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‘Gotham’ Season 3 Episode 15 Recap: How the Riddler Got His Name

Gotham Season 3 Episode 15 Cory Michael Smith
Cory Michael Smith in the “Mad City: How The Riddler Got His Name” episode of ‘Gotham’ (Photo by Jeff Neumann/FOX)

Fox’s Gotham returns from a nearly three-month break with an episode that explores Ed Nygma’s embrace of the Riddler. Season three episode 15 titled ‘How the Riddler Got His Name’ begins with Edward Nygma (Cory Michael Smith) visiting a chemistry professor and demanding he answer a riddle. The professor gets the answer wrong and Ed nearly loses control. He collects himself and asks another riddle, and the professor once again guesses wrong. Ed taunts the professor, telling him the “others” didn’t do well either. Apparently, Ed’s been asking riddles of Gotham’s shining intellectual and artistic stars and none were able to answer correctly.

Ed recalls Penguin’s words about there being no Edward Nygma without Oswald, and Ed confesses to the professor he killed his best friend. Ed now knows who he is but not how to be himself. He’s looking for someone to take Penguin’s place and no one can live up to his expectations, each failing to answer his riddles. The chemistry professor should have studied harder as he’s now another body on Nygma’s list of kills.

Bruce’s doppelganger practices his Bruce (David Mazouz) impersonation, reciting the events of the night of the Waynes’ murders. The head of the Court of Owls, Kathryn, is impressed and calls Jim’s uncle, Frank, letting him know Fake Bruce is ready to go and asking for assurance Jim is amenable.

Ed checks out a newspaper with headlines declaring Mayor Oswald Cobblepot is still missing. Nygma’s popping pills and hallucinates Oswald sitting on the couch, covered with slime from the river. Imaginary Oswald (Robin Lord Taylor) mirrors Ed’s movements and both stare at a board with six photos of Nygma’s recent victims. Ed can’t figure out why they weren’t able to answer his riddles and Oswald suggests he ditch the riddles. But Ed’s convinced if he finds the right person, they’ll be able to teach him how to be a villain. Oswald yells at Ed, telling him villains do not have teachers. And then Ed has an epiphany: what he needs is an enemy. That’s the key to learning how to be himself. Imaginary Oswald protests, but Ed decides Jim Gordon will be the perfect enemy.

Over at the police station, Lucius Fox (Chris Chalk) believes a serial killer targeting smart people is on the loose. Harvey Bullock (Donal Logue) is not at all convinced that a serial killer offing brilliant minds is operating in Gotham, reminding Lucius they’re still looking for Oswald and finding more of Jerome’s victims every day. They really have their hands full and don’t need to add in a new serial killer.

Lucius and Harvey’s talk is interrupted by a singing telegram meant for Jim delivered by a guy in a grape suit. Jim’s not around but Grape Man sings about the death of “six masters” anyway, ending by handing Harvey and Lucius a card with a maze drawn on it. Lucius immediately connects “six masters” to the six deaths, but Harvey’s still a doubting Thomas. Still, Harvey goes along although he’s not committed to Lucius’ theory. Lucius figures out the drawing is of the Knight’s Tour and off he and Harvey go to follow the clue.

Meanwhile, Ed watches a chess tournament from the balcony. He pops a pill and Imaginary Oswald appears. Ed promises the competition below will be electrifying and he yells out a move before being shushed. Oswald tells Ed that Jim can’t help him and he must face the truth. Imaginary Oswald disappears as Lucius and Harvey enter the room, and Ed’s surprised Jim didn’t solve the riddle and instead it was Lucius who figured it out.

Harvey and Lucius ask for the building to be evacuated just as the timers on each table send out shocks. Harvey changes his mind and warns everyone to stay seated instead.

At Frank’s cabin in the woods, Jim (Ben McKenzie) and his uncle (James Remar) chat and Jim wants to know why he hasn’t been around. Frank asks Jim if he’s ever done anything he’d like to do over, and Jim replies, “Yes.” Frank admits he’s done horrible things and now he wants to make things right.

Over at Wayne Manor, Alfred (Sean Pertwee) is giving Bruce lessons in throwing knives. He’s deliberately distracting Bruce because he knows Bruce has something on his mind. Alfred believes it has something to do with Selina because he’s found a note from Selina to Bruce. Bruce refuses to follow Alfred’s suggestion and go see her, claiming Selina’s been avoiding him for weeks.

Back at the chess tournament, Lucius, Harvey, and the GCPD look over the crime scene. Lucius discovers numbers on the bottom of the chess pieces and figures out it’s a phone number. He calls it and Ed’s pissed he’s seven minutes late. Ed says he had to kill the six smart people because they failed his test, and now it’s Lucius’ turn. He warns Lucius he needs to solve a new clue tomorrow that will take him one step closer to learning the identity of the killer. As Ed hangs up and walks away, a painting of Mayor Cobblepot is shown with a large green question mark over Oswald’s face and body.

Jim takes a shot at a deer and fortunately, he misses. He admits he missed on purpose, just checking to see if his gun works. (It’s a weird scene.) He wants Frank to come clean with whatever it is he’s hiding, and Frank asks if Jim has heard about the Court of Owls. Frank explains it’s an old secret society started by Gotham’s most influential families. It used to maintain the balance in Gotham, but now it’s corrupt. Frank shocks Jim by admitting not only that he’s a member but that Jim’s father was also a member. Frank further shocks Jim by telling him the Court wanted him to offer Jim an invitation to join the exclusive group.

Lucius and Harvey interrogate a man who works for a pawnshop that’s part of Nygma’s riddle. The man claims to be filling in for another guy, and it turns out that man’s name translates to “beast” which is the next part of the riddle. Off Lucius and Harvey go to track down the beast.

Back at Wayne Manor, Alfred cooks while providing Bruce a little life lesson about getting closure on relationships. Bruce finally agrees to meet with Selina, mostly to stop Alfred from harping on the situation.

Imaginary Oswald pokes fun at the ‘Chess Killer’ headlines, teasing Ed that it’s not exactly a name that strikes fear. Oswald attempts to talk Ed out of the next part of his plan, but there’s no stopping him. Imaginary Oswald tries to convince Ed he’s only doing this because he’s not sleeping, taking drugs, and is lost without him. Oswald then takes the stage in a tux, crooning Amy Winehouse’s “Wake Up Alone” to Ed while Ed tries to slap himself back to reality. Finally, Ed admits killing Oswald killed a part of him, but he plans to leave him behind. Oswald shouts, “There is no Ed Nygma without the Penguin!”

Lee (Morena Baccarin) and Lucius are with the dead body of the man referred to as the beast by the Chess Killer. There’s an incision on his stomach and when Lee cuts him open, they discover Harvey Bullock’s lost badge has been stuffed into the body. Lucius now knows who the next target is: Harvey.

Harvey’s rehearsing the speech he’s about to deliver to a graduating class of cadets when Ed Nygma shows up backstage. Ed says he’s there to deliver a few remarks since the mayor is still MIA, but Harvey tells him to get lost. Harvey’s phone rings and when Ed notices it’s Lucius calling, he grabs Harvey and knocks him out.

Bruce is about to be attacked by a handful of teenage thugs when Selina (Camren Bicondova) runs up and tells them to leave Bruce alone. She then tells Bruce she has business to attend to with Sonny, one of the thugs, and he shouldn’t be there. They argue a bit, Bruce apologizes, and Selina tells him to leave. He asks why she left him a note if she didn’t want to see him, and she reveals she didn’t leave anything in his mailbox.

