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Sugar Season 2 Episode 1 Recap: John Takes On a New Case

Sugar Season 2 Episode 1 Recap Colin Farrell
Colin Farrell in ‘Sugar’ season 2 episode 1 (Photo Credit: Apple TV)

Cinephile, detective, and alien John Sugar (Colin Farrell) has spent the months since we last saw him in Apple TV’s Sugar season one finale searching for Henry. As season two begins, he finally locates him but doesn’t get the answers he wants before Henry (Jason Butler Harner) passes away. As he’s dying, Henry apologizes for making Sugar stay behind but doesn’t tell him what happened to his sister.

Henry committed suicide, something that doesn’t happen on their planet. As Sugar looks around Henry’s home, he finds a board with photos and the message: “Beware of assimilation.”

(The following is a recap of season two, episode one, “Home Away From Home,” and there are spoilers.)

Sugar realizes Djen’s gone. The only thing left to do is burn Henry’s body and his house so that no humans can discover it. Burning it drives home the fact that he’s all alone on Earth. He can never return to his planet.

Ruby left him a letter, just on the off chance he remained on Earth. In it, she admits Earth was the most difficult planet to leave. “This place, for better or worse, takes ahold of you,” she concedes. She loves him and hopes he stays safe.

Since he’s alone without a mission, Sugar decides returning to LA is his best option. He picks up his old life at the Hotel Del Corazon and even gets back into his beloved ‘66 Corvette Stingray.

He was hoping his detective business would pick up, but without Ruby it’s difficult to find jobs. So, instead, he spends his days hanging out at the dog park. His love of dogs hasn’t faded, and he has six mesmerized at the dog park when he makes a tennis ball float in the air before their owner calls them away.

Fortunately, an old friend calls with a request for help. Limo driver Munzer Amin asks him to meet with up-and-coming boxer Danny Moon. Danny’s an immigrant, born in Korea, and Munzer describes him as a good kid. His brother, Ji Moon, has been missing for three days. Ji’s been getting high a lot recently, and Danny thinks he’s just being stupid and not coming home to scare him.

Danny plays Sugar a disturbing voice mail from Ji that sounds like he’s running from someone dangerous. He’s out of breath and says he got away but is sure the guy will come after him because he saw something he shouldn’t have.

The voice mail ends with Ji telling his brother to keep training and not to call the cops. Sugar believes there’s real fear in his voice. He takes the case.

That night Sugar visits Ji’s normal hangouts in Koreatown. One of the stops is a pool hall and some of the patrons admire his car from the window. He notices one woman seemed interested when he mentioned Ji Moon’s name. After beating her in a game, he’s just about to ask what she knows when someone yells at him that his car’s just been stolen.

A young woman outside claims the guy who stole it is a friend. She offers to get it back for him for $300. They briefly chat and he explains he’s a private investigator. When she leaves to make a call, the woman he beat in pool steps outside and says Ji was seeing Hannah McDaniels. Sugar realizes she’s worried and she admits a lot of people are looking for Ji. She hopes he finds Ji before the others do.

While waiting for his car, Sugar confesses he misses his dog and his friends.

Thankfully, the woman he paid drives up in his car.

Sugar Season 2 Episode 1 Recap Colin Farrell
Colin Farrell in ‘Sugar’ season 2 episode 1 (Photo Credit: Apple TV)

Back at his hotel, Sugar uses a communication device to see if anyone else stayed behind. “Second group, third wave, California. John Sugar. I’m still here if anyone else is,” he says into the transmitter.

He sends his message and waits. Because he’s been alone for so long, he decides to eat in the hotel restaurant instead of in his room. A woman at an adjacent table stares at him as he continues eating.

After dinner he returns to his laptop (the screensaver is his dog) and searches for “Moon brothers boxers.” Sugar isn’t very knowledgeable about boxing but learns quickly. He picks up on the fact that Danny’s on the rise, while Ji’s career is fading.

