Season two episode two of AMC’s Interview with the Vampire welcomes everyone to Théâtre des Vampires with Santiago as the main attraction. Episode two, “Do You Know What It Means to Be Loved by Death,” airs on Sunday, May 19, 2024 at 9pm ET/PT on AMC and AMC+.
The season two cast is led by Jacob Anderson as Louis de Pointe du Lac, Eric Bogosian as Daniel Molloy, and Assad Zaman as Armand. Sam Reid stars as Lestat de Lioncourt, Ben Daniels is Santiago, and Delainey Hayles takes over the role of Claudia.
Ben Daniels as Santiago and Sebastian Jacques in ‘Interview with the Vampire’ season 2 episode 2 (Photo Credit: Larry Horricks/AMC)
Interview with the Vampire Season 2 Plot, Courtesy of AMC:
The interview continues in season two. In the year 2022, the vampire Louis de Pointe du Lac (Anderson) recounts his life story to journalist Daniel Molloy (Bogosian). Picking up from the bloody events in New Orleans in 1940 when Louis and teen fledgling Claudia (Hayles) conspired to kill the Vampire Lestat de Lioncourt (Reid), Louis tells of his adventures in Europe, a quest to discover Old World Vampires and the Theatre Des Vampires in Paris, with Claudia.
It is in Paris that Louis first meets the Vampire Armand (Zaman). Their courtship and love affair will prove to have devastating consequences both in the past and in the future, and Molloy will probe to get to the truths buried within the memories.
Jacob Anderson as Louis De Point Du Lac and Delainey Hayles as Claudia in season 2 episode 2 ( Photo Credit: Larry Horricks/AMC)Jacob Anderson as Louis De Point Du Lac and Delainey Hayles as Claudia in season 2 episode 2 (Photo Credit: Larry Horricks/AMC)Jacob Anderson as Louis De Point Du Lac and Assad Zaman as Armand in season 2 episode 2 (Photo Credit: Larry Horricks/AMC)Jake Cecil as Gustave, Yung as Tuan Pham, and Ben Bradshaw as Hans Luchenbaum in season 2 episode 2 (Photo Credit: Larry Horricks/AMC)Ben Daniels as Santiago and Genevieve Dunne as Eglee in season 2 episode 2 (Photo Credit: Larry Horricks/AMC)
CBS’s FBI: Most Wanted season five ends with a bomb threat and, more importantly, a wedding. Episode 13, “Powderfinger,” was directed by Ken Girotti from a script by David Hudgins and Wendy West. The season finale airs on Tuesday, May 21, 2024 at 10pm ET/PT.
Season five stars Dylan McDermott as Supervisory Special Agent Remy Scott, Roxy Sternberg as Special Agent Sheryll Barnes, and Keisha Castle-Hughes as Special Agent Hana Gibson. Edwin Hodge plays Special Agent Ray Cannon and Shantel VanSanten is Special Agent Nina Chase.
“Powderfinger” Plot: The Fugitive Task Force races to catch the culprit threatening Manhattan with a dirty bomb. Meanwhile, Ray prepares to celebrate a major life milestone as his wedding to Cora approaches.
FBI: Most Wanted Season 5 Description, Courtesy of CBS:
From Emmy Award winner Dick Wolf, FBI: Most Wanted is a high-stakes drama that focuses on the Fugitive Task Force, an elite unit that relentlessly pursues and captures the notorious criminals on the Bureau’s Most Wanted list. The team’s charming but formidable leader is Supervisory Special Agent Remy Scott, who started his career in the New York FBI field office before rising through the ranks of the Bureau in Philadelphia and Las Vegas.
The team includes Special Agent Sheryll Barnes, a former NYPD detective and forensics expert who is raising two young children with her wife; Special Agent Hana Gibson, a gifted millennial computer whiz with a sharp wit and mad hacking skills; Special Agent Ray Cannon, who is a former New Orleans cop-turned-junior detective and worked Violent Crimes in Albany after following in his retired FBI agent father’s footsteps.
The newest member of the Fugitive Task Force is well-seasoned Special Agent Nina Chase who, most recently, worked assorted cases with the New York office of the Federal Bureau of Investigation. Originally from the Houston field office where she specialized in undercover work, Nina is a standout agent who is skilled with cars and has a penchant for driving fast. Always in the field and always on the run, FBI: Most Wanted is a weekly adrenaline shot about the thrill of the chase.