After Selina walks away, the gang attacks, and initially Bruce gets the worst of it. However, instead of staying down, he gets up and fights back, easily beating each of Selina’s so-called friends.

Ed, clad in a striking green suit, takes the stage at the graduation ceremony and says he’s there because Captain Bullock is tied up. No one can answer his riddle so he sets off the gas, dons a mask, and the cadets – none of whom reacted to any of this – are all knocked out.

A strawberry singing telegram arrives for Lucius and when she asks for Foxy, he knows the killer is Ed Nygma since only Ed calls him by that nickname. Ed demands he come upstairs alone or the cadets and Harvey will die. Lucius climbs up multiple flights of stairs to find Harvey strapped into a chair and hanging out over the edge of the staircase. Ed will give him three riddles and he’ll cut one of the ropes holding Harvey in place for each wrong answer. Three wrong answers and Harvey will plunge to his death with the antidote that will wake the cadets taking the fall along with him. Everyone lives if Lucius gets even one of the riddles correct.

Strike one, and one rope is cut and Harvey’s chair teeters. Strike two, and Ed – who’s getting extremely agitated – slices another rope. Ed asks for the answer to the final riddle and Lucius changes the subject, asking what Ed did to Oswald. He flat-out asks if Ed killed him, and Ed repeats the riddle. Lucius gets the answer correct but the rope snaps and Harvey starts to fall. Lucius catches him and pulls him to safety as Ed calmly walks away.

Gotham Season 3 Episode 15 David Mazouz
David Mazouz in ‘Gotham’ season 3 episode 15 (Photo by Jeff Neumann/FOX)

Bruce is heading back to Wayne Manor when he stops to wipe the blood from his face. Fake Bruce walks up behind him, identically clad. Bruce discovers his doppelganger sent the note but before Bruce can react, Fake Bruce administers a knockout drug. “This is what I was made for…to be Bruce!” proclaims the doppelganger.

Frank and Jim continue their Court of Owls conversation, with Frank admitting the Court lied to them and now he despises them. Frank reveals the Court of Owls murdered Jim’s dad, staging it to look like a drunk driver killed him. Frank’s positive that’s how it went down 20 years ago, and Jim’s angry Frank waited all these years to tell him the truth. Frank apologizes, saying the Court sent him overseas and he had to accept their assignment. But now that Jim’s been asked to join the Court, they can work on destroying it from within. Jim, wisely, doesn’t trust his uncle.

Fake Bruce arrives at Wayne Manor and Alfred offers him Shepherd’s Pie. When Bruce says it sounds delicious, Alfred does his best to act like nothing unusual is going on although he now suspects something’s up.

The GCPD attempt to track down Ed Nygma, but he’s actually hiding out in the backseat of Lucius’ car. When Lucius gets in, Ed holds a gun to his head. Lucius and Ed have a chat and Lucius reveals the antidote was grape juice and the deadly toxin Ed claimed to have used on the cadets was just knock-out gas. Ed explains the point was to have Lucius play his game, that he’s always had someone inside him who’s stronger and smarter. Only Oswald saw that but Oswald had to die because he killed the love of Ed’s life. Ed thanks Lucius for helping him figure out how to be himself, and Lucius reminds him he killed seven people and told the entire city that he’s a murderer. Lucius asks him to turn himself in, suggesting he needs help. Ed announces he knows who he is without Oswald now, declaring, “I’m the Riddler,” before knocking Lucius out.

Ed stands on the bank of the river looking out over the spot where he pushed Oswald into the water. He apologizes to the Imaginary Oswald and Oswald suggests no one will be afraid of ‘The Riddler.’ Ed replies, “Maybe not yet, but they will be.” Ed tosses his pills into the river and Imaginary Oswald disappears. Ed says goodbye, dons a bowling cap and walks away.

Oh, and now we’re over at Ivy’s place and she’s got a very much alive Oswald in her bed. She fished him out of the river and has been nursing him back to health. She asks why he looks strange and Oswald replies, “I just remembered there’s someone I need to kill.”

Frank’s gone and Jim sees he’s left behind a photo of Jim, his dad, and Frank. On the back reads, “Help me honor his memory.”

Frank meets with Kathryn and tells her Jim’s interest is piqued. He assures her he won’t let her down, and she confirms the Bruce Wayne clone is in place.

The final scene shows the real Bruce Wayne is locked in a cell. He wakes up and makes his way slowly to the cell’s window. Outside he sees a huge snow-covered mountain. Is Bruce in the Himalayas and about to meet the League of Assassins?





‘Gotham’ Season 3 – Danny Cannon on Ed Nygma, Bruce Wayne, and Upcoming Villains

Gotham Season 3 Cast
‘Gotham’s Jessica Lucas, Camren Bicondova, Danny Cannon, Cory Michael Smith, Erin Richards, David Mazouz and Drew Powell (Photo by Richard Chavez / Showbiz Junkies)

Gotham executive producer Danny Cannon joined cast members David Mazouz, Camren Bicondova, Cory Michael Smith, Erin Richards, Jessica Lucas, and Drew Powell at the 2017 WonderCon to talk about season three and what fans can expect from their favorite characters. In addition to participating in a panel, the cast and Danny Cannon also took part in roundtable interviews to provide a little more insight into what’s in store.

What can you tease about the remainder of season three?

Danny Cannon: “At the beginning it was about two journeys. I’m sitting down with season four now and I remember this time last year we were like, ‘It’s a metamorphosis season.’ The two people changing the most in season three were Bruce Wayne [David Mazouz] and Edward Nygma [Cory Michael Smith], and they were two actors who’ve just grown. Incredible work they’ve done. Bruce Wayne had to become a man. He had to confront violence; he had to confront his parents’ deaths. He had to confront guilt. And the end of the season you’ll see him being forced to deal with those complex, mature emotions they go through in the same way that Edward Nygma had to confront who he really was and embrace, finally, ‘Now I’m a dark person.’ Just admitting who you really are, what your true human nature is and what makes you an individual is what’s great about all of the DC villains. They’re all people who will not be ignored, will not be forgotten, will not be put down. And finding their voice – that’s a beautiful thing to write.”

Is there one character in particular we should be paying attention to in these upcoming episodes?

Danny Cannon: “I think that the journey that Bruce takes, the mentor that takes Bruce through this journey, has some really good moments with Bruce. It’s like a long, painful therapy session where someone’s forced to confront everything they think makes them tick but actually it’s what’s holding them back. I think we’ve all been that guy. That’s something we can all relate to, in the same way with Nygma being like however bad it is, keeping a lid on somebody you’re destroying that person from the inside out. It’s best to just let that lid off and let them be who it is and deal with the consequences, rather than just [holding it in]. I watched King of Comedy at the beginning of the season with De Niro and he says, ‘Better king for a night than schmuck for a lifetime.’ I was like, ‘That’s a great line.’”


What’s the one villain you really want to get for season four and are you worried there may be conflicts with the movies?

Danny Cannon: “That’s the problem. Well, it’s not a problem – it’s a great problem to have that you have a massive company like DC and they want to keep stuff secret from us, too. If you can imagine, I’m like a guy who likes to come to these things. I’m like a fan guy and you’re talking to the head of DC who’s saying to you, ‘Stay away from X,’ and you’re like, ‘Why? What are you doing?!’ It’s a good problem to have but the fact is that they are trying to keep things for them right now, and they’re jumping around all kinds of timelines too. So, it’s kind of messing with everything.

