Stephen Guarino as Sully, Brianne Howey as Kay, Jon Daly as Arnie, Michael Angarano as Eddie, RJ Cyler as Adam, Ari Graynor as Cassie, Andrew Santino as Bill, Melissa Leo as Goldie, Clark Duke as Ron and Erik Griffin as Ralph in ‘I’m Dying Up Here’
Showtime’s presentation at the Television Critics Association’s winter press event included the news that the network has given I’m Dying Up Here a series order. I’m Dying Up Here comes from executive producer Jim Carrey and stars Melissa Leo (The Fighter), Ari Graynor (For A Good Time Call), Clark Duke (Hot Tub Time Machine), Michael Angarano (The Knick), Andrew Santino (Mixology), RJ Cyler (Me and Earl and the Dying Girl), Erik Griffin (Workaholics) and Stephen Guarino (Happy Endings).
Dave Flebotte (Masters of Sex) is writing the comedy series and executive producing along with Carrey, Michael Aguilar, and Christina Wayne. Episode one was directed by The Night Before helmer Jonathan Levine. Filming on the first season will take place this fall.
The I’m Dying Up Here Plot:
Set in L.A.’s celebrated, infamous stand-up comedy scene of the 1970s, during which the careers of many of the comedy superstars began, the series delves into the inspired and damaged psyches that are required to stand alone in front of an audience and make them laugh.
Showtime has just made it official: Shameless has been renewed for a seventh season. The sixth season of the award-winning series just premiered on Sunday, January 10, 2016 and according to the network ratings for the show’s season premiere episode.
Season seven of Shameless will consist of 12 episodes and filming is expected to take place later this year. Season six of Shameless is currently airing on Sundays at 9pm ET/PT with William H. Macy, Emmy Rossum, Jeremy Allen White, Ethan Cutkosky, Shanola Hampton, Steve Howey, Emma Kenney, and Cameron Monaghan. Shameless is executive produced by John Wells, Andrew Stearn, Christopher Chulack, Davey Holmes, Nancy M. Pimental, and Krista Vernoff.
Shameless Season Six Plot:
Picking up a few months after last year’s finale, the Gallaghers prepare for yet another long Chicago winter. Season six will see more than just the arctic Lake Michigan winds whipping through the Southside. Change is hard, and the Gallaghers are as surprised as anyone at how life is turning out for them. But the question remains, as they come into their own and find out who they are, is it really possible that the Gallaghers could grow apart for good?
Alberto Rosende as Simon Lewis in ‘Shadowhunters’ (ABC Family/Vu Ong)
Albert Rosende stars in Freeform’s new fantasy series, Shadowhunters, based on the bestselling The Mortal Instruments young adult book series by Cassandra Clare. The role marks Rosende’s first big gig since graduating college in 2014. He was cast as Simon in the series in May 2015, with Shadowhunters his first series regular role and only his third professional acting credit after working on the short film, The Swing of Things, and an episode of Blue Bloods. Catching up with Rosende at the Television Critics Association’s 2016 winter press event in Los Angeles, it was evident he prepared well for his role as Simon in the series debuting on January 12, 2016 at 9pm ET/PT.
Alberto Rosende Interview:
Was Simon the role you were originally auditioned for?
Alberto Rosende: “Simon was the only role I ever went out for and after reading it I can see why. I felt like he was the only one I really connected with after reading the books. I wanted to be a Jace but I knew that that wasn’t who I am. Where with Simon it was very close to who I am.”
What was it that you related to?
Alberto Rosende: “I think his sense of understanding and the way he knows he has a role to play in Clary’s life and he wants to be a bigger role but he knows where he can be. That understanding of knowing where you should be, of knowing your place but also wanting more, I felt like that was something I could feel with Simon. I like where I am but I always want to be farther, I guess.”
And wearing the glasses?
Alberto Rosende: “Oh yeah. That’s actually the one thing for me that made me the most in character was when I put my glasses on. We had to pick – they gave us like 40 frames that we all looked at until we found the exact ones.”
What spoke to you about the frames you selected?
Alberto Rosende: “I don’t know but I felt very much like Harry Potter when he gets his wand. Like, I picked up my glasses and I was like, ‘I like these.’ Everyone was like, ‘Yeah!’ I put them on and that was it. Those were the ones.”
