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Golden Globes 2025 Nominees: ‘Emilia Perez’ and ‘The Bear’ Top the List

2025 Golden Globes
Poster for the 2025 Golden Globes

Emilia Pérez leads the 82nd Annual Golden Globes film nominations with 10, and The Bear picked up five nominations, topping the television side. Winners for the 2025 Golden Globes will be announced on Sunday, January 5th at 5pm ET/8pm ET on CBS.

Emilia Pérez‘s record-breaking 10 nominations was followed by The Brutalist with seven, Conclave with six, and Anora and The Substance with five. Challengers, A Real Pain, Wicked, and The Wild Robot each picked up four.

Despite coming off a season that divided fans, The Bear pulled off five nominations including Best Comedy, Best Actor, Best Actress, Best Supporting Actor, and Best Supporting Actress. Only Murders in the Building and Shōgun earned four nominations, followed by Baby Reindeer, Disclaimer, Hacks, Monsters: The Lyle and Erik Menendez Story, Mr. & Mrs. Smith, Nobody Wants This, and Ripley with three. Slow Horses, The Diplomat, The Penguin, and True Detective: Night Country also earned three nominations each.

This year’s nominees roster includes 26 performers scoring their first Golden Globes nominations. The 2025 list also finds Selena Gomez and Ariana Grande competing in the Best Performance by a Female Actor in a Supporting Role for Any Motion Picture. The last time two musical artists went against each other was in 2015 when Lady Gaga and Queen Latifah were nominated in the Best Performance in a Miniseries or Television Film category.

Emilia Perez Poster

2025 Golden Globes Nominees

BEST MOTION PICTURE – DRAMA
THE BRUTALIST (A24)
A COMPLETE UNKNOWN (Searchlight Pictures)
CONCLAVE (Focus Features)
DUNE: PART TWO (Warner Bros. Pictures)
NICKEL BOYS (Orion Pictures / Amazon MGM Studios)
SEPTEMBER 5 (Paramount Pictures)

BEST MOTION PICTURE – MUSICAL OR COMEDY
ANORA (NEON)
CHALLENGERS (Amazon MGM Studios)
EMILIA PÉREZ (Netflix)
A REAL PAIN (Searchlight Pictures)
THE SUBSTANCE (MUBI)
WICKED (Universal Pictures)

BEST MOTION PICTURE – ANIMATED
FLOW (Sideshow / Janus Films)
INSIDE OUT 2 (Walt Disney Studios Motion Pictures)
MEMOIR OF A SNAIL (IFC Films)
MOANA 2 (Walt Disney Studios Motion Pictures)
WALLACE & GROMIT: VENGEANCE MOST FOWL (Netflix)
THE WILD ROBOT (Universal Pictures)

CINEMATIC AND BOX OFFICE ACHIEVEMENT
ALIEN: ROMULUS (Walt Disney Studios Motion Pictures)
BEETLEJUICE BEETLEJUICE (Warner Bros. Pictures)
DEADPOOL & WOLVERINE (Walt Disney Studios Motion Pictures)
GLADIATOR II (Paramount Pictures)
INSIDE OUT 2 (Walt Disney Studios Motion Pictures)
TWISTERS (Universal Pictures)
WICKED (Universal Pictures)
THE WILD ROBOT (Universal Pictures)

BEST MOTION PICTURE – NON-ENGLISH LANGUAGE
ALL WE IMAGINE AS LIGHT (Sideshow / Janus Films) – USA / FRANCE / INDIA
EMILIA PÉREZ (Netflix) – FRANCE
THE GIRL WITH THE NEEDLE (MUBI) – POLAND / SWEDEN / DENMARK
I’M STILL HERE (Sony Pictures Classics) – BRAZIL
THE SEED OF THE SACRED FIG (NEON) – USA / GERMANY
VERMIGLIO (Sideshow / Janus Films) – ITALY

BEST PERFORMANCE BY A FEMALE ACTOR IN A MOTION PICTURE – DRAMA
PAMELA ANDERSON (THE LAST SHOWGIRL)
ANGELINA JOLIE (MARIA)
NICOLE KIDMAN (BABYGIRL)
TILDA SWINTON (THE ROOM NEXT DOOR)
FERNANDA TORRES (I’M STILL HERE)
KATE WINSLET (LEE)

BEST PERFORMANCE BY A MALE ACTOR IN A MOTION PICTURE – DRAMA
ADRIEN BRODY (THE BRUTALIST)
TIMOTHÉE CHALAMET (A COMPLETE UNKNOWN)
DANIEL CRAIG (QUEER)
COLMAN DOMINGO (SING SING)
RALPH FIENNES (CONCLAVE)
SEBASTIAN STAN (THE APPRENTICE)

BEST PERFORMANCE BY A FEMALE ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY
AMY ADAMS (NIGHTBITCH)
CYNTHIA ERIVO (WICKED)
KARLA SOFÍA GASCÓN (EMILIA PÉREZ)
MIKEY MADISON (ANORA)
DEMI MOORE (THE SUBSTANCE)
ZENDAYA (CHALLENGERS)

BEST PERFORMANCE BY A MALE ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY
JESSE EISENBERG (A REAL PAIN)
HUGH GRANT (HERETIC)
GABRIEL LABELLE (SATURDAY NIGHT)
JESSE PLEMONS (KINDS OF KINDNESS)
GLEN POWELL (HIT MAN)
SEBASTIAN STAN (A DIFFERENT MAN)

BEST PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE
SELENA GOMEZ (EMILIA PÉREZ)
ARIANA GRANDE (WICKED)
FELICITY JONES (THE BRUTALIST)
MARGARET QUALLEY (THE SUBSTANCE)
ISABELLA ROSSELLINI (CONCLAVE)
ZOE SALDAÑA (EMILIA PÉREZ)

BEST PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE
YURA BORISOV (ANORA)
KIERAN CULKIN (A REAL PAIN)
EDWARD NORTON (A COMPLETE UNKNOWN)
GUY PEARCE (THE BRUTALIST)
JEREMY STRONG (THE APPRENTICE)
DENZEL WASHINGTON (GLADIATOR II)

BEST DIRECTOR – MOTION PICTURE
JACQUES AUDIARD (EMILIA PÉREZ)
SEAN BAKER (ANORA)
EDWARD BERGER (CONCLAVE)
BRADY CORBET (THE BRUTALIST)
CORALIE FARGEAT (THE SUBSTANCE)
PAYAL KAPADIA (ALL WE IMAGINE AS LIGHT)

