Tom Hardy (Photo by Richard Chavez / ShowbizJunkies)
Tom Hardy (The Revenant, Mad Max: Fury Road) has signed on to star as Al Capone in the dramatic movie Fonzo. Josh Trank (Chronicle) wrote the script and is directing the film which is currently in the pre-production stage. Russell Ackerman, John Schoenfelder, and Lawrence Bender are producing, and Bloom is handling the international sales at the 2016 American Film Market.
“Fonzo brings together the myth and lore of notorious American gangster Al Capone, with the undeniable talent of Tom Hardy and Josh Trank. We are thrilled to bring this film to buyers at the AFM,” stated Bloom’s Alex Walton.
Hardy’s been keeping busy with projects, including a starring role in Ridley Scott’s upcoming FX series, Taboo. He also recently finished work on the action drama Dunkirk directed by Christopher Nolan and starring Cillian Murphy, Kenneth Branagh, James D’Arcy, and One Direction’s Harry Styles. Dunkirk is set to open in theaters on July 21, 2017.
The Plot: Once a ruthless businessman and bootlegger who ruled Chicago with an iron fist, Alfonse Capone was the most infamous and feared gangster of American lore. At the age of 47, following nearly a decade of imprisonment, dementia rots Alfonse’s mind and his past becomes present as harrowing memories of his violent and brutal origins melt into his waking life.
Sterling Jerins, Sarah Jessica Parker, and Charlie Kilgore in ‘Divorce’ (Photo: Macall B. Polay / HBO)
HBO’s two new half-hour comedies, Insecure and Divorce, finish up the first season runs with four new episodes each in November 2016. Insecure was created by Issa Rae and Larry Wilmore and stars Rae, Jay Ellis, Lisa Joyce, and Yvonne Orji. Sharon Horgan created and executive produces Divorce, with Sarah Jessica Parker, Thomas Haden Church, Molly Shannon, Talia Balsam, Tracy Letts, Sterling Jerins, and Charlie Kilgore starring in the relationship comedy/drama.
Divorce November 2016 Episodes:
Episode #5: “Gustav”
Debut date: SUNDAY, NOV. 6 (10:00-10:30 p.m. ET/PT)
Other HBO playdates: Nov. 6 (1:00 a.m., 3:00 a.m.), 9 (2:40 a.m.) and 10 (10:45 p.m.)
HBO2 playdates: Nov. 7 (9:00 p.m.), 9 (11:30 p.m.), 10 (8:00 p.m.), 12 (3:05 a.m.), 19 (4:30 p.m.) and 25 (3:00 p.m.), and Dec. 17 (6:00 p.m.)
Frances (Sarah Jessica Parker) discovers that Robert (Thomas Haden Church) has hired a lawyer, and responds in kind. Frances looks to connect with an influential artist. Robert pitches Nick (Tracy Letts) a can’t-miss investment opportunity.
Written by Cindy Chupack; directed by Adam Bernstein.
Episode #6: “Christmas”
Debut date: SUNDAY, NOV. 13 (10:00-10:30 p.m.)
Other HBO playdates: Nov. 13 (1:00 a.m., 3:00 a.m.), 16 (2:35 a.m.), 17 (10:10 p.m.) and 19 (3:05 a.m.)
HBO2 playdates: Nov. 14 (9:00 p.m.), 16 (8:30 p.m.), 17 (8:00 p.m.), 19 (5:00 p.m.) and 25 (3:30 p.m.), and Dec. 17 (6:30 p.m.)
Frances (Sarah Jessica Parker) and Robert (Thomas Haden Church) try to set their differences aside and make their annual Christmas trip to her parents’ house with the kids.
Written by Tom Scharpling; directed by Jamie Babbit.
Episode #7: “Weekend Plans”
Debut date: SUNDAY, NOV. 20 (10:00-10:30 p.m.)
Other HBO playdates: Nov. 20 (12:30 a.m., 2:00 a.m.), 23 (2:15 a.m.), 24 (11:00 p.m.) and 26 (5:05 a.m.)
HBO2 playdates: Nov. 21 (9:00 p.m.), 23 (8:30 p.m.), 24 (8:00 p.m.) and 25 (4:00 p.m.), and Dec. 17 (7:00 p.m.)
Frances (Sarah Jessica Parker) discovers that Robert (Thomas Haden Church) has misled her about their financial situation. Robert tries to re-enter the “dating” pool.
Written by Adam Resnick; directed by Adam Bernstein.
