Want to get up close and personal with The Purge? In support of the July 18, 2014 release of The Purge sequel, The Purge: Anarchy, Universal Studios and Blumhouse Productions are teaming up to bring The Purge: Breakout to Purge fans throughout the U.S. The Purge: Breakout is described as an “immersive real-life horror-escape experience” and fans in Atlanta will be the first to check it out on May 30th. Other stops include Miami, New York City, Philadelphia, Chicago, and Dallas, with the tour ultimately finishing up in Los Angeles July 11th through 20th.
“Our goal with The Purge: Breakout is to bring the universe of The Purge films directly to the audience,” said Jason Blum, founder and CEO, Blumhouse Productions. “This experience allows fans across the county the chance to immerse themselves in the intricate world that the series’ writer/director, James DeMonaco, has so painstakingly crafted. We hope that they enjoy being scared out of their minds.”
Confirmed Dates:
May 29 – June 1
Atlanta
June 5 – June 8
Miami
June 13 – June 15
New York
June 19 – June 22
Philadelphia
June 27 – June 29
Chicago
July 3 – July 6
Dallas
July 11 – July 20
Los Angeles
Details on The Purge: Breakout [Courtesy of Universal and Blumhouse]
In The Purge: Breakout, it’s the annual Purge Night, when citizens across the country exercise their right of anarchy. Your group is being held captive by a demented psychopath, 30 minutes before The Purge begins. Trapped in his house, groups must work together–solving a series of increasingly complicated, mind-bending puzzles and clues–to breakout from captivity and survive the most terrifying 12 hours of the year.
Famous only for belonging to a rich, dysfunctional family, Kendall Jenner proved to be the wrong choice to announce one of the acts on the 2014 Billboard Music Awards. Jenner had just a couple of sentences to say in order to introduce 5 Seconds of Summer during the May 18th awards show, and she couldn’t even manage to make it through her few very easy lines.
The Keeping Up with the Kardashians personality was unable to read the lines from the teleprompter and apparently believed she was introducing One Direction. What? Don’t they rehearse these things before the live performance? Doing the worst job of introducing a performance since John Travolta butchered Idina Menzel’s name on the Oscars, Jenner completely flubbed her few lines and apologized by saying, “I’m the worst reader ever!”
Prior to taking the stage, Jenner tweeted a photo from the show’s red carpet.
Andy Samberg hosted the final episode of the 39th season of Saturday Night Live, and while his frequent collaborator Justin Timberlake wasn’t around for the new Digital Short, Samberg was joined by an enormous assortment of past SNL cast members on the May 17, 2014 episode. One of the better skits of the night turned out to include a bunch of ex-SNL members including Bill Hader, Kristen Wiig, and Maya Rudolph.
The kissing family skit, which also included Paul Rudd, mocked the Michael Sam draft kiss controversy.
Emilia Clarke in 'Game of Thrones' season four episode seven (Photo: Helen Sloan/courtesy of HBO)
Peter Dinklage delivered an Emmy-worthy performance in Game of Thrones‘ season four’s episode six, and this upcoming episode should find his character further alienating his father as he battles for his own life. HBO’s released a short promotional video for the seventh episode as well as a recap of the events of episode six, George R.R. Martin’s explanation of the Royal Bank, and a look at the new characters introduced this season.
Episode #37: “Mockingbird”
Debut: SUNDAY, MAY 18 (9:00-10:00 p.m.)
Other HBO playdates: May 18 (11:30 p.m., 2:00 a.m.), 19 (11:00 p.m.), 20 (8:00 p.m., midnight), 21 (12:45 a.m.), 22 (10:00 p.m.), 23 (9:00 p.m.) and 24 (1:45 a.m.)
HBO2 playdates: May 19 (9:00 p.m.), 23 (3:50 a.m.), 25 (2:15 p.m., 8:00 p.m.) and 26 (10:00 p.m.)