BEST SCREENPLAY – MOTION PICTURE
JACQUES AUDIARD (EMILIA PÉREZ)
SEAN BAKER (ANORA)
BRADY CORBET, MONA FASTVOLD (THE BRUTALIST)
JESSE EISENBERG (A REAL PAIN)
CORALIE FARGEAT (THE SUBSTANCE)
PETER STRAUGHAN (CONCLAVE)

BEST ORIGINAL SCORE – MOTION PICTURE
VOLKER BERTELMANN (CONCLAVE)
DANIEL BLUMBERG (THE BRUTALIST)
KRIS BOWERS (THE WILD ROBOT)
CLÉMENT DUCOL, CAMILLE (EMILIA PÉREZ)
TRENT REZNOR, ATTICUS ROSS (CHALLENGERS)
HANS ZIMMER (DUNE: PART TWO)

BEST ORIGINAL SONG – MOTION PICTURE
“BEAUTIFUL THAT WAY” –– THE LAST SHOWGIRL
Music & Lyrics by: Andrew Wyatt, Miley Cyrus, Lykke Zachrisson
“COMPRESS / REPRESS” –– CHALLENGERS
Music & Lyrics by: Trent Reznor, Atticus Ross, Luca Guadagnino
“EL MAL” –– EMILIA PÉREZ
Music & Lyrics by: Clément Ducol, Camille, Jacques Audiard
“FORBIDDEN ROAD” –– BETTER MAN
Music & Lyrics by: Robbie Williams, Freddy Wexler, Sacha Skarbek
“KISS THE SKY” –– THE WILD ROBOT
Music & Lyrics by: Delacey, Jordan K. Johnson, Stefan Johnson, Maren Morris, Michael
Pollack, Ali Tamposi
“MI CAMINO” –– EMILIA PÉREZ
Music & Lyrics by: Clément Ducol, Camille

The Bear Jeremy Allen White
Jeremy Allen White as Carmen “Carmy” Berzatto, Abby Elliott as Natalie “Sugar” Berzatto, and Ayo Edebiri as Sydney Adamu in ‘The Bear’ (Photo CR: Chuck Hodes/FX)

BEST TELEVISION SERIES – DRAMA
THE DAY OF THE JACKAL (PEACOCK)
THE DIPLOMAT (NETFLIX)
MR. & MRS. SMITH (PRIME VIDEO)
SHŌGUN (FX/HULU)
SLOW HORSES (APPLE TV+)
SQUID GAME (NETFLIX)

BEST TELEVISION SERIES – MUSICAL OR COMEDY
ABBOTT ELEMENTARY (ABC)
THE BEAR (FX/HULU)
THE GENTLEMEN (NETFLIX)
HACKS (HBO | MAX)
NOBODY WANTS THIS (NETFLIX)
ONLY MURDERS IN THE BUILDING (HULU)

BEST TELEVISION LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TELEVISION
BABY REINDEER (NETFLIX)
DISCLAIMER (APPLE TV+)
MONSTERS: THE LYLE AND ERIK MENENDEZ STORY (NETFLIX)
THE PENGUIN (HBO | MAX)
RIPLEY (NETFLIX)
TRUE DETECTIVE: NIGHT COUNTRY (HBO | MAX)

BEST PERFORMANCE BY A FEMALE ACTOR IN A TELEVISION SERIES – DRAMA
KATHY BATES (MATLOCK)
EMMA D’ARCY (HOUSE OF THE DRAGON)
MAYA ERSKINE (MR. & MRS. SMITH)
KEIRA KNIGHTLEY (BLACK DOVES)
KERI RUSSELL (THE DIPLOMAT)
ANNA SAWAI (SHŌGUN)

BEST PERFORMANCE BY A MALE ACTOR IN A TELEVISION SERIES – DRAMA
DONALD GLOVER (MR. & MRS. SMITH)
JAKE GYLLENHAAL (PRESUMED INNOCENT)
GARY OLDMAN (SLOW HORSES)
EDDIE REDMAYNE (THE DAY OF THE JACKAL)
HIROYUKI SANADA (SHŌGUN)
BILLY BOB THORNTON (LANDMAN)

BEST PERFORMANCE BY A FEMALE ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY
KRISTEN BELL (NOBODY WANTS THIS)
QUINTA BRUNSON (ABBOTT ELEMENTARY)
AYO EDEBIRI (THE BEAR)
SELENA GOMEZ (ONLY MURDERS IN THE BUILDING)
KATHRYN HAHN (AGATHA ALL ALONG)
JEAN SMART (HACKS)

BEST PERFORMANCE BY A MALE ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY
ADAM BRODY (NOBODY WANTS THIS)
TED DANSON (A MAN ON THE INSIDE)
STEVE MARTIN (ONLY MURDERS IN THE BUILDING)
JASON SEGEL (SHRINKING)
MARTIN SHORT (ONLY MURDERS IN THE BUILDING)
JEREMY ALLEN WHITE (THE BEAR)

BEST PERFORMANCE BY A FEMALE ACTOR IN A LIMITED SERIES, ANTHOLOGY SERIES, OR A MOTION PICTURE MADE FOR TELEVISION
CATE BLANCHETT (DISCLAIMER)
JODIE FOSTER (TRUE DETECTIVE: NIGHT COUNTRY)
CRISTIN MILIOTI (THE PENGUIN)
SOFÍA VERGARA (GRISELDA)
NAOMI WATTS (FEUD: CAPOTE VS. THE SWANS)
KATE WINSLET (THE REGIME)

BEST PERFORMANCE BY A MALE ACTOR IN A LIMITED SERIES, ANTHOLOGY SERIES, OR A MOTION PICTURE MADE FOR TELEVISION
COLIN FARRELL (THE PENGUIN)
RICHARD GADD (BABY REINDEER)
KEVIN KLINE (DISCLAIMER)
COOPER KOCH (MONSTERS: THE LYLE AND ERIK MENENDEZ STORY)
EWAN MCGREGOR (A GENTLEMAN IN MOSCOW)
ANDREW SCOTT (RIPLEY)

BEST PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE ON TELEVISION
LIZA COLÓN-ZAYAS (THE BEAR)
HANNAH EINBINDER (HACKS)
DAKOTA FANNING (RIPLEY)
JESSICA GUNNING (BABY REINDEER)
ALLISON JANNEY (THE DIPLOMAT)
KALI REIS (TRUE DETECTIVE: NIGHT COUNTRY)

