Showgirls! The Musical! is moving to Wednesdays at 8pm and will play Off-Broadway at the Theatre 80 through February 2014. The parody of the campy 1995 NC-17-rated Showgirls movie, directed by Paul Verhoeven and starring Elizabeth Berkley, is written and directed by Bob and Tobly McSmith.
The cast includes April Kidwell as Nomi Malone, Rori Nogee as Cristal Connors, John Duff as Kyle MacLachlan, Marcus Desion as Molly/James, and Philip McLeod as Gay.
The Plot:
Showgirls! The Musical! follows the beautiful drifter with a secret past, Nomi, as she journeys from stripper to showgirl in Las Vegas. What will Nomi sacrifice on her rise to fame? Who will she sleep with along the way? Will she ever like brown rice and vegetables?
The auction for 2014 Screen Actors Guild red carpet bleacher seats is now open at sagawards.org/auction, running through January 7, 2014 at 9pm ET. This year’s auction for seats along the red carpet will benefit SAG Foundation’s Children’s Literacy and Emergency Assistance Programs.
More than 100 bleacher seats are available to movie and TV fans through the auction. Among the seats are Special VIP positions in the two front-rows across from the People.com platform, two across from the Associated Press platform, and two across from the photographers and fashion cameras, among others.
“The SAG Awards Red Carpet Bleacher Seats Auction and the entire auction series allow the SAG Foundation to provide award-winning children’s literacy programs as well as crucial assistance and educational programming for performers,” said SAG Foundation Board President JoBeth Williams. “We are incredibly grateful to the SAG Awards for its commitment to philanthropy and its support of the SAG Foundation for 20 years.”
The 20th Screen Actors Guild Awards will take place on Saturday, January 18, 2014 at the Los Angeles Shrine Exposition Center. The awards show will air on TNT and TBS at 8pm ET/5pm PT. The show will also be viewable via a live stream on sagawards.tntdrama.com and tbs.com.
The Producers Guild of America (PGA) just announced their nominations for the best in 2013 feature films, animated movies, and long-form television. The 2014 Producers Guild Award winners will be revealed on January 19th, with Lori McCreary and Michael De Luca co-chairing the awards.
In addition to the film and television awards, special awards will be given to Barbara Broccoli and Michael G. Wilson (winners of the David O. Selznick Achievement Award in Theatrical Motion Pictures), Robert Iger (winner of the Milestone Award), Peter Jackson & Joe Letteri (Vanguard Award winner), Chuck Lorre (this year’s Norman Lear Achievement Award in Television winner), Chris Meledandri (winner of the Visionary Award) and Fruitvale Station (the Stanley Kramer Award).
The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures:
American Hustle, Producers: Megan Ellison, Jon Gordon, Charles Roven, Richard Suckle
Blue Jasmine, Producers: Letty Aronson, Stephen Tenenbaum
Captain Phillips, Producers: Dana Brunetti, Michael De Luca, Scott Rudin
Oh sure, go ahead and tease us with a new poster for The Walking Dead‘s season four midseason return. AMC’s critically acclaimed series doesn’t return with new episodes until Sunday, February 9, 2014 at 9pm ET/PT, but at least we have an idea that the second half of the season will find Carl (Chandler Riggs) and his dad, Rick (Andrew Lincoln), walking away – most likely from the now-destroyed prison – with the tagline “Don’t Look Back.”
How long will they be on their own? What’s happening with the rest of the survivors? And where is Daryl? Inquiring minds need to know the answers to these questions!
Rose gets protective when Mia confronts Lissa Dragomir while she’s dancing with Christian in this new clip from the vampire action movie, Vampire Academy. Based on the first book in Richelle Mead’s bestselling series, Vampire Academy was directed by Mark Waters and stars Zoey Deutch as Rose, Lucy Fry as Lissa, Danila Kozlovsky as Dimitri, Sami Gayle as Mia, and Dominic Sherwood as Christian.
The Weinstein Company will release Vampire Academy in theaters on February 14, 2013.
The Plot:
Vampire Academy tells the legend of Rose Hathaway and Lissa Dragomir, two 17-year-old girls who attend a hidden boarding school for Moroi (mortal, peaceful Vampires) and Dhampirs (half-vampire/half-human guardians). Rose, a rebellious Guardian-in-training and her best friend, Lissa – a royal vampire Princess – have been on the run when they are captured and returned to St.Vladamirs Academy, the very place where they believe their lives may be in most jeopardy.