Tyrion enlists an unlikely ally. Daario (Michiel Huisman) entreats Dany (Emilia Clarke) to allow him to do what he does best. Jon’s warnings about the Wall’s vulnerability fall on deaf ears. Brienne (Gwendoline Christie) follows a new lead on the road with Pod (Daniel Portman).
Written by David Benioff & D. B. Weiss; directed by Alik Sakharov.
“What’s really happening is that you’re hiding something out there and I have the right to know!” screams scientist Joe Brody (Bryan Cranston) to security officials as he struggles to uncover the truth about a supposed radiation leak and plant meltdown that killed his wife 15 years ago in the big budget action film, Godzilla.
After the horrible “accident” at the plant, Joe became consumed with finding out just what happened. He stayed in Japan so he could be close to the accident site, and his obsession led his son, Ford (Aaron Taylor-Johnson), to believe his dad had turned into a crazed conspiracy theory nut.
Coming home to San Francisco after being on deployment for 14 months, Ford is looking forward to spending lots of time with his wife, Elle (Elizabeth Olsen), and young son. But that gets cut short when he receives a call from Japanese authorities that his father’s been arrested for trespassing. Exhausted and in need of some downtime with his wife and child, Joe has to set aside his own needs to bail out his dad. Once out of jail, Joe tries to convince his father to come home with him but quickly realizes it’s a lost cause. His begging falls on deaf ears as Joe is determined to go back to their old house – still in quarantine from the meltdown – to get his old discs of information about the day his wife was killed and his life changed forever.
Reluctantly going along, Ford and Joe discover there isn’t any radiation in the condemned area. They also discover the discs Joe’s been obsessed with finding are intact at their old house. Their trespassing doesn’t go unnoticed and instead of the police it’s private security officers who pick them up and bring them to a secured area to be interrogated. This is when Joe refuses to speak to the average security goon and demands to talk to the person behind the glass…which turns out to be Dr. Ichino Serizawa (Ken Watanabe) who it seems does have some sort of giant prehistoric creature under wraps for scientific study.
Of course, the giant monster breaks free, something Joe unknowingly predicted 15 years ago when he was monitoring seismic anomalies on the planet just minutes before the meltdown. Dr. Serizawa looks over Joe’s discs, immediately sees the similarities between those events and what’s happening now, and asks for Joe and Ford’s assistance in tracking the massive winged creature that feeds on radiation and is now on the loose. Working with the military who’ve taken over the hunt, Dr. Serizawa reveals to them his theory that an A-list predator – one he has studied for years – will rise from the ocean’s depths to take on the flying beast. His name? Godzilla.
With a B-list cast and a C-grade script, 2014’s Godzilla is a loud, destructive, and at times silly spectacle that should entertain both loyal Godzilla fans and disaster film buffs. The most impressive thing in this reboot of the franchise is Godzilla himself. The look and sound of the King of the Monsters is great. Gone is the man in a bad lizard suit stomping on model cars and toy tanks. This Godzilla is almost as effective and intimidating as the Tyrannosaurus Rex in Jurassic Park.
Bryan Cranston is solid as the grief-stricken husband and father who becomes a paranoid and obsessed man determined to uncover the truth. Not since The X-Files‘ Agent Mulder has a character been so sure – and correct – about a conspiracy. Elizabeth Olsen does a wonderful job of bringing some human emotion to the terror facing her family in San Francisco, the city that’s going to host the showdown between Godzilla and the flying beast. She conveys real fear and shock during the horrific devastation of San Fran.
Aaron Taylor-Johnson is stiff and wooden as Ford, the military bomb disposal expert. He has no on-screen chemistry with either Cranston or Olsen. Taylor-Johnson conveys almost no emotion or fear, even when his character is up close to Godzilla or the other creature.
Another problem with the film is the tone and lack of any humor. It’s so rigid and deadly serious that unintentional humor becomes a result. For example, the audience this critic saw the movie with chuckled and giggled whenever Ken Watanabe or David Strathairn said the name ‘Godzilla’ (this didn’t happen with Peter Jackson’s 2005 King Kong reboot).
