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Kristen Connolly Interview – Go Behind the Scenes of The Cabin in the Woods

Kristen Connolly in The Cabin in the Woods
Kristen Connolly in 'The Cabin in the Woods' - Photo © Lionsgate Films

By Kevin Finnerty

Kristen Connolly stars in the new horror movie The Cabin in the Woods playing the key role of Dana, the “good” girl of the group of friends staying at a remote cabin where cell phones don’t work, creepy stuff like devil worship artwork is stored in the basement, and strange things rise out of the ground. I caught up with her during the press junket and had a chance to ask her about the making of the film.

What can the audience expect when they see Cabin in the Woods?

Kristen Connolly: “I don’t think you can expect anything because the movie is full of so many twists and turns, any expectations you have going in are going to be wrong or turned on its head. What you can know is that it’s a horror movie like nothing you’ve ever seen before. It’s nothing you could ever expect from a horror movie. It’s really funny and I think it’s a real roller coaster ride.”

Tell us about your character, Dana.

Kristen Connolly: “Dana is just a regular college kid who has a really great group of friends that mean the world to her, and she gets placed into a crazy situation and handles it the best way she can by just flying by the seat of her pants.”

How was it auditioning for the part and getting to read such an original script?

Kristen Connolly: “When I went in the first time I had not read the script and didn’t know anything about it, which is kind of a hard thing to do when you’re auditioning for a movie…to not know anything about the story, it’s like going in blind. And even the scenes they gave me to read were fake – none of them were in the movie. All of us had the same situation. We all had crazy scenes. I think I was running from pterodactyls. Yeah, [Chris Hemsworth] and I had a scene where we were running from a pterodactyl. Fran, [Kranz] who plays Marty, had a scene where he was running from the Clickity Klack man.”

What was it like working with Joss Whedon? Was he on set much?

Kristen Connolly: “Joss is a wonderful guy. He wrote and produced the movie. He was around and on set for most of the filming of the movie. He’s really smart and funny. He sort of inspires a work ethic in people, and just being around him you want to do your best work.”

What was the hardest obstacle you and the rest of the cast experienced during the making of the film?

Kristen Connolly: “The biggest obstacle we faced was probably on the very first day of shooting. We were supposed to shoot a scene at a gas station outside; it’s supposed to be summer and we got hit with a blizzard. We were told it never snows in Vancouver. That it won’t snow even though every TV weather report said it was going to snow. And we’re looking it up online and every report on line is saying snow and everyone is guaranteeing us, ‘Oh no, it will never snow.’ Sure enough, we woke up the next day to go shoot the scene and it looked like Christmas morning. [Laughing] We had to drive an hour away and we were all like, ‘I know they said it doesn’t snow but that sure looks a lot like snow to me.'”

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The Cabin in the Woods hits theaters on Friday, April 13, 2012.

True Blood Season 5 Clip: Waiting Sucks

HBO has it right. Waiting does suck.

The fifth season of HBO’s sexy vampire series True Blood doesn’t premiere until June 10th, however the network’s parceling out clips just to make us squirm with anticipation. The latest video is a behind the scenes look at a scene with Alcide (Joe Manganiello), Sookie (Anna Paquin), and Lafayette (Nelsan Ellis). Alcide lets Sookie know she’s still in trouble with Russell Edgington (Dennis O’Hare) while Lafayette tells Alcide they’re done with this supernatural stuff. The scene’s high point: Alcide growling at Lafayette.

Watch the video:

Film Review: ‘The Three Stooges’

The Three Stooges
Will Sasso, Chris Diamantopoulos, and Sean Hayes in ‘The Three Stooges’ (Photo © 20th Century Fox)

As Hollywood marches on with the reboot/reimagine/rehash/remake craze, so comes The Three Stooges. The unparalleled masters of slapstick comedy, Moe, Larry and Curly (no Shemp here) have been watched by generation after generation. Over time, the same glee people derive from watching them poke and hit each other has morphed into the current fascination with shots to the groin best characterized by shows like America’s Funniest Home Videos and the gentleman scholars of the Jackass crew.

