Walton Goggins and Danny McBride in ‘Vice Principals’ season 2 (Photo by Fred Norris)
The second and final season of HBO’s adult comedy series Vice Principals continues with five new episodes in October 2017. The half-hour comedy stars Danny McBride and Walton Goggins with support from Kimberly Hébert Gregory as Dr. Belinda Brown, Georgia King as Amanda Snodgrass, Busy Phillips as Gale, Shea Whigham as Ray, Sheaun McKinney as Dayshawn, and Dale Dickey as Nash.
Vice Principals was created by Danny McBride and Jody Hill. McBride, Hill, David Gordon Green, Stephanie Laing, and Jonathan Watson executive produce.
The Plot: When the longtime principal of a suburban high school steps down, ambitious vice principals Neal Gamby and Lee Russell both set their sights on the vacated top spot – only to see new rival Dr. Belinda Brown enter the picture. Putting their mutual disdain aside, these bitter antagonists form an unholy alliance to bring down the outsider by any means necessary.
Vice Principals October 2017 Episodes:
Episode #12: “The King”
Debut: SUNDAY, OCT. 1 (10:40-11:10 p.m. ET/PT)
Gamby’s (Danny McBride) search for his shooter leads him into a novelist’s graduate-school class; Russell’s (Walton Goggins) ire is fueled by an unflattering caricature.
Written by Danny McBride & John Carcieri & Adam Countee; directed by David Gordon Green.
Episode #13: “Think Change”
Debut: SUNDAY, OCT. 8 (10:35-11:05 p.m.)
A death in Russell’s (Walton Goggins) family forces Gamby (Danny McBride) to step up to the plate as North Jackson’s acting principal.
Written by Danny McBride & John Carcieri & Jeff Fradley; directed by David Gordon Green.
Episode #14: “A Compassionate Man”
Debut: SUNDAY, OCT. 15 (10:35-11:05 p.m.)
Russell’s (Walton Goggins) birthday bash is marred by a revelation about his wife’s college boyfriend.
Written by Danny McBride & John Carcieri & Jeff Fradley; directed by David Gordon Green.
Episode #15: “The Most Popular Boy”
Debut: SUNDAY, OCT. 22 (10:30-11:00 p.m.)
A plot to sabotage a standardized test jeopardizes Russell’s (Walton Goggins) job as Gamby (Danny McBride) is caught in the middle.
Written by Danny McBride & John Carcieri & Hayes Davenport; directed by David Gordon Green.
Episode #16: “Spring Break”
Debut: SUNDAY, OCT. 29 (10:45-11:15 p.m.)
Gamby (Danny McBride) gets unexpected company on spring break; Amanda (Georgia King) is illuminated during a writer’s retreat.
Written by Danny McBride & John Carcieri & Jeff Fradley; directed by David Gordon Green.
Natasha Lyonne stars in ‘Russian Dolls’ (Photo Credit: Netflix)
Amy Poehler (Parks and Recreation), Natasha Lyonne (Orange is the New Black), and Leslye Headland (Sleeping with Other People) are working on an as-yet-untitled comedy* series that has just been greenlit by Netflix. The comedy will star Natasha Lyonne and will be written by Lyonne and Headland. Poehler, Lyonne, and Headland co-created the series and will be executive producing along with 3 Arts Entertainment’s Dave Becky and Paper Kite’s Brooke Posch.
Netflix confirmed the first season will consist of eight episodes.
“So excited to get cracking with the intensely brilliant Leslye Headland, the GOAT with a heart of gold Amy Poehler, and Netflix, the safe haven I’ve been searching for since the 80s. Deeply moved to work with such heavy hitters and to share our show with the world,” said Lyonne.
“These women are heroes of mine, and to work with them at a company that promotes originality and creativity is a thrill,” added Headland.
“Natasha’s humor, humanity and depth have connected with audiences around the world on Orange is the New Black,” said Cindy Holland, Vice President, Original Content for Netflix. “With this new series, she, Leslye, and Amy are creating an ambitious and uniquely formatted comedy that will have viewers guessing as much as they will be laughing.”
The Plot: The Untitled Lyonne/Headland/Poehler comedy series from Universal Television follows a young woman named Nadia (Lyonne) on her journey as the guest of honor at a seemingly inescapable party one night in New York City.