Still, with some every impressive CGI and plenty of scenes of mass destruction, plus a very cool nighttime Halo drop into battle-ridden San Francisco, Godzilla is just what it set out to be: a fun, entertaining summer flick.
GRADE: C+
Godzilla was directed by Gareth Edwards and is rated PG-13 for intense sequences of destruction, mayhem and creature violence.
Co-writer/director Susanna Fogel’s Life Partners has been picked up by Magnolia Pictures for U.S. distribution. Fogel’s film, which was co-written by Joni Lefkowitz and debuted at this year’s Tribeca Film Festival, stars Leighton Meester, Gillian Jacobs, Adam Brody, and Gabourey Sidibe.
“It has been such a privilege to work with Red Crown in making Life Partners, a film that we are all so proud of,” said producer Jordana Mollick. “We are thrilled that Magnolia shares our passion and are excited to join such a dynamic team on the release of the movie.”
“Susanna is a great comedic talent, and we are so happy to be bringing her film to audiences,” said Magnolia President Eamonn Bowles.
The Plot:
Straight Paige (Jacobs) and lesbian Sasha (Meester) are codependent best friends in their late 20s who have spent the last ten years acting more like wives than friends: they talk to each other on the toilet; they drive each other to the doctor. And as with any good marriage, they’re a perfect yin and yang. Until the night Paige meets TIM (Brody). Despite some superficial drawbacks (questionable facial hair, a penchant for quoting the movies everyone quotes), he’s the kind of guy you marry. As Paige and Tim’s relationship grows, the bond between Paige and Sasha inevitably shifts. Suddenly without a “partner,” Sasha is left to examine her own shortcomings and panic about her impending 30th birthday. Passive-aggressive conflict brews in their friendship until the girls must finally confront the question they’ve been avoiding: can their friendship survive growing up?
Corey Stoll as Ephraim Goodweather and Mia Maestro as Nora Martinez in 'The Strain' (Photo Credit: Michael Gibson/Copyright 2014, FX Networks)
FX and FXX Networks have announced the 2014 summer premiere dates of returning shows Wilfred and The Bridge, as well as the series premiere dates of The Strain, Tyrant, Married, and You’re the Worst. Tyrant, created by Gideon Raff, will kick off the summer season on June 24th at 10pm ET/PT. Tyrant‘s 10-episode season one is executive produced by Howard Gordon (24, Homeland) who also serves as showrunner.
Guillermo del Toro, Chuck Hogan, and Carlton Cuse’s much-anticipated The Strain will premiere on Sunday, July 13th, kicking off its 13 episode run at 10pm ET/PT.
Wilfred‘s fourth (and final) season will premiere on FXX on June 25th at 10 PM ET/PT. Elijah Wood is back as “Ryan,” and Jason Gann returns in the title role for the 10 episode last season of the comedy series. New comedy series Married from Andrew Gurland will debut on July 17th at 10 PM ET/PT with Nat Faxon and Judy Greer in starring roles. And the network’s other new comedy, You’re the Worst, kicks off on July 17th at 10:30 PM ET/PT starring Aya Cash, Chris Geere, Kether Donahue, and Desmin Borges.
The Bridge‘s second season will arrive on Wednesday, July 9th at 10pm ET/PT. Diane Kruger, Demian Bichir, Annabeth Gish, Thomas M. Wright, Matthew Lillard, Emily Rios, and Ted Levine star in the series, and FX will be airing a 13-episode season two.
