Stephen Dorff and Mahershala Ali in HBO’s ‘True Detective’ (Photo: Warrick Page)
Season three of HBO’s critically acclaimed dramatic series, True Detective, continues with four new episodes including the season finale. HBO’s just released details of the upcoming hour-long episodes with info on the plots, cast, and air dates
Nic Pizzolatto created the Emmy, Critics’ Choice, and Writers Guild award winning series and writes, directs, and executive produces the series. Scott Stephens, Daniel Sackheim, Jeremy Saulnier, Steve Golin, Richard Brown, and Bard Dorros also serve as executive producers.
The Season 3 Plot:
1980: Will and Julie Purcell, the children of feuding parents Tom and Lucy Purcell, go missing a week after Halloween in West Finger, Ark.
2015: Retired detective Wayne Hays, who originally investigated the crime, is asked to look back on the twists of the unsolved case with a true-crime documentary producer.
Playing out in three separate time periods, the third season tells the story of a macabre crime in the heart of the Ozarks, and a mystery that deepens over decades. Mahershala Ali (Oscar winner for Moonlight, Oscar nominee for Green Book) stars as state police detective Wayne Hays, with Stephen Dorff (Somewhere) starring as Roland West, the detective who investigated the case with Hays, and Carmen Ejogo (Selma) starring as schoolteacher and writer Amelia Reardon.
In 2015, retired detective Wayne Hays, his memory failing, looks back at the disappearance of 12-year-old Will and ten-year-old Julie Purcell, recalling the days and weeks immediately following the 1980 crime, as well as developments in 1990, when he and his former partner, Roland West, were subpoenaed after a major break in the case.
True Detective February 2019 Episodes
Season 3, episode 5: “If You Have Ghosts”
Debut date: SUNDAY, FEB. 3 (9:00-10:00 p.m. ET/PT)
Wayne (Mahershala Ali) finds himself in a no-win situation as new clues emerge in the Purcell case. Roland (Stephen Dorff) wrestles with how to keep evidence secure as lawyers demand a new investigation. Amelia (Carmen Ejogo) finds her relationship with Wayne imperiled by her writing aspirations and his jealousy.
Written by Nic Pizzolatto; directed by Nic Pizzolatto.
Season 3, episode 6: “Hunters in the Dark”
Debut date: SUNDAY, FEB. 10 (9:00-10:00 p.m.)
Wayne (Mahershala Ali) and Roland (Stephen Dorff) revisit discrepancies in the Purcell case that were hidden or forgotten over the years. Among those being reevaluated is Tom Purcell (Scoot McNairy), as well as Lucy Purcell’s cousin, Dan O’Brien (Michael Graziadei). The glitter of Amelia’s (Carmen Ejogo) book release is tarnished by a voice from the past.
Written by Graham Gordy & Nic Pizzolatto; directed by Daniel Sackheim.
Season 3, episode 7: “The Final Country”
Debut date: SUNDAY, FEB. 17 (9:00-10:00 p.m.)
Following up on new leads, Wayne (Mahershala Ali) and Roland (Stephen Dorff) track down a man who left the police force in the midst of the Purcell investigation. Meanwhile, Amelia (Carmen Ejogo) visits Lucy Purcell’s best friend in hopes of gaining insights into the whereabouts of the mysterious one-eyed man.
Written by Nic Pizzolatto; directed by Daniel Sackheim.
Season 3, episode 8: “Now Am Found” (season finale)
Debut date: SUNDAY, FEB. 24 (9:00-10:00 p.m. ET/PT)
Wayne (Mahershala Ali) struggles to hold on to his memories, and his grip on reality, as the truth behind the Purcell case is finally revealed.
Written by Nic Pizzolatto; directed by Daniel Sackheim.
Dermot Crowley, Paul Whitehouse, Steve Buscemi, Jeffrey Tambor, and Paul Chahidi in ‘The Death of Stalin’ (Photo by Nicola Dove, Courtesy of IFC Films)
Every year the Academy Award nominations leave people out who are deserving of Oscar’s golden attention. Sometimes the oversight is just annoying because someone whose work you enjoyed is off the list but you can still appreciate the people who received recognition. But other times the oversight is so egregious that it can be deemed criminal.
This year there were a number of films that received far fewer nominations than they deserved such as If Beale Street Could Talk, which nabbed a trio of nominations but none for director Barry Jenkins or for the film as best picture. Perhaps the Academy felt that Jenkins’ win two years ago was too recent or that the awards show faux pas regarding his Moonlight win was a memory it simply didn’t want brought up. There were also films that received serious attention but had certain people ignored such as Black Panther that won seven nominations but none for Michael B. Jordan’s fiery supporting turn or Rachel Morrison’s great cinematography.
Here is a list of the worst offenses; 10 films that were completely shut out of the 91st Academy Award nominations.
Death of Stalin
Oscar has always preferred drama to comedy but at a time when the absurdities of real world politics outpaced anything comic writers could come up with, it seems that Armando Iannucci’s lethally funny Death of Stalin should have at the very least gotten a best adapted screenplay nod. This razor sharp satire skewers real dictatorial leaders and their minions who use fear to rule. Any similarities to current politics is just icing on Iannucci’s comic confection. If Vice – Adam McKay’s black comedy about Dick Cheney’s rise to power – could grab eight nominations, then the Academy should have found it in its heart to acknowledge the brilliance of Iannucci’s script or even just an acting nomination for Steve Buscemi’s hilarious turn as Nikita Khrushchev. Plus the film once again highlights that graphic novels adapted to film don’t always have to be about superheroes or action.
Hereditary
First time directors don’t often get Oscars attention. Orson Welles was the first to pull that off in 1941 for Citizen Kane and like him most of the other 21 debuting filmmakers to get a best director nomination were either people coming to film from prior success elsewhere (Welles had shined on stage and in radio before turning to film) or from solid careers elsewhere in the film industry (actors turning to directing make up the highest number of first time directors to not just get nominated but to win). Ari Aster’s assured first time feature Hereditary was entirely worthy of Oscar’s attention. Oscar can be forgiven for overlooking Aster (who is just starting his film career) but it can’t be forgiven for not citing Toni Collette’s searing performance for best actress. The reason for the blind eye from Oscar was likely that the film was of the horror genre and exceptionally dark. Occasionally Oscar has smiled favorably on genre films and horror, but perhaps Silence of the Lambs’ sweep in 2003 is the exception to prove the rule. Shame on Oscar for ignoring Collette.
Sorry to Bother You
Boots Riley is another first time filmmaker who should have gotten more notice, especially since he came to film from a successful career as a rapper. In response to a deafening roar of #Oscarsowhite, the Academy made a concerted effort to recruit a more diverse voting membership. This year voters had an especially strong and diverse crop of films from African American filmmakers to choose from, and to ignore this particularly audacious new voice is a shame.
Lakeith Stanfield and Armie Hammer in ‘Sorry to Bother You’ (Photo Credit: Annapurna Pictures)
The Academy did recognize a number of black films this year and did finally right the wrong of overlooking Spike Lee for four decades by giving him his first best directing nomination and giving his film BlacKkKlansman a best picture nod. Sorry to Bother You was so much more deserving of a best original screenplay nomination than Green Book, which dealt with race relations in a way that felt uncomfortably dated especially in comparison to the vivid freshness and relevance of Riley’s script. The screenplay category has historically been a place where the Academy could graciously give some small, indie films a little love. But Oscar nominations for the first time script by Riley or the bold first time script by Rafael Casal and Daveed Diggs for Blindspotting would have been a perfect way to announce true change on the part of the Academy’s voting members.