‘The Deuce’ season one stars Pernell Walker, James Franco, and Maggie Gyllenhaal (Photo by Paul Schiraldi / HBO)
HBO just released details on the upcoming October 2017 episodes of their new dramatic series, The Deuce. The series’ first season run will conclude on October 28th with episode eight. Fortunately for viewers who are already hooked, HBO recently announced The Deuce will return for a second season, granting the show an early renewal order just two episodes into season one.
Created by David Simon and George Pelecanos, season one stars James Franco, Maggie Gyllenhaal, Gary Carr, Margarita Levieva, Lawrence Gilliard, Jr, Dominique Fishback, Emily Meade, Gbenga Akinnagbe, Chris Bauer, Chris Coy, Natalie Paul, and Michael Rispoli.
The Plot: The show chronicles the rise of the porn culture in New York from the early 1970s through the mid-1980s, exploring the rough-and-tumble world of the sex trade from the moment when both a liberalizing cultural revolution in American sexuality and new legal definitions of obscenity created a billion-dollar industry that is now an elemental component of the American cultural landscape. It follows a cast of barkeeps, prostitutes, pimps, police and nightlife denizens as they swirl through a world of sex, crime, high times and violence, and the porn business begins its climb from Mafia-backed massage parlors and film labs to legitimacy and cultural permanence.
The Deuce October 2017 Episodes:
Episode #4: “I See Money”
Debut date: SUNDAY, OCT. 1 (9:00-10:00 p.m. ET/PT)
Rudy (Michael Rispoli) dangles a lucrative offer in front of Vincent (James Franco). Longo (Daniel Sauli) uses strong-arm tactics to restore order among Bobby’s (Chris Bauer) unhappy construction workers. Candy (Maggie Gyllenhaal) attracts unwanted attention and is intrigued by a legitimate suitor. Paul (Chris Coy) questions his place at the Hi-Hat; Frankie (James Franco) hits a hot streak; Darlene (Dominique Fishback) gets a gift from Abby (Margarita Levieva); Alston (Lawrence Gilliard, Jr.) sees through Sandra (Natalie Paul). Bristling after a police shakedown, Vincent adds muscle in the person of Black Frankie (Thaddeus Street), a Vietnam War vet.
Story by George Pelecanos and Lisa Lutz; teleplay by Lisa Lutz; directed by Alex Hall.
Episode #5: “What Kind of Bad?”
Debut date: SUNDAY, OCT. 8 (9:00-10:00 p.m.)
Looking for a way out of his construction gig, Bobby (Chris Bauer) tries to change Vincent’s (James Franco) mind about Rudy’s (Michael Rispoli) offer. Darlene (Dominique Fishback) returns from a trip home with a new girl, disappointing Abby (Margarita Levieva). Roughed up by a john, Candy (Maggie Gyllenhaal) contemplates a change of careers. After getting busted, Paul (Chris Coy) explores the underbelly, and the exhilaration, of gay life in the city. With an assist from Alston (Lawrence Gilliard, Jr.), Sandra (Natalie Paul) scores a key interview with a pimp.
Story by Richard Price; teleplay by Will Ralston & Chris Yakaitis; directed by Uta Briesewitz.
Episode #6: “Why Me?”
Debut date: SUNDAY, OCT. 15 (9:00-10:00 p.m.)
An end-of-the-year crackdown by police in and around The Deuce sparks Vincent (James Franco) and Bobby (Chris Bauer). Candy (Maggie Gyllenhaal) tries to persuade Harvey (David Krumholtz), her adult-film director, that she can do more than act. Rudy (Michael Rispoli) witnesses a pivotal lower-court ruling on obscenity, and enlists Frankie (James Franco) and Big Mike (Mustafa Shakir) to protect his interests in the peeps. Alston (Lawrence Gilliard, Jr.) tries to convince Sandra (Natalie Paul) that he’s not just a “source.”
Story by Richard Price and Marc Henry Johnson; teleplay by Marc Henry Johnson; directed by Roxann Dawson.
Episode #7: “Au Reservoir”
Debut date: SUNDAY, OCT. 22 (9:00-10:00 p.m.)