Thrust back into the perils of Moroi Society and high school, Lissa struggles to reclaim her status while Rose trains with her mentor and love interest, Dimitri, to guarantee her place as Lissa’s guardian. Rose will sacrifice everything to protect Lissa from those who intend to exploit her from within the Academy walls and the Strigoi (immortal, evil vampires) who hunt her kind from outside its sanctuary.
The 2014 Santa Barbara Film Festival runs January 30th through February 9th. The awards presentation will take place on February 6, 2014 at Arlington Theatre.
“Scorsese and DiCaprio’s partnership has become a legendary cinematic pas de deux recalling other great collaborations like John Ford and John Wayne, Fellini and Mastroianni, John Huston and Bogart – and even Scorsese and De Niro,” said SBIFF Executive Director Roger Durling.
Per the official announcement, the Cinema Vanguard Award “was created in recognition of those who have forged his/her own path, taking artistic risks and making a significant and unique contribution to film.”
Past honorees include Amy Adams, Jean Dujardin & Bérénice Bejo, Nicole Kidman, Vera Farmiga, Peter Sarsgaard, Stanley Tucci, Christoph Waltz, Kristin Scott Thomas and Ryan Gosling.
Bruce Springsteen’s High Hopes – his 18th studio release – is coming to stores on January 14, 2014, however prior to the official release tracks from the album will be featured on the January 12th episode of The Good Wife. The album will also get a sneak preview after the show’s January 5th episode and will stream on CBS.com/Springsteen from Jan. 5 through Jan. 13.
High Hopes, featuring the E Street Band and guitarist Tom Morello, was recorded in LA, New Jersey, Atlanta, New York City, and Australia.
The Good Wife‘s January 12th episode will include High Hopes‘ title track as well as “Hunter of Invisible Game” and “The Ghost of Tom Joad.” The episode titled “We, the Juries” offers up this synopsis: Alicia (Julianna Margulies) and Will (Josh Charles) each represent one-half of a couple accused of smuggling drugs, but the courtroom becomes mired in confusion and legal technicalities when they insist on separate juries for each client.
“We love using music in The Good Wife, and we always have the music inform the action and the cutting,” said Robert King and Michelle King, executive producers and creators of The Good Wife. “So when the Bruce Springsteen songs became available, we couldn’t believe our luck. We wished we could use the whole album.”
Greg Kinnear stars in Fox’s new drama Rake premiering on January 23, 2014. The series finds Kinnear playing a criminal defense lawyer.
Greg Kinnear plays Keegan Deane, Miranda Otto is Maddy Deane, John Ortiz stars as Ben Leon, and Necar Zadegan is Scarlet Leon. The cast also includes Bojana Novakovic, Tara Summers, David Harbour, and Ian Colletti.
The Synopsis:Rake, a character-driven drama based on the Australian nominee for Best Television Drama series of the same name, follows the comedic and chaotic life of criminal defense lawyer Keegan Deane (Kinnear). On a single day, Keegan Deane is described as many things. His ex-wife-calls him “unreliable”; his son calls him a “pal”; most judges think he’s “an outrage”; the IRS calls him a “defendant”; and to his former dealer, he’s simply a “tragic loss.”
Brilliant, frustratingly charming and with zero filter, Keegan is one of life’s great addicts. His staggering lack of discretion and inability to self-censor land him the cases that nobody else will touch, but behind that lies a resolute optimism and belief in justice that fuel his dogged determination to defend those who seem beyond redemption. He always tries to do the right thing, but at the same time struggles to save himself from the many self-destructive elements that plague his own life, such as his overindulgence of various excesses, including women and gambling.
Keegan gets a majority of his cases from Ben Leon (John Ortiz), his best friend since law school. Ben is married to Scarlet (Necar Zadegan), another of Keegan’s old friends and, as Assistant District Attorney for the city of Los Angeles, quite often his opponent in court.
In addition to Keegan’s cases within the justice system, the series follows his personal trials and tribulations, including his mounting debt to his bookie and his overlapping liaisons with various women, including Melisa ‘Mikki’ Partridge (Bojana Novakovic), Keegan’s favorite prostitute and de-facto love interest.