Three Identical Strangers Three Identical Strangers provided a master class in how to weave a thrilling, suspenseful tale from documentary footage. Director Tim Wardle didn’t just document events that happened but rather he spun a fascinating narrative that delivered twists and turns worthy of an intense mystery film. This kind of beautiful storytelling needs to be highlighted and rewarded.
Won’t You Be My Neighbor
And since we are talking about documentaries I might as well point out the Academy’s failure to nominate Won’t You Be My Neighbor, all about Fred Rogers. Oscar is usually a sucker for anything warm and fuzzy so it’s something of a mystery why it would ignore this film about a genuinely kind and caring soul like Mr. Rogers. This didn’t have the dazzling storytelling arc of Three Identical Strangers but it was a feel-good film that felt needed now.
Burning
South Korean cinema has been kicking ass for years and this exquisite film from the talented Lee Chang-dong should have gotten not just a best foreign language film nomination but also a supporting actor nod for Steven Yeun. Lee is a veteran filmmaker whose work is often dark and challenging, so it is easy to see why the Academy might shy away from recognizing him. But having The Walking Dead favorite Yeun in a pivotal role seemed a sure way to at least pick up an acting nomination. This richly complex and deeply ambiguous film was worthy of Oscar attention.
The Other Side of the Wind
It is not often that the Academy gets a chance to posthumously correct its mistakes but this year it had an opportunity to show love and respect for Orson Welles, a genius Oscar chose to only reluctantly (a screenplay award for Citizen Kane) and belated acknowledge (an honorary award in 1971). The Other Side of the Wind was Welles’ final film and it remained unfinished until last year when Peter Bogdanovich finally got to fulfill his promise to Welles to complete the movie. There was talk of how maybe Welles could reap some honors from beyond the grave, but that was not to be the case. Not even the epic job of editing this film without its director could catch Oscar’s eye.
Oscar should have made space for Michelle Yeoh’s imposing matriarch or Awkwafina’s hilarious turn as the best friend in the supporting actress category. The film itself was a run of the mill rom-com fantasy but those two actresses deserved attention.
Annihilation
Here’s another genre film, this one science fiction, that had a lot of merits. I understand why the film didn’t get any major award nominations, after all it was that rarity of a fem-centric and fem-dominated sci-fi plus it was cerebral and mysterious. None of which is likely to win a best picture nod. But the production design, visual effects, and cinematography were spectacular and should have been singled out for recognition.
The Night Comes For Us
I conclude with a film that I know did not have a chance in hell of receiving any attention from the Academy Awards. I bring up this Indonesian action film because not only was its grueling and intense narrative overlooked for nominations in any existing categories, but it also points to the bigger oversight of Oscar refusing to acknowledge the work of stunt people. Stunt people risk their lives in order to allow us an adrenaline rush and it takes true artistry to make fight scenes work magic on screen yet the profession gets no love from Oscar. I look forward to the day when the men and women who take our breath away with their physical prowess and skill will be honored and acknowledged. With so much CGI and visual effects where the laws of physics have no bearing, Oscar should create a category to recognize the humans who can dazzle us without a blue screen and who can choreograph action in a way that brings the motion of motion pictures to vivid life.
The CW’s Riverdale season three episode 10 answered the question of whether Archie survived the bear attack fairly quickly. Of course he did…but he came back from his near-death experience a changed man. How do we know he’s been altered from his latest brush with death? Because his hair’s darker and the angst-factor has been cranked up to 10.
Episode 10 also found Betty reconnecting with her serial killer dad and learning her mom drained her college fund to help The Farm. Tall Boy briefly returned from the dead to masquerade as the Gargoyle King before being accidentally shot dead (for real, this time) by Fangs and Sweet Pea. And, someone shot Hiram. Veronica jumps to the conclusion that Archie might be the shooter, driving the couple further apart. Hiram’s shooting might be the straw that breaks ‘Varchie’s back. The episode ended with the reveal that FP is the new sheriff. Yes, you read that right. FP is the sheriff of Riverdale.
Up next, season three episode 11 airing January 30, 2019. The episode titled “The Red Dahlia” was directed by Greg Smith from a script by Devon Turner and Will Ewing.
The cast of season three includes KJ Apa as Archie Andrews, Lili Reinhart as Betty Cooper, Camila Mendes as Veronica Lodge, and Cole Sprouse as Jughead Jones. Madelaine Petsch is Cheryl Blossom, Marisol Nichols is Hermione Lodge, Mӓdchen Amick is Alice Cooper, and Luke Perry is Fred Andrews. The third season also stars Ashleigh Murray as Josie McCoy, Casey Cott as Kevin Keller, Mark Consuelos as Hiram Lodge, Skeet Ulrich as FP Jones, Charles Melton as Reggie Mantle, and Vanessa Morgan as Toni Topaz.
“The Red Dahlia Plot”– KELLY RIPA GUEST STARS AS HIRAM’S MISTRESS — After one of their own becomes the target of an unseen assailant, the gang works together to get to the bottom of Riverdale’s latest mystery. Meanwhile, Betty (Reinhart) works with a surprising ally to piece together clues about a series of deaths in the town. Elsewhere, a spiraling Archie (Apa) sets out on a new path, while Jughead (Sprouse) comes face to face with Ms. Mulwray (guest star Kelly Ripa), Hiram’s (Consuelos) alleged mistress.
John Mayer (Photo Credit: Frank Ockenfels / Courtesy of Live Nation)
John Mayer’s 2019 World Tour has been extended to include North American tour dates, beginning on July 19th at the Times Union Center in Albany, New York. Mayer will perform in cities including Philadelphia, Toronto, Detroit, San Diego, and Dallas before wrapping up the North American dates on September 14th at The Forum in Inglewood, CA.
Tickets for the Grammy Award winner’s North American dates will go on sale to the general public on Friday, February 1st via Ticketmaster.com. Fan presale tickets go on sale on January 29th at 10am local time. In addition, two pairs of front-row tickets that include preshow meet and greets with John Mayer will be available via auction for each of the North American dates. Proceeds from the auctions will go to charities including the Back to You Fund. For more info, visit John Mayer’s official website.
Mayer’s North American tour will feature Dead & Company with Grateful Dead members Bob Weir, Bill Kreutzmann and Mickey Hart, along with Oteil Burbridge, and Jeff Chimenti.
John Mayer 2019 North American Tour Dates:
FRI 19-Jul in Albany, NY at Times Union Center
SAT 20-Jul in Providence, RI at Dunkin’ Donuts Center
MON 22-Jul in Philadelphia, PA at Wells Fargo Center
TUE 23-Jul in Washington D.C. at Capital One Arena
THU 25-Jul in New York, NY at Madison Square Garden
FRI 26-Jul in New York, NY at Madison Square Garden
SUN 28-Jul in Pittsburgh, PA at PPG Paints Arnena
TUE 30-Jul in Toronto, ON at Scotiabank Arena
FRI 2-Aug in Detroit, MI at Little Caesars Arena
SAT 3-Aug in Columbus, OH at Schottenstein Center
MON 5-Aug in St. Paul, MN at Xcel Energy Center
TUE 6-Aug in Milwaukee, WI at Fiserv Forum
THU 8-Aug in Nashville, TN at Bridgestone Arena
FRI 9-Aug in Charlotte, NC at Spectrum Center
SUN 11-Aug in Atlanta, GA at State Farm Arena
MON 12-Aug in Indianapolis, IN at Bankers Life Fieldhouse
WED 14-Aug in Chicago, IL at United Center
SAT 31-Aug in Snowmass Village, CO at Snowmass Mountain
MON 2-Sep in Kansas City, MO at Sprint Center
TUE 3-Sep in St. Louis, MO at Enterprise Center
THU 5-Sep in Dallas, TX at American Airlines Center
SAT 7-Sep in San Antonio, TX at AT&T Center
SUN 8-Sep in Houston, TX at Toyota Center
TUE 10-Sep in Phoenix, AZ at Talking Stick Resort Arena
WED 11-Sep in San Diego, CA at Viejas Arena
FRI 13-Sep in Inglewood, CA at The Forum
SAT 14-Sep in Inglewood, CA at The Forum
Megan Mullaley hosted the 2019 Screen Actors Guild Awards held on Sunday, January 27, 2019 and honoring the best performances in television and films of 2018. After a rocky start with more jokes that missed their marks than landed, the SAG Awards show quickly moved into honoring The Marvelous Mrs. Maisel with three awards (Female Actor, Male Actor, and Ensemble in a Comedy Series).