But is there somebody that I really want to get out there? Yeah, there is. There’s a couple. I have a stand-alone episode which I’m dying to write called ‘The Ventriloquist.’ I’m just so fired up for that. I’m so fired to revisit Jonathan Crane, too, because the thing about him is we talked about the origin of the origin. We haven’t talked about his origin yet and that’s coming up. That will be the beginning of season four – where the name comes from and all that stuff. We’ve still got Clayface to do. There’s so much to do.”

Was the fan reaction part of why Cameron Monaghan was brought back?

Danny Cannon: “No, that was always designed. He has a series of his own and that’s where I met Cameron, as a director. I was working with John Wells and he knew I was a fan of Shameless. I went in and did an episode for them and then when I came back, the minute Gotham started and we talked about this character – he’s going to kill his parents inside a circus – I got the guy. I got him. I know who it is. That’s happened to me twice. I did it with Victor Zsasz, too. I looked at that character and I was like, ‘I’ve got this guy.’ And, it’s great to be right like that. You cast him, the costume goes on, first scene, great. But in that cutting room you’re kind of like, ‘Oh, this is totally my neck on the block.’ And then to watch them just, ‘Boom,’ both of those characters.

The great thing and what actors like about this show, they get to act with their bodies as well. You never see that in other shows. You’ve got heads and shoulders and people speak what they’re feeling. This is a show where a guy could walk into an empty room and you’re interested because he’s personifying something more than we put on the page.”





Box Office Report: ‘Fate of the Furious’ Continues Its Reign

Fate of the Furious Charlize Theron and Vin Diesel
Charlize Theron and Vin Diesel in ‘The Fate of the Furious’ (Photo © 2016 Universal Pictures)
It appears moviegoers forgot/avoided the weekend’s new releases. With the exception of Disneynature’s latest animal film, Born in China, the new theatrical releases were pretty much ignored, allowing The Fate of the Furious, The Boss Baby, and Beauty and the Beast to retain their hold on first, second, and third places. Warner Bros. Pictures’ new dramatic thriller Unforgettable was actually very forgettable, according to both critics and audiences. Rotten Tomatoes has Unforgettable starring Katherine Heigl and Rosario Dawson sitting at just 25% fresh while those who did purchase a ticket gave it a C.

Despite having Christian Bale and Oscar Isaac in lead roles, the romantic drama The Promise played to a lot of empty seats over its first three days in theaters. Critics liked it slightly better than Unforgettable (its RT score is 45%), yet the $90 million film could only muster $4 million during its opening weekend.


Box Office Top 10: April 21-23, 2017

  1. The Fate of the Furious – $38,682,095
  2. The Boss Baby – $12,750,000
  3. Beauty and the Beast – $9,973,000
  4. Born in China – $5,147,000
  5. Going in Style – $5,005,000
  6. Smurfs: The Lost Village – $4,850,000
  7. Unforgettable – $4,805,000
  8. Gifted – $4,500,000
  9. The Promise – $4,064,860
  10. The Lost City of Z – $2,147,379




‘Reign’ Season 4 Episode 10 Preview: A Better Man Photos and Trailer

Reign Season 4 Episode 10
Adelaide Kane as Mary, Queen of Scots and Celina Sinden as Greer in ‘Reign’ season 4 episode 10 (Photo: Ben Mark Holzberg © 2017 The CW Network)

The CW’s Reign season four episode nine featured the wedding of Queen Mary and Lord Darnley, the reveal that Mary is pregnant, and Lord Bothwell confessing he’s in love with the Queen. Allegiances shifted, Queen Elizabeth was not pleased, and James and Greer kicked their burgeoning relationship up a level.


Up next is season four episode 10 titled ‘A Better Man’ set to air on April 28, 2017. Dawn Wilkinson directed the episode from a script by John J. Sakmar and Kerry Lenhart.

The season four cast includes Adelaide Kane as Queen Mary, Rachel Skarsten as Queen Elizabeth, Megan Fellows as Queen Catherine, Dan Jeannotte as James, and Will Kemp as Lord Darnley. Ben Geurens, Celina Sinden, Jonathan Goad, Craig Parker, Spencer MacPherson, and Rose Williams also star in Reign‘s fourth and final season.

The ‘A Better Man’ Plot: MARY PLOTS TO TAKE OVER ELIZABETH’S THRONE — As Mary (Kane) strategizes ways to take over the English throne, Elizabeth (Skarsten) struggles to find an appropriate suitor to marry. Meanwhile, James (Jeannotte) gets caught up in a scheme orchestrated by John Knox (Jonathan Goad) and has to deal with the tragic aftermath.


Reign Season 4 Episode 10
Craig Parker as Narcisse and Megan Follows as Catherine de Medici (Photo: Ben Mark Holzberg © 2017 The CW Network)
Reign Season 4 Episode 10
Adelaide Kane as Mary, Queen of Scots (Photo: Ben Mark Holzberg © 2017 The CW Network)
Reign Season 4 Episode 10
Rachel Skarsten as Queen Elizabeth I and Ben Geurens as Gideon (Photo: Ben Mark Holzberg © 2017 The CW Network)
Reign Season 4 Episode 10
Dan Jeannotte as James (Photo: Ben Mark Holzberg © 2017 The CW Network)
Reign Season 4 Episode 10
Rachel Skarsten as Queen Elizabeth I (Photo: Ben Mark Holzberg © 2017 The CW Network)




‘Once Upon a Time’ Season 6 Episode 18 Recap: Where Bluebirds Fly

Once Upon a Time Season 6 Episode 18
Rebecca Mader and Alex Desert in ‘Once Upon a Time’ season 6 episode 18 (ABC/Jack Rowand)

ABC’s Once Upon a Time season six episode 18 puts Zelena front and center, unveiling a little more about her backstory. Titled ‘Where Bluebirds Fly,’ the episode begins with a teenage Zelena saving a dead baby bird while walking on the Yellow Brick Road. She makes friends with a woodsman named Stanum who believes that if she uses her magic for good, she’s not a monster.

Fast-forward to Storybrooke where Zelena (Rebecca Mader) is preparing a bottle for Robin. She slightly panics when she discovers the crib is empty and the Black Fairy (Jaime Murray) has entered her home and is holding Robin. She’s visiting Zelena because she thinks they can help each other, especially with the upcoming final battle. Zelena tells her she’s not afraid of her and won’t back down, but the Black Fairy insists she should be.

Emma (Jennifer Morrison) and Hook (Colin O’Donoghue) are being all domestic, kissing while making pancakes. Emma admits she’s surprised she’s so happy, and they decide the pancakes can wait as they get more and more amorous. Unfortunately, Snow (Ginnifer Goodwin) barges in without knocking and realizes too late she’s interrupting. Hook’s no longer in the mood and leaves, which is fine with Snow because she’s ready to get down to the business of planning Emma and Hook’s wedding. She’s put together a book with wedding dresses and other crucial material, and Emma gives her a hug for being so excited about her upcoming nuptials.