Episode #8: “Church”
Debut date: SUNDAY, NOV. 27 (10:00-10:30 p.m.)
Other HBO playdates: Nov. 27 (12:30 a.m., 2:00 a.m.) and 30 (2:35 a.m.), and Dec. 1 (10:35 p.m.) and 3 (4:15 a.m.)
HBO2 playdates: Nov. 28 (9:00 p.m.) and 30 (8:30 p.m.), and Dec. 1 (8:00 p.m.) and 17 (7:30 p.m.)
Frances (Sarah Jessica Parker) pursues a new job, and is troubled that Robert (Thomas Haden Church) suddenly seems so happy, despite the divorce.
Written by Hayes Davenport; directed by Beth McCarthy-Miller.
Issa Rae and Jay Ellis star in ‘Insecure’ (Photo: Anne Marie Fox/HBO)
Insecure November Episodes:
Episode #5: “Shady as F**k”
Debut: SUNDAY, NOV. 6 (10:30-11:00 p.m. ET/PT)
Other HBO playdates: Nov. 6 (12:30 a.m., 3:30 a.m.), 8 (11:50 p.m.), 10 (11:15 p.m.) and 12 (2:00 a.m.)
HBO2 playdates: Nov. 7 (1:10 p.m., 9:30 p.m.), 9 (8:30 p.m.), 12 (8:00 p.m.) and 27 (6:30 p.m.), and Dec. 3 (7:00 p.m.)
A mortified Issa (Issa Rae) searches for a way to get her open mic video taken down and finds herself reconnecting with Daniel (Y’lan Noel) during a trip to his studio. Lawrence (Jay Ellis) faces questions about his future with Issa. Molly (Yvonne Orji) invites her “perfect guy” Chris (Jidenna) to her co-worker’s engagement party, while attempting to navigate her “friendship” with Jared (Langston Kerman).
Written by Ben Dougan; directed by Melina Matsoukas.
Episode #6: “Guilty as F**k”
Debut: SUNDAY, NOV. 13 (10:30-11:00 p.m.)
Other HBO playdates: Nov. 13 (12:30 a.m., 3:30 a.m.), 15 (2:15 a.m.), 17 (10:40 p.m.) and 19 (12:45 a.m.)
HBO2 playdates: Nov. 14 (3:30 p.m., 9:30 p.m.), 16 (8:00 p.m.), 19 (8:00 p.m.) and 27 (7:00 p.m.), and Dec. 3 (7:30 p.m.)
Issa (Issa Rae) tries to keep things together while hiding her guilt, as Lawrence (Jay Ellis) doubles down on his commitment to her. Molly (Yvonne Orji) embraces a new relationship, but after learning more than she wants to about her new beau’s past, struggles to focus on their future.
Written by Amy Aniobi; directed by Debbie Allen.
Episode #7: “Real as F**k”
Debut: SUNDAY, NOV. 20 (10:30-11:00 p.m.)
Other HBO playdates: Nov. 20 (midnight, 2:30 a.m.), 22 (11:00 p.m.), 24 (11:30 p.m.) and 26 (4:35 a.m.)
HBO2 playdates: Nov. 21 (1:30 p.m., 9:30 p.m.), 23 (8:00 p.m.), 26 (8:00 p.m.) and 27 (7:30 p.m.), and Dec. 3 (8:00 p.m.)
As Issa (Issa Rae) prepares for an important work fundraiser, her plan to keep focused gets derailed. Lawrence (Jay Ellis) considers a career opportunity. Molly (Yvonne Orji) runs into an old friend with a new outlook.
Written by Prentice Penny; directed by Kevin Bray.
Episode #8: “Broken as F**k” (season finale)
Debut: SUNDAY, NOV. 27 (10:30-11:00 p.m.)
Other HBO playdates: Nov. 27 (midnight, 2:30 a.m.) and 29 (12:05 a.m.), and Dec. 1 (11:05 p.m.) and 3 (2:40 a.m.)
HBO2 playdates: Nov. 28 (12:40 p.m., 9:30 p.m.) and 30 (8:00 p.m.), and Dec. 2 (8:00 p.m.) and 3 (8:30 p.m.)
The lingering tension between Molly (Yvonne Orji) and Issa (Issa Rae) threatens to resurface during a girls’ trip. Lawrence (Jay Ellis) reconnects with his friends.
Written by Issa Rae; directed by Melina Matsoukas.