Also among his predicaments is his ongoing battle with the IRS, especially as prosecuted by David Potter (David Harbour), an IRS tax attorney who looks ten years younger than he is, earning him the nickname (bestowed by Keegan) “Harry” – as in “Harry Potter.” But always there to help Keegan clean up his mess is Leanne Zander (Tara Summers), his extremely put-upon, no-nonsense assistant.
Meanwhile, Keegan’s ex-wife, Maddy (Otto), a psychologist by profession, begrudgingly acts as his therapist. She also is the mother of their hormonal son, Finn (Ian Colletti), who displays many of the same proclivities as his father.
Each morning, Keegan tends to wake up bruised – physically, emotionally, spiritually. Usually it’s a combination of them all. Then it’s out into the world – onto the battleground of Keegan’s day.
Frankie J. Alvarez, Jonathan Groff, and Murray Bartlett star in 'Looking' (Photo: David Moir / HBO)HBO will be premiering the new half-hour series Looking created by Michael Lannan and Andrew Haigh on January 19, 2014 at 10:30pm ET/PT. HBO’s given Looking an eight episode season one run with Jonathan Groff, Frankie J Alvarez, and Murray Bartlett in starring roles. Guest stars include Scott Bakula, Russell Tovey, Lauren Weedman, O-T Fagbenle, Andrew Law and Raúl Castillo.
The Plot:
Patrick, Agustín and Dom are close friends living in the progressive city of San Francisco. Against the backdrop of the Bay Area, they explore the exciting and varied options available to a new generation of gay men, seeking fulfillment in love and life.
Friendship may bind the three, but each is at a markedly different point in his journey. Patrick is a 29-year old video game designer getting back into the dating world after his ex’s engagement. Though surprised by how challenging it is to find a partner, he knows he always has his friends to rely on should his efforts go astray. Agustín, 31, agrees to move in with his long-term boyfriend in Oakland, but is apprehensive about monogamy and the prospect of choosing domesticity over the energy of city life. At 39, Dom is the oldest of the group and is daunted by the success of an old flame, as well as the approach of middle age with romantic and professional goals still unfulfilled.
Looking January 2014 Episodes:
Episode #1: “Looking for Now”
Debut: SUNDAY, JAN. 19 (10:30-11:00 p.m. ET/PT)
Other HBO playdates: Jan. 19 (12:30 a.m., 2:30 a.m.), 20 (11:15 p.m.), 21 (9:30 p.m.), 22 (9:00 p.m., 12:30 a.m.), 23 (8:30 p.m.), 24 (12:30 a.m.) and 29 (8:30 p.m.), and Feb. 5 (8:00 p.m.).
HBO2 playdates: Jan. 20 (10:30 p.m.), 23 (9:00 p.m.) and 25 (11:30 p.m.)
After a park-cruising experiment is derailed by a phone call, 29-year-old video-game designer Patrick (Jonathan Groff) meets up with his best friends, roommate Agustín (Frankie J. Alvarez), 31, and Dom (Murray Bartlett), 39, to discuss the impending wedding of his ex. The next morning, Agustín agrees to move in with his boyfriend, Frank (O-T Fagbenle), in Oakland, though he wonders if domesticating is the right move. Dom, who’s been a waiter at the same restaurant for years, tells his roommate, Doris (Lauren Weedman), that he’s thinking of reconnecting with old flame Ethan (Derek Ray), who has a successful real-estate career. Later, Patrick meets up with OkCupid date Benjamin (Matt Wilkas); after the date goes south, Patrick is chatted up on the Muni by Richie (Raúl Castillo), a cute barber who also works the door at a Latin drag club in the Mission.
Written by Michael Lannan; directed by Andrew Haigh.
Episode #2: “Looking for Uncut”
Debut: SUNDAY, JAN. 26 (10:30-11:00 p.m.)
Other HBO playdates: Jan. 26 (12:30 a.m., 2:30 a.m.), 27 (10:45 p.m.), 28 (10:30 p.m.), 29 (9:00 p.m., 12:30 a.m.), 30 (8:30 p.m.) and 31 (12:30 a.m.), and Feb. 5 (8:30 p.m.).
HBO2 playdates: Jan. 27 (10:30 p.m.) and 30 (9:00 p.m.), and Feb. 1 (11:30 p.m.)
When Dom helps Agustín move his belongings to Frank’s house in Oakland, the two question whether Patrick is capable of a casual sexual relationship, despite his assertion that he’s tired of searching for a boyfriend. Back in San Francisco, Dom meets up with his LA-ified ex Ethan, and seems intrigued when Ethan tells him he’d like to “start over” as friends. Later, Patrick and Richie go out on a date, but a tipsy Patrick becomes a little too focused on personal details.