On the film side, Black Panther snagged the Best Ensemble award, the SAG Awards equivalent of Best Picture. Black Panther also earned the Stunt Ensemble award which was announced on the awards show’s silver carpet prior to the broadcast.
The 2019 SAG Awards threw the Oscar race into turmoil. Rami Malek was one of the night’s surprise winners, snagging the Male Actor in a Leading Role award for his performance in Bohemian Rhapsody. A Star is Born went into the night with the most nominations, but failed to earn any awards. And another awards season favorite, The Favourite, also went home empty-handed.
The Theatrical Motion Picture Nominees and Winners
Outstanding Performance by a Male Actor in a Leading Role
CHRISTIAN BALE / Dick Cheney – “VICE” (Annapurna Pictures)
BRADLEY COOPER / Jack – “A STAR IS BORN” (Warner Bros. Pictures) WINNER: RAMI MALEK / Freddie Mercury – “BOHEMIAN RHAPSODY” (20th Century Fox)
VIGGO MORTENSEN / Tony Lip – “GREEN BOOK” (Universal Pictures)
JOHN DAVID WASHINGTON / Ron Stallworth – “BLACKKKLANSMAN” (Focus Features)
Outstanding Performance by a Female Actor in a Leading Role
EMILY BLUNT / Mary Poppins – “MARY POPPINS RETURNS” (Walt Disney Studios Motion Pictures) WINNER: GLENN CLOSE / Joan Castleman – “THE WIFE” (Sony Pictures Classics)
OLIVIA COLMAN / Queen Anne – “THE FAVOURITE” (Fox Searchlight Pictures)
LADY GAGA / Ally – “A STAR IS BORN” (Warner Bros. Pictures)
MELISSA McCARTHY / Lee Israel – “CAN YOU EVER FORGIVE ME?” (Fox Searchlight Pictures)
Outstanding Performance by a Male Actor in a Supporting Role WINNER: MAHERSHALA ALI / Dr. Donald Shirley – “GREEN BOOK” (Universal Pictures)
TIMOTHÉE CHALAMET / Nic Sheff – “BEAUTIFUL BOY” (Amazon Studios)
ADAM DRIVER / Flip Zimmerman – “BLACKKKLANSMAN” (Focus Features)
SAM ELLIOTT / Bobby – “A STAR IS BORN” (Warner Bros. Pictures)
RICHARD E. GRANT / Jack Hock – “CAN YOU EVER FORGIVE ME?” (Fox Searchlight Pictures)
Outstanding Performance by a Female Actor in a Supporting Role
AMY ADAMS / Lynne Cheney – “VICE” (Annapurna Pictures) WINNER: EMILY BLUNT / Evelyn Abbott – “A QUIET PLACE” (Paramount Pictures)
MARGOT ROBBIE / Queen Elizabeth I – “MARY QUEEN OF SCOTS” (Focus Features)
EMMA STONE / Abigail – “THE FAVOURITE” (Fox Searchlight Pictures)
RACHEL WEISZ / Lady Sarah – “THE FAVOURITE” (Fox Searchlight Pictures)
Outstanding Performance by a Cast in a Motion Picture
A STAR IS BORN (Warner Bros. Pictures)
DAVE CHAPPELLE / George “Noodles” Stone
ANDREW DICE CLAY / Lorenzo
BRADLEY COOPER / Jack
SAM ELLIOTT / Bobby
RAFI GAVRON / Rez Gavron
LADY GAGA / Ally
ANTHONY RAMOS / Ramon
WINNER:BLACK PANTHER (Marvel Studios)
ANGELA BASSETT / Ramonda
CHADWICK BOSEMAN / T’Challa/Black Panther
STERLING K. BROWN / N’Jobu
WINSTON DUKE / M’Baku
MARTIN FREEMAN / Everett K. Ross
DANAI GURIRA / Okoye
MICHAEL B. JORDAN / Erik Killmonger
DANIEL KALUUYA / W’Kabi
LUPITA NYONG’O / Nakia
ANDY SERKIS / Ulysses Klaue
FOREST WHITAKER / Zuri
LETITIA WRIGHT / Shuri
BLACKKKLANSMAN (Focus Features)
HARRY BELAFONTE / Jerome Turner
ADAM DRIVER / Flip Zimmerman
TOPHER GRACE / David Duke
LAURA HARRIER / Patrice Dumas
COREY HAWKINS / Kwame Ture
JOHN DAVID WASHINGTON / Ron Stallworth
BOHEMIAN RHAPSODY (20th Century Fox)
LUCY BOYNTON / Mary Austin
AIDAN GILLEN / John Reid
BEN HARDY / Roger Taylor
TOM HOLLANDER / Jim Beach
GWILYM LEE / Brian May
ALLEN LEECH / Paul Prenter
RAMI MALEK / Freddie Mercury
JOE MAZZELLO / John Deacon
MIKE MYERS / Ray Foster
CRAZY RICH ASIANS (Warner Bros. Pictures)
AWKWAFINA / Peik Lin Goh
GEMMA CHAN / Astrid Young Teo
HENRY GOLDING / Nick Young
KEN JEONG / Wye Mun Goh
LISA LU / Ah Ma
HARRY SHUM, JR. / Charlie Wu
CONSTANCE WU / Rachel Chu
MICHELLE YEOH / Eleanor Young
Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
ANT-MAN AND THE WASP (Marvel Studios)
AVENGERS: INFINITY WAR (Marvel Studios)
THE BALLAD OF BUSTER SCRUGGS (Netflix) WINNER: BLACK PANTHER (Marvel Studios)
MISSION: IMPOSSIBLE – FALLOUT (Paramount Pictures)
Outstanding Performance by a Male Actor in a Television Movie or Limited Series
ANTONIO BANDERAS / Pablo Picasso – “GENIUS: PICASSO” (National Geographic) WINNER: DARREN CRISS / Andrew Cunanan – “THE ASSASSINATION OF GIANNI VERSACE: AMERICAN CRIME STORY” (FX Networks)
HUGH GRANT / Jeremy Thorpe – “A VERY ENGLISH SCANDAL” (Prime Video)
ANTHONY HOPKINS / Lear – “KING LEAR” (Prime Video)
BILL PULLMAN / Det. Harry Ambrose – “THE SINNER” (USA Network)
Outstanding Performance by a Female Actor in a Television Movie or Limited Series
AMY ADAMS / Camille Preaker – “SHARP OBJECTS” (HBO) WINNER: PATRICIA ARQUETTE / Tilly Mitchell – “ESCAPE AT DANNEMORA” (Showtime)
PATRICIA CLARKSON / Adora – “SHARP OBJECTS” (HBO)
PENÉLOPE CRUZ / Donatella Versace – “THE ASSASSINATION OF GIANNI VERSACE: AMERICAN CRIME STORY” (FX Networks)
EMMA STONE / Annie Landsberg – “MANIAC” (Netflix)
Outstanding Performance by a Male Actor in a Drama Series WINNER: JASON BATEMAN / Martin “Marty” Byrde – “OZARK” (Netflix)
STERLING K. BROWN / Randall Pearson – “THIS IS US” (NBC)
JOSEPH FIENNES / Commander Waterford – “THE HANDMAID’S TALE” (Hulu)
JOHN KRASINSKI / Jack Ryan – “TOM CLANCY’S JACK RYAN” (Prime Video)
BOB ODENKIRK / Jimmy McGill – “BETTER CALL SAUL” (AMC)
Outstanding Performance by a Female Actor in a Drama Series
