Jon Bernthal as Frank Castle/The Punisher in ‘Daredevil’ (Photo by Patrick Harbron/Netflix)
Part one of Netflix’s Daredevil season two trailer finds includes our first good look at Frank Castle/The Punisher played by Jon Bernthal. Elektra (Elodie Yung) is barely seen in this teaser video, but we can expect her to be featured in the second part of the season two trailer. Season two’s 13 one-hour episodes are set to arrive on March 18, 2016 at 12:01am PT with Charlie Cox back in the lead role as Matt Murdock/Daredevil.
The cast also includes Deborah Ann Woll (Karen Page), Elden Henson (Foggy Nelson), Rosario Dawson (Claire Temple), and Scott Glenn (Stick).
Marco Ramirez (Sons of Anarchy, Fear The Walking Dead) and Douglas Petrie (Buffy: The Vampire Slayer, American Horror Story) are Marvel’s Daredevil‘s co-showrunners and executive produce along with Marvel’s Head of Television Jeph Loeb.
The Plot: Blinded as a young boy but imbued with extraordinary senses, Matt Murdock (Cox) fights against injustice by day as a lawyer, and by night as the superhero “Daredevil” in modern day Hell’s Kitchen, New York City. While season one of Marvel’s Daredevil, which is now streaming, was about Matt Murdock’s decision to become a hero and take on the role of Daredevil, season two revolves around the question, when does right become wrong? The show continues to explore the philosophical conflict at the core of Matt’s double lives, now complicated by a vigilante rival, Frank Castle, who takes things too far.
Midnight Special premiered at the Berlin Film Festival where it earned positive reviews, including one from The Hollywood Reporter’s David Rooney who says Nichols is one of the most compelling current filmmakers. “Nichols is in supreme control as he establishes tension and then progressively tightens the story’s hold,” said Rooney. Variety’s Peter Dubrege was also impressed with the film. “Midnight Special demonstrates once and for all that indie auteur Jeff Nichols is now the go-to storyteller for the kind of slow-burn supernatural thrill audiences once sought from M. Night Shyamalan,” writes Debruge in his review.
The Plot: Michael Shannon plays a father who goes on the run to protect his young son, Alton (Jaeden Lieberher), and uncover the truth behind the boy’s special powers. What starts as a race from religious extremists and local law enforcement quickly escalates to a nationwide manhunt involving the highest levels of the Federal Government. Ultimately his father risks everything to protect Alton and help fulfill a destiny that could change the world forever, in this genre–defying film as supernatural as it is intimately human.
Disney set to release a new trailer for Alice Through the Looking Glass which will premiere during the 2016 Grammy Awards on February 15, 2016, and in support of the new video the studio’s unveiled a colorful new poster for the fantasy film. Alice Through the Looking Glass was directed by James Bobin (Muppets Most Wanted) and produced by 2010’s Alice in Wonderland‘s director Tim Burton. Returning cast members include Johnny Depp, Anne Hathaway, Mia Wasikowska and Helena Bonham Carter, along with voice cast members Alan Rickman, Stephen Fry, Michael Sheen and Timothy Spall. Joining Alice’s adventures for Alice Through the Looking Glass are Rhys Ifans as the Mad Hatter’s father and Sacha Baron Cohen as Time, a character who’s part clock, part human. Alice Through the Looking Glass opens in theaters on May 27, 2016.
The Plot: Alice Kingsleigh (Wasikowska) has spent the past few years following in her father’s footsteps and sailing the high seas. Upon her return to London, she comes across a magical looking glass and returns to the fantastical realm of Underland and her friends the White Rabbit (Sheen), Absolem (Rickman), the Cheshire Cat (Fry) and the Mad Hatter (Depp), who is not himself. The Hatter has lost his Muchness, so Mirana (Hathaway) sends Alice on a quest to borrow the Chronosphere, a metallic globe inside the chamber of the Grand Clock which powers all time. Returning to the past, she comes across friends – and enemies – at different points in their lives, and embarks on a perilous race to save the Hatter before time runs out.