Written by Andrew Haigh; directed by Andrew Haigh.
NBC’s Community returns for its fifth season run beginning January 2, 2014 with back-to-back episodes kicking off at 8pm ET/PT. Series creator Dan Harmon’s back after being gone for the entire season four, and season five promises a return to the fun of the first three seasons which had Harmon at the helm.
In support of the new season, Joel McHale (‘Jeff Winger’) and Jim Rash (‘Dean Pelton’) took part in a conference call to discuss what fans can expect from season five, what’s up with their characters, what’s happening with the study group, and having Dan Harmon back in charge.
Joel McHale and Jim Rash Community Interview:
How do you deal with the behind-the-scenes turmoil?
Jim Rash: “You know, it was sort of like our drama behind the stage was sort of keeping Community on people’s minds outside of fans, I guess.”
Joel McHale: “Yes. And I would say that, you know, especially this year with Dan back, the material has been…I mean, the scripts have been so great that with all the things that have happened with the show, when the material’s this good, you kind of forget about that stuff. And last year was kind of the crazy year, but now that Dan is back it’s like the monarchy has been restored and things are as they should be. So in that sense, the sense of relief that I’ve had this year has been tremendous.”
Do you think that season four was unfairly slammed?
Jim Rash: “Well, I think you can’t have Dan’s mind and the creator’s mind and not feel that there’s some kind of difference. I mean, I think that as great a task that was before them and as great as these writers were that we’ve had over all of our seasons, you know, with Dan’s brain you can’t replicate his sort of vision.
I think the [role] of the whole staff is to sort of go into that vision and help service it. But without him you don’t really have your guide through that. And so, while there were so many things that were already created by the first three seasons — as far as the depth of the characters, the world, how things work, how it operates, how it can be both fantastical but at the same time character-grounded — those things are all there.
But without somebody who has this sort of approach to make it so dense and deep with layers, it’s difficult. It’s a Herculean task that I certainly wouldn’t want to take on. But I think we did our best, you know?”
Joel McHale: “Yes, and like a show like Breaking Bad or Arrested Development, you need that sense of where it comes from. That one place, like Dan – that would be Dan or Mitch Hurwitz. And there was some really good stuff last year but it did not have the direction that the other seasons had.”
What do you think about the large number of guest stars and do you ever think it may work against the show?
Joel McHale: “No, not at all. I would say it only supported it.”
Jim Rash: “Yes.”
Joel McHale: “And I think because Dan’s writing is so terrific, he doesn’t fall into that trap of using guest stars to make up for storytelling. And all these guest stars absolutely support and enhance it. Our guest stars are so creative, like Vince Gilligan and Mitch Hurwitz and Chris Elliot and Paul Williams – I mean, talk about a crazy group of people, including Gina Gershon and the incredible, beautiful, lovely Bree Larson. I think it’s some of the most creative guest stars of the last, I don’t know, I’m going to go with the last 100 years of television.”
Jim Rash: “100 years, Joel?”
Joel McHale: “I don’t care.”
Jim Rash: “That’s amazing.”
What do you think about the departure of Chevy Chase and how it’s handled on the show?
Jim Rash: “Well, I mean, with the departure of Chevy from the show, I think it was a way to sort of service both how he affected the study group – the character of Pierce – and how they would move forward from this moment. I think that it’s always difficult when a transition period happens. Obviously, you know, five episodes in we deal with the transition of Troy leaving the school.
But I think it’s about passage of time and it’s the same thing as deciding that all the fourth season had happened the way it happened and then use the ramifications of the choices made there into the fifth season. So I think it was sort of approaching it from the growth of the characters and what it meant for them and the impact of a singular guy on the rest of them. Same thing that will be dealt with, with the Troy departure.”
Joel McHale: “Yes. I think from season four there was a lot of unanswered questions, and Pierce’s departure was kind of abrupt and it needed to be addressed. And it would have been easy for Dan to say everything was a dream upon his return. But the way he handled it was masterful. It really answered all the questions that I think fans would have.”
Do you ever think about whether the show will be renewed? Was there a real concern there may not be a season five?