Spouses Jason Biggs (Orange Is the New Black) and bestselling author Jenny Mollen have been tapped to host TBS’s revival of Dinner and a Movie. The new series hosted by the married couple will premiere on June 1, 2024, with new episodes airing on Saturdays at 8pm ET/PT.
“Married for over 15 years, Biggs and Mollen will bring their shared love of film and food to TBS fans every Saturday night with a can’t-miss party that includes fun games, delicious food, and some of the biggest film blockbusters,” reads TBS’s synopsis. “Featuring a schedule of surprise guests, including a collection of Food Network stars who will bring their cooking expertise and some delicious bites to share, Dinner and a Movie is a perfect blend of behind-the-scenes scoop and a potluck with friends.”
The new season will include screenings of We’re the Millers starring Jason Sudeikis and Jennifer Aniston, as well as The Greatest Showman with Hugh Jackman. Plus, the couple will host a screening of Marvel’s epic superhero action film Avengers: Endgame.
“The hilarious Jason and Jenny are the go-to couple to invite to any party, and TBS fans will get the chance to hang out with them every Saturday night,” stated Jason Sarlanis, president, Turner Networks. “Plus Dinner and a Movie allows us to tap into talent from across our networks to create the ultimate watch party. If you thought you loved these films before – just wait until you get to relive them with Jenny and Jason, alongside delicious eats and fun surprise guests inspired by that week’s movie.”
‘Dinner and a Movie’ poster (Photo Courtesy of TBS)
Warner Bros Pictures’ second trailer for Horizon: An American Saga features stunning cinematography and a talented ensemble cast that brings the Wild West alive again on screen. Written, directed, produced/financed by, and starring two-time Oscar winner Kevin Costner, part one of a two-part Western epic opens in theaters on June 28, 2024.
“In the great tradition of Warner Bros. Pictures’ iconic Westerns, Horizon: An American Saga explores the lure of the Old West and how it was won—and lost—through the blood, sweat and tears of many,” reads Warner Bros’ synopsis. “Spanning the four years of the Civil War, from 1861 to 1865, Costner’s ambitious cinematic adventure will take audiences on an emotional journey across a country at war with itself, experienced through the lens of families, friends, and foes all attempting to discover what it truly means to be the United States of America.”
Kevin Costner in ‘Horizon: An American Saga’ (Photo Credit: Warner Bros Pictures)
In addition to Kevin Costner, Sienna Miller, Sam Worthington and Giovanni Ribisi star in the epic Western. The cast also includes Abbey Lee, Will Patton, Jena Malone, Michael Rooker, Danny Huston, Luke Wilson, and Jeff Fahey. Isabelle Fuhrman, Ella Hunt, David O’Hara, Owen Crow Shoe, Tatanka Means, and Tim Guinee also star.
The ensemble also includes Scott Haze, Tom Payne, Alejandro Edda, James Russo, Jon Beavers, Jaime Campbell Bower, and Michael Anganaro.
Jon Baird co-wrote the screenplay, with Howard Kaplan and Mark Gillard producing. Danny Peykoff, Robert Scannell, Armyan Bernstein, Charlie Lyons, Barry Berg, and Rod Lake executive produce.
Costner’s behind-the-scenes team includes director of photography J. Michael Muro, production designer Derek R. Hill, editor Miklos Wright, and costume designer Lisa Lovaas.
Peacock’s unveiled the first batch of photos from Those About to Die from filmmaker Roland Emmerich (White House Down). Described as an epic drama, the 10-episode series is set to premiere on the streaming service on July 18, 2024.
The entire season will be released at once for binge-watching.
Two-time Oscar winner Anthony Hopkins leads the cast of the new series set in the world of gladiators. Iwan Rheon, Sara Martins, Tom Hughes, Jojo Macari, Moe Hashim, and Dimitri Leonidas also star.
The ensemble includes Johannes Haukur Johannesson, Rupert Penry-Jones, Gabriella Pession, and Emilio Sakraya. Plus, David Wurawa, Pepe Barroso, Gonçalo Almeida, Eneko Sagardoy, and Romana Maggiora Vergano.
