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‘All the Money in the World’ Review

“We need to pay the ransom, Mr. Getty,” says Fletcher Chase (Mark Wahlberg). “I do not have the money to spare,” answers J. Paul Getty (Christopher Plummer), the richest man in the entire world as he refuses to pay the ransom for his kidnapped grandson in the dramatic film All the Money in the World.

All the Money in the World is set in 1973 and is inspired by the true story of the kidnapping of then 16-year-old John Paul Getty III by masked men in Rome. After abducting the teen off the street, the kidnappers call the boy’s mother, Gail (Michelle Williams), and demand $17 million for his safe return. “I don’t have any money,” says Gail, obviously in shock when she receives the phone call informing her of the kidnapping. The kidnapper then suggests what seems obvious. “Get it from your father-in-law. He has all the money in the world.”

When J. Paul Getty learns about his grandson’s kidnapping from his personal secretary, he refuses to be disturbed while he looks over the today’s figures from the opening of the market. Later when reporters ask him on live television how much he’s willing to pay to get his grandson back, he answers, “Nothing.” This reply prompts a stunned-but-determined Gail to visit her estranged ex-father-in-law in person.

Gail’s kept cooling her heels at Getty’s estate and then is finally introduced to ex-CIA operative Fletcher Chase. Chase now works for Getty, handling his security as well as some shady foreign deals. Chase informs Gail he’s going to work with her to get her son back, at the request of J. Paul Getty.

As Paul’s held hostage for months, the kidnappers grow increasingly anxious about the diminishing possibility of collecting the ransom. They become more ruthless and even begin to bargain down the ransom to make it happen quicker. When Chase is finally able to rule out the kidnapping as a prank or an attempt by the boy and his mother to score a payday from Getty, he becomes a strong and unlikely ally to Gail in the fight with the kidnappers and with the uncaring and self-absorbed J. Paul Getty in bringing Paul home alive.

Directed by Ridley Scott and based on a true story, All the Money in the World is an engrossing and dramatic thriller that’s made even more effective by the compelling performances of Michelle Williams as Gail Harris and Christopher Plummer as J. Paul Getty.

Williams delivers a masterful performance as Gail, the distraught, desperate, and determined mother who’s at the mercy of the ruthless strangers who’ve kidnapped her son. She’s also at the mercy of her former father-in-law who’s driven by the pursuit of wealth and security the same way Ebenezer Scrooge was in Dicken’s A Christmas Carol. She perfectly portrays all the different emotions Gail goes through, from shock to fear, anger, disgust, rage, hope, and so many more. It’s truly a performance worthy of an Oscar nomination for Best Actress.

Plummer delivers another memorable performance as he seamlessly replaces Kevin Spacey in the role as Getty. Every scene with Plummer as he displays Getty’s obsession with wealth and his resentment towards Gail for divorcing his son is flawless and at times unnerving. He’s also terrific in playing Getty’s disappointment as he realizes all hope’s lost in his dream of having his grandson follow in his footsteps. Plummer captures vividly how empty and void Getty is of sympathy or empathy of his own family’s pain and horror.


Another performance worthy of praise is delivered by Romain Duris as the kidnapper Cinquanta. Cinquanta made the phone calls to Gail and stayed close to Paul, actually feeling more sympathy toward the teenager than Paul’s own grandfather was able to display. Duris shows how over time Cinquanta gets to like and care about his young captive and eventually becomes more interested in making sure Paul gets home alive to his mother than getting any money for his hostage.

The editing, reshooting, and replacing of all of Kevin Spacey’s scenes was necessary after a flurry of sexual assault allegations against Spacey became public. Plummer stepped in at the last minute, and his integration into the film as the senior Getty is impressive. The change in actors is so smooth that no one would ever be able to tell none of Plummer’s scenes were in the original cut of the film.

The only real drawback in All the Money in the World is Mark Wahlberg’s performance as the ex-CIA operative. He has zero chemistry with either Plummer or Williams, and his portrayal of the man who’s supposedly an expert in this line of work comes off wooden and stilted.