Resuscitating the Stooges’ franchise is a throwback and likely an experiment; to see if the kindler, gentler examples of abuse will still appeal to the masses. Well, there’s good news for the studio on that point … if their target demo is 7-10 year-olds.

The gaggle of children in the theater were eating up the antics on-screen like Go-Gurt with extra meth, and I haven’t heard kids laugh that much at a screening … well … maybe ever. And I understand why. Slapstick is funny. However, fans of the originals and anyone no longer in elementary school may want to think twice (or at all) before plunking down their good money to see this in theaters.

On the plus side, the casting department did a tremendous job of filling these iconic shoes – with Chris Diamantopoulos, Sean Hayes, and Will Sasso playing Moe, Larry and Curly respectively. Hayes is by far the more familiar of the group to most audiences, which makes blending into the character slightly more difficult but he, like his compatriots, comes so close to matching up with the originals.

The goofy sounds associated with each hit, slip and crash all return. Even the notion of presenting the film in three episodes rather than acts harkens back to the TV show. Directors Bobby and Peter Farrelly obviously know the material but were more interested in reliving the past than understanding how to bring the characters into the modern day. And it’s at this point where things go sideways.

First off, the film begins with our protagonists as orphan children already up to the hijinks we’ve come to expect from their adult selves. This sequence takes far too long, which is saying something for a movie with a 92-minute runtime. The story then shifts 25 years ahead to the modern day. Oddly, the nuns who work at the orphanage don’t age a day, but everyone else does … there may be some kind of joke at play here, but it sailed right over this college graduate’s head like a football thrown by Brett Favre after bionic arm surgery.

The plot predictably turns into a quest for the Stooges to raise the money necessary to save the orphanage but unpredictably takes a turn for humor that really isn’t in keeping with the spirit of the franchise. Sofia Vergara hires the guys to kill her husband. Murder … yeah … that’s great for kids! Umm, wait. Then when the inevitable falling out between the trio happens, Moe ends up as a cast member on Jersey Shore. No, you didn’t read that wrong: JERSEY SHORE. I again call attention to the appropriateness for kids when you’ve got JWoww and Snookie parading around in shirts made for 10-year-olds.

“But Ian!” you say (even if you don’t, play along, it works better), “Surely this movie isn’t supposed to only appeal to kids.” No, I’m sure that wasn’t the intention. However, it was the result. While there are occasional gags and jokes that elicited a chuckle or two, the humor and overall story are best described as monotonous. It starts at one level and just carries through with very little dynamism. Twice I counted myself doing that “head-jerk” motion where you hope no one else saw you almost falling asleep. Despite the fact that the scene may have shifted locales and we were potentially closer to resolving the storyline, it all felt like the same joke being repurposed.

“But Ian!” you say again (thanks for being such a sport), “That’s largely how the original show went.” I’ll give you that. But if you’re rebooting this for a new generation, you need to make it feel different in some fashion (bringing in ‘The Situation’ doesn’t count). The exact same enjoyment can be derived from watching old episodes in the comfort of your own home (and for free! Well, you’re paying for cable but … look, consider it at no extra charge. There. Happy?). And being able to entertain children isn’t hard: Add 1 part bright colors, insert two parts funny sounds, present in a venue where sugary snacks are sold. Done.

So while I give kudos to the actors for delivering some spot-on impressions and can see that the Farrellys respect the source material, there’s just no real reason for this movie to exist. The Three Stooges clearly knows where it comes from, but it has very little ambition of understanding where it should be in 2012 or, heaven forbid, in the future. Do yourself a favor and either DVR the original or at least wait for this to hit “free” cable in the near future.

Giving Hollywood the idea that they don’t even need to be creative in their reboots is just asking for some real train wrecks in the near future. This is merely a fender bender in the scope of the damage that could be done if left unchecked.

GRADE: C-

The Three Stooges hits theaters on April 13, 2012 and is rated PG for slapstick action violence, some rude and suggestive humor including language.




Film Review: ‘Bully’

Poster for Bully
Poster for Bully - Poster © Weinstein Company

Opening to a cover of Wheatus’ Teenage Dirtbag by Scala and Kolacny Brothers (the Belgian girls choir who covered Radiohead’s Creep for The Social Network trailer), it took a second or two to adjust and realize this was not Bully, the 2001 made by director Larry Clark, but the documentary of the same name, formerly known as The Bully Project (though that sounds like some reality TV show).

This look at the effects of bullying comes from director Lee Hirsch, who presents the story of a handful of kids who suffered at the hands of classmates being cruel to them, amidst communities and school administrations unable and/or unwilling to step in. Since I’d like to end this review on a positive note, I’ll get my gripes out now.

Each of the featured kids come from towns no one would consider re-designating a “city”. I wouldn’t be surprised if the locals learned the definition of “diversity” via Ron Burgundy, i.e. as an old, old wooden ship that was used during the Civil War era. As we watch these kids suffer from not fitting in with the rest of the crowd, while there are certainly failings within the school system, the problems are more reflective of the community and their tolerance of anything different. It would have helped the overall case so much to see at least one kid living in a population big enough to have even a minor-league baseball team stadium.

My other major concern is that like Waiting for Superman, the call to action is muted (though Bully is a far better film). What is it that people are supposed to do? Anyone living in an urban setting could shrug their shoulders and say, ‘Well I don’t live in Podunksville so my child will likely never be singled out so distinctly’. And while the links to social media are present, it isn’t until near the very end of watching these children take inordinate amounts of crap from their peers and get little to no help from adults whose jobs it should be to protect them, that one father tells a group of teens that they should stand up for kids when they can’t stand up for themselves and make an effort to make anyone new or different feel welcome.

An additional minor complaint stems from one or two of the kids not getting enough development of their story. While I’m sure you could have made a full-length documentary using any one of them, if you’re going to cover multiple subjects, it would have been nice to have their coverage be a bit more balanced.

Aside from those factors, however, if you have kids/are planning to have kids/work with kids, this is a movie well worth watching. For those of us in big cities, bullies were fewer and farther between simply due to the scale of the landscape. Even if one found themselves the target of ridicule, there likely were others in similar situations who allowed for a sense of belonging that got you through. Let’s face it, nearly every child goes through a phase where the world is against them in some manner; whether it’s because they’re on the outskirts or too popular. Having the ability to blend into larger communities can lessen the abuse.

The kids featured in the documentary are all sweet kids, each with some attribute that engendered ridicule from their peers. Watching them be abused is hard to watch, as the normal instinct should be to want to step in. Making it worse is seeing their complaints fall on deaf ears. One vice principal in particular may be one of the worst excuses for flesh I’ve seen on film in years; somehow able to work in the birth of her beautiful granddaughter to a discussion about a child being punched, stabbed with pencils, and having his head bashed into the seats on the school bus. Stay classy (and thank you for not being in San Diego). That they would act this way while BEING FILMED is even more astonishing.

It’s nice to see that the MPAA finally caved and allowed a PG-13 rating (I’ll leave out the hypocrisy of the MPAA right now). Aside from the difficulty in watching kids be cruel to one another and realizing their best option is often to move to a town more tolerant of diversity, the only material parents will find objectionable are a few snippets of bad language. Of course, when this language comes from the mouths of these children, the notion that we shouldn’t let our kids hear these words becomes rather moot. Sorry, parents. Your kids know these words. And they use these words. And a few nasty words shouldn’t be the reason you don’t watch this with your kids.