After the pilot episode do you have a lot more scenes with Jace now that he revealed himself to you?
Alberto Rosende: “If it were up to Simon he wouldn’t have any scenes with Jace, but I have a few. There’s definitely a relationship that starts to grow because they’re both constantly around the one person they want to be around, and that’s Clary. They both want that so much they keep bumping into each other, whether or not they want to.”
Oce you were cast, did the fans reach out to you?
Alberto Rosende: “Oh yeah. That was something I don’t think I really understood, the amount of love the fandom has and the support they’re willing to give because as soon as I was announced at like 11am on May 1st, my phone blew up the whole day. I had to turn it off because I couldn’t look at anything else because it kept doing notifications. By the end of the day I went from having 200 followers on my Twitter and Instagram to having 10,000 in just a day. It was something that was just mind-blowing to me.
I check pretty much everything but I don’t answer a lot because there’s still a sense of anxiety. I know that now when I post something 80,000 people see it and it’s not just my 200 friends from college that I’ve known for a long time. But I do read most of my comments and I do check that stuff out.”
Do you have a hard time keeping up with the mythology of the series?
Alberto Rosende: “No. I read all six of the books before we started shooting the fourth episode so I was already really invested in the mythology. Also Simon as a character, he just loves these types of worlds. He plays Dungeons and Dragons, he’s a huge Star Wars fan. So the mythology and the extraneous characters are something that he very much enjoys. So for him, while this is all scary and he hates that his best friend is having to go through all this world that’s truly dangerous, there’s a part of him that loves it because all of his fanboy things that he’s learning are true. Werewolves and vampires are true. These things called Shadowhunters that have really badass seraph blades that look like light sabers, they all exist and for him that’s kind of exciting.”
Did you meet Cassandra Clare after reading the books?
Alberto Rosende: “I did. I did, and I’m not going to lie: I geeked out a little bit.”
What did you ask her?
Alberto Rosende: “To be honest, I don’t think that I asked her anything. I know that we were on set the first time I met her. We were doing a scene, so I saw her come on set and after we finished I went over and said hi and gave her a hug, asked her how she was. That was it. I didn’t really have any questions. I was just more in awe. The Mortal Instruments was the first book series I ever read in its entirety and to meet the author of that was like, ‘Wow, this is pretty big.’”
Did you watch the movie?
Alberto Rosende: “I waited until after we’d finished shooting to watch the movie. I didn’t see all of it, which is weird. I was going to watch it but then my brother was in town and I had to leave with him so I only watched the first hour and a half.”
So did you feel like having a whole season to do the story was much more luxurious than they had for the film?
Alberto Rosende: “Absolutely. I mean, reading the book and knowing that they did a movie I didn’t understand it, knowing that there’s so much information that Cassandra Clare manages to pack into 550 pages. I didn’t know how they could do it in an hour and a half or two hours, however long the film was. Reading it I was like, ‘How are they going to fit this in,’ because one thing the books do very well is that everything she tells you kind of has its own meaning, whether it’s revealed in the next chapter or five books later. It all kind of has a bunch of threads. I wasn’t sure how they were going to do that in the movie. But in the show we have the time. We have 13 hours, not two, to really get into these different threads and really learn about these different people to make sure that knots are beautifully woven and not just kind of rushed together.”
What was a scene from the books that you couldn’t wait to play?
Alberto Rosende: “One scene that I was really excited for was the first moment that Simon sees the Institute because I knew what that meant for Simon. Reading the books, you’re like, ‘Oh, that must be pretty cool but at the same time kind of scary and frightening,’ because in the world that he grew up living in it was kind of shattered to learn there was a bigger world that co-exists and anything can happen in. That was freaky. So, that scene was pretty cool, just to be in that place. And there a few more in the books that I hope come to fruition. Later on there’s a bunch of other stuff that I’m happy I got to play.”
Besides The Mortal Instruments books, what else do you geek out about?