Michael Cudlitz as Abraham, Alanna Masterson as Tara Chambler, Sonequa Martin-Green as Sasha, Seth Gilliam as Father Gabriel, Melissa McBride as Carol Peletier, Christian Serratos as Rosita Espinosa, Corey Hawkins as Heath, Katelyn Nacon as Enid, Josh McDermitt as Dr. Eugene Porter, Lennie James as Morgan Jones, Austin Nichols as Spencer Monroe, and Ross Marquand as Aaron in ‘The Walking Dead ‘ (Photo Credit: Gene Page/AMC)
“What a bunch of a**holes, says Daryl (Norman Reedus) after he blasts the motorcycle gang who stopped him and his traveling companions Abraham (Michael Cudlitz), and Sasha (Sonequa Martin-Green) sky high with a rocket launcher in the sixth mid-season opener of AMC’s horror drama series The Walking Dead.
After the opening credits with the now well-known intense opening theme, episode nine begins right where episode eight left off with Rick (Andrew Lincoln), Michonne (Danai Gurira), Father Gabriel (Seth Gilliam), Carl (Chandler Riggs), Jessie (Alexandra Breckenridge), and her two sons walking through Alexandria which is now infested with walkers. The group has covered themselves in guts and blood of zombies trying to blend in with the undead. Rick realizes there are too many zombies for them to make it to the armory and fight their way out of town so he makes a new plan to try to get to the vehicles and lead the herd of undead away from Alexandria. Gabriel offers to take baby Judith back to his church and keep her there safe which Rick agrees to.
Meanwhile, Glenn (Steven Yeun) and Enid (Katelyn Nacon) have made it back into Alexandria and are checking the church for supplies and maybe a stashed weapon or two. Enid asks Glenn what he meant when he said that if she ran off and deserted the town she would be losing the ones she loved, even those who are already gone – something which obviously shook her to her very core. Glenn explains that if she or anyone runs away it means you give up on who you are and the people in your life both living and dead who help make you the person you are are lost forever. Enid asks Glenn who that was for him and he answers her by saying, “My parents, Maggie, her father Hershel, a woman named Andrea, and my friend T-Dog.” Glenn asks Enid who is it for her and she answers her parents. Glenn tries to convince Enid to stay in the church while he goes to find a way to save Maggie (Lauren Cohan) who’s trapped on an unstable watchtower surrounded by hungry walkers. Enid refuses to stay, telling him since she came back she’s going to help him and that he should let her because she’ll just follow him anyway. So Glenn and Enid go to save his beloved Maggie. It seems Enid has formed a bond with Glenn that she hasn’t had with anyone in Alexandria.
The Wolf (Benedict Samuel) and Denise (Merritt Wever) are hiding not far from one of the watchtowers, and he tells Denise that as soon as a break in the crowd of walkers happens they are going to make a run for it. She tells him she’ll just slow him up and he should leave her behind, but he says she’s with him now and they will go together.
During all of this, Carol (Melissa McBride) and Morgan (Lennie James) are finally waking up from their battle. They stay in the house with Rosita (Christian Serratos), Tara (Alanna Masterson), and Eugene (Josh McDermitt) and spend most of the day arguing about when they will have to leave the safety of the house – which is currently being ignored by the zombie herd – and make a fight of it. Morgan’s also trying to bring to the surface Carol’s dormant humanity by bring up her past.
As night falls on Alexandria, Rick, Michonne, Carl, Jessie and her two sons are still making their way slowly through the huge undead crowd when Jessie’s youngest son, Sam, panics and freezes in fear, recalling Carol’s words about the monsters coming and eating him alive. Jessie tries to urge Sam to keep going but he just can’t do it. Two walkers realize Sam is not one of them and begin to feast on him as he screams both in terror and pain. Jessie screams and a couple more zombies attack her as well. Carl can’t release himself from dead Jessie’s grip and he turns to his father for help. Rick uses his ax to chop her hand off causing Carl’s gun to fall to the ground which is picked up by Jessie’s other son, Ron. He points the gun at Rick repeating the word ‘you’ and just as he is about to fire Michonne stabs him with her machete. Unfortunately, Ron does fire the gun as he falls down dead and the bullet hits Carl in the eye. In shock, Carl turns and says, “Dad,” before collapsing to the ground. Rick quickly picks up Carl and with Michonne clearing a path with her machete, the three head to find a safe place to hole up.