Nasser Faris as Khaled, Alice Krige as Amira, Ashraf Barhom as Jamal, Moran Atias as Leila, Adam Rayner as Barry, Anne Winters as Emma, Jennifer Finnegan as Molly, Noah Silver as Sammy in 'Tyrannt' (Photo Credit: Patrick Harbron/Copyright 2014, FX Networks)
Tyrant
Tyrant tells the story of an unassuming American family drawn into the workings of a turbulent Middle Eastern nation. Bassam “Barry” Al Fayeed, the younger son of the dictator of a war-torn nation, ends a self-imposed 20-year exile to return to his homeland, accompanied by his American wife and children, for his nephew’s wedding. Barry’s reluctant homecoming leads to a dramatic clash of cultures as he is thrown back into the familial and national politics of his youth.
The cast includes Adam Rayner, Jennifer Finnigan, Ashraf Barhom, Moran Atias, Noah Silver, Anne Winters, Fares Fares, Salim Daw, Justin Kirk, Jordana Spiro, Mehdi Dehbi, and Alice Krige.
Wilfred
Wilfred is a half-hour, live-action comedy about “Ryan,” a young man struggling to make his way in the world until he forms a unique friendship with “Wilfred,” his neighbor’s canine pet. Everyone else sees Wilfred as just a dog, but Ryan sees a crude and somewhat surly, yet irrepressibly brave and honest Australian bloke in a cheap dog suit.
Diane Kruger as Sonya Cross and Demian Bichir as Marco Ruiz in 'The Bridge' (Photo Credit: Frank Ockenfels/FX)
The Bridge
When the body of a cartel member is found on US soil, Sonya Cross (Diane Kruger) from El Paso PD and her Mexican counterpart, Marco Ruiz (Demian Bichir), must work together to solve the case. In Season 2, Marco, reeling from the death of his son, is still dealing with corrupt cops and the demands of the cartel. Sonya meets an unexpected man with connections to her past who threatens to come between her and her boss, Lieutenant Hank Wade (Ted Levine). The case quickly pulls them all into a complex web of money laundering, police corruption, and the Juarez Drug War which infiltrates the suburban streets of El Paso.
El Paso Times reporters Daniel Frye (Matthew Lillard) and Adriana Mendez (Emily Rios) continue to follow the Millie Quintana Money House, a path that will eventually cross that of Marco and Sonya. Charlotte Millwright (Annabeth Gish) will have to make the impossible choice between the two worlds that have a grasp on her: the US government and the Mexican cartel. Meanwhile, Steven Linder (Thomas M. Wright) tries to do right by his Mexican Immigrant love and ends up seeking justice the only way he knows how.
The Strain
The Strain is a high concept thriller from Academy Award® nominated Filmmaker Guillermo del Toro, author Chuck Hogan and writer/producer Carlton Cuse, which is based on the best-selling vampire novel trilogy of the same title written by del Toro and Hogan. It tells the story of “Dr. Ephraim Goodweather,” the head of the Center for Disease Control Canary Team in New York City. He and his team are called upon to investigate a mysterious viral outbreak with hallmarks of an ancient and evil strain of vampirism.
As the strain spreads, Eph, his team, and an assembly of everyday New Yorkers, wage war for the fate of humanity itself.
Married
Married is a half hour comedy about being miserably in love. Russ (Nat Faxon) and Lina Bowman (Judy Greer) can barely remember what life was like before kids, debt, and suburbia rained on their romance — but every once in a while, in between the arguments about their declining sex life and who’s driving carpool, they are reminded what drew them together in the first place — they’re best friends.
You’re the Worst
You’re the Worst is a comedic love story about what happens when two toxic, self-destructive people (Aya Cash and Chris Geere) fall in love despite themselves and attempt the impossible—a relationship.
“Mankind was born on earth. It was never meant to die here.”
Paramount Pictures has released a new trailer Interstellar, the latest film from Christopher Nolan (the Dark Knight trilogy, Inception, Momento). Matthew McConaughey stars in the sci-fi thriller that involves a wormhole and interstellar travel. The cast also includes Anne Hathaway, Jessica Chastain, Bill Irwin, John Lithgow, Casey Affleck, David Gyasi, Wes Bentley, Mackenzie Foy, Timothée Chalamet, Topher Grace, David Oyelowo, and Ellen Burstyn.