Sugar tracks down Hannah McDaniels, a nurse at St. Anthony’s. Hannah immediately denies knowing Ji, and Sugar notices she’s nervous. She thinks he’s there to fire her and is relieved to learn he’s not with HR. Hannah doesn’t want to talk to him if he’s not a cop, but Sugar works his magic and gets her to open up a little. He was there four days ago and asked her to sneak him a hospital key card so he could steal drugs. She hasn’t seen him since.

Hannah describes him as a wild man, and Sugar traces his route down the stairs, wondering if that’s where he recorded the panicked phone call. Ji left the hospital with a thermos full of drugs, which could have led to trouble.

He continues to search for Ji, including in homeless encampments and where druggies hang out.

Back at the hotel, he spends a little time at the bar (even though he can’t get drunk) and meets Charlotte (Laura Donnelly), the woman who was staring at him earlier. They introduce themselves, but he has to leave when he gets a text notifying him that something was delivered.

It turns out he bought a house in the Hollywood Hills that used to belong to Bogart. It’s a three-bedroom with a pool, and the view of the city is unbelievable. The text referred to his belongings being delivered to his new house.

Sugar’s still trying to figure out why his people were betrayed, hunted, and forced to flee Earth. He uses binoculars to look down on the home of one of the men responsible, Senator Tyson Pavich. Tyson’s son, Ryan, was involved in the season one storyline, and Sugar’s certain that Tyson has his own secrets. He’s determined to continue looking for answers.

Season two, episode one ends with a scene of Ji fleeing the hospital, clutching the thermos, and nearly getting run into, while Sugar reminds himself that he must be careful now that he’s all on his own. He also reminds himself to stay busy so that he doesn’t lose his mind, like Henry did.

Neon’s It Ends Movie: Release Date Set for SXSW Horror Sensation

It Ends
A scene from ‘It Ends’ (Photo Credit: Neon)

Neon has set a theatrical release date for It Ends, which is not a sequel to It Follows. (That sequel’s titled They Follow.) Neon acquired the horror film following its world premiere at 2025’s South by Southwest and will release it in LA and NY on August 21, 2026. An expanded opening is set for August 28.

Alex Ullom’s feature film debut currently sits at 100% fresh on Rotten TomatoesAWFJ’s Alexandra Heller-Nicholas says, “It Ends is the kind of bold, original movie that low-budget horror cinema at its best provides a perfect home for.” And Dread Central’s Rendy Jones calls it a “smart and inventive genre-bending experience.”

The horror thriller, starring Phinehas Yoon, Akira Jackson, Noah Toth, and Mitchell Cole, offers this synopsis: “A group of recent grads head out on a late-night drive for grub, hoping to enjoy one final hangout before their paths diverge. Instead, they accidentally turn on to a never-ending, two-lane hellscape surrounded by untold horrors and cosmic forces beyond their understanding. Cramped together inside a Jeep Cherokee and with the miles stretching infinitely ahead, they face a choice: embrace their new existence or fight to escape it.”

Carrie Carusone and Evan Barber serve as producers. Executive producers include Jess Wu Calder, Keith Calder, Carson Tappan, Roshni “Rush” Bhatia, Andrew Mayne, Ryan Keely, Elle León Nostas, Ben Mekler, and Chris Amick.

The Death of Robin Hood Movie Review: Hugh Jackman’s Outlaw Faces a Grim End

The Death of Robin Hood star Hugh Jackman
Hugh Jackman in ‘The Death of Robin Hood’ (Photo Credit: Aidan Monaghan / A24)

The Robin Hood legend has been the subject of countless films. There’s the classic 1938 film The Adventures of Robin Hood starring Errol Flynn; the 1991 version Robin Hood: Prince of Thieves starring Kevin Costner as the famous archer and bandit; and Disney’s animated Robin Hood, where Robin is a fox. Even Mel Brooks did a comic twist on the character in Robin Hood: Men in Tights. Now filmmaker Michael Sarnaski’s version The Death of Robin Hood finds an older Robin dealing with his past.

This Robin Hood tale opens in the Celtic hinterlands in the year 1247. An aged Robin Hood (Hugh Jackman) is living alone in the wilderness, avoiding relatives of those he murdered years ago. It seems Robin wasn’t quite the big hero who robbed from the rich to give to the poor as the stories tell. Now, the brooding outlaw just wants to live out the rest of his life quietly.