With police pushing their business off the streets, C.C. (Gary Carr), Larry (Gbenga Akinnagbe), Rodney (Cliff Smith/Method Man) and other pimps worry about becoming obsolete. Candy (Maggie Gyllenhaal) eyes a different job on Harvey’s (David Krumholtz) set as Lori (Emily Meade) struggles with the demands of porn acting. At her wit’s end, Ashley (Jamie Neumann) hangs out with Frankie (James Franco) and, later, washes up on Abby’s (Margarita Levieva) door. Bobby (Chris Bauer) is smitten with an employee while dealing with shakedowns, flare-ups and a medical emergency. Frankie is tasked by Rudy (Michael Rispoli) to turn a peep-show concept into reality. Alston (Lawrence Gilliard, Jr.) finds himself singled out by the 14th Precinct’s new captain, McDonagh (Ed Moran). Abby asks Vincent to be her escort at her family’s lavish party.
Story by David Simon and Megan Abbott; teleplay by Megan Abbott; directed by James Franco.
Episode #8: “My Name Is Ruby” (season finale)
Debut date: SUNDAY, OCT. 29 (9:00-10:15 p.m.)
Vincent (James Franco) balks at getting in deeper with Rudy (Michael Rispoli), as expansion fever hits Frankie (James Franco) and Bobby (Chris Bauer). Candy (Maggie Gyllenhaal) gets a taste of directing, and enjoys the red-carpet perks of a major premiere. Alston (Lawrence Gilliard, Jr.) finds himself in limbo at his precinct. Abby (Margarita Levieva) changes up the Hi-Hat’s clientele; Sandra (Natalie Paul) faces editorial and legal hurdles; Barbara (Kayla Foster) and Thunder Thighs (Pernell Walker) connect with the wrong sort of clients; Vincent settles a score. C.C. (Gary Carr) encourages Ace (Clarke Peters), a former pimp, to get back in the game.
Written by David Simon & George Pelecanos; directed by Michelle MacLaren.
Joe Bastianich returns for ‘Masterchef Junior’ (Photo by Justin Stephens / FOX)
Fox has confirmed award-winning restaurateur Joe Bastianich will return as a permanent judge on season six of Masterchef Junior. Bastianich was a judge on the adult Masterchef series for five seasons and on Masterchef Junior for three seasons. He’ll return to the fold on tonight’s season eight episode of Masterchef, joining the season’s regular chefs/judges Gordon Ramsay, Christina Tosi, and Aarón Sánchez for the season finale.
Season six of Masterchef Junior will air during the 2017-2018 primetime season and will have Bastianich, Christina Tosi, and Gordon Ramsay as judges.
Masterchef Junior is open to kids eight through 13 who have a passion for cooking and are talented in the kitchen. At stake is a $100,000 grand prize and the bragging rights to being a Masterchef winner. The series is executive produced by Robin Ashbrook, Elisabeth Murdoch, Eden Gaha, Georgie Hurford-Jones, Gordon Ramsay, Yasmin Shackleton, Patricia Llewellyn, and Ben Adler.
Per Fox, “Bastianich is a world-renowned restaurateur who co-owns 30 restaurants across the globe, including Michelin Star eatery Del Posto, Babbo, Osteria Mozza and Eataly in the Americas (co-partner). He also is an award-winning and best-selling author.”
Jon Bernthal stars in ‘Marvel’s The Punisher’ (Photo Credit: Jessica Miglio / Netflix)
The official trailer for Marvel’s The Punisher declares “The truth must be taken.” Jon Bernthal (The Walking Dead, Baby Driver) reprises his role of Frank Castle/The Punisher, introduced in season two of Netflix’s Daredevil, in the action series based on the popular comics.
The Punisher cast also features Deborah Ann Woll (True Blood) as Karen Page, Ben Barnes (Westworld) as Billy Russo, and Ebon Moss-Bachrach (Girls) as Micro. Amber Rose Revah (Indian Summers) plays Dinah Madani, Daniel Webber (11.22.63) is Lewis Walcott, Paul Schulze (Nurse Jackie) plays Rawlins, Jason R. Moore (A Lonely Place for Dying) is Curtis Hoyle, Jaime Ray Newman (Bates Motel) plays Sarah Lieberman, and Michael Nathanson (The Knick) is Sam Stein.
Showrunner Steve Lightfoot (Hannibal), Jim Chory (Marvel’s The Defenders) and Jeph Loeb (Marvel’s The Defenders) executive produce. Netflix hasn’t revealed the premiere date yet.
The Marvel’s The Punisher Plot: After exacting revenge on those responsible for the death of his wife and children, Frank Castle (Jon Bernthal) uncovers a conspiracy that runs far deeper than New York’s criminal underworld. Now known throughout the city as The Punisher, he must discover the truth about injustices that affect more than his family alone.
