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Movie Review: ‘Foxcatcher’ Starring Steve Carell and Channing Tatum

Foxcatcher Movie Review Starring Steve Carell and Channing Tatum
Channing Tatum and Mark Ruffalo in ‘Foxcatcher’ (Photo © Fair Hill, LLC)

“I am leading men and I’m giving America hope,” says John du Pont (Steve Carell) to the camera as he makes a documentary about himself and his attempt to make his estate the official training site for the national wrestling Olympic team in the dramatic film Foxcatcher.

While struggling to make money to cover food and rent as he trains for the 1988 Olympics, Gold Medal-winning wrestler Mark Schultz (Channing Tatum) is summoned by eccentric multi-millionaire John du Pont to move onto his estate and live and train there for the ’88 Olympics. Yearning to escape the shadow of his more popular and more experienced wrestler brother, Dave (Mark Ruffalo), Mark agrees and moves into the guest house on the huge estate and helps recruit a team of wrestlers.

Driven by wanting to impress his disapproving mother (Vanessa Redgrave), John du Pont becomes a more hands-on coach to Mark and the other wrestlers. John and Mark develop a mentor/student relationship that evolves into something deeper as Mark becomes engrossed in du Pont’s world of wealth and power. But as time passes and du Pont does not gain the respect he so desperately wants from his mother, he becomes unpredictable, dangerous, and mean towards Mark – even carrying a loaded gun to the wrestling practices and demanding Mark’s brother Dave join them at the training facility.

Dave becomes concerned for his brother, who’s grown distant over the phone; he agrees to move his family to du Pont’s ranch after being offered a substantial amount of money. There, Dave finds Mark to be brooding, self-destructive, and in no shape for the Olympics. Realizing du Pont has been a terrible influence on Mark, Dave positions himself between the two men, trying to get Mark ready both physically and mentally for the wrestling matches while keeping an insistent and persistent du Pont a safe distance from Mark.

Based on a true story, Foxcatcher has two memorable performances delivered by Ruffalo and Carell but sadly suffers from a mediocre script and horrendous pacing. Mark Ruffalo gives by far the best performance in the film as Dave, the loving, likable, and dedicated older brother who mentors and coaches his kid brother in wrestling and is by far Mark’s biggest fan. He’s the only decent and truly honest character in the story and the scenes between Ruffalo and Tatum click with brotherly chemistry.

Carell delivers his most serious performance to date as the eccentric and mentally unstable multi-millionaire John du Pont. He captures extremely well the man’s mannerisms, walk and speech, and he’s likely to earn both a Golden Globe and an Oscar nomination for his portrayal. In the first half of the film, Channing Tatum is solid as the younger brother who gets swept up by the lifestyle and the attention he’s paid by being with du Pont. Unfortunately, he’s reduced to a brooding, sulking, and silent oaf in the second half after being abused and betrayed by du Pont.

It’s the lack of depth and insight, however, into du Pont and what made him go from being an offbeat eccentric to an unbalanced, gun-carrying, and murderous sociopath that causes the movie to come up short. It’s a shallow and uninteresting look at a man whose motives and desires are oversimplified. The direction and pacing of the film is another giant problem, with the film crawling along and making a two-hour and ten-minute movie feel like a ponderous 3+ hour bore.

Leaden and tedious, Foxcatcher fails to offer anything more than a surface examination of the fascinating story of John du Pont and the Schultz brothers.

GRADE: C-

‘The Babadook’ Movie Review

The Babadook Movie Review
Essie Davis and Noah Wiseman in ‘The Babadook’ (Photo © Causeway Films)

Writer/director Jennifer Kent delivers the scariest movie of the year with The Babadook, a creepy Australian horror film that doesn’t rely on solely on jump-scares. The Babadook is anything but predictable, unveiling a chilling tale with emotional depth, well-developed characters, and intense, heart-pounding moments of terror that make viewing it alone a risky proposition for those who believe in things that go bump in the night. It’ll also have you thinking twice about popping open a pop-up book anytime soon.

The story focuses on single mom Amelia (Essie Davis), who’s raising her young son alone following her husband’s horrific death in a car crash on the day she gave birth to their child, Samuel. Amelia still has dreams about her husband’s death while Samuel (Noah Wiseman), who never met his father, is dealing with his own horrible visions, although his have to do with monsters rather than his dead father. Samuel deeply believes in the existence of otherworldly creatures and even fashions weapons to keep the demons at bay.

