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2013 Tribeca Film Festival Announces Narrative and Documentary Films

A scene from Sunlight, Jr.
A scene from 'Sunlight, Jr.'
The 2013 Tribeca Film Festival has just announced the films that will be featured in the World Narrative and Documentary competitions during this year’s festival which takes place in New York City and runs April 17 – 28. Announcing the first batch of films, Frederic Boyer, Artistic Director Tribeca Film Festival, stated: “Our competition selections embody the quality and diversity of contemporary cinema from across the globe. The cinematic proficiency that harnesses this lineup is remarkable and we’re looking forward to sharing these new perspectives, powerful performances, and multifaceted stories.”
 
“The films in this year’s documentary competition deliver tremendous insight into the challenges of our ever-growing global culture as well as highlight how individuals affect and react to change. With varying styles of filmmaking, this mix of American and international voices are pointed and thought-provoking,” added Director of Programming Genna Terranova.

WORLD NARRATIVE – Films in Competition

Alì Blue Eyes (Alì ha gli occhi azzurri), directed by Claudio Giovannesi, written by Filippo Gravino and Giovannesi. (Italy) – International Premiere. Claudio Giovannesi’s award-winning second dramatic feature captures one week in the life of sixteen-year-old troublemaker Nader, who, despite his mother’s threats and family’s insistence that he respect his Muslim roots, fights, steals and pursues an Italian girlfriend. A stunning example of contemporary Italian neo-realism, Alì Blue Eyes is an engrossing coming-of-age story about an immigrant who will stop at nothing to fit in. In Italian with subtitles.
 
Before Snowfall (Før snøen faller), directed by Hisham Zaman, written by Kjell Ola Dahl and Zaman. (Norway, Germany, Iraqi Kurdistan Region) – International Premiere. Director Hisham Zaman brings the moral crisis of honor killing front and center in this dazzling, international drama. When his older sister Nermin flees an arranged marriage, Siyar must atone for the slight. He tracks her from Kurdistan to Istanbul, where a fateful encounter with a street girl creates cracks in his resolve. Then Nermin escapes into Europe, and Siyar must continue a search that will forever change his notions of loyalty, dignity, honor and love. In Kurdish with subtitles.
 
Bluebird, directed and written by Lance Edmands. (USA) – World Premiere. On a freezing January evening, school bus driver Lesley (Amy Morton) completes her route, but her final inspection abruptly ends when a bluebird comes into view. What happens next shakes her small Maine logging town, proving that even the slightest actions have enormous consequences. Co-starring Adam Driver, Margo Martindale, John Slattery, Louisa Krause and Emily Meade, Lance Edmands’s absorbing feature debut is a perfect encapsulation of the interconnectedness of life.
 
The Broken Circle Breakdown, directed by Felix van Groeningen, written by Carl Joos and van Groeningen. (Belgium, Netherlands) – North American Premiere. Elise runs a tattoo shop. Didier plays in a bluegrass band. When their daughter Maybelle is born, their happiness is complete, until a tangle of complications forces these two very different lovers to fight to save their marriage. Belgian director Felix van Groeningen follows his acclaimed Cannes entry The Misfortunates with this powerhouse melodrama of star-crossed lovers laced with emotional bluegrass performances. In Dutch with subtitles.
 
Hide Your Smiling Faces, directed and written by Daniel Patrick Carbone. (USA) – North American Premiere. During a hot summer in rural America, brothers Tommy (Ryan Jones) and Eric (Nathan Varnson) are confronted with devastation as death forces its way into their young lives. This stunning debut feature explores the nature of the relationship between boys, as both violence and support is encapsulated in quiet storytelling and breathtaking photography. With incredibly sensitive performances by its two leads, Hide Your Smiling Faces packs a subtle but powerful punch.
 
Just a Sigh (Le temps de l’aventure), directed and written by Jérôme Bonnell. (France) – International Premiere. In the short break between performances in Calais, stage actress Alix (the stunning Emmanuelle Devos) makes a quick escape to Paris. On the train she meets a mysterious English stranger (Gabriel Byrne) and, for the most fleeting of afternoons, imagines what the future could hold down a different road. With masterful performances by its two acclaimed stars, Just a Sigh is an imaginative, lushly filmed Parisian romance from young and versatile director Jérôme Bonnell. In English, French with subtitles.
 