Alberto Rosende: “I’m a good-size Star Wars fan. I’m not huge, but I do enjoy the films and I’ve seen them quite a few times. I play a lot of Call of Duty. I’m mostly Modern Warfare 2, Black Ops 2 online. I’ve been reading a lot of Kurt Vonnegut lately so that’s what I’ve been geeking out about. It’s amazing the way he writes and the way he weaves things into different books, too, different characters that come in. […]And then military things. My dad’s in the military so I’ve kind of always grown up around that.”
NBC announced the first two actors to sign up for Good Place, a new comedy series from Michael Schur (Parks and Recreation). Kristen Bell and Ted Danson will star in the 13-episode comedy, however NBC did not announce when production is expected to get underway or how soon we can expect to hear more casting news. Schur and David Miner will executive produce.
11-time nominee, two-time Emmy winner Danson just wrapped up work on the second season of the critically acclaimed series Fargo. His TV credits also include Cheers, Curb Your Enthusiasm, Bored to Death, and Damages. Bell’s TV credits include Veronica Mars, Deadwood, Heroes, Party Down, Gossip Girl, Parks and Recreation, and House of Lies.
Per NBC, Bell will play “Eleanor, a woman from New Jersey who comes to realize that she hasn’t been a very good person. She decides to turn over a new leaf by learning what it actually means to be ‘good’ or ‘bad,’ and then trying to make up for her past behavior.”
Danson will play Michael, “who, through an unlikely set of circumstances, comes to be Eleanor’s guide through her self-designed self-improvement course.”
Could Alejandro G. Inarritu become a back-to-back DGA winner? Inarritu was recognized in 2015 by the Directors Guild of America as the best director for his work on Birdman and he’s nominated this year for The Revenant. Inarritu’s DGA nomination is his fourth, and fellow nominee Ridley Scott also earned his fourth for the sci-fi drama, The Martian, which was just recognized with the Best Comedy award at the Golden Globes.
The Directors Guild also announced they’ve added a new category in support of first-time feature film directors. All winners will be announced at the 68th Annual DGA Awards to be held on February 6, 2016.
OUTSTANDING DIRECTORIAL ACHIEVEMENT IN FEATURE FILM FOR 2015
ALEJANDRO G. IÑÁRRITU – The Revenant
Mr. Iñárritu’s Directorial Team:
Unit Production Managers: Drew Locke, James W. Skotchdopole, Doug Jones
First Assistant Director: Scott Robertson
Second Assistant Directors: Megan M. Shank, Matthew Haggerty, Jeremy Marks
Unit Production Manager: Gabriela Vazquez (Argentina, California, and Montana Unit)
First Assistant Director: Adam Somner (Argentina, California, and Montana Unit)
Second Assistant Directors: Trevor R. Tavares, Jasmine Marie Alhambra (Argentina, California, and Montana Unit)
Second Second Assistant Directors: Brett Robinson, Kasia Trojak (Argentina, California, and Montana Unit)
This is Mr. Iñárritu’s fourth DGA Award nomination. He won the DGA Award for Outstanding Directorial Achievement in Feature Film in 2014 for Birdman or (The Unexpected Virtue of Ignorance). He was also nominated in this category for Babel in 2006. He won the DGA Award for Outstanding Directorial Achievement in Commercials for “Best Job” (Procter & Gamble) in 2012.
TOM McCARTHY – Spotlight
Mr. McCarthy’s Directorial Team:
Unit Production Managers: D.J. Carson, Michael Bederman
First Assistant Director: Walter Gasparovic
Second Assistant Director: Penny Charter
Assistant Unit Production Manager: Danielle Blumstein (Boston Unit)
First Assistant Director: Christo Morse (Boston Unit)
Second Assistant Directors: Conte Matal, Kristina Mariko Peterson, Annie Tan, Andrea O’Connor (Boston Unit)
Second Second Assistant Directors: Phil Robinson, Mark Romanelli (Boston Unit)
Additional Second Assistant Director: Scooter Perrotta (Boston Unit)
This is Mr. McCarthy’s first DGA Feature Film Award nomination.
ADAM McKAY – The Big Short
Mr. McKay’s Directorial Team:
Unit Production Manager: Louise Rosner
First Assistant Director: Matt Rebenkoff
Second Assistant Director: Amy Lauritsen
Second Second Assistant Director: Cali Pomés
Second Second Assistant Director: Josh Muzaffer (New York Unit)
Location Manager: Michael Kriaris
This is Mr. McKay’s first DGA Feature Film Award nomination.
GEORGE MILLER – Mad Max: Fury Road
Mr. Miller’s Directorial Team:
Unit Production Manager: Dean Hood
First Assistant Director: PJ Voeten
Second Assistant Directors: Samantha Smith, Wendy Croad, Chris O’Hara
Second Assistant Directors: Eddie Thorne (Syndey Unit), Emma Jamvold (Syndey Unit)
Second Second Assistant Directors: Danielle Blake (Syndey Unit), Joshua Watkins (Syndey Unit)
This is Mr. Miller’s first DGA Feature Film Award nomination.
RIDLEY SCOTT – The Martian
Mr. Scott’s Directorial Team:
Unit Production Managers: Francesca Cingolani, Miklós Tóth
First Assistant Director: Raymond Kirk
Second Assistant Directors: Sarah Hood, Bogi Móricz
Second Second Assistant Director: Nick Thomas
This is Mr. Scott’s fourth DGA Award nomination. He was nominated in this category in 1991 for Thelma and Louise, in 2000 for Gladiator, and in 2001 for Black Hawk Down.
OUTSTANDING DIRECTORIAL ACHIEVEMENT OF A FIRST-TIME FEATURE FILM DIRECTOR FOR 2015:
FERNANDO COIMBRA – A Wolf at the Door
Mr. Coimbra’s Directorial Team:
Unit Production Manager: Clara Machado
First Assistant Director: Suzy Milstein
Second Assistant Director: Raquel Toledo
This is Mr. Coimbra’s first DGA Award nomination.
JOEL EDGERTON – The Gift
Mr. Edgerton’s Directorial Team:
Unit Production Manager: Luc Etienne
First Assistant Director: Michael J. Moore
Second Assistant Director: Matt Haggerty
Second Second Assistant Director: Dillon Neaman
This is Mr. Edgerton’s first DGA Award nomination.
ALEX GARLAND – Ex Machina
Mr. Garland’s Directorial Team:
Unit Production Manager: Sara Desmond
First Assistant Director: Nick Heckstall-Smith
Second Assistant Director: Ray Kenny
This is Mr. Garland’s first DGA Award nomination.
MARIELLE HELLER – The Diary of a Teenage Girl
Ms. Heller’s Directorial Team:
Unit Production Manager: Molly Salz
First Assistant Director: Brian Benson
Second Assistant Director: Jerremy Stewart
Second Second Assistant Director: Alex Gilbert
This is Ms. Heller’s first DGA Award nomination.
LÁSZLÓ NEMES – Son of Saul
Mr. Nemes’s Directorial Team:
Unit Production Manager: Gábor Szántó
First Assistant Director: István Kolos
Second Assistant Directors: Zoltán Gyovai, Edina Galgócz
Amy Schumer has been tapped to receive the Critics’ Choice MVP Award during the 21st Annual Critics’ Choice Awards airing live on A&E, Lifetime and LMN on January 17, 2016 at 8pm ET/5pm PT. This year’s star-studded awards show will be hosted by Silicon Valley‘s T.J. Miller and will take place at the Barker Hanger in Santa Monica, CA. The Broadcast Film Critics Association* (BFCA) and the Broadcast Television Journalists Association (BTJA) also announced Industrial Light & Magic (ILM) will receive the Critics’ Choice Genius Award which Star Wars: The Force Awakens director J.J. Abrams will present. ILM is being recognized for 40 years of revolutionizing filmmaking.
“The BFCA and BTJA are thrilled to be honoring someone as wildly talented and multifaceted as Amy Schumer with our second MVP Award. With her work in both film and television Amy proves that she can make us laugh until it hurts whatever the platform,” said BFCA/BTJA’s President Joey Berlin. “For our Genius Award this year, there seemed no more deserving recipient than Industrial Light & Magic. For the last 40 years, George Lucas and his extraordinary team have changed the way we see film and the industry would not be the same without their groundbreaking work.”
In addition to revealing the Critics’ Choice MVP and Genius Awards, BTJA also revealed the nominees in the Most Bingeworthy Show category. The nominees for this year’s bingeworthy series are The Walking Dead, Game of Thrones, Outlander, Empire, Orange is the New Black, and Friends. Fans can vote on their favorites by visiting Facebook, Twitter or Instagram by posting #[Show Name]CCA or at http://www.aetv.com/shows/the-21st-annual-critics-choice-awards/exclusives/bingeworthy-poll. Per the BTJA, for the first time ever fans can vote by posting a tweet using the following emojis (along with the @CriticsChoice handle):
• #TheWalkingDeadCCA OR skull emoji @CriticsChoice
• #GameofThronesCCA OR crown emoji @CriticsChoice
• #FRIENDSCCA OR people holding hands emoji @CriticsChoice
• #EmpireCCA OR lion emoji @CriticsChoice
• #OITNBCCA OR orange emoji @CriticsChoice
• #OutlanderCCA OR crossed swords emoji @CriticsChoice
More on Amy Schumer, Courtesy of the Critics’ Choice Awards:
Amy Schumer is the creator, star, writer and executive producer of the Emmy and Peabody Award winning Inside Amy Schumer, the popular Comedy Central television series which premiered in April 2013 to the network’s highest season premiere ratings of the year. Schumer’s provocative and hilariously wicked mind is on full display as she explores topics revolving around sex, relationships, and the general clusterf*ck that is life through a series of scripted vignettes, stand-up comedy, and man-on-the-street interviews. The show, which was recently picked up for a fifth season by Comedy Central, will be premiering in April 2016.
Last fall the show was honored with the first-ever Emmy Award for “Outstanding Sketch Variety Series” and Schumer also received honors for “Individual Achievement in Comedy” and “Outstanding Achievement in Comedy” from the Television Critics Association, the Critics’ Choice Television Award for “Best Actress in a Comedy Series” and The Charlie Chaplin Britannia Award for “Excellence in Comedy.” Schumer also hosted the 2015 MTV Movie Awards.
Her one-hour HBO comedy special, Amy Schumer: Live at the Apollo, directed by Chris Rock premiered on October 17th. It was HBO’s most watched Saturday night comedy special debut since December 2009.
More on ILM:
The “Critics’ Choice Genius Award” will be given to ILM in recognition of its 40 years of revolutionary moviemaking that changed entertainment forever. Star Wars: The Force Awakens director J.J. Abrams will be on hand to present the honor. For four decades, ILM has set the standard for visual effects, creating some of the most stunning images in the history of film. At the forefront of the digital revolution, ILM continues to break new ground in visual effects. ILM has been awarded 15 Academy Awards for Best Visual Effects, received 26 Scientific and Technical Achievement Awards, and was presented with the National Medal of Technology by the President of the United States in 2004. Founded in 1975 by George Lucas, ILM is the leading effects facility in the world, serving the motion picture, commercial production and attraction industries. ILM has created visual effects for over 250 feature films, including all seven Star Wars episodes, the Jurassic Park Franchise, the Harry Potter series, the Indiana Jones films, the Pirates of the Caribbean trilogy, Iron Man, Transformers, and The Martian.
The cast of ‘Spotlight’ (Photo Courtesy of Open Road Films)
The Alliance of Women Film Journalists* shined the spotlight on Spotlight with its 2015 EDA Awards, giving the film based on the true story of the investigation by Boston Globe reporters into sexual abuse in the Catholic Church four awards including Best Film and Best Director. Other multiple award winners included Carol, starring Cate Blanchett and Rooney Mara, and Mad Max: Fury Road.