Amelia is soon drawn into Samuel’s obsession with creatures after finding a pop-up book in his room that reveals the story of Mister Babadook. Both mother and child begin hearing the hideous “Ba-Ba-Dook” whispered wherever they go, even while in the car driving home from school. The bogeyman has been let loose from the pop-up book, and any and all efforts to make it go away are useless. The book can not be destroyed, and it can’t be simply tossed out with the garbage: “If it’s in a word or it’s in a book, you can’t get rid of the Babadook.”

The Babadook marks actress Kent’s first feature film as a writer and director, and everything about her filmmaking debut is done brilliantly. From the muted color palette to her choice on how to bring the pop-up book to life on the screen to the casting of the two key roles, all aspects of this rookie effort indicate Kent is a filmmaker to be watched. Kent doesn’t make any missteps with her first feature, crafting a film that’s reminiscent of Guillermo del Toro, David Lynch, and even a little James Wan.

A children’s pop-up book brings the Babadook to life, but there’s nothing childish about the film. Filled with scenes that will have chills running up your spine, The Babadook at its core is the story of a mother deep in mourning for her husband and a child whose presence is a constant reminder of her spouse’s death. Even before the introduction of a supernatural creature into the family’s home, there was a constant chilling presence in the house that drove a wedge between mother and child. And in a wicked twist, the arrival of the Babadook actually forced the dysfunctional family unit into seeking comfort from each other.

The Babadook is truly frightening and one of the few films released in 2014 that will have you discussing/debating its ending even days after a screening.

GRADE: A-




Benedict Cumberbatch and John Malkovich Really Commited Themselves to Their ‘Penguins of Madagascar’ Roles

Penguins of Madagascar Mockumentary
Skipper is the Penguins’ fearless leader in ‘The Penguins of Madagascar’ (Photo Credit: DreamWorks Animation)

DreamWorks Animation and 20th Century Fox have put together a special ‘mockumentary’ for the animated penguin-filled comedy The Penguins of Madagascar directed by Simon Smith and Eric Darnell. The behind-the-scenes video features Benedict Cumberbatch discussing his process of getting into his animated character and Ken Jeong talking about actually creating a baby seal costume so he could literally get inside his character.

And apparently, John Malkovich went to great lengths to play an octopus while Tom McGrath was so into Penguins that he never broke character over the entire lengthy shoot.

The Penguins of Madagascar opens in theaters on November 26, 2014.

The Plot: Super spy teams aren’t born…they’re hatched. Discover the secrets of the greatest and most hilarious covert birds in the global espionage biz: Skipper, Kowalski, Rico and Private. These elitists of the elite are joining forces with a chic undercover organization, The North Wind. Led by handsome and husky Agent Classified (we could tell you his name, but then…you know), voiced by Benedict Cumberbatch. Together, they must stop the villainous Dr. Octavius Brine, voiced by John Malkovich, from destroying the world as we know it.

Syfy’s ‘Face Off’ Will Return for Season Eight

Face Off Returns for Season 8
Makeup by Drew Talbot in season 7 of ‘Face Off’ (Photo by: Jordin Althaus / Syfy)

Syfy will be bringing back Face Off for an eighth season beginning on January 13, 2015 at 9pm ET/PT. The reality competition series will have a “Return of the Champions” theme, with prior season champions Rayce Bird, Laura Tyler, and Anthony Kosar coaching teams of five new competitors throughout the upcoming season.

Season eight will kick off with a two-episode debut featuring legendary makeup artist Rick Baker (American Werewolf in London, Planet of the Apes, Men in Black) as a mentor to the artists. Baker will also act as a guest judge. In addition, Ve Neill (The Hunger Games franchise) will return to the show as a full-time judge.

Details on the Face Off Series [Courtesy of Syfy]:

Face Off is a competition/elimination series exploring the world of special-effects make-up artists and the unlimited imagination that allows them to create amazing works of living art. As a member of the multi-generational family dynasty whose name is synonymous with the make-up effects field, actress McKenzie Westmore brings expertise to her role as host of the series. Some of SFX world’s most celebrated figures judge the competition – multiple Academy Award-winner Ve Neill, industry veteran Glenn Hetrick (CSI: New York, Heroes, Legion), and creature designer Neville Page (Avatar, Prometheus). World-renowned Hollywood makeup artist Michael Westmore (Star Trek) serves as the contestant mentor.

The Face Off contestants will be whittled down week by week, until only three remain for a finale showdown. The winning artist will receive $100,000, a 2015 Fiat and a VIP package courtesy of Kryolan Professional Make-Up to one of their 85 international locations. Kryolan Professional Make-Up continues as the official make-up sponsor of Face Off.