Lily, directed by Matt Creed, written by Amy Grantham and Creed. (USA) – World Premiere. Nearing the end of her treatment for breast cancer, Lily focuses on life with newfound clarity, reevaluating her relationship with an older man and her feelings about her long-absent father. In wandering through atmospheric New York City streets and lingering in intimate, charged moments with Lily during this vulnerable period, first-time director Matt Creed and actress Amy Grantham create a mature, stylish character piece reminiscent of classic French New Wave.
 
The Rocket, directed and written by Kim Mordaunt. (Australia) – North American Premiere. Set against the lush backdrop of rural Laos, this spirited drama tells the story of scrappy ten-year-old Ahlo, who yearns to break free from his ill-fated destiny. After his village is displaced to make way for a massive dam, Ahlo escapes with his father and grandmother through the Laotian outback in search of a new home. Along the way, they come across a rocket festival that offers Ahlo a lucrative but dangerous chance to prove his worth. In Lao with subtitles.
 
Six Acts (Shesh Peamim), directed by Jonathan Gurfinkel, written by Rona Segal. (Israel) – North American Premiere. Naïve teen Gili is determined to improve her social status by hooking up with her new school’s coolest guy. Afterwards, he passes her off to his friend. Happy at first for the attention, Gili soon finds her situation deteriorating, as this average girl is increasingly consumed by a culture of oversexed teenhood. Director Jonathan Gurfinkel questions conventional ideas of consent, exploitation and complicity in this edgy and perceptive feature debut. In Hebrew with subtitles.
 
Stand Clear of the Closing Doors, directed by Sam Fleischner, written by Rose Lichter-Marck and Micah Bloomber. (USA) – World Premiere. When autistic teen Ricky is scolded for skipping class, he escapes into the subway for a days-long odyssey among the subway’s disparate denizens. Meanwhile, his mother wages an escalating search effort above ground. Based on a true story and set in Far Rockaway, Queens, in the days leading up to Hurricane Sandy, these parallel stories of mother and son take the viewer on a touching journey of community and connection in and below New York City.
 
Sunlight Jr., directed and written by Laurie Collyer. (USA) – World Premiere. Quickie-mart employee Melissa (Naomi Watts) and paraplegic Richie (Matt Dillon) are very much in love. Supported only by Melissa’s small hourly wage, they are nevertheless thrilled to learn that Melissa is pregnant. Then their situation deteriorates, and their tenuous financial situation threatens to bring their happy life crashing down. Norman Reedus also stars in this a moving romantic drama from Laurie Collyer, director of the Golden Globe-nominated Sherrybaby.
 
Will You Still Love Me Tomorrow?, directed and written by Arvin Chen. (Taiwan R.O.C.) – North American Premiere. Straitlaced optometrist Weichung is finding the typical married life difficult. Then he bumps into an old flame, setting off an unexpected array of dormant emotions. Meanwhile, his sister Mandy flees her sad sack fiancé, coping via food and the fantastical appearance of a daytime soaps star on her couch. Arvin Chen’s sophomore feature is a fresh and playful comedy about the odd realities of desire in a traditional society and what happens when you seek a big change. In Korean, Mandarin with subtitles.

WORLD DOCUMENTARY – Films in Competition

Aatsinki: The Story of Arctic Cowboys, directed and written by Jessica Oreck. (Finland) – World Premiere. In the forests of Finnish Lapland, brothers Aarne and Lasse Aatsinki carry on the generations-old tradition of reindeer herding. These modern cowboys maintain an intricate bond with the environment that has allowed them to preserve their lifestyle in one of the harshest climates imaginable. Jessica Oreck’s intimate, gorgeously lensed documentary follows the brothers for a year, sharing in the hard work, daily rituals and small joys that make up life above the Arctic Circle. In Finnish with subtitles.
 
Alias Ruby Blade: A Story of Love and Revolution, directed by Alex Meillier, written by Tanya Ager Meillier and Meillier. (USA) – North American Premiere. Kirsty Sword Gusmão went to Timor-Leste to document injustice in an area closed to Western journalists. Over the next decade, she became the lynchpin that sustained the nation’s harrowing struggle for independence and met the man who would redefine the cause for which she was fighting. Using astonishing footage of the years-long resistance, director Alex Meillier presents a highly personal account of the courage needed to create a new democracy in modern times.
 
Big Men, directed by Rachel Boynton, written by Rachel Boynton. (USA) – World Premiere. For her latest industrial exposé, Rachel Boynton (Our Brand Is Crisis) gained unprecedented access to Africa’s oil companies. The result is a gripping account of the costly personal tolls levied when American corporate interests pursue oil in places like Ghana and the Niger River Delta. Executive produced by Steven Shainberg and Brad Pitt, Big Men investigates the caustic blend of ambition, corruption and greed that threatens to exacerbate Africa’s resource curse. In English, Other, Twi with subtitles.
 
The Genius of Marian, directed by Banker White and Anna Fitch. (USA) – World Premiere. Weaving past into present, filmmakers Banker White (Sierra Leone’s Refugee All Stars) and Anna Fitch immerse the audience in the daily life of White’s mother, Pam. Her Alzheimer’s threatens to wipe out the memory of her own mother, Marian, a celebrated artist who died of the same disease. Beautifully edited, The Genius of Marian retraces both women’s lives to paint a complex and powerful contemporary portrait of motherhood, chronic illness and legacy.
 
The Kill Team, directed by Dan Krauss, written by Lawrence Lerew, Linda Davis and Krauss. (USA) – World Premiere. In 2010, the media branded a platoon of U.S. Army infantry soldiers “The Kill Team” following reports of its killing for sport in Afghanistan. Now, one of the accused must fight the government he defended on the battlefield, while grappling with his own role in the alleged murders. Dan Krauss’s absorbing documentary examines the stories of four men implicated in heinous war crimes in a stark reminder that, in war, innocence may be relative to the insanity around you.
 
Let the Fire Burn, directed by Jason Osder. (USA) – World Premiere. Jason Osder makes an impressive feature film debut through his unbiased and thorough account of the incidents leading up to and during the 1985 standoff between the extremist African-American organization MOVE and Philadelphia authorities. The dramatic clash claimed eleven lives and literally and figuratively devastated an entire community. Let the Fire Burn is a real-life Wild West story absent the luxury of identifying its heroes by the color of their hats.
 
Michael H. Profession: Director, directed and written by Yves Montmayeur. (Austria, France) – World Premiere. Over the past twenty-five years, director Michael Haneke has established himself as a towering figure in modern cinema whose rigorous focus on the craft of filmmaking has produced works of profound artistry. This career-spanning documentary (gives unprecedented access and) covers the body of Haneke’s work, offering insight into his creative process through on-set footage and interviews with the man himself and collaborators including Emmanuelle Riva, Isabelle Huppert and Juliette Binoche. In French, German with subtitles.
 
Oxyana, directed by Sean Dunne. (USA) – World Premiere. Oceana, West Virginia—known as “Oxyana” after its residents’ epidemic abuse of OxyContin—is a tragically real example of the insidious spread of drug dependency throughout the country. Set against an abandoned coal mining landscape to the melodies of Deer Tick’s haunting score, this unflinchingly intimate documentary probes the lives of Oceana’s afflicted and exposes the day-to-day experience of a town living in the harsh grip of addiction.
 
Powerless (Katiyabaaz), directed by Fahad Mustafa, Deepti Kakkar, written by Mustafa. (India) – North American Premiere. Would you risk your life to flip a switch? In Kanpur, India, putting oneself in harm’s way to deliver electrical power is all too common. Powerless sheds light on the opposing corners of this political ring, from an electrical Robin Hood tapping wires for neighbors to the myopic utility company whose failure to understand economics forces it deeper into financial disarray. This vibrant exposé gives a whole new meaning to the words “power struggle.” In English, Hindi with subtitles.
 
Raw Herring (Hollandse Nieuwe), directed by Leonard Retel Helmrich and Hetty Naaijkens-Retel Helmrich. (Netherlands) – World Premiere. Every year millions of people look forward to the first preparation of Hollandse Nieuwe, the popular snack of raw herring from the North Sea’s spring catch. But how do you find glory in the grueling pursuit of a once-iconic fish that even the queen no longer accepts as definitively Dutch? Raw Herring celebrates the cultural legacy maintained by Holland’s last great herring fishers even as new trends and foreign competition threaten their way of life. In Dutch with subtitles.
 
Red Obsession, directed and written by David Roach and Warwick Ross. (Australia) – North American Premiere. France’s Bordeaux region has long commanded respect for its coveted wine, but shifts in the global marketplace mean that a new, voracious consumer base in China is buying up this finite product. Bordeaux both struggles with and courts the spike in demand, sending prices skyrocketing. Narrated by Russell Crowe, Red Obsession is a fascinating look at our changing international economy and how an obsession in Shanghai affects the most illustrious vineyards in France. In English, Mandarin with subtitles.
 
Teenage, directed by Matt Wolf, written by Jon Savage and Wolf. (USA) – World Premiere. Teenagers did not exist before the 20th century. Not until the early 1950s did the term gain widespread recognition, but with Teenage, Matt Wolf offers compelling evidence that “teenagers” had a tumultuous effect on the previous half-decade. Narrated by actors Jena Malone, Ben Whishaw, Julia Hummer and Jesse Usher, this fascinating documentary repositions the historical origin of teenagers and shows why those years are more than just a stepping-stone to adulthood. In English, German with subtitles.
 
Source: Tribeca Film Festival

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‘Schindler’s List’ 20th Anniversary Blu-Ray – Clips and Bonus Features Details

Schindler's List Blu-Ray

In support of the 20th anniversary of the release of Steven Spielberg’s Schlinder’s List, Universal Studios has released a Limited Edition Blu-ray Combo Pack in high definition – restored from the original negatives. Says Craig Kornblau, President of Universal Studios Home Entertainment: “Schindler’s List is a rare masterpiece of filmmaking that remains as riveting and moving today as it was for moviegoers 20 years ago. It stands as a powerful reminder of the heroism and humanity of those willing to stand up against intolerance.”

In addition to the 20th anniversary of the film, this year marks the 20th year of existence of the USC Shoah Foundation – The Institute for Visual History and Education. The organization was created by Spielberg after being inspired to do so through the making of Schindler’s List. Spielberg created it to provide a place to collect videotaped interviews with Holocaust survivors and witnesses.

Currently the USC Shoah Foundation’s Visual History Archive has almost 52,000 testimonies and according to the official announcement of Schindler’s List’s anniversary release, Spielberg considers the USC Shoah Foundation the “most important work of his professional life and the legacy of Schindler’s List.”

Schindler’s List 20th Anniversary Limited Edition Blu-ray™ Combo Pack Bonus Features:

· Voices from the List: Featuring documentary with testimonies from those who survived the Holocaust thanks to Oskar Schindler.
· USC Shoah Foundation Story with Steven Spielberg: The director shows how filming Schindler’s list inspired him to establish the USC Shoah Foundation.

The Plot:

Adapted from the novel by Thomas Keneally, Steven Spielberg’s masterful film tells the incredible true story of the courageous Oskar Schindler (Liam Neeson). Initially a member of the Nazi party, the Catholic Schindler risks his career and life, and ultimately goes bankrupt, to employ 1,100 Jews in his crockery factory during the Holocaust.

Schindler’s Jewish accountant (Ben Kingsley) serves as his conscience, as Schindler conducts business with an obstinate and cruel Nazi commander (Ralph Fiennes), who viciously kills Jewish prisoners from the balcony of his villa overlooking a prison camp. Filmed entirely in black-and-white on location in Poland, Schindler’s List does not downplay the faults of its magnanimous and unlikely hero, but relates a story of the triumph of the human spirit in the face of horrific devastation and tragedy.

Watch the bonus features clips:

Jeff Foxworthy Will Host ‘The American Baking Competition’

Jeff Foxworthy
Jeff Foxworthy - Photo © Richard Chavez

Comedian Jeff Foxworthy has been tapped to host the American version of The Great British Bake Off cooking series coming to CBS this summer. The American Baking Competition will debut on May 29, 2013 at 8pm and will also feature Paul Hollywood (UK Baker and judge of the British series) and chef Marcela Valladolid as judges.

The upcoming series finds amateur cooks competing in baking contests as they vie to be named the show’s winner.

Jeff Foxworthy’s Credits [Courtesy of CBS]:

“Jeff Foxworthy is one of this country’s most successful comedians. A multiple Grammy Award nominee who is the largest-selling comedy-recording artist in history, Foxworthy is also a best-selling author of more than 26 humorous books that range from children’s works to how-to guides. Foxworthy is an accomplished host/actor/producer whose unique comedic talents have graced a diverse array of TV projects, including Foxworthy’s Big Night Out, Blue Collar TV, and Are You Smarter Than a 5th Grader.

Currently, Foxworthy hosts The American Bible Challenge and has the upcoming animated show Bounty Hunters set to debut later this summer.”

Crosby, Stills & Nash 2013 Spring and Summer Tour Details

Crosby, Stills and Nash Greatest HitsDavid Crosby, Stephen Stills and Graham Nash are heading back out on the road, announcing new 2013 tour dates in North America and Europe. Kicking things off, Crosby, Stills & Nash will be joining with the Jazz at Lincoln Center Orchestra with Wynton Marsalis for special concerts in New York City.
 
Commenting on the NYC concerts, Marsalis said, “Individually and collectively, David Crosby, Stephen Stills and Graham Nash are influential and important figures in American music. Their music is rooted in American folk, pop and blues traditions and their experiments with form, harmony and orchestration will make for a natural collaboration.”
 
The European leg of the tour begins on June 20th in Dresden, Germany and finishes up in Monaco on July 22nd.
 
Backing up the band on tour will be the same group of artists who were on the group’s 2012 tour: Todd Caldwell (organ), Shane Fontayne (guitar), Steve DiStanislao (drums), Kevin McCormick (bass), and James Raymond (keyboards).

Crosby, Stills & Nash 2013 Tour Dates:

May – U.S.
1 – New York, NY at Lincoln Center/Frederick P. Rose Hall
3 – New York, NY at Lincoln Center/Frederick P. Rose Hall
5 – Orlando, FL at Hard Rock Live
7 – Clearwater, FL at Ruth Eckerd Hall
8 – Sarasota, FL at Van Wezel Performing Arts Hall
10 – Hollywood, FL at Seminole Hard Rock Live Arena
11 – Hollywood, FL at Seminole Hard Rock Live Arena
14 – Ft. Meyers, FL at Barbara B. Mann Performing Arts Hall
15 – Melbourne, FL at King Center for the Performing Arts
17 – Jacksonville, FL at Florida Theatre
19 – Charlotte, NC at Ovens Auditorium
21 – Greenville, SC at Peace Center Concert Hall
22 – Huntsville, AL at Von Braun Center Concert Hall
24 – Montgomery, Al at Montgomery Performing Arts Center
25 – Biloxi, MS at Hard Rock Casino & Resort
 
JUNE
20 – Dresden, Germany at Junge Garde
21 – Schwabisch Gmund, Germany at Schiesstalplatz
23 – Mannheim, Germany at SAP Arena
24 – Bonn, Germany at Kunstrasen
26 – Abenberg, Germany at Burg Abenberg
28 – Berlin, Germany at Max-Schmeling-Halle
29 – Hamburg, Germany at Stadtpark
 
JULY
1 – Munchen, Germany at Tollwood Festival
2 – Dortmund, Germany at Westfalenhalle 1
4 – Paris, France at Olympia
5 – Paris, France at Olympia
7 – Albi, France at Festival
8 – Barcelona, Spain at Venue TBA
11 – Ostend, Netherlands at Kursal
13 – Weert, Netherlands at Bospop Festival
14 – Den Haag, Netherlands at World Forum Theater
16 – Lyon, France at Venue TBA
17 – Brescia, Italy at Piazza della Loggia
19 – Roma, Italy at Auditorium Parco della Musica – Cavea
20 – Padova (Piazzola sul Brenta), Italy Anfiteatro Camerini
22 – Monaco, France at Venue TBA
 
Source: Crosby, Stills & Nash
 

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Ashley Monroe Finds Her Own Way

Ashley Monroe
Ashley Monroe - Photo Credit: Jim Wright

Though Ashley Monroe is hardly a newcomer to Country Music, many fans will hear her for the first time on her own with Like a Rose – her first solo effort since she achieved visibility as a member of The Pistol Annies, which also includes Miranda Lambert and Angaleena Presley.

But for Vince Gill, who produced Like a Rose with Justin Niebank, his acquaintance with and admiration for Monroe goes back about a decade.

“I first met Ashley when she had just moved to town. I called her up to figure out a time and place, and she said, ‘By the way, can you come pick me up? I’m not old enough to drive yet,’” he recalled, with a laugh. “I fell in love with the kid right off the bat. There are some people who come along who have old souls. She seems to be that. I can’t champion her talent enough as a songwriter. And then, on top of that, she sings like a bird.”

As a newcomer to Nashville at that time, Monroe had already survived her share of hardship. Her early childhood was idyllic and musically rich: Both parents performed five nights a week in Pigeon Forge, Tenn. They bequeathed their love for Country Music to her — literally, with a Patsy Cline tape tucked into her Christmas stocking. At just 11 years old, Monroe parlayed what she had heard into a performance of Patsy Montana’s “I Want to Be a Cowboy’s Sweetheart,” which earned her first prize and $100 at a Pigeon Forge talent contest.

But her father died unexpectedly in 2000, when she was just 13, and life took a turn for the worse. Unhappy in school, Monroe persuaded her mother to move with her to Nashville, where she worked from the ground up to build connections. At 19, she was signed to Columbia Records, which released her first album, Satisfied, two years later. Though the label eventually dropped her, what she’d learned helped Monroe plan more clearly for her next project.

She began by tightening her focus. “I listen to all kinds of music, so it’s easy for me to think, ‘I like this sound. I’m going to make this kind of album,’” she said. “But when it comes down to it, my voice is Country, the songs I write are Country and my soul is Country.”

That was apparent to Gill, as he began work on Like a Rose by listening to her catalog, which she’s been compiling since she was 14 years old. While he’d written several tunes with her himself, it was an unconventional song that she’d penned with Sally Barris and Jon McElroy that sealed the deal for him: “Weed Instead of Roses” is the tale of a wife who is fed up with romance and longs to embrace her wild side with her significant other.

“I said, ‘We do this song or I’m walking!’” he remembered, with a smile. “I would hate to see them miss the boat because it’s talking about pot or whatever. The humor in it is outstanding, and that’s more in line with the rowdy side of The Pistol Annies.”

Monroe’s response to her would-be producer’s ultimatum was instant: “Yes! I knew I loved Vince Gill!”

Gill’s reaction, along with her experiences in The Pistol Annies, gave Monroe the confidence to record a song as bold as “Weed Instead of Roses.” “The Pistol Annies showed me that I’m not the only one who has these thoughts,” she said. “I just have Country in my soul. I can’t apologize for that anymore. The Pistol Annies has given me a boost of confidence, or reaffirmation, that it’s OK to be original and to be you, because people will accept it.”

The first people to extend that acceptance were the musicians who played on her tracks. In addition to adapting to Monroe’s style, acoustic bassist Dennis Crouch, steel guitarist Paul Franklin, pianists Tony Harrell and John Jarvis, drummer Greg Morrow and bassist Michael Rhodes brought their own perspectives to the sessions, with Gill’s direction.

“We didn’t play demos for these musicians, which I love,” Monroe emphasized. “The band that played on this album is world-class, the best band to play on any record. I was lucky to have them. I re-cut ‘Used’ (written by Barris and Monroe), which was on my first record. That was actually a half-assed release; not a lot of people heard of it. That song stuck out, though. It’s really special to me. Vince and I were trying to think of a way to make it different and fresh for me on the new record.“

They settled on a simple strategy. “All the songs on this record, Vince played guitar and I sang for the musicians,” she said. “That way, the band could interpret the songs the way they heard it and not copy a lick that was on the original version.”

This approach suited Gill’s production style. The Country Music Hall of Fame member is, in his own words, “not a pre-production guy” and prefers to do most of his work in the moment. “Some of the songs she wrote on this record completely destroy me,” he said. “(But) I took songs in much different places than she had written them, in terms of feel and tempo. The musicianship that possesses this town is so good that on the floor is where you’re going to get the most creativity. All the arranging was done on the fly, on the floor, and we figured it out as we went.”

“It was amazing to watch that happen,” Monroe noted. “There were a couple of times that I really had to trust Vince. For instance, we had made a demo of ‘Morning After’ (Monroe, Lori McKenna and Liz Rose) years ago. That’s how I heard it. Vince was right on, though, because now, when I listen to it, it’s right.”

“The best compliment I got was when Ashley listened to a mix of ‘Like a Rose,’” Gill added. “She turned to me with tears on her face and she said, ‘This is the way I’ve always dreamed of hearing what I did.’ It was so rewarding to get that reaction from her.”

The album’s title track, which Monroe wrote with Guy Clark and Jon Randall, is the most personal story, as well as her favorite among these songs. “A lot of that is autobiographical — I mean, I didn’t run off with a boy to North Dakota like it says, but Guy likes putting North Dakota in songs,” she said, with a laugh. “There are a few little inserts of over-exaggeration, but not many.”

“Like a Rose” was the product of Monroe’s first writing session with Clark. “She’s really quite good,” the legendary singer/songwriter observed. “She’s bright and funny and sings beautifully. She’s really in touch with her feelings and her background. That’s what I tried to get out of her, which was to write about what she knows. That’s the best work she does, rather than making stuff up.”

The emotion Monroe brought to “Like a Rose” was as real as could be, thanks in large part to Clark’s encouragement as they settled down to write. “I was so nervous,” she recalled. “I had a list of all my best ideas that I’d been saving, and Guy went ‘Huh. Huh.’ after each one, which was not what I wanted to hear. Then he said, ‘Tell me your story,’ so I went into it: ‘Well, Daddy died when I was 13. And then Mama ran off. Then my brother and I lived alone for a while and I started writing songs … ’ I told him everything. At the end, I said, ‘But look at me! I came out like a rose,’ to wrap up the conversation. And he said, ‘Huh. Why don’t we write that?’”

“I was trying to support her and support her story and her feelings about it and her memories,” Clark said. “I tried to help make that a song rather than the typical Music Row song.”

In addition to the stellar instrumentalists, songwriters and producers involved on the project, Monroe was able to share the studio with some of Nashville’s sweetest voices. Background singers on Like a Rose include Gill, Sonya Isaacs and Jon Randall. Little Big Town appears on the tune “You Got Me,” which Monroe wrote with the band’s Karen Fairchild. And Blake Shelton, aka Pistol Andy, trades licks with her on “You Ain’t Dolly, You Ain’t Porter,” which she’d written with Gill.

“It was fun,” Monroe said. “He sings, ‘She’s a little bit fuller.’ And I say, ‘You’re a whole lot shorter.’ It’s a tongue-in-cheek, fun song.”

It also confirms that Like a Rose achieves the goal Monroe had set for herself, to deliver an album that’s rooted in Country and represents all facets of her personality. “Obviously, every artist would be lying if they said that they didn’t want to be played on Country radio,” she acknowledged. “That’s a huge window to people. And a big reason for making music, to me, is so I can get what I’m hearing to somebody else. I would love to have Country radio on my side. But I also want to make the music that I want them to hear. In case it does get on the radio, I want it to be something I’m really proud of. That’s why I made a Country record.”

* * * * * * * * * *

By Erin Duvall
© 2013 CMA Close Up® News Service / Country Music Association®, Inc.




New Theatrical Trailer: Iron Man 3 with Robert Downey Jr

“Mr. Stark, today is the first day of what’s left of your life…”
 
Marvel’s not skimping on the action in this new theatrical trailer for Iron Man 3 starring Robert Downey Jr as Tony Stark/Iron Man. Tony Stark’s life and the life of his girlfriend, Pepper (Gwyneth Paltrow), are directly threatened by Mandarin (Sir Ben Kingsley) forcing Tony to declare he’s going after the villain. “No politics here, just good old-fashioned revenge.”
 
The Plot:
 
Marvel’s Iron Man 3 pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy’s hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man?
 
Watch the trailer:
 

 

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Carly Rae Jepsen, Train Cancel Their Boy Scouts Concert Appearance

Carly Rae Jepsen This KissIn response to a petition on Change.org, both Train and Carly Rae Jepsen have decided to tell the Boy Scouts not to call them until they change the rules and allow gay members. Train and Jepsen were scheduled to appear in July at the annual Boy Scouts of America Jamboree, however both have officially canceled their involvement in the event.
 
In a series of tweets, Jepsen informed her fans of her decision:
 
“As an artist who believes in equality for all people, I will not be participating in the Boy Scouts of America Jamboree this summer…”
 
“I always have and will continue to support the LGBT community on a global level …”
 
“and stay informed on the ever changing landscape in the ongoing battle for gay rights in this country and across the globe.” – @carlyraejepsen
 
And Train posted this message for their fans on the group’s Facebook page:
 
“When we booked this show for the Boy Scouts of America we were not aware of any policy barring openly gay people from participation within the organization. Train strongly opposes any kind of policy that questions the equality of any American citizen. We have always seen the BSA as a great and noble organization. We look forward to participating in the Jamboree this summer, as long as they make the right decision before then.”
 