Still, with two powerful performances by Williams and Plummer and the expert direction of Scott, All the Money in the World is ultimately a gripping and intriguing film that realistically displays the human drama of the kidnapping and the overwhelming, incomprehensible greed of J. Paul Getty.

GRADE: B

Running Time: 132 minutes

MPAA Rating: R for language, some violence, disturbing images and brief drug content

Release Date: December 25, 2017




‘Mamma Mia! Here We Go Again’ Trailer: The Sequel’s Also a Prequel

The first trailer for Mamma Mia: Here We Go Again appears to tease the death of Meryl Streep’s character, Donna. The trailer reveals Amanda Seyfried’s Sophie is pregnant and one of her mother’s best friends, Rosie (Julie Walters), says, “Your mother was the bravest person we ever met.” Keyword = was. The trailer then goes on to lay out Donna’s backstory, with Lily James (Darkest Hour, Baby Driver) playing the younger Donna in flashbacks.

The cast also includes Christine Baranski as Tanya, Dominic Cooper as Sky, Pierce Brosnan as Sam, Stellan Skarsgård as Bill, and Colin Firth as Harry. Young Rosie is played by Alexa Davies (A Brilliant Young Mind) and Jessica Keenan Wynn plays the young Tanya. Jeremy Irvine (War Horse) is the young Sam, Josh Dylan (Allied) is young Bill, and Hugh Skinner (Kill Your Friends) is the young Harry. Plus, Cher is confirmed to be in the sequel, putting in an appearance at the end of the first trailer.

Ol Park wrote and directed the Mamma Mia sequel from a story by Catherine Johnson, Richard Curtis and Parker. Tom Hanks, Rita Wilson, Phyllida Lloyd, Richard Curtis and Nicky Kentish Barnes executive produce, with Judy Craymer and Gary Goetzman producing. Benny Andersson and Björn Ulvaeus returned to write the music and lyrics for the Mamma Mia! sequel, and also served as executive producers.

Mamma Mia! Here We Go Again will open in theaters on July 20, 2018.

The original film premiered on July 18, 2008 and was directed by Phyllida Lloyd, working from a $50 million budget. The film’s opening weekend rang up $27 million domestically and went on to gross $609 million worldwide before exiting theaters. Mamma Mia was nominated for two Golden Globes and three BAFTA Awards. It won a Razzie for Worst Supporting Actor (Pierce Brosnan) as well as the “Movie You Wanted to Love, But Just Couldn’t” award from the Alliance of Women Film Journalists.

Mamma Mia! Here We Go Again Poster



Gal Gadot to be Honored with the Critics’ Choice Awards #SeeHer Award

Wonder Woman star Gal Gadot
Gal Gadot as Diana in ‘Wonder Woman’ (Photo © 2017 Warner Bros Entertainment Inc and RATPAC Entertainment)

Wonder Woman star Gal Gadot has been selected to receive the #SeeHer Award at the 23rd Annual Critics’ Choice Awards to be held on Thursday, January 11, 2018. Viola Davis was the winner of the first-ever #SeeHer Award in 2016, an award which “recognizes a woman who embodies the values set forth by the #SeeHer movement — to push boundaries on changing stereotypes and recognize the importance of accurately portraying women across the entertainment landscape.”

Gal Gadot was selected as the 2017 recipient after she “broke through this year as a powerful voice advocating for women, not only on screen as the iconic Wonder Woman, but in life as well, using her platform to encourage those in the entertainment industry and beyond to strive for fairness and parity across genders,” according to the BFCA and BTJA.

The 2018 Critics’ Choice Awards will take place at Barker Hangar in Santa Monica, CA, and will be broadcast live on the East Coast at 8pm ET/PT on The CW Network.