Justin Timberlake as the voice of Branch in ‘Trolls’ (Photo by Jason Bush / DreamWorks Animation)
The 2016 Hollywood Film Awards have selected Justin Timberlake as the recipient of their Hollywood Song Award. Timberlake was chosen for the honor in recognition of his single, “Can’t Stop the Feeling,” from the animated movie Trolls in which Timberlake lends his voice to the character Branch, a very pessimistic troll. Anna Kendrick, Christopher Mintz-Plasse, Russell Brand, Zooey Deschanel, Jeffrey Tambor, Christine Baranski, James Corden, Kunal Nayyar, John Cleese, and Gwen Stefani are also a part of the animated film based on the popular weird-looking toy.
“Can’t Stop the Feeling” is Timberlake’s fifth #1 single and was produced by Timberlake, Max Martin, and Shellback. Justin also served as the executive music producer on Trolls.
The 2016 Hollywood Film Awards will take place on November 6, 2016 with James Corden set to host. Previously announced award recipients include Eddie Murphy, Tom Hanks, Hugh Grant, Natalie Portman, Nicole Kidman, Naomie Harris, Lily Collins, Janelle Monáe, Mel Gibson, Tom Ford, Marc Platt, Kenneth Lonergan, Linus Sandgren, Mychael Danna, John Gilbert, Stephane Ceretti, Richard Bluff, Christopher Boyes, Frank Eulner, Albert Wolsky, Shane Thomas, Angela Conte, Bec Taylor, Noriko Waztanabe, and Wynn Thomas.
Gravitas Pictures has picked up the North American rights to City of Dead Men starring Diego Boneta and Twilight‘s Jackson Rathbone. The psychological thriller/horror film, which just released its official trailer, comes from first time feature film director Kirk Sullivan and screenwriter Andrew Poston. In addition to Boneta and Rathbone, the cast includes newcomer María Mesa. City of Dead Men is targeting a December 16, 2016 release On Demand and in limited theaters.
“I grew up with death and violence all around me — Medellín was tough back then. This is where the dead men come from; growing up thinking that you are already dead, believe me, living life like that is intense,” said producer Alejo Arango.
The Plot: When Michael (Boneta), a young American tourist running away from his own demons, arrives in Medellin, Colombia, after a long journey throughout South America, he realizes he’s gone through all of his money and must resolve the situation soon. Then he meets Melody (Mesa), a pretty Colombian girl who knows the city well and hooks him up with a group of young misfits led by the mysterious Jacob (Rathbone). The intoxicating group lives in an abandoned psychiatric hospital for children on the outskirts of the city and when they offer Michael their friendship and shelter – he quickly accepts. But slowly, Michael begins to sense the horror that went on in the hospital and feels the energy permeating the premises. His new friends only feel immortal, testing their limits every single day, pulling Michael into their dangerous dynamic — and it may be too late for him to get out alive…
One Direction’s Niall Horan and The Late Late Show host James Corden teamed up to sing a new Halloween-inspired single, “Candy,” set to the tune of Ginuwine’s “Pony.” Horan, who just launched his solo career with the song “This Town,” dons pirate garb to seduce a woman while Corden channels his inner Batman and tries to win a different woman over. “I’m just a Batman, looking for some Pop Rocks, something that’s sweet inside. You look like the right fun size,” sings Corden while the woman looks completely confused about this strange man at her door dressed as a superhero.
The woman Horan’s attempting to seduce seems much more into the sexy pirate trick or treating her house. “Girl, when you break me off a KitKat, I’m going to make your tootsie pop,” sings Horan will stuffing his mouth with Halloween candy.
Corden and Horan switch up costumes in the “Candy” music video, dressing as vegetables, an astronaut, a vampire, a ghost, and even a cow to go with Corden and Horan singing, “What’s your Halloween fantasy? You want a ghost? Baby, boo. You want a cow? Baby, moo.” The video ends with the two comparing the size of their Hershey bars.
The CW has already prepared for the upcoming winter holiday season even though we haven’t even made it through Halloween yet. The network just announced its slate of holiday-themed specials, including a new limited series with Terry Crews and a special hosted by Dean Cain (Supergirl) celebrating the best Christmas movies of all time. The CW’s holiday plans also include repeat airings of Grandma Got Run Over By a Reindeer as well as 2016’s iHeartRadio Jingle Ball featuring Ariana Grande, Justin Bieber, and The Chainsmokers.
