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Melissa McCarthy to Star with Puppets in ‘The Happytime Murders’

Melissa McCarthy The Happytime Murders

Melissa McCarthy will star in the comedy film The Happytime Murders with Brian Henson (Muppet Treasure Island) set to direct. McCarthy and Ben Falcone’s On The Day Productions, The Jim Henson Company’s Henson Alternative banner, and STXfilms are producing, with Lisa Henson and John W. Hyde executive producing. McCarthy, Erich Hoeber, Jon Hoeber, and Todd Berger all worked on the script. Filming is expected to get underway in August 2017.

Commenting on the project, McCarthy said, “When a really good script combines puppet strippers, Los Angeles’ underbelly and comedy, it’s like my fever dream has finally come true.”

“Melissa and Ben’s brand of humor is infectiously unique. I am thrilled to be partnering with them and STXfilms on The Happytime Murders,” said Henson.

“Melissa McCarthy is the reigning queen of comedy, and we believe she will make The Happytime Murders the kind of hysterical, edgy, viral event that audiences today crave,” stated STXfilms Chairman Adam Fogelson. “This is the kind of script and material that was made for Melissa’s smart and boundary-pushing sensibilities. Having worked with her years ago on Bridesmaids and Identity Thief, I could not be more delighted or excited to be working with her again.”

The Plot: The comedy is set in the underbelly of Los Angeles where puppets and humans coexist. Two clashing detectives, one human and one puppet, are forced to work together to try and solve who is brutally murdering the former cast of The Happytime Gang, a beloved classic puppet show.




‘Reign’ Season 4 Episode 11 Preview: Dead of Night Photos and Trailer

Reign Season 4 Episode 11
Adelaide Kane as Mary, Queen of Scots and Will Kemp as Lord Darnley in ‘Reign’ Season 4 Episode 11 (Photo: Ben Mark Holzberg © 2017 The CW Network)

The CW’s Reign season four episode 10 found Mary saying goodbye to her confidante and brother, James, after they fell for Knox’s treacherous plot. Episode 10 also introduced Charles’ younger brother, Henri, who definitely has his eyes on the throne. Meanwhile, Elizabeth spent the episode trying to find a suitable husband. Up next is season four episode 11 titled ‘Dead of Night’ airing on May 5, 2017. Episode 11 was directed by Deborah Chow from a script by Wendy Riss Gatsiounis and Drew Lindo.


The season four cast includes Adelaide Kane as Queen Mary, Rachel Skarsten as Queen Elizabeth, Megan Fellows as Queen Catherine, Dan Jeannotte as James, and Will Kemp as Lord Darnley. Ben Geurens, Celina Sinden, Jonathan Goad, Craig Parker, Spencer MacPherson, and Rose Williams also star in Reign‘s fourth and final season.

The ‘Dead of Night’ Plot: MARY LAUNCHES A COUP AGAINST ELIZABETH — Mary (Kane) and Darnley (Kemp) are at odds as they put their plan to seize England into action. Elizabeth (Skarsten) is conflicted about her feelings for Gideon (Geurens) as she attempts to find a Catholic to marry. Catherine’s (Follows) son Henri (guest star Nick Slater) attempts to claim the throne from Charles (MacPherson) with the support of Spain and Narcisse (Parker).

Reign Season 4 Episode 11
Ann Pirvu as Nicole and Spencer MacPherson as King Charles (Photo: Ben Mark Holzberg © 2017 The CW Network)
Reign Season 4 Episode 11
Will Kemp as Lord Darnley and Adelaide Kane as Mary, Queen of Scots (Photo: Ben Mark Holzberg © 2017 The CW Network)
Reign Season 4 Episode 11
Nick Slater as Prince Henri (Photo: Ben Mark Holzberg © 2017 The CW Network)
Reign Season 4 Episode 11
Adelaide Kane as Mary, Queen of Scots and Adam Croasdell as Bothwell (Photo: John Medland © 2017 The CW Network)
Reign Season 4 Episode 11
Adam Croasdell as Bothwell, Adelaide Kane as Mary, Queen of Scots and Andrew Shaver as Rizzio (Photo: John Medland © 2017 The CW Network)




‘The Big Sick’ Trailer Starring Kumail Nanjiani and Zoe Kazan

The Big Sick
Kumail Nanjiani and Zoe Kazan in ‘The Big Sick (Photo by Sarah Shatz)

Lionsgate and Amazon Studios just released a new trailer for the comedy movie The Big Sick directed by Michael Showalter (Hello My Name is Doris). The film’s based on a true story and was written by Kumail Nanjiani (Silicon Valley) and Emily V. Gordon. Nanjiani also stars in the film alongside Zoe Kazan, Holly Hunter, Adeel Akhtar, Zenobia Shroff, Anupam Kher and Ray Romano. The Big Sick gets a limited release on June 23, 2017 followed by a wide release on July 14, 2017.

The Plot: Based on the real-life courtship courtship between Kumail Nanjiani and Emily V. Gordon, The Big Sick tells the story of Pakistan-born aspiring comedian Kumail (Nanjiani), who connects with grad student Emily (Kazan) after one of his standup sets. However, what they thought would be just a one-night stand blossoms into the real thing, which complicates the life that is expected of Kumail by his traditional Muslim parents. When Emily is beset with a mystery illness, it forces Kumail to navigate the medical crisis with her parents, Beth and Terry (Hunter and Romano) who he’s never met, while dealing with the emotional tug-of- war between his family and his heart.




‘A Bad Moms Christmas’ Adds Christine Baranski, Susan Sarandon and Cheryl Hines

A Bad Moms Christmas

STXfilms announced production has begun on the Bad Moms sequel, A Bad Moms Christmas. The sequel has Mila Kunis back as Amy, Kristen Bell returning as Kiki, and Kathryn Hahn reprising her role as Carla. Susan Sarandon has come on board to play Carla’s mom and Cheryl Hines has been cast as Kiki’s mom. Christine Baranski joins the sequel as Amy’s mom. The ensemble also includes Jay Hernandez, David Walton, Wanda Sykes, Peter Gallagher, and Justin Hartley.

Bad Moms writer/directors Jon Lucas and Scott Moore are also back for the sequel which is shooting in Atlanta, Georgia. Bill Block and Mark Kamine are executive producing, with Suzanne Todd producing.


