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U2 Announces ‘The Joshua Tree Tour’ 2017 Dates

U2 The Joshua Tree Tour 2017

U2 will be celebrating The Joshua Tree‘s 30th anniversary with an extensive tour throughout North America and Europe. The Joshua Tree Tour 2017 will kick off in Vancouver, BC at the BC Place Stadium on May 12th and hit cities including Los Angeles, Miami, and Boston, ultimately finishing up on August 1st in Brussels. U2 announced this anniversary tour will feature the band performing the full The Joshua Tree album each night, and the tour will mark their first ever headline appearance at the Bonnaroo Music and Arts Festival.

One Republic, The Lumineers, and Mumford & Sons will support U2 on the North American leg of the tour. Noel Gallagher’s High Flying Birds will join the tour for the European leg. “It will be both a pleasure and an honour to play my part in what still remains the greatest show on earth,” said Noel Gallagher.


“It seems like we have come full circle from when The Joshua Tree songs were originally written, with global upheaval, extreme right wing politics and some fundamental human rights at risk,” said The Edge. “To celebrate the album – as these songs seem so relevant and prescient of these times too – we decided to do these shows, it feels right for now. We’re looking forward to it.”

“Recently I listened back to The Joshua Tree for the first time in nearly 30 years,” added Bono. “It’s quite an opera. A lot of emotions which feel strangely current, love, loss, broken dreams, seeking oblivion, polarisation… all the greats… I’ve sung some of these songs a lot… but never all of them. I’m up for it, if our audience is as excited as we are… it’s gonna be a great night. Especially when we play at home. Croke Park.. it’s where the album was born, 30 years ago.”

Tickets for U2: The Joshua Tree Tour 2017 will go on sale Monday, January 16th in Ireland, the UK and Europe, followed by the opening of ticket sales in the U.S. and Canada on Tuesday, January 17th. Ticket prices start at €35.00 / £35.00 / $35.00 with general admission floor tickets at €70.00 / £70.00 / $70.00.

The Joshua Tree Tour 2017 North America

Fri. May 12 Vancouver, BC BC Place Stadium

Sun. May 14 Seattle, WA CenturyLink Field

Wed. May 17 San Francisco, CA Levi’s Stadium

Sat. May 20 Los Angeles, CA Rose Bowl

Wed. May 24 Houston, TX NRG Stadium

Fri. May 26 Dallas, TX AT&T Stadium

Sat. June 3 Chicago, IL Soldier Field

Wed. June 7 Pittsburgh, PA Heinz Field

Sat. June 11 Miami, FL Hard Rock Stadium

Wed. June 14 Tampa, FL Raymond James Stadium

Sun. June 18 Philadelphia, PA Lincoln Financial Field

Tue. June 20 Washington, DC FedEx Field

Fri. June 23 Toronto, ON Rogers Centre

Sun. June 25 Boston, MA Gillette Stadium

Wed. June 28 E. Rutherford, NJ MetLife Stadium

Sat. July 1 Cleveland, OH First Energy

The Joshua Tree Tour 2017 Europe

Sat. 8 July London, UK Twickenham Stadium

Wed. 12 July Berlin, DE Olympic Stadium

Sat., 15 July Rome, IT Olympic Stadium

Tue. 18 July Barcelona, ES Olympic Stadium

Sat. 22 July Dublin, IE Croke Park

Tue. 25 July Paris, FR Stade De France

Sat. 29 July Amsterdam, NE Amsterdam Arena

Tue. 1 Aug. Brussels, BE King Baudouin Stadium




Golden Globes Winners 2017: ‘La La Land’ Sets a New Record

2017 Golden Globes Winners La La Land Cast
The ‘La La Land’ cast and producers accept the Best Musical/Comedy award at the 74th Annual Golden Globes (Photo by Paul Drinkwater/NBC)

The 2017 Golden Globes began with a La La Land-style musical tribute featuring Jimmy Fallon, Amy Adams, Nicole Kidman, Rami Malek, Evan Rachel Wood, and Game of Thrones‘ Kit Harington mimicking Jon Snow’s return from the dead. Ryan Reynolds crawled on top of a piano as Golden Globes host Fallon played, and then Justin Timberlake stepped in to sweep Fallon off of his feet. Once the musical bit was over, the night’s technical problems began. Fallon’s opening monologue got off to a rocky start because the teleprompters weren’t working and once when they did, it took a while for Fallon to find his footing.


It didn’t take long for Trump references to pop up, and the President Elect was frequently the butt of jokes as well as the topic of impassioned speeches. Meryl Streep used her time on stage as winner of this year’s Hollywood Foreign Press Association’s Cecil B. DeMille Award to deliver a speech in which she spoke about immigrants, empathy, and the need to support each other and to support journalists, in particular. She ended on an emotional note, recalling what her friend Carrie Fisher told her. “Take your broken heart, make it into art,” said Streep, voice catching.

The 74th Annual Golden Globes will be remembered for Streep’s speech and for the comedy team of Kristen Wiig and Steve Carell who stole the show and should be signed up immediately to host 2018’s event before they have time to think about it. It will also go down as the year in which two films merged into one, with both Jenna Bush and Michael Keaton talking about Hidden Fences, mixing up Hidden Figures and Fences. As far as the actual awards presentations, it was a La La Land kind of night. The romantic musical love letter to Hollywood took home a record-breaking seven awards. The only other film to snag more than one honor was the French drama, Elle, which didn’t even make the short list of potential Oscar contenders. On the television side, The Night Manager earned three Golden Globes followed by Atlanta, The Crown, and The People v. O.J. Simpson: American Crime Story with two each.