(AGC Television 2023)
“Those About to Die is an epic drama set in the corrupt world of the spectacle-driven gladiatorial competition, exploring a side of ancient Rome never before told — the dirty business of entertaining the masses, giving the mob what they want most…blood and sport,” reads Peacock’s synopsis. “The series introduces an ensemble of characters from all corners of the Roman Empire who collide at the explosive intersection of sports, politics, and dynasties.”
Robert Rodat created the series and serves as writer and executive producer. Roland Emmerich directed episodes one, two, three, nine, and 10, with Marco Kreuzpaintner directing episodes four through eight. Emmerich, Kreuzpaintner, Harald Kloser, Gianni Nunnari, Stuart Ford, Lourdes Diaz, and Miguel A. Palos Jr executive produce.
Additional executive producers include Herbert G. Kloiber, Martin Moszkowicz, Oliver Berben, Jonas Bauer, Charles Holland, and Namit Malhotra.
Sir Anthony Hopkins as Emperor Vespasian (Photo by: Matteo Graia/PEACOCK)(Photo Courtesy of Peacock)(Photo Credit: AGC Television 2023)(Photo Credit: AGC Television 2023)Dimitri Leonidas as Scorpus (Photo Courtesy of Peacock)
Chicago Med‘s Colin Donnell continues with his two-episode introduction to the world of CBS’s FBI: International with season three episode 13. Luke Kleintank exited the series on May 7, 2024, but his character drives the action in the season three finale. “Tuxhorn” will air on Tuesday, May 21, 2024 at 9pm ET/PT.
Luke Kleintank finishes up his run as Special Agent Scott Forrester with season three. Heida Reed stars as Special Agent Jamie Kellett, Carter Redwood is Special Agent Andre Raines, Vinessa Vidotto plays Special Agent Cameron Vo, Eva-Jane Willis is Europol Agent Megan “Smitty” Garretson, and Christina Wolfe is Special Agent Amanda Tate.
“Tuxhorn” Plot: The Fly Team heads to Oslo when they are tipped off that two Norwegian prisoners are being held in Russia.
FBI: International Season 3 Description, Courtesy of CBS:
From Emmy Award winner Dick Wolf, fast-paced drama FBI: International is the third iteration of the successful FBI brand that follows the elite operatives of the Federal Bureau of Investigation’s International Fly Team. Headquartered in Budapest, they travel throughout Europe with the mission of tracking and neutralizing threats against American citizens wherever they may be, putting their lives on the line to protect the U.S. and its people.
The Fly Team’s Special Agent Scott Forrester, their accomplished and dedicated leader, puts his missions ahead of his personal life. Second in command is Special Agent Jamie Kellett, a heroic and fearless investigator – and her extensive network of informants is a powerful resource. Special Agent Andre Raines shines in the field and makes good use of his accounting background in tracking criminal enterprises’ moving money. Special Agent Cameron Vo, a competitive West Point grad, excels at interrogation and strategy, and Megan “Smitty” Garretson, a streetwise Europol agent with an extensive undercover background, uses her expertise to liaise with each host country they inhabit.
Newly embedded with the Fly Team is Special Agent Amanda Tate, a confident and tech savvy intel analyst, who stays quick on her feet and remains calm in the midst of chaos. Always at the scene where American interests are at risk, FBI: International is a globe-trotting depiction of law enforcement overseas.
Froy Gutierrez as “Ryan” and Madelaine Petsch as “Maya” in ‘The Strangers: Chapter 1’, a Lionsgate release (Photo Credit: John Armour for Lionsgate)
Between 2008’s The Strangers and its 2018 sequel The Strangers: Prey at Night, the trio of killers composed of the Man in the Mask, Dollface, and Pin-Up Girl has become a staple of the horror world. And Lionsgate seems to understand that, as there are not one, not two, but three new The Strangers movies coming to theaters in the next year or so. The first, aptly titled The Strangers: Chapter 1, is already here.
Set “somewhere in Oregon,” The Strangers: Chapter 1 is about a young couple, Maya (Riverdale’s Madelaine Petsch) and Ryan (Froy Gutierrez from Teen Wolf), that is driving across the country from New York to Portland. A few hours outside of Portland, their car breaks down, and they are forced to spend the night at an Airbnb in the middle of nowhere. While they are settling in for their evening, they hear a knock on the door, and when they answer it, they are greeted with the three words that any The Strangers fan knows signal a night of terror:
“Is Tamara here?”