Peyton Manning and his ‘Ferdinand’ character, Guapo the Bull.
20th Century Fox and Blue Sky Studios have unveiled a new trailer for the animated movie, Ferdinand. The film features the voices of John Cena (voicing the title role), Kate McKinnon, Gina Rodriguez, Daveed Diggs, Gabriel Iglesias, Bobby Cannavale, David Tennant, Anthony Anderson, Flula Borg, Sally Phillips, Boris Kodjoe, Jerrod Carmichael, Raul Esparza, Karla Martinez, Miguel Angel Sylvester, and Juanes. Carlos Saldanha (Rio) directs the family-friendly film set to open in theaters on December 15, 2017.
In addition, Fox announced Nick Jonas has written “Home,” a new song specifically for the movie. Plus, retired NFL Quarterback Peyton Manning is providing the voice of Guapo the Bull. Guapo is described as a bull who “acts like he’s brimming with confidence but under that brash exterior, he’s really a bundle of nerves! Thanks to Ferdinand, he learns to overcome his self-doubt.”
Ferdinand is inspired by Munro Leaf and Robert Lawson’s popular book, The Story of Ferdinand.
The Plot:Ferdinand tells the story of a giant bull with a big heart. After being mistaken for a dangerous beast, he is captured and torn from his home. Determined to return to his family, he rallies a misfit team on the ultimate adventure. Set in Spain, Ferdinand proves you can’t judge a bull by its cover.
A new trailer’s arrived for Sony Pictures’ Jumanji: Welcome to the Jungle, the sequel to 1995’s Jumanji which starred Robin Williams and Bonnie Hunt. The new film finds the board game affecting a whole new batch of players, catapulting teens into the world of the game as their adult avatars.
Directed by Jake Kasdan, the cast includes Dwayne Johnson, Jack Black, Kevin Hart, Karen Gillan, Nick Jonas, and Bobby Cannavale. Chris McKenna, Erik Sommers, Scott Rosenberg, and Jeff Pinkner wrote the script based on Chris Van Allsburg’s novel, Jumanji. Matt Tolmach and William Teitler produced, with Dwayne Johnson, Jake Kasdan, David Householter, Dany Garcia, Ted Field and Mike Weber executive producing.
Jumanji: Welcome to the Jungle opens in theaters on December 20, 2017.
The Plot: In the brand new adventure Jumanji: Welcome to the Jungle, the tables are turned as four teenagers in detention are sucked into the world of Jumanji. When they discover an old video game console with a game they’ve never heard of, they are immediately thrust into the game’s jungle setting, into the bodies of their avatars, played by Dwayne Johnson, Jack Black, Kevin Hart, and Karen Gillan. What they discover is that you don’t just play Jumanji – Jumanji plays you. They’ll have to go on the most dangerous adventure of their lives, or they’ll be stuck in the game forever…
Alicia Vikander as Lara Croft in Warner Bros. Pictures and Metro-Goldwyn-Mayer Pictures’ action film ‘Tomb Raider’ (Photo by Ilzek Kitshoff)
Warner Bros Pictures and MGM have released the first full trailer for the action adventure film, Tomb Raider, starring Alicia Vikander (The Danish Girl, Ex Machina). The trailer’s launch was accompanied by a nearly three-minute behind the scenes featurette focusing on Vikander discussing her approach to playing Lara Croft. In the video, Vikander recalls her introduction to the Tomb Raider video game as a kid and how she was wowed by the fact the video game had a female in the lead.
In the behind the scenes featurette, Vikander also talks about this new film as an origin story. “In the beginning, she’s a regular girl living in East London,” says Vikander. “This film is about her becoming the action hero that we know her to be.”
The Oscar-winning actress took part in wire work and fight training to prepare for the grueling action scenes. Tomb Raider‘s Daniel Wu describes Alicia Vikander as a “beast” while co-star Walton Goggins says she’s just a winning combination. And Dominic West admits he was amazed by what Vikander went through to take on the role of Lara Croft.
Roar Uthaug (The Wave) directs from a script by Geneva Robertson-Dworet and Alastair Siddons. Patrick McCormick, Denis O’Sullivan and Noah Hughes executive produce.
Tomb Raider opens in theaters on March 16, 2018.