74th Annual Golden Globes Winners:

Best Motion Picture – Drama
Moonlight (WINNER)
Hacksaw Ridge
Hell or High Water
Lion
Manchester by the Sea

Best Motion Picture – Musical or Comedy
La La Land (WINNER)
20th Century Women
Deadpool
Florence Foster Jenkins
Sing Street

Best Director – Motion Picture
Damien Chazelle – La La Land (WINNER)
Tom Ford – Nocturnal Animals
Mel Gibson – Hacksaw Ridge
Barry Jenkins – Moonlight
Kenneth Lonergan – Manchester by the Sea

Best Performance by an Actor in a Motion Picture – Musical or Comedy
Ryan Gosling – La La Land (WINNER)
Colin Farrell – The Lobster
Hugh Grant – Florence Foster Jenkins
Jonah Hill – War Dogs
Ryan Reynolds – Deadpool

Best Performance by an Actress in a Motion Picture – Musical or Comedy
Emma Stone – La La Land (WINNER)
Annette Bening – 20th Century Women
Lily Collins – Rules Don’t Apply
Hailee Steinfeld – The Edge of Seventeen
Meryl Streep – Florence Foster Jenkins

Best Performance by an Actor in a Motion Picture – Drama
Casey Affleck – Manchester by the Sea
 (WINNER)
Joel Edgerton – Loving

Andrew Garfield – Hacksaw Ridge

Viggo Mortensen – Captain Fantastic

Denzel Washington – Fences

Best Performance by an Actress in a Motion Picture – Drama
Isabelle Huppert – Elle (WINNER)
Amy Adams – Arrival
Jessica Chastain – Miss Sloane
Ruth Negga – Loving
Natalie Portman – Jackie

Best Performance by an Actress in a Supporting Role in Any Motion Picture
Viola Davis – Fences (WINNER)
Naomie Harris – Moonlight
Nicole Kidman – Lion
Octavia Spencer – Hidden Figures
Michelle Williams – Manchester by the Sea

Best Performance by an Actor in a Supporting Role in Any Motion Picture
Aaron Taylor-Johnson – Nocturnal Animals (WINNER)
Mahershala Ali – Moonlight
Jeff Bridges – Hell or High Water
Simon Helberg – Florence Foster Jenkins
Dev Patel – Lion

Best Screenplay – Motion Picture
Damien Chazelle – La La Land (WINNER)
Tom Ford – Nocturnal Animals
Barry Jenkins – Moonlight
Kenneth Lonergan – Manchester by the Sea
Taylor Sheridan – Hell or High Water

Best Original Score – Motion Picture
Justin Hurwitz – La La Land (WINNER)
Nicholas Britell – Moonlight
Johann Johannsson – Arrival
Dustin O’Halloran, Hauschka – Lion
Hans Zimmer, Pharrell Williams, Benjamin Wallfisch – Hidden Figures

Best Original Song – Motion Picture
“City of Stars” – La La Land (WINNER)
Music by Justin Hurwitz, lyrics by Benj Pasek and Justin Paul

“Can’t Stop the Feeling” – Trolls
Music and lyrics by Justin Timberlake, Max Martin and Shellback

“Faith” – Sing
Music and lyrics by Ryan Tedder, Stevie Wonder and Francis Farewell Starlite

“Gold” – Gold
Music and lyrics by Brian Burton, Stephen Gaghan, Daniel Pemberton and Iggy Pop

“How Far I’ll Go” – Moana
Music and lyrics by Lin-Manuel Miranda

Best Animated Feature Film
Zootopia (WINNER)
Kubo and the Two Strings
Moana
My Life as a Zucchini
Sing

Best Foreign-Language Film
Elle (France) (WINNER)
Divines (France)
Neruda (Chile)
The Salesman (Iran/France)
Toni Erdmann (Germany)

Best Television Series – Comedy or Musical
Atlanta (WINNER)
Black-ish
Mozart in the Jungle
Transparent
Veep

Best Television Series – Drama
The Crown (WINNER)
Game of Thrones
Stranger Things
This Is Us
Westworld

Best Performance by an Actor in a Television Series – Comedy or Musical
Donald Glover – Atlanta (WINNER)
Anthony Anderson – Black-ish
Gael Garcia Bernal – Mozart in the Jungle
Nick Nolte – Graves
Jeffrey Tambor – Transparent

Best Performance by an Actor in a Television Series – Drama
Billy Bob Thornton – Goliath (WINNER)
Rami Malek – Mr. Robot
Bob Odenkirk – Better Call Saul
Matthew Rhys – The Americans
Liev Schreiber – Ray Donovan

Best Performance by an Actress in a Television Series – Comedy or Musical
Tracee Ellis Ross – Black-ish (WINNER)
Rachel Bloom – Crazy Ex-Girlfriend
Julia Louis-Dreyfus – Veep
Sarah Jessica Parker – Divorce
Issa Rae – Insecure
Gina Rodriguez – Jane the Virgin

Best Performance by an Actress in a Television Series – Drama
Claire Foy – The Crown (WINNER)
Caitriona Balfe – Outlander
Keri Russell – The Americans
Winona Ryder – Stranger Things
Evan Rachel Wood – Westworld

Best Limited Series or Motion Picture Made for Television
The People v. O.J. Simpson (WINNER)
American Crime
The Dresser
Night Manager
The Night Of

Best Performance by an Actor in a Limited Series or Motion Picture Made for Television
Tom Hiddleston – The Night Manager (WINNER)
Riz Ahmed – The Night Of
Bryan Cranston – All the Way
John Turturro – The Night Of
Courtney B. Vance – The People v. O.J. Simpson

Best Performance by an Actress in a Limited Series or Motion Picture Made for Television
Sarah Paulson – The People v. O.J. Simpson (WINNER)
Felicity Huffman – American Crime
Riley Keough – The Girlfriend Experience
Charlotte Rampling – London Spy
Kerry Washington – Confirmation

Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television
Hugh Laurie – The Night Manager (WINNER)
Sterling K. Brown – The People v. O.J. Simpson
John Lithgow – The Crown
Christian Slater – Mr. Robot
John Travolta – The People v. O.J. Simpson

Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television
Olivia Colman – The Night Manager (WINNER)
Lena Headey – Game of Thrones
Chrissy Metz – This Is Us
Mandy Moore – This Is Us
Thandie Newton – Westworld




‘Beauty and the Beast’ New Trailer Features Emma Watson Singing

Beauty and the Beast Poster

Disney’s unveiled a new trailer and poster for one of 2017’s most anticipated romantic films, Beauty and the Beast. The new trailer debuted during the 2017 Golden Globes and features Emma Watson singing “Belle.” Only 30 seconds long, the latest Beauty and the Beast video also has a tiny bit more of the Beast himself, played by Dan Stevens. The cast also includes Luke Evans (Gaston), Ewan McGregor (Lumière), Josh Gad (LeFou), Emma Thompson (Mrs. Potts), Sir Ian McKellen (Cogsworth), Kevin Kline (Maurice), Audra McDonald (Madame de Garderobe), Gugu Mbatha-Raw (Plumette), Nathan Mack (Chip), and Stanley Tucci (Maestro Cadenza).


Beauty and the Beast was directed by Bill Condon from a script by Stephen Chbosky and Evan Spiliotopoulos. Oscar winner Alan Menken and Tim Rice wrote three new songs for the live-action film, and the score will also feature new recordings of the songs from the original award-winning animated movie by Menken and Howard Ashman. Disney’s targeting a March 17, 2017 theatrical release date.

The Plot: The story and characters audiences know and love come to spectacular life in the live-action adaptation of Disney’s animated classic Beauty and the Beast, a stunning, cinematic event celebrating one of the most beloved tales ever told. Beauty and the Beast is the fantastic journey of Belle, a bright, beautiful and independent young woman who is taken prisoner by a Beast in his castle. Despite her fears, she befriends the castle’s enchanted staff and learns to look beyond the Beast’s hideous exterior and realize the kind heart of the true Prince within.





CW Renews ‘Supernatural’ and Its Superhero Shows

Supernatural season 12 episode 8 Jared Padalecki, Misha Collins, Jensen Ackles
Jared Padalecki as Sam, Misha Collins as Castiel and Jensen Ackles as Dean in ‘Supernatural’ (Photo by Diyah Pera © 2016 The CW Network)

The CW has handed out renewal orders for seven of its primetime shows including Supernatural. The network announced Supernatural will return for its 13th season and all of its superhero series – Supergirl, The Flash, Legends of Tomorrow, and Arrow – will also return for additional seasons. Supergirl was renewed for a third season (its second on The CW), Legends of Tomorrow will be back for season three, The Flash earned a fourth season, and Arrow will hang around through at least season six.

Also receiving renewal orders guaranteeing their return for the 2017-2018 season were Jane the Virgin (season four) and Crazy Ex-Girlfriend (season three). The network has not yet announced whether midseason returning shows The 100, The Originals, or iZombie will be renewed, nor has The CW announced the status of its 2016 new series, No Tomorrow and Frequency.


“Over the past several seasons, The CW has built a schedule of proven performers, from our lineup of DC superheroes, to critically acclaimed comedies, to sci-fi dramas,” said The CW President Mark Pedowitz. “Early pickups of these seven series now allow our producers to plan ahead for next season, and gives us a solid base to build on for next season, with original scripted series to roll out all year long.”

The CW’s new midseason series, Riverdale, will premiere on January 26, 2017. The Vampire Diaries and Reign will both be ending after their current season runs.




‘Sleepy Hollow’ Season 4 Episode 1 Recap: Columbia

Sleepy Hollow Season 4 Episode 1 Tom Mison and Janina Gavankar
Tom Mison and Janina Gavankar in the “Columbia” Season Four premiere episode of ‘Sleepy Hollow’ (Photo by Tina Rowden © 2017 Fox Broadcasting Co)

How will Ichabod Crane (Tom Mison) manage without his friend and partner Abbie Mills (Nicole Beharie) in season four of Fox’s Sleepy Hollow? Abbie was killed at the end of season three, and episode one of season four finds Ichabod dealing with Abbie’s death while attempting to move forward and find another witness. There must always be two witnesses and the search for whoever will attempt to fill Abbie’s shoes begins in the fourth season’s first episode titled ‘Columbia’ airing on January 6, 2017.

Sleepy Hollow season four episode one kicks off with Ichabod locked up and forced to describe his personal history and how he ultimately wound up partnering with Abbie. He’s been answering questions and been on the receiving end of threats for two weeks, and his patience is at an end. Finally, Ichabod decides it’s time to escape and knocks out his interrogator by tricking him into believing his shoes are untied.

Once out of his cell, Ichabod runs down corridors until he discovers a room with photos of he and Abbie along with lots of research material. Still unsure who exactly he’s running from, Ichabod makes his escape and comes out on a foggy runway at Ronald Reagan Washington National Airport. The fog clears and he sees the iconic buildings of the nation’s Capital in the distance.

Elsewhere in Washington, DC, two friends/coworkers are having a discussion over the merits of Katy Perry’s music, judgey vegans, and the lack of a love life. And one of these two characters turns out to be season four’s new recurring guest star, Janina Gavankar, as Special Agent Diana Thomas from Homeland Security. The other is her partner, Special Agent Eric Cortez (Ace Marrero).

Ichabod makes it into the city and wanders around the Capital before heading over to the Lincoln Memorial. Diana and Eric are already there investigating the disappearance of Lincoln’s head. Eric heads into the structure to check things out while Diana stays behind and notices something bizarre going on on the side of the monument. It’s then that Ichabod races up and also sees Lincoln’s head has been removed.

