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‘The Walking Dead’ Season 7 Episode 1 Recap and Review: The Day Will Come When You Won’t Be

Walking Dead Season 7 Episode 1 Jeffrey Dean Morgan as Negan
Jeffrey Dean Morgan as Negan, Sonequa Martin-Green as Sasha Williams, Ross Marquand as Aaron, Chandler Riggs as Carl Grimes, and Josh McDermitt as Dr. Eugene Porter in ‘The Walking Dead’ (Photo Credit: Gene Page/AMC)

“I want you to think about what could’ve happened, think about what happened, and think about what could still happen,” says Negan (Jeffrey Dean Morgan) to Rick (Andrew Lincoln) as he takes him for a little drive in the RV after beating to death not one but TWO members of Rick’s group in the seventh season opener of AMC’s horror/drama series, The Walking Dead.

The episode begins only moments after Negan has just finished bashing two heads to bits, with the camera showing a huge fresh blood stain on the ground and Rick being helpless but infuriated telling him that he is going to kill him. “Not today, not tomorrow, but I’m gonna kill you,” says the helpless leader while still on his knees. Not liking his defiance and even more the look Rick is giving him, Negan tells his right-hand man to get him Rick’s weapon, which is an ax. Negan then drags Rick into the RV telling everyone to stay put and he’ll be back with or maybe without Rick. Negan plants the ax – really, it’s more a hatchet – into the table in the RV and tells Rick his best chance is to go for it and put it in the back of his head. At first Rick hesitates, but then does try only to have Negan pull a very big machine gun on him and hit him with it. Negan drives down the road to the bridge where the Saviors left a man hanging who is now a zombie but is still hanging there. Negan stops the RV and walkers begin to surround it looking to get in.

Rick is having flashes of Glenn (Steven Yeun) and Rosita (Christian Serratos) while sitting in the RV when Negan sits with down with him and tries once again to explain that his people and their possessions are his now. They all work for Negan now. He opens the door, throws the ax out and tells Rick to go get him HIS ax. Negan then throws Rick out and closes the door without giving him any way to protect himself against the zombies other than his hands.

Outside the RV in the mist as daybreaks, Rick is having more flashes of Sasha (Sonequa Martin-Green), Aaron (Ross Marquand), Abraham (Michael Cudlitz), Maggie (Lauren Cohan), and Daryl (Norman Reedus) as he fights his way punching, kicking, and shoving the walkers away from him. He climbs up on the roof of the RV for safety as he hears Negan taunting him from inside saying, “Bet you thought you were all gonna grow old together.” Lying on top of the RV, Rick remembers and takes in everything that happened last night.

A flashback shows Negan finishing playing his “eenie, meenie, miney, moe” game and points his bat nicknamed Lucille at Abraham. That’s right, it’s Abraham who Negan beats to death with the bat covered in barbed wire. Abraham dies bravely while telling Negan to, “Suck my nuts.” Negan laughs and continues to beat Abraham on the head until his head is literally smashed to bits. It is not a scene for the squeamish. Negan puts the bat in front of Rosita noticing how she reacted and tells her to look at it. She can’t bring herself to do it and Negan begins screaming at her. This sets off Daryl who gets up off his knees and punches Negan in the face. Negan’s followers grab Daryl and stop him from doing anything else. Negan stops Dwight (Austin Amelio) from putting an arrow into Daryl’s head and tells him to put him back. Negan stands up after being dropped by Daryl’s punch, telling Rick’s group he understands how they feel but he warned them that kind of behavior does not fly. “I need you to know me,” says the sadistic bully. “First impressions are important,” he continues and quickly turns and brings the bat down onto Glenn’s head. As bad as Abraham’s death was, Glenn’s is even worse with one of his eyes popping out of its socket but still attached. As Glenn dies, he struggles to say something which impresses Negan saying, “Damn, he’s still got something in him.” Glenn turns to Maggie with blood pouring down his face and manages to say, “Maggie, I’ll find you.” Negan brings his bat down onto Glenn again and again while the terrified group cries and looks away.

Rick hears Negan inside the RV telling him he’s only going to give him one more chance to bring him his ax and that the others will pay if he doesn’t. Desperate not to lose any more of his people, Rick grabs the ax and fights his way through the hoard of walker. When he gets to the RV door it’s locked so he tries to defend himself as best as possible until Negan finally opens the door and shoots the walkers down. Rick goes into the RV and hands the ax to Negan.

Negan drives back to the spot in the woods where he murdered Abraham and Glenn and throws Rick out of the RV. He’s not happy Rick still has the look of defiance on his face. Negan wants/needs to change to change that so he tells his men to put guns to the heads of the rest of Rick’s group. Negan calls Carl (Chandler Riggs) over and asks him if he’s a southpaw. Carl doesn’t know what that means and he asks if he’s left-handed to which Carl says no. “Good,” says the leader of the Saviors as he wraps a belt around Carl’s left arm and forces him down on the ground. He uses a pen to draw a line on Carl’s left arm and tells Rick to cut off Carl’s arm with the ax or he will kill every single one of Rick’s people and Carl as well. A horrified Rick pleads to Negan not to do this and he offers his own arm up for Negan to cut off. Negan says he understands that Rick is upset but that this has to happen and it must happen now. Michonne tries to tell Negan that they understand now and that he doesn’t have to do this and Negan responds telling her he knows that she and the others understand but Rick does not yet.

Rick continues to beg for Negan to take his arm instead which causes Negan to ask, “Are you really going to make me count?” So Negan begins counting while Rick trembles and looks sick. Carl whispers to his father that it’s okay and to just do it quickly. At the count of two, Rick picks up the ax with tears streaming down his face and Negan stops him. Negan kneels down and turns Rick’s head to face him. “That’s the look I want to see on your face,” says the triumphant sadist who knows that he has broken Rick. Negan makes Rick say out loud that Negan owns him and the rest. “Today was a productive day,” says Negan as he and his Saviors leave, taking Daryl with them and warning Rick and the others that they’ll be back in a month to take everything Rick and his group has collected for him.

The Walking Dead Season 7 Episode 1
Andrew Lincoln as Rick Grimes, Danai Gurira as Michonne, Norman Reedus as Daryl Dixon, Alanna Masterson as Tara Chambler, Christian Serratos as Rosita Espinosa, Lennie James as Morgan Jones, Sonequa Martin-Green as Sasha Williams, Michael Cudlitz as Sgt. Abraham Ford, Steven Yeun as Glenn Rhee, Lauren Cohan as Maggie Greene, Austin Nichols as Spencer Monroe, Josh McDermitt as Dr. Eugene Porter, Ross Marquand as Aaron, and Katelyn Nacon as Enid (Photo Credit: Gene Page/AMC)

Maggie gets to her feet and tells Rick and the others to get back to Alexandria but they refuse to leave her alone. Together the group collects the bodies of Abraham and Glenn and sets off to bury them. As Rick walks with them he remembers what Negan said about him and his friends growing old together and has a mental image of everyone sitting at a long table having dinner with Glenn at one end bouncing his and Maggie’s child on his knee, happy. The episode ends with Rick driving the RV with a scared look on his face.