The Wolf and Denise finally make their move to get out but Denise gets caught by a walker and is struggling with it when The Wolf, who was clear to go up the tower and over the fence, comes back to save Denise. He does but gets bitten by another walker in the process. Denise tells him she can save his life but they have to go back to the infirmary. Right after Denise patches up The Wolf they head back outside and The Wolf is shot by Carol who’s standing on a balcony just at the right moment. She helps Denise get back inside the infirmary by providing cover. Denise gets back inside to find a group of Alexandrians prepping the place as a safe house. Denise sees Rick and Michonne running with Carl tells them to come inside. She quickly goes to work on Carl’s wound with the help of Michonne. Rick, who’s overwhelmed with fury over the loss of Jessie and now maybe Carl, goes outside, hatchet in hand to take on the army of walkers. He’s an unstoppable one man army, cutting his way through the mindless zombie hoard.
Once given permission by Denise who’s working to save Carl’s eye (and life), Michonne goes out and joins Rick in the battle to save Alexandria from the herd of undead. Finally finding the courage and strength in themselves, some of the local Alexandrians also head outdoors and join Rick and Michonne in the fight. Rick yells to them that they can beat them and begins to tell them how to position and drive the walkers back. Carol tells Morgan, Tara, and the rest that Rick is making a stand to save the town and now is the time to fight. Everyone follows, even Eugene who tells Rosita no one can sit this one out and, “Oh, what a story it will be.”
Katelyn Nacon as Enid and Lauren Cohan as Maggie Greene in ‘The Walking Dead’ (Photo Credit: Gene Page/AMC)
Glenn and Enid have made their way close to the unstable tower where poor Maggie is hanging on trying not to fall into the large crowd of hungry walkers surrounding the tower below. Glenn tells Enid to go up the tower and use the tied-together cloths she has to make their way down the other side of the wall while he distracts and draws away the herd. She climbs up and calls to Maggie who now sees Glenn – who she believed earlier in the season to be dead – firing off his pistol and yelling at the crowd of walkers to follow him. Glenn is successful in leading most of the herd away but ends up getting surrounded by them and cut off from any escape. Maggie shoots a walker in the head and goes to fire again but her pistol is out of ammo. She yells to Glenn but he cannot hear her. Glenn keeps firing his pistol and using his large knife on the walkers, even shoving some of them away from him. He backs up to the gate with what is left of the herd closing in on him and Maggie, who isn’t paying any attention to Enid who’s trying to get her to go over the fence, screams, “GLENN!!!!!” and reaches out her hand as she believes she is about to see her husband die. It’s at this moment machine gun fire is heard and many of the walkers closest to Glenn fall to the ground.
Glenn drops to the ground so as not to be shot and looks up to see Abraham and Sasha up on one of the walls firing into the herd of zombies. “Hey, get the gate, would you?” yells Abraham to Glenn who complies, giving Daryl the opportunity to drive the diesel truck into Alexandria. Daryl asks Glenn what happened but Glenn says he just got back and doesn’t know. Daryl comes up with a plan to draw all the walkers to the lake and burn them to a crisp. Daryl, Glenn, Sasha, and Abraham drive the truck to the lake and pour some diesel fuel into the lake. They set it ablaze by using the rocket launcher again and, like a moth to the flame, the mindless walkers head right for the lake of fire. The handful of walkers who remain fighting with Rick and the rest are quickly put down.
After sunrise, most of the group is resting after the major battle. They’ve saved the town from the undead, with bodies of the walkers littering the streets and yards of the town. Rick is sitting with Carl who’s lying in bed still unconscious after being shot. Rick tells Carl that he feels something that he hasn’t felt since he woke up in the hospital so long ago. He says he wants Carl to see the new world and begs for Carl to wake up so he can show it to him, telling Carl there is still so much they can do and that Deanna was right in trying to expand the town. If they all work together, there isn’t anything they can’t do. Rick pleads with the silent Carl to allow him to show him this new world. As he sits holding Carl’s hand trying to hold back his tears, Rick feels movement. Carl squeezes his father’s hand.
Review of ‘The Walking Dead’ Season 6 Midseason Premiere
Intense, scary, brutal, and at times emotional, season six episode nine titled “No Way Out” brings the horror/drama back in gory, blazing, and shocking style. It’s perhaps one of, if not the most, intense episodes of this season as well as one of the best directed and paced of the entire series.