Directed by the legendary Renny Harlin (Deep Blue Sea, Exorcist: The Beginning), The Strangers: Chapter 1 is essentially a remake of writer/director Bryan Bertino’s The Strangers. While they do throw in a couple of cool twists (particularly in the third act to motivate the two additional chapters), co-writers Alan R. Cohen and Alan Freedland (the writing duo behind The Freak Brothers) stick pretty close to the 2008 original. There’s a little more setup, which results in Ryan and Maya meeting the salty and savory characters of the town before getting stuck there, so there are more “suspects.” And, because our heroes are from out of town, The Strangers: Chapter 1 feels more like a fish-out-of-water slasher movie than the home invasion thriller that the original is.
Since The Strangers: Chapter 1 is a remake, we’re going to compare. First, the bad. Harlin’s characters are more broadly painted, with much of their exposition delivered via spoken dialogue instead of through the visual imagery of Bertino’s. Both couples are in flux (albeit in very different ways), but Bertino lets the audience put together the reasons for the relationship tension themselves. With that work put in, it’s no surprise that audiences care more about Bertino’s Kristen and James than they do about Harlin’s Maya and Ryan. There’s an emotional investment there. Now, some of this is because audiences already know what’s coming, and some more of it is because Scott Speedman and Liv Tyler are better actors than Petsch and Gutierrez. But, mostly, Harlin’s leads feel one-dimensional. They feel like fodder for the killers.
Now, the good. Visually, The Strangers: Chapter 1 pays awesome tribute to Bertino’s film. Harlin and, by extension, cinematographer José David Montero (Open Grave, Apollo 18) keep the grainy, grindhouse look of the original, and play with the same now-you-see-them-now-you-don’t motif for the killers, which results in much of the same palpable tension. The audience never knows when a killer is going to pop up, or even if one is already sitting in the frame unnoticed. It’s a maddening game that keeps the audience both on the edge of its seat and on the tips of its toes. There are even some fun Easter Eggs for the attentive (yes, “Sprout and the Bean” plays on the phonograph, and it’s amazing).
Finally, the indifferent. Renny Harlin does inject some of his trademark humor into The Strangers: Chapter 1 to go along with the brutal violence. While it’s in no way as campy as, say, Deep Blue Sea, there are some laughs that seem out of place for a The Strangers movie. For example, in a scene where Maya and Ryan are escaping the house through a crawlspace, they encounter rats. One of them even hops onto Ryan’s back. It’s creepy, but comical. Out of everything that’s happening to them, these two are afraid of rats. No one can blame them, but no one can help but laugh, either.
For fans of The Strangers, The Strangers: Chapter 1 won’t let you down, as long as you can understand that it’s not a “new” story. It’s a worthy update of the original, even if it’s not quite as terrifying. Think of it in the same way as one of those Platinum Dunes horror remakes from the early 2000s. What’s curious is that there are still two more chapters coming up in the not-too-distant future, both of which were shot concurrently with this one. And since The Strangers: Chapter 1 is such a neat and clean remake, it’ll be interesting to see where Renny Harlin and company go from here. It may answer questions that are left over not only from this movie but from the original as well.
GRADE: B-
MPA Rating: R for language, horror violence, and brief drug use
Release Date: May 17, 2024
Running Time: 1 hour 31 minutes
The team has a chance to get Agents Hobbs’ killers on CBS’s FBI season six episode 13, the season finale. Directed by Alex Chapple from a script by Rick Eid and Joe Halpin, episode 13 will air on Tuesday, May 21, 2024 at 8pm ET/PT.
Season six stars Missy Peregrym as Special Agent Maggie Bell, Zeeko Zaki as Special Agent Omar Adom “OA” Zidan, and Jeremy Sisto as Assistant Special Agent in Charge Jubal Valentine. Alana De La Garza plays Special Agent in Charge Isobel Castille, John Boyd is Special Agent Stuart Scola, and Katherine Renee Kane stars as Special Agent Tiffany Wallace.
“Ring of Fire” Plot: The Somalian terrorist group behind the death of Agent Hobbs resurfaces, sending the team on a chase to take them down for good.