“We’re honored to recognize Gal this year with the second annual #SeeHer Award,” said Association of National Advertisers (ANA) CEO Bob Liodice who’s partnering with The CW to honor Gadot. ANA spearheads the #SeeHer movement which launched in early 2016. “Not only was she able to challenge stereotypes in film and find success by starring in one of the biggest blockbusters this year, she also used that success to shine a light on her own industry, and push the boundaries on gender equality in real life.”

“Having critics once again recognize the importance of #SeeHer and including the award in the broadcast is another key milestone for the movement,” added ANA AFE #SeeHer Chair Stephen Quinn. “Entertainment plays such a large part in influencing culture. There has never been a more important time to lean in and support our #SeeHer mission of increasing accurate portrayal of girls and women in media. Gal and Patty are role models for our #SeeHer mission, and we are delighted to have them recognized by the critics and the industry.”

Wonder Woman starring Gal Gadot and directed by Patty Jenkins holds the record as the highest-grossing live-action feature film to be directed by a female. The film’s earned more than $820 million worldwide and currently sits at 92% fresh on Rotten Tomatoes.

The annual Critics’ Choice Awards are voted on by members of the Broadcast Television Journalists Association and Broadcast Film Critics Association. The BTJA and BFCA are made up of journalists and critics who cover films and/or television on a regular basis.

More on the #SeeHer Movement:

Despite the strides made to accurately portray women and girls in media, an unconscious bias persists against women and girls in advertising, media, and programming. The Association of National Advertisers (ANA) Alliance for Family Entertainment (AFE) launched the #SeeHer initiative in June 2016 in a partnership with The Female Quotient, after the Obama administration announced the elimination of gender bias in media as critical to the nation’s future. #SeeHer’s mission is to accurately portray all women and girls in media by 2020, the 100th anniversary of women winning the right to vote in the U.S. For more information, visit www.SeeHer.com, and follow us on Facebook, Instagram, and Twitter.

Complete List of 2018 Critics’ Choice Awards Nominees




‘The Greatest Showman’ Review

The Greatest Showman Movie Review
Zac Efron and Zendaya in Twentieth Century Fox’s ‘The Greatest Showman’ (Photo by Niko Tavernise)

Striking visuals and Zendaya on a trapeze aren’t enough to overcome the many faults of The Greatest Showman, a musical very loosely based on the life of P.T. Barnum. The film lays out Phineas Taylor Barnum’s transition from a poor young boy accompanying his tailor dad on visits to wealthy clients to a dreamer who uses someone else’s worthless ships to con his way into a loan to start a wax museum.

P.T. (Hugh Jackman) has huge dreams and with his loving wife, Charity (Michelle Williams), and their two beautiful daughters cheering him on, P.T. grows his tiny museum into a successful circus. He seeks out individuals with unusual physical characteristics to populate his circus, promising them adulation from the crowd rather than the derision of strangers. And, for a while at least, he supports his troupe and the circus flourishes.

Unfortunately, P.T.’s dreams of being accepted into Manhattan society don’t materialize even though his fortune increases. In the film’s least appealing storyline, P.T. Barnum neglects his circus performers to promote Swedish opera singer Jenny Lind (Rebecca Ferguson), hoping it will lend him some legitimacy and earn the respect of the people he considers his peers. His circus and his marriage suffer as he takes to the road on a concert tour with Jenny. Of course, he’s finally brought to his senses in a very Hollywood-esque turn of redemption.

The Greatest Showman makes the controversial businessman into a, if not heroic, at least likable figure. The film version of P.T. Barnum is highly romanticized, which is fine as The Greatest Showman was never advertised as a biopic. However, the alterations to Barnum’s story lead me to wonder why screenwriters Bill Condon and Jenny Bicks didn’t more fully abandon his history and make the film more of a musical celebration of the past. The trailers tease a much more joyful film than is actually delivered by first-time feature film director Michael Gracey, and that’s not only a shame but also a missed opportunity. When you’ve got Jackman singing and dancing in the lead, and you’ve enticed the audience in with trailers emphasizing the vibrant musical numbers, why bring the film to a skidding stop with a Barnum and Jenny Lind road trip?