The stand-out performances in this episode belong to two cast members. First, Andrew Lincoln as Rick captures subtly and wonderfully the shock and horror his character feels at losing the new family he was desperately trying to save and almost losing his own son, Carl, in the same few moments. The look on his face as Jessie is taken by the hungry group of walkers is perfect. Also, the scene where Rick is sitting at Carl’s bedside and he reveals that for the first time since he woke up in the hospital to this apocalypse he feels hope and wants to start over in this new world is some of the finest work of Lincoln’s career.
The second stand-out is Lauren Cohan as Maggie. Although only in one scene in this episode, Cohan portrays beautifully the joy in Maggie seeing Glenn alive and how quickly it turns to absolute horror as she realizes he is leading the herd of zombies threatening her away and it looks as though he is sure to meet his end. The scene where she screams his name and throws out her hand as the undead close in on Glenn is the most heart-wrenching scene of the season thus far.
The cinematography is gorgeous, in particular in the scenes where the walkers are drawn to the giant fire on the lake and become engulfed in it. The special effects and make up is once again award worthy, bringing the undead to life.
With everyone back together in Alexandria, viewers are anxiously looking forward to seeing to see what’s in store for the show’s heroes and what their next move will be.
Queen Aslaug (Alyssa Sutherland), King Ragnar (Travis Fimmel) and Yidu (Dianne Doan) in ‘Vikings’ (Photo by Jonathan Hession/HISTORY Copyright 2016)
Dianne Doan (Disney’s Descendants) joins the cast of History’s Vikings with season four, playing Yidu, a slave who catches the attention of Ragnar (Travis Fimmel). Yidu is unlike anyone else in Kattegat and in some ways she’ll be filling the void left in Ragnar’s life with the murder of Athelstan (George Blagden). During a conference call in support of the February 18, 2016 premiere of season four, Doan said she can’t wait for audiences to meet her character. Answering questions without giving away spoilers, Doan discussed her character’s backstory and what it was like joining the cast of an established show.
Dianne Doan Vikings Interview:
What’s it like to take the leap from Disney royalty to Viking slave? Was it a challenge?
Dianne Doan: “I couldn’t have asked for a better transition out of that Disney experience just because the audience range is so limited, I guess? Challenge-wise, I think I was definitely pushed in my work as an actor, coming on to a show that’s already been so established with the course of three years, working with Travis and then numerous directors that I was able to come across. It definitely was intimidating and it pushed my limits, I would say that, but it was so rewarding.”
You mentioned working with Travis as Ragnar. It seems like he’s enamored with your character a bit and so without spoiling anything, what can you say about that relationship?
Dianne Doan: “I come on pretty early on this season, and right off the bat it’s not just Ragnar that’s intrigued or curious. It’s definitely all of Kattegat just because from my sheer appearance, it’s so different than what they’ve seen around them. But with Ragnar specifically, we know throughout the seasons he is a person who seeks to learn about different cultures and different religions which is why I think he does raid lands. Off the bat, from my appearance to the way that I carry myself, he questions it, which is why I would say our initial relationship starts out of that curiosity.”
Can you describe Yidu’s backstory and what her trajectory is for the season?
Dianne Doan: “I’ll tell you as much as I can. I think it’s already publicly known I’m kidnapped on the Red Sea and then brought to Paris, and it’s presumed that from their raid last season, they bring me back to Kattegat where I’m sold to Queen Aslaug as a slave, so I’m one of her new ladies for this season.
My backstory, I definitely did research for my character just to make sure that I knew what era and what dynasty I come from, the rights that women had during that time, how I would react in certain situations, I want to bring that. What was fascinating to me was I found out during that research that in fact women at that time in my dynasty had a voice and had an opinion and had rights to an education. I wanted to make sure that Yidu was a strong character coming into the show even though in certain circumstances, she’s a slave.”
Did you have any conversations with Michael Hirst about your character? Did he give you any guidance on what she’s about for this season?
Dianne Doan: “The beautiful thing about Michael’s writing was that it’s all in the scripts, and I was able to play reading between the lines and if anything was not what he envisioned, then we talk. He would discuss with all of us whether or not the route that we’re headed. In general, he gives it away for the cast at least, within the script and the storyline.”
Athelstan was a foreigner who led them to Paris. Could Ragnar and the village be expecting Yidu to help them uncover great things? Is she expected to fill his shoes?