Review of Season 7 Episode 1 Titled “The Day Will Come When You Won’t Be”

Brutal, gory, and intense, AMC’s horror/drama series launched its seventh season extremely strong with a stand-out over-the-top performance delivered by Jeffrey Dean Morgan as Negan, the ruthless, sadistic leader of the army known as The Saviors. It also said goodbye to two characters, one who has been in the show since episode two. Glenn and Abraham were the sacrificial lambs at Negan’s late night party in the woods. It’s unfortunate that Abraham, played so well by Michael Cudlitz, was killed off as basically a means of misdirection. Fans of the show and the graphic novel know that Glenn was killed off in the same way in the 100th issue of the comic to help introduce the new villain, Negan.

The true heartbreak is the death of Glenn, played so perfectly by Steven Yeun who was and will always be the heart and soul of the series. Glenn’s character grew from a young man who delivered pizzas before the zombie apocalypse to a loyal friend, hunter, scavenger, lover, husband, son-in-law, and expectant father. He was one of the few characters who refused to give up on trying to make a life in a horror-filled world and who always put those he cared about before himself. He will be greatly missed.

With Daryl in the clutches of the Saviors and Rick’s spirit broken, season seven seems to be all about the new villain Negan and his reign of terror.

GRADE: B




‘Once Upon a Time’ Season 6 Episode 5 Recap: Street Rats

Once Upon a Time Season 6 episode 5
Colin O’Donoghue, Jared Gilmore, and Lana Parrilla in ‘Once Upon a Time’ (Photo by Jack Rowand / ABC)

ABC’s Once Upon a Time season six episode five aired on October 23, 2016 and delved into the relationship between Princess Jasmine and Aladdin. The episode titled ‘Street Rats’ opened in the Capital of Agrabah with Aladdin (Deniz Akdeniz) stealing from citizens while Jafar (Oded Fehr) speaks about his hatred for thieves, turning three thieves into actual street rats. Aladdin looks through his new treasures when Princess Jasmine (Karen David) confronts him, looking to hire him for a job. Jafar is her father’s advisor and has been controlling his every movement, and she wants Aladdin to help her defeat Jafar. Aladdin points out Jafar has magic, but Jasmine puts the Golden Scarab of Agrabah in his pocket saying she’ll claim he stole it if he doesn’t go along with her. They need to find the Diamond in the Rough, the most powerful weapon in their world.

Meanwhile in Storybrooke, Emma (Jennifer Morrison) is chasing a bird through the forest followed closely by Archie (Raphael Sbarge) who tells her to stop following the bird. She’s convinced she needs to speak with the Oracle, however when they do follow the bird they find the Oracle is dead. Emma tackles Princess Jasmine/Shireen as she runs away from the body.

David (Josh Dallas) and Emma question Shireen and she’s keeping her story a secret because she’s afraid of Hyde. Once they tell her Hyde is dead, she confesses to being Princess Jasmine but says she didn’t kill the girl in the forest. That girl was her friend who was helping her find Aladdin. She doesn’t know where he is and calls him the Savior. That piques Emma and David’s interest.

Archie returns to his office to find the Evil Queen (Lana Parrilla) waiting to talk about Emma. He can’t talk about his patients but she knows the Oracle gave Emma visions of the future. Since the Oracle’s gone – and the Evil Queen admits to killing her – she needs Archie to tell her everything. She wants to team up with him, but when he says no, the Evil Queen transforms into an Archie clone and informs him she’ll ask Emma herself.

Zelena (Rebecca Mader) finds Archie gagged and tied up in her home and knows it was the work of the Evil Queen. Zelena thinks the Evil Queen had her reasons and puts the gag back in Archie’s mouth after he attempts to psychoanalyze her.

The fake Archie sees Emma on the street and says they need to talk about her visions. She tells him there’s another savior, Aladdin, who is okay so maybe the vision isn’t true.

Back in Agrabah, Princess Jasmine and Aladdin wander the desert looking for the Cave of Wonders. They finally find it and he warns her to be careful as they approach. Aladdin shouts, “Open sesame!” and that actually works.


Emma comes home to find Hook (Colin O’Donoghue), David, Snow (Ginnifer Goodwin), Regina, Henry (Jared Gilmore), and Jasmine depressed they couldn’t find Aladdin. Archie barges in and tells Emma he doesn’t want her to keep lying to her family. Hook tells Emma to talk about the visions and she admits to everyone she dies in them because all saviors die. But, now that she knows Aladdin is alive she thinks he can help her avoid her fate. As Emma spills her guts, Hook looks more and more upset. He’s angry she lied to him as Archie leaves, transforming back into the Evil Queen outside the door.

Regina figures out that she’s the figure under the hood who is going to kill Emma, but Emma says it’s a vision and not her subconscious at work. Regina heads out to track down Aladdin and tells Emma to meet her at her vault in an hour.

Flashback to the Cave of Wonders and Jasmine and Aladdin discover the Diamond in the Rough they’re looking for, but it’s booby trapped. Fortunately, Aladdin figures it out but then the Diamond falls apart in his hands. Aladdin uses magic to save them as columns start crumbling, unaware he was even able to do magic. Jasmine suspected he was capable of great magic and he is the weapon, the Diamond in the Rough. She tells him he’ll be the savior of Agrabah.

In Storybrooke, Jasmine’s depressed about Aladdin’s possible death and Henry tries to comfort her. She says being a savior is a death sentence and she’s the one who put him on that path. Henry says he also did that to his mom who was just living her life. He wonders if maybe Hyde was wrong about saviors having to die.

Snow tells Emma she should have shared what was going on, and Snow’s worried about what keeping secrets has done to her relationship with Hook. David interrupts Snow and Emma’s heart-to-heart to say Leroy can’t find Archie. Snow quickly figures out the Archie who was just at Emma’s was the Evil Queen in disguise.

Archie is babysitting at Zelena’s when the Evil Queen pops in. They leave Archie with the baby after the Evil Queen promises she can make everything better for Zelena. They head off to The Three Bears spa where they get manicures while being pampered. The Evil Queen tells Zelena everyone else just tolerates her but she actually chooses her. Zelena needs to embrace herself for her daughter to embrace her, too.

Regina’s mixing a spell in her vault when Emma arrives to help. Regina’s making a locator spell to find Aladdin and Emma needs to drink the potion to link like magics.

In the Cave of Wonders, Aladdin’s wondering why Jasmine didn’t tell him this savior thing earlier and she says it’s because he wouldn’t have believed her. He wants to be alone but before she goes, she gives him the hero’s scarab. She tells him she believes in him. After she leaves, Jafar appears and asks what it’s like to be the savior. Aladdin thinks if he beats Jafar, he’ll be able to live a happy ever after. Jafar doesn’t think so and uses his red bird to show Aladdin his unhappy future. He can alter that future if he uses special shears to sever the tie to his destiny. He’ll live a long, happy, prosperous life but he won’t be the savior anymore.

At the palace, Jafar tells Princess Jasmine her savior took the gold and ran. He locks Jasmine in an hour glass and in flies Aladdin on a magic carpet, breaking the hour glass and severing Jafar’s hold over Jasmine’s father, the King. Aladdin admits he almost took Jafar’s offer of wealth but didn’t because of Jasmine. He tries to give her back the scarab but she tells him to keep it so that he’ll always remember he has a friend in her.