“Jon and Scott’s hilarious premise for A Bad Moms Christmas will not only let fans continue their laugh out loud love affair with Mila, Kristen, and Kathryn’s relatable antics, but adding Peter, Justin, Cheryl, Christine and Susan, and the holidays to the equation is more than we could have hoped for as we continue this important franchise for STX Entertainment,” said Adam Fogelson, Chairman of STXfilms.

Bad Moms was released in theaters on July 29, 2016 and made $23.8 million domestically over its opening weekend. The R-rated comedy grossed $183 million worldwide before exiting theaters. A Bad Moms Christmas is targeting a November 3, 2017 theatrical release.

The Plot: A Bad Moms Christmas follows our three under-appreciated and over-burdened women as they rebel against the challenges and expectations of the Super Bowl for moms: Christmas. And if creating a more perfect holidays for their families wasn’t hard enough, they have to do all of that while hosting and entertaining their own mothers. By the end of the journey, our moms will redefine how to make the holidays special for all and discover a closer relationship with their mothers.




‘The Originals’ Season 4 Episode 7 Preview: High Water and a Devil’s Daughter Photos and Trailer

The Originals season 4 episode 7
Riley Voelkel as Freya and Christina Moses as Keelin in ‘The Originals’ season 4 episode 7 (Photo: Annette Brown © 2017 The CW Network)

The CW’s The Originals season four episode six found the Mikaelsons throwing a party in order to ferret out followers of the Hollow. They discovered, thanks to Hayley, that the Hollow needs specific bone fragments in order to be raised from the dead. Next up is season four episode seven which finds series star Charles Michael Davis making his directorial debut. The episode titled ‘High Water and a Devil’s Daughter’ was written by Celeste Vasquez and Carina Adly MacKenzie and will air on May 5, 2017.


The cast of season four includes Joseph Morgan as Klaus, Charles Michael Davis as Marcel, Daniel Gillies as Elijah, Phoebe Tonkin as Hayley, Yusuf Gatewood as Vincent, Riley Voelkel as Freya, Summer Fontana as Hope, Christina Moses as Keelin, and Taylor Cole as Sofya.

The ‘High Water and a Devil’s Daughter’ Plot: — When it’s discovered that The Hollow’s latest servant is on the loose, Freya (Voelkel) places a protection spell on the compound, forcing Klaus (Morgan), Hayley (Tonkin) and Hope (guest star Summer Fontana) to remain inside. Meanwhile, Elijah (Gillies) takes matters into his own hands when Vincent (Gatewood) is reluctant to perform a dangerous ritual needed to strengthen their defense against The Hollow. Finally, while Freya enacts a risky plan that brings her face to face with their latest threat, an unexpected twist leaves her life hanging in the balance.


The Originals season 4 episode 7
Joseph Morgan as Klaus and Summer Fontana as Hope (Photo: Annette Brown © 2017 The CW Network)
The Originals Season 4 Episode 7
Joseph Morgan as Klaus (Photo: Annette Brown © 2017 The CW Network)
The Originals Season 4 Episode 7
Riley Voelkel as Freya (Photo: Annette Brown © 2017 The CW Network)
The Originals Season 4 Episode 7
Daniel Gillies as Elijah (Photo: Annette Brown © 2017 The CW Network)
The Originals Season 4 Episode 7
Yusuf Gatewood as Vincent and Daniel Gillies as Elijah (Photo: Annette Brown © 2017 The CW Network)




Tony Awards 2017 Nominees Announced: Natasha, Pierre & The Great Comet of 1812 Tops the List

The Great Comet Earns 12 Tony Nominations

The nominations for the 71st Annual Tony Awards have been announced and Natasha, Pierre & The Great Comet of 1812 tops the list of nominees with 12. Hello, Dolly earned 10 nominations followed by Dear Evan Hansen with nine and A Doll’s House, Part 2 with eight. This year’s awards show will be held on Sunday, June 11th at Radio City Music Hall in New York City. Kevin Spacey’s making his Tony Awards hosting debut and the show will be broadcast live on the East Coast beginning at 8pm on CBS (tape delayed for West Coast).


The 2017 Tony Awards will be directed by Glen Weiss. Weiss is also executive producing along with Ricky Kirshner.

2017 Tony Awards Nominees:

Best Play

A Doll’s House, Part 2
Indecent
Oslo
Sweat

Best Musical

Come From Away
Dear Evan Hansen
Groundhog Day The Musical
Natasha, Pierre & The Great Comet of 1812

Best Book of a Musical

Come From Away
Dear Evan Hansen
Groundhog Day The Musical
Natasha, Pierre & The Great Comet of 1812

Best Original Score (Music and/or Lyrics) Written for the Theatre

Come From Away – Music & Lyrics: Irene Sankoff and David Hein
Dear Evan Hansen – Music & Lyrics: Benj Pasek & Justin Pau
Groundhog Day The Musical – Music & Lyrics: Tim Minchin
Natasha, Pierre & The Great Comet of 1812 – Music & Lyrics: Dave Malloy

Best Revival of a Play

August Wilson’s Jitney
Lillian Hellman’s The Little Foxes
Present Laughter
Six Degrees of Separation

Best Revival of a Musical

Falsettos
Hello, Dolly!
Miss Saigon

Best Performance by an Actor in a Leading Role in a Play

Denis Arndt, Heisenberg
Chris Cooper, A Doll’s House, Part 2
Corey Hawkins, Six Degrees of Separation
Kevin Kline, Present Laughter
Jefferson Mays, Oslo

Best Performance by an Actress in a Leading Role in a Play

Cate Blanchett, The Present
Jennifer Ehle, Oslo
Sally Field, The Glass Menagerie
Laura Linney, Lillian Hellman’s The Little Foxes
Laurie Metcalf, A Doll’s House, Part 2

Best Performance by an Actor in a Leading Role in a Musical

Christian Borle, Falsettos
Josh Groban, Natasha, Pierre & The Great Comet of 1812
Andy Karl, Groundhog Day The Musical
David Hyde Pierce, Hello, Dolly!
Ben Platt, Dear Evan Hansen

Best Performance by an Actress in a Leading Role in a Musical

Denée Benton, Natasha, Pierre & The Great Comet of 1812
Christine Ebersole, War Paint
Patti LuPone, War Paint
Bette Midler, Hello, Dolly!
Eva Noblezada, Miss Saigon

Best Performance by an Actor in a Featured Role in a Play

Michael Aronov, Oslo
Danny DeVito, Arthur Miller’s The Price
Nathan Lane, The Front Page
Richard Thomas, Lillian Hellman’s The Little Foxes
John Douglas Thompson, August Wilson’s Jitney