JULIA GARNER / Ruth Langmore – “OZARK” (Netflix)
LAURA LINNEY / Wendy Byrde – “OZARK” (Netflix)
ELISABETH MOSS / Offred/June – “THE HANDMAID’S TALE” (Hulu) WINNER: SANDRA OH / Eve Polastri – “KILLING EVE” (BBC America)
ROBIN WRIGHT / Claire Underwood – “HOUSE OF CARDS” (Netflix)
Outstanding Performance by a Male Actor in a Comedy Series
ALAN ARKIN / Norman – “THE KOMINSKY METHOD” (Netflix)
MICHAEL DOUGLAS / Sandy Kominsky – “THE KOMINSKY METHOD” (Netflix)
BILL HADER / Barry – “BARRY” (HBO) WINNER: TONY SHALHOUB / Abe Weissman – “THE MARVELOUS MRS. MAISEL” (Prime Video)
HENRY WINKLER / Gene Cousineau – “BARRY” (HBO)
Outstanding Performance by a Female Actor in a Comedy Series
ALEX BORSTEIN / Susie Myerson – “THE MARVELOUS MRS. MAISEL” (Prime Video)
ALISON BRIE / Ruth Wilder – “GLOW” (Netflix) WINNER: RACHEL BROSNAHAN / Miriam “Midge” Maisel – “THE MARVELOUS MRS. MAISEL” (Prime Video)
JANE FONDA / Grace Hanson – “GRACE AND FRANKIE” (Netflix)
LILY TOMLIN / Frankie Bergstein – “GRACE AND FRANKIE” (Netflix)
Outstanding Performance by an Ensemble in a Drama Series THE AMERICANS (FX Networks)
ANTHONY ARKIN / Stavos
SCOTT COHEN / Glenn Haskard
BRANDON J. DIRDEN / Dennis Aderholt
NOAH EMMERICH / Stan Beeman
LAURIE HOLDEN / Renee
MARGO MARTINDALE / Claudia
MATTHEW RHYS / Philip Jennings
COSTA RONIN / Oleg Burov
KERI RUSSELL / Elizabeth Jennings
KEIDRICH SELLATI / Henry Jennings
MIRIAM SHOR / Erica Haskard
HOLLY TAYLOR / Paige Jennings
BETTER CALL SAUL (AMC)
JONATHAN BANKS / Mike Ehrmantraut
RAINER BOCK / Werner Ziegler
RAY CAMPBELL / Tyrus Kitt
GIANCARLO ESPOSITO / Gustavo “Gus” Fring
MICHAEL MANDO / Nacho Varga
BOB ODENKIRK / Jimmy McGill
RHEA SEEHORN / Kim Wexler
THE HANDMAID’S TALE (Hulu)
ALEXIS BLEDEL / Ofglen/Emily
MADELINE BREWER / Janine
AMANDA BRUGEL / Rita
ANN DOWD / Aunt Lydia
OT FAGBENLE / Luke
JOSEPH FIENNES / Commander Waterford
NINA KIRI / Alma
MAX MINGHELLA / Nick
ELISABETH MOSS / Offred/June
YVONNE STRAHOVSKI / Serena Joy
SYDNEY SWEENEY / Eden
BAHIA WATSON / Brianna
OZARK (Netflix)
JASON BATEMAN / Martin “Marty” Byrde
LISA EMERY / Darlene Snell
SKYLAR GAERTNER / Jonah Byrde
JULIA GARNER / Ruth Langmore
DARREN GOLDSTEIN / Charles Wilkes
JASON BUTLER HARNER / Roy Petty
CARSON HOLMES / Three
SOFIA HUBLITZ / Charlotte Byrde
LAURA LINNEY / Wendy Byrde
TREVOR LONG / Cade
JANET McTEER / Helen Pierce
PETER MULLAN / Jacob Snell
JORDANA SPIRO / Rachel
CHARLIE TAHAN / Wyatt
ROBERT TREVEILER / Sheriff John Nix
HARRIS YULIN / Buddy Dieker
WINNER:THIS IS US (NBC)
ERIS BAKER / Tess Pearson
STERLING K. BROWN / Randall Pearson
NILES FITCH / Teenage Randall
MACKENZIE HANCSICSAK / Young Kate
JUSTIN HARTLEY / Kevin Pearson
FAITHE HERMAN / Annie Pearson
JON HUERTAS / Miguel Rivas
MELANIE LIBURD / Zoe
CHRISSY METZ / Kate Pearson
MANDY MOORE / Rebecca Pearson
LYRIC ROSS / Déjà
CHRIS SULLIVAN / Toby Damon
MILO VENTIMIGLIA / Jack Pearson
SUSAN KELECHI WATSON / Beth Pearson
HANNAH ZEILE / Teenage Kate
Outstanding Performance by an Ensemble in a Comedy Series ATLANTA (FX Networks)
KHRIS DAVIS / Tracy
DONALD GLOVER / Earn Marks
BRIAN TYREE HENRY / Alfred “Paper Boi” Miles
LAKEITH STANFIELD / Darius
BARRY (HBO)
DARRELL BRITT-GIBSON / Jermaine
D’ARCY CARDEN / Natalie
ANDY CAREY / Eric
ANTHONY CARRIGAN / NoHo Hank
RIGHTOR DOYLE / Nick
GLENN FLESHLER / Goran Pazar
ALEJANDRO FURTH / Antonio
SARAH GOLDBERG / Sally Reed
BILL HADER / Barry
KIRBY HOWELL-BAPTISTE / Sasha
PAULA NEWSOME / Det. Janice Moss
JOHN PIRRUCCELLO / Det. John Loach
STEPHEN ROOT / Monroe Fuches
HENRY WINKLER / Gene Cousineau
GLOW (Netflix)
BRITT BARON / Justine Biagi
SHAKIRA BARRERA / Yolanda Rivas
ALISON BRIE / Ruth Wilder
KIMMY GATEWOOD / Stacey Beswick
BETTY GILPIN / Debbie Eagan
REBEKKA JOHNSON / Dawn Rivecca
CHRIS LOWELL / Bash Howard
SUNITA MANI / Arthie Premkumar
MARC MARON / Sam Sylvia
KATE NASH / Rhonda Richardson
WYATT NASH / Phil
SYDELLE NOEL / Cherry Bang
VICTOR QUINAZ / Russell Barroso
GAYLE RANKIN / Sheila the She-Wolf
BASHIR SALAHUDDIN / Keith Bang
KIA STEVENS / Tammé Dawson
JACKIE TOHN / Melanie Rosen
ELLEN WONG / Jenny Chey
BRITNEY YOUNG / Carmen Wade
THE KOMINSKY METHOD (Netflix)
JENNA LYNG ADAMS / Darshani
ALAN ARKIN / Norman
SARAH BAKER / Mindy Kominsky
CASEY THOMAS BROWN / Lane
MICHAEL DOUGLAS / Sandy Kominsky
ASHLEIGH LaTHROP / Breana
EMILY OSMENT / Theresa
GRAHAM ROGERS / Jude
SUSAN SULLIVAN / Eileen
MELISSA TANG / Margaret
NANCY TRAVIS / Lisa
WINNER:THE MARVELOUS MRS. MAISEL (Prime Video)
CAROLINE AARON / Shirley Maisel
ALEX BORSTEIN / Susie Myerson
RACHEL BROSNAHAN / Miriam “Midge” Maisel
MARIN HINKLE / Rose Weissman
ZACHARY LEVI / Benjamin
KEVIN POLLAK / Moishe Maisel
TONY SHALHOUB / Abe Weissman
BRIAN TARANTINA / Jackie
MICHAEL ZEGEN / Joel Maisel
Outstanding Action Performance by a Stunt Ensemble in a Comedy or Drama Series WINNER: GLOW (Netflix)
MARVEL’S DAREDEVIL (Netflix)
TOM CLANCY’S JACK RYAN (Prime Video)
THE WALKING DEAD (AMC)
WESTWORLD (HBO)
The 55th Annual SAG Life Achievement Award
ALAN ALDA
NBC’s hit medical drama New Amsterdam is taking a three week break and will return on February 12, 2019 with an episode titled “The Blues.” Season one episode 13 features guest stars Zabryna Guevara as Dora, Alejandro Hernandez as Casey, Dierdre Friel as Ella, Vandit Bhatt as Ella, and Sendhil Ramamurthy Dr. Panthaki.