Wedding planning has to be put on hold as the gang gathers at the sheriff’s station to hear about Zelena’s encounter with the Black Fairy. Regina’s happy that apparently the Black Fairy needs help to win the final battle, and Hook whips out the piece of wood Tiger Lily gave him, telling the gang they need to find its other half to defeat the Black Fairy. Zelena says she doesn’t need a wand because she’s even more powerful than Regina (Lana Parrilla), which sets off a fight between siblings. After being told she’s not taking on the Black Fairy by herself, Zelena leaves in a huff. Regina wants to take the wood to her vault and use a locator spell for the other half, while David (Josh Dallas), Snow, Hook, and Emma are going to get busy with wedding planning at Snow’s insistence.

Rumple (Robert Carlyle) informs Belle (Emilie de Ravin) that Gideon is under the Black Fairy’s control, and Belle’s happy to learn her son isn’t really evil. Unfortunately, the person they need to help them – the Blue Fairy – has been drained of magic and is currently in a coma. Before they can do anything, Rumple has to go to the sorcerer’s mansion to see if there’s a way to restore Blue’s magic.

After Rumple leaves, Zelena barges in and swears the secret of Blue’s being in a coma minus her magic is safe with her since she never liked the fairy in the first place. She’s actually there to ask Belle to babysit Robin for her.

David returns home and finds his front door open. He whips out his gun in case the burglar’s still there, but it’s only Henry who’s busy/preoccupied using his author’s pen. No matter what he writes, it doesn’t alter Emma’s fate. She must fight the final battle. But, what he’s actually trying to do is decipher the symbols he wrote. Henry thought the author’s pen might help, but it doesn’t. David suggests he live life a little, recruiting him to help look at wedding venues.

Back with babysitter Belle, she and Robin are exchanging smiles when Regina arrives. She needs something for a locator spell and she’s not happy to see Zelena’s left Robin with Belle. Belle doesn’t understand what’s got Regina worked up and Regina heads out, obviously angry at her sister.

Back in Oz, Zelena is being waited on by her guards when Stanum, now a man, arrives to ask for help. The Wicked Witch of the North has turned him into tin. He needs to find a new heart before he’s completely transformed into a tin man. He needs her help to get the Crimson Heart which is guarded by a horrible monster. Zelena wants to know what she gets out of this, and Stanum reminds her she wanted to use her magic for good. He’s not afraid of her and even tells her she’s the one who’s afraid and that’s why she acts the way she does. As he’s leaving, Zelena proclaims she’s the most powerful witch in Oz and she’ll prove it by getting the Crimson Heart.

Regina tracks Zelena into the dwarves’ mines where the Black Fairy said she’d be hiding out. Regina tells Zelena she’s stopping her for her own good, and Zelena’s still not over Regina blaming her for Robin’s death after she sacrificed a life with Hades. She is, however, over Regina being the one who gets to lecture people, swearing she’s going to take care of this herself. Regina tries to stop her by slamming her into a wall and before Zelena can fight back, the wall begins crumbling.

It looks like Snow’s idea of the perfect wedding venue is Granny’s, but Hook speaks up and says it would be much more romantic to have it aboard the Jolly Roger. Henry brings up the fact half the guests will be seasick, and Hook concedes that’s a good point. Even David isn’t sure about Granny’s, knocking pretty much everything about the place including the fact not all their memories of being there are happy ones. He also reminds Snow that Emma’s a princess and the royal affair will be too big to take place at Granny’s. Snow, unhappy over David’s lack of enthusiasm, tells him to find someplace bigger then, and he says he’s happy too. Oh no…there’s trouble between Snow White and Prince Charming. Henry, Hook, and Emma are confused about what’s going on, but follow Snow and David on their hunt for a bigger venue anyway.

Regina and Zelena are now trapped after the rocks closed off their exit. Even in this position, they can’t stop arguing. Regina is positive they need the wand to defeat the Black Fairy. Zelena fires back, telling her sister that although she and Emma might need a fairy wand, she doesn’t. Regina wants to know why being better than everyone else is so important, and Zelena says it’s because she is.

Back in Oz, Zelena and Stanum look for the monster, and Stanum tries to tap into Zelena’s humanity. He tells her she can drop the act; he knows what she’s really like. He’s positive she was bored all alone in the castle and she’s happy to be out in the woods with an old friend. Just as he’s about to offer up a suggestion for what she should be working on, a lion attacks and drags him away.

Regina chases Zelena through the mines but they both stop when she sees a vein of fairy crystals. Regina and Zelena wonder what the Black Fairy could possibly want with light magic, and of course, that’s when she and Gideon show up to provide some answers. Gideon knocks Regina across the room and Zelena tells the Black Fairy she’s there to kill her.

While Regina goes after Gideon, Zelena chases after the Black Fairy. They end up in a chamber of fairy crystals and Zelena uses her magic but the Black Fairy only laughs. She’s easily able to stand up against Zelena who has fallen into her trap. The Black Fairy uses Zelena’s magic to weaponize the crystals with dark magic while Gideon has Regina under control. The Black Fairy taunts Zelena and then explains she’s done all this in order to start the final battle. But, she promises Zelena and Regina won’t be around much longer to witness it.

Back in Oz, Zelena confronts the lion, telling him she’s the king of the forest. He dodges her magic and attacks her, landing on Zelena’s chest. Stanum launches an axe at him, distracting him enough for Zelena to get on her feet. It works, and Zelena changes the lion from a beast into a coward. Stanum doesn’t have much time left and they resume their trip through the woods in search of the Crimson Heart.

Once Upon a Time Season 6 Episode 18
Rebecca Mader and Lana Parrilla and ‘Once Upon a Time’ (ABC/Jack Rowand)

Zelena and Regina appear back above ground, and Zelena wants to go back into the mines to get some of the dark fairy dust to use against the Black Fairy. Regina’s upset and blames all of this on Zelena, telling her she should just go back to Oz where she can be on top and won’t worry about having to prove herself ever again.

Back to the wedding planning we go and the group is now at the town hall which Snow believes would be perfect for the wedding. David’s not sold on this place either, and when Emma jokingly says he probably won’t be happy unless they host it at his castle in the Enchanted Forest or at Excalibur in Vegas, David seizes on the castle idea. He asks how many beans it would take to get everyone back there, and Snow is beside herself. She asks to speak to him outside and demands to know what’s really going on. David wants to know why they’re rushing into this, swearing his reluctance isn’t about Hook. The truth finally comes out. Their wedding day went from the best day of his life to the worst with the arrival of the Evil Queen.

He doesn’t want Emma to have that same experience and with the final battle about to go down, he doesn’t think now is the right time for the wedding. He wants Emma to only be thinking of her life ahead and not about the Black Fairy. Snow’s worried they won’t be around to witness that – and that Emma might die before saying I do – but David swears they will live through this battle. They have to have hope. Emma, Hook, and Henry overhear and Emma agrees with her dad. She and Hook want to postpone the wedding until it’s absolutely the right time.

Zelena picks up Robin from Belle, and Belle says she’d watch her anytime. Zelena says that won’t be necessary as it’s time for them to head home.

Zelena cradles Robin and walks through the snow. She stops, looks back at the town, and uses the dark fairy dust to create a green tornado to take her to Oz.

Another flashback to Oz shows Zelena and Stanum approaching the Crimson Heart. She removes it from its case and tries to place it in Stanum, but all it does is drain her magic. She believes Stanum’s set her up, but he tries to convince her he had no idea this would happen. Zelena accuses him of working with Dorothy and he swears he doesn’t know anyone named Dorothy. He also tells her she just needs friends – not a time-travel spell – to not feel alone. The tin takes over more of his body and as it covers his face, he warns Zelena if she leaves him there to rust she’ll be alone for a very long time. “That’s a risk I’ll just have to take,” she replies. He can’t move and she grabs the box with the heart, reminding him magic is what made her special. As she’s leaving, she says maybe Dorothy will come by and save him.