Details on The CW’s Holiday Schedule:
New this holiday season, The CW will broadcast an original holiday special, TERRY CREWS SAVES CHRISTMAS, for five hour-long episodes across four consecutive nights, starting Tuesday, December 20 (8:00-9:00pm ET). In each episode, comedy superstar and Christmas super-fan Terry Crews will visit a hopeless holiday enthusiast and put them through a hilarious crash-course in how to do Christmas right. After spying on the makings of a Christmas mess, an expert team led by Terry and his no-nonsense food, beverage and design experts, will intervene and provide tips and tricks to pull off a Christmas that friends and family will remember for years to come. TERRY CREWS SAVES CHRISTMAS is produced by Tim Warren, and Chris Grant, Drew Buckley, Justin Dudek and Max Levenson of Electus.
On Friday, November 25 (8:00-9:00pm ET), the one-hour special GRANDMA GOT RUN OVER BY A REINDEER returns to The CW. Based on the hit song that became a worldwide holiday phenomenon, this goofy and heartwarming adventure features young Jake Spankenheimer on the quest of a lifetime to track his missing Grandma down on Christmas Eve to prove that Santa Claus is indeed real. Michele Lee provides the voice of Jake’s greedy Cousin Mel and recording artist Elmo Shropshire provides the narration. An encore presentation of GRANDMA GOT RUN OVER BY A REINDEER will air on Monday, December 12 (8:00-9:00pm ET).
On Monday, December 12 (9:00-10:00pm ET), The CW presents GREATEST HOLIDAY COMMERCIALS COUNTDOWN 2016 as Kevin Frazier and Keltie Knight host this holiday celebration with a countdown of the 12 best holiday commercials ever – one for each of the 12 days of Christmas. In addition to the top 12, the special features other great commercials from both the U.S. and abroad, that capture the true spirit of the holiday season – from the heartfelt to the hilarious, from the outstanding to the ridiculous. Executive Producers are Robert Horowitz and Lewis Fenton. An encore presentation will air on Tuesday, December 20 (9:00-10:00pm ET).
Dean Cain hosts THE TOP 12 GREATEST CHRISTMAS MOVIES OF ALL TIME, airing on Wednesday, December 14 (8:00-9:00pm ET). In this special, Dean Cain and friends present a fresh look inside the 12 Greatest Christmas Movies of All Time counting down to the number one choice! We look at the magical moments in each of these films that make us laugh, cry, and mostly want to watch them again and again. These great films define what the holidays are all about!
On Thursday, December 15 (8:00-9:30pm ET), The CW will feature the return of iHEARTRADIO JINGLE BALL 2016, a 90-minute star-studded concert from Madison Square Garden, with musical performers including Justin Bieber, Ariana Grande, The Chainsmokers, Meghan Trainor, Fifth Harmony, Ellie Goulding, Diplo, Charlie Puth, Lukas Graham and Daya, with special guest appearance by Niall Horan, scheduled to perform. An encore presentation of iHEARTRADIO JINGLE BALL 2016 will air on Monday, December 26 (8:00-9:30pm ET).
THE 85th ANNUAL HOLLYWOOD CHRISTMAS PARADE returns to The CW on Friday, December 16, (8:00-10:00 p.m. ET), with Olivia Newton-John serving as Grand Marshal. The “Largest Christmas Celebration in America” will be hosted by popular personalities Erik Estrada, Laura McKenzie, Dean Cain and Montel Williams, with special co-hosts Elizabeth Stanton and Garrett Clayton. The parade on Hollywood Boulevard will include live musical performances that will take place on two stages. A true Hollywood tradition, the parade features larger-than-life inflatable character balloons, and celebrity-filled cars making the heralded trek down the parade route.