BEST PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE ON TELEVISION
TADANOBU ASANO (SHŌGUN)
JAVIER BARDEM (MONSTERS: THE LYLE AND ERIK MENENDEZ STORY)
HARRISON FORD (SHRINKING)
JACK LOWDEN (SLOW HORSES)
DIEGO LUNA (LA MÁQUINA)
EBON MOSS-BACHRACH (THE BEAR)

BEST PERFORMANCE IN STAND-UP COMEDY ON TELEVISION
JAMIE FOXX (JAMIE FOXX: WHAT HAD HAPPENED WAS)
NIKKI GLASER (NIKKI GLASER: SOMEDAY YOU’LL DIE)
SETH MEYERS (SETH MEYERS: DAD MAN WALKING)
ADAM SANDLER (ADAM SANDLER: LOVE YOU)
ALI WONG (ALI WONG: SINGLE LADY)
RAMY YOUSSEF (RAMY YOUSSEF: MORE FEELINGS)




‘The Gorge’ Trailer: Miles Teller and Anya Taylor-Joy Hold Off an Unseen Enemy

Top Gun: Maverick‘s Miles Teller and Emmy nominee Anya Taylor-Joy (The Queen’s Gambit) man posts on opposite sides of a gorge in the appropriately titled thriller, The Gorge. Heading to Apple TV+ on Valentine’s Day 2025, The Gorge comes from The Black Phone director Scott Derrickson and The Tomorrow War screenwriter Zach Dean.

Sigourney Weaver also stars, and David Ellison, Dana Goldberg, Don Granger, Scott Derrickson, C.Robert Cargill, Sherryl Clark, Adam Kolbrenner, Zach Dean, and Gregory Goodman serve as producers. Miles Teller executive produces.

“Two highly-trained operatives (Miles Teller and Anya Taylor-Joy) are appointed to posts in guard towers on opposite sides of a vast and highly classified gorge, protecting the world from an undisclosed, mysterious evil that lurks within. They bond from a distance while trying to stay vigilant in defending against an unseen enemy,” reads Apple TV+’s synopsis. “When the cataclysmic threat to humanity is revealed to them, they must work together in a test of both their physical and mental strength to keep the secret in the gorge before it’s too late.”

Miles Teller’s recent credits include The Offer, Spiderhead, Too Old to Die Young, and Thank You for Your Service. In 2024, Anya Taylor-Joy starred in Furiosa: A Mad Max Saga and Dune: Part Two. Her filmography also includes The Menu, Amsterdam, and Last Night in Soho.

The Gorge Poster
Poster for Apple TV+’s ‘The Gorge’

‘Star Trek: Section 31’ Unveils an Official Trailer and Poster

Star Trek: Section 31‘s official trailer packs in action, drama, humor, and lots of Michelle Yeoh. The full trailer premiered during CCXP in São Paolo, Brazil, followed by its online debut. Paramount+ has set a Friday, January 24, 2025 streaming premiere.

Oscar winner Michelle Yeoh (Everything Everywhere All at Once) leads the cast, reprising her role as Emperor Philippa Georgiou from Star Trek: Discovery. The original film also stars Omari Hardwick (Power), Kacey Rohl (Hannibal), Sam Richardson (Ted Lasso), Sven Ruygrok (One Piece), and Robert Kazinsky (Pacific Rim). Plus, Humberly Gonzalez (Ginny & Georgia), James Hiroyuki Liao (Barry), and Miku Martineau (Kate) star.

“In the movie, Yeoh reprises her fan-favorite role as Emperor Philippa Georgiou – a character she played in Star Trek: Discovery’s first season – who joins a secret division of Starfleet,” reads Paramount+’s synopsis. “Tasked with protecting the United Federation of Planets, she also must face the sins of her past.”

Olatunde Osunsanmi directs and serves as an executive producer along with Michelle Yeoh, Alex Kurtzman, Aaron Baiers, Frank Siracusa, John Weber, Rod Roddenberry, and Trevor Roth. Craig Sweeny wrote the screenplay and also executive produces.

‘Yellowstone’ Season 5 Episode 13 Recap: “Give the World Away”

Yellowstone Season 5 Episode 13 Recap
Cole Hauser as Rip Wheeler and Kelly Reilly as Beth Dutton in ‘Yellowstone’ season 5 episode 13 (Photo credit: Paramount Network)

Paramount Network’s Yellowstone season five episode 13, previously announced as the series’ penultimate episode, opens with the ranch preparing for a huge auction. Beth (Kelly Reilly) is selling everything, and Rip (Cole Hauser) worries that selling all their livestock will leave him with nothing to do. Beth believes businesses shouldn’t own anything outright. Businesses should run on loans.

“And you never pay any income tax because you never show a f**king profit – no matter how much money the ranch makes,” explains Beth.

Rip confirms Travis Wheatley is selling the big-money horses in Texas, and the first sale is happening tonight. Beth doesn’t trust Travis and jumps on the phone and books a flight. Rip doesn’t want her to see Travis without him. Travis is trustworthy around horses but a real player around women, including the wives of his friends. Of course, Beth is going anyway because she can take care of herself.

Thomas Rainwater (Gil Birmingham) and Mo (Mo Brings Plenty) watch as the pipeline work continues. Their hands are tied, legally, but Thomas thinks the people can stop things by tampering with the pipe. Mo believes that’s declaring war, and Thomas reminds him they’ve been at war for two centuries.

Ellis Steele (John Emmet Tracy) leads the Market Equities team as the news breaks that Montana Governor John Dutton was murdered after canceling Market Equities’ planned community. Ellis calls his superiors and suggests they consider the possibility that the recently gunned-down Sarah Atwood was involved. His call’s interrupted by a commotion in the main office.

Detective Dillard (Rory Cochrane) presents Ellis with a warrant and orders everyone to vacate the premises, backed up by a swarm of cops. Ellis confirms Sarah Atwood had an office in the building.

The chickens are also coming home to roost for Jamie (Wes Bentley). He’s home alone when a news report comes on with details about his relationship with Sarah. The breaking news includes the fact that Jamie will profit from the Market Equities land lease. Jamie screams, “How could you know that? What evidence? What? Who the f**k are you talking to?” (Absolutely love seeing Jamie squirm!)

Beth’s flying to Texas when Jamie (labeled as “F**ktard” on her phone) calls and warns her he’ll reveal all their family’s secrets if she destroys him. Beth reminds him it’s not his family and that, unlike him, she keeps her promises.