Dianne Doan: Personally, hearing that question, I wouldn’t think so. She wouldn’t have any recollection of Athelstan being in Kattegat. I think the main thing would be just the fact that whether or not they choose to go east, but I don’t think that other than that, that would be an option. I think it’s just I come in as yes, you’re right, a foreigner but it has nothing to do with what I can bring to Kattegat itself. I think for Ragnar, he’s going to be picking my brain to see what information I can give about my past rather than where we’re going in the future.”
Dianne Doan as Yidu in ‘Vikings’ (Photo by Jonathan Hession/HISTORY Copyright 2016)
What parallels do you think can be drawn between Yidu and Athelstan as far as a relationship with a Ragnar?
Dianne Doan: “Athelstan meant so much to Ragnar. I don’t know if it would be parallel like a repetition of that relationship. I do think that you will see some sort of relationship whether it’s intimate, unfold between Yidu and Ragnar. I would like to assume that it is a place of…I’m a confidante of sorts just because he is so alone in Kattegat. He doesn’t feel like he has anybody to talk to. Everybody just talks at him and not with him, if that makes sense.”
Do you think Ragnar’s going to hold her on a pedestal because she has seen things that he hasn’t? Is she going to become his right hand woman?
Dianne Doan: “I think that’s established within episode four and definitely you’re on, if it’s [not] a pedestal, definitely he holds me higher than say a regular slave just because I do come from somewhere else.”
Can you talk about actually being on the Vikings set and what it was like physically for you to take on a role like this?
Dianne Doan: “I’ve never moved across the world to work before and so that was definitely a game-changer for me. Like I said earlier, it was really intimidating and nerve-wracking coming on to the show that is so well-established and respected in the industry. Luckily, the cast and crew are phenomenal over in Ireland that it wasn’t so much a challenge working at all. [Laughing] The only challenge I would say was the elements. I think the cast have mentioned it before it’s the weather was probably the biggest thing I do adjust to just because everyone was so gracious and welcoming.”
Was it more physically demanding for you than you expected it to be as far as getting used to that weather and being able to act through the cold?
Dianne Doan: “No. If anything, I think it helped with the work. We’re put in a position where we got to play around with so much. The sets were made beautifully. Everything felt that you were transformed into this world. If anything, the weather would help. It was difficult as I said earlier, just like being pushed out of my comfort zone acting-wise. I’ve never been challenged like that before. I couldn’t have asked for a better project.”
Without spoiling anything, do you have a favorite scene you shot or an episode that you are especially proud of?
Dianne Doan: “Yes. I would say episodes four and five were really special for me. I got the chance to really play around and explore with my character and I think you’ll really learn a lot about Yidu. Also, that I got to work with an amazing director during that time and I learned the most probably then. It’s the start of my story arc, I would say, during that time, those two episodes.”
You got a chance to work with Travis Fimmel so closely and he’s known to be a huge prankster. Did he ever prank you?
Dianne Doan: “Yes, he did. Of course he did. Luckily, I didn’t actually get it that bad. I think I earned a place at the table pretty early on so he never bugged me too much. I just got to witness all the pranks. I think the worst that I got and I don’t want to get anybody in trouble but he definitely tied me to a boat and I am going to be dramatic and say that I could have possibly died. I’m just kidding. I didn’t. [Laughing] But yes, he tied me to a boat by my life jacket and as I was trying to exit off the dock, I got pulled back, and everybody laughed at me.”
Universal Pictures and Illumination have unveiled the first trailer and poster for the animated musical comedy, Sing. Written and directed by Garth Jennings (The Hitchhiker’s Guide to the Galaxy), the voice cast includes Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, Scarlett Johansson, John C. Reilly, Taron Egerton, Tori Kelly, Nick Kroll, Jennifer Saunders, Peter Serafinowicz, Leslie Jones, Jay Pharoah, Nick Offerman, and Beck Bennett. Sing, featuring 85 songs, opens in theaters on December 21, 2016.
The Plot: Set in a world like ours but entirely inhabited by animals, Sing stars Buster Moon (McConaughey), a dapper Koala who presides over a once-grand theater that has fallen on hard times. Buster is an eternal optimist—okay, maybe a bit of a scoundrel—who loves his theater above all and will do anything to preserve it. Now facing the crumbling of his life’s ambition, he has one final chance to restore his fading jewel to its former glory by producing the world’s greatest singing competition.