FRIDAY, NOVEMBER 25
8:00-9:00pm GRANDMA GOT RUN OVER BY A REINDEER
9:00-10:00pm PENN & TELLER: FOOL US (Encore)
MONDAY, DECEMBER 12
8:00-9:00pm GRANDMA GOT RUN OVER BY A REINDEER (Encore)
9:00-10:00pm GREATEST HOLIDAY COMMERCIALS COUNTDOWN 2016
WEDNESDAY, DECEMBER 14
8:00-9:00pm THE TOP 12 GREATEST CHRISTMAS MOVIES OF ALL TIME
THURSDAY, DECEMBER 15
8:00-9:30pm IHEARTRADIO JINGLE BALL 2016
9:30-10:00pm WHOSE LINE IS IT ANYWAY? (Encore)
FRIDAY, DECEMBER 16
8:00-10:00pm THE 85TH ANNUAL HOLLYWOOD CHRISTMAS PARADE
TUESDAY, DECEMBER 20
8:00-9:00pm TERRY CREWS SAVES CHRISTMAS
9:00-10:00pm GREATEST HOLIDAY COMMERCIALS COUNTDOWN 2016 (Encore)
WEDNESDAY, DECEMBER 21
8:00-9:00pm TERRY CREWS SAVES CHRISTMAS
THURSDAY, DECEMBER 22
8:00-9:00pm TERRY CREWS SAVES CHRISTMAS
FRIDAY, DECEMBER 23
8:00-9:00pm TERRY CREWS SAVES CHRISTMAS
9:00-10:00pm TERRY CREWS SAVES CHRISTMAS
MONDAY, DECEMBER 26
8:00-9:30pm IHEARTRADIO JINGLE BALL 2016 (Encore)
9:30-10:00pm WHOSE LINE IS IT ANYWAY? (Encore)
FRIDAY, DECEMBER 30
8:00-10:00pm IHEARTRADIO MUSIC FESTIVAL – NIGHT 1 (2016) (Encore)
MONDAY, JANUARY 2, 2017
8:00-10:00pm IHEARTRADIO MUSIC FESTIVAL – NIGHT 2 (2016) (Encore)
Fox’s Lucifer season two isn’t taking a break for Halloween and instead has an episode planned that finds Maze hitting the streets with Trixie for a little trick-or-treating. Episode six titled ‘Monster’ will air on Monday, October 31, 2016 at 9pm ET/PT and stars Tom Ellis as Lucifer, Lauren German as Chloe, DB Woodside as Amenadiel, Lesley-Ann Brandt as Maze, Kevin Alejandro as Dan, Scarlett Estevez as Trixie, Rachael Harris as Linda Martin, Tricia Helfer as Charlotte and Aimee Garcia as Ella. The episode six guest cast includes John Prowse as Jack Peterson, Tosca Leong as Sally Peterson, Annamaria Demara as Peggy Russo, Sean Hunter as Jason Myers, and Karen Holness as Sidney Loomis.
The ‘Monster’ Plot: Guilty and self-destructive, Lucifer clashes with Chloe during an investigation, leading her to team up with Dan instead. Meanwhile, Amenadiel bonds with Charlotte, and Maze takes Trixie trick-or-treating in the all-new “Monster” episode.
Lucifer Series Details: Lucifer is the story of the original fallen angel. Bored and unhappy as the Lord of Hell, he has abandoned his throne and retired to L.A., where he has teamed up with an LAPD detective to take down criminals.
This week on episode three of season 12 of Supernatural, we get a bit of a hybrid episode which continues the ongoing story of the hunt for Lucifer and mixing it with the monster-of-the-week format that usually ends up being just as entertaining. We begin with a couple in St. Paul, Minnesota walking from a restaurant. They are discussing the area when they hear the sound of a baby crying in an old abandoned house. The place looks completely empty, but as the cries become louder and more worrisome, they call 911 and enter the building. Following the sound, they find a room with a crib and a lone flickering light above. Instead of finding an infant in the crib as they expected, they discover a creepy doll. When the woman feels something touch her arm and they move to escape, the door slams shut, trapping them in the room as the doll’s eyes open.
The show now takes us to the bunker, where Mary (Samantha Smith) is reading through John’s journal, unable to sleep. It is obvious that she has a lot on her mind. Castiel (Misha Collins) finds her there and she decides to try sleeping again. As she goes, Mary asks him how long after coming down from Heaven it took to feel like he fit, giving a hint at part of the trouble plaguing her. He admits that he’s still not sure he does but encourages her that she is where she belongs. She seems relieved, yet back in her room she begins to cut her hair.
The next morning, Dean (Jensen Ackles) and Sam (Jared Padalecki) discuss the British Men of Letters. They have been looking for any information about them in the bunker, with very little luck and nothing useful. The conversation ends when Cas informs them he has to leave for Cleveland. He has a lead on Lucifer and wants to check it out. They try to join him, to back him up but he declines. Castiel feels responsible for Lucifer being out of the cage and thinks it is his duty to put him back. Yet they all know this isn’t a fight he can take alone, so he assures them he will call if the lead turns into anything and mentions that the boys are needed more at the bunker. Sam realizes he means Mary and tells Dean he is concerned. Dean, however, feels she is fine and just needs some time.