Watch Train’s “Mermaid” music video:
 

 

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The Golf Boys Release “2.Oh.” Video

I’m not into golf, I suck at the sport, and other than a few big names I wouldn’t recognize a professional golfer if he came up and introduced himself to me. However, those into the sport are getting a kick out of the new video, “2.Oh,” from PGA tour stars Ben Crane, Bubba Watson, Rickie Fowler, and Hunter Mahan. Together, they’re the Golf Boys and they’re back with an encore performance to benefit charity.

The professional golfers are using the money earned from the “2.Oh” video to support charity:water.

From the My Charity Water official website:

“One of our goals behind making fun videos on YouTube is to raise awareness and support for a crisis that is anything but fun: the clean water crisis.

Imagine if you had no clean water. Imagine walking 5 hours (almost as long as it takes Ben to play a round of golf) to the nearest river to collect water for your family — water that’s not even clean. Imagine giving that water to your kids.

While this might seem unimaginable to us, it’s a reality for 800 million people in developing countries. Every day, 5,000 kids die from water-related illnesses before they reach their fifth birthday. It doesn’t have to be that way. There are simple solutions like drilled wells, spring protections and BioSand filters that help provide clean water to communities around the world.

We started this fundraising campaign to help charity: water build these types of projects around the world. We’re donating 100% of the proceeds from Golf Boys ‘2.Oh’ to charity:water.”




Graceland Debuts an Elvis: Live from Vegas Exhibit

Elvis Live from Vegas at Graceland
The new" Elvis: Live from Vegas" at Elvis Presley's Graceland in Memphis opens today. (Photo: Business Wire)

Elvis fans have a new reason to make the journey to Graceland in Memphis. Elvis Presley’s former home and mecca for generations of Elvis fans has just added an “Elvis: Live from Vegas” exhibit.

Here are the details on the new Vegas exhibit:

The exhibit will feature part of the 30-foot marquee Col. Parker had made to stand outside the New Frontier Hotel in 1956 and the first jumpsuit worn on-stage by Elvis in 1970. Other suits in the exhibit include Elvis’ Leather and Chains suit, worn in August of 1970 during his Las Vegas engagement and prominently featured in his first concert documentary ‘Elvis: That’s The Way It Is,’ Elvis’ three-piece Spanish Flower suit worn in 1972 that was an alternative to one of the jumpsuits he wore in Las Vegas, Elvis’ I Got Lucky jumpsuit that was worn in 1970 in various cities including Las Vegas, Oakland, Tampa and Los Angeles and can be seen on the cover of the 1971 ‘I Got Lucky’ album, as well as many others.

Along with his amazing jumpsuit collection, guests will have the opportunity to view rare artifacts including hotel receipts, and show memorabilia as well as many other items. From the first time the King of Rock ‘n’ roll stepped foot on-stage in Vegas through his triumphant return in 1969 and beyond, this exhibit captures all of the excitement and energy that is Elvis in Las Vegas.




New Trailer: ‘What Maisie Knew’ with Alexander Skarsgard

Alexander Skarsgard, Julianne Moore, Steve Coogan, Joanna Vanderham, and Onata Aprile star in What Maisie Knew, the dramatic film based on the Henry James novel. Millennium Entertainment has just released a new trailer for the drama directed by Scott McGehee and David Siegel, which will be heading to theaters this May.

The Plot, Courtesy of the Toronto Film Festival:

Susanna (Julianne Moore) is a pushy but seductive rock and roll icon married to Beale (Steve Coogan), a charming, distracted art dealer. Unnerved by the prospect of middle-aged stasis and drawn to other lovers, the couple eventually divorces. Maisie (Onata Aprile), their only child, is caught in the middle of it all, a flesh-and-blood bargaining tool who winds up being shuttled back and forth between her parents as they each attempt to start their lives afresh with new partners.

Quietly precocious and a keen observer, Maisie begins to understand how essentially selfish, irresponsible, and damaged her parents really are. With time their new relationships disintegrate as well, and Maisie is forced to consider whether or not she should try to construct for herself a whole new family altogether.

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