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‘Once Upon a Time’ Season 5 Episode 20 Recap: Firebird

Once Upon a Time Colin O'Donoghue and Jennifer Morrison
Colin O’Donoghue and Jennifer Morrison in ‘Once Upon a Time’ (Photo by Jack Rowand/ABC)

ABC’s Once Upon a Time continues season five with episode 20 titled ‘Firebird’ airing on May 1, 2016. As the season edges toward its finale, episode five wraps up the storyline for one villainous supporting character, moves forward the love story between Hades and Zelena, and finds Robin struggling to accept Regina’s newfound love for Zelena. ‘Firebird’ also brought one fan favorite love story to a crashing end with an incredibly emotional scene that left fans of the fantasy series devastated.

Once Upon a Time ‘Firebird’ Recap:

Regina (Lana Parrilla) admits to the gang she told Zelena (Rebecca Mader) to give Hades a chance. They’re incredulous – as they have every right to be – but Regina says she’s trying to trust Zelena. This sets off one of those enjoyable to watch series of putdowns between Regina and Hook (Colin O’Donoghue), with Emma (Jennifer Morrison) trying to referee. Up walks Hades (Greg Germann) who needs their help, hard as it is to believe, because Gold (Robert Carlyle) and Pan (Robbie Kay) kidnapped Zelena. Does this mean the Storybrooke gang and Hades will actually team up? Regina’s ready to jump in and help but Hades wants Emma’s assistance. If she agrees, he’ll remove all the names from the tombstones and they can return to Storybrooke.

Flashback to Maine 2009 and Emma takes a 26 year old newspaper article about a baby found on the side of the road to Chantey’s Lobster House to see if anyone there remembers the baby. She’s told no one there remembers the incident, but a woman joins her at a table and has figured out Emma’s the baby. The stranger says she has a strong sense of intuition, but she’s actually a bounty hunter looking for Emma because she skipped out on her bail in Phoenix. Emma runs off but once she gets to her car it won’t start. The bounty hunter’s booted it and Emma’s caught.

Back in the Underworld, Hades hangs a closed sign on Granny’s Diner. He meets with Gold, Pan, and the kidnapped Zelena who’s sporting a magic restraining bracelet. Hades produces the contract and Gold tells him if he rips it up now, he’ll free Zelena. But it’s a trick, of course. Gold and Pan will give Hades Zelena’s body, but they’re taking her heart. Pan starts to grab it but in pops Emma, just in time. She stops Pan and demands Gold hand over Zelena. Pan wonders why the Savior would side with the King of Death, and she says it’s because he’s helping get her family home. Gold tells her she backed the wrong team; no way will Hades actually fulfill his side of the bargain. Then Emma wonders why, if Hades ripped up the contract, Gold is sticking around. He smiles, says she has a point, and poof, he’s gone. That leaves Pan holding onto Zelena but he too takes off since he no longer has his son backing him up. Hades removes Zelena’s bracelet and she’s amazed he tore up the contract just for her. They kiss and his heart begins to beat! The ground shakes…his punishment is over and he can leave this place forever. He tells Emma there will be a portal in the cemetery that leads to Storybrooke, but it will close at sunset. She reminds him he needs to hold up his end of the bargain and send them all home.

The gang and Hades assemble in the cemetery but now the clock tower is also there with the hands moving speedily. The clock tower is actually the portal according to Hades, but Regina points out their names are still on the headstones so they can’t leave. Hades wipes them all off and Zelena says, “I told you love could change him.” Hook still doubts Hades’ intentions but Emma’s all in. The only way for Hook to return home however is if Emma splits her heart in two, which she does with help from Regina. As she goes to put half of her heart in Hook’s body, Emma doubles over in pain and Regina is forced to return it whole to Emma. Hook thinks it’s all Hades fault, but Hades claims he’s innocent. “There are laws of nature beyond even my control,” says Hades. David (Josh Dallas) says it worked for him; he used Snow’s heart to come back to life. However, David wasn’t dead for long and his soul never left his body. Hook’s been down there too long while his body is rotting away up in Storybrooke, and Hades points out even if he could return to it, neither he nor Emma could stand the smell. Hook tells the Storybrooke crew they have to leave without him, and then Hades recalls a rumor about someone returning once before who had been in Hook’s situation.

This episode’s going to concentrate on a specific backstory: Emma’s. Back in Maine 2009, Emma’s handcuffed to a bed while the bounty hunter takes a shower. She makes quick work of the handcuffs and goes through the woman’s wallet. She sees a photo that has “Tasha – Winter 1999” on the back and then takes the money from the wallet. Her escape is put on hold when she notices a laptop open to a special site that tracks people. She looks up info on her recovery as a baby and thinks the courthouse where the records are kept might have more information. She wants to go there and explains she’ll stop trying to escape if they can stop by that courthouse on the way back to Phoenix. It’s a deal.

Once Upon a Time Season 5 Episode 20
Jared Gilmore, Lana Parrilla, Colin O’Donoghue, Josh Dallas, Jennifer Morrison, Rebecca Mader, and Greg Germann in ‘Once Upon a Time’ (Photo by Jack Rowand/ABC)

Back in the Underworld, Hades shows the gang a book featuring the only two souls who ever escaped his realm: Orpheus and Eurydice. In order to escape, Orpheus fed Eurydice ambrosia, the food of the Gods. In order to get to the ambrosia, Emma and Hook will need to take a special elevator and even Hades has never been that far down in the Underworld. In order to eat the ambrosia, Emma must be worthy and to prove that she’ll have to offer up her heart for judgment. Emma wants to know how she’ll pull out her own heart without magic, and Hades helps out by yanking it out and placing it neatly in a bag. If she doesn’t pass the test, she’ll die. Hook tells her he she doesn’t have to do it. Emma makes Regina promise everyone will leave without her if she’s not back by sunset. With a final hug from Henry (Jared Gilmore), Hook and Emma step into the elevator.

Back at Gold’s shop, Rumple kisses the sleeping Belle but she doesn’t awaken (of course). He feels a rumble and Pan’s in his store. Pan still accepts his son for who he is and would like to help Rumple get Belle home but since he never got the heart promised to him, he can’t. But Pan has a plan: he’ll let Rumple use Pandora’s box to keep Belle safe for the trip back to Storybrooke in exchange for a heart.

Back at the elevator, those who didn’t step through are anxiously awaiting Emma and Hook’s return. Henry still wants to help the people trapped in the Underworld, but both Regina and Hades explain that without Hades there it will now work the way it was intended. People will deal with their unfinished business without any interference. Henry thinks as the author he can tell people exactly what their unfinished business is. Then in walks Robin (Sean Maguire) who’s shocked to see the gang with Hades and Zelena. Regina tells him it’s okay, and Hades says they all have the same goal. David tells Robin the names have all been removed from the tombstones and Robin asks why they’re still there. They fill him in on the Hook/Emma situation. Regina tells him to take the baby to the portal or give it to Zelena, because they can trust her. Robin thinks Regina’s gone a bit mad but decides to trust her judgment – against his better judgment. Zelena hugs and thanks Regina and off they go to wait by the portal. Robin’s still not sure of any of this and leaves the room in tears. Rumple shows up behind him and grabs his heart, telling him he’ll remember none of it.

Emma and Hook finally arrive in the level of ambrosia.