From Emmy Award winner Dick Wolf and the team behind the Law & Order brand, FBI is a fast-paced drama about the inner workings of the New York office of the Federal Bureau of Investigation. This elite unit brings to bear all their talents, intellect, and technical expertise on major cases in order to keep New York and the country safe.
Born into a multigenerational law enforcement family, Special Agent Maggie Bell commits deeply to the people she works with as well as those she protects. Her partner is Special Agent Omar Adom “OA” Zidan, a West Point graduate via Bushwick who spent two years undercover for the DEA before being cherry-picked by the FBI. Overseeing them is Special Agent in Charge Isobel Castille, who operates under intense pressure and has undeniable command authority.
The team also includes Assistant Special Agent in Charge Jubal Valentine, the nerve center of the office whose ability to easily relate to and engage with both superiors and subordinates makes him a master motivator. The smart and outspoken Special Agent Tiffany Wallace, who spent six years with the NYPD, is partner to Special Agent Stuart Scola, an Ivy League-educated Wall Streeter-turned-FBI agent. These first-class agents tenaciously investigate cases of tremendous magnitude, including terrorism, organized crime, and counterintelligence.
Colin Farrell, Sydney Chandler and Amy Ryan in ‘Sugar’ episode 8 (Photo Credit: Apple TV+)
Apple TV+’s Sugar season one episode eight, the season finale, answers 99% of our lingering questions while leaving the door open for a second season. After a slow build, episode seven finally filled in the blanks regarding who John Sugar is, what he’s doing on Earth, and why Olivia was taken. John found Olivia as the penultimate episode ended. Plus, episode seven revealed that the aliens are being called home.
And now, the season one finale recap:
As the episode begins, John (Colin Farrell) is basking in the warm glow of finding Olivia and being able to reunite her with her family. He calls Melanie (Amy Ryan) and she rushes home, pulls Olivia in for a hug, and comforts the traumatized young woman. John leaves so they can have time alone.
Later, he confesses to being glad the case is nearly over but is a bit melancholy about the idea of endings. He’s hung onto the CD labeled #44 and admits he’s still obsessing about the loose ends.
He leaves very good boy Wiley alone in the motel room and heads over to Ruby’s. She claims she’s happy John found Olivia, but John doubts that’s true. John and Ruby (Kirby) are both aware humans are now hunting them since John exposed the human trafficking ring. Ruby reminds him they need to leave Earth today and that last call will be at sunset. She also confirms Miller is on his way to the meetup location.
Meanwhile, Miller (Paul Schulze) is pulled over on a deserted highway. Before he realizes what’s going on, the officer shoots him in the head.
John walks through Ruby’s place, which is full of moving boxes. Henry (Jason Butler Harner) is there, still jotting down his observations. They both admit to having mixed feelings about leaving this planet. John is actually there to pick up a CD player from Henry. As Henry searches boxes for it, he says Senator Pavich’s son, Ryan, has been all over the news. Ryan’s accused of raping and torturing dozens of people, and John confirms they got the right person.
However, John’s got a feeling there’s more to this story than meets the eye. Henry asks if John can stop by later and give him a ride to the pickup, and John agrees.
John hasn’t driven far before he pops CD #44 into the player. It’s a recording of Ryan describing what he likes to do. Ryan seems to enjoy hammers and uses one to silence a screaming woman.
John’s heard enough for now and turns off the CD player. He pulls up to Jonathan Siegel’s estate and pauses to stare into the sky. Before speaking with Jonathan, John offers Margit (Anna Gunn) his condolences over the death of her son, David. She’s still not sure why John was so obsessed with Olivia’s case, and John has to stop himself before they get into an argument.
Jonathan (James Cromwell) greets John warmly; he’s apparently recovered from his heart attack. Jonathan offers John a job as the head of his security, indicating he can set his own salary. It’s an easy job but John has to turn it down. (He’s only on Earth a few more hours.)
John glances out the window and smiles as he sees Olivia looking much better and talking to her dad, Bernie. Jonathan admits there’s no way to express his thanks for what John’s done for his family. John wonders if Olivia’s spoken about her experience, and Jonathan insists she hasn’t—not a single word.
John has decided to assume Jonathan made Clifford’s body disappear. He’s discreet, and Jonathan appreciates that. John also didn’t call the cops until he had Olivia out of Ryan’s house. It’s obvious there’s still something on John’s mind and Jonathan assures him he can relax now.