Best Performance by an Actress in a Featured Role in a Play

Johanna Day, Sweat
Jayne Houdyshell, A Doll’s House, Part 2
Cynthia Nixon, Lillian Hellman’s The Little Foxes
Condola Rashad, A Doll’s House, Part 2
Michelle Wilson, Sweat

Best Performance by an Actor in a Featured Role in a Musical

Gavin Creel, Hello, Dolly!
Mike Faist, Dear Evan Hansen
Andrew Rannells, Falsettos
Lucas Steele, Natasha, Pierre & The Great Comet of 1812
Brandon Uranowitz, Falsettos

Best Performance by an Actress in a Featured Role in a Musical

Kate Baldwin, Hello, Dolly!
Stephanie J. Block, Falsettos
Jenn Colella, Come From Away
Rachel Bay Jones, Dear Evan Hansen
Mary Beth Peil, Anastasia

Best Scenic Design of a Play

David Gallo, August Wilson’s Jitney
Nigel Hook, The Play That Goes Wrong
Douglas W. Schmidt, The Front Page
Michael Yeargan, Oslo

Best Scenic Design of a Musical

Rob Howell, Groundhog Day The Musical
David Korins, War Paint
Mimi Lien, Natasha, Pierre & The Great Comet of 1812
Santo Loquasto, Hello, Dolly!

Best Costume Design of a Play

Jane Greenwood, Lillian Hellman’s The Little Foxes
Susan Hilferty, Present Laughter
Toni-Leslie James, August Wilson’s Jitney
David Zinn, A Doll’s House, Part 2

Best Costume Design of a Musical

Linda Cho, Anastasia
Santo Loquasto, Hello, Dolly!
Paloma Young, Natasha, Pierre & The Great Comet of 1812
Catherine Zuber, War Paint

Best Lighting Design of a Play

Christopher Akerlind, Indecent
Jane Cox, August Wilson’s Jitney
Donald Holder, Oslo
Jennifer Tipton, A Doll’s House, Part 2

Best Lighting Design of a Musical

Howell Binkley, Come From Away
Natasha Katz, Hello, Dolly!
Bradley King, Natasha, Pierre & The Great Comet of 1812
Japhy Weideman, Dear Evan Hansen

Best Direction of a Play

Sam Gold, A Doll’s House, Part 2
Ruben Santiago-Hudson, August Wilson’s Jitney
Bartlett Sher, Oslo
Daniel Sullivan, Lillian Hellman’s The Little Foxes
Rebecca Taichman, Indecent

Best Direction of a Musical

Christopher Ashley, Come From Away
Rachel Chavkin, Natasha, Pierre & The Great Comet of 1812
Michael Greif, Dear Evan Hansen
Matthew Warchus, Groundhog Day The Musical
Jerry Zaks, Hello, Dolly!

Best Choreography

Andy Blankenbuehler, Bandstand
Peter Darling and Ellen Kane, Groundhog Day The Musical
Kelly Devine, Come From Away
Denis Jones, Holiday Inn, The New Irving Berlin Musical
Sam Pinkleton, Natasha, Pierre & The Great Comet of 1812

Best Orchestrations

Bill Elliott and Greg Anthony Rassen, Bandstand
Larry Hochman, Hello, Dolly!
Alex Lacamoire, Dear Evan Hansen
Dave Malloy, Natasha, Pierre & The Great Comet of 1812

Special Tony Award for Lifetime Achievement in the Theatre

James Earl Jones

Special Tony Award

Gareth Fry & Pete Malkin, Sound Designers for The Encounter

Regional Theatre Tony Award

Dallas Theater Center – Dallas, Texas

Isabelle Stevenson Tony Award

Baayork Lee

Tony Honors for Excellence in the Theatre

Nina Lannan

Alan Wasser




‘Gotham’ Season 3 Episode 16 Recap: These Delicate and Dark Obsessions

Gotham Season 3 Episode 16
Raymond J. Barry and David Mazouz in ‘Gotham’ season 3 episode 16 (Photo by Jeff Neumann/FOX)

Fox’s Gotham star Ben McKenzie stepped behind the camera to make his directorial debut with season three episode 16 titled ‘These Delicate and Dark Obsessions.’ The May 1, 2017 episode kicks off with the Court of Owls meeting to declare Gotham is out of control and action needs to be taken. They’re building a weapon to rebuild the city, and a vote is taken to make sure everyone is on board. They are, and it’s decided Gotham must fall.

Bruce Wayne (David Mazouz) wakes in his cell, asking if the Court of Owls is behind his kidnapping. He’s told his clone is taking his place so no one is even aware Bruce is missing. A temple shaman (Raymond J. Barry) informs Bruce his help is needed, but tells him nothing more.

The scene switches to the GCPD where news is breaking that Aubrey James has been re-installed as Mayor. No one has a clue where Edward Nygma’s disappeared to, and Jim’s preoccupied with researching the drunk driver Michael Ness who killed his father, Peter. Ness was killed in prison, but Jim’s discovered he had chronic persistent hepatitis. Harvey (Donal Logue) says that’s known as the Irish Curse and means your body can’t handle any alcohol. So why was Michael Ness legally intoxicated according to the test results? Harvey says there’s no way the report is legitimate as Ness would be dead if he even registered a .1 alcohol level. Ness wasn’t driving drunk and the report was doctored.

Ivy (Maggie Geha) continues to take care of her patient, Oswald Cobblepot (Robin Lord Taylor). She wheels him outside and he’s furious she’s treating him like a kid. She calls the plants around him her friends, handing him a broth which he slams to the floor. He wants out because he needs to get busy on his revenge, which means he needs to find followers. Ivy offers to help him build an army, and Oswald asks her to get a message to Gabe. She agrees, after he says please.

Jim meets with his uncle in the cemetery, telling Frank (James Remar) about his discovery. Frank says faking the accident and setting up Michael Ness was something the Court of Owls could do, but he’s got a new problem he needs Jim to work on. Frank alerts Jim to a weapon the Court of Owls is working on to destroy Gotham. The high-ranking Court of Owls members are serious about laying waste to Gotham, and Frank doesn’t know how they’re going to do it or how to stop it. Frank’s going to gather more intel and Jim warns him to be careful.

Harvey calls Jim to alert him to the fact Michael Ness was a scumbag and Carmine Falcone paid for his lawyer.