Kayce (Luke Grimes) arrives home and, without going into specifics, tells Monica (Kelsey Asbille) that he paid a visit to the people who murdered his father. He showed them what he’s capable of and warned them to stay away from his family. Kayce also reveals he’s been trying his entire life to leave this place, and now he’s finally going to do it.

Yellowstone Season 5 episode 13 recap
Ian Bohen as Ryan in ‘Yellowstone’ season 5 (Photo Credit: Paramount Network)

The Texas crew – Teeter, Ryan, Walker, and Jake – return to the ranch, surprised to see bleachers set up. Carter informs them the ranch is auctioning everything. Teeter (Jen Landon) heads to the bunkhouse, and Ryan (Ian Bohen) wants to follow since Colby was his best friend. Walker (Ryan Bingham) believes that’s exactly why he’s the one who needs to check on her. Lloyd (Forrie J. Smith) and Teeter agree the horse that killed Colby should have been put down a while ago.

Walker reminds Teeter that Colby was doing what he loved when he died and that his death came quickly. Lloyd hands Teeter Colby’s hat, and Teeter pauses for a minute before putting it on.

Ryan hands Rip a check for $15 million for the sale of the cattle in Texas. Ryan wonders if they’ll still have jobs after this big sale, and Rip doesn’t mince words. He wants everyone to stay until after the auction. After that, the ranch will just need day workers. Lloyd and Carter will stay, but everyone else should try to catch on at other ranches. Rip suggests Ryan should put “wagon boss” on his resume. Ryan walks away without responding.

Beth walks into the 6666 Ranch’s big house as Travis (Taylor Sheridan) and some of his men are playing strip poker with a bunch of pretty women. Beth would rather have a gasoline enema than play and informs Travis that he’s keeping the buyers waiting down at the arena.

Minutes later, Travis shows the Dutton horses to Brazilian buyers. Travis’ girlfriend, Sadie (Bella Hadid), seems intelligent, and Beth is genuinely curious when she asks about his appeal. Beth describes him as arrogant, condescending, and misogynistic, but Sadie confesses it doesn’t matter after watching him ride.

Beth watches and says, “Okay, yeah, I get it.”

The Brazilians offer $2 million for the horse Travis just put through his paces. They’re shocked when Travis asks another small group of men if they want to top that. Travis didn’t inform the Brazilians they’d be bidding against anyone, and they up their offer to $3 million–take it or leave it. They win because, unbeknownst to them, they’re bidding against the ranch’s maintenance crew. Even Beth’s impressed with the ruse.

The ranch hosts a party to celebrate, and Beth learns from a cowboy that $3 million is a fair price for that horse. She asks Travis for a private chat and tells him she needs him in Montana for their auction. Beth’s impressed by the fireworks he just pulled off in the arena and admits she doesn’t know anyone else who can do what he does.

Travis isn’t interested because auctions don’t earn him a commission. Beth did not know he just netted $300,000 for selling that horse, but she’s undeterred. She reminds him that Rip is his friend, and their ranch is in trouble. Surprisingly, Beth politely asks if he’ll help at the auction without a commission. She even adds “please” at the end.

Travis suggests they play strip poker for it, and Beth warns Rip will tear out his heart for this. They both go all-in on the first hand and Travis wins easily. He pulls out his cell phone to film her stripping, and Beth stands up, ready to pay off the bet. Travis tells her to stop before she removes anything. He will help without a commission and plans to fly out tomorrow morning.

Back at the ranch, Rip tells Lloyd he’s invited everyone who meant something to the ranch to the auction. That includes Charlie, another chuck wagon cook. Rip informs Lloyd that he wants him to stay on, and Lloyd confesses that after 43 years, he hated the thought of leaving.

Jamie pays a late-night visit to his ex, Christina (Katherine Cunningham). He confesses to sleeping with Sarah, but denies any involvement in his father’s death. Their son’s asleep, so they talk quietly in the living room. Jamie sticks to his claim that he did not know what was planned. Sarah did, but he was clueless until after the fact. Jamie also insists that although he knew Sarah was involved, he said nothing since the company she hired for the hit would take him out.

Christina says he’s complicit, and Jamie asks for her advice. Christina agrees to help, but only to protect their child’s legacy. She suggests Jamie call a press conference and launch an investigation into Sarah and John’s deaths. He must announce that he was working with Sarah to restore the development, but never had an affair. Christina believes he should threaten legal action against those who say otherwise. She also thinks he needs to praise John’s love of Montana.

Christina, in full political advisor mode, says Jamie should say that John’s murder was an act of violence against the citizens of Montana and their right to choose their representatives. He’ll also need to release all findings of the investigation and connect Sarah to the murder. (This won’t work because Jamie told Detective Dillard they were in a relationship and that they weren’t discussing business.)

Beth returns home, and Rip’s sleeping on the couch. She admits he was right about Travis and wonders how he could possibly be his friend. Rip recalls being on a date 20 years ago (Beth isn’t happy about that) and having a man hit on the girl he was dating. Travis, who was training horses for John, was at the bar and stood up for him. The fight was brutal, but Rip noticed Travis smiling during the fight.

After they were kicked out of the bar, Travis went back in to get his hat. Travis’ nose and jaw were broken, and he was a bloody mess, but when he noticed a guy wearing Rip’s hat, he stared him down. The guy handed over Rip’s hat with no further bloodshed.

Rip asks Beth how many friends she has like that, and Beth says, “Just you.”

Travis shows up, like he promised, and the auction’s crowded with potential bidders. Monica quietly asks Beth if this will raise enough to cover the taxes. Beth admits it won’t and that they’ll have to start selling off pieces of the land soon to cover the debt. “There is no solution. We’re just buying time while we look for it,” says Beth.

Yellowstone Season 5 Recap
Luke Grimes in ‘Yellowstone’ season 5 (Photo Credit: Paramount Network)

Kayce joins them with an update from the coroner. They need to know where to send John’s body, and Monica volunteers to handle the arrangements. Beth’s touched and thanks her before walking away to collect herself. She tells Rip her dad’s coming home and that they’ll hold the funeral after the auction ends. She doesn’t want to invite anyone.

Travis and the cowboys get busy impressing buyers in the arena. The Turnpike Troubadours entertain the crowd after day one of the auction wraps up in the arena. The Yellowstone gang spends some downtime discussing their potential next jobs, and Walker asks Jimmy if the 6666 is hiring. Jimmy informs them they only hired married men to work the cattle.