The Plot: Lara Croft is the fiercely independent daughter of an eccentric adventurer who vanished when she was scarcely a teen. Now a young woman of 21 without any real focus or purpose, Lara navigates the chaotic streets of trendy East London as a bike courier, barely making the rent, and takes college courses, rarely making it to class. Determined to forge her own path, she refuses to take the reins of her father’s global empire just as staunchly as she rejects the idea that he’s truly gone. Advised to face the facts and move forward after seven years without him, even Lara can’t understand what drives her to finally solve the puzzle of his mysterious death.
Going explicitly against his final wishes, she leaves everything she knows behind in search of her dad’s last-known destination: a fabled tomb on a mythical island that might be somewhere off the coast of Japan. But her mission will not be an easy one; just reaching the island will be extremely treacherous. Suddenly, the stakes couldn’t be higher for Lara, who—against the odds and armed with only her sharp mind, blind faith and inherently stubborn spirit—must learn to push herself beyond her limits as she journeys into the unknown. If she survives this perilous adventure, it could be the making of her, earning her the name tomb raider.
Billy Eichner as Harrison Wilton in ‘American Horror Story: Cult’ (Photo by Frank Ockenfels/FX)
Episode three of FX’s American Horror Story: Cult finds Ally obsessing about the creepy neighbors from Hell. Ally can’t get anyone to believe in her conspiracy theories, and she becomes convinced Harrison and Meadow Wilton are responsible for everything horrible that’s going on in her life. Airing on September 19, 2017, AHS: Cult episode three also begins to mesh the different storylines together.
Rosie discusses her recurring nightmare in which she’s with her husband, Mark, and suddenly everything goes black. She’s trapped in a coffin and no one can hear her. However, she’s pleased to report the nightmare has changed. She tells Dr. Vincent (Cheyenne Jackson) she’s conquered her phobia and he’s happy for her. She thought she was crazy, but Dr. Vincent and her husband know her fear stems from being locked in a cupboard when she was a kid and from the abuse she suffered at the hands of her father.
Dr. Vincent reminds her terror lingers long after the actual incidents, but she’s relieved that following her father’s death she now feels free. Rosie was committed to desensitizing herself, and Dr. Vincent praises her for her hard work.
Rosie and Mark arrive home after the session, and Rosie’s still feeling good about her progress. Mark says he has a surprise and after he leaves the room, Rosie hears a ruckus. She opens the door to her bedroom and two coffins with red velvet lining are set up, lids propped open. A clown grabs her from behind as four others hold onto Mark. He screams at them not to touch his wife as they push him into one of the coffins and close the lid.
Rosie tries to fight them off but they shove her into the other coffin and begin screwing the lids shut. Rosie and Mark scream for their lives inside the coffins while on the wall behind them the clowns have painted a red smiley face.
Ally (Sarah Paulson) watches from inside her home as Pedro, who she shot dead believing he was an intruder, is wheeled away. Detective Samuels (Colton Haynes) reminds her they have a “stand your ground” law in Michigan and she had the right to defend herself. Ivy (Alison Pill) returns to the kitchen where Ally and Samuels are discussing what happened, and Ally can’t believe she traumatized Oz by killing a man in front of him. Ivy’s very sympathetic, telling her it was pitch black and Ally didn’t know who the man was at the door. Ivy also confirms the power grid is still down and it’s possible they’re being attacked by ISIS. Ally’s view of current events differs some as she believes the clowns are also attacking, and that they were in the house with her and Oz. Ivy and Samuels blow this off, and Samuels reconfirms Pedro was already under investigation for murder at the time of his death.
All three jump when the lights suddenly come back on. Samuels tries to assure Ally she has nothing to worry about, and when he walks away she asks Ivy how Oz will ever get over what happened. Even years of counseling won’t be enough to wipe away what he witnessed. Ivy thinks they just need to hope he finds a way to live with it.
The next day Ivy and Ally are driving to the restaurant when they spot protesters out front and hear them chanting, “No justice, no peace.” Signs with Ally’s picture declare she’s a murderer, as news reporter Beverly Hope (Adina Porter) stands outside and covers the story. Beverly reports crimes in the neighborhood have escalated and there’s been a three-fold increase in calls to 911. Beverly adds that Ally has earned the label “Lesbian George Zimmerman.”
Ivy has to stay and open the restaurant despite the presence of the protesters, but she sends Ally home. As Ally’s about to drive away, Kai Anderson (Evan Peters) appears at her driver’s side window. She tries to roll it up but stops when he tells her he finds her incredibly brave. He believes she didn’t do anything wrong and doesn’t need to apologize. He also promises to take care of the mob for her and then tells her to have a nice day.