The cast of season one includes Ryan Eggold as Dr. Max Goodwin, Janet Montgomery (Salem, This Is Us) as Dr. Lauren Bloom, Tyler Labine (Dirk Gently’s Holistic Detective Agency) as Dr. Iggy Frome, and Jocko Sims (The Last Ship, Masters of Sex) as Dr. Floyd Reynolds. Freema Agyeman (Sense8, The Carrie Diaries) is Dr. Helen Sharpe and J Anupam Kher (The Indian Detective) plays Dr. Vijay Kapoor.
“The Blues” Plot: Max (Ryan Eggold) continues to work to solve underlying problems within the hospital despite his continuing struggles with treatment. Meanwhile, Reynolds (Jocko Sims) makes the choice to do a costly surgery to determine an elusive diagnosis and Bloom (Janet Montgomery) must face her personal demons head-on.
The Season 1 Plot:
“Inspired by Bellevue, the oldest public hospital in America, this unique medical drama follows the brilliant and charming Dr. Max Goodwin (Eggold), the institution’s newest medical director who sets out to tear up the bureaucracy and provide exceptional care. How can he help? Well, the doctors and staff have heard this before. Not taking “no” for an answer, Dr. Goodwin must disrupt the status quo and prove he will stop at nothing to breathe new life into this understaffed, underfunded and underappreciated hospital — the only one in the world capable of treating Ebola patients, prisoners from Rikers and the President of the United States under one roof — and return it to the glory that put it on the map.”
Jocko Sims as Dr. Floyd Reynolds and Ryan Eggold as Dr. Max Goodwin in ‘New Amsterdam’ season 1 episode 13 (Photo by: Peter Kramer/NBC)Freema Agyeman as Dr. Helen Sharpe in season 1 episode 13 (Photo by: Peter Kramer/NBC)Janet Montgomery as Dr. Lauren Bloom in season 1 episode 13 (Photo by: Peter Kramer/NBC)Tyler Labine as Dr. Iggy Frome in season 1 episode 13 (Photo by: Peter Kramer/NBC)Janet Montgomery as Dr. Lauren Bloom in season 1 episode 13 (Photo by: Francisco Roman/NBC)
John Bell and Sam Heughan in ‘Outlander’ season 4 episode 13 (Photo Credit: Starz)
Have your box of Kleenex handy for Outlander season four episode 13, you are gonna need it. Yes, even if you read the book…
Our first images of the Outlander season four finale, “Man of Worth,” are the title card screens. They tend to give us a preview of things to come in the episode, and this one is particularly interesting. A young mother with two boys on Halloween are in the park. The boys are dressed up as a cowboy and Indian. Pretty common costumes for the 1950s-1970s, given some of the local black and white TV shows of the era. We see a Native American sitting nearby, and the look on his face shows clear contempt for the scene before him. He’s wearing the large blue stone that Claire (Caitriona Balfe) found earlier in the season and now wears about her neck.
The episode opens with a beautiful shot of the river by the Shadow Lake Mohawk village. We find Roger (Richard Rankin) still stuck in the ‘idiot hut’ as the rest of the village goes about its business. Jamie (Sam Heughan) covertly approaches the village, using a spyglass to attempt to find Roger. Jamie has no success in seeing Roger, so he returns to where Claire and Ian (John Bell) are a little distance away.
Unknown to Jamie and the others, there’s a Mohawk brave watching them as well. The trio make their way, along with Rollo, and as they get closer to the village more of the Mohawk braves make their presence known and encircle the group. Rather tense moments ensue, as you might imagine.
Jamie exhausts his language skills with a couple of words meaning peace and greetings. Ian knows a bit more, so Jamie has him translate their wishes as they’re taken into the village. He explains they’re looking for a man, and Jamie pulls out Bree’s (Sophie Skelton) picture of Roger. Ian’s encouraged that they recognize the man pictured.
Kaheroton (Braeden Clarke) makes his way through the crowd and Ian recognizes him immediately as the man to whom he sold Roger. Kaheroton says they should take the matter to Tehwahsehwkwe (Tom Jackson), the village chief. As the chief approaches, our trio bow in respect. Jamie and Claire are showing their wears to the tribe, as Ian explains what they brought to trade for Roger.
The elders are considering the request but are stopped in their deliberation after Claire pulls off a scarf to show a child and the stone around her neck is exposed. This revelation stops all proceedings and causes Tehwahsehwkwe to expel them from the village without further debate. In the book, the stone was only shown to the women of the tribe. The story came out over a series of weeks of Claire trying to get more information from the women about why the tribe was so wary of the stone. In the book, the group had to earn a level of trust with the tribe before they would open up about Roger or anything to do with him.
Murtagh (Duncan Lacroix) arrives at River Run, still very much a fugitive. Naturally, being fed is the first order of business. Jocasta (Maria Doyle Kennedy) converses with Murtagh as he enjoys a roast large enough to feed an entire clan. Jocasta’s cheeky retort about expressing her understanding that Murtagh must be hungry after he escaped from jail just before it blew up sets Murtagh on the defensive.
As Murtagh eyes Ulysses (Colin McFarlane), forever in Jocasta’s shadow, he admits that what Brianna told Jocasta was true; he was there. Murtagh also admits why he was there in the first place. Bonnet and sedition against the crown are pretty good reasons to be locked up, though he doesn’t put it just that way. Jocasta’s forced to ask him to keep his visit short. The topic changes to Brianna as the purpose for Murtagh’s visit, he was just checking in on her. Jocasta admits that Bree’s spirits are very low, especially after Lord John Grey (David Berry) was called back to Virginia. Murtagh is upset about hearing that Bree and Lord John are engaged. Understandable, given Lord John was once his captor.
He spars with Jocasta about the marriage enough to cause her to leave the room, with Ulysses being a little short with Murtagh as an extension of Jocasta’s aggravation. Two Scots fussing is nothing new to River Run. You can’t squash or change Murtagh’s surly nature, and Jocasta is just as independent as our Claire…sparks flying is inevitable.
Sophie Skelton and Natalie Simpson in ‘Outlander’ season 4 episode 13 (Photo: Starz)
Upstairs in Brianna’s room, Phaedre (Natalie Simpson) is checking on the baby’s progress and preparation for birth. Phaedre confirms she’s delivered several babies and tries to lay Bree’s fears to rest about the baby and the birth.