Since the active message of the film is not so overt, hopefully the ability to discuss the events on-screen with your kids either after they see it in a school setting or with you will open their eyes to the problems of bullying. Although the only examples in the film take place in red states where high school football is the hottest ticket in town, it doesn’t mean you’re safe in a big city. Kids are naturally cruel to one another as part of their maturation process, trying to fit in and hide any of their differences so as not to stick out and become the target of other kids. It’d be nice to live in a world where that doesn’t happen but don’t expect a radical change simply because one film points things out.

In reading some of the comments on the websites connected to the film, it’s evident that having this message presented can make a difference. And no matter if this uptick in common decency lasts only as long as the hoopla surrounding the project, each act of kindness generated is another act that may not have happened otherwise. So despite my misgivings about certain filmmaking aspects, Bully is an important film for you and your children to watch. Even if you don’t take away the motivation to help someone else out, simply being aware of the scope of the problem is beneficial so that instances formerly swept aside as “kids being kids” are treated with just that much more attention and thought.

GRADE: B+

Bully is rated PG-13 for some language.




Film Review: The Cabin in the Woods

Fran Krantz, Chris Hemsworth, and Anna Hutchison in a scene from The Cabin in the Woods.
Fran Krantz, Chris Hemsworth, and Anna Hutchison in 'The Cabin in the Woods' - Photo © Lionsgate Films
Loyal readers probably know that I’m a scaredy cat. That rush associated with being scared by horror films present at a younger age has pretty much disappeared. However, the buzz was so good on director Drew Goddard’s The Cabin in the Woods that I sucked it up and attended a screening.
 
If you don’t recognize Goddard’s name, that’s not a big surprise. He’s been producing episodes of Lost, writing episodes of Lost, and worshipping at the altar of writing with grand-fanboy pooh-bah Joss Whedon (who non-Buffy/Angel/Firefly/Dr. Horrible fanatics will know as the director of the rapidly approaching The Avengers … and let’s all agree to forget Dollhouse). For fans of Whedon, watching this tale of five college kids battling evil at a cabin in the woods (where did they get that title) will be a mix of nostalgia and catharsis. He’s not in the director’s chair but co-wrote the screenplay with Goddard and produced the film; truth be told, it’s not quite clear what stamp Goddard was able to imprint as this has Whedon’s fingerprints all over it.
 
For years, Whedon’s been working primarily within the restricted domain of TV – playing with dark themes but not able to go hard-R. That’s certainly changed here. People are stabbed, bitten, ripped apart, shot, pummeled, etc., etc. by a veritable whats-what of horror creatures; zombies, werewolves, ghosts, giant snakes, little Japanese girls that float around and act creepy, even a Pinhead knock-off and so much more. While death has always been a constant of his work, Whedon took advantage of the opportunity to make sure each kill was bloodier and more brutal than ever before.
 
Also, as fans of his know, there’s always a certain glibness and meta-nature to the characters and plot. One can almost always count on the most normal seeming characters being the most capable of evil deeds. And look for longtime collaborators making bit appearances. One of whom, Amy Acker, gets to share the screen with Richard Jenkins and Bradley Whitford – who are the key puppet masters pulling the strings behind the scenes and making this a vacation the collegians won’t soon forget.
 
For the more hardcore film fans out there who knew this was filmed in 2009 and is only now getting released, be assured that the long shelf time wasn’t due to the quality of the product. Goddard and Whedon had to fight off plans to convert this to 3-D (THANK YOU!) and Lionsgate bought the distribution rights off of MGM. And as long as you aren’t the type to find the almost pretentious nature of the script’s cleverness a problem, this is one very fun and bloody ride.
 
What begins as a typical slasher film with obvious undertones of a grander scheme at work settles quickly into a balance between its horror roots and Whedon’s almost macabre sense of humor. Fanboys (and girls) will certainly enjoy the film and even if you’re a less dedicated follower like myself, this is plain and simple entertainment … that is, if you enjoy a little death and dismemberment with a nice dose of comedy to even things out. The Cabin in the Woods is best enjoyed with a crowd, as most horror films are (though hopefully there will be fewer children at your screening than there were at mine). I can only hope Whedon takes a few cues from this and applies it to the Marvel universe … because we don’t really need all of The Avengers to live, do we? Don’t answer that, it’s rhetorical … and accurate.
 
