly perfect life shatters when his daughter rebels by becoming a revolutionary and commits a deadly act of political terrorism during the Vietnam War.
Paul Wesley’s a seasoned Comic-Con veteran having made the trek to San Diego for the annual sold-out fanfest for eight times (two with Fallen, six with The Vampire Diaries), but despite the craziness of the Con Wesley admits he’ll be sad when he’s no longer a part of the yearly event. “For me, I started off on this small show for two years where nobody really knew who the hell I was or any of us, and then I went with Vampire Diaries when it first popped and it was madness. Sorry, actually, the first Vampire Diaries panel, nobody knew who the hell we were because it hadn’t aired yet. And now, the show’s been on for six years,” explained Wesley during our roundtable interview at the SDCC. “This might be my last one or maybe next year, so it’s going to be sad. Eight years in a row, it’s crazy.”
It’s not over yet, so what can we expect from season six? Wesley chatted about where audiences will find Stefan when the series returns and what it was like to direct an episode of The Vampire Diaries.
Paul Wesley The Vampire Diaries Interview
What can we look forward to for Stefan this coming season?
Paul Wesley: “Him isolating himself from the rest of the gang, which is really cool. He sort of has his own storyline. He takes off. He leaves town and he decides to forge his own life, not look for Damon and Bonnie. It’s very uncharacteristic. He’s sort of grown incredibly apathetic about the whole thing.”
There were so many twists and turns, is it ever hard to keep track of what’s going on and remember the storylines?
Paul Wesley: “Yeah, yeah. It’s so damn difficult, dude. We have somebody on set who is much better at keeping track of everything that’s happened throughout the seasons. I’m constantly like, ‘Why, wait, hold on, what? Where was I? What happened and who’s that guy?’ I don’t know how the viewers keep up. I have no idea what the hell is going on half the time.”
How was directing?
Paul Wesley: “Awesome. It was unbelievable. It was an amazing experience. I’m going to do it again this year. Very excited about it. It was amazing.”
What did you learn from doing that?
Paul Wesley: “I mean, I have an enormous amount of respect for the whole crew. When you’re acting, it’s a very subjective experience. You’re sort of oblivious to every department and what they add to the production. It really opened my eyes. It’s a combination of art and commerce. You have to be aware of the schedule, you have to get your shots, you have to do it in a certain amount of time. There’s a budget and then you want to make it art filled and you want it to have your vision and your voice. It’s a really interesting line to navigate.”
Are Stefan and Elena not interacting this season?
Paul Wesley: “Not really. Not really. He kind of wants nothing to do with it.”
So having fans want you to bite them, has that waned?
Paul Wesley: “It has waned, it has waned. Vampires have been so on the forefront of pop culture, and I think people are like, ‘Eh, vampires.’ At first, it was like, ‘Oh yeah, bite me! This is hilarious!’ Now it’s like, ‘Oh great, that jerk.’ It’s different.”
How do you feel about the show’s social media presence? It’s incredible.
Paul Wesley: “It is, it really is. Social media has changed everything. The success of the show is due in part to social media. That’s the pocket that they’re going for. They’re looking for that core group that is whatever the 17 to whatever the heck it is. All this tweeting, we have these long hiatuses and it keeps it fresh for everybody.”
Do you ever feel you have to put out too much on social media?
Paul Wesley: “I try to keep everything…an actor’s job is to remain relatively mysterious so that when they play a different role in a film or whatever, people aren’t like, ‘Oh, it’s that guy.’ I think if you make yourself this huge social presence, it really plays very much against you and your career. I specifically go out of my way to not do a lot of press, because I think it’s important. If I knew everything about Paul Newman and James Dean and all those guys, they wouldn’t really be iconic. They have an air of ambiguity that I think is really pinnacle.”