Gabe arrives at Ivy’s place and gives Oswald a huge (and painful) hug. Oswald explains he needs to build an army and exact revenge, and Gabe pledges to help him round up the guys. As Gabe’s calling Oswald’s men, Ivy whispers to Oswald that she doesn’t trust him. Oswald refers to him as a human Labrador who’ll come running, but Ivy wants to work her magic with the help of a perfume that makes men do her bidding. Oswald just wants to leave but Ivy doesn’t understand why because she saved his life. (She has no idea she’s annoying.) She’s stunned he trusts Gabe over her, and Oswald laughs when she says she thought they were friends. She storms out before Gabe proves she was right by knocking out Oswald.

Back to Bruce Wayne… His cell opens and he makes a run for it down a long hallway straight to the stranger. He hightails it out of that room and down the hallway again only to wind up back in front of the shaman once again. It’s a maze and Bruce declares he’ll find a way out. The stranger asks him to sit so he can show him what he has to offer.

Jim meets with Carmine Falcone and there’s no love lost between these men. Jim killed Carmine’s son but now Jim knows Carmine was involved with the murder of his father. After that’s revealed, Carmine sends his men away and Jim asks if he ordered the killing. Carmine denies it, saying he respected Jim’s dad. However, Carmine acknowledges it was a hit ordered by the Court of Owls. Carmine’s not a member but he’s a partner, and he verifies it was Frank Gordon who actually ordered the hit.

The obvious next stop for Jim is to confront Frank which he does, holding a gun to his head. Frank admits he ordered the hit because Jim’s dad was going to expose the Court of Owls. All he wants to do now is bring down the Court, like Peter would have wanted. Jim tries to arrest Frank but Frank gets the drop on him, holding Jim at gunpoint and saying, “Dock 9C.” The weapon will arrive there and Jim has to figure out when without the Court of Owls knowing he’s involved.

Gabe has Oswald tied up and Oswald says to just get on with killing him. But Gabe has other plans… The honor of killing Oswald will go to the highest bidder. Just then four of Gabe’s men arrive and Ivy spies on them from outside the greenhouse. While she’s lamenting the fact no one listens to her, she’s caught by one of the thugs.

Jim explains everything he knows about the Court of Owls to Harvey and he tells his partner about the weapon. Harvey acknowledges that Carmine confirmed the Court’s existence and he thinks Jim should check out the docks. “I tend to give apocalyptic warnings of mass destruction the benefit of the doubt,” says Harvey. Harvey also assures Jim he’s got his back if he wants to go after his Uncle Frank. When Harvey is just about to call a judge to get a court order for the docks, Jim tells him they have to keep the GCPD out of it. Unfortunately, that means they have to involve a third party who no one would suspect is helping them.

Gotham Season 3 Episode 16 Erin Richards
Erin Richards in the “Heroes Rise: These Delicate and Dark Obsessions” (Photo by Jeff Neumann/FOX)

Cue Barbara… With Tabitha (Jessica Lucas) at her side, Barbara (Erin Richards) is accepting payment from some unfortunate soul who she knocks out with her stiletto. Jim rings her up and she knows he’s about to ask for a favor.

Bruce and the stranger are seated facing each other, and Bruce just wants to go home. The man offers him a sort of acupuncture needle to unlock his mind and Bruce is mesmerized looking at the symbol on the needle’s end. The shaman pokes him between the eyes and Bruce finds himself back in Gotham accompanied by the stranger. It’s the night of his parents’ murder and he sees himself walking with them down the street in the moments before the murder. As the trigger is pulled, the stranger removes the needle and Bruce is back in real-time in his cell. The man explains that was a memory that he relived just as if it was happening for the first time. (They were inside Bruce’s mind.) Bruce wants to know why the man showed him that and he explains Bruce has never actually left that alley. He must be able to move forward in order to learn what the shaman is attempting to teach him.

Tabitha tortures a dock worker while Barbara demands to know what’s arriving at Dock 9C. He claims there isn’t a 9C and then he finally admits even Don Falcone never asked about that secret dock. He reveals something came in last week and it’s in a crate just yards away. She wants him to call whoever it is that’s going to claim the package, but their meeting’s broken up by an operative from the Court of Owls. Tabitha and Barbara flee as everyone else is killed.

Meanwhile, Oswald’s having his picture taken so that the bidding can begin. Ivy’s also tied up and they whisper about their situation, with Ivy swearing she’ll be totally fine. Oswald wants to know her plan but she won’t reveal it until he’s nice to her. She says, “Watch and learn.” She calls over one of the henchmen and makes him bend down so she can whisper in his ear. She asks if he likes her perfume and he’s immediately affected by it. She tells him to kill them all and he begins firing. Oswald doesn’t want Gabe killed so Ivy has the thug disarm him and turn the gun over to Oswald. Ivy’s having a blast ordering the thug around, really getting into her role as boss.

The Court of Owls question Frank about Peter’s death, wondering why Jim asked Carmine about who gave the order. They now understand Jim will never be an ally and they order his death.

Barbara reports in on the dock job, and she tells Jim the crate has already been delivered. It’s likely in the Court of Owls possession now, but Barbara did remember that it was stamped from Indian Hill. Neither Harvey nor Jim have any idea what it could contain. Frank calls and Jim lets him know the weapon has arrived, and Frank tells his nephew to meet him at his house, alone, right now.

Oswald learns from Gabe that he betrayed him because Oswald passed him over for a promotion. Gabe gets on his knees and swears he can be loyal again, and Oswald asks Ivy to make Gabe smell the perfume to make sure he obeys. Gabe raises his right hand and swears to be true to Penguin because he never was loyal. He admits, while under Ivy’s influence, he only followed Oswald out of fear. Oswald’s fine with that until Gabe says none of his followers ever respected Oswald. “We always saw you for what you really are, a tiny freak who used to hold an umbrella. Nothing more,” admits Gabe. Oswald repeats freak over and over again and then grabs a garden tool and goes to town on Gabe.

Jim meets with Frank and both men have their weapons drawn. Frank sticks with the story that he doesn’t know what the actual weapon is, but that’s not why he called Jim. Frank says he’s supposed to kill Jim and he needs Jim to replace him on the Court of Owls. They want Jim on the Court, even after everything that’s gone down. When Kathryn calls, Frank wants Jim to say Frank got what he deserved and he’s ready to finish what his dad started. Statement made, Frank shoots himself.