John hands over the Polaroids of Rachel (Jonathan’s daughter-in-law) wearing the same dress Jonathan’s deceased wife wore in The Winds of Change. John knows Jonathan took the photos, and Jonathan calls Rachel a free spirit, just like Lorraine. He and Rachel broke off their relationship after Rachel got pregnant, and Jonathan realizes John believes Olivia is his daughter—not his granddaughter. John corrects him and says it doesn’t matter. All that is important is that Olivia is loved.
Jonathan compliments John, saying, “Grace and sensitivity to the end.”
A flashback fills John’s thoughts, taking him back to his planet with his sister. He smiles at Olivia and Bernie before pulling out of the driveway.
Kirby and Colin Farrell in ‘Sugar’ episode 8 (Photo Credit: Apple TV+)
Ruby calls John and asks about Miller. Neither has heard from him recently. She’s heading to the evacuation point now, and John explains he’ll be there soon. He has a few more stops to make before picking up Henry.
John presses play again and listens to Ryan talk about his life. “Whatever this is, what I do, more than anything else, it makes me feel alive,” says Ryan into the mic.
On a happier note, John drops Wiley off at Melanie’s and she’s more than happy to have a new furkid as part of her life. Melanie refuses to take no for an answer and makes John come in for a lemonade while they say goodbye. John won’t say he’ll never be back, but it’s not likely. He finally explains that he won’t be seeing his sister on his home planet because she was taken by somebody a long time ago. They don’t know who took her. That’s why he’s a private investigator now.
He pauses and looks toward the sky, contemplating telling her more about himself. He makes up his mind and asks that she hold his hands. Melanie can see his world through his touch. She silently cries at its beauty and strangeness.
John drives off while reminding himself he was never supposed to allow a human to see that. But he’s glad he did.
Ruby calls with a warning that humans are actively hunting them. Humans don’t want their pact exposed. She warns him to be careful and to get to the meetup as soon as possible.
John turns the CD on again as Ryan confesses he hates the part where his victims beg for their lives. Suddenly, John realizes Ryan is speaking to someone else who’s not one of his victims. He returns to Jonathan’s estate and asks to speak with Olivia, believing she can fill in a few blanks. John hates putting her through it, but he needs to know more about what happened in the basement. Bernie agrees to let him ask, but it’s up to Olivia to talk.
John delicately asks if Ryan had someone else with him in the basement. Olivia says there was another person there, but they kept a light on her face so she didn’t see him clearly. Also, he never spoke.
She is certain there was another man there because she could hear him writing. John realizes the man never spoke and only took notes. He thanks Olivia for her help and wishes her a wonderful life.
John pulls away, hitting play once more. He listens as Ryan uses the same words that Henry used while describing his wants and needs. John returns to Ruby’s now empty house as the phone rings. It’s Henry. He assumed John would piece the clues together, and John can’t believe that Henry just sat and watched Ryan torture and kill innocent women. Henry attempts to justify his actions, saying they were only supposed to watch and learn.
Henry is aware they’re being hunted by humans, but he’s decided he’s not returning to their home planet. He believes he fits better in this world with all its anger, confusion, and darkness. John insists Earth is so much more than that, but Henry thinks John belongs here too.
“I left you rose petals,” says Henry before hanging up.
John follows the petals on the floor to a closet. Inside is the outfit his sister, Djen, was wearing when she was abducted. John now knows that Henry took Djen, but he doesn’t know if she’s alive or if she’s here on Earth.
John believes Henry is trapped in a cycle of violence. But then he wonders if he’s different from Henry as he has flashbacks of attacking and killing humans. (They deserved it, but that’s beside the point.)
“I like being here. How I can feel, hurt, taste, touch, dream, love, hate,” thinks John. “Have I become more human, like Henry?”
Colin Farrell in ‘Sugar’ episode 8, the season 1 finale (Photo Credit: Apple TV+)
John’s standing on a beach, shoes off, toes in the water when he decides he needs to find Henry Thorpe. No matter how long it takes.
John makes it to the rendezvous and Ruby confesses she knows Henry was observing Ryan. They all went along with it for the mission. However, she had no idea that Henry took Djen. She asks about his hand and the voices, and John claims he’s fine. A noise in the sky interrupts and their ride home has arrived.