This proves to be impossible when his old friend and ex-Merry Man Little John (Bill Skarsgard) seeks his help for one last battle. Unable to refuse the only friend he has left, Robin agrees. The fight is much bloodier and tougher than expected and Robin ends up badly injured. He wakes to find a kind woman named Sister Brigid (Jodie Comer) tending to him at a remote monastery on an island.

While he slowly recovers from his wounds, Robin befriends Margaret, a young girl whose father died in the battle. He also makes friends with a leper (Murray Barlett), who is covered in bandages and tends the fruit-bearing trees for everyone.

When one of the relatives from the battle also shows up on the island, secretly looking to avenge his fallen kin, Robin decides to protect Margaret and possibly become a sort of stepfather to her, if possible.

The Death of Robin Hood is a bleak, gloomy reimagining of the classic hero that transforms him into a brooding, former bloodthirsty cutthroat near the end of his life. It’s a tedious, ponderously long film that tries so desperately to be different than all the other film versions that it fails to entertain or be engaging. It’s a bore of a film.

Hugh Jackman, barely recognizable underneath long white hair and a beard, portrays the famous outlaw as a man who has grown to hate his own heroic legend but doesn’t necessarily regret the lives he took, just the unending hunt from blood relatives looking for revenge. Make no mistake, Jackman’s Robin doesn’t regret his murderous past nor is he looking for redemption. He’s just exhausted and tired of his own fame as a hero. 

Unfortunately, Jackman doesn’t have much to work with the way the character is written. Despite his best efforts, his Robin never amounts to more than a grizzled, brooding brute. He is not a hero to root for or sympathize with.

The dark, cold, and gray cinematography of the lands and island adds a bleakness and unpleasant feel to the film. The painfully slow pacing is sure to have audiences wishing Robin had died during the battle so that the film could end much sooner.

Anyone looking for a swashbuckling, exciting adventure with Robin Hood and his Merry Men should avoid this dull version. 

GRADE: D

Rating: R for strong bloody violence
Runtime: 2 hours 3 minutes
Release Date: June 19, 2026
Written and Directed By: Michael Sarnoski 
Studio: A24        

 

Outer Banks Season 5 Release Date & Trailer: Pogues Vow Revenge

In the teaser for the upcoming fifth and final season of Netflix’s Outer Banks, the Pogues promise to avenge JJ. The one-minute teaser reveals an action-packed final season, with the friends warning, “If you’re on the bottom, you have to risk everything.”

The 10-episode fifth season will premiere on August 20, 2026, starring Chase Stokes as John B., Madelyn Cline as Sarah Cameron, Madison Bailey as Kiara, Jonathan Daviss as Pope, and Carlacia Grant as Cleo. Drew Starkey plays Rafe, Austin North is Topper, Fiona Palomo is Sofia, J. Anthony Crane is Chandler Groff, and Cullen Moss plays Shoupe.

Outer Banks Season 5
Drew Starkey, Madelyn Cline, Carlacia Grant, Chase Stokes, Madison Bailey, and Jonathan Daviss in Outer Banks (Cr. Jackson Lee Davis/Netflix © 2026)

Netflix’s synopsis reads, “Season five finds the Pogues at their absolute breaking point following the tragic loss of JJ in Morocco. Stranded far from home and mourning the heart of their crew, they’ve lost the Blue Crown and continue to face a gauntlet of familiar threats. With Chandler Groff still at large, Dalia and the Corsairs closing in, and the Kooks ensuring the Pogues have no home to return to, John B, Sarah, Kiara, Pope, and Cleo must rely on their scrappy instincts—and an uneasy alliance with Rafe—to keep from falling apart for good.

Their mission is now a desperate race to reclaim their future and finally win the freedom they’ve been chasing since the beginning. It’s the Pogues against the world as they seek to avenge their best friend and bring it on home…one final time.”

Jonas Pate, Josh Pate, and Shannon Burke created the series and serve as writers and executive producers. 