GRADE: B
 
The Cabin in the Woods hits theaters on April 13, 2012 and is rated R for strong bloody horror violence and gore, language, drug use and some sexuality/nudity.
 

‘Lockout’ Movie Review

Maggie Grace and Guy Pearce in 'Lockout'
Maggie Grace and Guy Pearce in 'Lockout' - Photo © Open Road Films

Have you ever wondered what it would be like to see John McClane in space? Would you like to see Wolverine rescue a hot chick from a maximum-security prison following a hostile takeover by the inmates? Does the notion of spotty CGI elicit any sense of excitement? Do you prefer your characters to come stock, with very little in the way of development or modification? Is the amalgamation of numerous film clichés into one watered-down and overly simplistic story your idea of fun?

If you answered yes to ALL of those questions (and it’s a game I could have kept going for a while), then your name is most likely Luc Besson and you just came up with the “original idea” for Lockout. And it’s no wonder his films seem to be a Frankenstein of so many others, he seems to have his hands on so many films each year, it’s a wonder he can keep them straight at all.

Now, I’m not knocking the guy. I love a great deal of his work, from León, The Fifth Element, La Femme Nikita, and on down. Even when he’s only screenwriting and producing (as is the case here), the film always seems to retain his stamp on things. So allow me to simply state that the credited directors/co-writers are James Mather and Stephen St. Leger and we’ll never speak of them again for the purposes of this review. Even two against one, Besson’s signature wins out easily.

This is good for the sake of making such a contrived and predictable story retain any sense of fun. For while Lockout is brainless, there’s still something satisfying about watching Guy Pearce do his best Bruce Willis/Hugh Jackman impersonation, beat up a bunch of bad guys, and keep a beautiful woman safe (Maggie Grace in this instance) – all while set in the quasi-distant future of 2079.

If you’ve seen the trailer, you know exactly what you’re in for and you shouldn’t expect any different. There’s a minor subplot about government secrets and a badly disguised game of “Which shadowy government figure is the traitor?” but really, we’re only talking about 13 or 14 brain cells necessary to follow along or more often, stay ahead of the pace.

But all of that’s okay. I certainly wasn’t expecting some revolutionary idea and simply wanted a little dumb fun – which is essentially what I got. Trying to dissect the film anymore would literally be scene descriptions, and where’s the joy in that? Lockout is a decent action flick to check out if you need a quick fix, but it will deliver the same impact on the home market so don’t worry too much if you miss out on the big screen experience.

GRADE: C

Lockout hits theaters on April 13, 2012 and is rated PG-13 for intense sequences of violence and action, and language including some sexual references.




Thomas Dekker Stars in Squatters for Newly Formed Wakefield International Pictures

Thomas Dekker at the 'Nightmare on Elm Street' Premiere
Thomas Dekker at the 'Nightmare on Elm Street' Premiere - Photo © Richard Chavez
Producers Todd Moyer and Julius R. Nasso just unveiled their new project: Wakefield International Pictures LLC. The new film financing and production company plans to produce between four and six films each year, with the first project out of the gate set to be Squatters starring Thomas Dekker and Gabriella Wilde.
 
Squatters was written by Justin Shilton and will be directed by Martin Weisz (The Hills Have Eyes II). Filming is expected to begin next month in Los Angeles.
 
The plot: “The film tells the story of a young homeless couple in Venice Beach who move into a mansion in the Pacific Palisades while the owners are on vacation. When the owners come home early, things get complicated.”
 
Commenting on Squatters, Moyer said, “When I read Justin Shilton’s script—one of the most powerful and beautiful I’ve encountered in years—I felt we just had to make this film. I’ve known director Martin Weisz for many years and we are proud to support him and these terrific lead actors in this endeavor.”
 