Back in Maine, Emma’s anxious and the clerks at the courthouse are moving too slow. The bounty hunter tells her whatever they find won’t be the end all, be all. Emma wants to know why the bounty hunter always wears a red leather jacket, and she explains it’s her armor and Emma needs her own armor because she’s too emotional. When the file arrives it only has the old article and a couple of pieces of paper. She’s freaking out and doesn’t want to give up, but the bounty hunter tells her she needs to move on and get her life back together.

In the Underworld, there’s a long line of people waiting for Henry to tell them what their unfinished business is. Cruella crashes through the line. She’s ready to fill the power void left by Hades and she wants the Storybrooke gang to stick around so she can torment them. She’s not powerful enough to accomplish that but the Blind Witch is. She sends our heroes back inside and bars the door behind them. Regina uses her magic but it doesn’t work and Cruella taunts them, telling them they’re locked in until after the portal closes. The Blind Witch says it’s payback for Regina tricking the kids into burning her in her own oven.

Back to Hook and Emma, the instructions for entering the world are written in a foreign language which Hook actually knows. They read, “Only a heart filled with true love can pass.” He doesn’t know what it means but Emma thinks it means they have to weigh her heart to see if her love for Hook is true. “True love is the rarest magic of all,” says Hook, asking her if she’s certain. She’s not sure, but who can be? He asks why she can only talk about her true feelings when one of them is facing death, and she says her armor’s been on for so long she forgets she doesn’t need it with him. She places her heart on the scale and they wait. Nothing happens at first but then Emma begins struggling for breath. Hook is caught up in a swirling fireball but instead of reaching for her heart, she knocks Hook to the ground, extinguishing the fire. She saved him and that opened the door! They figure out that was test and she made the right choice.

And once more back to Maine, Emma sneaks into the courthouse at night to look through the files. She hears a noise and is about to hit whoever it is, and it turns out to be the bounty hunter. She tells Emma she knows things and thinks her parents had a good reason to give her up. Finding out isn’t important; she needs to focus on the present. The police arrive as they’re leaving and the bounty hunter busts a window so they can make their escape.

Hook and Emma make it to the ambrosia and it’s all dead. Hades cut it down after Orpheus used it, and they figure out he didn’t want them coming with him to Storybrooke. He knew it was a wild goose chase.

Back in the Underworld, Regina’s confused as to how the Blind Witch’s spell worked so well. Robin thinks it’s not the witch’s spell and Regina realizes Hades is behind it and wants them all trapped in the Underworld.

At the portal, Hades is insisting he, Zelena, and the baby leave. There’s 15 minutes left and he doesn’t think they should wait, but Zelena doesn’t want to leave her sister there. Hades reminds her they’re heroes and they’ll get there in time. Zelena reluctantly agrees and Hades looks back one final time before stepping through.

Rumple meets up with his dad at the diner and the floor rumbles under their feet. He tells his son to have patience.

The ground is also shaking under Hook and Emma’s feet, and Hook knows time is running out. They have to leave without the ambrosia.

And now we’re back in Maine, with Emma and the bounty hunter running from the cops. The bounty hunter stumbles. Her hands are covered in blood and only then does Emma noticed a huge shard of glass sticking out of the woman’s stomach. She’s dying and tells Emma not to get caught, and that the little girl in her wallet doesn’t know who she is. She gave her up, just like Emma’s parents gave her up. The cops stop at the end of the alley and Emma makes a run for it.


Emma and Hook reach the elevator and Hook stops while Emma gets in. He says he’s not going with her and that he never was. He knows they won’t find anything up there to save him, and this was the only way he could get her to safety. She’s refusing to leave when he tells her he wants to say his goodbye without anyone watching. He also tells her they had more time together than they ever thought they would and that she needs to let him go like she should have in Camelot. He makes her promise not to put her armor back on now that she removed it for him. Tears fall down Emma’s cheeks as they hug. She promises, and then she makes him promise that she won’t be his unfinished business. He shouldn’t wait for her there and instead should move on. “I think I can manage that,” says Hook. He helps her back into the elevator and closes the door. He says he loves her and she says she loves him, they kiss through the bars in the elevator door, both crying. Up Emma goes, leaving Hook behind. They hold hands until they can no longer reach each other. Hook stands alone, lost, heartbroken, and now forever without his Emma.

Boston, 2010. Emma is starting a new job as a bounty hunter but first she has a personal mission to take care of. She finds the girl from the bounty hunter’s wallet at work at a clothing store and shows her the picture. Emma tells her she once met her birth mother, handing over a folder full of information on the bounty hunter – Cleo Fox – and talking about the woman she knew. Leaving the store Emma spots a red leather jacket and dons it as her new armor, just like the bounty hunter before her.

In the Underworld, Emma tells everyone Hook isn’t coming back but wants them all to move on, and they tell her they’ve also been set up by Hades and are trapped. Emma and Regina team up and blow open the door. Before they leave, Henry leaves the book he’s written on a shelf so that people can find it and learn their unfinished business.

At Gold’s shop, Gold gives Pan the heart he stole from Robin. It’s a fake. Gold gave him a wine skin filled with water from the River of Sorrows. He actually returned Robin’s heart to him, only stealing it in the first place in case Pan or his shadow were watching. “Villains don’t get happy endings,” Gold tells his dad as Pan dissolves in front of him. Gold still has Pandora’s box and loads Belle into before stepping through the portal. He’s followed by the Storybrooke gang. Emma stops but David convinces her she did her best for Hook. Crying, she steps through the portal and it closes behind her.

A Quick Review:

I honestly don’t know what to think about this episode. The Storybrooke gang led by Emma went to the Underworld to rescue Hook. Now in episode 20, they’ve left the Underworld without accomplishing that mission, making it seem as though this whole plotline was a waste of time. The entire point of the dangerous trip to the Underworld was to bring Emma’s love back, but instead all it served to do was to open up Emma’s heart and set her free from her armor. Do I actually believe Captain Hook is gone forever? No. While every series is in the ‘kill a major character’ mode recently, for Once Upon a Time to wrap up Hook’s storyline and send Colin O’Donoghue off the show would be a ratings disaster. Hook’s one of the show’s most popular characters and Once Upon a Time needs to keep its ratings up, not send them into a death spiral by offing the sexy pirate. That said, the episode’s goodbye scene between Colin O’Donoghue as Hook and Jennifer Morrison as Emma was one of the series’ most moving moments. When Hook’s fingers slipped away from Emma’s as the elevator rose, followed by that shot of O’Donoghue standing there alone looking up, it was truly heartwrenching.

Episode 20 also proved to be a final farewell to Pan which, although it’s always nice to see Robbie Kay on the screen, is not much of a shocker. Pan’s storyline has played out and there are plenty of intriguing supporting characters to focus on instead. And while Regina was right to trust her sister, ‘Firebird’ showed that act caused a major – and maybe irreparable – rift between she and Robin. Could this be a setup for Robin to turn from friend to foe of the Storybrooke gang? It’ll be interesting to see where they take that particular storyline.

There are still a lot of strings left dangling, with only a couple of episodes left to go. Hopefully, the final answer as to Hook’s fate won’t be part of this season’s cliffhanger. Been there, done that – time to shift the finale focus to a new character in danger.