Ally makes it home and immediately pours herself a drink. Insistent knocking on the door immediately follows and it’s Harrison (Billy Eichner) and Meadow Wilton (Leslie Grossman) wearing sombreros. Ally doesn’t want company but they refuse to leave. Instead, Harrison asks, “How does it feel to exercise your white privilege and execute people of color with impunity?” He can’t believe she committed murder with the gun he gave her, and then claims he’s 10% Mexican. Grabbing the security bars on the front door, he asks if she wants to kill him now. They tell her she’s not progressive and throw Taco Bell coupons at her, declaring they want racists out of their neighborhood.
When Ivy arrives home, Ally says she doesn’t feel safe with the Wiltons across the street. The news comes on and the anchorman (Dermot Mulroney) reports the protest is still going on at the restaurant, even though the police cleared Ally. He turns the reporting over to Beverly who’s now in front of Mark and Rosie’s home. The police found the smiley face which was also at the Chang house, and they believe the murders are related. Rosie and Mark were dead for more than a week when their bodies were discovered sealed in caskets. Beverly wonders if there’s a serial killer on the loose.
Ally and Ivy hear a noisy vehicle outside and look out the window to see a large industrial truck driving slowly by while spraying some sort of chemical.
The next morning Ivy walks around the house calling out for Ally. She finally spots her outside standing by dozens of dead birds in their yard. Ivy calls in a report and learns the township didn’t sanction any chemical trucks.
Winter (Billie Lourd) shows up as Ally wonders if it’s all mind-control experiments, and Ally’s angry Winter deserted her the night of the blackout. Winter apologizes and Ally finally forgives her, and then Winter casually adds she let in a stranger who said he was there in response to an ad.
The stranger turns out to be a large naked man who’s standing in their living room. He says the Craigslist ad said horny lesbians were looking for what he can provide, and he’s genuinely confused when they say they have no idea what he’s talking about. He assumes their bit is luring in men, getting them worked up, and then humiliating them. Disgusted, Ivy chases him out of their house.
After he’s gone, Ally and Ivy locate the ad online, complete with their address.
Dr. Vincent reads the ad out loud, and it says not to call or write – just show up. He’s in his office talking to Ally who’s in her car on the phone, and she’s angry the ad keeps being put back up. She believes her new neighbors placed the ad, and Dr. Vincent plays with smiley face pins on his desk as he asks why she thinks the Wiltons are responsible. Ally confesses she can’t handle all this, and Dr. Vincent assures her he’ll help get the ad down. He always wants to get evidence the Wiltons are behind this, calling it harassment. He recommends she file a police report, and Ally says it’s all happening because people think she’s a racist.
Dr. Vincent is so concerned he thinks they should schedule an emergency session for tomorrow and then suggests she might want to think about a voluntary in-patient stay for at least a while until things calm down. This murder has escalated her phobias, and he’s concerned for the people around her. Ally says she’s dealing with this and doesn’t want to commit herself. Instead, she’s going to go speak with the protesters. Dr. Vincent doesn’t think that’s a good idea and warns her to be careful.
The protesters surround her car when she pulls up. She asks them to move, telling them she’s one of them. She yells to move but they refuse and then she spots Kai behind the crowd. Kai tells the protesters, “Enough,” and they leave her alone. He comes to her window and says, “I told you I would take care of it and I did. Have a nice day.”
Leslie Grossman as Meadow Wilton in ‘American Horror Story: Cult’ (Photo by Frank Ockenfels/FX)
Returning home, Ally and Ivy find Winter and Oz petting a guinea pig. Ally is sensitive to dander and they have a strict no-pet policy, but Winter refuses to take it back, saying it’s Oz’s. Oz says he’s named him Mr. Guinea. Winter then reveals the lady from across the street brought the guinea pig over as a peace offering. Ally’s adamant Oz won’t be keeping the pet. She tells him to say his goodbyes to the guinea pig and instead, Oz replies, “I wish I could say my goodbyes to you.”
After Oz and Winter leave the room, Ally is livid. She screams about the neighbors knowing the shooting was an accident, once again proclaiming she’s the least racist person they’ve ever met. Ally calls them while Ivy pets the guinea pig.