Paramount’s will release Interstellar in November 2014.
Claire Coffee as Adalind Schade in 'Grimm' (Photo by: Scott Green/NBC)
Grimm finishes off what’s been a riveting third season with “Blond Ambition” airing at 9pm on May 16, 2014 on NBC. The final episode of this season features the much-anticipated wedding of Rosalee and Monroe while their close friends Juliette and Nick discover something that could tear their relationship to pieces. Meanwhile, Adalind’s up to her old tricks, which will affect all of the Grimm gang.
In support of Grimm‘s season three finale, Claire Coffee (‘Adalind’) and Sasha Roiz (‘Renard’) took part in a conference call to discuss – without giving away any spoilers – what’s happened to their characters over the course of the season.
Sasha Roiz and Claire Coffee Interview
How far in advance do you know what’s coming for your character?
Claire Coffee: “Not very far.”
Sasha Roiz: “No.”
Claire Coffee: “Shockingly close to when it actually happens. I think Jim [Kouf] and David [Greenwalt] are really good at keeping all of this from us. Because, you know, things change and I think if we knew too far in advance, it just subconsciously starts changing the way you’re playing the character. I think so.”
Sasha Roiz: “We probably get scripts at most two weeks before we shoot it.”
More than any other character this season, your character seems to have been put through an incredible range of emotions. How was that to play?
Claire Coffee: “Yes, I was telling Jim and David just how grateful [I am]. It’s kind of like going back to theater school. It’s like just a massive exercise in exploring the range of human emotions. Yes, I think over those three episodes, I got to play every single one of them. I just consider myself lucky, and you know, hope that I didn’t drop the ball.”
Was it easier for you to play Adalind as scared or upset or the scenes where her anger and maternal instinct takes over?
Claire Coffee: “I don’t know that any one is easier or harder. I mean I think that anything that requires a lot of emotion, be it rage or pain, is exhausting after a while. It’s because the energy level, it’s just taking a lot out of you. So it was definitely an exhausting two weeks.”
Why do you think Grimm is so popular? What makes people tune in?
Sasha Roiz: “I hope because to some extent the characters are intriguing and relatable. I give the writers a lot of credit. I think they come up with some incredibly compelling storylines.”
Claire Coffee: “I think it has both..there’s a lot of action each episode and the ticking clock of the episode itself and the monster of the week and figuring out the case of the week. But at the same time, you have this royal storyline that’s serialized and you follow that through the season. I think all those cliffhangers that keep people coming back.”
What can you tell us about Adalind’s big plan, without giving too much away?
Claire Coffee: “She’s incredibly motivated to get her baby back. She’s got tunnel vision where that is concerned because I think she just feels a little bit aimless and lost without this child now that she’s learned how to love another human being. I don’t think she fully understands the ramifications of what she’s about to do, but she feels within her right to do it. And yes, it causes a massive rift in Nick and Juliette’s relationship and it changes them – maybe forever. We’ll just have to wait and see.”
Sasha, what is Renard going to do about it because he obviously knows she’s up to something?
Sasha Roiz: “I think that she, Adalind, has gone too far this time and I think by the end of the episode Renard sees pure rage. And it could get pretty nasty between the two of them. But you know, that’s what I think, but then again there’s always some twists and turns along the way. But certainly you find him at his wits end with her.”
Sasha Roiz as Captain Sean Renard in 'Grimm' (Photo by: Scott Green/NBC)
We’ve never seen the body of Renard’s brother, Eric, so maybe he’s not dead after all. Do either of you think he’s alive?
Claire Coffee: “I know James had some scheduling conflicts…James Frain had some scheduling conflicts. But I know that the writers did have ideas about what to do with the character, and that he certainly wasn’t dead. But I don’t know. I haven’t actually given that too much thought. There’s been so many other things on the table.”