Once Upon a Time Season 5 Recaps:

‘Game of Thrones’ Season 6 Episode 2 Recap: Home

Game of Thrones Season 6 Episode 2 Ramsay and Walda
Iwan Rheon and Elizabeth Webster in ‘Game of Thrones’ (Photo: Helen Sloan/courtesy of HBO)

Game of Thrones season six’s first two episodes are easily two of the best episodes of the entire series. If season six continues on this path, it will overtake season one as the best season of the series based on George R.R. Martin’s A Song of Ice and Fire books. Episode two titled ‘Home’ brought Bran back into the story, updated what’s happening in the world of the Greyjoys, provided a hint at Hodor’s backstory, found Ramsay committing multiple despicable acts, two rulers of major families were killed off, and the episode showed King Tommen isn’t ready to rule without help from his mommy. And those who thought the writers/executive producers would make viewers wait until the end of season two to confirm whether Jon Snow is truly, permanently dead were wrong. Episode two addressed the question that has been on everyone’s minds since the finale of season five, providing a partial answer while leaving many questions still to be addressed.

Before we get into the recap, can we please say three quick cheers for Melisandre? Love her or hate her, she was the hero of episode two.

The Recap:

Episode two finally picks up Bran Stark’s story with Bran (Isaac Hempstead Wright) blind and in the tree of the Three-Eyed Raven (played by Max von Sydow). Taking a page from A Christmas Carol, Bran and the Three-Eyed Raven visit Winterfell and watch as a young Ned and Benjen Stark practice learning how to handle swords. In rides Lyanna on a gorgeous horse, and Bran says his father never talked about her. The kids call for Willis to practice with them and it turns out Willis is a young Hodor! Wow, didn’t see that twist coming. Willis/Hodor is a large stable boy who can talk, but his mom drags him away before he can have fun practicing with Ned and Benjen.

Isaac Hempstead Wright in 'Game of Thrones' (Photo: Helen Sloan/courtesy of HBO)
Isaac Hempstead Wright in ‘Game of Thrones’ (Photo: Helen Sloan/courtesy of HBO)

Bran really doesn’t want to leave this dream but the Three-Eyed Raven forces him to return to the present time. He wakes up in the tree and is mad he was brought back to the present when he so enjoyed seeing his ‘home’ (the first time the episode’s title is referenced). Bran sees Hodor (Kristian Nairn) and calls him Willis, asking him why he can’t talk. Hodor, being Hodor, only replies, “Hodor.” Bran asks after Meera (Ellie Kendrick) and Hodor carries him outside where she’s sitting in the snow. Bran wants her to return to the cave, telling her it’s not safe outside. “It’s not safe anywhere,” she replies. Bran also happily reveals Hodor’s real name is Willis and that he could talk and fight when he was younger. And he reminds her the Three-Eyed Raven told him a war is coming. Hodor carries Bran back inside and outside a Child of the Forest tells her Brandon Stark needs her, but Meera says she’s tired of just sitting around watching him have visions. A Child of the Forest (a strange-looking woman) tells her Bran won’t stay in the cave forever and that he will definitely need her.

And now we’re off to Castle Black and time’s up for those loyal to Jon Snow (Kit Harington). Alliser Thorne (Owen Teale) tells Sir Davos (Liam Cunningham) to open the door so the men inside can join their brothers in peace, even assuring the men they’ll set Ghost free. Sir Davos responds by picking up Jon Snow’s sword, apologizing to Snow’s friends that he’s not much of a fighter. The Night’s Watch beat down the door and inside the men are armed and ready to defend Snow’s body while Ghost growls. Just then a loud bang is heard. It’s the wildlings with the giant Wun Wun breaking down the Castle’s gates. The Night’s Watch start to attack but almost immediately realize it’s useless. Thorne commands they fight but only one lone archer takes aim at Wun Wun and fires. The giant picks him up, easily killing him and tossing his body to the ground. The rest of the Night’s Watch drop their swords. Snow’s loyal followers stand with the wildlings and their leader, Tormund (Kristofer Hivju). They throw Thorne and the rest of the men into cells while Tormund checks in on Jon’s body and sees all the knife wounds. He says he’ll tell his men to get wood for a fire because they have to burn the body. No, no, and no. If Jon Snow’s body burns, that will spell the end of the #jonsnowlives campaign.

The story turns its focus to King’s Landing where a drunk is regaling his friends with rude stories about Queen Cersei (Lena Headey) and her brother whose penis is supposedly very tiny. He wanders into the alley to pee and is immediately killed by Ser Robert Strong/the reanimated corpse of The Mountain who squishes his head against the wall like an annoying insect. Blood still on his armor, Strong goes to accompany Cersei to the Sept. The King’s men stop her as she’s about to leave her room, relaying orders that she stay in the Red Keep for her own protection – meaning she can’t attend her daughter’s funeral. Cersei asks to see her son but he’s already left for Myrcella’s funeral. She gives in without a fight, which is very un-Cersei-like, and returns to her room.

Jaime (Nikolaj Coster-Waldau) and King Tommen (Dean-Charles Chapman) stand over Myrcella’s body in the Sept, and the King confesses that he believes his mother ordered Trystane Martell killed after Myrcella was murdered. Jaime really just cares about why Tommen kept Cersei from the funeral. The High Sparrow (Jonathan Pryce) told him she wasn’t allowed in the Sept and Jaime reminds Tommen that everything Cersei did, she did for him. King Tommen knows that and feels horrible that he, in turn, did absolutely nothing to help Margaery or his mother when they were taken away by the High Sparrow and his followers. He didn’t protect them and if he can’t do that, then what good is he? Just then in walks the High Sparrow and after Tommen requests to see his wife, the High Sparrow says not until she confesses. [Either the High Sparrow or the Lannisters are going to survive this season, and I don’t see the powers-that-be killing off the Lannisters.]

Jaime sends Tommen away to his mom and calls the High Sparrow a “bold man.” The High Sparrow acts humble, telling Jaime Cersei atoned for her sins. Jamie wonders why he hasn’t been made to atone for his actions which included stabbing his king in the back, killing his cousin, and helping his brother escape after he killed their father. What atonement does he deserve? Obviously believing a dead sparrow is better than alive one in the hand, Jaime puts his hand on his sword and the High Sparrow responds to the action by asking if he’d spill blood in that holy place. He even offers himself up…right before his well-armed followers show up to encircle the two men as they continue to stand by Jaime’s dead daughter. They’re not close enough to save the High Sparrow but Jaime would obviously still be cut down before he left the Sept. The High Sparrow warns him that alone his followers are poor and powerless, yet together they can overthrow an empire. dun Dun dunnnn!


Tommen finally visits his mother and she asks about the color of Myrcella’s burial gown and is happy to hear it’s gold. “Good, that was always her color.” Tommen apologizes for keeping her locked up and away from the funeral but did it so he won’t lose her again. She says she’s glad to see him but neither her tone of voice nor her eyes convey that message. He admits he was wrong not to execute all of them and should have pulled down the Sept on top of the High Sparrow. “You raised me to be strong and I wasn’t but I want to be. Help me.” Cersei finally looks like he’s said something that reached her, hugging him and answering, “Always.” Look out, High Sparrow! Cersei is back in charge.

In Meereen, Varys (Conleth Hill), Tyrion (Peter Dinklage), Missandei (Nathalie Emmanuel), and Grey Worm (Jacob Anderson) are catching each other up on all the gossip. The Masters have retaken all of the cities Dany freed other than Meereen, and the two dragons still underground in the city haven’t eaten since Dany left. Tyrion says they can’t let them starve and need to get them out of captivity. Tyrion, saying he drinks and knows things, believes the dragons need to be freed. “They must be unchained or they’ll waste away,” says Tyrion. He also says dragons are intelligent and have affection for their friends and fury for their enemies. So, the natural solution to their dragon problem is he’s going to feed them. Because, you know, he’s so close to Dany now that no way will the dragons touch a hair on his Lannister head.