Nasso added, “We’re pleased to be involved with such incredible material, and was hugely impressed with the readings of our two young leads. I think with such an excellent script, Dekker and Wilde have the chance to really embrace these roles and break out on the highest levels. We believe the film has very broad demographic appeal and expect everyone from 15-80 will like it equally!”
 
Source: Wakefield International Pictures LLC
 

Nicki Minaj Hits Number 1 with Pink Friday: Roman Reloaded

Nicki Minaj's Pink Friday: Roman Reloaded
Nicki Minaj's Pink Friday: Roman Reloaded - Cover Art © Universal Republic
Nicki Minaj is back at the top of the charts with the April 3, 2012 release of her second studio album, Pink Friday: Roman Reloaded. Roman Reloaded debuted in the top spot on the Billboard 200 chart and also snagged the number one spots on the UK and Canadian charts. In addition, Minaj’s second album opened in the top five in Australia, New Zealand, Singapore and Ireland, and hit number one on iTunes in Japan.
 
“I am deeply grateful to God for the opportunity to touch people all around the world through music and art. I am absolutely in love with this album and I want to thank my fans all around the world for their unwavering love and support,” says Minaj, who was just named the highest charting solo female rapper in the history of the UK’s Official Albums Charts.
 
Minaj’s first single “Starships” off Pink Friday: Roman Reloaded has already been certified Platinum after debuting in the ninth spot on the Billboard Hot 100 chart (and then quickly climbing to number five).
 
She’ll be heading out on her first international tour on May 15th in support of the album, performing concerts in Australia, London, Birmingham, Manchester, Chelmsford and Staffordshire. Following that, she’ll head back to the States for the Pink Friday: Roman Reloaded Tour in July and August.
 

New Poster for Bad Ass with Danny Trejo

Bad Ass Movie Poster
Poster for Bad Ass - © Samuel Goldwyn Films

Well, I definitely wouldn’t mess with Danny Trejo. No sir, not me. And this new poster for Bad Ass, coming to theaters in limited release and on VOD on April 13, 2012, helps show why you just don’t want to get on his bad side.

Directed by Craig Moss, Bad Ass also stars Charles S. Dutton and Ron Perlman.

The Plot:

Decorated Vietnam hero Frank Vega returns home only to get shunned by society leaving him without a job or his high school sweetheart. It’s not until forty years later when an incident on a commuter bus (where he protects an elderly black man from a pair of skin heads) makes him a local hero where he’s suddenly celebrated once again. But his good fortune suddenly turns for the worse when his best friend Klondike is murdered and the police aren’t doing anything about it.

Moonrise Kingdom Kicks It Old School

The cast of Moonrise Kingdom
The cast of 'Moonrise Kingdom' - Photo © Focus Features

This new photo from Wes Anderson’s Moonrise Kingdom features (from left to right) Bob Balaban, Jason Schwartzman, Bill Murray, Frances McDormand, Wyatt Ralff, Jake Ryan, Tanner Flood, Kara Hayward, Jared Gilman, Edward Norton, Seamus Davey-Fitzpatrick, Charlie Kilgore, Gabriel Rush, Lucas Hedges, and Bruce Willis. It’s got an old-school look to it, and doesn’t it just scream “I’m a Wes Anderson Film!”?

Anderson directs, produced and co-wrote Moonrise Kingdom with Roman Coppola. Focus Features is planning a May 16, 2012 release.

The Plot:

Set on an island off the coast of New England in the summer of 1965, Moonrise Kingdom tells the story of two twelve-year-olds who fall in love, make a secret pact, and run away together into the wilderness. As various authorities try to hunt them down, a violent storm is brewing off-shore — and the peaceful island community is turned upside down in more ways than anyone can handle. Bruce Willis plays the local sheriff. Edward Norton is a Khaki Scout troop leader. Bill Murray and Frances McDormand portray the young girl’s parents. The cast also includes Tilda Swinton, Jason Schwartzman, and Jared Gilman and Kara Hayward as the boy and girl.

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