Matthew McConaughey, Woody Harrelson Apple TV Comedy ‘Brothers’ Sets Premiere Date

Brothers Woody Harrelson and Matthew McConaughey
Woody Harrelson and Matthew McConaughey in ‘Brothers’ (Photo Credit: Apple TV)

Apple TV announced the teaming of True Detective co-stars and friends Matthew McConaughey and Woody Harrelson for a comedy series back in March 2023. Today, the streamer confirmed the title—Brothers—and that the eight-episode season will premiere on September 23, 2026.

Two episodes drop on the debut date, with new episodes streaming on Wednesdays.

Joining Harrelson and McConaughey are Natalie Martinez, Brittany Ishibashi, Nolan Almeida, Ella Grace Helton, Noah Carganilla, Highdee Kuan, Oona Yaffe, and Holland Taylor. Emmy nominee Lee Eisenberg serves as showrunner and executive producer along with Harrelson, McConaughey, Natalie Sandy, David West Read, Trish Hofmann, Bill Bost, Jason Winer, Jeremy Plager, and David Finkel & Brett Baer. 

Apple TV offers this synopsis:

Brothers follows McConaughey and Harrelson, who play fictionalized versions of themselves, and whose friendship is thrown into chaos when they uncover a decades-old secret: they might actually be brothers. After Woody’s daughter’s wedding falls apart, he loads up the family and heads to Austin for an extended stay at Matthew’s ranch. But what begins as a healing getaway quickly spirals when Matthew’s mother, Ma Mac (Taylor), accidentally lets slip a long-buried secret that the two friends might actually be brothers.

As Woody turns the ranch upside down in pursuit of the truth, Matthew finds himself juggling an entirely different identity crisis: a potential run for Governor of Texas. The result is a heartfelt, chaotic, and wildly funny story about friendship, family, fame, and the messy line between myth and reality.”

The comedy’s produced for Apple TV by Paramount Television Studios.

Brilliant Minds Season 2 Episode 18 Recap: Oliver’s Back at Bronx General

Brilliant Minds Season 2 Episode 18 Recap
John Clarence Stewart, Zachary Quinto, Brian Altemus, and Ashleigh LaThrop in ‘Brilliant Minds’ season 2 episode 18 (Photo by: Pief Weyman/NBC)

As NBC’s Brilliant Minds season two, episode 18 begins, Oliver (Zachary Quinto) explains that new habits take a while to form. And speaking of new things, apparently, he’s taken up baking. Carol (Tamberla Perry) seems both surprised and ready for a taste test, but his latest creation is for his new friends Hector and Otto at Hudson Oaks.

Oliver confesses that he thinks Josh might still have feelings for him. Carol thinks he should just ask him. She catches him up on what he’s missed at the hospital, casually tossing in that she and Dr. Anthony Thorne are sleeping together.

(The following is a recap of season two, episode 18 – “Through the Looking Glass” – and there are spoilers.)

Oliver arrives for his first day back with a basket full of blueberry muffins. His team compliments his baking skills (they don’t mean it) and then fills him in on Neuro’s current patients. It’s an awkward meeting, and afterward Dana (Aury Krebs) tells Ericka (Ashleigh LaThrop) that she’s certain Oliver still hates her.

Josh (Teddy Sears) and Oliver’s first work meeting is also a little awkward, and Oliver apologizes for everything. He asks Josh to grab dinner but then stumbles through what the invitation means. Oliver quickly makes up a dinner party that will include Carol and others, since he doesn’t want to describe it as a date. He even suggests that Josh can bring Beau.

Oliver’s needed in the emergency department and Anthony (John Clarence Stewart) peppers him with questions about Hudson Oaks. Ericka and Charlie (Brian Altemus) join Oliver to meet with Greer (Rebecca Liddiard) and Fox Lawton (Kelly Penner), who are worried about their infant daughter, Sage. Sage just started daycare and has been constipated for three days. Oliver suggests a full workup, although this could just be normal growth issues.

Meanwhile, a bank robber freaks out when she thinks the people inside of the bank have suddenly become small. The cops arrive outside and she asks for a doctor. Carol’s called out and Oliver volunteers to join her since this could be a neurological issue.