Varys leaves Tyrion at the top of the dark stairs heading down to the dungeon where the two dragons are chained up. Tyrion inches forward and the dragons look at him, growl, but don’t attack. He stands before them and reaches out a hand, telling them he’s friends with their mother. He wants to help them and asks them not to eat the help. He wanted a dragon as a child, even a little dragon like himself. They seem to be listening as he says he was told the last dragon died a century ago. Tyrion touches one and it remains still. He frees it from its collar as the other one growls from behind him, but then it turns its head to also be let loose. He unchains it and now both dragons move around, stretching out their muscles. Tyrion quickly walks away and back up the stairs. “Next time I have an idea like that, punch me in the face,” he tells Varys.

We’re off to Braavos and Arya’s story next. The Waif is back to teach blind Arya (Maisie Williams) more about fighting. Arya says her name is No One but she’s not convincing. She’s getting badly beaten once again but then swings wildly at the air not knowing the Waif is gone. In her place is Jaqen (Tom Wlaschiha) who asks her name. She says it’s No One. He says he’ll let her sleep inside, feed her, and give her sight back if she says her name. She continues to respond with, “A girl has no name.” Apparently, she passed his test as she’s allowed to follow him, bending over to pick up her begging supplies before being told she’s not a beggar anymore.

Roose Bolton (Michael McElhatton) learns the bad news from Ramsay (Iwan Rheon) and Lord Karstark (Paul Rattray) that Sansa escaped and his men are all dead. They correctly assume Sansa is headed toward the Wall and Ramsay, always impulsive, suggests they storm Castle Black. Roose says if they murder Jon Snow – who he incorrectly believes is still the commander of the Night’s Watch – then they’ll never have the North. Karstark’s only response is to say it’s time for new blood in the North anyway. Roose tells his son that if he has a reputation as a mad dog, he’ll be treated as a mad dog. Just then news arrives that Roose’s wife has given him a baby boy. Ramsay hugs his dad and Roose says, “You’ll always be my firstborn.” Still in the middle of the embrace, Ramsay stabs his father in the stomach, killing him. Perhaps calling his firstborn a mad dog wasn’t such a wise idea, nor was thinking he could have a new offspring that would take Ramsay’s place in the line of succession. Then again, pretty much everyone wanted to see Roose die a miserable death. Ramsay wipes the blood off his knife and then tells the two witnesses that he wants word sent out that Roose Bolton is dead, poisoned by their enemies. Ramsay is now in charge and he demands Lady Walda and the baby be brought to him immediately.

Walda (Elizabeth Webster) and the baby meet Ramsay outside in the snow and he asks to hold the baby. She hands him over and Ramsay looks down at the baby, says, “Little Brother,” and then gently hands him back. Walda asks after Roose Bolton and Ramsay says, “Follow me, mother.” They head into the kennels where he quiets the barking dogs before opening up each individual kennel, and all the while his stepmother is getting more and more anxious. When she asks, “Where is Lord Bolton?” Ramsay replies, “I am Lord Bolton.” She knows the score and begs for mercy from Ramsay, saying she’ll leave Winterfell. The baby cries and she continues begging for their lives. “I prefer being an only child,” the psycho replies, whistling for the dogs to come out of their cages and attack. Off-screen we hear them ripping Lady Walda and the baby to shreds.

The death of a baby leads to catching up with Sansa (Sophie Turner) and Theon (Alfie Allen) in the snow. Brienne (Gwendoline Christie) tells Sansa that she saw Arya but she doesn’t know where she is now. She wasn’t dressed like a lady but looked good, and Sansa sort of chuckles, knowing Arya never dressed as a lady before all of this happened. Then Brienne asks what happened at Winterfell. Sansa doesn’t say but she does admit she should have gone with Brienne when she had the chance. Hindsight is in fact 20/20.

Theon doesn’t think they should be making a fire and possibly attracting unwanted attention. Sansa says they’re heading to Castle Black and Theon, probably rightly, thinks he’ll be killed immediately if he ever meets up with Jon Snow. He’s done too much, including betraying Rob Stark, and he can’t make amends to the Starks. Theon’s not coming with them but he swears he would have – even dying to get her there – and Sansa hugs him. Theon asks if he can take a horse and Sansa wants to know where he’s going. He says, “Home,” the second reference to the episode’s title.

We’re now off to visit with the Greyjoys who, to this point, have not been the most entertaining family to spend time with. Yara Greyjoy (Gemma Whelan) lets her father, Balon Greyjoy (Patrick Malahide), know they weren’t able to conquer the North but they can still beat anyone at sea. She tried to rescue Theon against her father’s orders, and they argue over his continued desire to conquer the North. He tells her to shut her mouth and obey; he wants her back out fighting for more land.

Shortly thereafter, Balon is crossing a rickety bridge during a storm. His brother, Euron ( Pilou Asbæk), is on the opposite side across a rickety bridge in the storm. Euron wants his older brother to step aside and let him rule, saying, “You’re old, brother. You have had your time.” Brother-to-brother, they stand in the middle of the bridge in the storm, discussing who’s insane, who’s stubborn, and who should rule. Balon slashes Euron’s face and Euron tosses his brother off the bridge to his death on the rocks below.

At the funeral, Yara and the Greyjoys’ men launch Balon’s dead body out to sea, reciting their oath, “What is dead may never die.” Yara vows to find out who did it and, more importantly, she believes she should rule in his place. Unfortunately, and despite whatever her father believed should happen upon his death, Yara will have to be chosen by the Kingsmoot. If she wins, she will be the first woman to rule the Iron Throne.

And now finally we get back to what’s going on at Castle Black. Melisandre is sitting in front of a fire when Sir Davos joins her to let her know they’re going to light the lord commander’s body on fire. She corrects him, saying Jon Snow is the “former” lord commander. And now instead of just recapping the conversation, because it’s critically important to the episode here’s what was actually said next between Sir Davos and Melisandre:

Davos: “Does he have to be?”

Melisandre: “What are you asking?”

Davos: “Do you know of any magic that could help him? Bring him back?”

Melisandre: “If you want to help him, leave him be.”

Davos: “Can it be done?”

Melisandre: “There are some with this power.”

Davos: “How?”

Melisandre: “I don’t know.”

Davos: “Have you seen it done?”

Melisandre: “I met a man who came back from the dead, but the priest who did it… It shouldn’t have been possible.”

Davos: “But it was. It could be, now.”

Melisandre: “Not for me.”

Davos: “Not for you? I saw you drink poison that should have killed you. I saw you give birth to a demon made of shadows.”

Melisandre: “Everything I believed…the great victory I saw in the flames…all of it was a lie. You were right all along. The Lord never spoke to me.”

Davos: “F**k him, then. F**k all of them. I’m not a devout man, obviously. Seven Gods, Drowned Gods, Tree Gods, it’s all the same. I’m not asking the Lord of Light for help. I’m asking the woman who showed me that miracles exist.”