In Storybrooke, Emma is leading Jasmine, Snow, Hook, Regina, and David to Aladdin. She leads them to crypts under the cemetery and Jasmine looks around. She finds the scarab and cries out, upset knowing that he’s in the crypt. Since Aladdin’s dead it appears Emma also must die. She wants to be alone and doesn’t even ask for Hook to stay. She has another vision and her hand shakes as Henry returns to comfort her. He apologizes and says it’s his fault for dragging her to Storybrooke in the first place. She tells him he didn’t force her to do anything. She has a family, she’s a mother, and she has real magic in her life. She wouldn’t change a thing about her life. She doesn’t want to think about her story’s ending and instead just wants to think about their journey together. Just then Aladdin appears and her hand shakes uncontrollably. He sympathizes, telling her the hand shaking is no fun.

Back in Agrabah, Aladdin turns down offers of riches and tells Jasmine he just wants to save people. He also wants Princess Jasmine to come with him as he heads out to fight Jafar. They almost kiss but she says she can’t because she has work to do in her kingdom. She tells him that when he defeats Jafar, he’ll know where to find her. As he walks away, a whirl of red magic envelopes him and he discovers Jafar has left the magical shears in his bag for a rainy day, the note says.

Back in Storybrooke, Aladdin says he used the shears and Agrabah fell. He went to the Enchanted Forest and has been in Storybrooke this whole time. He didn’t want to be found but then when he heard Emma and Henry, he knew he couldn’t keep the shears to himself. David says Aladdin must go to Jasmine, but since he’s just a street rat Aladdin can’t bear to see the look in her eyes. Aladdin says their story never even began because duty always got in the way.

Jasmine sits outside in a park and Aladdin walks up, saying, “Hello, Princess.” She thought he was dead and she’s overjoyed he’s alive. Now, she needs his help – the savior’s help – but she doesn’t know Aladdin is no longer a savior.

Zelena and the Evil Queen finally return from their spa day and Zelena’s decided to take the Evil Queen’s advice. She shows her baby daughter who she really is by changing Archie back into Jiminy Cricket, placing him in a cage above the baby’s crib.

Regina, Hook, David, Snow, Henry, and Emma discuss the shears, but Emma doesn’t want to use them. She thinks that it’s different for her because Aladdin didn’t have a family to protect him. She promises everyone, including Hook, no more secrets. She gives Hook the shears, not wanting them to be used as a weapon. He rows them out to sea and they kiss when he rows back to shore. He has to check in on his ship and then they’ll have dinner back at her place. After Emma walks away, Hook shows he’s still holding onto the scissors.




‘Westworld’ Season 1 Episode 4 Recap: Dissonance Theory

Westworld stars Ben Barnes and Jimmi Simpson
Chris Browning, Ben Barnes, and Jimmi Simpson in ‘Westworld’ (Photo by John P. Johnson/HBO)

HBO’s Westworld season one episode four finds Dolores carving out a new path for herself and the Man in Black still obsessed with figuring out what’s actually going on in this twisted theme park world. The episode begins with Bernard (Jeffrey Wright) asking Dolores (Evan Rachel Wood) if she knows what happened, and she remembers her parents being killed. She believes everyone she cared about is gone, but she doesn’t want the feeling of hurt and pain to go away. It’s all she has left of her loved ones.

She also tells Bernard she’s adapting her thoughts from previous scripts and wants to know if he can help her because there’s something wrong with this world. Or, there could be something wrong with her. She thinks she might be losing her mind. Bernard tells Dolores about a special game called the Maze. She can be free if she can find the center of it.

Dolores wakes up next to the campfire with the gun in her hand, with William (Jimmi Simpson) nearby.

Maeve (Thandie Newton) is having weird thoughts when a guest shoots up the saloon, killing all the hosts. She remains cognizant of everything that’s going on when she’s brought into have her gunshot wound fixed. But wait, the shooting is just a memory she’s experiencing. She feels her lower stomach where the gunshot entered. She heads home and has more flashes of memories, quickly drawing a picture of a technician before she forgets the vision. She opens a hidden place in her floor to find more of the same drawings.

Elsie (Shannon Woodward) tells Theresa (Sidse Babett Knudsen) about the host smashing its own head in. Elsie doesn’t know why it went off its loop in the first place, and the host is sitting there nearly headless unable to give any answers. Theresa’s team is taking over the investigation, which doesn’t sit well with Elsie.

Elsie is sure there’s a pattern of behavior here and she’s not sure why Bernard doesn’t want her to tell anyone. He tells her she’s reading things into the hosts’ behaviors.

William tells his future brother-in-law Logan (Ben Barnes) and their host guide, Holden, that they have to take Dolores back to town and that she shouldn’t be with them on a bounty hunt. Logan doesn’t want to take the time to return her and suggests just killing her and leaving her there. William’s not happy with Logan’s desire to kill or f**k everything, but Logan has figured out that Dolores is there to give William someone to care about. Logan thinks those running the show know exactly what William needs and have supplied it, and Logan also believes the company should bump up their stake in Westworld. William didn’t know this was a business trip and Logan says, “In our family, everything is business.”

The Man in Black (Ed Harris) still has Lawrence tied up and is continuing with his pursuit of the meaning of this place. He’s searching for a snake that lays eggs so that he can find the maze. Then they spot a woman tattooed with a snake, Armistice (Ingrid Bolsø Berdal), washing herself in her river. Lawrence warns him away from the woman just as a group of men arrive and pull their guns on the Man in Black and Lawrence. They’re going to use the Man in Black and Lawrence for horse food before retrieving something of great value from a prison. The Man in Black kills two of Armistice’s men and offers to take their place on search.

Back at headquarters, Ashley (Luke Hemsworth) is told Dolores has broken from her narrative. The problem is bigger than just Dolores because of the new storyline Dr. Ford is introducing.

Dolores accompanies William and Logan into a little town where she spots Lawrence’s daughter. The daughter has drawn a maze in the sand and Dolores has a flashback as a sheriff walks up and asks if she’s the missing girl from Abernathy Ranch. Dolores has more visions from the past and tells the sheriff her father is dead and she’s not going back. William walks up just then and the sheriff leaves Dolores alone. She decides to continue with William to find Slim, the man with the bounty on his head.

Night falls and Dolores apologizes to William and he tells her he thought they kept the hosts on paths. She recalls bringing the herd down from the mountain in the fall and gets emotional talking about her father. William seems touched by her story and Dolores still isn’t sure where she’s supposed to be heading but thinks there’s a place for her beyond all this. She stares up at the moon and it dissolves into a scene of technicians working on her dead family at the ranch. She nearly faints again and William catches her.

The Man in Black and Lawrence are sitting among their newfound friends when two of the guests approach the Man in Black and thank him for the wonderful work he does with his foundation. The Man in Black does not take this well and threatens to cut their throats. He says he’s on vacation, meaning he does not want real life to intrude.