As Claire, Jamie, and Ian are beginning to make camp a little distance away from the village, Jamie suddenly tells Claire not to move. A split second later a Mohawk brave bounds around a tree just as Jamie’s ready for the attack. He’s fighting with the brave as Ian and Claire are surrounded by others. The leader, a female Mohawk native (Carmen Moore), walks up and demands the stone from Claire. Claire offers it freely, in exchange for Roger.
Eventually, the story of the stone and Otter Tooth (Trevor Carroll) is revealed. The show and the book explain the time traveler much in the same way. However, there’s one key difference. In the show, they reveal that Otter Tooth did tell them he was from the future. But in the book, he does not reveal this key point for much the same reason Claire always kept it secret. Otter Tooth was so determined to change the past that he got increasingly aggressive with the Mohawk tribe until they expelled him. He carried on until they eventually killed him, took his head off, and buried it where Claire eventually found it and the stone.
In the book, there were a few who attempted to go through the stones with Otter Tooth, but he was the only one that made the passage to the past. The situation with Otter Tooth drove a wedge in the tribe. The group who came to get the stone from Claire believed Otter Tooth’s message and agreed with it.
At River Run, Murtagh’s finally getting to sit down with Bree and ask her about the engagement news Jocasta relayed. He’s very relieved to hear it was all a ruse. It was simply an attempt to get Jocasta off her back about getting married before the baby came or Roger could return. The next item on the agenda is to ask Bree why she was at the jail to see Bonnet. Bree informs him she needed to find forgiveness about the rape. She admits she has come as close to it as possible, so Murtagh asks if she can find forgiveness for Jamie as well. Bree confesses she has already forgiven him.
The Mohawk warriors and our trio take canoes across the river to approach the village from another direction in the hope of getting to Roger undetected. The group arrive at the ‘idiot hut’ from behind and manage to get Roger out of the hut, but not out of the village without being seen. The entire group’s stopped, after some rather extensive heroics by everyone, and brought before the chief.
Jamie sees that the only way to get Roger out of the village is to trade himself. He commands Ian to translate the request for the chief. Claire’s understandably against the scheme. While Ian’s conversing with the tribal elders, Jamie and Claire say their good-byes. Tissues ready? Here we go… The tribe accepts the request of a trade for Roger. In a shocking move, Ian reveals he gave himself over in Roger’s place. He makes Jamie promise to leave and not return for him; it is his choice to remain and become a member of the tribe.
In the book, there’s an additional female member of the tribe who’s an incentive for his desire to stay. Everyone’s tears are just gut-wrenching, but they leave Ian and Rollo behind as they take Roger to their camp a short distance away. To Jamie in particular, it is almost as if he’s leaving a son behind. I cannot do the emotions justice, so I won’t even try. You’ll just have to watch it for yourself. {sniff, sniff}
At River Run, Jocasta and Murtagh are enjoying a wee dram of whiskey. Slainte Mhath! She opens the proceedings by asking Murtagh what his next move is. Murtagh admits he plans to return to the Regulators and the fight building against the English. That declaration doesn’t sit well, and the pair get into an inevitable back and forth about the wisdom of the ’cause.’
Murtagh admits he wouldn’t expect Jocasta to take up arms but she could use her influence in other ways. She then accuses him of coming to River Run just to try to get her to involve herself in his plans. Murtagh tries to flatly deny any such intention, but she calls him on all his historic behavior in comparison to the current efforts. She calls him a schemer and he calls her a lunatic. She gets up to leave and Murtagh grabs her arm. She demands he let go of her and when he doesn’t, she throws the whiskey from her glass in his face. Good aim for a blind woman!
With passions thusly stirred, I am not surprised to see the next morning that Murtagh is laying in Jocasta’s bed as she gets dressed for breakfast. Jocasta asks him if he must leave; she obviously wants him to stay. He doesn’t want to bring her trouble. She says that IF trouble comes, they will deal with it at that time. He begs her to return to bed, so she happily obliges his request. Obviously, neither of them is too old for a new relationship. I sort of saw this coming given the future path of things and how they had to modify the show from the book, but I’m glad to see it nevertheless. We’ll see if Jamie is pleased with his aunt and godfather upon finding out.
Jamie and Claire are back at their camp with Roger. Jamie and Claire are talking about how he’s possibly going to tell Jenny about this turn of events when Roger walks up and punches Jamie in the face. Claire tries to stop him, but Jamie has her stand back and let Roger alone. Jamie knew it would be coming and will allow Roger to throw him a beating, just as Jamie had done to Roger.
While this beating is occurring, the Mohawk tribe have Ian run the gauntlet to determine his worthiness to join the tribe as a brave or captive, just as they had given Roger the opportunity that he failed. Ian’s not aware of what’s going on but figures things out pretty quickly. He’s more familiar with Native ways than Roger was, so he understands the goal of the activities. He fights back when appropriate and dodges blows when he can before touching the chief’s foot in success. He’s welcomed into the tribe with shouts and whoops from the braves.
Roger wears himself out on punching Jamie and finally collapses into Jamie’s arms. After Roger calms down enough to ask why he was beaten and sold into slavery, everything comes out. Claire, and less nicely Jamie, tell Roger about the rape of Bree by Bonnet as the reason for his beating. Jamie mistook Roger for the man who did it. Roger knew how terrible and dangerous he was, given his trip across the ocean with Bonnet and his crew. Jamie was angry that Roger even left Brianna alone which gave Bonnet the opportunity to attack Bree.
Roger explains he wouldn’t have left but it was Bree’s own desire for him to leave her alone that had him leave her that night. He admits to returning the next day but was drug away by Bonnet and the crew to sail up the coast before he could get back to Bree. Roger also admits he took two gems from him to see Bree safely back through the stone circle. He informs Claire and Jamie there’s a stone circle right there in the New World, between Fraser’s Ridge and where they were right then near the Mohawk village.
The next bit of news about Bree will make the plan to take Brianna back through the stones impossible. They must tell Roger of the pregnancy. Roger takes offense at Jamie suggesting he could go back alone. Roger immediately declares he won’t leave Brianna and that she’s his wife because they were handfast.
Initially, Roger doesn’t put two and two together that the baby might be Bonnet’s. Jamie puts it all on Roger’s shoulders as the reason she was raped and calls him out about standing by her or leaving her to go back alone. Claire calls Jamie off his tirade so Roger can even think for a second. Jamie stepped back but as Roger says he needs time to think, Jamie pounces again and calls him a coward. Jamie continues to press forward but Claire steps between them and suggests Roger be sure of his decision.
At River Run, the delivery day has arrived and Brianna is surrounded by Jocasta, Phaedre, and Lizzie (Caitlin O’Ryan) helping to bring the bairn into the world. In the book, Claire is there to help Bree, but naturally the distance is too far away for them to get back in time on the show.
Murtagh waits impatiently outside the door. After Phaedre cleans up the lad, she brings him in to see his mother. Such a precious little angel, no matter the male who sired him.
Two months later, Brianna runs out on the porch holding the bairn after receiving the news that her mother has been seen approaching the house. As Bree comes out the door, she sees but two figures at the end of the walk – her parents. Roger is not with them and Bree is immediately heartbroken by his absence. She thinks he’s abandoned her and the baby to return to the future. (More Kleenex is needed here.)
Claire and Jamie admit that Roger is alive and they told him everything. They get the first glimpse of their grandson but the absence of Roger casts a noticeable cloud over the joyous occasion. Claire heads upstairs to check on Brianna after they talk to Jocasta for a few minutes, and it gives Jamie time to ask Murtagh about Bonnet. Murtagh admits he had him and briefly explains the situation with the jail and his own captivity. Murtagh believes Bonnet died in the jail’s explosion and is sorry Jamie didn’t get the chance to kill him personally.