Sasha Roiz: “I mean, I can’t tell you with any certainty that he’s alive or dead because I think your approach is probably quite a good one: unless you see the body, you probably shouldn’t completely believe it. But then again, you know, that’s all we know up to this point so we’ll have to wait and see. But, yes, it’s Grimm, anything’s possible.”
What was your favorite part about working together and creating that kind of odd but exciting chemistry between you both?
Claire Coffee: “Well, I don’t think we set out to create odd and exciting chemistry, but that’s a fabulous result – and a fabulously unexpected result. I think we do have a lot of fun working together. And Sasha’s just such a generous actor to work with and I’m not saying that just because he’s on the other end of the line. We’ll meet up before and kind of suss out what the situation is because we do find ourselves in some kind of outlandishly emotional places. But I think the most fun…I mean, obviously, when he is without clothing, that was a pretty fun day on set.”
Sasha Roiz: “That was pretty funny. That was pretty funny.”
Claire Coffee: “Yes I would say more funny than fun for both of us because we’re both wearing various weird flesh-colored underthings. But, yes, it’s good that we are such good friends, I think.”
Sasha Roiz: “Not the most flattering outfits.”
Claire Coffee: “Yes, it’s about the least flattering. If they could show behind the scenes, I would say it’s the most unflattering that we’ve looked. But the movie magic makes it look so good.”
Sasha Roiz: “It’s funny how the sexiest scenes behind the scenes are the least sexy things you’ve ever witnessed.
Yes, Claire and I have a lovely friendship on set and I love working with her. I think she’s done a tremendous job this season. Like you mentioned earlier, her character arc has been enormous and she’s really stepped up so it’s been fun to watch. And, also, their relationship is just so absolutely crazy that it’s really fun to always be challenged with that. Because just when you think it can’t get any crazier, they manage to write something new in. So it always remains a little challenging every single time we face off.”
Sasha, they’ve never explained Renard’s wedding ring. Is there a tragic love affair maybe in his past?
Sasha Roiz: “You know, I know that’s been a question posed by fans for like at least 2-3 years now, and a wonderful question. I wish I had the exact answer for you, but like all things Grimm, we kind of get around to answering all those questions with time. And I suspect that we’ll probably answer that one as well, soon. Like, for instance, even this season we answered the question of, ‘How does Nick see them and how do they know that he’s a Grimm?’ So we get around to answering these little things.
But the real story, I think, is it’s probably a relic from a storyline that never got used and had to be scrapped at some point. I think when initially Renard came on the scene, I think it was considered maybe he had been married or widowed or something. We never really got around to using that storyline, so I think we’ll probably owe you an answer at some point soon.”
Are you looking forward to the instant fan feedback you’ll be receiving after the finale airs?
Claire Coffee: “I just hope nobody knows where I live.”
Sasha Roiz: “It’s always fun to get the fan reaction. It’s really exciting to see how they respond.”
Claire Coffee: “It’s one of my favorite things on Friday nights is live Tweeting and just getting that instant reply. And our fans are so funny and clever and they really don’t let you get away with anything, which is nice. But I am a little terrified for this Friday, a little worried. I think people always say like, ‘Oh, we love to hate your character,’ and it may just turn to like, ‘Oh we hate you so much!'”
Sasha, there’s been so much back and forth on whether or not you and Nick really trust each other but it seems you two are at least sort of trusting each other at this point. Do you see that changing in any respect now that the baby involvement happened?
Sasha Roiz: “Sure. I don’t think we’re moving in any time soon, but I sense that wouldn’t this be just the perfect time to let him down. You know, that dynamic is always going to be a tenuous one and I think it should be. We’ll see what happens. But I suspect that just as you feel comfortable something probably will pull the rug from under your feet, as it should be in my opinion.”
Adalind actually has someone that she loves, finally, so now is she being driven by ambition or a sense of revenge?