Laramie (Hassie Harrison) shows up, and she and Walker immediately kiss. (In real life, Harrison and Bingham fell in love and got married after meeting during Yellowstone season three.) Teeter walks off, deep in mourning for Colby.

Beth reminds the head bartender to make tonight’s drinks light and make tomorrow’s drinks doubles. She doesn’t want the bidders to be hungover. Beth spots Senator Lynelle Perry (Wendy Moniz) and joins her for a drink. Lynelle recalls her private times with her dad. she knew Beth’s mother well and confesses she’s been to more funerals on this ranch than anywhere else in Montana. Beth invites her to John’s funeral, a private affair with just family and the ranch’s cowboys.

Kayce asks Monica to dance and she jokes she didn’t know he knew how. They hit the dance floor and Kayce says they’re making memories while they still can. Monica admits Beth made it sound like the ranch has no future. Kayce reveals he’s got a plan that he knows in his heart will work, but he can’t tell anyone–including her–yet. He’s also certain it’s the right thing.

Beth and Rip are having a quiet moment when Teeter walks by, heading to the bunkhouse. Beth knows Teeter needs someone to listen to her and follows her to Colby’s bunk. Beth confesses that when she’s upset, she goes to a tourist bar and waits for one of the men there to hit on her. When they do, she metaphorically slices them from pecker to sternum. She invites Teeter to get drunk with her and f^^k with a bunch of out-of-towners.

They head to a fancy bar full of garbage people invading their beautiful state. A man glances over and smiles, and Beth and Teeter primp before he comes over and introduces himself. Beth assesses him and guesses he went to Penn State, which his dad paid for, then worked as a trader and is a deadbeat dad. He left them behind and moved to Miami where he’s been banging wannabe models, trying to forget the one time he sucked a man’s penis.

He walks away, tail between his legs. Teeter thinks Beth is psychic or a witch. Another man walks over, and Beth lets Teeter take this one. Teeter threatens him with violence, and Beth admits this might not be a game for her. Teeter doesn’t care, she’s just thankful that Beth took her out. Beth admits this feeling won’t go away and that there will always be a hole in her heart. Teeter wonders how she’s supposed to fix it, and Beth confesses she still hasn’t figured that out.

Day two of the auction starts with the National Anthem followed by Teeter and Kayce riding into the arena with two horses, saddled but riderless. The auctioneer asks the crowd to remain standing to honor the memories of two men who loved this land. He says that if John Dutton were here today, his one hope would be that he “inspired in you the tenacity to persevere in a world that sees you – the farmer, the rancher, the food producers of this nation and the world – as an obstacle instead of the keystone to their very survival.”

After the auction ends, Beth walks through an empty barn, footsteps echoing in the quietness. Carter walks up, confused about what he’s supposed to do now that he doesn’t have chores to look after.

Beth informs Kayce they brought in over $30 million. That should buy them at least a year, but Kayce doesn’t smile even though this is good news. He asks Beth to promise him not to spend any money that she’s earned on this place. She makes him make the same promise.

Kayce finally reveals part of his plan, but it takes Beth a minute to catch on. He asks what her car is worth, and she says, “$300,000.” He wonders how much he’d have to pay in sales tax if she sold it to him for a dollar. Would it be based on the car’s actual value or how much he paid? Beth confirms it would be based on the purchase price.

Kayce walks away and Beth stands there for a second as it finally hits her. As he’s driving off, she wonders why she didn’t think of it first. Beth screams, “Kayce!” and he stops. She asks who, and he says she needs to give him the day to make sure. “You’re smarter than you look, little brother,” says Beth, giving him a kiss on the cheek before adding, “Thank you.”

Monica still doesn’t know Kayce’s plan, but now Beth does. Kayce believes the only way to save this place is to give it away!




‘Dexter: Original Sin’ Teases Young Killer’s Origins with New Clip

Paramount+ with Showtime’s new two-minute Dexter: Original Sin clip finds a young Dexter Morgan showing up for his first day at work. The clip, which premiered at CCXP in São Paolo, Brazil, ends with Dexter being shown to his desk and taking his work chair for a spin.

Patrick Gibson slips into the role of the serial killer in training, with Michael C. Hall returning to provide his inner voice. Christian Slater plays Dexter’s dad, Harry Morgan, and Molly Brown plays his sister, Debra. The cast includes Christina Milian, James Martinez, Alex Shimizu, and Reno Wilson. Sarah Michelle Gellar guest stars as Tanya Martin and Patrick Dempsey plays Aaron Spencer.

Patrick Gibson in Dexter: Original Sin
Patrick Gibson as Dexter Morgan in ‘Dexter: Original Sin’ (Photo Credit: Myrna Suarez/Paramount+ with Showtime)

“Dexter: Original Sin is set in 1991 Miami and follows Dexter (Gibson) as he transitions from student to avenging serial killer. When his bloodthirsty urges can’t be ignored any longer, Dexter must learn to channel his inner darkness. With the guidance of his father, Harry (Slater), he adopts a Code designed to help him find and kill people who deserve to be eliminated from society without getting on law enforcement’s radar,” reads Showtime’s synopsis. “This is a particular challenge for young Dexter as he begins a forensics internship at the Miami Metro Police Department.”

The prequel will premiere on Paramount+ with Showtime on Friday, December 13, 2024 and on Showtime linear on December 15th at 10pm ET/PT.

Clyde Phillips serves as showrunner and executive producer of the 10-episode season. Scott Reynolds, Michael C. Hall, Mary Leah Sutton, Tony Hernandez, and Lilly Burns also executive produce. Robert Lloyd Lewis produces, and Michael Lehmann is the directing executive producer.

‘Ghosts’ Season 4 Episode 7 Preview: Photos, “Sad Farnsby” Promo, and Cast

Isaac gets a dinosaur bed and Sam and Jay get a new, hopefully temporary, guest on CBS’s Ghosts season four episode seven. Directed by Heather Jack from a script by Guy Endore-Kaiser, episode seven will air on Thursday, December 12, 2024 at 8:30pm ET/PT.

Rose McIver stars as Sam, Utkarsh Ambudkar is Jay, Brandon Scott Jones is Isaac, and Richie Moriarty plays Pete. Danielle Pinnock is Alberta, Asher Grodman is Trevor, Román Zaragoza stars as Sasappis, Rebecca Wisocky plays Hetty, Devan Chandler Long is Thorfinn, and Sheila Carrasco is Flower.