Lawrence has figured out Armistice and her gang are looking for something that’s hidden in a prison. The Man in Black doesn’t have time for this and tells Armistice he’ll get what’s hidden for her if she tells him the story of her tattoos. He then talks about Arnold, the original settler of Westworld, and the rule about the hosts not being able to die. Arnold died in the park but the Man in Black believes Arnold had one last story to tell and he’s honoring his legacy by following clues to the maze. He thinks the tattoo is the next piece of the puzzle. The Man in Black will take Lawrence with him to take out the 20 men in the prison. He’ll also need one match. The deal is struck.

Lawrence and the Man in Black are handcuffed and riding in a stagecoach with a sheriff. The Man in Black asks for a light for his cigar. He’s denied, and the sheriff takes the package of cigars for himself. They pull up to the prison and are greeted by marshals who claim Lawrence is the most wanted man in the territory. As he’s taken away, Lawrence tells the Man in Black he’s going to kill him. The Man in Black is put in a cell with Hector Escaton (Rodrigo Santoro) while Lawrence is placed in front of the firing squad. The Man in Black describes Hector’s loop and wants to know his world view. Hector says only the truly brave can look at the world and understand it will all end badly. “No one will be saved,” says Hector.

Hector’s waiting for his friends to break him out but the Man in Black says he doesn’t want to wait and they’re breaking out now. As Lawrence is tied to a pole outside, inside the prison the Man in Black lights his cigar and then sets off a charge that blows open the cell door. The Man in Black and Hector save Lawrence from the firing squad just in time, taking out all the marshals.

He brings Hector back to his gang and the tattooed gunslinger recalls she was seven when masked men killed everyone in her town. She’s been tracking them down and using their blood to paint her skin ever since then. There’s only one man left and it’s Wyatt.

A group of Indians walk down the main street of town, with a child dropping a toy that looks like Maeve’s drawing. Maeve chases the child asking what it means when a stranger tells her that thing is part of their religion and she’ll never get an answer.

Bernard’s in bed while Theresa is getting dressed after they have sex. Theresa says she must talk to Ford because he’s creating chaos in the park.

In the park, Dr. Ford oversees an area where the new narrative he’s creating will take place. Theresa notes it’s a massive endeavor and they walk past hosts working in the fields. Theresa says everyone wants to protect his legacy and they’re concerned about the changes he’s making. They take a seat in an outdoor restaurant where Dr. Ford tells Theresa he doesn’t think she likes the place. She reluctantly admits she admires it, but that she realized she wouldn’t enjoy it once she started working there. Dr. Ford said he and Arnold made a bet on storylines, creating 100 hopeful ones that no one actually wanted. Arnold had a dim view of people and liked the hosts better. He also had no liking for business people involved with this world.

As he’s explaining that, all of the hosts stop working and freeze. Dr. Ford says Arnold lost his perspective and went mad, but he himself hasn’t. He says he sees things very clearly. Theresa remembers that where she’s sitting now is where she sat with her parents when they visited the park, and Dr. Ford says they know everything about their hosts, their guests, and their employees. He even warns her to be careful with Bernard because he has a “sensitive disposition.” The hosts begin moving again as he asks her nicely to please not get in his way. Theresa says the Board will agree with her and will send a representative. He says they already have. His new area will be completed on time and it won’t be a retrospective as everyone feared, claiming not to be the sentimental type.

William tells Dolores to hang back and be safe as they take on Slim. Holden tells Logan and William to be careful because Slim’s got his gang with him. Inside the farmhouse, Logan, William, and Holden take on the gang. A wild shoot-out goes down and Logan runs out of bullets, beats one of the men, and takes his gun.

Lawrence and the Man in Black are on their own again, searching for Wyatt. Lawrence thinks they’re crazy doing it. They ride up on a man tied shirtless to a tree. It’s Teddy (James Marsden) who begs the Man in Black to be put him out of his misery. The Man in Black cuts him down but doesn’t kill him.

William, Logan, Dolores, and Holden have Slim tied up on the back of the horse. As Holden goes to gag him, Slim says the man he works for will pay them double. Logan takes out Holden because Slim’s led them to the best ride in the park, a hidden Easter egg he wants to pursue. Dolores wants Logan to let Slim go and William sticks up for Dolores. Logan wants William to go black hat with him, and William says Logan has turned into an evil prick in the park. Logan wants William to join him on the dark side for this upcoming adventure.

Meanwhile back in town, Hector rides down the main street accompanied by the Man in Black, another guest, Armistice, and the rest of his gang. Hector goes through his normal ritual of robbing the saloon when Maeve puts a gun to his head. She wants to talk and takes him up to the room with the safe. She’ll give him the combination in exchange for answers and she pulls out the drawing of the technician. Outside on the streets it’s a bloodbath, but at headquarters they decide to jam the guest’s weapon and take him into jail for fighting alongside Hector.

Hector tells Maeve about the drawing, saying it’s part of sacred native lore. He says the “shape” walks between worlds and was sent from hell to oversee their world. Maeve says she thought she was crazy when she got shot and there was no wound. The shape was standing over her and now the gunshot wound is gone. She wants Hector to cut her in the same place but he won’t. Hector says the dreamwalker said it’s a blessing to see the masters who pull your strings. Maeve prepares to cut herself and says the dreamwalkers don’t know what they’re talking about. She cuts herself and screams, and Hector pulls out a bullet from her abdomen, asking what it means. She says it means she’s not crazy after all and that none of this matters. They kiss passionately as the marshals fire through the door.

Additional Westworld Episodes:




‘Dirk Gently’s Holistic Detective Agency’ Episode 1 Recap: Horizons

Dirk Gently stars Samuel Barnett and Elijah Wood
Dirk Gently (Samuel Barnett) and Todd (Elijah Wood) in ‘Dirk Gently’s Holistic Detective Agency (Photo by Bettina Strauss © BBC AMERICA)

Penny Dreadful‘s Samuel Barnett and Wilfred‘s Elijah Wood headline BBC America’s new series, Dirk Gently’s Holistic Detective Agency, premiering on October 22, 2016. Dirk Gently’s, based on Douglas Adams’ books and adapted into a series by Max Landis (Chronicle, American Ultra), combines sci-fi, comedy, drama, and some action as it follows a bellhop who reluctantly teams up with a holistic detective to find a missing girl and solve a murder. Season one kicked off with an episode titled ‘Horizons’ that introduced all the key players and established the show’s unique tone.

A brief disclaimer: The following recap includes every mention of a Corgi on screen because I proudly admit I’m an obsessed Corgi mom.

Dirk Gently’s Premiere Recap:

Dirk (Barnett) is called to the scene of a bloody multiple murder. Meanwhile, elsewhere in the city, Todd (Wood) watches as his car is attacked by a raging man named Dorian (Ty Olsson) demanding money. Todd’s apparently really behind on rent and now his poor car has paid the price for his delinquency. To make matters worse, Todd’s locked himself out of his apartment and has to break in through the window to get ready for work. While on the bus, he spots a lost Corgi running down the street.

Todd asks his boss at the hotel if he can have his check a little early, but that request’s sidetracked by instructions that he visit the penthouse and also take care of a disorderly drunk woman in one of the rooms. The drunk turns out to be nearly naked and crying, and Todd’s accommodating when she asks if he can hang out for a second. She agrees to leave in an hour after declaring she hates men.