It’s P.T. Barnum’s story, and to a lesser extent his relationship with Charity and then Jenny, that’s front and center in The Greatest Showman. Unfortunately, Jackman and Williams’ chemistry isn’t as strong as Zac Efron and Zendaya’s. Efron’s upper-class writer and Zendaya’s wrong side-of-the-tracks trapeze artist relationship turns out to be the more compelling. Efron and Zendaya’s scenes sparkle, and when The Greatest Showman focuses on their storyline, it’s at its most engaging.

In addition to the lack of chemistry, I had an issue with the age difference between Jackman and Williams. Their characters are introduced as children who look the same age (or at least within a year or two). As adults, the age difference is noticeable and distracting.

The Greatest Showman’s underdeveloped plot might have been forgiven if it was compensated for by incredible musical numbers. Unfortunately, that’s just not the case. The songs all sound alike in this musical drama, and you won’t have to worry about any of them getting (annoyingly) stuck in your head.

The songwriting team of Benj Pasek and Justin Paul earned an Oscar for their show-stopping “City of Stars” number in La La Land and a Tony Award for the critically acclaimed Dear Evan Hansen. The fact “This is Me” from The Greatest Showman is being recognized with awards nominations speaks more to their reputation, Hugh Jackman’s likeability, and a lack of memorable original songs in 2017 films, than it does to the quality of The Greatest Showman’s musical numbers.

One song, in particular, feels out of place with respect to a supporting character. Rebecca Ferguson plays Swedish opera singer Jenny Lind whose beautiful soprano voice earned her the nickname the Swedish Nightingale. Ferguson’s singing voice was dubbed by Loren Allred, but it’s never explained why, after Barnum touts Jenny as this amazing opera singer loved by audiences worldwide, the only song Pasek and Paul penned for her to sing in the concert scenes is a pop tune. The song doesn’t fit the character’s description and it’s confusing as to why she’s even introduced as an opera singer if the audience only hears her sing something that could have come from Christina Aguilera or Mariah Carey’s repertoire.

The Greatest Showman whitewashes P.T. Barnum’s story, which is not in the least bit unexpected. What is unexpected is how flat the film is, despite the efforts of its talented cast.

GRADE: C

MPAA Rating: PG for thematic elements including a brawl

Running Time: 105 minutes

Release Date: December 20, 2017




‘The Resident’ New Series Details: Photos, Plot, and Cast Info

Fox is set to premiere the new medical drama The Resident on Sunday, January 21, 2018 at 10pm ET/PT. The series earned the prime spot behind the NFC Championship Game to make its debut, and will move to its regular time slot of Mondays at 9pm ET/PT beginning on January 22nd.

The medical series comes from executive producers Amy Holden Jones (Mystic Pizza, Indecent Proposal), Antoine Fuqua (Southpaw, Training Day), David Boorstein, Oly Obst, and Todd Harthan (Rosewood). Phillip Noyce (Patriot Games, The Bone Collector) directed the pilot and also executive produces.

The cast is led by Matt Czuchry (The Good Wife) as Dr. Conrad Hawkins and Emily VanCamp (Revenge) as Nicolette Nevin. Manish Dayal (Halt and Catch Fire) plays Dr. Devon Pravesh, Moran Atias (Tyrant) is Renata Thorpe, Shaunette Renée Wilson (Billions) is Dr. Mina Okafor, and Bruce Greenwood (The People v. O.J. Simpson: American Crime Story, Mad Men) is Dr. Randolph Bell.

The Plot: The Resident is a powerful new medical show focusing on a young doctor’s final years of training that rips back the curtain to reveal the truth of what really happens, both good and bad, in hospitals across the country.