Claire Coffee: “I don’t think it’s revenge. I think she really wants her baby back. Her baby gives her a place in the world, really. Her relationship with Renard notwithstanding, she don’t have any allies, any friends, no job, like really nothing…”
Sasha Roiz: “And whose fault is that, Claire?”
Claire Coffee: “Yes, he does have a point there. Everyone has such good memories around here. But I think she thinks that Viktor has her child. She’s not realizing the way that what she’s doing is going to affect everybody else. And you know, Nick, Juliette, Renard, all of that, to her the most important thing is this baby. She doesn’t know that Nick and the gang took the baby. If she knew that, then sure, revenge would come into play. I’m assuming. But at this point it really is that she needs this child.”
Adalind has been seen so often as the villain, but the episode where the baby got taken away from her was just heartbreaking. Has it been a surprising shift for you that they’re showing two sides of your character?
Claire Coffee: “Yes. The writers, they did such a good job with that arc and really built it slowly enough so that the change kind of made sense and felt organic – at least for me when I was playing it. And then to kind of round out the season getting her back to a little bit of her old self and that picking up… I had a conversation with them when I read all these scripts to figure out to play the character with parts of old Adalind and how much to incorporate with this new sense of empathy and feeling and being in love with this child. I think they did such a great job kind of balancing all of the bits of her personality.”
With regard to this new version with Adalind, we know she very much wants to get her baby back. It looked for a minute that maybe she was turning a corner and changing completely, but now it seems that she is ultimately a villain. What is your take on that? Is she just a villain or is there more to her than that? Are there redeeming qualities that maybe we’ll see from her down the line?
Claire Coffee: “I think she’s a more dangerous villain, I think, because she’s operating of her own accord and she has this powerful motivation now. And they say, ‘You can’t teach an old dog new tricks.’ I think she knows one way of getting what she wants and that’s death and destruction via magic spells. She’s using what she knows and I don’t think she’s ever going to be good, but I think she feels just and justified in what she’s doing and the steps she’s taking.”
If it were up to you, is there something that you’d still really like to see happen to your characters that hasn’t yet?
Sasha Roiz: [Laughing] “Well I’d like to survive season four.”
Claire Coffee: “I got to wear jeans.”
Sasha Roiz: “Such different objectives. I’d like to survive, ‘I got to wear jeans.’ All right. That’s awesome. Yes, that would be my big objective. Thank you. Claire, you were talking about denim?”
Claire Coffee: “Yes, well, I was so happy to be in jeans for season three. I would love to have as comfortable a wardrobe as that. You know, fewer skin tight pencil skirts, more sweaters.”
Sasha Roiz: “You rock those pencil skirts though. That’s your thing.”
Claire Coffee: “Thank you.”
What has surprised you most about your character of Renard this season? What aspect of him have you enjoyed most playing this year?
Sasha Roiz: “I certainly enjoyed the baby storyline. It was definitely fun to explore a different side, a paternal side, somebody you know more compassionate, concerned, and vulnerable consequently. So that was definitely a departure from how we see him in the past. And it was really fun to play in those emotions and to be challenged with them.”
One of the most entertaining singer/songwriters/occasional actors will be taking on hosting duties on ABC’s Rising Star. Josh Groban, who you should be following on Twitter for daily updates on his life and random thoughts, has signed on to the singing competition, which will premiere on June 22, 2014 at 9pm ET/PT.
Brad Paisley, Kesha, and Ludacris make up the panel of experts who will chime in on each singer’s performance during what ABC claims is a show that will completely reinvent primetime singing competitions. What sets it apart from the pack is that the singers on Rising Star will be judged in real-time by the audience, who will have the final say.
Ken Warwick (American Idol) and Nicolle Yaron (The Voice) are on board as executive producers.
The Details:
During the performances, viewers vote via an App in real-time to determine if the singer will advance in the competition. If the voting reaches a certain threshold, the performer moves on, and the performer can see how the voting is going during the performance, so the feedback is immediate and dramatic.