Face Off Season 8 Participants:

Adam Milicevic

Age: 30

Hometown: Merrillville, IN

Residence: Orlando, FL / Osaka, Japan

Twitter: @acivicdilemma

Alan Carnes

Age: 32

Hometown: Weaverville, CA

Residence: Redding, CA

Twitter: @gothicnytfx

Anthony Reyes

Age: 20

Hometown: Shohola, PA

Residence: New York, NY

Twitter: @makeupbyaer

Benjamin Peter

Age: 32

Hometown: Centerville, OH

Residence: West Carrolton, OH

Twitter: @BenjaminJPeter

Daniel Pardo

Age: 38

Hometown: Sao Paulo, Brazil

Residence: Atlanta, GA

Twitter: @DanielPrado_

Darla Edin

Age: 28

Hometown: St. Louis Park, MN

Residence: Minneapolis, MN

Twitter: @Darla_Edin

Emily Serpico

Age: 18

Hometown: West Palm Beach, FL

Residence: Wellington, FL

Twitter: @emilyserpico

Gregory Hewitt

Age: 36

Hometown: Supply, NC

Residence: Charlotte, NC

Twitter: @gregoryahewett

Jamie Leodones

Age: 30

Hometown: Alberta, Canada

Residence: Burbank, CA

Twitter: @jaeraele

Julian Bonfiglio

Age: 25

Hometown: Fremont, CA

Residence: San Francisco, CA

Occupation: Freelance FX Artist

Twitter: @JulianBonfigli0

Kelly Harris

Age: 24

Hometown: Columbus, OH

Residence: Columbus, OH

Twitter: @KellyKillsYou

Logan Long

Age: 29

Hometown: Salt Lake City, UT

Residence: Salt Lake City, UT

Twitter: @loganladdie

Regina Jiganti

Age: 24

Hometown: Hinsdale, IL

Residence: Burbank, CA

Twitter: @rjiganti

Rob Miller

Age: 41

Hometown: Monroe, MI

Residence: Monroe, MI

Twitter: @robmillerart

Stephanie Masco

Age: 21

Hometown: Plainfield, IL

Residence: Plainfield, IL

Twitter: @jeanmasco

CHAMPIONS

Anthony Kosar

Age: 29

Hometown: Chicago, IL

Residence: Chicago, IL

Twitter: @kosarteffects

SEASON 4 CHAMPION

Laura Tyler

Age: 30

Hometown: Orlando, FL

Residence: Orlando, FL

Twitter: @laurartist84

SEASON 5 CHAMPION

Rayce Bird

Age: 32

Hometown: Shelley, ID

Residence: Moscow, ID

Twitter: @RayceBird

SEASON 2 CHAMPION




Fox Announces Winter Premiere Dates for New and Returning Shows

Fox 2015 Midseason Premiere Schedule
Becki Newton, Zachary Knighton, Meera Rohit Khumbhani, and Nate Torrence in ‘Weird Loners’ (Photo by Michael Becker © 2014 Fox Broadcasting)

Fox has set the premiere dates for returning series Bones, Glee, The Following, Hell’s Kitchen, and Masterchef Junior. The network’s also announced the premiere dates of new shows World’s Funniest Fails, Backstrom, The Last Man on Earth, and Weird Loners.

In announcing the premiere dates, Fox also revealed details on each of the new series:

World’s Funniest Fails:
New unscripted comedy World’s Funniest Fails (wt) premieres on Friday, Jan. 16 (8:00-9:00 PM ET/PT). The irreverent one-hour series is based on the hit YouTube channel, FailArmy, which showcases the best “epic fail” viral videos in the most entertaining ways possible. Each week a panel of comedians will analyze the videos which have exploded across the internet, with the goal of awarding one with the ultimate “Fail of the Week.”

Backstrom:
BackstromM, the offbeat crime procedural starring three-time Emmy Award nominee Rainn Wilson, premieres Thursday, Jan. 22 (9:00-10:00 PM ET/PT), following American Idol XIV’s time period premiere (8:00-9:00 PM ET/PT). Created and executive-produced by Hart Hanson, the series follows Detective Everett Backstrom, an unhealthy, offensive, irascible – albeit brilliant – detective who sees the worst in everyone, and he’s usually right.

The Last Man on Earth:
End-of-the-world comedy The Last Man on Earth premieres with a special one-hour event of back-to-back episodes Sunday, March 1 (9:00-9:30/9:30-10:00 PM ET/PT), and then moves into its
regular time period the following week on Sunday, March 8 (9:30-10:00 PM ET/PT). Executive-produced, created by and starring Will Forte, and executive-produced and directed by Chris Miller and Phil Lord, the single-camera comedy chronicles the life and adventures of an average guy – and humanity’s last hope – who discovers what life is like when no one is telling you what you can and cannot do.

Weird Loners:
New ensemble comedy Weird Loners debuts Tuesday, March 31 (9:30-10:00 PM ET/PT). From writer Michael J. Weithorn and director Jake Kasdan, the un-romantic comedy follows four single mid-30-somethings (Becki Newton, Zachary Knighton, Nate Torrence, and Meera Rohit Kumbhani), who are unexpectedly thrust into one another’s lives and form an unlikely bond in a Queens, NY, townhouse.

Here’s the scoop on the primetime shows returning to the lineup in 2015:

Glee:
Glee takes its final bow with a sixth and final 13-episode season starting with a special two-hour premiere event Friday, Jan. 9 (8:00-10:00 PM ET/PT). New Directions’ original star, Rachel Berry (Lea Michele), comes home to Lima, after her humiliating failure as a TV actress, and discovers that Sue Sylvester (Jane Lynch) has banished the arts at McKinley. Throughout its closing season, McKinley alumnae will return to say “good-bye” to the award-winning and groundbreaking musical comedy. The series makes its time period premiere Friday, Jan. 16 (9:00-10:00 PM ET/PT), and air all-new episodes for 11 consecutive weeks, culminating in a special two-hour Series Finale on Friday, March 20 (8:00-10:00 PM ET/PT).

Masterchef Junior:
Returning series premiering this winter include Masterchef Junior, which returns for its third season of talented kids, astounding culinary abilities and delicious challenges. Featuring host and award-winning chef Gordon Ramsay, restaurateur Joe Bastianich and acclaimed chef Graham Elliot, cycle three of Masterchef Junior gets cooking Tuesday, Jan. 6 (8:00-9:00 PM ET/PT), leading into all-new episodes of New Girl (9:00-9:30 PM ET/PT) and The Mindy Project (9:30-10:00 PM ET/PT).

The Following:
On Monday, March 2, hit psychological thriller The Following returns for its third shocking season with a special two-hour Season Three premiere event (8:00-10:00 PM ET/PT), and moves to its regular time period the following week on Monday, March 9 (9:00-10:00 PM ET/PT).

Hell’s Kitchen:
The first week of March also sees Chef Gordon Ramsay firing up a new season of Hell’s Kitchen, beginning Tuesday, March 3 (8:00-9:00 PM ET/PT). Bones returns with all-new cases Thursday, March 26 (8:00-9:00 PM ET/PT), followed by Backstrom (9:00-10:00 PM ET/PT).

The 2015 Midseason Primetime Lineup:

Sunday, Jan. 4:

8:00-8:30 PM THE SIMPSONS (All-New Episode)

8:30-9:00 PM BROOKLYN NINE-NINE (All-New Episode)

9:00-9:30 PM FAMILY GUY (All-New Episode)

9:30-10:00 PM BOB’S BURGERS (All-New Episode)

Mondays, beginning Jan. 5:

8:00-9:00 PM GOTHAM (All-New Episode)

9:00-10:00 PM SLEEPY HOLLOW (All-New Episode)

Tuesdays, beginning Jan. 6:

8:00-9:00 PM MASTERCHEF JUNIOR (Season Premiere)

9:00-9:30 PM NEW GIRL (All-New Episode)

9:30-10:00 PM THE MINDY PROJECT (All-New Episode)

Wednesdays, beginning Jan. 7:

8:00-9:00 PM AMERICAN IDOL XIV (Season Premiere, Part One)

9:00-10:00 PM EMPIRE (Series Premiere, with Limited Interruption)

Thursday, Jan. 8:

8:00-10:00 PM AMERICAN IDOL XIV (Season Premiere, Part Two)

Sundays, beginning Jan. 11:

7:00-7:30 PM THE SIMPSONS (Encore Episode)

7:30-8:00 PM MULANEY (All-New Episode)

8:00-8:30 PM THE SIMPSONS (All-New Episode)

8:30-9:00 PM BROOKLYN NINE-NINE (All-New Episode)

9:00-9:30 PM FAMILY GUY (All-New Episode)

9:30-10:00 PM BOB’S BURGERS (All-New Episode)

Friday, Jan. 9:

8:00-10:00 PM GLEE (Two-Hour Season Premiere)

Thursday, Jan. 15:

8:00-10:00 PM AMERICAN IDOL XIV (All-New Episode)

Fridays, beginning Jan. 16:

8:00-9:00 PM WORLD’S FUNNIEST FAILS (wt) (Series Premiere)

9:00-10:00 PM GLEE (Time Period Premiere)

Thursdays, beginning Jan. 22:

8:00-9:00 PM AMERICAN IDOL XIV (Time Period Premiere)

9:00-10:00 PM BACKSTROM (Series Premiere)

Sunday, March 1:

7:00-7:30 PM THE SIMPSONS (Encore Episode)

7:30-8:00 PM BOB’S BURGERS (Time Period Premiere)

8:00-8:30 PM THE SIMPSONS (All-New Episode)

8:30-9:00 PM BROOKLYN NINE-NINE (All-New Episode)

9:00-10:00 PM THE LAST MAN ON EARTH (One-Hour Premiere Event)

Monday, March 2:

8:00-10:00 PM THE FOLLOWING (Two-Hour Season Premiere Event)

Tuesdays, beginning March 3:

8:00-9:00 PM HELL’S KITCHEN (Season Premiere)

9:00-9:30 PM NEW GIRL (All-New Episode)

9:30-10:00 PM THE MINDY PROJECT (All-New Episode)

Sundays, beginning March 8:

7:00-7:30 PM THE SIMPSONS (Encore Episode)

7:30-8:00 PM BOB’S BURGERS (All-New Episode)

8:00-8:30 PM THE SIMPSONS (All-New Episode)

8:30-9:00 PM BROOKLYN NINE-NINE (All-New Episode)

9:00-9:30 PM FAMILY GUY (All-New Episode)

9:30-10:00 PM THE LAST MAN ON EARTH (Time Period Premiere)

Mondays, beginning March 9:

8:00-9:00 PM GOTHAM (All-New Episode)

9:00-10:00 PM THE FOLLOWING (Time Period Premiere)

Friday, March 20:

8:00-10:00 PM GLEE (Two-Hour Series Finale)

Thursday, March 26:

8:00-9:00 PM BONES (Spring Premiere)

9:00-10:00 PM BACKSTROM (All-New Episode)

Tuesdays, beginning March 31:

8:00-9:00 PM HELL’S KITCHEN (All-New Episode)

9:00-9:30 PM NEW GIRL (All-New Episode)

9:30-10:00 PM WEIRD LONERS (Series Premiere)




‘The Hunger Games: Mockingjay – Part 1’ Movie Review

The Hunger Games Mockingjay Part 1 Review
Patina Miller, Liam Hemsworth, Mahershala Ali, Jennifer Lawrence, and Elden Henson in ‘The Hunger Games: Mockingjay Part 1’ (Photo Credit: Murray Close)

It’s probably safe to say that The Hunger Games: Mockingjay – Part 1 is one of the more anticipated movies of the year.  I haven’t read the books yet and wasn’t a big fan of the first one (because I prefer Battle Royale and eschew badly used shaky cam) but the second installment was a marked improvement as director Francis Lawrence took over the helm and the bigger context of this cinematic world was provided.  As such, I wasn’t anxiously counting down the days to this film’s release but I was cautiously optimistic that it would be a good movie.

Of course, the first thing standing in the way of enjoying the film is that the franchise opted for the predictable cash grab and split the final book into two movies.  While I openly admit a favorable bias for all things Harry Potter, which seems to have started this craze, at least with The Deathly Hallows there was a lot of story to get through if they were going to get it right and rather than a four-plus hour movie, splitting it into two made sense.  Twilight could have summed up Breaking Dawn – Part 1 in a five minute narrated montage.  I have no idea if the Divergent series warrants this treatment (not that my opinion matters) but after watching Mockingjay – Part 1, I wish they would have just made one three hour movie.

It’s not that the 123 minute runtime is exorbitant by itself but much of the movie felt padded and dragged out, with certain obvious character motivations taking far too long for the characters to grasp on-screen.  There are also a few scenes that feel like they were added outside of the source material in order to create drama/action for the sake of pacing out the movie.  Of course, maybe those scenes are in the book (which of course I haven’t read yet since the movies aren’t all finished) but they seem tacked on here.

Then there’s the elephant in the room that’s cursed the franchise from the start: the love triangle of Katniss (Jennifer Lawrence), Gale (Liam Hemsworth), and Peeta (Josh Hutcherson).  I don’t get it.  And to quote an unrelated but favored movie character, “I may not be a smart man … but I know what love is.”  Even with the abominable Twilight movies, Kristen Stewart’s character is at least picking between two very different people (even putting aside the whole werewolf/vampire angle).  With The Hunger Games, the biggest difference between the two suitors vying for Katniss’ attention is their height.  They’re both brave and selfless, and share the character fault of wanting a woman who just strings them along and has the emotive capacity of an Apple IIe computer.  It’s almost a reverse stereotype where in this case it’s the men who are attracted to a woman who doesn’t say much, mistaking that silence for some form of profundity.