And now we’re back to young Bruce Wayne who attacks the stranger as soon as he enters his cell. The shaman pulls out the needle and sends Bruce back once again to the night of his parents’ murders. Bruce watches it again and screams, “No!” before attacking the stranger. The stranger knocks him off his feet with one simple punch. “I have so much to teach you, Bruce. But your pain blocks you from who I need you to become, who Gotham needs you to become.”

With that, Bruce is once again back in his cell. He’s confused and the stranger explains they’re trying to end the cycle of violence in Gotham. He says he cares about Gotham and believes the city needs something only Bruce can provide: a protector. Bruce doesn’t think he can do it, but the man tells him he needs to become a symbol against fear.

Oswald buries the dead thugs, apologizing to Ivy for losing his temper. He still wants revenge and Ivy suggests he recruit an army of freaks from Indian Hill.

Jim places the photo of Frank and Peter on Peter’s grave and then answers Kathryn’s call. He tells her he killed Frank and now he wants to meet. When he hangs up, a limo is at the cemetery waiting for him.

More on Gotham:
Gotham Season 3 Episode 15 How the Riddler Got His Name Recap
Gotham Season 3 Episode 14 The Gentle Art of Making Enemies Recap
Gotham Season 3 Episode 13 Smile Like You Mean It Recap




‘Lucifer’ Season 2 Episode 14 Recap: Candy Morningstar

Lucifer Season 2 Episode 14 Candy Morningstar
Lindsey Gort and Tom Ellis in ‘Lucifer’ (Photo Credit: FOX)

Fox’s Lucifer is back from its much too long spring break, returning on May 1, 2017 with season two episode 14 titled ‘Candy Morningstar.’ The action takes place two weeks after the events in episode 13 and begins with Charlotte (Tricia Helfer) sucking face with a random stranger in Lux. She’s super pissed Lucifer’s abandoned her and it doesn’t help when the stranger also abandons her after her crazy son talk. Maze (Lesley-Ann Brandt) has no sympathy for Charlotte because Charlotte manipulated Lucifer, and she hopes Lucifer’s busy plotting his revenge.

And what is the sexy Devil up to? Lucifer (Tom Ellis) is meeting with some gangster-looking dudes, turning over a bag of money for something in a silver case. (Definitely a very Pulp Fiction-ish vibe going on in that scene.)

Chloe (Lauren German) confirms she hasn’t seen Lucifer since she left the hospital and Dan (Kevin Alejandro) is surprisingly sympathetic. She claims to be over it – but she’s not – and Ella most definitely isn’t over it. They’re at a crime scene and Ella’s going off about Lucifer being warm and fuzzy on the inside, and if looks could kill Ella (Aimee Garcia) would be dead instead of investigating a murder. She apologizes to Chloe but Chloe’s distracted when she thinks she sees Amenadiel (DB Woodside) standing across the street. She does, but he’s not there when she turns to look.

Ella describes the murder victim’s wounds, saying he died of blunt trauma. He wasn’t robbed and when Dan suggests maybe the guy was a clubgoer who got in a bar fight, Chloe deduces he played in a band. Before you give Chloe credit, there was a flyer right next to his body advertising the Heavy Woolies.

Chloe and Dan visit the band and they’re upset because their upcoming tour was going to be huge. They seem more upset about the band’s future than the fact their guitar player/frontman Ash is dead. They describe Ash as “being in a funk” since getting a divorce, and he’s just been crashing on their couches. They suggest Dan and Chloe talk to the ex-wife, Courtney, since she and Ash fought all the time.

Back at the station, Dan tells Chloe that Courtney did have an arrest for being violent two years ago. As they’re walking and talking, Lucifer chimes in. Chloe can’t believe he’s okay and looks about to hug him but stops herself. He shushes her, saying he has news. Chloe continues, dumbstruck that he’s gone missing and now he shushed her. How dare he?! Dan tells him he’s got explaining to do and that’s when we get a glimpse of who’s been keeping Lucifer busy. A stripper named Candy (Lindsey Gort) has apparently been spending time with Lucifer, and she immediately proves she’s not the sharpest tool in the shed by saying it was too stuffy in Lucifer’s convertible. She calls him her honey and then shows off a gigantic diamond ring. (So the Pulp Fiction thing minutes earlier was just a tease.) Chloe looks incredulous and hurt as Lucifer introduces Candy Morningstar as his wife.

Lucifer and Chloe have it out, with Chloe upset he disappeared and showed up with a ditzy stripper. Lucifer said he went to Vegas and wound up with Candy. (Apparently what happens in Vegas doesn’t stay in Vegas in Lucifer’s case.) Chloe’s disappointed because she thought they were friends, and Lucifer latches onto the word “friends.” He’s happy that’s what they are and wants everything to go back to normal. As Chloe heads off to interrogate Ash’s ex-wife, Dan tells him, “That’s classy, dude. Real classy.” Lucifer says thanks as though he’s not completely sure if that’s a compliment. (It’s not.)

Chloe asks Courtney (Felisha Terrell) why the band fingered her as the likely killer. Courtney claims to have been at work at her online clothing company, calling Ash selfish and childish and explaining she’s the one who had to be the adult in the relationship. Chloe commiserates, saying she also was with an immature partner who made her crazy. Chloe goes a step further, saying she wanted to kill him. Lucifer joins Dan in the next room to listen in on the interview, and Lucifer mistakenly believes the “wanted to kill him” part was about Dan. Lucifer, Lucifer, Lucifer…still not getting it.

Courtney confirms they fought and reveals Ash took everything in their divorce, even though she was the breadwinner. Chloe wonders why Ash didn’t have enough money to rent a place and had to sleep on couches, and Courtney thinks maybe their divorce mediator, who she believes is a crook, took the cash.

Amenadiel and Charlotte are still trying to find Lucifer when Amenadiel discovers CottonCandy86 tagged him at The Grove. When he starts listing off hashtags, Charlotte wants to know if he’s speaking in tongues. What he’s really saying is that Candy and Lucifer are married and got yogurt to celebrate. Amenadiel’s confused because Lucifer told him to watch over Chloe, and Charlotte believes Maze is right that Lucifer has a plan they don’t know about.