The scene shifts to the Wilton home where Meadow, Harrison, and Detective Samuels are relaxing and watching TV. Ally yells at Harrison over the phone, and Harrison says he likes her kid. Samuels smiles as Harrison tells Ally Oz needs a man (in this case, the guinea pig) in his life. Harrison claims Oz is “drowning in white privilege and estrogen.” Meadow takes over the phone call, calling Ally a horrible racist before hanging up on her.
The weird chemical truck is about to pass by again and Ally runs out in the street. She yells at the driver to stop and to reveal what chemicals he’s spraying. He doesn’t stop and Ally has to jump out of the way as the chemicals flow over her. When Ivy comforts her, Ally’s bleeding.
Meadow and Kai do a pinky swear and he asks what she’s afraid of. She flippantly says she’s afraid that Sonya on the Real Housewives has a drinking problem. That answer earns her a hard slap across the face and she falls to the floor. Kai screams at her not to waste his time and that this is a revolution.
Meadow apologizes and admits she hides behind her humor. They try again and this time Kai asks if she’s afraid she’ll die unloved and that she’ll never have sex again. Meadow says she is and reveals Harrison is turning against her. Kai confirms he is because she’s irritating. Meadow confesses Harrison has a friend and now they whisper about her behind her back. Kai tells her to stop saying she’s sorry because that makes her nothing. “Everything is somebody else’s fault from now on,” says Kai. “You want to be somebody, you want to matter, then you make the world wrong.”
It’s going to take a week before the blood tests come back and before Ally knows if she’s been harmed by whatever chemical the truck was spraying. Ivy suggests she try and leave her worries behind, at least for the night. Ivy’s prepared a delicious dinner for Ally and Oz at the restaurant, and the threesome have some solid bonding time alone over dinner. Oz apologizes over yelling at his mom and says he knows they can’t keep Mr. Guinea. He asks if they can find him a good home and Ally surprises Oz by saying they can keep him.
They arrive back home after the family dinner and Oz is about to rush in when they see the smiley face painted in red on their door. Oz goes in just ahead of his moms, and they all are on time to witness Mr. Guinea exploding in the microwave. (Oz is going to be the most traumatized kid in history by the time this is over.)
Ally runs across the street to confront Harrison and Meadow. She barges into their home with Ivy and Oz hot on her tail. Ivy warns her she’ll be arrested for breaking and entering but Ally doesn’t listen. She punches Harrison in the face and threatens Meadow. Ally yells at them, demanding to know how they got into her house. Ally knows they did it because they believe she’s a murderer and a racist, but she wants to know how that justifies killing Oz’s innocent pet in front of him.
Meadow acts like she has no idea what happened, and Ally demands they stop terrorizing her family right now. When Meadow threatens to call the cops, Ally tells her to go right ahead because she’ll show them the smiley face the Wiltons painted on her front door. Harrison says the smiley face means Ally’s been marked by the killer, but Ally doesn’t believe it and assures Oz that’s not true. Meadow swears they didn’t do it, but Ally continues to threaten her neighbor. She warns she’ll kill them both if they bother her family again.
As they march out of the Wiltons’ house, Ivy tells Ally they’re screwed if the Wiltons sue them. Ivy’s had enough; Ally has gone too far this time. Ally’s behavior is affecting Oz, and Oz takes this opportunity to interrupt the argument to show them a smiley face painted on the side of Harrison and Meadow’s house. Ally thinks they painted it themselves, but Ivy’s worried for the Wiltons and wants to warn them. Ally’s response: “F**k them.”
Ivy takes Oz home and Ally lingers behind, touching the paint. It’s dry. She hears the truck again and this time it stops in front of her house. She sees the driver get out and begin spraying a chemical on her lawn. Ally demands to see his face (he’s wearing a gas mask) and asks who he works for. When he finally removes the mask, a white mask with the red smiley face is revealed. Ally faints as more than one of the truck’s occupants continue spraying the lawn where she’s passed out.
It’s now Harrison’s turn for pinky swearing, and Kai asks him about his first homosexual experience. He follows that up asking about Harrison’s biggest regret which turns out to be the fact he married his “fag hag.” He says he loves Meadow and then Kai gets him to admit he wants her dead. Kai and Harrison stare into each other’s eyes, not breaking the pinky swear.