John’s made up his mind to remain on Earth. Ruby reminds him it will just be him and Henry on Earth, and that it’s likely Djen’s already dead. John understands that but needs to stop Henry from learning from – and teaching – other psychotic killers.
John confesses he’ll miss his home, which he loves, and he’ll miss Ruby and the others. But Earth and its people are calling to him. He genuinely likes humans.
John wishes Ruby safe travels and drives off in his beloved Corvette.
“The End” screens from multiple films flash by as John acknowledges that you always know a movie ending is coming. Still, you’re surprised when the credits roll.
And that, my fellow Sugar fans, is it. John heads off into the sunset, determined to track down Henry. Will he take Jonathan up on his job offer? Maybe. But more importantly, John can now remain a part of Melanie’s and Wylie’s lives.
Chris Stapleton and Morgane Stapleton at the 59th Academy of Country Music Awards (Photo by John Shearer/Getty Images for ACM)
Luke Combs went into 2024 Academy of Country Music Awards with the most nominations, but it was Chris Stapleton who emerged as the big winner. Stapleton took home four wins at the 59th ACM Awards, with Lainey Wilson scoring three wins. Combs and Jordan Davis each picked up two wins during the ceremony held on May 16th at The Ford Center at The Star in Frisco, Texas.
Hosted by 16-time ACM Award-winner Reba McEntire, this year’s awards show streamed live on Prime Video and the Amazon Music channel on Twitch. McEntire confirmed she’ll host next year’s awards while hosting this year’s show.
Performances included Female Artist of the Year winner Lainey Wilson singing “God Blessed Texas” and “Hang Tight Honey,” with Jelly Roll taking the stage to perform “Liar.” Kelsea Ballerini and Noah Kahan collaborated on “Stick Season,” and the New Duo or Group winners Tigirlily Gold entertained with “I Tried a Ring On.”
Additional performers included five-time ACM Award nominee Cody Johnson, 38-time ACM Award winner Miranda Lambert, Kane Brown, and eight-time ACM Award winner Thomas Rhett. Plus, Blake Shelton, Gwen Stefani, Chris Stapleton, Dua Lipa, Post Malone, and host Reba McEntire wowed the crowd with their performances.
ACM Awards Winners:
ENTERTAINER OF THE YEAR
• Lainey Wilson
FEMALE ARTIST OF THE YEAR
• Lainey Wilson
MALE ARTIST OF THE YEAR
• Chris Stapleton
DUO OF THE YEAR
• Dan + Shay
GROUP OF THE YEAR
• Old Dominion
NEW FEMALE ARTIST OF THE YEAR
• Megan Moroney
NEW MALE ARTIST OF THE YEAR
• Nate Smith
NEW DUO OR GROUP OF THE YEAR
• Tigirlily Gold
ALBUM OF THE YEAR [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]
• Higher – Chris Stapleton
Producers: Chris Stapleton, Dave Cobb, Morgane Stapleton
Record Company-Label: Mercury Nashville
SINGLE OF THE YEAR [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]
• Fast Car – Luke Combs
Producers: Luke Combs, Chip Matthews, Jonathan Singleton
Record Company-Label: River House Artists / Columbia Nashville
SONG OF THE YEAR [Awarded to Songwriter(s)/Publisher(s)/Artist(s)]
• Next Thing You Know – Jordan Davis
Songwriters: Chase McGill, Greylan James, Jordan Davis, Josh Osborne
Publishers: Family Farm Songs; Hold On Can I Get A Number 1 Music; Songs of Universal Inc.
VISUAL MEDIA OF THE YEAR [Awarded to Producer(s)/Director(s)/Artist(s)]
• Burn It Down – Parker McCollum
Produces: Christen Pinkston &Wesley Stebbins-Perry
Director: Dustin Haney
SONGWRITER OF THE YEAR
• Jessie Jo Dillon
ARTIST-SONGWRITER OF THE YEAR
• Chris Stapleton
MUSIC EVENT OF THE YEAR [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]
• Save Me – Jelly Roll (with Lainey Wilson)
Producers: Zach Crowell, David Ray Stevens
Record Company-Label: Stoney Creek Records / BMG Nashville