Jim Rash: “I feel like that’s always…at the end of each year we have that little emotional ‘Will we be back?’ process through our mind. But I think that this whole year was just sort of like a gift. It felt like you were being handed material that was just, I would argue, some of the best of all the seasons. I feel like the growth of this year for all the characters and for Community in general is pretty paramount. You know, in the sense that we really went very far, as far as hitting big sort of epic episodes, but also really paying homage to these characters that we started with five years ago.”
Joel McHale: “Yes. I’d say as Jim just said it always seems like every season we don’t know if we’re coming back. And if we don’t have that feeling, then I don’t know what it would be like.”
Jim Rash: “It would feel weird.”
Joel McHale: “Yes.”
Jim Rash: “It would feel almost anti-Community if we were assured of anything.”
Joel McHale: “Yes, imagine if we were on The Big Bang Theory where we’re like, ‘We can do this until we’re 60 if we want.'”
So how will Jeff’s relationship with the study group change now that he’s a professor?
Joel McHale: “I would say that this year, Jeff — now that he’s a professor — he is once again somewhat destabilized and his immaturities are exposed, a whole new set of them. I think there was a number of things that kind of got taken care of last year, and those things – they’re not things that just get kind of wrapped up. It’s not something like, ‘Well, that was done and now I’m fixed.’ It’s more like you are constantly finding new things to fix and hopefully make you healthier. But Jeff, you know, he’s had years of selfishness and a bunch of that, I think, gets exposed this year. And it was very fun to play.
But there’s no doubt, though, that he loves this study group. He has to really come to terms with how he feels about the school, ultimately. I think Dan just absolutely lays those things out well for Jeff to have to deal with, and as an actor, that was really fun to deal with.”
Joel McHale and Jim Rash star in 'Community' (Photo by: Justin Lubin/NBC)
What’s happening with the relationship between Jeff and the Dean?
Jim Rash: “Well I think this year with the re-pilot, one of the things that we get back to a little bit with season five is that authority figure side of the Dean. You know, although he’s well-intentioned and makes huge mistakes, he does love the school. So I think he’s obviously giddy that Jeff is back, both as an entity but also in the idea of helping save the school, which is once again in jeopardy and continues to be. I think it’s in a constant state of ‘in jeopardy.’
This year definitely leads up to sort of something big in the sense of loss the Dean would feel with the school not being around or these people not being around him, which he has sort of folded into his family by force. And obviously the fascination with Jeff continues and will continue, I’m sure.”
Joel McHale: Yes … can you believe that?”
Jim Rash: “Yes, it’s still there. That’s actually, I think, a request of Joel. I think that Dan was not sure about it and then Joel said, ‘I really want the Dean to still be obsessed with Jeff.’ And I was like, ‘I can go either way.’ And Joel just keeps pushing that agenda.”
Joel McHale: “I will punch you…”
Jim Rash: “That’s correct, right, Joel?”
Joel McHale: “I don’t know where you’re getting this. But it’s weird to me…”
Jim Rash: “I’m getting it from a place called ‘Reality.’ It’s a file I have right here.”
Joel McHale: “Listen, it’s weird to me that you constantly were like, ‘I think the Dean needs to win an Oscar this year and he needs to show it to everyone.'”
Jim Rash: “Hey, I’m just spit-balling ideas, man.”
Would Dean be able to continue his life without Jeff and the study group?
Jim Rash: “Well, I think involvement with Jeff and the study group is something where he’s at his happiest to just be included. I think that just goes to speak to him as a person. I think that he probably has a need there that is not fulfilled yet.”
As an Oscar-winning screenwriter, have you gotten the itch to write an episode this season? You wrote one for season four.
Jim Rash: “No. I mean, I had such a great time being allowed to write last year and was proud to be a part of at least the Community history. But to be honest, it’s like I’m already envious of the stuff we sat down to read this year. I feel like Dan’s brain, Chris McKenna’s brain, and the brains that they have hired — I’m always in awe of that. I think that I would probably do some bad imitation of it if I even attempted. So I sort of enjoy the road they take us on. In other words, they don’t need my bald head.”
Do you always stick to the script?
Joel McHale: “Oh yes.”
Jim Rash: “I think for the most part, yes. I think I would say 99-point-something percent of the time we’re just doing Dan’s and Chris’ and the writers’ words. Wouldn’t you say, Joel?”