Regina catches Snow, David, Hook, Emma, and Henry up on what Zelena caused down in the mines. She also reassures them Zelena won’t be a problem anymore. As Regina’s explaining the Black Fairy created the dark crystals to start the final battle, Zelena and Robin enter the room and no one seems happy to see them, especially not Regina. Zelena says she changed her mind about returning to Oz because everyone there hates her. Zelena tells Regina she’s all she’s got, but she thinks she can help. Since the Black Fairy used her magic to turn the crystals dark, she’s tethered to it and can destroy it with the Crimson Heart. If she uses it, it will destroy all of her magic!

Another flashback to Oz and Zelena sitting down at her dinner table, obviously regretting her decision to leave Stanum to rust.

And now we’re back in Storybrooke where Regina and Emma accompany Zelena as she opens the box containing the Crimson Heart. She makes Regina promise to look after Robin if something happens. Emma also promises, saying they’ll protect Robin with their lives. Zelena picks up the heart and it begins draining her of all her magic. It works and the dark magic is gone from the fairy crystals! Zelena is fine but weak, and Regina assures her she’s never looked stronger. Regina gives her sister a hug, telling her she’s never been prouder of her. The next step is for them to get Mother Superior to ask the dwarves to mine the crystals, but Regina says she hasn’t been able to reach her. Zelena spills the beans that Rumple has her.

Emma, Zelena, and Regina visit Rumple and Belle, and they both apologize for what happened to Mother Superior. The threesome explains they’re there to help wake the Blue Fairy, and Rumple agrees to let them try. Emma crushes a crystal over Blue and her heart starts beating again.

The Black Fairy watches all this through a crystal ball. Gideon asks if she’s afraid they’ll find the missing half of the wand, and the Black Fairy admits that’s not why she wanted the Blue Fairy to be out of the picture. It turns out Blue knows her darkest secret…the real reason she gave up her son.




‘The White Princess’ Episode 2 Recap: Hearts and Minds

The White Princess Jodie Comer and Jacob Collins-Levy
Jodie Comer (Elizabeth of York) and Jacob Collins-Levy (King Henry VII) in Starz’ ‘The White Princess’

Episode two of Starz’ The White Princess begins with Elizabeth of York (who goes by Lizzie) being dressed and told King Henry VII (Jacob Collins-Levy) has requested her presence. Lizzie (Jodie Comer) has a sweet-but-shy smile as she bows before her husband. Their lips nearly touch as she whispers, “My sickness is almost past,” when he enquires about her health.

King Henry VII, Lizzie, and their family and friends are entertained by a troupe of actors, and Henry and Lizzie seem content in each other’s presence. While the entertainment continues, Lady Margaret Beaufort (Michelle Fairley) welcomes Bishop Morton (Kenneth Cranham) to court. He’s been appointed to the Royal Council and is King Henry’s new Chancellor to England. He asks about Lizzie and Lady Margaret points out it’s her mother, Dowager Queen Elizabeth (Essie Davis), who needs watching.

Lizzie joins her mother once the performance ends and confesses her face aches from keeping up a happy appearance. Lizzie wonders how she’ll be able to continue the masquerade and her mother tells her to remain positive. Their chat is interrupted by Lady Margaret who would like to introduce Bishop Morton, however, Elizabeth cuts her off, using the excuse that Lizzie needs to retire to her room to change her dress because it’s putting pressure on the baby.

Before their ladies can arrive, Elizabeth reminds her daughter that Royal Progress is crucial as it can be used to determine who is still loyal to York and who has committed to the Tudors. Lizzie reveals Richard considered Francis Lovell to be completely trustworthy, and mother and daughter determine Lovell’s the man most likely to come to their aid.

Lady Margaret explains the point of the Royal Progress to King Henry, informing him it’s important he rides through England to make his presence known. Jasper Tudor (Vincent Regan) agrees about the importance of the Royal Progress and that Henry must look regal while visiting his subjects. Henry’s warned the wounds are fresh and there may be skirmishes, and it’s best he carries a sword.

Lizzie asks Henry what route they’ll be taking, explaining she has friends she’d like to visit if possible. It will help them sell the idea that York and Tudor are united, and when Henry protests about her desire to visit people who supported Richard, suggesting that by not visiting them he’s giving them power. Henry gives in and agrees she can visit her old friends, but the meetings will take place in public. As he walks away, Lizzie smiles.

Jasper and Lady Margaret tell Henry cargo ships have been attacked in the English Channel, and he surprises them by requesting a change in his Royal Progress to include York. When they protest, he stands firm in his decision.

While her young daughters play, Elizabeth asks Ruth, a servant girl, if she can trust her to convey a letter that won’t end up in Lady Margaret’s hands. The servant agrees, and Elizabeth takes a letter Lizzie’s just finished writing to Francis Lovell, hides it in her dress, and hands Ruth a letter addressed to Harry Stafford. The letter switcheraoo is obviously to get the fake letter into Lady Margaret’s hands.

The letter to Harry was penned by Elizabeth and in it she confides that Lizzie actually likes King Henry and is no longer fully committed to York. Ruth, as expected, immediately delivers the letter to Lady Margaret and Elizabeth smiles as she envisions Lady Margaret reading that Lizzie’s disappointed in Henry’s performance in bed and in his inability to obtain an erection. Lady Margaret tosses the letter into the fireplace while outside the real letter to Frances Lovell is retrieved by the loyal stable boy, Ned.

Lady Margaret visits with Lizzie’s younger sister, Cecily (Suki Waterhouse), asking how she’s getting on and if she needs new dresses. Cecily, who doesn’t seem to mind speaking ill of her sister, confides in Lady Margaret that she’s been forgotten while her mom and sister are thick as thieves.

As Lizzie is packing for the Royal Progress, Lady Margaret visits her chambers to suggest she opt out of the adventure because it could be dangerous to her health. Elizabeth agrees and says she’ll step in and go in Lizzie’s place since they both represent York and it’s important to show unity between the houses.

That night as they prepare for bed, Lizzie tells her husband it was his mother’s idea she remain behind. If she can’t go, Lizzie wants Henry to write to her from the road. He agrees, believing it will demonstrate theirs is a real marriage.

Dowager Queen Elizabeth promises her daughter she’ll write and Lady Margaret announces Bishop Morton needs to speak with her about Lizzie before she leaves. It’s a trick, and Elizabeth is locked up with her young daughters. She’ll be kept in the room under guard until King Henry VII returns from the Royal Progress.

As the group prepares to leave, Henry questions why neither Lizzie nor Dowager Queen Elizabeth will be accompanying him. Lady Margaret says she wants the time to do some bonding with her son, confessing it’s been lonely without him.

Elizabeth works quickly, enlisting the children to watch for Ned through the window. She writes a note using her own blood.

Meanwhile, Cecily, Teddy Plantagenet, and Margaret Plantagenet (Rebecca Benson) are keeping Lizzie company. They’re restless and want to play, but Bishop Morton quickly shuts down their fun by announcing all the public rooms have been closed until the Royal Progress is completed. Lizzie asks for her grandmother, the Duchess Cecily, and is told she’ll be brought to her once she returns to her rooms.