On his way to the penthouse Todd finally returns his sister Amanda’s multiple calls, apologizing he doesn’t have the money to help her out. The elevator opens on the 18th floor to a scene of a man in a slightly bloody, sort of dirty, furry costume who looks exactly like Todd. The door closes again before Todd can react.

Next stop: the penthouse. The lights flicker in the hallway as Todd slowly makes his way to the penthouse. He finds a lottery ticket on the floor and pushes the penthouse door open. Apparently what he discovers is the same bloody murder scene Dirk’s been called to investigate. Two detectives, Zimmerfield (Richard Schiff) and Estevez (Neil Brown Jr.), believe the murders are tied to a missing person’s case. Inside the penthouse, the room is a complete mess with huge blood splatters, broken furniture, and a crushed piano. There are burn marks all over the suite, one victim was bitten in half, and one had his arm torn off. Plus, there are bite marks on the ceiling. Yes, the ceiling!

Todd is questioned by the detectives because he was first on the scene and because he lost the master key prior to these murders. There’s only a short surveillance video that’s usable showing outside the penthouse and it appears a man in a gorilla mask used a key to get into the room. Todd can’t figure out the right answer when asked if he saw anything weird that morning, and he’s warned not to leave town. As the detectives are about to take off, Todd asks if there’s security footage from the 18th floor which makes the two detectives even more suspicious.

The hotel manager says the police think the murders have something to do with an animal. And to top off what’s already an extraordinarily horrible day, Todd is fired and his check won’t be available because it’s a “same day termination,” which makes zero sense to Todd.

Dejected, Todd rides the bus home, alone, and once again he spots the lonely Corgi wandering the streets. When he finally makes it back to his apartment, Dirk is in the process of coming in through his window. They tussle (neither of them is very good at actually fighting) and Todd slaps him in the face. Dirk acts like he can do karate but he sucks, and finally, Todd asks him how he got in – even though he saw him at the window. Todd threatens to call the police while Dirk says he’s just trying to figure out if he’s a clue, an accomplice, or an assistant. Dirk asks him if he’s noticed any weird events in his life that seem unconnected but are each bizarre. Dirk, whose thoughts and words come out like a stream of consciousness without any filter, says he now lives at Todd’s and is ready to sleep on the couch. He’s decided Todd’s an assistant, but Todd tosses him out and wants no part of this madness.

Two men – Colonel Scott Riggins (Miguel Sandoval) and Corporal Hugo Friedkin (Dustin Milligan) – are watching Dirk and Todd from a car on the street, and Scott has a shot and asks if he can take it. He’s told absolutely not but does so anyway, with the bullet ricocheting around Dirk’s apartment and ultimately ending up in Todd’s upstairs neighbor’s place where a woman is tied up to the bed. Her attacker takes the bullet and dies.

Riggins and Friedkin follow Dirk and detectives Zimmerfield and Estevez are completely confused. Are they tailing a guy who just met up with another guy who was being tailed by other people?

Upstairs, the bound woman tries to get loose while downstairs Todd talks to his sister on the phone. She’s feeling horrible but knows from her family history that there will be good days and bad days. Whatever she’s suffering from Todd suffers from, too. Even though he’s had one of the suckiest days ever, he tells his sister he’s fine.

Now we’re introduced to a bald man with tattoos and a guy who’s an expert at rigging some sort of something. A disheveled woman named Bart Curlish (Fiona Dourif) drives up and before the bald guy can do anything to protect himself, she kills him, viciously attacking him with a machete and stabbing him over and over again. She then chases after the guy who was rigging something and the chase slows to a snail’s pace as they tire themselves out. Turns out she’s chasing the wrong guy because this dude is definitely not Dirk Gently. In fact, he’s never heard of him. She tries to blame this whole homicidal sprint on him because he didn’t tell her he wasn’t Dirk Gently, but the guy’s understandably confused since he doesn’t know anyone by that name.

And now we’re back with the actual Dirk Gently who has spent the night outside Todd’s apartment. Todd tries to leave but Dirk just keeps talking, asking him questions about the hotel he was just fired from and the murder scene he discovered. This relationship is not off to a good start as Dirk just won’t let up and Todd’s so exasperated and out of options that he finally accepts a ride to his sister’s house. Plus, the decision was hastened by the appearance of Todd’s hammer-wielding landlord demanding rent.

At the police station, the detectives are still trying to link the murders to the missing person’s case of Lydia Spring. While trying to trace gorilla man’s path throughout the hotel, they spot the Corgi running through the lobby by himself.

Dirk’s a crazy driver, keeping up a running commentary of what they have in common including eating, breathing, and walking. Dirk takes his hands off the wheel, grabs a piece of pizza, and announces he’s a holistic detective and not with the CIA anymore. A holistic detective doesn’t use actual physical clues but instead relies on the connections between causes and effects.

The machete murderer is happy the guy she mistakenly chased decided to come with her. He reminds her she said she’d kill him if he didn’t, but she’s still happy for the company. She stops for gas she doesn’t need and the clerk has been killed, with the murderer now taking aim at her head. She easily turns the tables, kills that guy, and grabs some munchies. She explains to her passenger – who is now completely freaked out – that she’s a holistic assassin who kills whoever she feels like killing all day. If they die, then they were her target. It’s all about the connection between cause and effect. “Everything is chaos, but it’s synchronized.” Her passenger gently says that sounds like a murder spree, but she insists she’s never killed the wrong person.

Todd gases up Dirk’s car, and Dirk’s pleased Todd is already acting as an assistant. Dirk tries again to explain his methods, saying it’s mostly interconnectedness and coincidence. He wasn’t actually at Todd’s apartment because of Todd but was checking out something else in that building. But, Dirk found a compelling piece of evidence at Todd’s place: nothing.

Dirk promised to stay in the car but didn’t, sneaking up on Todd as he knocks on his sister’s front door. He won’t go back to the car and Todd’s forced to introduce him to his sister. Dirk tries to lie that they’re very good friends and Todd punches him while Todd forces himself past Amanda (Hannah Marks).

Amanda needs Todd’s help because she can’t do anything; she has a nerve disease that causes her brain to misinterpret certain inputs. She has hallucinations that feel real. Todd further explains water can feel like fire and breathing can feel like drowning. Todd had it but got better, and Amanda thinks she just needs to take her meds. Dirk wonders why she has to stay in the house if the disease is inside her. It shouldn’t matter at this point where she actually physically is, which leaves Amanda a bit confused.

Todd and Dirk argue over who’s the crazier of the two, and Dirk calls Todd his assistant/best friend. Todd completely disagrees.

Meanwhile outside, Riggins and Friedkin are once again on surveillance duty and Friedkin still has his sniper rifle. He’s chided once again to not use the weapon and in fact, he shouldn’t even have it aimed at the house. The goal is actually to observe and protect the primary, not to kill anyone. Friedkin says he understands but then just as quickly says he’s got a shot. Riggins slaps him upside his head.

Back inside Amanda’s house, Amanda and Todd jam while Dirk smiles and pictures himself playing along. It’s going well until Amanda thinks her drumstick is a knife.

On the drive back to his apartment, Todd confesses he doesn’t have any money after giving Amanda his last $300. He wants to pay for Amanda’s pills because their parents used all of their money to cure Todd of the same disease. They have nothing left for Amanda.