Diana looks for Eric inside the building and finds him under attack by a weird creature. Ichabod helps her fight the demon off and, confused, Diana turns her gun on him after the demon flees. Ichabod does his best to calm her down by telling her he’s a historical advisor who’s worked with the Sleepy Hollow Police as well as the FBI. He tries to assure her he’s an ally, but he almost loses what little trust he just earned by describing Eric’s killer as a demon. Diana doesn’t put her gun away, but she does let him escape to pursue the demon.

Diana tries to explain to her boss, Mark Wong (James Kyson), that a monster killed her partner and Ichabod saved her. But since she barely believes what she saw, it’s tough to sell the story to her boss. Mark tells her to go home, get some rest, and he won’t fill his report until she has time to reconsider her story.

Instead of listening to Mark, Diana follows footprints into the woods and crawls down into the underground building Ichabod escaped from earlier. The place has been packed up and is completely empty, yet Ichabod’s also drawn back to it and once again startles Diana with his presence. He couldn’t track the demon and the two come to an uneasy truce. She’s adamant demons don’t exist and Ichabod assures her they do and that she should believe it because she saw it with her own eyes. She won’t say “demon” but seems to be following Ichabod’s explanation that he and the demon – which was released after Lincoln’s statue’s head was chopped off – are searching for the same person. He asks her to keep in mind he’s the only one who can find Eric’s killer.

And now we’re introduced to Malcolm Dreyfuss (guest star Jeremy Davies) whose phone rings during the middle of some weird ceremony in the basement lair of his corporate headquarters. He’s a real wheeler-dealer, but he also performs bizarre ceremonies and is responsible for releasing the entity that killed Eric.

The demon adds another notch to its belt, killing a souvenir vendor.

Ichabod checks in on Jenny, leaving a voice mail telling her he’s out of his element and hasn’t found the new witness yet. He’s in the passenger seat of Diana’s police car, and it turns out she handcuffed him to the front seat. (Definite trust issues going on between these two.) Although she’s still skeptical about the killer being a demon, she tells Ichabod there’s a place known as the Vault where info is kept on unusual cases. Ichabod’s super excited by this news and believes it means that the group George Washington founded to battle the supernatural still survives. He wants to check out the Vault immediately.

The actual headquarters of the Vault is less than impressive, yet Ichabod remains undaunted. The man working behind the desk, Jake (Jerry MacKinnon), is a bit taken aback by their presence but then he too gets excited, calling Ichabod “Captain Brown Beard.” Jake knows all about Ichabod’s Sleepy Hollow work and has followed his career. Jake’s job is to catalog all the happenings that occur on the fringes, and that describes Ichabod’s work to a T. Diana seems to believe both men are nuts and wants to leave, but Ichabod is fascinated by this place. Just then a small boom is heard and it turns out the Vault’s front room is just that – a front to hide the grandeur of the actual facility.

Jake and the woman who set off the explosion, Alex (Rachel Melvin), show Ichabod around the place. Ichabod finds books with Washington’s seal and it turns out they’re the organization’s official logs. Ichabod determines there’s a text written beneath the text in Benjamin Franklin’s code. Ichabod dubs the place’s contents “the secret history of America.”

Sleepy Hollow Season 4 episode 1
Tom Mison, Janina Gavankar, Rachel Melvin and Jerry MacKinnon in ‘Sleepy Hollow’ (Photo © 2017 Fox Broadcasting Co)

Ichabod flips through pages and determines the demon was raised back in 1865 by John Wilkes Booth who used it to kill President Lincoln. Thus, Lincoln was killed by a demon…and that’s just about enough for Diana, thank you very much. Jake and Alex simply stand by and listen as Ichabod reads aloud details on how Booth tried multiple times and failed and then finally raised the demon to assassinate the president. Booth summoned the demon into his own body; however Mary Todd Lincoln – who apparently was aware of demons and tried to keep her husband safe – ultimately sealed the demon in an underground chamber following her husband’s murder. That chamber is under the Lincoln Memorial, and the demon was released when Lincoln’s head was chopped off his statue.

Between Ichabod, the demon, and Lincoln’s head disappearing, Jake has finally come to the conclusion that everything in the Vault is real and it all does really matter. Alex, meanwhile, isn’t quite ready to believe everything, but Jake convinces her to show them the tunnels. Diana and Ichabod head into the tunnels where we learn Ichabod still believes Abbie was the best partner ever and that Diana served two tours of duty in the Marines with Eric. She left the Marines because she had a baby, and now her daughter is having medical issues and has stopped talking altogether.

Ichabod and Diana discover where the demon was staying, finding an area where the walls are covered by drawings of the American flag. Ichabod becomes convinced the flag is a trigger for the demon because it was initially summoned to destroy the Union.

Diana realizes there’s a concert taking place the next day, and the ad for the event says attendees should wear the Stars and Stripes. Ichabod, Diana, Jake, and Alex try to figure out how to combat the demon and keep the death toll at the concert to a minimum. Diana wonders why the walls of the demon’s cell were made of copper and Jake says copper must be the demon’s Kryptonite – a reference that flies over Ichabod’s head at first, but then he finally gets it. They need to make weapons out of copper and Alex volunteers to throw something together.

The next day Diana and Ichabod walk through the crowd, and Ichabod’s insulted for wearing clothing that’s out of style by men dressed in “Hamilton” attire. “There were other people involved in the American Revolution, you know!” yells Ichabod, but they just laugh and walk on. He then spots the demon who can move so fast it looks as though he can appear and disappear at will. Ichabod unfolds a large American flag and belts out “The Battle Hymn of the Republic,” grabbing the demon’s attention. Diana calls and lets Jake and Alex know they’re on their way.