When the woman they had just been talking about enters, Sam asks about the haircut, to which Mary responds that it is more practical for hunting. Of course, Dean can’t resist joking that he’s been telling Sam that for years. As the discussion turns serious again, Sam asks about the hunting comment. Apparently, Mary found a case. It’s the couple in Minnesota, found dead, locked in the room of the empty house. Dean is excited about a family hunting trip while Sam seems uncertain about whether it’s a good idea but doesn’t have much choice but to go along with it.
In Cleveland, we find Castiel talking to Vince’s bandmate about his last encounter with the rock star where he saw the red eyes and claimed that it was not the man he knew anymore. As Castiel is leaving, Crowley (Mark Sheppard) gets his attention and tries to convince him that they should work together since they have the same goal: putting Lucifer back in the cage for good. Castiel has no interest in them teaming up. However, Cas doesn’t have any clue where to look next. Whereas, Crowley had been in Vince’s room and found some postcards from Vince’s sister, Wanda, which include an address for them to check out.
Meanwhile, the three Winchesters are at the morgue discussing the dead bodies with the coroner when they notice a handprint burned into the arm of the woman. When they ask about it, they learn that’s not even the weirdest thing about the deaths. The people died of hypothermia in a room that was over sixty degrees. Definitely a sign that this is right in their wheelhouse. So they do the next logical thing, at least for a hunter, by heading into the house with their EMF meters to search for ghost activity.
Mary’s meter goes crazy as she finds the room with the crib and the doll. Just like the couple we saw before, she immediately gets locked in the room. As Dean and Sam frantically try to get the door open, a hand grabs Mary and she glances down to see a child staring up at her. The guys do manage to break open the door and the boy disappears, yet Mary now has the handprint burn on her arm too.
Back at the hotel, Dean and Sam are on their laptops researching any information they can when Mary mentions that they should get out and knock on doors, talk to neighbors, etc. An awkward moment begins as they explain that the internet has made a lot of that obsolete. Sam shows that by hacking into the St. Paul Police database he was able to find a series of kids that died in the house. So much about hunting has changed since Mary’s time, and it visibly upsets her despite Sam’s assurance that they’ll teach her all of the new ways to get the information they need.
Cas and Crowley are out knocking on doors though, only to have it slammed in their face when Wanda answers and they ask about Vince. Crowley decides to do things his own way, appearing in the house in time to hear Wanda leaving a voicemail for Vince and mentioning how strange he was acting the previous day. As he lets Castiel in, the angel can tell that Wanda has recently been healed. They see a wheelchair and realize that she hadn’t been able to walk before the visit from “her brother.” When Crowley threatens to take away her new gift if she doesn’t talk, Cas stops him, appealing to her that they want to help Vince. She explains that yes, he did heal her but he was very cold about it, like he was just doing an errand. She also mentions the red-head he was with, which Castiel immediately realizes she means Rowena.
Cas is a bit irritated that Crowley didn’t tell him Rowena was with Lucifer then makes the assumption that this devil-hunt isn’t so much about revenge as it is to save Crowley’s mother. The demon will not have his reputation of being heartless ruined, explaining that Rowena is way too powerful of a witch and Lucifer will use her for his own purposes.
Lucifer (Rick Springfield) is having some problems of his own at that moment as Vince’s body is already showing signs that it won’t hold him for much longer. Now we know a big reason he kept Rowena, he wants her to make the body strong enough to be his vessel moving forward. Rowena (Ruth Connell) states that she would need the Book of the Damned and doesn’t know where it is, which he knows is a lie on both parts. Not only does she know where it is, he knows she already learned what she needed from the book. And if she wants to live any longer, she has to do the spell.
Not having any other choice, she does what he asks while trying to convince him that she can continue to be valuable so he won’t kill her as soon as the spell is over. Lucifer won’t make any promises, only responding with, “We’ll see.” However, like mother like son, Rowena has some tricks up her sleeve and the spell actually speeds up the decaying process instead. Of course, Lucifer is furious as his vessel starts to decompose before our eyes. He states he is going to kill her and make sure it sticks this time, but she is defiant and uses another spell to send him far, far away.
A while later, Cas and Crowley make it to the address Wendy had given them to look for Vince and find Rowena. After telling them what happened, she admits that while trying to put all of the witch-stuff behind her, she had tried to forget about Lucifer and how much she hated him. Crowley takes this as an offer to help them. Although Rowena doesn’t agree to help them find Lucifer again, she does promise that when they track him down and have him cornered she will be there.