Back at the apartment above Todd’s, the woman is still struggling to free herself.

Todd thinks Dirk’s just dropping him off back at his apartment but no, Dirk claims he now lives there too. Dirk won’t go away, telling Todd he needs them to work together to figure out the death of Patrick Spring. Patrick was one of the murder victims at the hotel, and before he was killed he hired Dirk for more than his usual rate to investigate the murder. Dirk was hired to investigate Patrick’s death six weeks before Patrick actually died. Todd is involved because he was there that day and the murderer used his key. Todd, completely confused, asks Dirk if he’s ever solved a case and Dirk finally confesses he’s solved a few. Dirk tells him money won’t be a problem since Todd’s working the case and somehow he’ll be compensated.

Out on the street, the detectives are in one car watching the apartment and Zimmerfield and Estevez are in another car. Both see a graffiti-covered van pull over to park, actually hitting Todd’s car as they pull to the curb. Inside the apartment, Dirk panics and tries to hide under Todd’s bed as men get out of the van, howling. Dirk says they’re the Rowdy Three, and Todd says there are four men. They trash things as they enter the apartment building and Dirk refuses to leave Todd’s apartment. Todd tries to push Dirk out the door but then pulls him back in when the men with baseball bats are in the hallway. They trash Todd’s apartment, smashing everything and destroying all of Todd’s possessions. Todd’s landlord is not happy about this development, whips out a gun, and heads into the apartment building. The detectives on the street call for backup while the other surveillance team determines their primary objective is in danger and grab their guns.

Inside Todd’s apartment, the four thugs seem to suck up energy (a bright light emanates from Dirk’s body on the floor). They stop once they spot Todd watching them and exit via the window. Todd is devastated because everything is destroyed and just then the landlord rushes in, demanding his rent and demanding to know who those men were that trashed the building. The landlord is having a breakdown and he decides to shoot Todd. Instead, the bullet ricochets around the room and winds up hitting the landlord in the forehead.

The FBI and the police are outside, and they all have weapons on each other. It’s a standoff of sorts while up in the apartment Todd is so pissed he trashes his own guitar.

Todd’s handcuffed at the station, but then the two detectives set him free. It’s determined Todd’s landlord shot himself. Plus, the FBI was surveilling the landlord’s house because he was a drug dealer. Todd’s told he’s a person of interest permanently because he’s now connected to four dead bodies. He’s reminded he can’t leave town.

Two weird bald guys with tattoos ask the hotel manager if he found a kitten in the penthouse. When he says no, he’s killed.

Todd sees Lydia’s missing person flyer after being let go, and Dirk’s also just been freed by the police. Todd admits he stole the rent money from his landlord and that’s why he wouldn’t let it go. Dirk tells him that seems practical, and Todd says now he’s homeless and a suspect in multiple murders. Dirk says they still have a case to solve and Todd screams he’s not Dirk’s sidekick. Dirk tells him to take control of his life and interesting things will happen. Todd’s done with it and gets back on the bus where he once again spots the Corgi outside. This time he leaps off the bus and picks up the Corgi. Together they walk to the house on the dog’s tag. There’s something odd about the people who live there, but they take the Corgi and close the door.

Dirk opens his bag in an apartment and in it are the black kitten and the gorilla mask.

Todd stops in front of a store with a TV in the window. The lottery ticket he picked up in the hotel’s hall is a $10,000 winner.




‘The Exorcist’ Season 1 Episode 5 Recap: Through My Most Grievous Fault

Exorcist Season 1 Ep 5
Hannah Kasulka and Alfonso Herrera in the “Chapter Five: Through My Most Grievous Fault” episode of ‘The Exorcist’ (Photo by Jean Whiteside © 2016 Fox Broadcasting Co)

Season one episode five of Fox’s The Exorcist delivered a huge surprise twist that should have made fans of the source material scream with joy. Airing on October 21, 2016 and titled ‘Through My Most Grievous Fault,’ the episode was a game-changer for the fledgling show. Episode five began with Marcus (Ben Daniels) drawing in his Bible and Father Tomas (Alfonso Herrera) worried about the Rance family. Casey (Hannah Kasulka) is covered in boils, chained to her bed while her father, Henry (Alan Ruck), tends to her. She’s in horrible shape and as he’s about to leave the room, she asks him if he wants to hear a secret. She puts one of her chains around his neck when he takes a seat on the bed next to her, and the demon whispers in his ear. Henry walks downstairs and Angela (Geena Davis) knows something is wrong but not what. She was asleep and missed out on watching the incident on close-circuit.

Kat (Brianne Howey) is listening to music in her room when she hears banging in the walls. She taps back, asking if Casey can hear her. The racket in response sends her back to her bed and back to listening to her headphones.

Angela’s keeping busy cleaning the kitchen as the banging increases over her head in Casey’s room. She gets up on a chair to clean a gross mess on the ceiling that’s leaking from Casey’s room when Henry walks in and looks at her precarious position. Meanwhile in Casey’s room the demon tries to get inside Father Tomas’ head by talking about his grandmother. Marcus takes Casey’s head in his hands, telling it to leave her body. Casey continues to try and get to Father Tomas and as they both watch, one of Casey’s big toes breaks and turns sideways.

Angela looks through old photos and Henry lurks in the doorway. He stares at her and she says she’s not sure how much more she can take of the banging noises. Henry leans in and asks her if she believes in God and she responds by saying he probably has low blood sugar from not eating. He follows up by asking if she’s lied to him and she dodges the question, telling him she could use some cooperation. She wants to know why he’s blaming her for this, saying she’s not going to take the blame.

Father Tomas bandages Casey’s toe while Marcus tells Casey she has to fight the demon. She speaks to Father Tomas as if she’s his grandmother, telling him she never wanted this for him. He begs her to stop while Marcus tells Father Tomas not to look at it. Father Tomas doesn’t listen to Marcus and instead argues with Casey. He races from the room and Marcus chases after him, assuring him he can do this. They run back into the room as Casey screams and flies through the air, banging off the walls and reciting the Little Piggies nursery rhyme.

Father Tomas and Marcus chain her back to the bed while Henry prays in his bedroom. He leaves the rosary on the bed when he hears dripping in his closet. He looks up and something’s coming from the ceiling and has saturated a box. In the box is a Bible and he opens it to see pressed flowers and a red feather.

Marcus cradles Casey in his arms and her physical condition is deteriorating as is the Stranger’s condition while he floats above her chest. The Stranger doesn’t want her to fight him, warning her she must bring “her” to him.

Kat tells her mom they need more help, and should call in the police or professionals who do something with Casey. Angela says no and asks her to stop discussing it. Kat says they have to do the right thing and in walks Marcus with the news Casey is sleeping. Angela makes him some tea and Marcus assures Kat he would never hurt Casey.

Father Tomas takes some time to himself to wash up in the bathroom but then hears Jessica knocking on the door. She’s calling for him to come to her and the lights in the house flicker. He enters Casey’s room and now it’s Jessica instead of Casey who’s inside. He tries to convince himself she’s not Jessica but he’s weak and as she touches his face, he reminds her she’s married. She asks for his hands and he says, “Unclean spirit!” She touches her own breast and then puts her fingers under his nose and whispers in his ear that she’s hungry, making him kneel before her as she caresses his head at waist level and as he begins to get intimate. While Tomas sees Jessica, we see it’s Casey – of course – who’s gotten into his head.


Fortunately, Marcus enters the room and stops Father Tomas, knocking him away from Casey who responds by making a horrible pun: “Just as I was getting a’head’.” Marcus pushes Father Tomas from the room and tells him he’s now been compromised. Marcus thinks Father Tomas is a liability. Kat sneaks a look into the room before Marcus can push her away from the door.

Father Tomas takes a walk in the rain to Jessica’s. He’s clearly upset and is no longer wearing his collar.

Marcus asks the demon its name and she tells him an excommunicated priest would be quite a jewel in their crown. He calls it a coward and it responds by telling him he’s not fit to perform an exorcism. It talks about his father while she asks if it’s taken Casey because she’s a woman and he thinks she’s weak. It tells him to bring “her” to him, and he asks who. Marcus calls it a spiteful, jealous spirit and says Casey is fighting to get him out of her. He holds Casey’s head and then he sees his mother in the room. Marcus says, “Mom?” while we get a flash of a scene of Father Tomas kissing Jessica. Mom tells Marcus she and his father never wanted him and he was a mistake.

Father Tomas and Jessica are getting hot and heavy while in Casey’s room Marcus’ mom talks about how his father brained her with his hammer (her head is bloody and distorted on one side). Mom strokes Marcus’ head and tells him she should have flushed him when she had the chance. Casey takes his mom’s place and he asks her if that’s all she’s got. Casey floats above the bed and tells Marcus to “come to us.” He screams at Casey as Father Tomas and Jessica make love at Jessica’s house.

Sirens are approaching the house and Angela figures out Kat has called the police. She screams no and Marcus offers Casey his hand, knocking him aside as the police rush into the room. They grab Marcus and Casey falls back onto the bed. They take her out of the house on a gurney and haul Marcus away under arrest. Angela yells at them that they can’t do this and that Marcus is a priest. Angela cries out that this will kill her daughter as Henry simply looks on and Kat tries to tell her mom it’s for the best.

From inside the house Kat watches as her sister’s placed in the ambulance. Before she’s settled inside, Casey lifts the oxygen mask off her face, stares at Kat, and smiles. Kat looks surprised and horrified.

The police question Angela and Henry as the ambulance drives away in the fog. The police assure Angela that Casey’s going to have the best care. They want to know what happened in the house while on the road to the hospital the ambulance is seen crashed into a tree. Inside the ambulance Casey is obviously doing something to her attendees. The back door opens, Casey walks out, and it’s just a scene of bloody carnage in the back of the ambulance. She flees the crash scene.

The news breaks in saying Casey has been missing for two days and her family fears the worst. Marcus watches the news from his jail cell. He massages his own shoulder and then seems to have an epiphany, saying, “He is coming.” Father Bennett shows up to bail him out and Marcus tells him he needs to warn His Holiness.

Back at the Rance house, Angela is startled awake from a bad dream and sees Henry sitting on the edge of the bed in the dark. He asks if there’s something she needs to tell him. She apologizes and says she hasn’t let him in recently. She wants to know what’s troubling him and he places a Bible on the bed, telling her she needs to confess. She picks it up, sees the inscription, and understands what has upset Henry.

Tomas, still collar-less, visits the church and kneels in the aisle. He prays, saying it’s his fault and asking for his brothers and sisters to pray for him. He hears a noise and Angela is in the back of the church lighting a candle. They sit in a pew and discuss patron saints and lost causes. Tomas says they will find Casey and that people don’t just disappear. But Angela thinks Casey had already disappeared even before this possession. Henry’s accident, Kat’s accident, and now this. She asks why he became a priest and then remembers it was because of his grandmother. She tells him her parents split up when she was a kid and that she moved around a lot. And here comes the huge twist … are you ready? Angela reveals when she lived in Washington DC as a kid she had an imaginary friend. (It’s a ‘tingles up your spin’ scene!) She said he looked like a little red bird to her and he could make her do just about anything. He made her feel special at first, but then thankfully she can’t remember most of it. She just wanted to move on with her life but her mother was always finding new ways to use her story to make money. Angela ran away from all that, changed her name, and never saw her mom again. She reinvented herself but no matter what she wasn’t protected. She chose Angela – for Angel – thinking the name would protect her.

As Angela tells Tomas her story, a stranger arrives at her home and rings the bell. Henry goes to answer the door.

Angela says she dreamed she could have a life, but nothing she did mattered. She says, “It’s coming for me, Father,” as we see that Henry had been at home looking at the inscription on the Bible which reads, “To Rags, Love, Mama, 1974.” Angela is Regan MacNeil from The Exorcist book and movie!

Henry opens the door and the woman standing there introduces herself as Chris MacNeil. She says she’s there to see her daughter.

A flashback shows Regan and her mom on a talk show promoting Chris’ book, The Devil in My Daughter. Regan says she doesn’t remember what happened to her.

* * * * * * *

The Exorcist airs on Fox on Fridays at 9pm ET/PT.





Tonya Harding Film with Margot Robbie Finds Financing

Margot Robbie stars in Terminal
Margot Robbie stars in ‘Terminal.’

The Tonya Harding film, I, Tonya, has found its funding with AI Film coming on board to fully finance the production. Margot Robbie, soon to be seen in Terminal with Simon Pegg, is in negotiations to star as the disgraced figure skater in what’s described as an edgy comedy. Craig Gillespie (The Finest Hours, Fright Night) is on board to direct from a script by Steven Rogers (P.S. I Love You, Stepmom), with Bryan Unkeless, Tom Ackerley, Rogers, and Robbie producing. Len Blavatnik and Aviv Giladi are executive producing.


“AI Film is thrilled to be collaborating with such a terrific creative team on this hugely entertaining project that is sure to captivate audiences worldwide,” stated AI Film Chairman Aviv Giladi.

“We are proud to partner with the talented teams at AI Film, Clubhouse Pictures, and LuckyChap Entertainment to present Craig and Steven’s unique and darkly comedic take on the iconic events that catapulted figure skating into the hot seat of global controversy,” said Sierra/Affinity CEO Nick Meyer. “Margot is an incredible acting talent that will combine her powerful on-screen presence with a comedic touch that will give this project wide appeal.”

Robbie’s credits include Suicide Squad, The Wolf of Wall Street, The Legend of Tarzan, Whiskey Tango Foxtrot, Focus, and Z for Zachariah.

The Plot: I,Tonya peels back the layers of Tonya Harding’s sensationalized involvement in the 1994 attack on Nancy Kerrigan, exposing the absurd, tragic, and hilarious story-behind-the-story of the most infamous tabloid scandal in the history of figure skating and the Olympic Games.




‘Atlanta’ Star Donald Glover is Lando Calrissian

Han Solo Star Wars Cast Photo
Christopher Miller, Woody Harrelson, Phoebe Waller-Bridge, Alden Ehrenreich, Emilia Clarke, Joonas Suotamo, Phil Lord and Donald Glover on the set of ‘Solo’ (Copyright: 2017 Lucasfilm Ltd)

Lucasfilm confirmed Donald Glover will be taking on the role of a young Lando Calrissian in the upcoming Han Solo film. The as-yet-untitled Han Solo Star Wars movie has Alden Ehrenreich (Rules Don’t Apply, Beautiful Creatures) on board to play a young Han Solo and The LEGO Movie filmmakers Phil Lord and Christopher Miller attached to direct.

Ehrenreich is, of course, playing the role Harrison Ford took on in the Star Wars film franchise while Glover is the younger version of Billy Dee Williams’ Lando Calrissian. The upcoming Han Solo movie will open in theaters in 2018.

“We’re so lucky to have an artist as talented as Donald join us,” stated Lord and Miller. “These are big shoes to fill, and an even bigger cape, and this one fits him perfectly, which will save us money on alterations. Also, we’d like to publicly apologize to Donald for ruining Comic-Con for him forever.”

Glover created and is currently starring in FX’s Atlanta. His credits also include Community, The Martian, Magic Mike XXL, and the upcoming Spider-Man: Homecoming.

More on the Han Solo Film, Courtesy of Lucasfilm: “Donald Glover will join Alden Ehrenreich — previously cast as Han Solo — in bringing two iconic Star Wars characters back to the big screen, but at a time in their lives previously unexplored. This new film depicts Lando in his formative years as a scoundrel on the rise in the galaxy’s underworld — years before the events involving Han, Leia, and Darth Vader in The Empire Strikes Back and his rise to Rebel hero in Return of the Jedi.




A&E Announces the ‘Wahlburgers’ Season 7 Premiere Date

Wahlburgers stars Mark Wahlberg and Paul Wahlberg
Mark Wahlberg, Rhea Durham, and Paul Wahlberg of A&E’s ‘Wahlburgers’ (Photo Credit: A&E)
A&E’s confirmed Wahlburgers will return for a seventh season on November 16, 2016. The upcoming season will kick off with back-to-back half hour episodes airing at 10pm ET/PT and 10:30pm ET/PT. All of the Wahlbergs – Paul, Donny, Mark, and mom Alma – are returning to the reality series which focuses on the family’s chain of restaurants.


Planned celebrity guest stars for season seven include Josh Duhamel, Nikki and Brie Bella, and Rick Astley. The series is executive produced by Mark Wahlberg, Donnie Wahlberg, Stephen Levinson, Rasha Drachkovitch, Archie Gips, David Hale, and Devon Hammonds.

The Plot: Wahlburgers continues to chronicle the lives of the Wahlberg family including matriarch Alma and her sons Mark, Donnie and Paul along with the rest of their family and friends. This season, we visit Mark on the Transformers: The Last Knight set where he clashes with director Michael Bay when he secretly enlists actor Josh Duhamel to join him in wearing Wahlburgers hats while filming some high octane scenes. The pressure is on for Donnie when he arrives in Coney Island to throw the ceremonial first pitch for the Brooklyn Cyclones’ Minor League baseball team only to run into former New York Met Mookie Wilson. Plus, Wahlburgers gets a visit from the WWE’s Bella Twins (Nikki and Brie Bella), Paul gets a tour of London from 80’s pop singer Rick Astley and country music star John Rich opens his hot spot Redneck Riviera right above Wahlburgers in Las Vegas. Could this mean a possible new business partnership on the horizon?





‘Nocturnal Animals’ Official Trailer: Amy Adams and Jake Gyllenhaal

Nocturnal Animals starring Amy Adams and Jake Gyllenhaal
Academy Award nominee Amy Adams stars as Susan Morrow in writer/director Tom Ford’s romantic thriller ‘Nocturnal Animals’ (Photo Credit: Merrick Morton/Focus Features)

Now this is how you put together an effective trailer. Focus Features just released the official trailer for Nocturnal Animals from writer/director Tom Ford and if the movie wasn’t on your must-see list, the trailer should move it onto it. The film’s based on the novel Tony and Susan by Austin Wright and stars Jake Gyllenhaal and Amy Adams. Aaron Taylor-Johnson, Isla Fisher, Karl Glusman, Armie Hammer, Laura Linney, Andrea Riseborough, and Michael Sheen co-star in the dramatic film which is hoping for awards attention later this year. Focus Features will release the film in select cities beginning November 18, 2016, expanding into additional cities on November 23rd, and finally opening in wide release on December 9th.

The Plot: Winner of the Grand Jury Prize at the 2016 Venice International Film Festival, Nocturnal Animals is a haunting romantic thriller of shocking intimacy and gripping tension that explores the thin lines between love and cruelty, and revenge and redemption. Academy Award nominees Amy Adams and Jake Gyllenhaal star as a divorced couple discovering dark truths about each other and themselves in Nocturnal Animals.

Watch the Nocturnal Animals trailer:





‘Jack Reacher: Never Go Back’ Review

Jack Reacher Never Go Back star Tom Cruise
Tom Cruise plays Jack Reacher in ‘Jack Reacher: Never Go Back’ from Paramount Pictures and Skydance Productions.

“Major Turner has been arrested,” says Col. Morgan (Holt McCallany). “On what charge?” asks Jack Reacher (Tom Cruise). “Espionage,” replies Morgan as Reacher quickly begins to realize that his friend Turner (Cobie Smulders) is being set up in the action film sequel, Jack Reacher: Never Go Back.

After having a few pleasant phone conversations and helping each other out with a few legal issues, Reacher decides to go to D.C. and meet in person Major Turner, the new person in charge of his old unit. When he arrives and goes to see her, he’s surprised to find out she’s been arrested for espionage. After doing a little digging and talking to her lawyer, Reacher discovers she’s being set up. But before he can get in to see her, he’s also wrongly arrested by the military for a crime he didn’t commit. So Reacher uses his unique skills to break himself and Major Turner out of the military holding facility and go on the run to uncover and expose a military conspiracy and clear both their names while trying to keep safe a 15-year-old girl who just might be Reacher’s daughter.

Unoriginal and unimpressive, Jack Reacher: Never Go Back is a formulaic action mystery that isn’t that mysterious and has mediocre action scenes. It’s a perfect example of a forgettable sequel. Tom Cruise seems almost uncomfortable in this his second outing as the former military policeman turned wanderer/protector of the wrongly accused. It’s obvious he’s trying to show how Reacher is used to working and being on his own and how being with Turner and the young girl is new and awkward for him, but it only comes across as a stilted and at times robotic performance.

Cobie Smulders is horribly miscast as the framed Major who’s forced to go on the run with Reacher to clear her name. She has zero chemistry with Cruise, something that is clearly evident in the few quiet scenes between the two characters. Plus, the Major never comes across as a true military leader.

The script is weak, with bad dialogue and a plot that feels like it belongs on a television crime show…actually it might have been already. There is NO character development of any of the villains; they are all just brooding thugs and none of their action scenes are actually exciting. In short, Jack Reacher: Never Go Back is an unnecessary and unworthy sequel that should be missed especially by true action film fans.

GRADE: C-

MPAA Rating: PG-13 for sequences of violence and action, some bloody images, language and thematic elements

Release Date: October 21, 2016

Running Time: 118 minutes

Directed By: Edward Zwick

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