Courtney’s alibi holds up and Chloe and Dan decide to check on Anthony Annan (Jonathan Togo), the mediator. Lucifer and Candy return as Chloe and Dan are looking at Anthony’s photo, and Candy calls him “Mannequin Hair,” pointing out he’s also in the picture taken at the murder scene standing outside the police line. Dan actually thanks Candy and Lucifer tells her good job, while Chloe pastes a fake smile on her face. Lucifer thinks they’re having fun and he’s back on duty, and as he’s about to call for a cab for Candy, he comes up with a better idea. Why not go “splitsies” on Trixie’s nanny? She can watch Trixie and Candy. Candy, again proving she’s more than a few bricks short of a load, asks Chloe if she knows Lucifer plays piano better than Elton Tom.

Lucifer believes he’s perfect for this case since it involves a band and Chloe has horrible taste in music, but Chloe’s not about to take him back. She tells him their partnership is over after he ghosted her. “You can’t just march back in here like nothing’s wrong. You can’t just grab what you want when you want,” yells Chloe. A contrite Lucifer listens as Chloe, in tears, tells him he let her down. She adds, “I don’t need you anymore,” and sends him away.

Lucifer and his new bride hop over to Dr. Linda’s (Rachael Harris) and she tries to ask questions without giving away his secret. Lucifer assures her he has no secrets from Candy, and Dr. Linda asks if the trauma has made him act rashly. Lucifer, who rarely admits to doing anything wrong, says no and that he’s thought through everything. She then asks about Chloe and their relationship, and Lucifer says that was just smoke and mirrors courtesy of his dad. Dr. Linda asks just the right question, wondering why he then felt the need to return to Chloe. He covers by saying he missed his work and that they’re a crime-fighting duo. Candy chimes in saying when she got fired she kept going to work anyway and she made herself “expandable.” Yes, expandable. She got her a boob job, making her expandable…

Dr. Linda admits just showing up isn’t a bad idea, and Lucifer compliments his bride.

Dan calls Chloe and tells her the mediator won’t talk, and then calls out Lucifer who’s been following him and is now holding up a stick trying to blend in with a potted plant. Lucifer tells Dan he just wants everything to return to how it used to be and reveals he has a brilliant idea.

So, Lucifer’s idea involves going undercover with Candy who, while he’s talking to Chloe, is bent over with Maze inches from her butt. (Maze’s reaction to Candy’s butt: “Awesome. Lucifer has outdone himself.”) Maze then stares at Candy’s expandables while Lucifer asks Chloe if she’s prejudiced against exotic dancers. Chloe’s had enough and ushers Lucifer and his wife out of her apartment.

Lucifer finally shows up at his place and Charlotte’s there, happy he’s finally returned. After Candy asks if Charlotte’s his sister, Lucifer officially introduces her to his mom. Candy can’t get over how young Charlotte looks and Charlotte takes Candy out on a shopping trip to find out everything about this new development.

Maze asks Chloe what she thinks of Candy, and Chloe replies, “Well, I think she’s perfect for Lucifer.” She also agrees with Maze that Candy’s bra size is about the same as her IQ. Maze realizes Chloe’s mad and tries to make her understand that Lucifer has done this before. He does stupid things but always comes back around. Chloe declares she’s done with Lucifer and she won’t take him back as a partner. Maze suggests Chloe and Lucifer need a mediator, and that gives Chloe an idea.

Chloe and Lucifer visit mediator Anthony Annan, however Chloe’s dressed up and acting like Candy and calling herself Mrs. Candy Morningstar. Chloe tells Anthony her partnership with Lucifer isn’t working anymore after just five days. Lucifer says they work brilliantly together but Chloe says that description only applies to the bedroom. She then adds the problem is really that Lucifer disappears and pops up with a ditzy bimbo. Lucifer resents the implication he’s cheating, and Chloe slams him for taking marriage seriously, saying that’s why he chose a bedazzled tweener as a wife.

Things turn serious as Lucifer and Chloe get real and spill their guts. Lucifer says he’s been through Hell (literally) and Chloe reminds him she almost died. She almost believes he cares and then he asks, “Have you ever known me to lie?” He looks shocked when she says she doesn’t know.

They take a break and Anthony asks “Candy” if she’s okay. Chloe takes this opportunity to ask him to swing things her way and she’d make it worth his while. He doesn’t take the bait, saying that would be unethical. Lucifer pops into the discussion, telling him he did it for Ash, and Chloe’s forced to pull out her badge. Anthony swears he’d never hurt Ash and Lucifer does his mind trick, getting Anthony to admit he wanted the Heavy Woolies to be the hugest band ever. He then reveals he mediated Ash and Courtney’s divorce for free because he loves the band and their music.

And, Ash had promised him that someday he would be their manager. He opens a closet and it’s full of the Heavy Woolies records they bought using Ash’s ex-wife’s money. The album made it onto the charts thanks to their purchases and the group was booked for a huge tour. Anthony was at the crime scene because he thought Ash was going to kick Marla the bassist out of the band. He was there to see what happened and that’s when he saw Ash, dead. “It was the night the music died,” says Anthony, choking up.

Lucifer and Chloe have uncovered a new suspect, but Chloe’s not ready to forgive Lucifer and sends him home. “Candy needs you more than I do,” says Chloe.

Lucifer Season 2 Episode 14 Tom Ellis and Lauren German
Lauren German and Tom Ellis in ‘Lucifer’ season 2 episode 14 (Photo Credit: FOX)

Candy and Charlotte are out shopping and Charlotte asks if Lucifer mentioned matricide. Candy, of course, believes this is a reference to their mattress. Charlotte asks Candy to spill the beans on their plans, and Candy – unfortunately – does. She talks about some day in the future opening a tanning salon or some other business, and Charlotte is stunned. “You’re speaking and yet I don’t understand a single word,” says Charlotte who’s looking at her daughter-in-law like a weird creature who’s somehow wormed her way into Lucifer’s life. Candy is gushing over Charlotte being her mom and that they’re family, and then she throws her arms around Charlotte and gives her a huge hug.

Charlotte tells Amenadiel Candy’s a sinister genius and her most formidable foe. Candy didn’t give Charlotte anything to work with and they’re no closer to learning Lucifer’s secret agenda. Amenadiel doesn’t believe there is a secret plan and it dawns on Charlotte that maybe Lucifer is a deeply damaged soul. Is it possible her son is broken and she’s the one who did it? Charlotte blames herself for manipulating him and admits she’s a terrible mother.