That aside, I was fine with the movie (what a transitional sentence!).  The most effective scenes involve Philip Seymour Hoffman, which adds a bittersweet element to the affair.  The inclusion of Julianne Moore is a little odd, and although I assume the hair dye job going on is from the books, it just makes her look strange, and almost alien.  And once again, the true heart of the movie derives from Elizabeth Banks … which I’m not sure is such a good thing.  This should be all about joining Katniss on her ride through this crazy world but because of how Lawrence plays the character, what should be construed as stoic comes off as a bit bland more often than not.  At least Banks’ character wears her heart on her sleeve.

Anywho, I’m sure none of what I said matters much.  If you’re a fan, you’re going to see this movie.  And despite my reservations and issues, I enjoyed it well enough.  I think the second film stands as the best of the three so far and would rather have cut an hour of this movie to just get to the end of it all but I can’t say I was climbing the walls to leave the theater.  Fans should be pleased (assuming it didn’t stray from the book too much) and we’ll just have to see if stretching things out as they have will pay off when the final film comes out next year. At least this installment features the first instance of making it seem like one of the characters is actually hungry, so there’s that … for whatever it’s worth.

GRADE: C+

The Hunger Games: Mockingjay – Part 1 is rated PG-13 for intense sequences of violence and action, some disturbing images and thematic material.




TCM Will Honor Mike Nichols with a Special Tribute

TCM Remembers Filmmaker Mike Nichols
Mike Nichols on the set of “Who’s Afraid of Virginia Woolf?” (Photo Copyright Warner Bros)

Oscar, Tony, Emmy, and Grammy award-winner Mike Nichols passed away at the age of 83 on November 19, 2014 and Turner Classic Movies (TCM) will be honoring and celebrating his life with a special tribute on December 6th. TCM will air his Oscar nominated work Who’s Afraid of Virginia Woolf and The Graduate, and they’ll also be screening 1971’s Carnal Knowledge.

The tribute schedule is as follows:

Saturday, Dec. 6th

8pm ET Who’s Afraid of Virginia Woolf? (1966) – starring Elizabeth Taylor, Richard Burton, Sandy Dennis and George Segal

10:30pm ET The Graduate (1967) – starring Dustin Hoffman, Anne Bancroft, Katharine Ross, Murray Hamilton, William Daniels and Elizabeth Wilson

12:30am ET Carnal Knowledge (1971) – starring Jack Nicholson, Candice Bergen, Art Gargfunkel, Ann-Margret, Rita Moreno and Carol Kane


-By Rebecca Murray

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‘The Mule’ Georgina Haig Exclusive Interview

Georgina Haig The Mule Interview
Georgina Haig in ‘The Mule’ (Photo Courtesy of XLrator Media)

Georgina Haig built on the fan following she developed as a part of the sci-fi series Fringe by playing Elsa from Frozen on the fourth season of Once Upon a Time. Haig’s a welcome addition to this season of Once Upon a Time, however prior to taking on the job of bringing the popular animated character who inspired millions of Halloween costumes to life in Once, Haig worked on the Australian independent film, The Mule.

The Mule‘s one of those films you absolutely shouldn’t decide if you want to see simply by reading the synopsis. While the couple of sentences describing the plot do set things up, the tone of the film doesn’t come across from reading a few lines. The Mule‘s smartly written with a terrific cast, and it’s not at all what you expect it to be.

The Plot: “It’s 1983. A naive man with lethal narcotics hidden in his stomach is detained by Australian Federal Police. Alone and afraid, ‘the Mule’ makes a desperate choice; to defy his bodily functions and withhold the evidence…literally. And by doing so becomes a “human time-bomb,” dragging cops, criminals, lawyers, and his mother into his impossible escapade. Inspired by true events.”

The Mule will be available digitally and in limited theatrical release on November 21, 2014.

Georgina Haig Exclusive Interview

I really enjoyed The Mule, but I wasn’t sure how I was going to feel about it after just reading the synopsis which doesn’t let on how really twisted and humorous the film actually is. How did you feel about the reading the synopsis the first time?