“Sad Farnsby” Plot: When Sam accidentally creates a rift between Sam and Jay’s neighbors, the Farnsbys, Henry Farnsby moves into Woodstone B&B. Also, Isaac and Nigel battle over a belated wedding present.

Ghosts Season 4 Episode 7
Brandon Scott Jones as Isaac in ‘Ghosts’ season 4 episode 7 (Photo: Jonathan Wenk © 2024 CBS Broadcasting, Inc)

Ghosts Description, Courtesy of CBS:

Ghosts is a single-camera comedy about Samantha and Jay, a cheerful freelance journalist and up-and-coming chef from the city, respectively, who threw both caution and money to the wind when they decided to convert Woodstone Mansion, which Sam inherited, into a bed & breakfast – only to find it was inhabited by the many spirits of deceased residents who now call it home.

The departed souls are a close-knit, eclectic group that includes a saucy Prohibition-era lounge singer (Danielle Pinnock); a pompous 18th-century militiaman (Brandon Scott Jones); a ‘60s hippie fond of hallucinogens (Sheila Carrasco); an overly upbeat ‘80s scout troop leader (Richie Moriarty); a cod-obsessed Viking explorer from 1009 (Devon Chandler Long); a slick ‘90s finance bro (Asher Grodman); a sarcastic and witty native from the 16th-century (Román Zaragoza); and a society woman and wife of a 19th-century robber baron who is Sam’s ancestor (Rebecca Wisocky), to name a few. The opening of the B&B has been a source of intrigue, anxiety, and curiosity among the spirits, but they will gladly put up with the commotion as long as they can continue to interact with a living inhabitant.

Devan Chandler Long, roman Zaragoza, and Utkarsh Ambudkar
Richie Moriarty as Pete, Devan Chandler Long as Thorfinn, Román Zaragoza as Sasappis, and Utkarsh Ambudkar as Jay in season 4 episode 7 (Photo: Jonathan Wenk © 2024 CBS Broadcasting, Inc)
Rose McIver and Mark Linn-Baker
Rose McIver as Samantha, Utkarsh Ambudkar as Jay, and Mark Linn-Baker as Henry Farnsby in season 4 episode 7 (Photo: Bertrand Calmeau © 2024 CBS Broadcasting, Inc.)
Brandon Scott Jones and John Hartman
Brandon Scott Jones as Isaac and John Hartman as Nigel Chessum in season 4 episode 7 (Photo: Jonathan Wenk © 2024 CBS Broadcasting, Inc)
Ghosts Season 4 Episode 7
Brandon Scott Jones as Isaac, Rebecca Wisocky as Hetty, and Danielle Pinnock as Alberta in ‘Ghosts’ season 4 episode 7 (Photo: Bertrand Calmeau © 2024 CBS Broadcasting, Inc)
Utkarsh Ambudkar and Danielle Pinnock
Utkarsh Ambudkar as Jay, Richie Moriarty as Pete, Román Zaragoza as Sasappis, Devan Chandler Long as Thorfinn and Danielle Pinnock as Alberta in season 4 episode 7 (Photo: Bertrand Calmeau © 2024 CBS Broadcasting, Inc)

‘The Order’ Review: A Disturbingly Timely Thriller

The Order Review
Jude Law, Jurnee Smollett, and Tye Sheridan in ‘The Order’ (Photo Courtesy of Vertical)

What a disheartening reflection on our times that The Order ranks among the most relevant dramas of the last ten years. It shouldn’t. 2024 should not see us still struggling with the issues of white supremacy and armed extremist groups. Yet here we are.

The Order is based on the true story of Bob Mathews (Nicholas Hoult) and his followers, a violent neo-Nazi group responsible for a series of bank robberies, bombings, and murders in the 1980s. FBI Agent Terry Husk (two-time Oscar nominee Jude Law) is sent to the Pacific Northwest to investigate the Aryan Nation with little in the way of support. The local sheriff is willfully blind to the extensive presence of Nazis in his community and tries to blow off Agent Husk. But deputy sheriff Jamie Bowen (a scene-stealing Tye Sheridan, playing a father for the first time) steps forward, volunteering his help and expertise on the area’s neo-Nazi network.

Jamie’s high school friend’s involvement with The Order revealed they’re up to more than just printing flyers to recruit like-minded members. Jamie’s friend has firsthand knowledge that The Order’s committing robberies and printing counterfeit money. They’re building up quite a stash of cash to fund the militia, but their modus operandi is at odds with the area’s larger, more well-established Aryan Nation. The splintering of the Nazis should work to law enforcement’s advantage. It doesn’t because Bob Mathews’ group is ultra-violent and ready for war.

Both the larger, more old-school Aryan Nation group, led by Richard Butler (Victor Slezak), and Bob’s splinter group adhere to the teachings of The Turner Diaries, written in 1978. The Turner Diaries is a blueprint for domestic terrorism, including Timothy McVeigh’s Oklahoma City bombing and the January 6th insurrection at the U.S. Capitol. As Jamie points out, the book has six steps: recruiting, fundraising, armed revolution, domestic terrorism, assassination, and, ultimately, the day of the rope. (The phrase “day of the rope” refers to the day when they plan to lynch race traitors.)

Bob wants action and chaos now, while Butler is more of a politician – all talk, no real action. When Butler speaks at a national alliance convention, Bob leads a revolt from the audience. He inspires chants of “Defeat never, victory forever!” and “White Power!” He’d fit right in among the despicable January 6th or Unite the Right crowds.

The murder of Jewish radio talk show host Alan Berg (Marc Maron) on Bob’s orders escalates FBI Agent Husk’s investigation. Berg’s murder catapults The Order into the national spotlight and attracts additional FBI agents to the investigation, led by Agent Joanne Carney (Jurnee Smollett). Through it all, Bob’s control over The Order and desire to speed up their war against people of color and Jewish people never falter.

The Order, directed by Australian filmmaker Justin Kurzel (True History of the Kelly Gang) and based on reporters Kevin Flynn and Gary Gerhardt’s book The Silent Brotherhood, is nearly two hours of action with an old-school ‘80s crime thriller vibe. Zach Baylin adapted Flynn and Gerhardt’s 1989 non-fiction book, which remains as timely today as when Mathews and The Order terrorized the Pacific Northwest.

Baylin’s script draws parallels between Bob Mathews and FBI Agent Terry Husk. Both men show total commitment and are laser-focused on their goals. Mathews is the more charismatic of the two, but Husk’s devotion to rooting out the Aryan Nation and bringing white supremacists to justice draws people to his crusade. Collateral damage is barely taken into consideration by either side.