Back at the station, Chloe, Dan, and Ella go over what Chloe and Lucifer found out from the mediator and take a look at Marla’s limited, mostly minor criminal record. Both Ella and Dan seem genuinely happy Chloe’s patching things up with Lucifer, but she still claims she’s not. Chloe doesn’t think Marla’s the killer but then Ella looks at a photo of Marla’s bass and thinks the marks on Ash’s head could have been made by the knobs on the bass.

Chloe heads to a club where Marla’s supposedly hanging out and moments after she arrives Lucifer Morningstar shows up on stage. He dedicates the song to “a woman who doesn’t need him anymore,” and he sits down at the piano to play The Bangles’ “Eternal Flame.” (Yes! It’s about time Tom Ellis sang again!) Anyway, after a few lines he says he’s dedicated it to Marla, asking if she’s there. People push her toward the stage and she’s not in the least bit happy. “See, you need me,” says Lucifer to Chloe who’s sort of smiling.

Back at the station, Lucifer strums on Marla’s bass. He’s come up with a song for Chloe: “Crime-solving Devil, it makes sense. Don’t overthink it,” he sings before Ella interrupts with news on the forensics from the bass. She found Ash’s blood on the tuning knobs, and Lucifer’s happy it proves the department and Chloe need him. Amenadiel chooses that moment to show up, breaking the staring contest going on between Chloe and Lucifer.

Amenadiel is mad he guarded Chloe at Lucifer’s request, believing she meant something to his brother. Amenadiel calls Chloe special and Lucifer chimes in, saying she’s a “whoopee cushion” sent from his dad. That doesn’t give Lucifer an excuse to turn his back on Chloe and ignore her feelings, says Amenadiel. But Lucifer believes those feelings aren’t real, and Amenadiel says Chloe doesn’t realize the feelings aren’t real. “Which is why I had to save her from…,” reveals Lucifer. “From you,” says Amenadiel, finishing his brother’s sentence.

Amenadiel finally realizes Lucifer’s protecting – not ignoring – Chloe specifically because she had no choice but to have feelings for him. By ignoring her, Lucifer is giving her back her choice. Amenadiel apologizes and wants Lucifer to explain some of this to their mother, reminding him Charlotte died and went to Hell for him because she loves him. Amenadiel believes their mom did what she thought was best for Lucifer, just as Lucifer’s doing what he thinks is best for Chloe. That strikes a nerve with the Devil who, for once, is speechless.

On their way in to interrogate Marla, Dan admits he told Lucifer where Chloe was. He also admits they talk since Lucifer helped save Chloe’s life. Marla says she didn’t kill Ash and only ran because she thought they were busting her for making fake IDs. She didn’t know Ash was going to kick her out of the band and she has an alibi. Posts on Wooble show she couldn’t have killed Ash, and also show Doug the drummer had Marla’s bass last. Dan suggests Chloe take Lucifer to arrest Doug.

Lucifer’s phone rings as they’re entering Doug’s apartment, and he’s distracted talking to Candy when Doug puts a cord around his neck. Chloe yells at Doug to let Lucifer go and Doug says if she doesn’t drop the gun he’ll kill her partner. Lucifer tells Doug to go ahead and kill him since he’s useless to Chloe. Chloe shoots Doug and Lucifer is freed, although she jokes she was aiming for her partner.

Candy arrives at the scene and hugs Chloe for saving him. She also reveals all Lucifer does is talk about his work and about Chloe. Apparently, Lucifer talks all the time about how he almost lost Chloe to poison and how he went through hell. Lucifer arrives and Candy leaps into his arms, and Chloe seems okay with that. She’s also okay with him coming back to work.

Charlotte tries to write a letter to Lucifer, but he arrives before she finishes. He doesn’t forgive her but he thinks she was well-intentioned. He admits he’s more pissed at dad for making the feelings a lie. As he’s leaving, Charlotte confesses all she’s wanted to do is get back to Heaven. She reminds him that if he would have had the flaming sword, he would have won the rebellion. Lucifer says it’s best not to dwell on the past since the sword was destroyed, but Charlotte reveals a huge secret: the sword is on Earth and already in his possession. Azrael’s Blade is the flaming sword, which means they can go home.

And now the big twist… Candy is not Lucifer’s wife. It was a huge setup to get a look inside Charlotte’s head to find out what she was up to. Candy, who is definitely not ditzy, thanks him for saving her life in Vegas. She begins to take off the ring and he tells her to keep it and gives him his ring. They hug and before she gets in the car to leave, she asks what’s going on between him and Chloe. Lucifer doesn’t answer and Candy warns him not to screw that up. “I’m trying not to,” says Lucifer.





‘Riverdale’ Season 1 Episode 12 Preview: Anatomy of a Murder Photos and Trailer

Riverdale Episode 12
Cole Sprouse as Jughead Jones, Casey Cott as Kevin Keller, and Camila Mendes as Veronica Lodge in ‘Riverdale’ (Photo: Bettina Strauss © 2017 The CW Network)

The trailer for The CW’s Riverdale season one episode 12 warns “you can’t unsee a murder,” following that up with clips of the Riverdale gang watching a video, with Veronica and Betty in tears. Directed by Rob Seidenglanz from a script by Michael Grassi, season one episode 12 titled “Anatomy of a Murder” is set to air on May 4, 2017.

The Riverdale cast includes KJ Apa as Archie Andrews, Lili Reinhart as Betty Cooper, Camila Mendes as Veronica Lodge, Cole Sprouse as Jughead Jones, Madelaine Petsch as Cheryl Blossom, Marisol Nichols as Hermione Lodge, Mӓdchen Amick as Alice Cooper, Luke Perry as Fred Andrews, and Ashleigh Murray as Josie McCoy.


The “Chapter Twelve: Anatomy of a Murder” Plot: THINGS ARE NOT ALWAYS AS THEY SEEM – Archie (Apa) and Veronica (Mendes) are shocked to learn of the arrest but know they need to come clean to their parents about what they uncovered. Still hurt by the betrayal of his friends and torn over who to trust, Jughead (Sprouse) reluctantly joins them in a quest for truth. Meanwhile, Cheryl (Petsch) confronts her mom about why she treats her so much worse than she ever did with Jason.