Ned’s spotted outside and Elizabeth attempts to get his attention by tossing out her ring. Unfortunately, he’s already passed by and the ring falls a few feet behind him, unnoticed.

Duchess Cecily (Caroline Goodall) is brought to Lizzie’s room and everyone’s happy to see her and disappointed when she reveals she can’t stay long because she’s leaving England. She’s afraid to remain due to the barbarians, apologizing to Lizzie for her plight. She tells Lizzie to remain faithful to her mother and then leaves, saying she’s going to stay at her daughter’s palace in Burgundy.

Elizabeth remains at the window, weaving a spell to get Ned to return to find the ring. It works and Ned’s horse rears up right in front of the ring. Ned spots Elizabeth in the window and she tosses down the letter. The letter is to Frances Lovell informing him both she and Lizzie are being held in Westminster against their wishes. She continues, saying the Tudors are a canker that must be cut out, begging Frances to show his true colors now. “Do it and we’ll put Edward Plantagenet on the throne and a White Rose will grace England once again,” writes Elizabeth.

Ned delivers the letter to Frances Lovell as King Henry and his group make it to York, riding through the streets to the sound of cheers and applause. Henry’s welcomed and it appears everyone assumed he wouldn’t make it because of all the sickness. That takes Henry by surprise as his mother failed to tell him about the diseases spreading throughout England. Chaos breaks out as King Henry is attacked and stabbed in the arm by Frances Lovell.

King Henry is rushed inside where his mother begs to attend to his wound. He’s angry she didn’t tell him about the sickness and upset he’s already been set upon by rebels. Lady Margaret confidently tells him eventually the Yorkist rebels will accept him, but King Henry reminds her he never settled and remained steadfast in his fight for the throne. Lady Margaret says Jasper is hunting the rebels as she speaks, and they will come down hard on them when they’re captured.

Jasper leads the men on the hunt and they’re right behind the escaping Frances Lovell. As they’re about to catch him they come upon a group of men in armor on horseback. It’s a trap and Jasper commands his men to turn around and return to York.

Meanwhile, the servant girl Ruth falls dead in the courtyard.

Lizzie’s bored and wonders why they haven’t received a single letter from either Henry or her mother. She sends Margaret to the stables to find Ned and ask if he’s received any letters. Margaret makes it outside only to discover dead bodies, covered but not yet buried. Ned rides up and tells her to go back inside because it’s the plague or something similar. He also reveals Elizabeth never left and is locked in the tower.

Margaret tells Cecily that people are dropping dead all over England and that her mother is locked up close by. Cecily says they should keep this a secret from Lizzie because they don’t want her to get sick and hurt the baby.

Margaret returns to Lizzie’s side and lies, covering the fact she’s upset by saying it’s because there aren’t any notes.

King Henry pens a note to Lizzie informing her he was stabbed by Frances Lovett. He believes Lizzie’s to blame and his note drips with anger. “You’ll be irked to hear that despite your best endeavors, your husband and the father of your unborn child still breathes,” writes Henry. He also warns her that he knows her mother is in on this and if she had made the trip, he would have had her killed for this betrayal.

Lizzie’s astonished to learn her mother is locked up, and Margaret confesses they didn’t tell her because of the sickness. Lizzie rushes to find her mother, with Cecily, Margaret, and Teddy in tow. They tell her everyone is afraid because people are dying and Lizzie realizes no one is helping the people.

King Henry and his traveling companions remain safe inside in York, but he’s getting antsy. Henry and Lady Margaret exchange harsh words, and then Lady Margaret reveals a new plan. She wants them to meet King James of Scotland and offer him Elizabeth, killing two birds with one stone. King Henry believes that would just allow Elizabeth to attack England with the Scottish army and the Northern lords, effectively returning York to power.

Lizzie demands the guards open the treasury so she can pay for doctors, food, and burials. Bishop Morton arrives with the key, but he refuses to follow her orders. She then instructs the guards to kick the door down, insisting this is what the King would want done. Bishop Morton commands the guards to stop but they don’t listen and break the lock. Lizzie enters the vault and hands Margaret and Teddy money to give to the guards for the people, reminding them to keep their distance and stay safe. Bishop Morton threatens repercussions, and Lizzie threatens him back. She will push the baby from her body right now if he doesn’t tell her where her mother is being held.

Lizzie’s mother is brought to her room, and Elizabeth fakes illness to chase Cecily and the Bishop from the room. She believes the sickness is actually to their advantage in that the people will blame King Henry for bringing it to England. It will make those who survive rise up against the newly crowned King. Lizzie doesn’t support her mother’s reasoning, telling her she provided money, food, and physicians to heal the sick. Lizzie asks if Elizabeth wrote to Frances, dismayed her mother set the plan to kill King Henry in motion. Lizzie’s upset her mother did this behind her back, preferring to have organized a battle – not an assassination. Lizzie admits she doesn’t want King Henry to die, just to be removed from the throne. Elizabeth says that’s not possible and she realizes Lizzie’s changed. But Lizzie fights back saying Elizabeth was too obvious and now King Henry will likely lock them all up which won’t help York.

Outside, the guards make their way through the crowd alongside a carriage with young Margaret and Teddy inside. They toss out money to the crowd and Teddy takes off his mask while the crowd cheers.

The White Princess Jodie Comer
Jodie Comer (Elizabeth of York) in Starz’ ‘The White Princess.’

Lizzie writes to Henry, saying she had no part in the assassination attempt. “However we move through this mess we’ve made of England, know this at least. It was not me. And now that I know that my mother is imprisoned, I can rest assured that it was not her. So if England comes against you, you must look inside yourself to find the cause,” writes Lizzie.

King Henry reads the letter and Jasper returns from the unsuccessful chase. It’s suggested Henry return to London because of the unrest and because some soldiers have changed sides. Apparently, the rebels want the Earl of Warwick – Teddy Plantagenet – placed on the throne. As King Henry writes a letter, Jasper confides in Lady Margaret that the people believe Henry brought the sickness and his reign is cursed.

Guards arrive and take Teddy into custody under King Henry’s orders. Margaret screams as her brother is taken to the Tower. She runs to get help from Lizzie, believing he’s been taken away because he gave money away to the people. Cecily says that’s not the reason; it’s because he’s a threat to Henry’s claim to the throne. Cecily knows this because Lady Margaret wrote to her about the impending arrest. Lizzie angrily demands Cecily leave the room while Margaret continues to beg for help in freeing her brother. Lizzie comforts Margaret, embracing her in a lengthy hug.

King Henry asks his mother how royal he looks, returning home early in shame. However, as he gets closer to Westminster the townsfolk greet his arrival and bow to their King. Some hold up coins they were given, thanking him for saving them from the sickness. Bishop Morton explains to Henry that Lizzie broke into the treasury and threatened the heir’s life. Lady Margaret believes Lizzie should be severely punished for stealing from the Crown.

Lizzie meets Henry alone, bowing to her husband but saying in a very determined voice that you can’t leave people dying in the streets when there’s a way to help them. She’s ready to accept her punishment and Henry says she always knows just how to win over the people. Lizzie replies that you reap what you sew and fear breeds dissent and hatred. Henry admits that’s just the opposite of what his mother believes, and Lizzie wants to know who gave the order to lock up Teddy. Henry wants to know what else he could possibly do when the rebels were calling for Teddy to be king, and Lizzie suggests he could win them over by releasing Teddy.