Alliance of Women Film Journalists’ EDA Award Winners:
Best Film
SPOTLIGHT
Best Director (Female or Male)
Tom McCarthy for SPOTLIGHT
Best Screenplay, Original
SPOTLIGHT – Josh Singer, Tom McCarthy
Best Screenplay, Adapted
CAROL – Phyllis Nagy
Best Documentary
AMY – Asif Kapadia
Best Animated Film
INSIDE OUT – Pete Docter, Ronnie Del Carmen
Best Actress
Charlotte Rampling in 45 YEARS
Best Actress in a Supporting Role
Kristen Stewart in CLOUDS OF SILS MARIA
Best Actor
Leonardo DiCaprio in THE REVENANT
Best Actor in a Supporting Role
Paul Dano in LOVE & MERCY
Best Ensemble Cast
SPOTLIGHT
Best Editing
MAD MAX: FURY ROAD – Margaret Sixel
Best Cinematography
CAROL – Edward Lachman
Best Film Music Or Score
THE HATEFUL EIGHT – Ennio Morricone
Best Non-English-Language Film
Son of Saul – Laszlo Nemes (Hungary)
EDA FEMALE FOCUS AWARDS
These awards honor WOMEN only.
Best Woman Director
Marielle Heller for DIARY OF A TEENAGE GIRL
Best Woman Screenwriter
Emma Donoghue for ROOM
Best Female Action Star
Charlize Theron for MAD MAX: FURY ROAD
Best Breakthrough Performance
Alicia Vikander for EX MACHINA, TESTAMENT OF YOUTH and THE DANISH GIRL
Female Icon of the Year (presented to a woman whose work in film and/or in life made a difference)
Chantal Ackerman – In Memoriam, for being a great filmmaker and an inspiration.
EDA SPECIAL MENTION AWARDS
Best Depiction Of Nudity, Sexuality, or Seduction (Tie)
ANOMALISA
CAROL
Actress Defying Age and Ageism (Tie)
Charlotte Rampling
Lily Tomlin
Most Egregious Age Difference Between The Lead Character and The Love Interest
DANNY COLLINS – Al Pacino (born 1940) and Katarina Cas (born 1976)
Actress Most in Need Of A New Agent
Emma Stone for ALOHA
Movie You Wanted To Love, But Just Couldn’t
THE DANISH GIRL
* – I am a member of the Alliance of Women Film Journalists
Ariana Grande, Emma Roberts, Abigail Breslin and Billie Lourd in ‘Scream Queens’ (Photo by Steve Dietl / FOX)
The 2016 PaleyFest LA just announced the first TV shows that will included in their lineup. Fox’s Scream Queens and Empire, FX’s American Horror Story: Hotel, ABC’s black-ish, and Starz’s Power will have panels at the 33rd annual PaleyFest Los Angeles which runs from March 11-20, 2016. Additional shows will be announced next week.
“The Paley Center could not be more thrilled for the 33rd annual PaleyFest LA, continuing our mission to bring fans together with the biggest stars and creative forces behind our most beloved television programs,” stated Maureen J. Reidy, President and CEO of The Paley Center for Media.
For details on tickets to this year’s PaleyFest, visit paleyfest.org.
ThePaleyFest LA2016 initial panelist lineup:
Friday, March 11: Opening Night Presentation: Empire (7:30pm)
Details on The Paley Center for Media’s PaleyFest: “The Festival benefits the Paley Center’s preservation and archival digitization efforts, and its ongoing mission to explore the significant impact of media on our culture and society. The Paley Center is home to one of the nation’s foremost publically accessible archives of television, radio, and new media content, over 160,000 programs spanning the history of media.”
Hugh Dancy stars in ‘The Path’ (Photo by Greg Lewis / HULU)
Hugh Dancy didn’t think he’d return to series TV so quickly after the cancellation of Hannibal, but he found he just couldn’t say no to HULU’s The Path. The new drama was created by Jessica Goldberg and Jason Katims and is set to premiere on March 30, 2015 with Dancy, Breaking Bad‘s Aaron Paul, Michelle Monaghan, and Rockmond Dunbar in starring roles. The story follows a “family at the center of a controversial cult as they struggle with relationships, faith and power. Each episode takes an in-depth look at the gravitational pull of belief and what it means to choose between the life we live and the life we want.”
Following HULU’s presentation at the Television Critics Association’s 2016 winter press event, I sat down with a few other journalists to speak with Hugh Dancy about his role in The Path, the research process, music, and why he was so attracted to this project.
Hugh Dancy Interview:
Were you ready to jump right into a new series?
Hugh Dancy: “I didn’t expect to. I literally had just found out that Hannibal wasn’t coming back so, no, I wasn’t looking for it at all. But sometimes events just conspire to be undeniable. I read it; I almost tried to find reasons why it didn’t make sense. I couldn’t think of a single reason. And then I spoke to Jason [Katims] and Jessica [Goldberg]. I had some questions about the script. They preempted all of my questions. They said, ‘We’ve already rewritten all of that stuff.’ They described what they wanted to do with the show and I said, ‘Okay, I’m in.’”
What in particular did you have questions about?
Hugh Dancy: “It’s hard to say specifically and nothing that you would recognize from the show. It was more like character stuff so I had questions which I now recognize as being quite superficial questions. Their responses were so much richer and considered, I thought, ‘Okay, these guys are trying to make the very best version of the show that they can make,’ and I just wanted to be a part of it.”
Where are you filming the series?
Hugh Dancy: “We’re still shooting the show and it’s in New York, mostly around Nyack in Upstate New York and Mount Vernon.”
Has religious music been informative to you?
Hugh Dancy: “I wouldn’t say for me music from other religions or pre-existing religious music has been. I grew up singing in church and so on, but specifically to this role, no. But, there is a fair amount of music in the show and songs that were written for the show. We imagined…I should say Jessica and Jason imagined that they would have their own culture in that respect and that comes into play.”
Are you singing in the series?
Hugh Dancy: “In the background. [Laughing] Deep background.”
Can you talk about the research that you did for the role? Were there preaching styles that you looked at?
Hugh Dancy: “No. Actually, for the preaching, not so much. I tried to think about what it would be, what qualities someone in that leadership position would have to have, and I considered one of them to be humor. I don’t think you follow anybody who isn’t fun and a little unpredictable, dangerous in that respect.
I read about various movements, religions, whatever you want to call them that have undergone that moment when they have to transition from the beginnings into a second generation. That’s basically when most such movements vanish is they don’t survive it, when they lose their leader or whatever it is. And every so often circumstances conspire for the right person to be there at the right time and somebody kind of pragmatic, etc. etc. So I read about various versions of that.”
Is preaching like acting? It’s kind of a performance.
Hugh Dancy: “For sure. I think teaching is acting and preaching is a kind of teaching. I mean, it’s an interesting kind of acting because there’s a fair amount in this show that I learn. I mean, there was talk about me not having my sides but that’s because a lot of this stuff is not dialogue. I’m just speaking to crowds or addressing people, and that stuff you have to have really down properly because you can’t kind of bumble your way through it. So, yeah, it’s considered it’s performative.”
Your roles have gotten more complex over the years. Is that a pushback for your earlier career that had less complicated characters?
Hugh Dancy: “I think that you work with whatever opportunities you have, right, in the hope that you’re going to get to keep working and that eventually your interests will kind of come to the fore. I never felt any burning need to prove myself. I think that the things that I found interesting, slowly, the more I worked and was lucky enough to still be around, the more I got the opportunity to actually do the things that came my way. Not big things, like small movies but if they go well, then somebody else sees that and so on. I think that’s probably a pretty normal trajectory.”
Michael Shannon stars as Elvis Presley and Kevin Spacey stars as President Richard Nixon in ‘Elvis & Nixon’ (Photo by Steve Dietl / Bleecker Street)Elvis is in the building… The first official trailer for Bleecker Street and Amazon Studios’ Elvis & Nixon finds Michael Shannon as Elvis Presley checking his guns at the White House door and visiting President Richard Nixon (Kevin Spacey) in the Oval Office to offer his help in exchange for a badge from the Bureau of Narcotics and Dangerous Drugs.
Directed by Liza Johnson, the cast also includes Alex Pettyfer, Johnny Knoxville, Colin Hanks, Evan Peters, Sky Ferreira, Tracy Letts, Tate Donovan, and Ashley Benson.
The Plot:
On a December morning in 1970, the King of Rock ’n Roll showed up on the lawn of the White House to request a meeting with the most powerful man in the world, President Nixon. Starring Academy Award® nominee Michael Shannon as Elvis Presley and two-time Academy Award® winner Kevin Spacey as Richard Nixon, comes the untold true story behind this revealing, yet humorous moment in the Oval Office forever immortalized in the most requested photograph in the National Archives.