Riverdale Episode 12
Camila Mendes as Veronica Lodge and Marisol Nichols as Hermione Lodge (hoto: Katie Yu © 2017 The CW Network)
Riverdale Episode 12
Cole Sprouse as Jughead Jones and Lili Reinhart as Betty Cooper (Photo: Katie Yu © 2017 The CW Network)
Riverdale Episode 12
Camila Mendes as Veronica Lodge and Marisol Nichols as Hermione Lodge (Photo: Katie Yu © 2017 The CW Network)
Riverdale Episode 12
Cole Sprouse as Jughead Jones and Lili Reinhart as Betty Cooper (Photo: Katie Yu © 2017 The CW Network)
Riverdale Episode 12
Madchen Amick and Lili Reinhart (Photo: Katie Yu © 2017 The CW Network)
Riverdale Episode 12
Cole Sprouse as Jughead Jones, KJ Apa as Archie Andrews and Molly Ringwald as Mary Andrews (Photo: Katie Yu © 2017 The CW Network)




‘Lucifer’ Season 2 – Ildy Modrovich and Joe Henderson Interview on DC Crossovers and Stand-Alone Episodes

Lucifer WonderCon 2017
‘Lucifer’ Executive Producers Ildy Modrovich and Joe Henderson and cast members Lesley-Ann Brandt, Kevin Alejandro and Rachael Harris at WonderCon (Photo by Alan Hess © 2017 Fox Broadcasting)

Fox’s Lucifer starring Tom Ellis as the sexy Devil vacationing on Earth returns from its spring break with season two episode 14 airing on Monday, May 1, 2017 at 9pm ET/PT. The popular series has been renewed for a third season and during the 2017 WonderCon in Anaheim, executive producers Ildy Modrovich and Joe Henderson talked about their vision for the upcoming third season. Modrovich and Henderson also filled us in on the stand-alone episodes as well as the possibility of a DC crossover at some point in the future.

A tweet from @LUCIFERwriters said “Things we want to see in 301,” and then didn’t reveal the answer. What’s really listed there?

Joe Henderson: “It’s funny. What happened was the reason there’s nothing listed under there is because I erased it because we were taking photos. That used to actually be full of stuff. What happened was our room is wrapped right now. (Explaining to Ildy) Tennessee (Martin) had taken a picture and posted it, but I had already erased it because we were taking photos. What happened is we had two weeks before we wrapped our room where we started really figuring out season three. One of the things I always like to do is start a slush list. Just like what are all the things we hope, the things we want to see? What’s the fun that we’ve left on the table? The crazy things that we’ve always wanted to do but haven’t had time or whatever. And then just start looking at that to remind ourselves what the true norths of the season can be.”

Ildy Modrovich: “And then suddenly an arc begins to form. It’s very freeform, like jazz.”

Does it change season three at all now that you’re moving four episodes from season two?

Ildy Modrovich: “No, not so much. It’s funny, the four episodes – they call them stand-alone episodes – but they’re really not in that they move our characters quite deeper almost because we get to spend…like one episode focuses only really on Maze (Lesley-Ann Brandt). We get to really understand what this poor demon who doesn’t have a soul – does she really not have a soul? What does that mean to not have a soul? We spend a lot of time exploring that. And there’s also the nuggets, little mythological nuggets that are kind of in each one where somebody just throws out a line and you go, ‘Wait? What did she just say?'”

Joe Henderson: “Yeah, like, ‘What does that mean?’ We know where we want those episodes to air in season three. What we did is we basically wrote episodes that if aired in season two would set up season three. Or, if they aired in season three they would just more immediately set up the story. So, hopefully when you watch season three you won’t be going, ‘Is that a stand-alone or is that a regular episode?’ Because they do fold in really nicely.

We knew no matter as much as we wanted them to stand-alone, we wanted them to move the story forward. Personally, that’s what I watch the show for. That’s what I love all my shows for. But what it really let us do is play. We made an episode that’s a little darker and weirder. We made an episode that’s a little more fun. Like the Maze episode is like a Bond movie. It’s really cool and it’s both not our show at all and it’s totally our show. What we’ve discovered is going into season three sort of let us open up where the show is a little bit. Like, we have a great ensemble. The show was always going to be called Lucifer and always going to be about Lucifer, but we’ve got a great supporting cast and spending a little bit more time digging into those side characters just makes the world richer.”

Ildy Modrovich: “When we first got the edict, I have to say we were like, ‘What? What does that mean?’ We have a serialized show on our hands even though it’s procedural. How do we make stand-alone episodes in a serialized show? It didn’t make sense. But then we immediately went to shows like The X-Files that we love, and some of the episodes that were our favorites were ones that were just completely close-ended. And so we kind of got excited about it.

I think it did come at the right time because now we have spent time with our characters and we want to know more about them. We want to know about Maze. We want to know about…who else do we explore? We want to know about Ella Lopez.”

Joe Henderson: “We want to know about Lucifer when he first came to LA. That would be a cool episode.”

Ildy Modrovich: “That would be a cool episode, wouldn’t it, to see that first day he landed in LA? (Smiling) We should do that.”

Joe Henderson: “And then what Amenadiel (DB Woodside) was like back then?”


How does it impact what you planned for the end of season two?

Joe Henderson: “Not at all. What’s nice is we were always building an 18 episode arc. What was actually helpful about it is they didn’t try and make us fat. They didn’t try and make us add four episodes or whatever. They’re like, ‘We love this arc. We’re really happy with where you are. Have fun.’ And they really encouraged us, like, ‘Go off format. Play around with the way the show works.’ We took it and ran with it.”

Did you consider a DC crossover and what would you do?

Joe Henderson: “I would love to do something like that. The problem is that the (Greg) Berlanti-verse is so tightly wound together. They’re their own machine. I think Gotham sort of exists in almost its own timeframe, so there’s not really a natural show for us to crossover with.”

Ildy Modrovich: “But, never say never.”

Joe Henderson: “But, man, I would like to.”

Ildy Modrovich: “That’s the thing. Never say never.”

Joe Henderson: “I love those things.”

A Lucifer/Constantine crossover would be a good fit.

Joe Henderson: “But then he crossed over with Arrow so he’s part of the Arrow-verse. At some point we’d love to do something like that.”

Ildy Modrovich: “The thing also, if I may say about our show, is that we can kind of do anything that fits. We have a bit of a license to because we don’t take ourselves too seriously. Hopefully that comes across. So, I think if Batman did show up…I don’t know. Maybe it’s not so weird.”

Joe Henderson: “You know what I want to do? On the next big crossover between all the Berlanti shows, I want all the characters together and in the background you see Lucifer just like smoking, looking at them, and then he shakes his head and walks away. That’s what I want to have happen. That would be the greatest crossover ever for me.”

Watch the full Ildy Modrovich and Joe Henderson Lucifer interview:





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