The film shows FBI Agent Husk’s singular focus on bringing down The Order, and the maneuvering on both sides as they head toward their ultimate showdown. Playing an FBI agent who’s taken on the KKK and Cosa Nostra, Jude Law’s given us the performance we’ve been waiting for him to deliver after years of forgettable roles. Law’s demeanor reveals the burden on Husk; the exhaustion of fighting a battle in an endless war.

Nicholas Hoult’s having a terrific 2024, with outstanding performances in Nosferatu, Juror #2, and The Order. Hoult’s portrayal of Bob Mathews is unexpectedly restrained, revealing the evil festering in his heart only in brief spurts. Bob’s leadership in The Order is unquestioned, even during intense gun battles, as he remains calm and composed; there’s no internal dissent.

Kurzel’s direction and Baylin’s script never allow for any downtime. Taking place in the ‘80s, the film’s cinematography by Adam Arkapaw evokes the style of crime dramas of that decade. The Order, given its subject, should be brutally violent. And it is, but not excessively or gratuitously so. The camera doesn’t linger on the bloodshed, staying just long enough to have an impact.

The depicted events, regrettably, reflect current headlines with minimal changes. The Order entertains but also makes us question if there will ever come a time when people like Bob Mathews will cease to find a following.

GRADE: A

Release Date: December 6, 2024
Running Time: 1 hour 56 minutes
MPAA Rating: R for language throughout and some strong violence
Distributor: Vertical




San Diego Film Critics 2024 Nominees – Dune: Part 2 Earns 12 Nominations

Dune Part Two Timothee Chalamet and Zendaya San Diego Film Critics
TIMOTHÉE CHALAMET as Paul Atreides and ZENDAYA as Chani in Warner Bros. Pictures and Legendary Pictures’ ‘Dune: Part Two’ (Photo by Niko Tavernise)

The San Diego Film Critics Society is known for marching to the beat of its own drum. Last year, the So. California group named Are You There God? It’s Me, Margaret the Best Picture of 2024. And this year’s nominees break from other critics groups, with Dune: Part Two leading with 12 nominations. Conclave followed with nine, and Sing Sing and Wicked each earned eight.

Winners will be announced on Monday, December 9, 2024.

2024 SAN DIEGO FILM CRITICS SOCIETY AWARDS NOMINEES

Best Picture
ANORA
CHALLENGERS
CONCLAVE
DUNE: PART TWO
SING SING

Best Director
Brady Corbet – THE BRUTALIST
Coralie Fargeat, THE SUBSTANCE
Denis Villeneuve, DUNE: PART TWO
Edward Berger, CONCLAVE
Greg Kwedar, SING SING

Best Actor
Adrien Brody, THE BRUTALIST
Colman Domingo, SING SING
Daniel Craig, QUEER
Ralph Fiennes, CONCLAVE
Timothy Chalamet, A COMPLETE UNKNOWN

Best Actress
Amy Adams, NIGHTBITCH
Cynthia Erivo, WICKED
Demi Moore, THE SUBSTANCE
Marianne Jean-Baptiste, HARD TRUTHS
Mikey Madison, ANORA

Best Supporting Actor
Clarence Maclin, SING SING
Denzel Washington, GLADIATOR II
Guy Pearce, THE BRUTALIST
Kieran Culkin, A REAL PAIN
Stanley Tucci, CONCLAVE

Best Supporting Actress
Ariana Grande, WICKED
Danielle Deadwyler, THE PIANO LESSON
Jessie Buckley, WICKED LITTLE LETTERS
Joan Chen, DÌDI
Natasha Lyonne, HIS THREE DAUGHTERS

Best Comedic Performance
Aubrey Plaza, MY OLD ASS
Channing Tatum, DEADPOOL & WOLVERINE
June Squibb, THELMA
Michael Keaton, BEETLEJUICE BEETLEJUICE
Ryan Gosling, THE FALL GUY

Best Youth Performance (For a performer under the age of 18)
Alisha Weir, ABIGAIL
Alix West Lefler, SPEAK NO EVIL
Elliott Heffernan, BLITZ
Izaac Wang, DÌDI
Katherine Mallen Kupferer, GHOSTLIGHT

Best Original Screenplay
Coralie Fargeat, THE SUBSTANCE
Jesse Eisenberg, A REAL PAIN
Justin Kuritzkes, CHALLENGERS
Rose Glass and Weronika Tofilska, LOVE LIES BLEEDING
Sean Baker, ANORA

Best Adapted Screenplay
Chris Sanders, THE WILD ROBOT
Clint Bentley, Greg Kwedar, SING SING
Denis Villeneuve, Jon Spaihts, DUNE: PART TWO
Malcolm Washington, Virgil Williams, THE PIANO LESSON
Peter Straughan, CONCLAVE

Best First Feature (Director)
Anna Kendrick, WOMAN OF THE HOUR
Dev Patel, MONKEY MAN
Rachel Morrison, THE FIRE INSIDE
Sean Wang, DÌDI
Zoë Kravitz, BLINK TWICE

Best Documentary
DAUGHTERS
MUSIC BY JOHN WILLIAMS
SUGARCANE
SUPER/MAN: THE CHRISTOPHER REEVE STORY
WILL & HARPER

Best Animated Film
FLOW
MEMOIR OF A SNAIL
TRANSFORMERS ONE
WALLACE & GROMIT: VENGEANCE MOST FOWL
THE WILD ROBOT

Best Foreign Language Film
ALL WE IMAGINE AS LIGHT
THE GIRL WITH THE NEEDLE
NO OTHER LAND
THE SEED OF THE SACRED FIG
VERMIGLIO

Best Editing
Hansjörg Weißbrich, SEPTEMBER 5
Joe Walker, DUNE: PART TWO
Kathryn J. Schubert, BLINK TWICE
Marco Costa, CHALLENGERS
Sean Baker, ANORA

Best Cinematography
Alice Brooks, WICKED
Greig Fraser, DUNE: PART TWO
Jarin Blaschke, NOSFERATU
Pat Scola, SING SING
Stéphane Fontaine, CONCLAVE

Best Production Design
Craig Lathrop, Beatrice Brentnerova, NOSFERATU
Judy Becker, THE BRUTALIST
Nathan Crowley, WICKED
Patrice Vermette, DUNE: PART TWO
Suzie Davies, CONCLAVE