Georgina Haig: “Well, I read the synopsis and was actually intrigued. I’m really into black comedy and genre stuff. Anyways, I read the synopsis and thought, ‘Oh, that sounds crazy but great.’ Then I read the script and I just thought it was done so well. Yes, it’s a difficult thing to watch and to experience the character going through – trying not to go to the toilet for 10 days – but they gave it such a great backdrop. You know, 1983, the America’s Cup, which is the yacht race. Also, all the crime stuff going on, and the family drama on top of it. I just thought they told the story in such a way that made it really accessible, and it was also funny so it was a lot to deal with. This is going to be a lot for people, but there’s going to be enough releases [in the film] for people to be able to deal with. It just seems like a great, original, idea to me. I was really intrigued by it.”

It’s definitely not something we see every day.

Georgina Haig: “No, no. I just hope, because you say that you read the synopsis and you didn’t know if you’d like the film, I hope people who feel that take a chance on it, you know? Because, yeah, it really will surprise people, I think.”

It’s one my favorite films I’ve seen this year because it did take me by surprise, and that doesn’t happen very often. What was it like for you working opposite writer/director/actor Angus Sampson?

Georgina Haig: “Yeah, Writer-Director-Producer. Angus was on top of everything. It was so good. Leigh [Whannell] was there, obviously, and Tony Mahony, he was directing as well. He would do a lot of the technical side of things, and then Angus would often give performance notes and stuff. It was great because he and Leigh wrote it, with a third writer as well, and they knew exactly what they wanted. They couldn’t be more specific and, as an actor, that’s really helpful. You just feel in really safe hands, because there’s such a strong vision driving it. I really enjoyed working that way. And also, if something needs to be changed, they just change it. No huge processing meeting to play around with stuff. There’s a malleability to the script. It’s definitely my way of working, and it was great.”

Some writer/directors are really precious with their words and don’t want the actor to be able to collaborate quite so much. But you didn’t find that with Angus?

Georgina Haig: “Well, I found that if there was something I was questioning, he could usually give me a pretty good reason why it shouldn’t be changed or why it should be; I think they were sort of precious about it, because it was their vision, but I think they were good at expressing why they wanted to keep it a certain way. Then, some things that needed to be changed, they did, so they were able to do that too. I agree, that is often the case.

I also think that to make something truly original, you do need an almost dogmatic approach creatively from a couple of people who really put their foot down and say, ‘No, this is how it’s going to be.’ Otherwise, things can get watered down too.”

Then it becomes filmmaking by teamwork, which sometimes doesn’t work.

Georgina Haig: “Right, right, right. Exactly. Yeah, I agree.”

Does it amaze you how popular The Mule‘s trailer has been?

Georgina Haig: “Yes, it’s amazed all of us. It’s the third most viewed trailer in the U.S. right now. It’s like Exodus: Gods and Kings and then The Mule, our little movie. It’s brilliant. I just hope that that momentum works for the film and that people are intrigued enough to download and watch the whole thing. I really believe in it and I just really want it to find an audience. I just really hope that people take a chance.”

Did you develop a backstory for Jasmine?

Georgina Haig: “Yes. Her backstory is that she was a private school girl, grew up in a very privileged way, and could have done anything with her law career, but decided to do Legal Aid because she felt like she could make a difference. I think what she can’t admit to herself is that she does want a bit more prestige than she’s letting on. Also, I think she’s been very frustrated in that role and that she feels like she hasn’t been making as much of a difference as she thought she would. It’s been really hard work for her to break into so I think when she sees the opportunity to stick it to misogynistic cops, and at the same time get a bit of publicity for this cause and for herself, she goes, ‘Yeah, why not?’

I think what’s interesting about her character is that they did make her a bit more self-serving than they could have, which was great, because it was real, and it made her a bit more interesting I think. She wanted to win. She was willing to put Ray (Angus Sampson) through what he needed to go through to get there, which was good.”

Did you know from your first reading of the script exactly how you were going to approach her or did she evolve in your mind?

Georgina Haig: “When I read it, I got her straight away. I think I could base her on quite a few people I know and I saw a lot of similarities to myself as well in her. Yeah, I could really picture it from the start.

It’s really interesting too, when you see a final product, the way filmmaking can manipulate your own performance, if you know what I mean? I think the scene where I’m smoking the joint in the car, they changed the context of that a little bit. They put in the ‘Winning is Everything’ tape that she’s listening to, which wasn’t there originally. That’s what works so well, because it works with the theme, but at the time it was just her taking a moment to herself. Then, by putting that tape on, they made her goal stronger, that she wants to win. I was interested to see the way that they use editing and sound to change the performance to what they needed.”

Would you have changed your performance at all for that particular scene had you known that’s how they would edit it?