Alex made “magical” bullets out of copper, and Jake is still overwhelmed by everything he’s always believed in is true. The newly formed foursome wait for the demon, but he’s so fast he gets the jump on Jake and starts to strangle him. Just then Jenny (Lyndie Greenwood) shows up, throws down a taunt, and then shoots the demon. Ichabod introduces her as a “soldier, scholar, gentlewoman, and all-around badass.” They hug, obviously glad to be together again.

Demon taken care of, Jenny and Ichabod, at last, have time to discuss their findings. Jenny admits she’s no closer to finding the next witness than Ichabod. Neither can believe Abbie is really gone, and Ichabod is still trying to find his feet in DC. Jenny tells him he’s not alone, reminding him the entire country is there because of him.

And we’re back with Malcolm Dreyfuss as he listens to a news report that the Japanese businessman he threatened earlier in the day was killed by a wild animal while on a retreat. The sale will now go through, and Malcolm’s very appreciative of his right-hand man’s work. Malcolm is also informed Ichabod got rid of the demon, which doesn’t upset him because what he really wanted was the head from Abraham Lincoln’s statue. The head is now in his basement lair and his assistant/right-hand man/demon uses his power to break it open and expose a large disc. It’s just one of many, according to Malcolm.

Now it’s Ichabod and Diana’s turn to have a quiet chat, and he says he’s going to stay in DC for a while to find out who abducted him and why. Diana asks if more demons are coming, and Ichabod tells her she doesn’t need to make it her battle. She’s determined to find the people behind Eric’s death and Ichabod warns her if she starts down this path, there’s no looking back.

At home, Diana checks in on Molly and tells her daughter she met some “complete weirdos” at work. Molly smiles but remains silent. After Diana leaves the room, Molly pulls out a journal filled with drawings she’s done of Ichabod Crane!




‘Grimm’ Season 6 Episode 1 Recap: “Fugitive” Kicks Off the Final Season

Grimm Season 6 Episode 1
Bitsie Tulloch as Juliette Silverton, David Giuntoli as Nick Burkhardt, Silas Weir Mitchell as Monroe, and Bree Turner as Rosalee in ‘Grimm’ season 6 episode 1 (Photo by Allyson Riggs/NBC)

The first episode of NBC’s Grimm’s sixth and final season begins immediately after the events of season five’s finale. Titled ‘Fugitive’ and airing on January 6, 2017, the episode starts with Nick Burkhardt (David Giuntoli) sort of thanking Captain Sean Renard (Sasha Roiz) for killing Bonaparte, but Renard’s too confused over Nick’s resurrection to comprehend what’s going on. Renard’s not sure why he killed Bonaparte and leaves Nick alone with all the dead bodies, obviously uncertain over exactly what just went down.

Meanwhile, Rosalee (Bree Turner) and Monroe (Silas Weir Mitchell) don’t have time to celebrate Rosalee’s pregnancy as they’re still lost in the underground tunnels. They stumble upon an axe and hope they can use it to break out.

Wu (Reggie Lee) and Hank (Russell Hornsby) are also still searching for an exit from the tunnels, upset they left Nick behind and prepared to take out Renard if and when they eventually find him. They hear water flowing but still can’t escape, while Monroe and Rosalee use the axe to break through a locked door. Monroe climbs up a flight of stairs and finds a door that leads outside. However, they don’t immediately use it to escape and instead head back to find Wu and Hank. Before they do, Rosalee confides in Monroe she doesn’t want anyone else to know she’s pregnant.

She’s on the verge of tears, concerned about Nick, about how many people are after them, and if they’ll even make it out of the tunnels alive. Monroe tries to cheer her up by saying whoever comes after them will be killed, and that sort of helps Rosalee hold it together.

In another tunnel, Eve (Bitsie Tulloch) and Trubel (Jacqueline Toboni) are having a heart-to-heart about rebuilding the group which Trubel says can’t happen in Portland. Eve, who’s still recovering from the magic stick that saves lives experience, wants to go help Nick but she’s not really in control of herself. Trubel realizes Eve can feel things again, but Eve swears she won’t go back. Wu, Hank, Monroe, and Rosalee show up and now the Scooby Gang’s finally back together. Instead of heading out of the tunnels, they head back to find Nick.

As the gang heads back in the direction they came from, they hear someone approaching and just before they can attack they realize it’s Nick. They can’t believe he’s alive and can’t believe all of the bad guys are dead, including Bonaparte. When Nick tells them Renard dealt the death blow, they’re stunned. That’s when they all realize Nick has numerous bullet wounds on his clothing yet doesn’t seem to be in any pain. Wu wonders if maybe Nick’s a ghost, and Nick hopes that’s not true.

Adalind (Claire Coffee) is at home with the baby when Renard shows up, and her first question is whether Nick is dead. She can’t understand why Renard is alive if Nick is also alive, and her concern for Nick doesn’t still well with Renard. He reveals Bonaparte’s dead and admits he’s not sure how that really went down, but he does know he was holding the weapon and stabbed Bonaparte. He didn’t realize he’d done it until he saw the blood on the sword, and that’s when Renard decides it was probably Diana who used him to kill Bonaparte after Adalind told her Bonaparte caused the bruises on her neck. Adalind wants Renard to go easy on Diana because the child probably wanted her dad to save her mommy.

Renard knows Black Claw will find out about Bonaparte and he’s not going to confess to the killing. Instead, he’ll blame it on Nick, warning Adalind she’ll regret ever falling for Burkhardt.

Adalind checks on Diana and confirms that, yes, she did indeed use her dolls to kill Bonaparte. (Creepy, yet helpful.)