Joel McHale: “There’s this weird thing where people are like, ‘Do you guys just kind of make it up as you go along?’ and I’m not sure why. I guess there’s a lot of that. But no, I mean, Dan’s is not an improvised comedy, and Dan’s – all the stuff that Dan is saying in every episode, they’re very deliberate parts of the traintrack that is being laid down to get to the end of this season.
I know this is going to sound really grandiose but it’s as specific as, you know, Shakespeare was with his words, where there’s really no excess. And so, no, there’s not much improvising going on. But as you can see from the performances, they look like they’re improvised because the actors are so damn good.”
Has the departure of Chevy Chase and the exit of Donald Glover changed anything between the cast?
Jim Rash: “I would say not so much changed, but sort of… I mean, it’s the same sort of world, but evolved. You get to figure out what Abed is without Troy, and I think they do a very good job of watching this guy transition into the next chapter of his life without his best friend. The same thing with Pierce’s absence and having other characters complete the study room table. As the study room table becomes a whole other entity, I think it really speaks to the idea of the evolution of a series, that the rules keep getting changed on us, which is very much like reality. And, people adjust.
And so I feel like, if anything, it always opens up new doors when something happens, like the death of someone or the departure of someone. It only helps to explore what happens to Jeff’s character and Britta and all these characters. So I feel like that’s always a wealth of great change for a series.”
Joel McHale: “Yes, and Dan doesn’t shy away from those things and he never has. Just like with Britta and Jeff, through the first season it was like, ‘Will they? Won’t they?’ And Dan goes, ‘Oh they will, and they have been for a year.’
And it’s the same way with Pierce’s departure. Dan will just go headlong into those things. And I will say — and I’ll talk about Jonathan Banks here for a minute — Jonathan Banks’ presence in this show is just absolutely, out-of-this-world tremendous. Not only is he such an incredible actor, he is really funny. And, you know, it’s just a whole different, wonderful vibe. I didn’t mention him with the guest stars earlier, because I count him as a series regular.
And then with Troy’s departure, as Jim just said, you thought that Danny Pudi was awesome before. He is incredible with being this character that is socially different than everybody but is dealing with these big, heavy emotions. And boy, does he do it. I mean, he’s just incredible.”
Will there be any theme episodes this year?
Jim Rash: “Well, you definitely get some this year. I mean, as far as sort of the fantastical side and the school being overtaken with a genre, so to speak, without losing its characters – that you get for sure. We do hit upon some David Fincher worlds and we do all types of stuff.”
Joel McHale: “There’s another D&D episode, I don’t know if I can say that. There is an homage to Logan’s Run. Don’t know if I can say that, but I’m saying it and I don’t know what’s going to happen if I do.”
Joel, did you have more fun playing a student or a teacher?
Joel McHale: “Boy, you know, it’s neither and both at the same time, because they both are really fun to play. I got to do really fun things as a teacher, but as a student I got to do… If you had said to me that you’re going to be in a zombie apocalypse and get to play kind of a Bruce Willis action star while you’re on half-hour sitcom, I would say that you’re probably high. But with the teacher, as we’ve been saying, this season we re-establish ourselves as characters and then things go nuts. And it was fun every day, so I cannot make a distinction.”
Was the cast involved in getting Dan Harmon back on board as showrunner?
Jim Rash: “Certainly Joel probably was paramount in starting these conversations, you know, towards the end of last season I would say, sort of imagining a world where everyone — the whole team, and that meant some crew people as well that had moved to another show for season four — are now back with us. So it really was like putting the family back together and I think Joel needs to take some of that credit.”
What would you say to fans who might have given up on the series during season four to get them to return for season five?
Joel McHale: “Oh boy. Well, beyond Dan Harmon’s return, what else do you need? And I mean, more so, we just need to be promoted well. I think just getting out that general awareness is a key.
But throughout the year last year we had the best fans in the world. And I sadly wasn’t able to be at Comic-Con, but if Comic-Con was any evidence – I saw some of the video – there looked to be no problem. People were back and on board to watch it, evidenced by them having to turn away 4,000 people or something.”
Jim Rash: “Yes, I agree with that.”
Joel McHale: “That said, I will go to people’s homes and I will give them a foot massage.”
Jim Rash: “Yes. And I will go and apologize for the two things they’re doing and then do their chores.”
Joel McHale: “Yes, right. And those chores will be, like, ‘Have you ever seen an Oscar before? Oh, here’s one.'”
Jim Rash: “Well, you know, as long as you don’t take your shirt off and show them the truth. Next.”