Game of Thrones Kit Harington
Kit Harington as Jon Snow (Photo Courtesy of HBO)

Melisandre stands over Jon Snow’s body with a wet cloth. She wipes his wounds of blood while Sir Davos, Edd, and Tormund. As she does she looks absorbed in her work. The camera pans to Jon Snow’s face but there’s not any movement. All the blood is now gone but the wounds remain. She chants as she cuts some of his hair, tossing it in the fire. Ghost lies on the floor next to his dead master’s body. Melisandre chants some more and pours water through Jon’s hair, smoothing it down. He’s naked with only a small cloth covering his penis. She places her hands on his chest, says something, and closes her eyes. She does it again, speaking more fiercely. She presses her hand over his heart and looks at his face, continuing to speak the same words. She looks near to tears and says, “Please,” very quietly but there’s no reaction from Jon Snow. Melisandre removes her hands and stares at his face. She then turns to Sir Davos, and Tormund, believing it’s all over for Jon, leaves the room. Melisandre also exits the room. Ghost sleeps on and Edd is the next to leave. Now it’s only Sir Davos with Jon. Sir Davos, defeated, leaves and Ghost opens his eyes and rises. That’s closely followed by Jon Snow gasping for air!!! Jon Snow lives. #toldyouso

Just to confirm it’s true, the preview for episode three shows him sitting up, naked.

Recap of Game of Thrones season 6 episode 3




‘Outlander’ Season 2 Episode 4 Recap: La Dame Blanche

Outlander Caitriona Balfe and Rosie Day
Caitriona Balfe and Rosie Day in ‘Outlander’ season 2 (Photo © 2016 Sony Pictures Television Inc.)

Many in the book fandom know just what key events the title for episode four of Starz’s Outlander season two means and it is NOT good. But let’s not get ahead of actual show events. We open at Versailles. Our dashing couple are there together this time, and Jamie (Sam Heughan) is in his usual location of playing chess with Monsieur Duverney (Marc Duret), the Minister of Finance to Louis XV. Claire (Caitriona Balfe) is standing next to Jamie, watching the men play their match. The set details, the wardrobe details, everything is a feast for the eyes. {as she kisses her finger tips in the French style to express how magnificent everything is}

The Minister asks the couple if they have chosen a name for the bairn, as Jamie calls the wee baby. Of course, they haven’t determined a name; they have hardly spoken at all. They throw a few names out and each dislikes the other’s suggestion. All the while the Minister maneuvers his chess pieces to put Jamie in check. AND just then who should walk up but our dashing French villain, Le Comte St. Germain (Stanley Weber). The total buzzkill that he is, he reveals that the Minister will have Jamie in two moves. Lovely dagger-throwing glances ensue between the Frasers and St. Germain. As he walks by, Jamie agrees to the assessment of his position in the game and concedes the match to the Minister. The Minister would not hear of it and considers it a draw, as Jamie was obviously distracted by his beautiful wife’s presence. Our always perceptive Claire gets the hint and decides to take her leave of the gentlemen. As he strolls to the other side of the room, a servant gives her a glass of wine.

The Minister reveals to Jamie after Claire’s departure that the King of France, Louis XV (Lionel Lingelser), is intrigued by the involvement of the English backing of Prince Charles’ (Andrew Gower) intended expedition to Scotland. Jamie puts on a good face, but this is NOT welcome news. After Claire finishes the wine in the glass she starts coughing, clutching her stomach and the baby within, and doubles over in pain. Jamie runs across the room, filled with enormous concern, and scoops her up in his arms to whisk her out of the room. All the while the evil dashing shadow of St. Germain is behind her reveling in the scene before him. Okay, I just have to say it… what kind of devil has the brass cojones to attempt to poison a pregnant woman?

Back at the Fraser home they discuss the events. Claire thinks that the wine wasn’t poisoned exactly, but more likely an herb she and Master Raymond (Dominique Pinon) have discussed before that he sells to people looking for the real poison. Claire tells Jamie how scared she was that she was losing the baby, or at least that was her first thought. She noticed how St. Germain was staring at her as if to set her ablaze or something. Claire is still in pain so she asks for distraction, and wants to hear what the Minister might have told Jamie after she walked away. Jamie tells her of the setback: the King’s interest in Prince Charles’ plans.

Jamie admits that he would like to host a dinner to bring the Duke of Sandringham (Simon Callow) and Prince Charles together to see one another face to face for the first time. Jamie is sure that the Prince will show how foolish he is. Claire likes the idea but is not happy because this forces her to reveal to Jamie that Black Jack Randall (Tobias Menzies) is still alive.

Claire decides that she has no choice but to tell Jamie now. She explains that she met Alex Randall (Laurence Dobiesz) when they first went to Versailles and she wore the famous red dress. What happens next is not what she expects. Jamie looks up to the Almighty in thanks and expresses how wonderful the news is. Claire just sits there with her mouth hanging open. He explains that he has been plagued by terrible post-traumatic emotions because he knew he could not get to Randall and take his life himself. Now Claire has given him the knowledge that it is possible for him to see the man again and settle the score. The light at the end of the tunnel, as it were. The spark in his eyes shows us the old Jamie again for the first time since those terrible events of Wentworth Prison.

Claire gets up the next morning and heads out to see Master Raymond at this shop. I really do love that set. The intricate bottles and items about the room are just a feast for the eyes on every wall. And Claire is again wearing a gorgeous gown, embroidered in red on a shimmering deep blue fabric. I want her French wardrobe, even if that meant the corset came with it…hehe. I think I would get motion sick moving through the streets in that beautiful carriage though, but I digress.

Claire walks into the store and blasts Master Raymond for the poison attempt on her life and the baby’s life. He confesses he sold the replacement herb to only one person in a month’s time frame, but he didn’t recognize the servant who came to purchase it. He admitted it possibly could have been a scheme by St. Germain but he had no knowledge of it. Master Raymond’s shop helper says that she sees watchers again, so he asks Claire to follow him to a secret room in the back of the shop. So she goes under the stuffed crocodile hanging from the ceiling and into the secret room with him. Master Raymond explains that the King’s guard passes by at times so he tries not to provoke things in respect to his secret arts and magical practices.

Claire walks about the room and sees many wondrous things (totally love this room too, just incredible details all about the space). She picks up a dinosaur head that is on the shelf. He gives her a bit of a knowing glance and says he is fascinated by things not of his own time. Kind of a telling hint if you ask me, but no one did so I will move on. He knows something else is troubling her and asks her what it is. She mentions that she is wanting to know Frank’s future. He does a little sleight of hand to entertain her and has her casts some bones upon a Zebra hide.

Master Raymond explains that he cannot see Frank’s fate but says that he knows she will see him again. This surprises her greatly. He bestows a gift on Claire after changing the subject. He gives her a necklace that will reveal poison. The stone in the necklace changes colors if poison is nearby.

Claire then goes to her friend Louise de Rohan’s home for a visit. Louise (Claire Sermonne) has asked Claire over to reveal to her that she is with child, and NOT by her husband. She is asking Claire to help her with an abortifacient. Not that abortions are healthy at any time, but in those days you literally took poison to cause miscarriage. It often took the life of the woman as well as the child. Claire and Louise discuss the situation a bit and Claire convinces her to get her husband to believe it is his child. In the book, she is to sleep with her husband for the first time in months and then reveal she is with child. In the show, she convinces her husband that they had an encounter while he was drunk one night.

Sam Heughan in Outlander season 2 episode 4
Sam Heughan in ‘Outlander’ season 2 (Photo © 2016 Sony Pictures Television Inc.)

Later that night Jamie comes bouncing on the bed to wake up Claire. Okay, what wife has not had this happen to her? The husband was out and comes in a little charged in the libido. As fans we are in the camp of “WOOHOO, Jamie and Claire love scene, here we come!” WWWWEEEELLLLLLL, not so fast. Claire notices a little something on his inner thighs, yes plural. And here comes the inevitable argument I believe that is of no shock to anyone after the bite marks are discovered. She is in a prime location to grab a particular something and TWIST, but she is not me…snort. Here comes the line of, “You have to believe me, nothing happened!” REALLY, she has to believe you HUH?