Nick shows the Scooby Gang all of the dead bodies, while Eve wants the truth about how Nick healed her. He shows her the mystical Crusaders stick, Monroe tries to explain its origins, and Rosalee interrupts to say they have no real idea what it is. It can heal people, and Eve admits she feels different after being healed.

The gang decides to dump all of the bodies into the tunnel which has an exit into the storm drain.

Renard blames Bonaparte’s death on Nick and demands a judge issue multiple search warrants. Renard continues his war on Nick by telling cops to shoot to kill because Burkhardt is armed and dangerous.

Adalind reaches Nick while they’re busy pushing bodies into the tunnel. She needs Nick to come home as soon as possible, and he promises to be there as soon as he can get away.

Trubel, Eve, Monroe, and Rosalee work on getting rid of the dead bodies at their shop, but when Eve touches one, it won’t let go of her and she falls into a trance. She has a vision of the dead man alive and dangling over water and Rosalee figures out it’s a death grip. The dead man is afraid of being stuck in the underworld and needs to trade a “pure soul” in order to enter the eternal afterlife. In order to break the spell, Rosalee chops off the dead man’s arm. No one, including Eve, understands why the dead person considered Eve to be a pure soul. Trubel wonders if the mystical stick might have cleaned Eve’s soul, and Monroe admits the stick scares the crap out of him.

Wu and Hank show up to investigate the two dead cops (remember the ones that Wu werewolf’ed out and killed?) and they’re told Renard thinks Nick killed these two cops and busted out of prison. There’s an APB out on Nick with a shoot-to-kill order. Wu and Hank need to figure out a way to warn Nick while Renard is busy cleaning out his office.

While continuing to spread the word that Nick is responsible for all the deaths including Bonaparte’s, it appears Renard’s conscience is making him see his own hands as covered in blood.

Nick finally makes it back to Adalind and they kiss as Adalind explains she didn’t have a choice but to tell Bonaparte where he lived. Nick understands she did it to protect their son. As he’s finally getting a chance to hold his baby, Nick notices the huge engagement ring Bonaparte forced Adalind to wear. If she takes it off, it’ll cause pain to her children – even if Bonaparte’s dead. She wants to break the spell but isn’t ready to take a chance removing it will hurt her kids. Adalind says Diana really wants her mom and dad back together and that she’s become incredibly powerful. She’s not sure what will happen if she goes against Renard and Diana finds out. Nick tells her she has to hang on until he can deal with Renard.

Hank and Wu call Nick and let him know about the APB and that he should lay low until they can figure out what to do. Adalind tells Nick that if Renard hurts him, she will kill Renard. She doesn’t want to know where Nick will be hiding and gives him one final kiss.

Trubel and Eve head back to Nick’s place where Eve has a vision of Nick and Hank using the stick to heal her. She wants to know where Nick kept the stick and Trubel shows Eve the cloth that was wrapped around it. Hank calls and lets them know the cops will be heading to Nick’s loft just as they hear sirens approaching.

Monroe and Rosalee finally get a quiet moment to talk about the baby, and Monroe thinks maybe they should move away from Portland. (Moving on seems to be a running theme early on in this final season.) Rosalee just wants to get some sleep so of course, that’s when the phone rings. Wu tells them about the APB and that they have search warrants to look through the shop. Wu advises them to just let the cops search the place and says no one knows where Nick is hiding out.

The cops tear through the shop looking for Nick while other officers search Nick’s loft. Eve and Trubel hide out in the tunnels, and Eve seems fascinated by the stick’s cloth cover. She then starts to see patterns on the cloth – patterns no one else can see. Even when she points them out to Trubel, they remain invisible. Eve says she’s seen these patterns before on the dead man’s face who held her in a death grip.

Back at the police station, Renard gets briefed on the Nick situation. No one has found him, his phone’s not being used, and none of Nick’s friends claim to know where he’s hiding out. An officer interrupts the briefing to say Nick’s car’s been found. Renard orders the area around the car sealed off and a house-by-house search of a one-mile area.

Nick is actually hiding out at Bud’s refrigerator repair shop and when Bud shows up for work, he immediately agrees to help out the Grimm. Bud calls Hank and reports a break-in at his repair shop and says he needs Hank and Wu to check it out in case the robber is still in there. Hank understands and he and Wu head over.

Wu and Hank actually take two cabs, a train, and do some walking in order to get to Bud’s without being followed. The rest of the gang is already there, and they were all equally careful not to be followed. Trubel thinks it’ll be easier to kill Renard since Black Claw was compromised (and so was Hadrian’s Wall), but Hank reminds them Renard has cops doing his dirty work. Wu wants Nick to leave Portland and so does Monroe. Still not totally sure what to do next, Nick sends Hank and Wu back to the precinct to act like everything’s normal.

Renard is informed that one cell phone number shows up repeatedly in Nick’s records and that phone number belongs to Bud. Renard sends out teams of cops to Bud’s home and business.

Hank and Wu make it back to the precinct and quickly figure out something’s going on. Renard tells them he knows they know where Nick is and if they get in his way, he’s coming for them next. Hank threatens Renard right back, saying they won’t be hard to find. (Way to go, Hank!) Then Hank gets a call about a dead body ID’ed as Rachel Wood, and he and Wu take off to investigate.

Meanwhile over at Bud’s place, Monroe, Rosalee, Eve, Trubel, and Nick are still trying to figure out where Nick should go and how he should get there. Eve draws the symbols she saw on the dead Black Claw’s face as well as the stick’s cloth, but Nick’s never seen them before. Concerned, Eve doesn’t think Nick should be carrying the stick all of the time.

Hank and Wu arrive at Rachel’s and find her dead body in bed, wrapped in her sheets. They know she was Renard’s campaign manager, and Hank says if you’re murdered in bed, it’s usually by someone you know.

Wu and Hank learn about the “Be On The Lookout” (BOLO) alert on Bud’s truck and call Trubel. Wu warns them to get out of there just as someone arrives at Bud’s front door. It’s a cop and the situation has now become urgent; they need to escape now. Nick comes up with a plan to have Bud load a refrigerator into his truck, hoping the cops will think Nick’s inside of it. When they follow Bud, Nick will make his escape.

Wu and Hank learn Officer Franco is staking out Bud’s repair shop and it’s about to be raided. They also learn the fingerprints recovered from the Rachel Wood crime scene belong to Renard. The prints are all over Rachel’s place.

Monroe and Bud load up a refrigerator but before Bud can take off, a full S.E.R.T. team pulls up. They’re surrounding the place and Eve tries to help, but she’s not strong enough. Renard orders the officers to take them down!

Interview with Grimm star David Giuntoli:




‘Cars 3’ Preview: New Videos, Photos, and Character Descriptions

Cars 3 Racing Scene
A scene from Disney•Pixar’s ‘Cars 3.’

Disney•Pixar’s Cars 3 will feature the voices of Owen Wilson as Lightning McQueen, Armie Hammer as Jackson Storm, and Cristela Alonzo as Cruz Ramirez. The third film of the Cars franchise is directed by Brian Fee who’s making his feature film directorial debut after working as a storyboard artist on Cars and Cars 2. A Bug’s Life‘s Kevin Reher is producing and the studio’s aiming for a June 16, 2017 theatrical release.

In addition to announcing the main voice cast, Disney•Pixar released details on the new characters and a synopsis of the 2017 animated movie. “Cristela is full of optimism and a positive energy that I think really comes through in Cruz’s personality,” said Fee. “And of course, she’s a hilarious comedian, so that doesn’t hurt either.”

“Armie brought a great combination of intensity and charm to the role of Jackson Storm,” added Fee. “His charisma helped create a character you really love to hate.”

The Cars 3 Plot and Characters: Blindsided by a new generation of blazing-fast racers, the legendary Lightning McQueen (Wilson) is suddenly pushed out of the sport he loves. To get back in the game, he will need the help of an eager young race technician, Cruz Ramirez (Alonzo), with her own plan to win, plus inspiration from the late Fabulous Hudson Hornet and a few unexpected turns. Proving that #95 isn’t through yet will test the heart of a champion on Piston Cup Racing’s biggest stage!

Lightning McQueen voices by Owen Wilson in Disney•Pixar’s 'Cars 3.'
Lightning McQueen voiced by Owen Wilson in Disney•Pixar’s ‘Cars 3.’

Lightning McQueen is world champion—a modern-day racing legend who’s riding high with five Piston-Cup wins under his hood. Suddenly, he finds himself faced with a new generation of racers who threaten not only his dominance in the sport—but the confidence that got him there. Determined to get back to the pole position, the #95 must decide if his love for racing is enough to fuel the comeback of his life.

Cars 3 Cruz Ramirez
Cruz Ramirez voiced by Cristela Alonzo in Disney•Pixar’s ‘Cars 3.’

Cruz Ramirez is a sunny-but-fierce unconventional trainer at the Rust-eze Racing Center. She expertly arms the team’s talented rookies with cutting-edge tools to tear up the track—but she nearly stalls when her longtime idol Lightning McQueen shows up. While she’d love to help him find his way back to the top, she knows the competition is faster than ever, and victory is all about speed—or is it?

Jackson Storm voiced by Armie Hammer in Disney•Pixar’s 'Cars 3.'
Jackson Storm voiced by Armie Hammer in Disney•Pixar’s ‘Cars 3.’

Jackson Storm is fast, sleek and ready to race. A frontrunner in the next generation of racers, Storm’s quiet confidence and cocky demeanor are off-putting—but his unmatched speed threatens to redefine the sport. Trained on high-tech simulators that are programmed to perfect technique and maximize velocity, Jackson Storm is literally built to be unbeatable—and he knows it.

‘Frontier’ Trailer: Jason Momoa Stars in Netflix’s New Action Drama

Landon Liboiron and Jason Momoa in Frontier
Landon Liboiron as Michael Smyth and Jason Momoa as Declan Harp in ‘Frontier,’ the six-episode, one-hour drama from NETFLIX (​Photo credit: Duncan de Young)

Netflix’s new dramatic series Frontier has just released a new trailer focusing on Jason Momoa’s character, Declan Harp. The trailer shows us the action is going to be brutal and violent, with Momoa’s character at the center of everything. The cast of Frontier also includes Hemlock Grove‘s Landon Liboiron, Alun Armstrong (Penny Dreadful), Zoe Boyle (Witless), Jessica Matten (Blackstone), and Allan Hawco (Republic of Doyle). Netflix has set a January 20, 2017 premiere date for the six-episode first season.


Frontier was created by Peter Blackie and Rob Blackie, and Brad Peyton (San Andreas) and Ken Girotti (Vikings, Orphan Black) directed season one.

The Plot: The series is an action-packed adventure drama following the chaotic and violent struggle to control wealth and power in the North American fur trade in the late 18th century. Told from multiple perspectives, the series takes place in a world where business negotiations might be resolved with close-quarter hatchet fights, and where delicate relations between Native tribes and Europeans can spark bloody conflicts.

Watch the Frontier trailer:




‘A Monster Calls’ Movie Review

Lewis MacDougall stars in A Monster Call
Lewis MacDougall stars in ‘A Monster Calls’ (Photo Credit: Jose Haro / Focus Features)

“What shall I destroy next?” asks the giant tree monster (voiced by Liam Neeson). “Break the windows,” replies Conor (Lewis MacDougall). “Break them yourself!” answers back the monster who’s helping the young boy deal with his mother’s serious illness in the dramatic fantasy film, A Monster Calls.