The Resident TV Series Cast
Matt Czuchry, Manish Dayal, Shaunette Renée Wilson, Emily VanCamp, Melina Kanakaredes, Moran Atias, Merrin Dungey and Bruce Greenwood in ‘The Resident’ (Photo by Justin Stephens © 2017 Fox Broadcasting Co)
The Resident Melina Kanakaredes
Melina Kanakaredes as Dr. Lane Hunter (Photo by Justin Stephens © 2017 Fox Broadcasting Co)
The Resident Merrin Dungey
Merrin Dungey as Claire Thorp (Photo by Justin Stephens © 2017 Fox Broadcasting Co)
The Resident Matt Czuchry
Matt Czuchry as Dr. Conrad Hawkins (Photo by David Johnson © 2017 Fox Broadcasting Co)
The Resident Manish Dayal
Manish Dayal as Dr. Devon Pravesh (Photo by David Johnson © 2017 Fox Broadcasting Co)
The Resident Shaunette Renee Wilson
Shaunette Renée Wilson as Dr. Mina Okafor (Photo by David Johnson © 2017 Fox Broadcasting Co)
The Resident Emily VanCamp
Emily VanCamp as Nicolette Nevin (Photo by David Johnson © 2017 Fox Broadcasting Co)




‘Early Man’ Debuts a New Trailer and Poster

Summit Entertainment’s Early Man has just released a new trailer along with a poster featuring two of the film’s main characters, Dug and Hognob. The Aardman Animations production was directed by Nick Park (Wallace and Gromit: The Curse of the Were-Rabbit and Chicken Run) from a script by Mark Burton (Gnomeo and Juliet, Shaun the Sheep Movie), James Higginson, and John O’Farrell (Room 101).

The voice cast of Early Man includes Eddie Redmayne (Fantastic Beasts and Where to Find Them), Tom Hiddleston (Thor: Ragnarok, I Saw the Light), Maisie Williams (Game of Thrones, The Book of Love), Timothy Spall (The Enfield Haunting, Alice Through the Looking Glass), Richard Ayoade (Paddington), and Mark Williams (Father Brown). The voice cast also includes Johnny Vegas (Still Open All Hours), Gina Yashere (Married Single Other), and Selina Griffiths (Benidorm).

Summit Entertainment, StudioCanal, and The British Film Institute will be releasing Early Man in theaters on February 16, 2018.

The Plot: Set at the dawn of time, when prehistoric creatures roamed the earth, Early Man tells the story of courageous caveman hero Dug (Eddie Redmayne) and his best friend Hognob as they unite his tribe against a mighty enemy Lord Nooth (Tom Hiddleston) and his Bronze Age City to save their home.

Early Man Poster
Poster for Summit Entertainment’s ‘Early Man’ featuring the characters Dug and Hognob.




‘Chappaquiddick’ New Trailer and Poster with Jason Clarke and Kate Mara

Entertainment Studios Motion Pictures just released a new teaser trailer and poster for the dramatic film, Chappaquiddick. The film’s based on the true story of the death of Mary Jo Kopechne which happened as the result of car accident caused by Ted Kennedy. John Curran (Tracks, The Painted Veil) directed Chappaquiddick from a script by Taylor Allen and Andrew Logan.

The cast is led by Kate Mara (Megan Leavey, House of Cards) as Mary Jo Kopechne and Jason Clarke (All I See is You, Dawn of the Planet of the Apes) as Ted Kennedy. Ed Helms (The Office, The Hangover films), Jim Gaffigan (The Jim Gaffigan Show), Clancy Brown (Stronger, Tangled: The Series), Taylor Nichols (The Last Tycoon, Possessions), Olivia Thirlby (Welcome to Happiness, The Wedding Ringer), and Bruce Dern (Our Souls at Night, The Hateful Eight) co-star.


Chris Fenton, Taylor Allen, Andrew Logan, and Chris Cowles served as producers. Chappaquiddick is set to hit theaters on April 6, 2018.

The Plot: In the riveting suspense drama, the scandal and mysterious events surrounding the tragic drowning of a young woman, as Ted Kennedy drove his car off the infamous bridge, are revealed in the new movie starring Jason Clarke as Ted Kennedy and Kate Mara as Mary Jo Kopechne. Not only did this event take the life of an aspiring political strategist and Kennedy insider, but it ultimately changed the course of presidential history forever.

Through true accounts, documented in the inquest from the investigation in 1969, director John Curran and writers Andrew Logan and Taylor Allen, intimately expose the broad reach of political power, the influence of America’s most celebrated family; and the vulnerability of Ted Kennedy, the youngest son, in the shadow of his family legacy.

Poster for Chappaquiddick
Teaser poster for the dramatic film Chappaquiddick starring Jason Clarke as Ted Kennedy and Kate Mara as Mary Joe Kopechne.




‘Doctor Who’ – Matt Lucas and Michelle Gomez Interview

Doctor Who Matt Lucas
Matt Lucas in BBC America’s ‘Doctor Who’ (Photo by Simon Ridgway)

BBC America’s 2017 Comic Con panel for the iconic science fiction series Doctor Who featured the Twelfth Doctor (Peter Capaldi) as well as Matt Lucas, Michelle Gomez, Pearl Mackie, writer/actor Mark Gatiss, and showrunner Steven Moffat. The panel was a farewell to Peter Capaldi’s time as the Doctor, and following the packed presentation the cast participated in roundtable interviews to discuss their roles in the critically acclaimed series.

Matt Lucas (‘Nardole’) and Michelle Gomez (‘Missy’) teamed up to talk about their time on Doctor Who, working with director Rachel Talalay, and life on the Doctor Who set.

Doctor Who Michelle Gomez and Matt Lucas Interview:

Did you have as much fun on set as it looked like? Michelle, as Missy you’re so flamboyant and interesting. Did that carry over when the camera was off?


Michelle Gomez: “There’s not…it’s pretty fast, isn’t it? We really race along. There’s not much time for much more than the job at hand. But of course it helps if you enjoy each other. There has to be a sense of fun and freedom. If you’re too locked into it and you’re thinking about it too much, for me that doesn’t work. So, I need to know that I’m in a safe place and that I’m with actors that I trust and admire. And then you have a springboard into bringing some fun to it, really.”

Matt Lucas: “I found you do more coverage on this show than you do on a lot of other TV. I think just because this show has a bit more permanence, a bit more reach. So, although it’s on TV, the filming of it feels a bit of a hybrid between TV and cinema. If you were doing a more conventional British TV drama that wasn’t sci fi, traditionally – I know Netflix and HBO have changed kind of how things are shot – but traditionally you’d go we do the master and the mid and the close and swap. Whereas this seems to have a lot more…I find scenes take longer to shoot. You probably get through less pages a day. However, you do have to commit quite early on in the process to what you’re going to do, you know? Even though you can spend quite a lot of time filming a scene, you have to hurry up and start.”

Michelle Gomez: “You have to get on with it.”

Matt Lucas: “You have to get on with it. You have to just kind of go, ‘That scene’s fun. Let’s do that.’ But I like to carry on improvising through the day just to try to keep it fresh, as well.

But yeah, I was very lucky. It’s the most dedicated crew I’ve ever worked with, in terms of doing a year in a very cold, wet place. The warmth and the smiles from the people we work with make a huge difference, both on the screen and off. Also, there’s quite a nice thing which is every three or four weeks, you get some new people come. You do two episodes in five weeks. So, yeah, every two and a half weeks some new cast members come and you get to meet them and hang out with them. Sometimes you already know them. But I had never met Michelle before. But, obviously, I’d seen her work. I knew you were coming; I was told quite early on that you were coming back, so I was quite excited about that.”

We don’t talk much about directors on television but Rachel Talalay has been a really big part of this era of Doctor Who. Can you talk about her?

Matt Lucas: “I’m related to her, by coincidence.”

Michelle Gomez: “Well, she sort of brings the cinema element, in a way. She brings a lot of dignity actually because she gives you the space. She’s very generous as a director so at the beginning of the day, she’ll really talk out and flesh out as to what that day’s going to look like and what you as a character want to achieve on that day. She’s wonderful. She’s a class act.

Missy wouldn’t be Missy if it hadn’t been for Rachel at the beginning. Peter, Rachel, and I all started together in that first month and I’m very, very grateful for her. She gave me my confidence.”

Matt Lucas: “I’m waiting for someone to give her a big movie to direct now. I think she’s proved that she’s ready to do that again.”

Michelle Gomez: “She does it on a shoestring. There’s not a lot of money over there. And she makes it on time, and what she achieves is phenomenal. The end product looks incredibly expensive – and it’s not. It’s sticky-back plastic and a lot of imagination.”

Matt Lucas: “She should be directing Star Wars. She’s that good. I know they often don’t have women directors doing sci-fi in Hollywood; it’s not really a thing. But, it should be because she’s one of the best directors I’ve ever worked with. She’s fantastic.”

Doctor Who Michelle Gomez
Michelle Gomez, Peter Capaldi and Jenna Coleman in BBC America’s ‘Doctor Who.’

Do you think the Master becoming Missy and being very well accepted and really an exciting character, do you think that helped pave the way for a woman to play the Doctor?

Michelle Gomez: “I don’t know. Maybe? It was a big shift, I guess, going from a male Master to a female Master. I’m kind of sad that we’re still talking about that today. It should just be regardless of sex, whoever’s doing the best job, you know? So, I don’t know. I think, like me, I was in the right place at the right time and it clicked and it works. And for Jodie, it’s her time now. Regardless of the fact that she’s a woman, I think she’s going to be a phenomenal new Doctor. I’m excited.”

How did you find out about the new Doctor?

Michelle Gomez: “Same as you, after Wimbledon.”

Matt Lucas: “I knew it was going to be a woman because I was told. I didn’t want to know who. I knew some names…I knew about some names. I knew the names that were being talked about that were on the list. I knew it was a woman, but that was it.”

Also of Interest:

* * * * *

Be sure to tune in and check out the Doctor Who: Twice Upon A Time 2017 Christmas special airing on Christmas day on BBC America.

The Doctor Who: Twice Upon A Time Plot: The magical final chapter of the Twelfth Doctor’s (Capaldi) journey sees the Time Lord team up with his former self, the first ever Doctor (David Bradley) and a returning Bill Potts (Pearl Mackie), for one last adventure.

Two Doctors stranded in an Arctic snowscape, refusing to face regeneration. Enchanted glass people, stealing their victims from frozen time. And a World War One captain destined to die on the battlefield, but taken from the trenches to play his part in the Doctor’s story.

An uplifting new tale about the power of hope in humanity’s darkest hours, Twice Upon A Time marks the end of an era. But as the Doctor must face his past to decide his future, his journey is only just beginning…

Twice Upon A Time is written by Steven Moffat, directed by Rachel Talalay, and executive produced by Brian Minchin. The 60-minute special guest stars Mark Gatiss as The Captain and Nikki Amuka-Bird as the voice of the glass woman, and will see Peter Capaldi’s Doctor regenerate into the Thirteenth Doctor (Jodie Whittaker).




‘Hard Sun’ Trailer Starring Jim Sturgess and Agyness Deyn

Hulu and BBC One have unveiled the first official trailer for Hard Sun, a post-apocalyptic drama created by Neil Cross (Luther). The six-part one-hour series stars Jim Sturgess as Detective Chief Inspector Charlie Hicks and Agyness Deyn as Detective Inspector Elaine Renko. BBC One will premiere the crime drama on January 6, 2018. Hulu will debut the series beginning on March 7, 2018.

Euston Films produced Hard Sun and Brian Kirk (Game of Thrones, Great Expectations) served as the lead director. Hugh Warren (Thirteen, Call The Midwife) was involved as a producer, and Kate Harwood for Euston Films and Elizabeth Kilgarriff for BBC One executive produced.

“I am very excited to be playing Hicks in this wonderful project. To work with Neil’s fantastic writing is a great opportunity and I hope we are going to create an amazing experience for our audience,” said Sturgess.

“As soon as I read the first episode I was hooked. I’m such a fan of both Neil and Brian’s work, it’s an honour to join the Hard Sun team,” added Dean.


Describing the series, Neil Cross stated, “Imagine the world you see when you look out your window…except it’s been given a death sentence. This isn’t science fiction. This is the real world. There’s no hero to come save us; no contingency plan. We’ve got five years. This is the world of Hard Sun… and the world of Elaine Renko and Robert Hicks.

What’s it like, trying to keep order, trying to enforce the law in a city that, day by day, slips closer to certain destruction? How do you get up in the morning? How do you get out of bed and leave your family and go out there, putting your own life at risk? And what about the predators? What about the murderers, the rapists, the thieves? What about the psychopaths, the religious nuts, the cult leaders, the serial killers? Who among them would fear a prison sentence, in a world like this? Who among them would fear legal consequences? What does a life sentence even mean, any more? What’s the point of justice in the face of Armageddon?

I’ve had Renko and Hicks and their world rattling round my head for a while now. I’m incredibly happy that, like me, they’ve found their home at the BBC. I can’t wait for you to meet them.”

The Plot: Jim Sturgess (One Day, The Way Back) and Agyness Deyn (Sunset Song) play detectives Robert Hicks and Elaine Renko, partners and enemies in contemporary London, who seek to enforce the law and protect their loved ones in a world that every day slips closer to certain destruction.

Robert Hicks is a family man and a great, committed copper. He’s also profoundly corrupt. Elaine Renko is difficult and damaged… and utterly incorruptible. Hicks and Renko stand on different ends of the social and moral spectrum. They also seriously distrust one other – and for good reason. But they must somehow learn to work together if they’re going to survive until the end of the world.

Episode one finds Renko and Hicks stumbling across a government file that changes everything.

Hard Sun Trailer



‘The Yellow Birds’ Starring Alden Ehrenreich is Picked Up by Saban Films

The Yellow Birds star Alden Ehrenreich
Alden Ehrenreich stars in ‘The Yellow Birds.’

Saban Films has acquired the dramatic film The Yellow Birds starring Alden Ehrenreich. The film’s based on the novel by Kevin Powers and was adapted for the screen by David Lowery and R.F.I. Porto, with Alexandre Moors (Blue Caprice) directing. Saban’s targeting a Spring 2018 theatrical release.

In addition to Ehrenreich (soon to be seen playing the young Han Solo in Solo: A Star Wars Story), The Yellow Birds cast includes Tye Sheridan (Mud), Toni Collette (Little Miss Sunshine), Jason Patric (Wayward Pines), Jack Huston (American Hustle), and Jennifer Aniston (Office Christmas Party, Cake). Jennifer Aniston, Kristin Hahn, Scott Karol, Wayne Marc Godfrey, and Robert Jones executive produced. Cinelou Films’ Courtney Solomon and Mark Canton and Story Mining & Supply Company’s Jeff Sharp produced.

The war drama premiered at the 2017 Sundance Film Festival where it captured the Special Jury Prize for Best Cinematography.

“Alexandre’s style is so unique, he has created a visual chef-d’oeuvre with The Yellow Birds,” stated Saban Films’ Bill Bromiley. “The performances are emotional and revelatory of those directly impacted by the tolls of war. We’re honored to bring this film to wider audiences.”

“Following its success at last year’s Sundance Film Festival where it received a Special Jury Award, it was paramount to us that The Yellow Birds and its profound message reach a wider audience. Saban’s dynamic team of professionals and their enthusiasm for the film makes them the ideal companion for Cinelou. There’s a great synergy between the two companies and a meaningful film at the center of it that we are all very excited about,” added Cinelou Films’ Mark Canton and Courtney Solomon.

The Plot: The Yellow Birds follows two young soldiers, Bartle (Ehrenreich) and Murph (Sheridan), who navigate the terrors of the Iraq war under the command of the older, troubled Sergeant Sterling. All the while, Bartle is haunted by a promise he made to Murph’s mother before their deployment.




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