Best Visual Effects
ALIEN: ROMULUS
DUNE: PART TWO
KINGDOM OF THE PLANET OF THE APES
NOSFERATU
THE SUBSTANCE

Best Costume Design
Colleen Atwood, BEETLEJUICE BEETLEJUICE
Jacqueline Getty, Rainy Jacobs, THE LAST SHOWGIRL
Jacqueline West, DUNE: PART TWO
Lisy Christl, CONCLAVE
Paul Tazewell, WICKED

Best Sound Design
A QUIET PLACE: DAY ONE
ALIEN: ROMULUS
CIVIL WAR
DUNE: PART TWO
WICKED

Best Use of Music
A COMPLETE UNKNOWN
CHALLENGERS
DUNE: PART TWO
SING SING
WICKED

Best Stunt Choreography
ALIEN: ROMULUS
DUNE: PART TWO
THE FALL GUY
GLADIATOR II
MONKEY MAN

Best Ensemble
CONCLAVE
DUNE: PART TWO
SEPTEMBER 5
SING SING
WICKED




‘FBI: Most Wanted’ Season 6 Episode 7 Preview: Photos, “Highway to Hell” Promo and Cast

The team needs to figure out the connection between a biker gang and Wall Street on CBS’s FBI: Most Wanted season six episode seven, “Highway to Hell.” Directed by David Barrett from a script by Rickey Cook, episode seven will air on Tuesday, December 10, 2024 at 10pm ET/PT.

Dylan McDermott returns to lead the cast as Supervisory Special Agent Remy Scott. Season six also stars Shantel VanSanten as Special Agent Nina Chase, Roxy Sternberg as Special Agent Sheryll Barnes, Keisha Castle-Hughes as Special Agent Hana Gibson, and Edwin Hodge as Special Agent Ray Cannon.

“Highway to Hell” Plot: After a Queens district attorney and her husband are executed, the Fugitive Task Force uncovers a money laundering scheme connecting a violent biker gang to Wall Street. Meanwhile, Remy decides to take his relationship with Abby to a new level after he reconnects with an old friend.

FBI: Most Wanted Season 6 Episode 7
Dylan McDermott as Supervisory Special Agent Remy Scott and Susan Misner as Abby Deaver in ‘FBI: Most Wanted’ season 6 episode 7 (Photo: Mark Schäfer © 2024 CBS Broadcasting, Inc)

FBI: Most Wanted Description, Courtesy of CBS:

FBI: Most Wanted is a high-stakes drama that focuses on the Fugitive Task Force, an elite unit that relentlessly pursues and captures the notorious criminals on the Bureau’s Most Wanted list. The team’s charming but formidable leader is Supervisory Special Agent Remy Scott, who started his career in the New York FBI field office before rising through the ranks of the Bureau in Philadelphia and Las Vegas.

The team includes Special Agent Sheryll Barnes, a former NYPD detective and forensics expert; Special Agent Hana Gibson, a gifted millennial computer whiz with a sharp wit and mad hacking skills; Special Agent Ray Cannon, who is a former New Orleans cop-turned-junior detective and worked Violent Crimes in Albany after following in his retired FBI agent father’s footsteps; along with well-seasoned Special Agent Nina Chase who worked assorted cases with the FBI’s New York office and among her strengths is her undercover work.

Shantel VanSanten and Dylan McDermott
Shantel VanSanten as Special Agent Nina Chase and Dylan McDermott as Supervisory Special Agent Remy Scott in ‘FBI: Most Wanted’ season 6 episode7 (Photo: Mark Schäfer © 2024 CBS Broadcasting, Inc.)
Keisha Castle-Hughes
Keisha Castle-Hughes as Special Agent Hana Gibson in season 6 episode 7 (Photo: Mark Schäfer © 2024 CBS Broadcasting, Inc.)
Roxy Sternberg
Roxy Sternberg as Special Agent Sheryll Barnes in the “Highway to Hell” episode (Photo: Mark Schäfer © 2024 CBS Broadcasting, Inc)
Dylan McDermott and Edwin Hodge
Dylan McDermott as Supervisory Special Agent Remy Scott, Edwin Hodge as Special Agent Ray Cannon, and Roxy Sternberg as Special Agent Sheryll Barnes in season 6 episode 7 (Photo: Mark Schäfer © 2024 CBS Broadcasting, Inc.)




Guy Ritchie’s Crime Series Adds Paddy Considine and Lara Pulver

MobLand Paddy Considine
Paddy Considine as Kevin Harrigan in ‘MOBLAND’ (Photo Credit: Jason Bell / Paramount+)

Guy Ritchie’s continuing to fill out the cast of his upcoming Paramount+ with Showtime crime series. The latest additions to the cast include Paddy Considine (House of the Dragon), Joanne Froggatt (Downton Abbey), Lara Pulver (Da Vinci’s Demons), Anson Boon (Pistol), Mandeep Dhillon (CSI: Vegas), and Jasmine Jobson (Top Boy).

The just-announced series regulars join previously announced leads Tom Hardy (Venom: The Last Dance), Pierce Brosnan (Die Another Day) and Helen Mirren (1923). Production is currently underway in London.

The untitled series is described as “an electrifying, new global crime series centered around two warring families based in London whose enterprises stretch all corners of the globe and the fiercely loyal ‘fixer’ charged with protecting one of them at all costs.” (The confirmed title is MobLand.)

Hardy will play Harry Da Souza, a professional conciliator on behalf of the Harrigan family. Brosnan stars as Conrad Harrigan, the head of a very successful Irish crime family based out of London for whom Harry works. Mirren plays Maeve Harrigan, Conrad’s wife and the Harrigan family matriarch. Considine joins as Kevin Harrigan, Conrad’s son, and Froggatt will play Jan Da Souza, Harry’s wife. Pulver is on board as Bella Harrigan, Kevin’s wife, and Boon plays Eddie Harrigan, Kevin’s rebellious son.

Dhillon has been cast as Seraphina, Conrad’s daughter and Kevin’s half-sister. Jobson will play Zosia, who works for Harry and is one of his closest associates.

Guy Ritchie and Tom Hardy are executive producing along with Keith Cox, Nina L. Diaz, David C. Glasser, Jez Butterworth, Ronan Bennett, Kris Thykier, Ivan Atkinson, Dean Baker, Ron Burkle, David Hutkin, and Bob Yari.

Paramount+ with Showtime is targeting a 2025 premiere.




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