Now, back to our Winchester family. Internet research has led Sam and Dean to some Scandinavian lore about mylings, vengeful souls of unbaptized children. They believe this is what is haunting the house. Mary isn’t so certain, saying that the boy she saw didn’t want to hurt her. He was scared. The lore fits the signs so far though, and the boys decide that the best course of action is to salt and burn the bodies of the children who died in the house. At that moment, Mary has a vision of the kid and the house, appearing to nearly faint. Dean and Sam are concerned, yet she doesn’t share what she saw so they leave her behind to rest while they take care of their task.
As soon as they’re gone, Mary starts making some phone calls and ends up speaking to the mother of the last child who died in the house. The woman tells Mary the story of the night her son died, how she couldn’t understand how he was fine one minute when she checked on him, then freezing cold and dead the next. Mary asks what the woman’s son, Lucas, looked like and realizes that it was the boy she had seen.
Next, we flash over to Sam and Dean as they salt and burn the bodies. Sam mentions again that he’s worried about their mom. Dean, not the best at talking through problems as it is, just wants to have something good and not make everything into a problem when it doesn’t need to be. He insists that Mary is adjusting and that she will be all right. Yet Sam disagrees, claiming she’s burying herself in hunting to avoid thinking about how hard the adjustment is. They continue to ponder that thought while returning to the motel. But when they get there, Mary isn’t in the room and neither is the weapon bag.
That’s because she’s at the house, armed up and ready to deal with whatever is truly causing these deaths. The boy appears again and this time she tries to talk to him, calling him Lucas and telling him she talked to his mother. Once she puts down the weapons which were frightening him, he silently leads her over to a boarded-up door before disappearing again. Taking this as a sign of where she needs to go, Mary removes the boards and enters the basement. But what is she supposed to do there? Lucas shows up again, speaking this time, asking for help. Before she can find out exactly how to help, a call comes in from her own sons. She’s at least able to tell them where she is and that burning the bodies didn’t work, since Lucas is still right in front of her, before the call drops.
Returning upstairs, Mary finds the ghost of a man in the room now, recognizing him as the father of the little girl that first died there. Placing a hand on her chest, the ghost begins to freeze her heart. Thankfully, Dean and Sam get there just in time to stop him from killing her. All is not good, however, because Mary is now possessed by his spirit. She attacks them, throwing Sam against a wall and pushing Dean against another, saying they’re her children…forever. Mary begins to freeze Dean as he tries to appeal to his mother somewhere still in her body to get her to stop.
Showing her strength again, Mary fights the spirit controlling her, letting Dean go and managing to tell them to go to the basement. Sam follows her instruction while Dean stays behind to help her fight the ghost, getting his butt kicked in the process. As soon as the spirit realizes that Sam is in the basement, having torn down a wall to reveal another body and is giving it the salt and burn treatment, it gets angry and intends to go stop him until Dean wraps Mary in an iron chain. The body burns, the chain rips the spirit out, and the ghosts of the children appear as their captor/killer also burns. Finally, the kids are able to move on to Heaven.
As the episode concludes, the Winchesters return to the Bunker where Dean apologizes to Mary if she felt like they sidelined her when this was her hunt. He also compliments her on how well she did, which she doesn’t feel quite so much. He reminds her that she was right, the kids were innocent and mentions that he wishes they knew why the events in that house occurred. Mary shares that she knows exactly what happened, saw it when she was possessed. When the man lost his daughter, he went mad. He walled himself up and starved to death. Then as new families with children moved into the house, he wanted them for his own so he took them.
The knowledge understandably bugs her to which Dean consoles that everything is okay, she’s home now. Her response surprises him when she says no, she’s not. She misses John and how she remembers her boys as small children. Apologetically, Mary states she has to go and that she needs some time on her own. She says goodbye to them, giving a saddened Sam a hug. Dean is sad too, but is also angry and hurt, backing away and unable to look at her as she takes John’s journal and leaves. They sure do like to toy with our emotions! Now we have to wait until the next episode to see how our boys handle getting their mother back for such a short amount of time, and what kind of danger they’ll get themselves into next.