Five lead contestants emerge: A mouse (MacFarlane) who croons as smoothly as he cons, a timid teenage elephant (Kelly) with an enormous case of stage fright, an overtaxed mother (Witherspoon) run ragged tending a litter of 25 piglets, a young gangster gorilla (Egerton) looking to break free of his family’s felonies, and a punk-rock porcupine (Johansson) struggling to shed her arrogant boyfriend and go solo. Each animal arrives under Buster’s marquee believing that this is their shot to change the course of their life.
Disney and Lucasfilm released a very short teaser announcing the start of filming on Star Wars: Episode VIII, the sequel to Star Wars: The Force Awakens. The short teaser video features only two characters – Luke Skywalker (Mark Hamill) and Rey (Daisy Ridley) – along with writer/director Rian Johnson (Looper), and shows the next chapter picks up right where The Force Awakens left off.
The start of production announcement revealed filming is underway in Pinewood Studios in London as of today and teased the plot involves Rey continuing “her epic journey with Finn, Poe and Luke Skywalker.” The announcement also confirmed Benicio Del Toro, Laura Dern, and Kelly Marie Tran have joined the cast.
The cast of Star Wars: Episode VIII includes Hamill, Ridley, Carrie Fisher, Adam Driver, John Boyega, Oscar Isaac, Lupita Nyong’o, Domhnall Gleeson, Anthony Daniels, Gwendoline Christie, and Andy Serkis. J.J. Abrams, Jason McGatlin and Tom Karnowski executive produce, with Kathleen Kennedy and Ram Bergman producing. Steve Yedlin is the director of photography, Bob Ducsay is the editor, and Rick Heinrichs is Star Wars: Episode VIII‘s production designer.
Star Wars: Episode VIII will open in theaters on December 15, 2017.
Watch the Star Wars: Episode VIII announcement video:
Debbie Harry has signed on to the cast of I Am the Pretty Thing That Lives in the House, a thriller from writer/director Osgood Perkins. The rock ‘n roll legend joins a cast that includes The Affair‘s Ruth Wilson, Bob Balaban, and Lucy Boynton. Rob Paris of Paris Film and Robert Menzies of Zed Filmworks are producing, and Alphonse Ghossein of Go Insane Films is executive producing.
Filming’s expected to begin this week in Ottawa. Netflix is the movie’s exclusive streaming home.
Harry’s acting credits include Difficult People, Elegy, A Good Night to Die, My Life Without Me, Cop Land, and Hairspray.
The I Am the Pretty Thing That Lives in the House Plot:
I Am the Pretty Thing That Lives in the House follows Lily (Wilson), a young nurse hired to care for elderly Iris Blum (Harry), a reclusive best-selling author of horror and crime stories who has chosen to live out her final days in her beloved 19th century farmhouse in Massachusetts – a home that holds a horrific ghost story of its own that inspired her most famous book.
The winners of the EE British Academy Film Awards were announced on Sunday, February 14, 2016 with voters throwing their support behind the gritty action drama The Revenant. The critically acclaimed film increased its odds of winning the Best Picture Oscar with BAFTA voters naming The Revenant Best Film, Alejandro G. Iñárritu best director, and Leonardo DiCaprio the winner in the Leading Actor category.
Complete List of BAFTA Winners:
BEST FILM
THE REVENANT – Steve Golin, Alejandro G. Iñárritu, Arnon Milchan, Mary Parent, Keith Redmon
Maisie Williams in ‘Game of Thrones’ (Photo: Macall B. Polay/courtesy of HBO)It doesn’t matter that Jon Snow (Kit Harington) is among the dead who speak in the latest trailer for Game of Thrones season six. I still refuse to believe that Harington won’t be back in some form or the other, not necessarily as a character called Jon Snow. The teaser is set inside the House of Black and White, the place Arya Stark (Maisie Williams) is currently calling home, and features the heads of Jon’s dead family members: Ned Stark (Sean Bean), Robb Stark (Richard Madden), and Catelyn Stark (Michelle Fairley). But before you lose hope in the return of Jon Snow, the trailer also features the heads of Tyrion (Peter Dinklage) and Daenerys (Emilia Clarke), who, as far as we know, are not among the dead.
Game of Thrones season six premieres on April 24, 2016.
Watch the Game of Thrones Hall of Faces teaser trailer: