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Josh Gad Discusses ‘The Comedians’ and Billy Crystal

Josh Gad Interview on The Comedians
Josh Gad and Billy Crystal in ‘The Comedians’ (Photo by Ray Mickshaw / FX)

Billy Crystal and Josh Gad star in FX’s new half-hour comedy, The Comedians, which is now airing season one on Thursday nights at 10pm ET/PT. Both Gad and Crystal are playing twisted versions of themselves in the new comedy series, with The Comedians playing out like a behind-the-scenes documentary that follows Josh Gad and Billy Crystal as they team up to co-star in FX’s The Billy & Josh Show.

Sounds confusing? It’s not, actually. All you need to keep in mind while checking out The Comedians is that both Gad and Crystal are poking fun at themselves and neither are like their characters on FX’s new comedy.

Gad recently participated in a conference call to discuss The Comedians and said he’s trusting his fans and the audience, in general, to understand he’s not like the Josh Gad on screen in this new series. Check out what else he had to say about partnering up with Billy Crystal and starring in The Comedians:

What was your first impression of Billy Crystal?

Josh Gad: “My first impression was, ‘Oh my God, I’m in the midst of not only a brilliant comedian, but an icon who I’ve looked up to my entire life.’ I can vividly remember wearing out the VHS tape of Princess Bride growing up and City Slickers. And watching Comic Relief as a 10-year-old and being like, ‘Oh my God, this is one of the greatest performers I’ve ever seen.’

So, you’re awestruck. But at the same time, you just jump into it because you want to leave a good impression on an idol and you want to be worthy of sharing that billing with him. And so for me it was […]a master class education in comedy. But also the foundation of a friendship that I’m beyond honored to have, and to be able to call Billy Crystal your friend is a dream come true for me.”

Is it fun or scary or both to play a version of Josh Gad that’s vain, needy, self-loathing, and as screwed up as the one we see in The Comedians?

Josh Gad: “Absolutely terrifying, probably the most terrifying thing I’ve ever done. Anybody who knows me will hopefully tell you that I’m much more modest in real life that I am on the TV series. And for somebody like Billy, I think it’s slightly easier to play on preconceived notions about him because he has such a story to history with audiences.

I’m sort of newer. I’m a younger guy. I’m just developing that relationship with my audience, with my following. And so to trust the audience enough that you figure they’ll be in on the joke is something that requires a leap of faith, especially when you’re playing some of the ugly colors that I get to play on this series.

Having said that, it’s also exhilarating to keep the audience guessing as to what’s real and what’s not. I like to joke around that there’s probably like 8% to 10% of similarities that fake Josh Gad and real Josh Gad share, and those 10% are absolutely heightened beyond belief. So what you’re seeing is a very meta-heightened version of who I am really am in real life, and that’s both exhilarating and terrifying.”

Do the writers conjure up all of these character flaws for fictional Josh Gad or do you sometimes go to them and ask them to work your shortcomings into the show?

Josh Gad: “I think it’s a mixture of both. The creative team came up with the foundation for what they wanted this character to be in order to service a relationship with the heightened version of Billy’s character, and to give the show enough conflict that it wasn’t just two guys kissing each other’s a** for 13 episodes. In doing that, a lot of times I’ll get a script and I’ll be like, ‘Wait a second, is this really what you think of me?’ You don’t have the safety net of having a different name, you’re literally getting lines as Josh Gad and you’re like, ‘Wow, these guys must really think I’m an ***hole.’

And that is always a terrifying thing because you’re not sure what their perception is of you, or if they’re just creating these conceits from scratch just because this is what’s going to service the show best.”

What have you learned from Billy Crystal since partnering with him for The Comedians?

Josh Gad: “It’s an interesting question. I definitely have learned to listen and watch, I mean that’s what I’ve basically learned. Billy is a master at a lot of things. So one thing that he’s really adept at, is he transforms into these characters. In the series we have the luxury of doing a series within the series where we get to do sketch comedy. And watching this guy, who I think is one of the most brilliant voices to ever come through the halls of Saturday Night Live, it’s an amazing study developing characters, and character comedy that is so distinct.

To create characters that are able to have catch phrases like, ‘You look marvelous,’ and have that become a pop cultural touchstone, that’s an enormous feat. I think the most enlightening part of this process is just getting to see him do what he does best in creating all of these amazing characters and distinct voices in his approach to sketch comedy.”

What really sets The Comedians apart from other comedies?

Josh Gad: “I think that there’s a number of reasons. First and foremost, I happen to think it’s hysterically funny. And, yes, I’m subjective. But there is, baring my bias, I’ve had an opportunity now to watch screenings of it with audiences and it is laugh out loud funny. I think that the return of Billy Crystal to television is an event worthy of viewership in of itself. But I think above all else, even though the show uses the backdrop of industry and the inside machinations of creating the show, as I said, a backdrop, it’s about a generational disconnect that exists between an older guy and a younger guy.

I think that’s a universal theme that people can get behind. I think that people can get behind that universal idea of people who have the same goal in mind, but are approaching it through their generational experiences, the colors of whatever’s gotten them there and the eras that they’ve grow up in. I think that’s what makes the show so relatable, so human, and ultimately, so funny.”

You did a great impersonation of Billy Crystal. Was that something you always had in your bag of tricks that you could just pull out every once in a while? Or was that something you just put together when you started working with Billy?

Josh Gad: “That was something that when they said, ‘Cameras rolling,’ literally came out of thin air. I mean, it really was. The beauty of getting to work with Larry Charles, who of course is the mastermind behind Borat and Bruno, and Curb Your Enthusiasm, and Seinfeld, the beauty of getting to work with him is that he keeps the cameras rolling long after the scripted pages are done. And so you arrive at gems like that where you’re sort of stuck with each other in a car or whatever the situation may be, and all of a sudden that will come out.”

How much of the show is actually improvised compared to scripted?

Josh Gad: “You know, the scripts pretty much always come in very strong, so that’s always a great foundation to go off of. Having said that, I can’t really think of a situation where there’s been more leeway to improvise. Like I said, given Larry Charles’ direction, he sort of set the tone in the pilot and the subsequent episodes that he directed, nine of which he directed, that the cameras stay rolling long after the scripted material is done. He was a part of Curb Your Enthusiasm which has built their entire series around the nature of improvisation. So for us it always comes down to has the scene run its course, or is there more story and more relationship to discover by allowing us to explore without any scripted pages? And, usually, in more cases than not, we’re given that freedom and that opportunity to explore.”

You’ve been a big song and dance man in the past. Are you going to show off any other skills?

Josh Gad: “Oh, absolutely. Look, as ironic and strange as it is to say, by virtue of the fact that I’m playing Josh Gad on this series, and a heightened version of Josh Gad, you will be seeing a side of me that I don’t believe you’ve ever seen before. There is a cynical prism that I don’t usually do in my work that is sort of the foundation for this bizarro version of myself. He’s a guy with a healthy ego. He’s a guy who is absolutely clueless when it comes to certain social behaviors. And I’m excited about showing let’s just say a somewhat uglier side of myself. It’s dangerous, it’s tricky, but it’s also enormously rewarding. I do think it’s going to afford viewers definitely the opportunity to see me in a different light than they’ve seen me previously.”

Do you have any fun on-set stories that you can share about your co-stars with us?

Josh Gad: “You know, I will tell you that my first day on set with Billy was a very strange, surreal one because not only am I acting alongside this guy who’s an idol of mine, but I have to sort of insult him to his face without the safety net of calling him by a different name. And so on the very first day of shooting the pilot, we had to have a conversation and just be at ease with each other and tell each other, ‘Okay so now I, Josh Gad, fake real Josh Gad, am going to say things as fake Josh Gad that are going to be a little bit insulting to fake Billy Crystal, but I want you as the real Billy Crystal to be okay with it.’ So it was a very surreal first day where we had to make a pact and come up with the rules of the game.

I remember we had this scene that takes place in a restaurant where I come in and I’m sort of like, ‘It’s so great to meet you.’ And I said to him usually when you meet each other, you’re not sure what the other person is going to look like, but I’ve been seeing you a lot on Starz Family lately. It was this quick zing that wasn’t scripted or anything and I’m like, ‘This is going to set the tone. He’s either going punch me in the face right now or he’s going to go along with it.’ And once he went along with it, I knew that I was in a safe zone and that the sky was the limit in terms of what we can do. The fact that we were going to sort of Thelma and Louise style, take a jump together down this rabbit hole and go all the way.”

Can you talk about your role in Beauty and the Beast and whether or not your kids are excited about it?

Josh Gad: “Look, I’ve worn out the Frozen welcome in my house, so I needed something to win back their affection. And Beauty and the Beast, it’s funny, because it’s just as much for me as it is for the kids. It was my Frozen, I like to call it. I was kind of that age when I first saw that movie, it was everything to me. And like Little Mermaid and Aladdin and Lion King, it was one of those movies that I saw over and over again in the theater and was memorized by the songs, by the storytelling. And so to now bring those characters to life in a way only Disney can do, I’m really excited about it and I’m excited that it’s going to give me the opportunity to do my first live-action musical, which I haven’t been afforded before.”




‘Game of Thrones’ Season 5 Episode 1 Recap – “The Wars to Come”

Game of Thrones Season 5 Episode 1 Recap
Peter Dinklage in ‘Game of Thrones’ season 5 episode 1 (Photo by Macall B. Polay / Courtesy of HBO)

We’re back! Back to the Seven Kingdoms. Back for season five of Game of Thrones, the best show on television. (It is known). Back to face the fallout from all of the dastardly deeds and perilous plots of season four. It’s time to play the “Game of Thrones”!

Oh how I’ve missed that theme song! The opening strains always send frissons of excitement down my spine and I fairly dance around my apartment while trying not to miss anything new in the opening credits with that magnificent ever-changing and growing game board.

Proving that we consumers of quality television are a masochistic lot, becoming invested in, if not obsessed with, characters and plots that are doled out in such small increments then made to sit and wait for interminable lengths of time for more. It’s been 10 months since we left Tyrion (Peter Dinklage) and Varys (Conleth Hill) hightailing it out of town by stowing away on a ship heading somewhere across the Narrow Sea, Littlefinger (Aidan Gillen) and Sansa (Sophie Turner) walking away from the Aerie while Arya (who was this close to reconnecting with her sister) sails off to Braavos, after leaving the Hound for dead (really? As a fan of Rory McCann, I’m hoping, nay betting, the answer is no. Did you see him die? No, you did not.).

Dany (Emilia Clarke) and the teenage dragons (cool band name) are still in Mereen, two of the latter locked in their room for doing what dragons do, the third, Drogon, having flown the coop.

The gloomy Stannis (Stephen Dillane), the Red Witch still in tow, has just arrived at the Wall to save Jon Snow (who still knows nothing) from the clutches of Mance Rayder (Ciaran Hinds) and the Wildlings. Meanwhile, Bran has finally Hodored to his destination, his life saved by flame-throwing pixies who work for a mysterious old man who is going to keep him busy for at least the next season (because we already know he’s not in this new one).

That’s nowhere near everyone, but this show has six thousand regular cast members. Of course, we lost a few by the end of the last season. Let’s all take a moment of silence to remember Tywin Lannister, Oberyn Martell, Jojen Reed, Shae, Ygritte, and of course, King Joffrey the Psychopath.

I trust none of the above was a spoiler. If you’re unfamiliar with this show, 1. Where have you been? 2. Get thee back to season one and catch up. You can’t jump in here and expect to know half of what’s going on. (Example, Arya was able to secure herself not only passage to Braavos, but a private cabin on the boat with a coin she got from Jaqen H’ghar in Season two. “Valor Marghulis”.)

So, it begins. What does season five have in store for us? Apparently, this is the season that takes the fork in the road away from the novels of G.R.R. Martin to begin to forge its own path. I confess I have not read the books so I not only won’t know the difference, but I won’t feel like I’ve been betrayed if they go too far afield. (Similar to my Outlander experience – although I have read the book, I’m not one of those ready to burn anyone in effigy if Ron Moore and company leave out a word of Diana Gabaldon’s prose here or insert a comma there. I can accept that a TV show, just like a film would be, is a separate medium from the book. But I digress – you’ll get used to it.)

****Here Be Spoilers****

We open with muddy feet. Who are these two girls? Who’s Blondie’s father? Oh! It’s little Cersei (already a sharp-tongued, entitled brat) and she’s dragged a friend through the woods to a fortune-teller who sounds a lot like the mirror on the wall in Snow White when she tells Cersei that she won’t be Queen or the fairest of them all for long. “You’ll be queen for a time, then comes another younger, more beautiful…”

Cut to Dad’s funeral, and who must the adult Cersei (Lena Headey) walk past but Margaery Tyrell (Natalie Dormer). The prophecy!

We get a nice shot of those creepy stones with eyes painted on them that cover the dead Tywin’s actual eyes. She’s still ranting about Tyrion being responsible for her father’s and son’s deaths and making Jaime (Nikolaj Coster-Waldau) feel guilty for having set him free. While Cersei has no feelings for her father (other than hatred), she fears what’s going to happen to her now that he’s dead. Of course, that manifests as rage. Me thinks that watching the Lannisters squirm, Cersei in particular, is going to be a high point of this season. I do hope there’s some form of comeuppance on the horizon. But I won’t hold my breath.

Moving on – Tyrion and Varys have landed. Tyrion emerges from his box with a stiff spine and a pretty well-groomed beard, considering. Varys says they are at the home of a colleague, who, like him, belonged to a group that saw Robert Baratheon “as a disaster” and tried to bring about the restoration of Targaryen rule. “Thus began a chain of mistakes that have led us both here,” he says.

On to Mereen where one of the Unsullied is getting pretty damn sullied – his throat is cut by a masked avenger, unhappy with Khaleesi’s rule. Missandei asks Grey Worm why an Unsullied would want to visit a brothel. Grey Worm says he doesn’t know, but I suspect that’s something of a lie. Of course, Missandei is asking because she wants to know if there is something that a woman can do to give pleasure to someone like the Unsullied, Grey Worm in particular.

Game of Thrones Season 5 Episode 1 Recap
Ciaran Hinds (Photo by Helen Sloan/ HBO)

At the wall, training continues and Samwell (John Bradley) is still worried about Gilly and the baby. Maester Alliser keeps giving them the stink eye because they’re Wildlings, among other things. Melisandre takes Jon up to the top of the wall to see Stannis, where she calls him Jon Stark, then “the Bastard of Winterfell,” but not before giving Jon the obvious creeps in that elevator. Stannis promises Jon that he will take back the North and mount Roose Bolton’s head on a pike, but wants Jon to convince Mance Rayder to “bend the knee” to him by nightfall or he’ll kill him too.

Sansa and Littlefinger are with Lord Royce watching Robin Arryn training with a sword when Littlefinger gets word of Tywin’s death. He doesn’t say anything, but the next thing we know, he and Sansa are in a carriage heading where “even Cersei Lannister can’t get her hands on” her.

Podrick is still with a disheartened Brienne (Gwendoline Christie), trying to convince her she needs him. Brienne is lamenting her failure to get Arya to come with her, unaware that Sansa is passing within a few hundred yards from where she’s sitting.

Back to the funeral where Cersei can’t even pretend to be interested while Loras Tyrell tries to offer his intended bride some half-hearted words of condolence, then runs into her former lover and lapdog, Cousin Lancel who has beefed up (so that he looks like a man and not a teenaged girl) and become a monk of sorts…a “sparrow”. In his newfound religious zeal, Lancel thinks he tempted Cersei into their “unnatural” relationship. HA! As if he could have engineered that or anything that Cersei didn’t want. He also reminds her of his part in the death of her husband, the late King Robert Baratheon. Like that isn’t a portent of something to come!

Loras has found a new playmate. His sister Margaery walks in on them and as she makes herself comfortable, I get the feeling she wants to watch. Margaery is still trying to get Loras and Cersei married.

Tyrion wants to know why Varys saved him. After revealing that it was Jaime’s idea, Varys tells Tyrion that he has his father’s instinct for politics, but also has compassion and he still has a part to play. “The Seven Kingdoms need someone stronger than Tomman” and “gentler than Stannis.” Someone with a “powerful army and the right family name.”

When Tyrion wishes him good luck finding him, Varys replies, “Who said anything about him?” Since Varys has just admitted being a Targaryen sympathizer, of course, he means Daenerys. Varys wants Tyrion to go to Mereen with him to meet Dany. Good. It feels like she’s been on the other side of the world by herself (sort of) forever. These people need to converge already!

Speaking of Dany, during pillow talk and wine, Daario Naharis, who obviously has her ear, among other things, tells her, “The Queen of Dragons with no dragons is not a Queen.” Dany goes to visit her children. It does not go well.

Back at the wall, Jon is unable to convince Mance to save himself. His final words wish Stannis well in the wars to come. The episode ends with Mance tied to a stake being burned alive, as a warning to those who “choose the dark side,” according to Melisandre, while his army watches. But, like Natty Bumpo in The Last of the Mohicans, Jon Snow shoots him in the heart to put him out of his misery. (Farewell Ciaran Hinds! The first casualty of season five.) I’m sure Stannis the Serious will have something to say about that.

A few choice lines from Game of Thrones season five episode one:

“As soon as they see the stones on his eyes, they’ll set to work on tearing us apart…” – Jaime Lannister

“Westeros needs to be saved from itself.” – Lord Varys

“The future is shit, just like the past.” – Tyrion Lannister

“The Lord’s fire is lit within me, Jon Snow…are you a virgin?” (He answers, “No.”) “Good.” – Melisandre

“I killed my lover with my bare hands. I shot my father with a crossbow.” – Tyrion

“I never said you were perfect.” – Varys

By the grace of the old gods and the new, I’ll be back next week with a recap of S5E2. Bring on the Prince of Dorne and the Sand Snakes!




2015 MTV Movie Awards – The Winners

2015 MTV Movie Awards Winners
Jeremy Renner, Scarlett Johansson, Mark Ruffalo, Chris Hemsworth, and Chris Evans at the 2015 MTV Movie Awards (Photo by Kevork Djansezian / Getty Images for MTV)

The MTV Movie Awards used to be all about sparkly vampires and hunky werewolves, but the show’s matured a bit and moved on since the end of the Twilight film franchise. This year Robert Downey Jr was honored, Fault in Our Stars was celebrated, and Teen Wolf fans helped make Dylan O’Brien and The Maze Runner multiple award winners.

The 2015 MTV Movie Awards were hosted by Amy Schumer and aired live on the East Coast on April 12, 2015 at 8pm.

2015 MTV Movie Awards Nominees and Winners:

MOVIE OF THE YEAR
WINNER: The Fault in Our Stars
· American Sniper
· The Hunger Games: Mockingjay – Part 1
· Guardians of the Galaxy
· Gone Girl
· Boyhood
· Whiplash
· Selma

BEST FEMALE PERFORMANCE
WINNER: Shailene Woodley – The Fault in Our Stars
· Jennifer Lawrence – The Hunger Games: Mockingjay-Part 1
· Emma Stone – Birdman: Or (The Unexpected Virtue of Ignorance)
· Reese Witherspoon – Wild
· Scarlett Johansson – Lucy

BEST MALE PERFORMANCE
WINNER: Bradley Cooper – American Sniper
· Chris Pratt – Guardians of the Galaxy
· Ansel Elgort – The Fault in Our Stars
· Miles Teller – Whiplash
· Channing Tatum – Foxcatcher

BEST SCARED-AS-S**T PERFORMANCE
WINNER: Jennifer Lopez – The Boy Next Door
· Rosamund Pike – Gone Girl
· Annabelle Wallis – Annabelle
· Dylan O’Brien – The Maze Runner
· Zach Gilford – The Purge: Anarchy

BREAKTHROUGH PERFORMANCE
WINNER: Dylan O’Brien – The Maze Runner
· Ansel Elgort – The Fault in Our Stars
· Rosamund Pike – Gone Girl
· David Oyelowo – Selma
· Ellar Coltrane – Boyhood

BEST SHIRTLESS PERFORMANCE
WINNER: Zac Efron – Neighbors
· Chris Pratt – Guardians of the Galaxy
· Channing Tatum – Foxcatcher
· Ansel Elgort – The Fault in Our Stars
· Kate Upton – The Other Woman

BEST DUO
WINNER: Zac Efron & Dave Franco – Neighbors
· Channing Tatum & Jonah Hill – 22 Jump Street
· Shailene Woodley & Ansel Elgort – The Fault in Our Stars
· Bradley Cooper & Vin Diesel – Guardians of the Galaxy
· James Franco & Seth Rogen – The Interview

BEST FIGHT
WINNER: Dylan O’Brien vs. Will Poulter – The Maze Runner
· Jonah Hill vs. Jillian Bell – 22 Jump Street
· Chris Evans vs. Sebastian Stan – Captain America: The Winter Soldier
· Seth Rogen vs. Zac Efron – Neighbors
· Edward Norton vs. Michael Keaton – Birdman: Or (The Unexpected Virtue of Ignorance)

BEST KISS
WINNER: Ansel Elgort & Shailene Woodley – The Fault in Our Stars
· James Franco & Seth Rogen – The Interview
· Andrew Garfield & Emma Stone – The Amazing Spider-Man 2
· Scarlett Johansson & Chris Evans – Captain America: The Winter Soldier
· Rose Byrne & Halston Sage – Neighbors

BEST WTF MOMENT
WINNER: Seth Rogen & Rose Byrne – Neighbors
· Jonah Hill – 22 Jump Street
· Jason Sudeikis & Charlie Day – Horrible Bosses 2
· Miles Teller – Whiplash
· Rosario Dawson & Anders Holm – Top Five

BEST VILLAIN
WINNER: Meryl Streep – Into the Woods
· Rosamund Pike – Gone Girl
· J.K. Simmons – Whiplash
· Jillian Bell – 22 Jump Street
· Peter Dinklage – X-Men: Days of Future Past

BEST HERO
WINNER: Dylan O’Brien – The Maze Runner
· Shailene Woodley – Divergent
· Jennifer Lawrence – The Hunger Games: Mockingjay Part 1
· Chris Pratt – Guardians of the Galaxy
· Martin Freeman – The Hobbit

BEST MUSICAL MOMENT
WINNER: Jennifer Lawrence – The Hunger Games: Mockingjay – Part 1
· Chris Pratt – Guardians of the Galaxy
· Seth Rogen & Zac Efron – Neighbors
· Bill Hader & Kristen Wiig- The Skeleton Twins
· Miles Teller – Whiplash

BEST COMEDIC PERFORMANCE
WINNER: Channing Tatum – 22 Jump Street
· Chris Pratt – Guardians of the Galaxy
· Rose Byrne – Neighbors
· Chris Rock – Top Five
· Kevin Hart – The Wedding Ringer

BEST ON-SCREEN TRANSFORMATION
WINNER: Elizabeth Banks – The Hunger Games: Mockingjay – Part 1
· Eddie Redmayne – The Theory of Everything
· Zoe Saldana – Guardians of the Galaxy
· Steve Carell – Foxcatcher
· Ellar Coltrane – Boyhood




Mark Strong and Angela Lansbury Win 2015 Olivier Awards

2015 Olivier Awards Winners Include Mark Strong, Angela Lansbury

The 2015 Olivier Awards were held on April 12th at the Royal Opera House in London and hosted by comedian Lenny Henry. The most prestigious of UK’s theatrical awards, this year’s event found Kevin Spacey and Beverly Knight performing “Bridge Over Troubled Water” and Spacey picking up a special award for his contribution to the stage and his tenure as The Old Vic Theatre’s Artistic Director.

Lansbury earned her first Olivier Award for Best Actress in a Supporting Role for her work in Blithe Spirit while Mark Strong took home the Best Actor award for A View From The Bridge. This year’s Best Actress award was presented to Penelope Wilton for Taken At Midnight.

Olivier Awards 2015 Winners:

BEST REVIVAL
A View From The Bridge at Young Vic & Wyndham’s Theatre

BEST ACTOR IN A SUPPORTING ROLE
Nathaniel Parker for Wolf Hall and Bring Up The Bodies at Aldwych Theatre

BEST ACTRESS IN A SUPPORTING ROLE
Angela Lansbury for Blithe Spirit at Gielgud Theatre

WHITE LIGHT AWARD FOR BEST LIGHTING DESIGN
Howard Harrison for City Of Angels at Donmar Warehouse

BEST SOUND DESIGN
Gareth Owen for Memphis The Musical at Shaftesbury Theatre

BEST ENTERTAINMENT AND FAMILY
La Soirée at La Soirée Spiegeltent

BEST COSTUME DESIGN
Christopher Oram for Wolf Hall and Bring Up The Bodies at Aldwych Theatre

XL VIDEO AWARD FOR BEST SET DESIGN
Es Devlin for The Nether at Duke of York’s Theatre

BEST NEW DANCE PRODUCTION
32 Rue Vandenbranden by Peeping Tom at Barbican
Mats Ek’s Juliet And Romeo by Royal Swedish Ballet at Sadler’s Wells

OUTSTANDING ACHIEVEMENT IN DANCE
Crystal Pite for her choreography in the productions of The Associates – A Picture Of You Falling, The Tempest Replica and Polaris at Sadler’s Wells

VIRGIN ATLANTIC BEST NEW PLAY
King Charles III at Almeida Theatre & Wyndham’s Theatre

BEST ACTOR
Mark Strong for A View From The Bridge at Young Vic & Wyndham’s Theatre

BEST ACTRESS
Penelope Wilton for Taken At Midnight at Theatre Royal Haymarket

THIS MORNING AUDIENCE AWARD
Wicked at Apollo Victoria Theatre

BEST NEW COMEDY
The Play That Goes Wrong at Duchess Theatre

MAGIC RADIO BEST MUSICAL REVIVAL
City Of Angels at Donmar Warehouse

BEST NEW OPERA PRODUCTION
The Mastersingers Of Nuremberg at London Coliseum

OUTSTANDING ACHIEVEMENT IN OPERA
Richard Jones for his direction of The Girl Of The Golden West, The Mastersingers Of Nuremberg and Rodelinda at London Coliseum

OUTSTANDING ACHIEVEMENT IN AN AFFILIATE THEATRE
Bull at The Maria at Young Vic

BEST THEATRE CHOREOGRAPHER
Sergio Trujillo for Memphis The Musical at Shaftesbury Theatre

BEST DIRECTOR
Ivo Van Hove for A View From The Bridge at the Young Vic & Wyndham’s Theatre

AUTOGRAPH SOUND AWARD FOR OUTSTANDING ACHIEVEMENT IN MUSIC
Ray Davies for Sunny Afternoon at Hampstead Theatre & Harold Pinter Theatre

BEST ACTOR IN A SUPPORTING ROLE IN A MUSICAL
George Maguire for Sunny Afternoon at Hampstead Theatre & Harold Pinter Theatre

BEST ACTRESS IN A SUPPORTING ROLE IN A MUSICAL
Lorna Want for Beautiful – The Carole King Musical at Aldwych Theatre

BEST ACTOR IN A MUSICAL
John Dagleish for Sunny Afternoon at Hampstead Theatre & Harold Pinter Theatre

BEST ACTRESS IN A MUSICAL
Katie Brayben for Beautiful – The Carole King Musical at Aldwych Theatre

MASTERCARD BEST NEW MUSICAL
Sunny Afternoon at Hampstead Theatre & Harold Pinter Theatre




‘The Messengers’ Exclusive: Sofia Black-D’Elia on Healing Tears and Playing a Mom

Sofia Black D'Elia Interview on The Messengers
Madison Dellamea as Amy and Sofia Black D’Elia as Erin in ‘The Messengers’ (Photo by Ursula Coyote © The CW Network)

In The Messengers, several different strangers each have near death experiences and awaken with new powers and new forces driving them together. Sofia Black-D’Elia plays Erin, a single mother with an ex-husband out to get her and keep their daughter. You’ll meet Erin and her daughter in the pilot, and see her gain healing powers that seem downright biblical.

I met Black-D’Elia in January when The CW presented The Messengers to the Television Critics Association. Now it’s premiering on Friday, April 17, 2015 and you can get a hint at what’s coming up for Erin in our exclusive interview.

How did The Messengers come to you?

Sofia Black-D’Elia: “They sent me the script during pilot season and I thought originally they wanted me to audition for this smaller role of Alice because she was kind of like a spunky teen, which is what I’ve grown accustomed to reading for myself. And they said, ‘No, they want you to read for the young mom.’ I was like, ‘Are you sure?’ They said yeah and I said, ‘Okay, I’ll go in as soon as they want to see me.’ I was so excited by the idea of playing someone A, that was older than me and B, that had such high risks. There’s nothing more challenging I think than playing a mom. Especially when you’re not mom, because who can know what that feels like? I was just really excited that someone let me have that opportunity.”

Has that been a real game changer for you?

Sofia Black-D’Elia: “It’s been a game changer for my life because I feel like I’ve grown up a lot and it’s nice to have someone to care about more than yourself. I think as an actor, you can become incredibly selfish. But when you’re playing a mom and it’s just you and this little girl against the world, you suddenly care so much more about her well being. I found that I cared so much for her on set on and off that that was kind of a life changer for me. I like thinking about someone else more than I like thinking about myself, so she was really easy to work with.”

Do the characters come together at a certain point this season?

Sofia Black-D’Elia: “They do. The messengers kind of meet up pretty quickly. The story becomes how this group of strangers are going to work together and get along, and move past that and see the bigger picture. The whole thing is a lot bigger than they know.”

Are you going to have to cry every time someone needs healing tears?

Sofia Black-D’Elia: [Laughing] “Luckily I learn how to do it without crying and I can heal with just hands eventually, which is really nice. I think what we learn is that it’s not a specific thing in us that’s helping people. It’s like we’ve changed as human beings, so suddenly now I am a healing property, which obviously is kind of shocking at first. My character definitely doesn’t realize that until a little bit later on.”

As an actor, have you been able to cry on cue before?

Sofia Black-D’Elia: “It’s not like a, ‘Hey, cry.’ If the script is good and it makes sense, then you’ll just do it because the character would do it. I’m not particularly good or bad at crying. I think that if you are, maybe you’re in the wrong profession.”

What is it like working with the young actress who plays your daughter, Madison Dellamea?

Sofia Black-D’Elia: “The best. I was really worried because I’ve never worked with a child before and I’m a bit of a child, so I thought, ‘God, I’m not going to be responsible enough to handle this.’ But she is so professional and smart without being precocious and kind and thoughtful and inquisitive. I loved working with her more than almost any other actor I’ve worked with in my life.”

Can the wings fly?

Sofia Black-D’Elia: “No. We’re not flying. I think they are more metaphorical.”

But they look cool though.

Sofia Black-D’Elia: “They look pretty cool, yeah.”

When did you first see the effect with the wings in the reflection?

Sofia Black-D’Elia: “Only recently. When we shot it, it was very hard to not laugh because we were all staring at ourselves in a mirror pretending to see wings and reacting to something that didn’t exist, which is the funny part about sci-fi.”

Your character’s husband is a real problem, isn’t he?

Sofia Black-D’Elia: “Yes. Aren’t they all? No.”

I hope not all. I want to be a good husband.

Sofia Black-D’Elia: “Oh, bless you. My dad’s a great dad. I have a lot of great men in my life. This dude is not one of them.”

Your character’s husband is a cop, but apparently he’s not to be trusted.

Sofia Black-D’Elia: “[…]My understanding of Ronnie’s character is that he is in private a pretty horrible person to me, but it seems like most of his aggression is taken out solely on me. So to the world around him, he’s actually an incredible man. He’s a father. He’s a husband. He’s a cop. He is a law-abiding citizen. I don’t think anyone would be suspicious of him doing something wrong except for me. It’s kind of my word against his.”

Do Erin’s new powers even the playing field at all?

Sofia Black-D’Elia: “I think they can and my character’s position, as everyone’s character in the show is, what will you do with it? Is revenge worth it? Is that what makes you a better person? Or should you not?”

Revenge wouldn’t be what an angel would do.

Sofia Black-D’Elia: “That’s true. Revenge would be what a normal person would want, but their struggle through the show is rising above what people expect of them and what we would expect of just an average person on the street.”




‘Outlander’ Season 1 Episode 10 Recap: By the Pricking of My Thumbs

Outlander Season 1 Episode 10 Recap
Simon Callow and Caitriona Balfe in ‘Outlander’ (Photo © 2014 Sony Pictures Television Inc.)

Here we are again Sassenachs…Outlander day! I do love meeting like this!! We encounter a new friend tonight, the Duke of Sandringham, masterfully played by Simon Callow. But we will get to his lovely roundness shortly. First, there is a little matter of the opening. I will just say ladies hold on to your ovaries and gents take notes. I won’t spoil it for you, so make sure you catch the episode. But you WILL want to watch this scene! {Steam comes out of the collar}

Of course Murtagh (Duncan Lacroix) has to be a buzz kill and be banging on the door, perfect timing as per his usual…sigh. He does bring hopeful news to Jamie (Sam Heughan) about the Duke of Sandringham arriving near Castle Leoch. Claire (Caitriona Balfe) gets concerned and tries to warn Jamie and Murtagh of the connection between the Duke and Black Jack (Tobias Menzies).

She reminds Jamie of the promise to not ask her any further details than she is willing to give, especially since this information came to her through Frank (also Tobias Menzies) when she was still in the 20th century. She continues to carry that secret alone. Why wouldn’t she? People of that time would think she is NUTS. Murtagh of course does not want to hold to Jamie’s promise of not asking how she knows, but Jamie makes him agree. So they decide the approach to take is to discuss the issue with Ned Gowan and gain the legal path that might be taken.

Next we see Claire marching down the corridor toward the kitchen. If anger could manifest in visual flames these eyes would surely be showing them during this next discussion. The other set of eyes is shooting daggers. Claire confronts Laoghaire, pronounced Leery (Nell Hudson), about the “ill wish” left under the bed at the end of “The Reckoning.” Poor Laoghaire! I know many dislike her, but I am under the impression she is a love-sick teen and I can’t help but feel sorry for her. Teenagers can be emotional to a dangerous point given the right catalyst.

Lines drawn, and Jamie being in the middle, Claire goes to find Geillis (Lotte Verbeek). She eventually finds her performing a ritual in the woods. As she watches the dance performed by Geillis, she is reminded of the dance performed as she and Frank watched up on the hill of Craigh Na Dun. She also noticed Geillis clutching her stomach and realizes she is pregnant. Geillis reveals that the father is not her husband, but is in fact Dougal’s (Graham McTavish) child. She was performing a ritual that she feels will cause Dougal’s wife and her husband to both be taken out of the picture so they can be together.

Claire asks her about selling the ill wish to Laoghaire when they hear a baby cry. Geillis warns Claire that the baby is a changeling and is placed on a fairy hill by the parents so their own baby could be returned. As you can imagine, this time in Scotland’s history superstitious behaviors are commonplace. Actually going against them could mean disaster. And our darling Claire is not one to let a hurt person go untended. Claire finds the baby but it has already died. She picks up the baby and is holding it when Jamie finds her. Jamie understands what this means, Claire does not yet fully understand what her actions mean. Jamie places it back and gets Claire out of there as quickly as he can. He doesn’t believe in the superstitions but understands the effects on the society much more than Claire does.

Enter the Duke of Sandringham, in all his splendor. His first words that we hear are that his residence “will have to do” as he sighs. When you see this residence you will know how truly hilarious this statement is. Ornate and massive are two words that come to mind. The Duke’s appearance would give Governor Swan a run for his money…yes, Pirates of the Caribbean reference. Sorry, just had to go there. Claire is meeting with him without Jamie’s knowledge. He didn’t “order” her to not do it, so take that master Jamie. We know our heroine has a mind of her own, and a sharp one to boot!

The Duke shows his flair for the dramatic and true political skill for playing both sides of the fence. Even in that era self-preservation was a must when you were high up in the ranks. Some of his statements lead one to believe he is the soul of charity…said in all sarcasm of course. He calls Claire’s claims about Black Jack “libelous falsities” and is highly proud of that line. I just sat there thinking to myself, ‘He doesn’t think too much of himself, does he?!’ Putting on airs is his natural past-time it would appear. But Claire does pull one ace out of her sleeve; she brings up the issue of Dougal giving him the Jacobite gold. WHEW did his tone change on a dime…or should I say gold coin. Throw the matter of treason out to a political or military official and disaster could be close at hand…. Or you get what you want, either way!

Meanwhile back at the castle, Dougal loses his mind and starts swinging his sword around at everyone. He receives word that his wife has died. Rhenish and sorrow are not good companions. Dougal is dangerous on a good day, but under the influence of these two factors he could kill someone. Claire drugs him so they can get him to calm down. Ah… the joys of having a good medic nearby. Then we are invited to the banquet and see the most gorgeous food displayed. A peacock no less, you go Mrs. Fitz!!! At this event, Geillis’ husband falls down dead. Claire suspects poison and thinks she smells it when she is examining him on the great hall floor. It sure doesn’t help that Geillis and Dougal share a smile before she starts screaming and crying for her husband lying on the floor. Colum noticed it too and was none too pleased. This won’t go well!

Jamie is then required to be the Duke’s second in a duel of honor. Men..sheesh, does it always have to come to fighting? The sons of the opponent start mouthing and Jamie fights all three of them alone, after a ‘yo mamma’ joke that is. Claire warned the Duke Jamie had better not get hurt. He begs Jamie to tell her it was not his fault. Then he just skitters away. He can play the coward so cute and yet be formidable at times. The Duke will be a very interesting character to follow I think.

Jamie and Dougal get exiled to Dougal’s home after Colum is through with them both. I think I saw steam coming out his ears. Before Jamie leaves he warns Claire to stay far away from Geillis. Dougal tells them to kiss goodbye so they can go. Like good newlyweds they kiss a little too long for Dougal’s enjoyment, so the smart remarks are inevitable. “I said kiss ‘er dinna swallow ‘er.” Just love those Dougal-isms in every episode. A letter arrives for Claire from Geillis, or so she thinks. Geillis says she didn’t write it when Claire arrives to Geillis’ home in the village. While Claire is there they both get arrested for witchcraft. Jamie did tell her to stay away after all.

As she is looking out the cage they place them both in, Claire sees Laoghaire smirk at her from around the corner of a building. Again fly the flames and daggers from the eyes, after Claire’s shock passes that is. Off to the witch trial we go!




First Trailer for ‘Ballers’ with Dwayne Johnson

Ballers First Trailer Starring Dwayne Johnson

Because starring in dozens of films over the past few years isn’t enough, Dwayne Johnson’s also been busy with television projects including HBO’s new series Ballers. The first trailer’s arrived for the half-hour comedy set in the world of pro football and debuting on Sunday, June 21, 2015 at 10pm ET/PT.

In addition to Dwayne “The Rock” Johnson, the cast includes Rob Corrdry, Omar Benson Miller, John David Washington, Donovan Carter, Troy Garity, Jazmyn Simon, and Arielle Kebble.

Mark Wahlberg and Peter Berg executive produce the series. Dany Garcia, Julian Farino, Evan Reilly, and Rob Weiss are also on board as executive producers, along with series creator Steve Levinson.

The Plot:

Looking at the lives of former and current football players, the show follows former superstar Spencer Strasmore (Dwayne “The Rock” Johnson) as he gets his life on track in retirement while mentoring other current and former players through the daily grind of the business of football.

Watch the trailer:

Nick Jonas to Perform ‘Chains’ on ‘The Voice’

Nick Jonas is set to sing “Chains” on NBC’s singing competition series, The Voice. Jonas will be performing his second single from his new album on the April 14, 2015 The Voice episode.

NBC also recently announced Reba will be serving as a mentor to the top 12 finalists on April 13th.

Jonas has not only been keeping busy with his music, he’s also been tackling acting projects. Jonas stars in DirecTV’s Kingdom and will be seen in the upcoming series Scream Queens along with Emma Roberts, Jamie Lee Curtis, and Lea Michele. His other acting credits include Camp Rock, Smash, and Hawaii Five-O. He also recently snagged one of the lead roles in the dramatic movie, Goat, to be produced by James Franco.

Lionsgate Gets ‘Luckiest Girl Alive’ with Reese Witherspoon Producing

Luckiest Girl Alive Book Deal, Reese Witherspoon Producing

Jessica Knoll’s upcoming novel Luckiest Girl Alive has been snatched up by Lionsgate with Pacific Standard’s Reese Witherspoon and Bruna Papandrea attached as producers. Knoll’s first novel will hit stores on May 12, 2015 after being acquired by Sarah Knight at Simon & Schuster. Knight was also responsible for acquiring Gillian Flynn’s Gone Girl for Random House, and she edited Flynn’s Dark Places.

Luckiest Girl Alive is the kind of book that grabs you and doesn’t let go. The hero of the book is a wily, intelligent, complex narrator,” said Reese Witherspoon. “This character and the thrilling narrative that she drives are exactly the kind of story our company, Pacific Standard Films, wants to produce. We are thrilled to be collaborating with Jessica and Lionsgate to bring her debut novel to the screen.”

“This is one of those rare books that come along every so often that you simply cannot put down,” stated Erik Feig, the Co-President of the Motion Picture Group, announcing the acquisition. “We are thrilled to be working with Reese and Bruna on this project.”

The Plot:

Luckiest Girl Alive centers on Ani FaNelli, a twenty-eight-year-old New Yorker who appears to have it all: a sought-after position at a women’s magazine, a wardrobe to kill for, and a dream wedding with her handsome fiancé on the horizon. But behind that veneer of perfection lies a vulnerability that Ani holds close and buries deep—a dark trauma from her past resurfaces only to give her a chance to confront her most shocking secret of all—but not without unraveling her meticulously crafted life.


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Paul Feig Earns CinemaCon’s Comedy Filmmaker of the Year Award

Paul Feig Interview on Spy and Ghostbusters
Paul Feig and Curtis 50 Cent Jackson at the 2015 CinemaCon (Photo © Rebecca Murray)

Paul Feig, director of Bridesmaids, The Heat, and multiple episodes of The Office and Nurse Jackie, has been chosen to receive CinemaCon’s Comedy Filmmaker of the Year Award. Feig will accept the honor on April 23, 2015 during the Big Screen Achievement Awards ceremony at Caesars Palace in Las Vegas.

Feig is also the director of 20th Century Fox’s upcoming comedy Spy starring his Bridesmaids and The Heat star Melissa McCarthy. And he’s attached to direct the reboot of Ghostbusters featuring a female-led cast of McCarthy, Kristen Wiig, Kate McKinnon, and Leslie Jones.

“Come the end of CinemaCon 2015 we will have screened two of the funniest movies in recent memory, The Heat and Spy, both starring Melissa McCarthy, and both directed by Paul Feig,” stated Mitch Neuhauser, Managing Director of CinemaCon. “How lucky can you get? No one has his finger on the pulse of comedy better than Paul Feig. He simply never disappoints with his outrageously funny comedies and we’re thrilled that exhibitors will have this opportunity to say thank you.”

This year’s CinemaCon, the annual gathering of motion picture professionals, will take place April 20 – 23 in Vegas.

The Spy Plot:

Susan Cooper (McCarthy) is an unassuming, deskbound CIA analyst, and the unsung hero behind the Agency’s most dangerous missions. But when her partner (Jude Law) falls off the grid, and another top agent (Jason Statham) is compromised, she volunteers to go deep undercover to infiltrate the world of a deadly arms dealer and prevent a global disaster. The cast also includes Rose Byrne, Bobby Cannavale, Allison Janney, Curtis “50 Cent” Jackson, and Miranda Hart.




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