Director Ron Howard and Tom Hanks reunited for Inferno, the third adaptation of a book from Dan Brown’s series featuring Harvard symbologist Robert Langdon. The Da Vinci Code, released in 2006, kicked the franchise off to a decent start financially, despite overwhelmingly negative reviews. Angels & Demons followed in 2009 and received slightly better reviews overall, according to RottenTomatoes, however its box office take didn’t come close to matching The Da Vinci Code’s. The Da Vinci Code rang up nearly $760 million worldwide during its theatrical run while Angels & Demons made substantially less, grossing $485 million before exiting theaters. That worldwide gross was apparently enough to justify a third film in the series, despite the fact audiences didn’t seem to be clamoring for another Robert Langdon movie to be made.
The third book in Brown’s Robert Langdon series is The Lost Symbol, however Ron Howard and Columbia Pictures shot past that one and went for book number four, Inferno. That’s probably a wise idea as The Lost Symbol was the least cinematic of Brown’s novels. Inferno arrives in theaters 10 years after the release of The Da Vinci Code and it feels like a pale imitation of the first film of the series. With so much time in between Robert Langdon films, you’d expect a tighter script and more of what made The Da Vinci Code appealing to audiences. Instead, Inferno is pretty much a jumbled mess that takes a lengthy amount of time going nowhere.
There’s absolutely nothing new to be discovered about Robert Langdon, and the journey he goes on in Inferno feels contrived from the opening scene through the film’s finale. Inferno begins with Hanks as Robert Langdon coming to in a hospital in Florence. He’s suffering from mild amnesia and has no idea how he got to Florence, Italy, or why someone was shooting at him. Fortunately, Dr. Sienna Brooks (Felicity Jones) is there by his side, protecting him from a rogue cop who attempts to murder him in his hospital room. They flee to her place only to discover almost immediately that they’ve been tracked down by World Health Organization operatives who are either on their side or working against them to find a bomb that will spread a plague meant to kill off half the world’s population. A mentally unbalanced billionaire named Bertrand Zobrist (Ben Foster) was obsessed with Dante, and Langdon and Sienna must follow clues relating to Dante’s work to get to the bomb before it goes off.
There’s probably an entertaining film to be made from Dan Brown’s Inferno, but unfortunately this 2016 theatrical release isn’t that film. What could have been a thrilling scavenger hunt filled with exotic locations plays out more like a slo-mo chase that occasionally leaves the audience wondering what’s going on, even with all the expositional dialogue. For a story that’s about a race to save half of the world’s population, there’s a lack of urgency on screen. Not even Oscar winner Tom Hanks was able to add much-needed energy to this lifeless Inferno.
GRADE: C-
MPAA Rating: PG-13 for sequences of action and violence, disturbing images, some language, thematic elements and brief sensuality
NBC’s next live musical event will be Bye Bye Birdie Live! starring Jennifer Lopez (Shades of Blue). Lopez will also be involved as an executive producer on the production which has Harvey Fierstein attached to write the teleplay. Jennifer Lopez will take on the role of Rosie, played by Chita Rivera in the 1960 Tony Award-winning Broadway musical.
NBC will air the musical during the 2017 holiday season. Craig Zadan and Neil Meron, executive producers of all of NBC’s live musicals, are also on board Bye Bye Birdie Live!. Lopez’ producing partners Elaine Goldsmith-Thomas and Benny Medin are also confirmed as executive producers.
“Broadway musicals and films fueled my childhood and Bye Bye Birdie was one of my favorites,” said Lopez. “I’m proud to be a part of the NBC family with Shades of Blue and I thought it would be a blast to take on one of their big live musicals.”
“To have a superstar like Jennifer Lopez starring in this classic show, which every high school in America has done, will ensure that our holiday musicals continue to be must-see events for the whole family,” stated NBC Entertainment Chairman Robert Greenblatt. “It was her idea to take on this classic singing and dancing role made famous by the legendary Chita Rivera, and we are so happy to oblige! This show has delighted audiences for generations with classic songs that include ‘Put on a Happy Face’ and ‘A Lot of Livin’ to Do,’ and this will be an extravagant production built around this big star.”
The Plot: Set at the height of rock ’n’ roll, Bye Bye Birdie takes us to Sweet Apple, Ohio, where hip-thrusting music heartthrob Conrad Birdie is scheduled to give a lucky Sweet Apple lady “One Last Kiss” before being drafted into the Army. Conrad’s rock ’n’ roll ways send the small town reeling, giving the teens Birdie fever, shocking the parents with moral indignation, and placing songwriter/agent Albert Peterson along with his savvy sweetheart, Rosie, right in the thick of things. The story was inspired by the incredible popularity of Elvis Presley and his induction into the Army in 1957.