12-year-old Conor is going through the most difficult and sad time in his life. His mother (Felicity Jones), who he’s extremely close to, is fighting a losing battle with her illness and he’s forced to live with his grandmother (Sigourney Weaver) who’s re-entered his life to help out his mother while she’s being cared for in the hospital. Conor’s grandmother is a tough and fairly unsympathetic woman who’s not a good fit for the young and artistic lad. As if all that wasn’t bad enough, Conor is also being bullied by an older boy who enjoys using poor Conor’s face as a punching bag.


One night before Conor’s mom has to go back into the hospital, they sit together and watch the classic 1933 film King Kong off an old projector. Later while he’s in his room drawing (the young man is a very talented artist just like his mother), a giant tree monster comes to his window and reveals he has three stories to tell him. After he has told him his stories, Conor must tell him a story and it needs to be the truth. Conor, justifiably, doesn’t believe the tree monster is real and is convinced he’s dreaming. However, when the monster reaches in and picks him up and pulls him outside (much the same way King Kong picked up Fay Wray in the movie), Conor starts to believe maybe it’s not just a dream.

Conor is still hesitant to listen and believes stories won’t help him, but the monster is insistent that the boy must listen to him. So begins Conor’s new friendship with the giant tree monster who it seems has come to help guide the young boy and teach him about real courage, faith, expressing anger, love, and truth.

Poignant, visually dynamic, and with a strong performance by newcomer Lewis MacDougall, A Monster Calls will likely have a difficult time connecting to a younger audience and may even be too heavy and somber for some adults. The fantasy melodrama is sure to leave audiences teary-eyed and, possibly, depressed, so those who do give it a whirl should be prepared for a darker journey than displayed in the film’s trailers.

Liam Neeson delivers a memorable performance bringing the tree monster to life by not just giving it his voice but also via the motion capture process. Intimidating and at times likeable, Neeson makes the tree monster both a friend and teacher to young Conor.

Lewis MacDougall is extremely impressive as Conor, wonderfully capturing all the pain, sadness, awkwardness, fear, guilt, and anger the young man is struggling with as he attempts to come to terms and accept what’s happening to the person he loves most in the world: his mother. Felicity Jones steals almost every scene she’s in as Conor’s young mom who loves her son and is trying to protect him from the harsh reality of her fate while struggling to last as long as possible so she can leave behind a few more special, loving memories.

Especially touching are the scenes of mom and son watching King Kong together and those in her hospital room where she not only forgives him for breaking his grandmother’s things but tells him if he needs to break things to feel better, then he should. Jones is truly one of the best actresses of her generation.

The special effects in A Monster Calls are incredible, including the look and sound of the tree monster. The silhouette-style animation and artwork used to bring the characters in the monster’s three stories to life is stylish and mesmerizing, even though it’s been used effectively before in recent films including in Harry Potter and the Deathly Hallows Part 1 while Hermione (Emma Watson) tells the story of three brothers tricking Death.

Unfortunately, first-rate effects and an impressive cast aren’t enough to offset the lack of any real magical, warm, or uplifting moments badly needed to counterbalance all the sadness and tragedy in the film.

GRADE: C

Directed By: J.A. Bayona

MPAA Rating: PG-13 for thematic content and some scary images

Running Time: 108 minutes

Release Date: January 6, 2017 (wide)





‘Outlander’s Caitriona Balfe Earns an Oscar Wilde Award

Outlander Season 2 Episode 3 Caitriona Balfe
Rosie Day (as Mary Hawkins) and Caitriona Balfe (as Claire Randall Fraser) in ‘Outlander’ (Photo © 2016 Sony Pictures Television Inc.)

Outlander star Caitriona Balfe will be honored with an Oscar Wilde Award during the 2017 US-Ireland Alliance event set for February 23rd. This year’s awards ceremony will be emceed by filmmaker J. J. Abrams, with the ceremony taking place at Abrams’ Bad Robot headquarters in Santa Monica, CA. In addition to Balfe, Glen Hansard will pick up an award and is confirmed to perform.

Announcing Balfe’s award, US-Ireland Alliance Founder Trina Vargo stated, “It’s been a great year for Irish actresses and we’re delighted to honor one who is receiving well-deserved recognition for her success in Outlander. Given Caitriona’s intense schedule of time travel, and the cold and rainy Scottish weather, our event should be relaxing for her. The one thing that Outlander and the Oscar Wilde Awards have in common is whiskey.”


In addition to Outlander, Balfe’s credits include Money Monster, Escape Plan, Now You See Me, Super 8, The Price of Desire, and Crush.

Caitriona Balfe stars as Claire Fraser in Starz’ popular Outlander series, based on the books by Diana Gabaldon. Starz hasn’t officially announced the season three premiere date, however they have released the upcoming season’s synopsis:

Outlander Season 3 – The story picks up right after Claire (Caitriona Balfe) travels through the stones to return to her life in 1948. Now pregnant, she struggles with the fallout of her sudden reappearance and its effect on her marriage to her first husband, Frank (Tobias Menzies). Meanwhile, in the 18th century, Jamie suffers from the aftermath of his doomed last stand at the historic battle of Culloden, as well as the loss of Claire. As the years pass, Jamie (Sam Heughan) and Claire attempt to make a life apart from one another, each haunted by the memory of their lost love. The budding possibility that Claire can return to Jamie in the past breathes new hope into Claire’s heart… as well as new doubt. Separated by continents and centuries, Claire and Jamie must find their way back to each other. As always, adversity, mystery, and adventure await them on the path to reunion. And the question remains: when they find each other, will they be the same people who parted at the standing stones, all those years ago?




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