Upstairs Claire says she wants to take Brianna and the baby back to Fraser’s Ridge…home. Bree agrees. That night at dinner, everyone’s silently eating at the table minus Bree. She comes in eventually and it lightens the room a bit.
The next day the wagon’s being packed for the Frasers to depart. As Bree’s packing upstairs, she looks out the window to see a man riding toward the house. Without a word she runs downstairs and out onto the front lawn. She runs as fast as she can toward the rider and he eventually dismounts and runs toward her. Roger and Bree collide with all the love, fear, pain, and excitement the moment demands of them. They embrace, kiss, confess they love each other as we all pull another Kleenex.
Roger asks about the bairn and Bree says he’s a boy. Roger wants her to take him to see HIS son. As the pair are walking back toward the house, British soldiers come riding up behind them. Roger hasn’t met our beloved godfather yet, but Bree’s first thought is of Murtagh, given he’s a wanted fugitive. The soldiers pass them and head to the front door of River Run.
Phaedre announces soldiers are coming and Murtagh reaches for Jocasta. She tells him he must hide in the slave quarters as they touch foreheads. Jamie’s rather confused by the embrace, but there’s no time to ask questions. Ulysses leads Murtagh out the back to hide him.
Jamie heads to the front door to receive the soldiers. They surprise everyone by asking for Jamie, not Murtagh. The soldiers deliver a letter to Jamie from the Governor. The soldiers depart immediately as Jamie opens the letter to read it. The Governor has charged Jamie to muster a militia together to fight the Regulators, with the first task being to hunt down and kill Murtagh Fitzgibbons. And with that decree we are back into Droughtlander!
The book ended at a clan gathering, but we will see if they do any of that next season or if it is just right into the military unrest brewing in the colonies. We have to wait till next season to find out, but we can at least rest assured there is another season – as well as a sixth. Tulach Ard… Je Suis Prest!
Three of CBS’s freshman series – FBI, Magnum P.I., and The Neighborhood – have earned second season orders. The network just announced the three shows, which improved ratings in their time slots over last year’s viewership numbers, will return as part of the network’s 2019-2020 primetime schedule.
Commenting on the season two renewals, CBS Entertainment President Kelly Kahl stated, “Each of these distinctive shows has made their mark in a variety of ways. Our goals this season were to introduce new series that audiences are passionate about, add more strength to a winning schedule and create more inclusive programming.”
“We’re thrilled by the creative direction and performance of these three shows as they continue to grow in popularity and resonate with the Network’s viewers,” added CBS Senior Executive Vice President of Programming Thom Sherman.
FBI comes from Emmy Award winner Dick Wolf and stars Missy Peregrym, Zeeko Zaki, Jeremy Sisto, Ebońee Noel, and Sela Ward. Wolf serves as an executive producer along with Rick Eid, Terry Miller, Arthur W. Forney and Peter Jankowski. Season one airs on Tuesdays at 9pm ET/PT and has been averaging nearly 13 million viewers.
The reboot of Magnum P.I. with Jay Hernandez in the title role has upped the Monday at 9pm ET/PT viewership numbers by 32%. Perdita Weeks, Zachary Knighton, Stephen Hill, Tim Kang and Amy Hill co-star, with Peter M. Lenkov, Eric Guggenheim, Justin Lin, John Davis, John Fox and Danielle Woodrow executive producing.
Cedric the Entertainer stars in and executive produces The Neighborhood, a half-hour comedy airing on Mondays at 8pm ET/PT. According to CBS, the comedy has been averaging 8 million viewers which is an increase year-over-year in its time slot. In addition to Cedric the Entertainer, the series stars Tichina Arnold, Max Greenfield, and Beth Behrs. Sheaun McKinney, Marcel Spears and Hank Greenspan are also featured in season one.
Alin Sumarwata in ‘Strike Back’ season 6 episode 2 (Photo: Hal Shinnie/CINEMAX)
Season six of Cinemax’s action thriller Strike Back continues with five new one-hour episodes airing in February 2019. The new episodes star Warren Brown (Luther, The Dark Knight Rises) as Thomas “Mac” McAllister, Daniel MacPherson (A Wrinkle in Time) as Samuel Wyatt, and Alin Sumarwata (Neighbours, Burning Man) as Gracie Novin.
Additional season six cast members include Jamie Bamber (Battlestar Galactica, Monday Mornings) as Col. Alexander Coltrane and Yasemin Allen (Water and Fire) as Katrina Zarkova. The series is executive produced by Andy Harries, Sharon Hughff, Jack Lothian, and Richard Burrell. Nuala O’Leary served as a producer.
Strike Back February 2019 Episodes:
Season 6, episode 2
Debut date: FRIDAY, FEB. 1 (10:00-11:00 p.m. ET/PT)
Section 20 forges an uneasy alliance with Zarkova (Yasemin Allen) in hopes of tracking down a stolen nuclear warhead in Kuala Lumpur. The group is frustrated when Police Inspector Amy Leong (Ann Truong), who has connections to triad leader Godfather Kim (Lim Teik Leong) and his henchman Laoshu (Tom Wu), pulls them off the job after a false alarm. High Commander McKitterick (Adrian Edmondson) finds himself in an untenable dilemma, while Novin (Alin Sumarwata) defies Coltrane’s (Jamie Bamber) orders to settle a score.
Written by Jack Lothian; directed by Bill Eagles.
Season 6, episode 3
Debut date: FRIDAY, FEB. 8 (10:00-11:00 p.m.)
Section 20’s search for the missing nuclear warhead leads them to Goa, India, where three scientists have been kidnapped by Gopan (Rudi Dharmalingam), a militant under orders from a mysterious “kingfisher.” When one of the scientists escapes, the team catches up to him and his daughter (Pallavi Sharda), gaining valuable intel on Anjali Vartak (Shivani Ghai), a rich Hindu with a personal vendetta against Muslims. S20 infiltrates a suspicious fundraiser as Coltrane (Jamie Bamber) and new S20 computer whiz Olivia Chetri (Varada Sethu) deal with a breach in security.
Written by Jack Lothian; directed by Paul Wilmhurst.
Season 6, episode 4
Debut date: FRIDAY, FEB. 15 (10:00-11:00 p.m.)
As Wyatt (Daniel MacPherson) is tortured by Vartak’s (Shivani Ghai) henchmen, Mac (Warren Brown) presses her corrupt lawyer to hand over an encrypted hard drive that might hold clues to the whereabouts of a pair of “nuclear suitcases.” After being sorely tested in a deadly hostage standoff at an office building, the team is forced to lean on Zarkova (Yasemin Allen) to commandeer high-end Russian technology, crack the encryption code and make a final foray to a secret hideout, where Vartak, Gopan (Rudi Dharmalingam) and the nuclear packages await.
Written by Jack Lothian; directed by Paul Wilmhurst.
Season 6, episode 5
Debut date: FRIDAY, FEB. 22 (10:00-11:00 p.m.)
Following a high-speed jungle ambush in Myanmar, the suitcase nukes end up in the hands of Jean-Baptiste Zaza (Chris Obi), a brutal Rwandan drug lord with a jealous streak. Even as they continue to suspect Zarkova’s motives, Section 20 journeys to the Punchan Province and connects with Lauren Gillespie (Victoria Smurfit), a DEA agent with inside intel on Zaza and Dagon (Fish Chaar), his second in command. With the suitcase on the verge of being sold to a jihadist, Coltrane (Jamie Bamber) tasks Novin (Alin Sumarwata) with impersonating the buyer in order to ascertain the WMD’s location. Meanwhile, Colonel Beshnov (Marek Vasut), the Russian Alpha Group leader, surprises Pavel (Alec Newman) with a revelation about Zarkova (Yasemin Allen).