He certainly fumbles the start, but just like the Jamie of old, he does end up much more eloquent by the time they get around to some real connection in the argument. Jamie tries to explain that he finally had some stirrings inside again after she told him that Randall was still alive. Claire tells him of her loneliness at his distance and that she has been going through the issues around becoming a Mother completely alone all the while trying desperately to be understanding. Jamie bursts out that she has no idea what he has been going through. EDZACTLY you lunk head!! He hasn’t talked to her about any of it; he has done nothing but keep her at arm’s length for months. She begs him to explain, to help make her understand what has been going on inside.

For the first time he finally opens up and provides some description to his turmoil and pain. Such a descriptive sentence, “Trying to hide under a blade of grass…” {that is the sound of my heart breaking}. Claire stands there in silence with tears in her eyes. Jamie heads to another place to sleep. I just love this little alcove in the apartment set. It was the same little place that Murtagh (Duncan Lacroix) hoped into when he and Jamie were discussing the music letter that Prince Charles received.

Claire comes down from their room to find Jamie in this hide-a-bed, not sleeping yet but laying there certainly. They finally make love again in this little space; the first link to the connection that has to be reforged. As they are laying there talking together Jamie hears a sound and springs from the bed to investigate. With what happened to Claire and the poisoning attempt, they are justifiably cautious about strange sounds. Someone starts tapping on the window. Jamie opens the window, grabs the intruder, and throws him to the ground, dirk in hand to kill this would-be assassin. Then Jamie realizes it is none other than Prince Charles himself lying beneath his waiting blade. What a dramatic way to introduce your friend to your wife. This is Claire’s first introduction to the Prince.

Jamie tries to give as formal an introduction as is possible in this very odd situation. Claire notices that the Prince has an injury to his hand. The Prince recounts the events that brought him to this current awkward situation and the need for the Frasers’ rescue while Claire tends his hand. Just to let you in on a fandom secret, there is a drinking game for each time the Prince says “mark me”; Ready? GO!!

As Claire hears his account of events she pieces together that he is speaking of her friend Louise de Rohan and her biting monkey that injured him. This gives our dashing couple a possible way to offset the setback; by having some very interesting guests at this dinner party Jamie suggested. The necessity of intrigue makes them both feel that they are bad people. This is certainly outside of either of their normal personalities.

Next we see the servants setting the elegant table a week later, the day of the dinner with the Frasers. I won’t keep fangirling over the details about the room, you know where I’m coming from already. *snort* But of course we can’t just have a simple party can we? Of course not.

A disaster pulls Claire to L’ Hospital des Anges to help Mother Hildegarde (Frances De La Tour) tend to the massive influx of patients. Jamie insists that she take Murtagh and our handsome little thief, Fergus (Romann Berrux). Mary Hawkins (Rosie Day) is at the hospital helping Claire with the patients, and there is the cutest little exchange between Murtagh and Fergus about Mary and women. I guess growing up in a brothel does give you a bit of insight about females. We get to see the impressive Bouton (Scamp) again, following the Mother about the hospital. Claire is helping to set a man’s broken leg. The makeup department does an incredible job, too. You see this man’s bone sticking out of his leg; gross and OUCH.

Mary and Claire get ready to leave, and the carriage has a broken wheel. Naturally on a day when you least need a disaster to occur, there you go! Life sure likes to keep things interesting for us, doesn’t it?! Back at the Frasers’ apartment, the dinner guests begin to arrive so Jamie must receive them alone. The clothes for the men are just as exquisite as the women. The Duke of Sandringham is the first to be announced, with Alex Randall trailing behind. This is the first meeting of Alex and Jamie. Jamie handles his surprise VERY well. As all the other guests continue to arrive, Fergus gets back to the house to let Jamie know that Claire will be late. All of a sudden Le Comte St. Germain shows up, apparently invited by the Duke. The conniving Duke is ever one step ahead it would seem.

Claire, Mary, and Murtagh are walking back to the Fraser home when Mary surprises Claire with her affection for Alex Randall. All of a sudden they are all attacked. Murtagh is knocked unconscious and Mary is raped by one of the attackers. As they are about to attack Claire one of them sees her face clearly and screams out “La Dame Blanche” and they run away. Claire knocks the rapist off Mary, and Murtagh comes around just after all the activity. He carries her back to the home and Jamie comes out to see what all has occurred. Jamie and Murtagh want to set out right then for the devils that could do such a thing to a young maiden and a pregnant married woman, but Claire stops them. The dinner party is too important to what they are trying to accomplish. They carry the unconscious Mary inside and leave her to the care of Alex Randall while they have to continue with the dinner plans.

Jamie tells Claire that St. Germain is there, just to add more excitement to the night. SERIOUSLY!! That poor baby will be born as jumpy as a jackrabbit given all the stress Claire is under constantly. Claire is left alone for a few minutes so she uses the time to steady herself. She heads down to make her entrance. Alex continues to watch over Mary upstairs. He professes his love for the resting Mary, but she does not hear him at that moment.

Down in the dining room the party is settled in at their plates and interesting conversation ensues. And WHO had the bright idea to set Le Comte St. Germain right next to Claire? The Prince is very snarky about the situation with Louise sitting next to her husband. Jamie also puts fuel to that flame by revealing Louise’s pregnancy. It does the trick and unnerves the Prince. St. Germain has a few choice words about the stone around Claire’s neck. He tries to make others think she is silly and superstitious. He makes the off-handed remark that if she can’t trust her servants to cook for her without fear of poison, then maybe they should all have a similar stone for protection. Claire looks him directly in the face and without blinking says that yes maybe HE should. St. Germain is not the only one who can give an icy glare.

Mary wakes up upstairs, is frightened by Alex’s presence given what a man has just done to her, and she bolts from the room. She runs downstairs and as Alex catches her she lets out a bloodcurdling scream, and they fall to the floor. Everyone runs to the living room to see Alex on top of Mary, trying to calm her down, but he looks to the others to be assaulting her. Given she was actually raped that very day, it looks very bad for Alex. A fight ensues and Claire takes Mary to the other side of the room. Of course, the Duke and the Prince take their leave of the situation to not get involved in scandal. And Le Comte St. Germain is just loving these developments as he calls for the authorities. Every time Jamie and Claire take one step forward they are knocked four steps back it would seem.

Sorry, I’m not going to explain what La Dame Blanche means. I know given my knowledge of the book, but I will not give out spoilers so don’t ask. You will simply have to tune in next week to discover why that term made the band of devil-men run away. Same Sassenach time, Same Sassenach channel.

Outlander Season Two Recaps:




‘Captain America: Civil War’: Special IMAX Featurette

Captain America Civil War Jeremy Renner Chris Evans
Hawkeye/Clint Barton (Jeremy Renner), Scarlet Witch/Wanda Maximoff (Elizabeth Olsen), Captain America/Steve Rogers (Chris Evans), and Winter Soldier/Bucky Barnes (Sebastian Stan) in ‘Captain America: Civil War’ (Photo Credit: Film Frame © Marvel 2016)

Captain America: Civil War‘s major battle sequence was shot with the ALEXA IMAX 65mm cameras, making the 17 minute scene into what directors Joe and Anthony Russo hope is an in-your-face experience. Commenting on the format, director Joe Russo said, “IMAX is the closest thing we have right now to a fully immersive experience. It surrounds you with sound quality, the image quality, the scale of the image; it just enhances your whole movie-going experience incredibly.” In support of the film’s May 6, 2016 theatrical release, a new IMAX featurette’s been released featuring Chris Evans, Sebastian Stan, Anthony Mackie, and the directors discussing bringing the story to life in the IMAX format.


In addition to Evans, Stan, and Mackie, the cast includes Elizabeth Olsen as Scarlet Witch, Robert Downey Jr as Iron Man, Jeremy Renner as Hawkeye, Paul Rudd as Ant-Man, Scarlett Johansson as Black Widow, Don Cheadle as War Machine, Paul Bettany as Vision, Chadwick Boseman as Black Panther, and Tom Holland as Spider-Man.

The Plot: Marvel’s Captain America: Civil War finds Steve Rogers leading the newly formed team of Avengers in their continued efforts to safeguard humanity. But after another incident involving the Avengers results in collateral damage, political pressure mounts to install a system of accountability, headed by a governing body to oversee and direct the team. The new status quo fractures the Avengers, resulting in two camps—one led by Steve Rogers and his desire for the Avengers to remain free to defend humanity without government interference, and the other following Tony Stark’s surprising decision to support government oversight and accountability.

Watch the Captain America: Civil War featurette:

‘The Nice Guys’ Retro Trailer Brings the ’70s Back to Life

The Nice Guys Ryan Gosling and Russell Crowe
Ryan Gosling and Russell Crowe star in ‘The Nice Guys,’ a Silver Pictures production, a Warner Bros. Pictures release. (Photo © 2016 Nice Guys, LLC)

The latest trailer for the R-rated action comedy The Nice Guys is straight out of the ’70s. From the voice-over to the video quality, the coloring, and the bizarre editing, the new The Nice Guys trailer perfectly captures everything about classic movie trailers from the 1970s. Directed by Shane Black (Kiss Kiss Bang Bang), The Nice Guys stars Ryan Gosling, Russell Crowe, Angourie Rice, Matt Bomer, Margaret Qualley, Keith David, Beau Knapp, and Kim Basinger.


Shane co-wrote the script with Anthony Bagarozzi. The film’s executive produced by Ken Kao, Hal Sadoff, Alex Walton, and Michael J. Malone. Warner Bros Pictures is opening The Nice Guys in theaters on May 20, 2016.

The Plot: Set in 1970s Los Angeles, down-on-his-luck private eye Holland March (Ryan Gosling) and hired enforcer Jackson Healy (Russell Crowe) must work together to solve the case of a missing girl and the seemingly unrelated death of a porn star. During their investigation, they uncover a shocking conspiracy that reaches up to the highest circles of power.

Watch The Nice Guys trailer:

Netflix Orders ‘The Punisher’ with Jon Bernthal

Daredevil in Jon Bernthal
Jon Bernthal as Frank Castle/The Punisher in ‘Daredevil’ (Photo by Patrick Harbron/Netflix)

Fans asked for it and Netflix responded by ordering up Marvel’s The Punisher starring Jon Bernthal (The Walking Dead). Bernthal joined the cast of Marvel’s Daredevil for season two of the series and proved to be so popular with viewers that Netflix and Marvel have given The Punisher spin-off a full season order.

Hannibal‘s Steve Lightfoot is writing the first two episodes and serving as executive producer/showrunner. Netflix and Marvel also have Marvel’s Luke Cage, Marvel’s Iron Fist, and Marvel’s The Defenders in the works, with Marvel’s Daredevil and Marvel’s Jessica Jones currently streaming.


“We want to thank the fans who are clamoring for more of Jon’s stunning and powerful performance as Frank Castle from Marvel’s Daredevil,” said Executive Producer/Head of Marvel Television, Jeph Loeb, “Now combined with Showrunner Steve Lightfoot’s compelling writing, we’re thrilled to bring Marvel’s The Punisher to Netflix.”

“Jon hooked our global audience with his performance as Frank Castle from the moment he stepped on screen in Marvel’s Daredevil, and we are looking forward to seeing more of him in this role under the vision of Steve Lightfoot,” said Cindy Holland, Netflix Vice President of Original Content.

“For me, the complexity and unpredictability of Frank Castle make him an incredibly compelling character and I couldn’t be more excited to dive into his world,” said Executive Producer and Showrunner, Steve Lightfoot. “After watching Jon’s performance in Marvel’s Daredevil I could not be more excited to be working with him to further develop and progress the story of this anti-hero in a show of his own.”

2016 Edgar Award Winners: ‘Let Me Die in His Footsteps’ Tops the List

Let Me Die in His Footsteps

The Mystery Writers of America have voted and this year’s Edgar Award winner for Best Novel is Lori Roy’s Let Me Die in His Footsteps. Let Me Die in His Footsteps is set in the 1950s in a small Kentucky town and centers on two families touched by evil. Roy’s novel was chosen winner in a very competitive category that included nominees The Strangler Vine, The Lady From Zagreb, Life or Death, Canary, and Night Life.

The annual Edgar Allan Poe Awards recognize the best in non-fiction, mystery fiction, and television.

2016 Edgar Award Winners


  • BEST NOVEL
    Let Me Die in His Footsteps by Lori Roy (Penguin Random House – Dutton)
  • BEST FIRST NOVEL BY AN AMERICAN AUTHOR
    The Sympathizer by Viet Thanh Nguyen (Grove Atlantic – Grove Press)
  • BEST PAPERBACK ORIGINAL
    The Long and Faraway Gone by Lou Berney (HarperCollins Publishers – William Morrow)
  • BEST FACT CRIME
    Whipping Boy: The Forty-Year Search for My Twelve-Year-Old Bully by Allen Kurzweil (HarperCollins Publishers – Harper)
  • BEST CRITICAL/BIOGRAPHICAL
    The Golden Age of Murder by Martin Edwards (HarperCollins Publishers – HarperCollins)
  • BEST SHORT STORY
    “Obits” – Bazaar of Bad Dreams by Stephen King (Simon & Schuster – Scribner)
  • BEST JUVENILE
    Footer Davis Probably is Crazy by Susan Vaught (Simon & Schuster – Paula Wiseman Books)
  • BEST YOUNG ADULT
    A Madness So Discreet by Mindy McGinnis (HarperCollins Publishers – Katherine Tegen Books)
  • BEST TELEVISION EPISODE TELEPLAY
    “Gently with the Women” – George Gently, Teleplay by Peter Flannery (Acorn TV)
  • ROBERT L. FISH MEMORIAL AWARD
    “Chung Ling Soo’s Greatest Trick” – Ellery Queen Mystery Magazine by Russell W. Johnson (Dell Magazines)
  • GRAND MASTER
    Walter Mosley
  • RAVEN AWARDS
    Margaret Kinsman
    Sisters in Crime
  • ELLERY QUEEN AWARD
    Janet Rudolph, Founder of Mystery Readers International
  • THE SIMON & SCHUSTER – MARY HIGGINS CLARK AWARD
    Little Pretty Things by Lori Rader-Day (Prometheus Books – Seventh Street Books)

Complete list of 2016 Edgar Award nominees

National Geographic, Ron Howard Team Up on ‘Genius’

Einstein His Life Book

National Geographic has greenlit its first scripted series, Genius. Based on Walter Isaacson’s Einstein: His Life and Universe, Genius will be executive produced by Oscar winner Ron Howard, Brian Grazer, Francie Calfo, Gigi Pritzker, Rachel Shane, Sam Sokolow, Jeff Cooney, and Noah Pink. Ron Howard will direct the first episode and Noah Pink is adapting Isaacson’s critically acclaimed book for the series. The anthology series, which will focus season one on Albert Einstein, is a Fox 21 Television Studios, Imagine Television, OddLot Entertainment, and EUE/Sokolow production.

According to National Geographic Channel, filming will take place in Prague this summer. The series will air in 171 countries in spring 2017.


“Genius is perfectly emblematic of our vision to create premium, distinctive and highly entertaining content that fits the National Geographic brand,” said National Geographic Channel’s CEO Courteney Monroe. “We are thrilled to be partnering with the exceptional teams at FOX 21 TVS, Imagine Television and OddLot to tell rich, provocative and powerful stories that celebrate human ingenuity.”

“We couldn’t be happier to be working with Imagine and OddLot to bring our spirit of creative adventure and passion for great storytelling to Nat Geo as they embark on their first scripted series. And to have Ron direct the first episode is incredibly exciting,” stated President of FOX 21 Television Studios Bert Salke. “Genius is a franchise with infinite possibilities. We think this installment that tells the fascinating backstory of the man who articulated the theory of relativity is just the beginning of a long and successful partnership between our companies.”

“Having already worked with National Geographic on Breakthrough and currently in production on Mars – our exciting unscripted and scripted hybrid series that tells of our journey to colonize Mars – I look forward to their support as we tell this ambitious but intimate and revealing human story behind Einstein’s scientific brilliance,” said Ron Howard. “I hope that his story, as well as those of other geniuses, will both entertain and inspire the next generation of Einsteins.”

“We have been patient in our search for the perfect partners to help bring Walter Isaacson’s incredible book on Einstein to life in a unique, thought-provoking and entertaining way,” added OddLot’s Gigi Pritzker. “After cultivating the project for many years, we are ecstatic that Genius will be OddLot’s first foray into television and that this remarkable story will be realized with Ron Howard at the helm and with the support of our great partners at Nat Geo, FOX 21 TVS, Imagine and EUE/Sokolow.”

The Genius Plot: The series will uncover how an imaginative, rebellious patent clerk named Albert Einstein – a struggling father in a difficult marriage who couldn’t get a teaching job or a doctorate – unlocked the mysteries of the atom and the universe. Each episode will explore the iconoclast behind these extraordinary scientific achievements, including his political activism, family life and volatile and complex personal relationships.

‘Me Before You’ Trailer #2 with Emilia Clarke and Sam Claflin

Me Before You Emilia Clarke and Sam Claflin
Emilia Clarke and Sam Claflin in ‘Me Before You’ (Photo © 2015 Warner Bros. Entertainment Inc. and Metro-Goldwin-Mayer Pictures Inc.)

Commenters on Youtube seem to be in two camps after viewing the new trailer for Me Before You. Camp one is full of people who claim to be brought to tears from the emotional trailer. Camp two is squealing with glee over the fact the film features Emilia Clarke, Charles Dance, Sam Claflin, and Jenna Coleman, otherwise known as Game of Thrones‘ Daenerys Targaryen and Tywin Lannister, The Hunger Games‘ Finnick, and Doctor Who‘s Clara. Based on Jojo Moyes’ bestselling novel, Me Before You was directed by Thea Sharrock (Call the Midwife) and features Matthew Lewis, Vanessa Kirby, Stephen Peacocke, Brendan Coyle, and Janet McTeer. New Line Cinema and MGM are releasing Me Before You in theaters on June 3, 2016.


The Plot: Oftentimes you find love where you least expect it. Sometimes it takes you where you never expected to go…

Louisa “Lou” Clark (Clarke) lives in a quaint town in the English countryside. With no clear direction in her life, the quirky and creative 26-year-old goes from one job to the next in order to help her tight-knit family make ends meet. Her normally cheery outlook is put to the test, however, when she faces her newest career challenge. Taking a job at the local “castle,” she becomes caregiver and companion to Will Traynor (Claflin), a wealthy young banker who became wheelchair bound in an accident two years prior, and whose whole world changed dramatically in the blink of an eye. No longer the adventurous soul he once was, the now cynical Will has all but given up. That is until Lou determines to show him that life is worth living. Embarking together on a series of adventures, both Lou and Will get more than they bargained for, and find their lives—and hearts—changing in ways neither one could have imagined.

Watch the Me Before You trailer:

‘Keanu’ Movie Review: Cute Kitten Leads to Comedy Chaos

Keegan Michael Key and Jordan Peele in Keanu
Keegan-Michael Key and Jordan Peele in ‘Keanu’ (Photo © 2016 Warner Bros Entertainment Inc and Ratpac-Dune Entertainment)

Do you have to be a cat lover or be a fan of Comedy Central’s Key & Peele to enjoy Keanu? Absolutely not. Even those who believe dogs rule and cats drool will get a kick out of this R-rated comedy that centers around the rescue of an adorable spiky-furred kitten.

Directed by Peter Atencio, director of 50+ episodes of Key & Peele, Keanu starring Keegan-Michael Key and Jordan Peele doesn’t quite live up to the expectations set by the film’s trailers, but close is good enough in this case.

We meet Keanu the kitten in the middle of a shoot-out between rival drug gangs. The warehouse ends up looking like a slaughterhouse by the time the last bullet’s fired, but fortunately for our furry hero the two gangsters left standing have a soft spot for squeaky-voiced kittens. Keanu escapes the shoot-out intact, wanders the streets, and ultimately ends up at the door of Rell (Peele) who’s depressed – and stoned – after being dumped by his girlfriend. Rell falls madly in love with the kitty he names Keanu, forming an immediate, even slightly unhealthy, attachment to his new furry family member.

Rell’s obsession with Keanu takes a bizarre turn when, after spending the evening at the movies with his cousin Clarence (Key), they return home to find his place ransacked and Keanu missing. The search for Keanu takes Rell and Clarence to a strip joint that’s the headquarters of the 17th Street Blips (a gang made up of former Bloods and Crips). Rell and Clarence are forced into masquerading as cold-blooded gangstas in order to rescue Keanu who’s now been adopted by Blips leader, Cheddar (Method Man). Quickly coming up with new names – Techtonic and Shark Tank – and new backstories, the suburbanites are so over their heads that Keanu’s not the only one in danger of becoming a gang-related crime statistic.

Keegan-Michael Key and Jordan Peele are immensely likable and in their first feature film as the leads, they don’t just stick with what their fans already appreciate and expect – comedy riffs on current events, race, and pop culture – but instead go into full-on action hero mode. Key and Peele have an incredible knack at knowing just how far to push a joke and how long they can continue to poke and prod one target before they need to move on. It doesn’t hurt that they’re working alongside one of the cutest kittens ever. I’m a diehard dog person and I left the theater wanting to adopt a meowing ball of fur.

Keanu’s one of the best buddy comedies to come along in years, and even Keanu’s namesake, Keanu Reeves, realized this film’s a cut above, agreeing to lend his voice to a brief but memorable scene after seeing the trailer. Keanu even makes George Michael and Wham! seem cool again, and Will Forte in cornrows is one of those things you have to see to believe. For their first comedy movie as headliners, Keanu sets the bar high. Will they be able to top it with their second film? I’m sure these two have already moved on to something original and equally as entertaining, but I do have a Corgi they can borrow if they want to stick with the animal theme.

GRADE: B+

MPAA Rating: R for violence, language throughout, drug use and sexuality/nudity

Running Time: 98 minutes




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