Lizzie asks for her mother to be released from her room, and Henry wonders if Lizzie really believes Elizabeth has her best interests at heart. Henry tells Lizzie people hate him and love Teddy, and they love her. The people praised him for her actions, only taking a knee because of her. Henry surprises Lizzie by admitting he owes her his thanks, adding, “If only we could work together we could be a King for England.” However, he knows she’ll always hate him.

King Henry’s informed Lovett has made it to Burgundy which is now a rebel stronghold. Lady Margaret suggests they send an army, but Henry decides a peace envoy would be better. He selects Jasper and Lord Strange to lead the mission. As Henry’s walking away, Lady Margaret asks if Lizzie was punished for stealing the gold. Henry replies, “I thanked her.”

The episode ends with a power-play between Lady Margaret and Lizzie. Lizzie finds Henry alone and places his hand over the baby as it kicks. Lady Margaret interrupts to demand Lizzie will now retire to her room for confinement until the baby is born so as not to overly stimulate the womb. Lizzie reminds the King it’s his choice whether to obey and whether to stay away from her bed.

More on The White Princess:
The White Princess Episode 5 Traitors Recap
The White Princess Episode 4 The Pretender Recap
The White Princess Episode 3 Burgundy Recap




‘Gotham’ Season 3 – Jessica Lucas on Tabitha’s Evolution and the Love Triangle

Gotham star Jessica Lucas at WonderCon 2017
‘Gotham’ star Jessica Lucas at the 2017 WonderCon in Anaheim, CA (Photo by Richard Chavez / Showbiz Junkies)
Fox’s Gotham season three returns with eight new episodes beginning on Monday, April 24, 2017. The third season brought back Jerome (Cameron Monaghan), found Jim and Lee at odds after he killed her husband, and gave us the unlikely team of Barbara (Erin Richards), Tabitha (Jessica Lucas), Butch (Drew Powell), and Ed Nygma (Cory Michael Smith). During roundtable interviews at the 2017 WonderCon, Jessica Lucas provided a sneak peek into what Gotham fans can expect from the remaining episodes of season three and shared her thoughts on how Tabitha has really come into her own.

Tabitha’s really kicking butt this season. How do you feel about that?

Jessica Lucas: “I love it! I love how strong she is. I love her physicality. I love her independence. She’s also really irreverent, which I love. I think I can learn a lot from her in my life.”

What would you take from her?

Jessica Lucas: “Just the fact that she just doesn’t give an ‘f’ about anything. I admire that quality.”


It must be very freeing to get to set and just be able to toss away your real-life problems as you take on Tabitha.

Jessica Lucas: “Yes. And anything that you’re holding throughout the day that you might be angry about, you can just let it out. It’s great.”

And, she has a love story going on this season.

Jessica Lucas: “A triangle-type thing going on. As much as she can be in love, I think that she struggles with that because the family she grew up in – the Galavans – are quite a twisted family. So, I don’t think she understands love very well. She’s very emotionally detached and so I think the feelings that she has for Barbara are more surprising to her than anything else, and she’s struggling with that. She loves loyalty more than anything and she has this character in Butch who’s super, super loyal to her. And so I think that’s what will win out in the end is that loyalty.”

She’s also willing to sacrifice.

Jessica Lucas: “Yeah. I think that has a lot to do with how she grew up, her training, and her family. It was about protecting and being loyal to whoever it is that you’re in love with. For her family, that’s how they trained her and so because Butch is so loyal to her, she had no problem sacrificing herself for him in that scenario.”

The evolution of the character is great because she’s gone from being a henchwoman into being her own stand-alone person.

Jessica Lucas: “Yes. I think she’s still very much in that arc but things come up in this latter half of the season that are reminiscent of her relationship with her brother last season that will infuriate her and make her very upset. She wants revenge on Nygma and out of respect to Barbara she’s not going to do it. But I think she wishes that Barbara would let her kill Nygma and she won’t, so that’s going to be a huge level of tension between them as the season goes on.”

How much of the layers you’re getting to play this season did you know would be there for Tabitha?

Jessica Lucas: “I had no clue. You just don’t on these shows. I mean, sometimes you get a chance to sit down with the producer but things change so frequently. They might tell you something one week and it’s gone or it’s something new. I just try not to ask, honestly, because if you get married to an idea that changes you can be disappointed. I just go with the flow. As every script comes in, I just take it as it comes.”

Is there a direction you personally would like Tabitha to go at this point?

Jessica Lucas: “Well, I think we’re ramping up into that alliance between Tabitha and Selina and I’ve been waiting for that to happen since I signed onto the show. I’m really excited to see how that will change. For her to take somebody under her wing seems like something really different for her, and I don’t know how she’ll handle that. It comes back to that thing where she struggles with caring or showing love or affection in any way. It’ll be interesting to see what her dynamic with Selina will be.”

Can she be nurturing?

Jessica Lucas: “I don’t know. Yeah, that’s the question. I think that will be interesting to explore next season.”

What aspects in Tabitha’s evolution from last season and being the protector of her brother to this season do you really enjoy?

Jessica Lucas: “I guess that she’s finding her ground more. She’s finding more of her independence. I think that she can stand on her own two feet quite easily but for some reason doesn’t have the power to do so. She’s smart enough to understand that alliances are important in Gotham. I don’t know. That evolution’s been interesting. I don’t know where they’re going to go with it. More independence would be nice. I would love to see her just stand up for herself more and do the things that she wants to do without having to ask or check with whoever she’s working with.”

Is there anyone we can expect to see her interact with that we wouldn’t necessarily assume she’d be meeting up with?

Jessica Lucas: “Yes! There is one character she interacts with in a few episodes that’s unexpected. Someone that she has not had a scene with yet at all…but that’s all I can say. I can’t explain why they come together.”

Have they said anything about season four?

Jessica Lucas: “No. Not besides the things that I know that are spoilers, things that happen at the end of the season that will be huge arcs into the next season.”

If you could sum up these upcoming last episodes of Gotham season three, how would you describe them?

Jessica Lucas: “Just chaotic. Chaotic, yeah. I think there’s a lot of things happening. There’s sort of a big overarching story that happens in the last three episodes that brings almost every character together in an unexpected way. We’re all trying to stop a common evil. I can say that much.”





‘Shadowhunters’ is Renewed for Season 3

Shadowhunters season 2 episode 8
Katherine McNamara and Dominic Sherwood in ‘Shadowhunters’ season 2 episode 8 (Photo by Ian Watson / Freeform)

Freeform’s Shadowhunters has earned a third season, with the network just announcing season three will air in 2018. Season two is currently on an extended break and will return for its second half on Monday, June 5, 2017 at 8pm ET/PT. The series is based on Cassandra Clare’s bestselling The Mortal Instruments book series and is executive produced by Todd Slavkin, Darren Swimmer, McG, Michael Reisz, Matt Hastings, Mary Viola, Martin Moszkowicz and Robert Kulzer.


The Shadowhunters cast is led by Katherine McNamara as Clary Fray and Dominic Sherwood as Jace Wayland. The series also stars Alberto Rosende as Simon Lewis, Emeraude Toubia as Isabelle Lightwood, Matthew Daddario as Alec Lightwood, Isaiah Mustafa as Luke Garroway, and Harry Shum Jr. as Magnus Bane.