Georgina Haig: “Probably, but it’s kind of good that I didn’t because they got what they wanted the way I did it. I kind of liked the simplicity of it. I was like, ‘Oh, cool.'”

Did any of the people you sort of based her on know that they helped to inspire how you played the character?

Georgina Haig: [Laughing] “No.”

That’s probably a good thing, right?

Georgina Haig: “Probably. I grew up in a similar world; I went to a private school. My family…they didn’t have a lot of money but they managed to put me through a private school and so I’ve been around a lot of people with similar aspirations, I think. I went to Melbourne University for a little while in Melbourne, which is very prestigious uni, and yeah, had a lot of friends in law, or whatever profession. I met a lot of ambitious people. I myself am quite ambitious so I definitely had lots to draw on. But also there’s a way of talking. A lot of the film’s about class as well and the way she talked is quite different than the way Jeff Morrell talked. That accent I’d grown up listening to. I knew what it sounded like, and that was good.”

Hot off this film and Once Upon a Time, are you seeing a lot of really interesting scripts come your way?

Georgina Haig: “Yeah, there’s a lot. There’s been lots of interesting stuff. I’ve been playing catch up a little bit, because I was doing Elsa and there wasn’t time to audition, so now I’m playing catch up. I’m not really sure what’s next at this point, but hopefully something interesting.”




‘Better Call Saul’ Gets a Premiere Date and New Trailer

Better Call Saul Premiere Date and Trailer
Bob Odenkirk stars in ‘Better Call Saul’ (Photo © 2014 AMC)

AMC’s Breaking Bad prequel Better Call Saul has nabbed a two-night premiere. Episode one will air on Sunday, February 8, 2015 at 10pm ET/PT and episode two will follow on Monday, February 9th. After the two-night event, Better Call Saul will air on Mondays at 10pm for the rest of the season.

The first season will be made up of 10 episodes while season two has an expanded order of 13 episodes.

The Plot:

This highly-anticipated prequel to Breaking Bad is set six years before Saul Goodman (Bob Odenkirk) became Walter White’s lawyer. Known then as Jimmy McGill, he was a small-time lawyer, searching for his destiny and hustling to make ends meet. The series will track Jimmy’s evolution into Saul, Albuquerque’s top criminal (criminal) lawyer.

Working alongside, and often against, Jimmy is another familiar face from Breaking Bad: “fixer” Mike Erhmantraut (Jonathan Banks). The series also stars Michael McKean as Chuck McGill, Rhea Seehorn as Kim Wexler, Patrick Fabian as Howard Hamlin, and Michael Mando as Nacho Varga.

Interview with Vince Gilligan and Peter Gould

VH1 Goes Back to the ’90s with ‘Hindsight’

VH1 Announces Hindsight Series
‘Hindsight’ on VH1

VH1’s adding another scripted series to its lineup, scheduling Hindsight to premiere on January 7, 2015 at 10pm ET/PT. For fans of the ’90s, the new show will bring the decade to life with Laura Ramsey and Sarah Goldberg in starring roles.

The series was created by Jane By Design‘s Emily Fox who executive produces along with John A. Norris, Carl Beverly, Sarah Timberman, Maggie Malina, Alexander A. Motlagh, Susan Levison, and Jill Holmes.

“Sarah and I, along with our partners Emily and Johnny, are so excited to be in business with Susan Levison and all the talented people at VH1,” said Carl Beverly. “Especially on a series that plows such thematically fertile ground – if we could go back in time, with all the advantages of hindsight, what would we do differently and how would the shape and arc of our lives change? We can’t think of a better home than VH1 to explore such a fun, provocative and timeless question.”

The Hindsight Plot [Courtesy of VH1]:

In the series premiere, we meet Becca (Laura Ramsey) on the eve of her second wedding. It all seems perfect this time around, but she is still plagued by doubt. What if she could fix everything, and make the ‘right’ choices this time? Becca finds herself thinking about her former best friend Lolly (Sarah Goldberg), with whom she had a falling out many years ago. If only she could talk to her once again…

Suddenly, after a freakish elevator ride, Becca gets the opportunity to do just that as she wakes up in New York City on the morning of her first wedding day in 1995. She’s about to marry Sean (Craig Horner), a bad-boy artist who is all wrong for her – and she knows her first move must be to reconnect with Lolly to re-live that day. Can she ‘make it right’ by living her life all over while re-adapting to life in New York City in the 90’s – a time of smoking in bars, carrying pagers, having an AOL email address? Becca will soon discover there’s no sure-fire way to make the right choices in life – even knowing everything she thinks she knows now.


-By Rebecca Murray

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