Written by Jack Lothian; directed by Steve Shill.
The Season 6 Plot:
When a Russian bomber crashes in the South China Sea, the covert special-ops soldiers of Section 20 — Thomas “Mac” McAllister (Brown), Samuel Wyatt (MacPherson) and Gracie Novin (Sumarwata) — are sent to investigate. There, they cross paths with Katrina Zarkova (Allen), a rogue Russian operative with questionable loyalties.
Under orders of the new commanding officer, Col. Alexander Coltrane (Bamber), Section 20 pursues stolen contents of the Russian jet across Southeast Asia. They will work alongside the Malaysian police to shut down a Triad gang in Kuala Lumpur, uncover a corrupt plot by a wealthy Indian businesswoman running for Parliament and plunge into the jungles of the Golden Triangle in Myanmar, facing off against mercenary drug agents and terrifying warlords as they uncover a conspiracy that threatens to push the world to the brink of global conflict.
Supernatural hardly ever lets plot thread hang for too long, and “Damaged Goods” brought some closure to the story of Nick (Mark Pellegrino). While season 14 episode 11 was far more sedate than the fast-paced episode the previous week, we saw plenty of relevant happenings going around.
When last we saw Nick, he had completed his turn for the worst, and this episode kicked off with Nick torturing a demon of all beings – the guy didn’t take long to enter the big leagues. Nick gets the demon to reveal the location of Abraxas – the demon who had killed Nick’s wife and son – and who was the last one to see Abraxas? That would be our own Mary Winchester (Samantha Smith).
Mary’s entry in the episode doesn’t go down solely because of Nick’s pursuit of her, however, as Dean (Jensen Ackles) has his bags packed to stay at the cabin (remember when Mary and Bobby had shacked up a few months back?), while also having plans to visit Donna as well – seeing as the cabin belongs to Donna.
As Alternate Bobby is still coping with the loss of his son, Dean has sights toward a mother-son weekend. How things start off, though, is with Dean asking Sam (Jared Padalecki) specifically not to accompany him. Considering these two never do stuff without each other, Sam senses something is off with his brother – an idea cemented when Dean makes sure to hug Sam very lovingly before leaving.
Sam feels it’s weird because they never hug (he obviously doesn’t know the fandom keeps each hug he and Dean have had on record) and calls Mary to let her know things don’t seem right. For once, Mary shows some concern for her son and agrees to keep a look out for strange stuff when Dean’s there.
We get treated to a sweet scene where Donna (Briana Buckmaster) and Dean enjoy “the best burger in the world” and the former brings Dean up to speed over the happenings of the Wayward Sisters: they’ve been up to monster-hunting training and making tremendous progress – something we definitely would’ve seen for ourselves had the spin-off been commissioned.
Dean leaves once Donna tries to talk about Michael being stuck in Dean’s head – Sam seems to have no problems talking about these things with Donna, it seems – and arrives at the cabin to meet his mom. After convincing his mom to make him a meal called “The Winchester Surprise,” something that’s supposed to be a heart attack on a plate, Mary heads off to the store for groceries.
Our pal Nick is nearby and tries to ask Mary’s friend Joe (Dion Riley) of her whereabouts. Joe, unusually smart for a Supernatural character, doesn’t betray Mary’s trust and lets Donna know some creepy guy in a van was asking around for Mary. Donna manages to locate Nick and restrain him. But old Nick’s really learned some neat tricks and picks the lock; he escapes by using a taser on Donna and searching her phone to find out Mary’s location.
Meanwhile, Dean’s up to building something in the cabin’s shed, which we aren’t shown. Once Mary arrives, Dean attempts to distract her by volunteering to help her prepare dinner. Mary isn’t fooled and lets Sam know – but what do we have here? Sammy’s already in the car and on his way to the cabin.
While Mary and Dean eat, he lets her know how he had struggled to protect Sam while they were young and Mary-less. Mary tries to make up for lost time and attempts to talk to Dean about Michael, but is turned down. Despite his obvious suspicious activity, Dean didn’t take any measures to conceal what he was doing in the shed, and Mary sees what Dean has prepared inside. Before she can do anything about it, Nick shows up and whisks her away.
Dean catches on to her disappearance too late, but Sam arrives to join him. Nick interrogates Mary about Abraxas in his van and we find out Mary had him trapped in an Enochian puzzle box – because reasons. Just like John had a storage space for all his freaky things, it appears Mary also indulges in places like those and leads Nick to her storage unit.
Because Abraxas needs a host, Nick decides to kidnap a nearby security guard (it’s kind of ridiculous how this guy is so good at the thievery at murder). After a pointless scene where the Enochian puzzle box, well, puzzles Nick, he simply drills a hole in it to release Abraxas and the demon possesses the poor security guard, while confined to a demon’s trap.
We cut to Dean scolding Sam for letting Nick run wild, while the younger Winchester argues having compassion isn’t a bad thing, and he was letting Nick be free because he could relate to being Lucifer’s vessel. But Dean simply tells Sam that some people are just past the point of saving.
Abraxas tells Nick he’ll only reveal why he killed Nick’s family after the latter takes Mary’s life slowly, only for Nick to readily comply. Before this can go down, Sam, Dean, and Donna arrive. Nick stupidly breaks the demon trap and Abraxas performs some of the usual flinging around mojo countless other villains have doled out to our heroes. He then finally reveals why Nick’s family was killed: Lucifer ordered Abraxas to do it.
But here’s the kicker: Nick wasn’t specifically chosen at all. Apparently, Abraxas picked his name out of random from a phone book. Yikes!
Nick catches Abraxas off-guard and drives an angel blade through him (and everyone forgets the poor, unwitting security guard also dies with Abraxas), thereby completing Nick’s revenge. That doesn’t exempt Nick from the heroes, though, and Donna shoots him to submission. Outside, Sam looks at Nick in disgust and tells him he would’ve gladly helped Nick solve his family’s murder had Nick just asked.
Nick doesn’t care and tells Sam he didn’t want to be fixed because “(he) was never broken”; basically, Nick’s just a rotten guy in general. Sam shoots back that he doesn’t feel sorry for Nick but for the people whom Nick murdered or got killed in the name of his revenge. In an uncharacteristic fashion, Sam tells Nick “you can burn,” as Donna takes him away.
Mary tells Dean she knows what he built in the shed and that he needs to tell Sam. In the final scene, we see that Dean had been crafting a box that he’s warded against archangels in particular. Turns out, Billie showed Dean the one scenario where Michael wouldn’t take control of Dean’s body, which is for Dean to lock himself in this box, along with Michael, and spend eternity at the bottom of the ocean. Dean says Michael is going to get out of the confines of his mind and before that can happen, Sam can either let him complete the box alone or help him make it.
Understandably, Sam is against the whole thing, but Dean adamantly tells him it’s happening one way or the other. That’s all it takes for now to convince Sammy, and he agrees to help Dean.
This was an equally great episode as last week as we saw some character development come from Mary, who finally showed care and concern for her children, something she hasn’t done at all in the two years she’s been regular on the show. The best part would be how Nick’s turn for the worst has been handled. We haven’t felt the loss of Lucifer because of Nick taking over the reins as the villain, and he’s been a malicious delight to watch.
Finally, Dean’s plan is pretty silly, but when have the Winchesters ever been smart about their problems? It seems like the show is headed toward an arc that will be something like when Sam had agreed to seal himself with Lucifer in the cage in season five, but the remaining episodes will tell how this plays out. We still have to see how Castiel and Jack will react to this development. If the last two episodes are an indication, Supernatural will have more ways to surprise us pleasantly.