The Shadowhunters Season 2 Part 2 Plot: Shadowhunters returns for the second half of season with Shadowhunters and Downworlders reeling from what happened at the New York Institute in the winter finale. As the rift between the two sides grows larger, the team and their Downworld friends and lovers are put in the middle of the dangerous divide. Torn between the Clave’s rules and what they feel is right, Clary, Jace, Alec and Isabelle struggle to help forge a new beginning. Relationships will be tested, a new Shadowhunter named Sebastian will join the fray and the Seelie Queen will step out of the shadows in the summer season.





‘The Lost City of Z’ Movie Review

The Lost City of Z stars Robert Pattinson and Charlie Hunnam
Robert Pattinson and Charlie Hunnam in ‘The Lost City of Z’ (Photo by Aidan Monaghan / Amazon Studios & Bleecker Street)

“I wish to find a lost city,” says Percy Fawcett (Charlie Hunnam). “What you seek is far greater than you ever imagined. Your soul will never be quiet until you find this place,” replies a fortune teller as Fawcett gets ready to lead his men into battle during the first World War in the dramatic film, The Lost City of Z.

At the dawn of the 20th century, Colonel Percy Fawcett is chosen by the Royal Geographical Society to explore the uncharted jungles of the Amazon. He’s tasked with creating maps to be used by the British government, maps that will, hopefully, lead to the country’s financial gain. Fawcett’s initially disappointed having wished for a more exciting adventure, but he eventually accepts the position while remaining hopeful he’ll be able to make a name for himself and rise higher on the social ladder.


Percy is joined on this mission by Henry Costin (Robert Pattinson), an aide-de-camp he meets up with on his journey to the Amazon. Percy admits to Henry they’ll need to depend and rely on each other if they hope to make it out of the inhospitable wilderness alive.

Once in the jungle, Percy and Henry are forced to deal with a variety of dangers. Percy, Henry, and their small team must constantly be on alert as they travel, with poisonous insects, unbearable heat, and indigenous cannibalistic tribes launching spears at their passing boats keeping the group on high alert. During their trip down the river, one of the natives Fawcett is using as a guide tells him of a long lost city which Fawcett disregards as a fairy tale. That is until near the end of his trip down the river when Fawcett finds pottery lying in the jungle where it has no business being. Fawcett is convinced his guide was telling the truth and that there is in fact a lost city that’s been swallowed up by the jungle. Percy nicknames this mysterious city “Zed” and becomes obsessed with finding the ancient city.

Based on an inspirational true story, The Lost City of Z from writer/director James Gray is beautifully shot and well-acted, although it does suffer from an occasionally frustratingly slow pace. It’s reminiscent in style and substance to such films as Apocalypse Now and Lord Jim, comparing favorably to both.

Charlie Hunnam (best known as ‘Jax Teller’ in Sons of Anarchy) delivers a solid performance as the British explorer Percy Fawcett who, in hopes of making a name for himself and improving his social stature, gets lost in his obsession to find the mythical Lost City of Z. Percy returns home and is hailed as a hero, and Hunnam subtly displays how Fawcett still longs to return to the jungle despite his newfound popularity and the fact his wife and children missed him terribly. Also impressive is how Hunnam effectively shows how Fawcett worked to communicate and befriend the natives of the Amazon in the hopes of learning something about the path to Zed. Percy’s very much a peacemaker and bridge to the British explorers and the natives, and Hunnam does a terrific job displaying Fawcett’s ability to feel at peace among the native tribes.

Robert Pattinson delivers the best performance of his career and is almost unrecognizable under a long shaggy beard as Henry, Percy’s loyal assistant and eventual good friend. Henry truly had Percy’s back during the most deadly and dangerous times on their journeys into the jungle, saving his life more than once and even getting himself transferred to serve with Fawcett in World War I on the front lines. Pattinson’s performance is subdued and reserved, but extremely effective.

In a supporting role, Sienna Miller delivers another strong performance as Fawcett’s devoted, smart, and often abandoned wife, Nina, who’s left to raise their three children and support the family mostly on her own while her husband is off exploring jungles. Miller and Hunnam have good chemistry, and Miller has a very powerful scene at the end of the film where she shows just how much Nina loved and believed in her husband.

The Lost City of Z is visually breathtaking with outstanding cinematography by Darius Khondji bringing the jungle of the Amazon to life in all its wonder, beauty, and dangers. Gray’s pacing and storytelling on the first two adventures into the jungle are almost flawless, capturing the hard, slow-moving and dangerous journey Fawcett and Costin made deep into the uncharted territory. It’s when the film moves to the First World War and then finally years later to Fawcett’s finallast journey back into the Amazon that the film starts to drag and feels drawn out.

Despite the minor problem with pacing in the third act, the top-notch performances, stunning cinematography, and a worthy, engaging true story finally being told about Fawcett’s adventures in the Amazon make The Lost City of Z a film that should be seen up on the big screen to truly appreciate the craftsmanship put into its making.

GRADE: B+

MPAA Rating: PG-13 for violence, disturbing images, brief strong language and some nudity

Running Time: 141 minutes




‘Animals’ Season 2 May Episodes Guide

Animals Season 2
A scene from ‘Animals’ season 2 (Photo Credit: HBO)

What’s in store for the season two finale of HBO’s Animals? The network’s released details on the upcoming May 2017 episodes which include episode 10, the season’s final episode. The animated adult series was created by writer/directors/executive producers Phil Matarese and Mike Luciano, with Mark Duplass and Jay Duplass also executive producing.

Actors lending their voices to characters in season two include Jason Alexander, Fred Armisen, Katie Aselton, Big Boi, Alex Borstein, Emilia Clarke, Andy Dick, Mark Duplass, Kim Gordon, Judy Greer, Tim Heidecker, January Jones, Mindy Kaling, Killer Mike, Harmony Korine, Lauren Lapkus, Jon Lovitz, Demetri Martin, Thomas Middleditch, Vincent Pastore, Michael Pitt, Michael Rapaport, Andy Richter, RuPaul, Pauly Shore, Raven Symone, and Usher.


The Plot: New York City, Earth’s least habitable environment, is home to a host of downtrodden creatures. Whether it’s lovelorn rats, gender-questioning pigeons or aging bedbugs in the midst of a midlife crisis, the awkward small talk, moral ambiguity and existential woes of these non-human urbanites prove startlingly similar to our own.

Animals. May 2017 Episodes:

Episode #18 (season 2, episode 8): “Cats Part 2.”
Debut: FRIDAY, MAY 5 (11:30 p.m.-midnight ET/PT)
In the conclusion of the war for power among New York’s cat gangs, Phil runs the show while Mike looks for a way out, leading to a dramatic showdown between pussies.
Written and directed by Phil Matarese and Mike Luciano.

Episode #19 (season 2, episode 9): “Words Birds Possums.”
Debut: FRIDAY, MAY 12 (11:30 p.m.-midnight)
In an interconnected exploration of the urban food chain, two ends of a worm search for love and independence, a pair of newly hatched bluebirds fight for survival, and an opossum father and son butt heads over the reality of being predators.
Written and directed by Phil Matarese and Mike Luciano.

Episode #20 (season 2, episode 10): “Dog.” (season finale)
Debut: FRIDAY, MAY 19 (11:30 p.m.-midnight)
An old dog reflects on her life and doles out sage advice. As high school graduation approaches, rat teens Phil and Mike consider what comes next, as their paths appear to be going separate ways.
Written and directed by Phil Matarese and Mike Luciano.




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