Detective Samuels listens as Ally tries to connect the dots between the clowns, Roger’s murder, Pedro’s accident, the Craigslist sex ads, and Mr. Guinea’s horrific demise in the microwave. She blames the neighbors from hell. Samuels asks Ivy if Ally’s exhibiting any signs of psychosis, and Ally yells that she’s not crazy. She shows him the baggie with Mr. Guinea’s remains and just then he gets a text. Samuels confirms the smiley face is authentic and he’s concerned they’ve been marked by the killer. He wants to set up surveillance.
Ally and Ivy’s discussion with Samuels is interrupted when they hear Oz cussing in another room of the house. He was using the computer and admits he clicked on a link and that he deactivated the parental controls. Ivy grounds him and says he’s lost his computer privileges for a week. However, Oz won’t turn over the computer because he can’t turn it off and doesn’t want them to see what he was looking at. Ivy demands to see it and opens the laptop. On the screen is a video of Ally in the bathtub with Winter bathing her…and then going even further. Ivy rushes out of the room and when Ally follows her, Ivy slaps her hard across the face. She asks if Ally’s having an affair with the babysitter and Ally says she’s not.
Ally tries to get Ivy to realize someone was in their house and put a camera in their bathroom. She insists this is all connected and that Winter must be working with the neighbors. She blames them but Ivy’s not having it. “No, it’s you! You cheated! You betrayed our family!” screams Ivy. Samuels makes his way upstairs and asks if there’s a problem, and Ally tells him it’s none of his business.
Ally begs Ivy to stay but Ivy doesn’t care. She’s going to take Oz and leave, tossing out the suggestion that Ally call Winter. She adds that if the smiley face means what they believe it means, Ally will soon have plenty of company.
As Ivy and Oz are about to leave, the cops – sirens blaring – pull up in front of the Wiltons. Harrison screams that he doesn’t know what happened and was asleep. He woke up, rolled over, and got covered in blood. When the cop tells him to calm down, he says the officer should “calm up” and get to his level of agitation. That’s when he spots Ally and Ivy, and he points out Ally as the killer. Meadow is missing and he demands to know what Ally did with Meadow.
During all this commotion, Oz has disappeared. Harrison continues to yell that Ally did it as Ally and Ivy spot Oz inside Harrison’s home. Oz stands stock-still as Ivy and Ally look at all the blood covering the walls and on the stairs. They see handprints and then join Oz in staring at the smiley face painted in the living room.
James Franco stars in HBO’s ‘The Deuce’ (Photo by Paul Schiraldi)
HBO has given an early season two renewal order to The Deuce, the new dramatic series from Treme and The Wire‘s George Pelecanos and David Simon. Season one stars James Franco and Maggie Gyllenhaal, with Gary Carr, Margarita Levieva, Lawrence Gilliard, Jr, Dominique Fishback, Emily Meade, Gbenga Akinnagbe, Chris Bauer, Chris Coy, Natalie Paul, and Michael Rispoli co-starring. Michelle MacLaren directed the first and last episodes and serves as an executive producer.
Season one’s eight episode run kicked off on September 10, 2017.
“We are thrilled to continue our creative collaboration with master storytellers David Simon and George Pelecanos,” stated HBO Programming President Casey Bloys, announcing the renewal. “Their unique gift for immersing the audience in their dark and edgy worlds brings a brilliant verisimilitude unlike any other. With the remarkably talented Maggie Gyllenhaal and James Franco leading an exceptional cast, we look forward to delving deeper as this captivating story evolves.”
“Everyone involved with this project is genuinely grateful to HBO for the chance to take the narrative where it needs to go,” added Simon. “We knew the theme and purpose of the story, but there are many people in the entertainment industry who might not have it told, or worse, would have told it for the wrong reasons. HBO is a serious outfit. And they don’t scare.”
“Many thanks to HBO, our longtime partners, who’ve now given us the opportunity to continue to tell this compelling story,” said Pelecanos. “We’re ready to get back to work with our amazing cast and crew.”
The Plot: The show chronicles the rise of the porn culture in New York from the early 1970s through the mid-1980s, exploring the rough-and-tumble world of the sex trade from the moment when both a liberalizing cultural revolution in American sexuality and new legal definitions of obscenity created a billion-dollar industry that is now an elemental component of the American cultural landscape. It follows a cast of barkeeps, prostitutes, pimps, police and nightlife denizens as they swirl through a world of sex, crime, high times and violence, and the porn business begins its climb from Mafia-backed massage parlors and film labs to legitimacy and cultural permanence.