The robber, Alyssa (Ana Ortiz), describes what she’s feeling over the phone, explaining that everything feels wrong. Oliver’s asking the right questions and Alyssa wants him to come inside the bank. He agrees, and NYPD gives him 15 minutes to get her to surrender before SWAT takes over.

Alyssa’s shocked they sent in a crazy doctor after Oliver explains he just got out of the psychiatric facility. She agrees to let him examine her and is stunned that his flashlight looks massive when it’s actually normal size. Alyssa reveals she just got out of prison, couldn’t get a job, and just wants to be with her wife. She was trying to leave the bank with the money she stole, but the door was much too small for her to use.

Ericka and Charlie tell Sage’s parents that they need to run a few more tests because Sage’s heart rate is a little slow. Charlie suggests they call Oliver, but Ericka thinks they can manage this themselves.

Alyssa’s wife, Tess, arrives in the command van and assures Carol that Alyssa would never hurt anyone. Alyssa’s sense of time has been off, and she’s just not acting right. Carol radios Oliver to tell him about the time distortions. The hostages watch as Oliver walks in place, which he explains is part of an experiment. He does it for a few seconds; Alyssa thinks it’s been 10 minutes.

Oliver understands her brain’s deceiving her and that it’s making her feel like an alien among normal people. He reminds her she’s not alone and that he’s with her. Suddenly, a gunshot rings out. The security guard shot her!

Alyssa’s taken to the ER and fortunately, it’s not life-threatening. Anthony patches her up and passes her on to neuro. Oliver wants to handle her case, but Josh says the PD wants to take her in. Medically, she’s cleared so they can take her any time.

Oliver informs his team that he thinks Alyssa has Todd’s syndrome, also known as Alice in Wonderland syndrome. However, they need to find the root cause, which requires multiple tests.

Josh yells at Nico (Al Calderon) for not telling him Oliver went to a bank robbery. Nico wonders if he only cares because it was Oliver—the person he asked for when he was on the brink of death in the hyperbolic chamber. Josh is stunned to learn that he looked up at Beau and said Oliver’s name. Nico’s sure it’s because he loves Oliver.

Carol and Oliver discuss Josh’s reaction to the bank robbery episode, and Oliver finally admits that’s not what’s bothering him. He thinks everyone hates his muffins but won’t tell him because they’re afraid he’ll snap and need to return to Hudson Oaks.

Before heading off to check on Sage, Oliver informs Carol that not only is she invited to the dinner party, Anthony’s also on the guest list.

Sage’s condition has deteriorated and Oliver disconnects her from all drips. He quickly diagnoses her with botulism. They may never know the source, but it is treatable.

Alyssa’s CT scan is completely normal and Oliver listens as she explains she could not find a job and there are people she needs to help. That’s why she’s resorted to robberies. However, today was the first time she experienced Alice in Wonderland Syndrome. She’s still feeling it as they talk, seeing Oliver as only a few inches tall.

Oliver apologizes to Dana for how he reacted to learning she reported Carol. He admits he had no right to respond so badly. Dana is relieved because she thought he hated her. She launches herself into a hug that Oliver tolerates. Dana’s happy to have him back and Oliver confesses that he liked the staff there, except for Dr. Frederick. He confesses that he believes she’s taking advantage of the patients there.

Tess is devastated that the cops are taking Alyssa away. She just got her back. Alyssa’s been caught up in trying to provide financial support and hasn’t been home much, and now she’s going away again.

An alarm sounds, alerting Oliver and the team that Alyssa’s condition has changed. She’s given a different scan that shows an abscess in her temporal lobe. Oliver asks Dana how she wants to treat this, and it’s determined they need to look for the source of the abscess—which isn’t the brain.

Oliver realizes Alyssa’s new prison tattoo is the source of the abscess. Tess and Alyssa kiss, and Alyssa assures her next time will be different.

Nico learns that a bougie formula’s been recalled because it’s causing botulism. Greer apologizes to Fox because she’s been supplementing feedings with the formula. It turns out Fox was also feeding her the formula at night instead of waking Greer. They feel horrible, but Ericka points out they got Sage the help she needed.

Carol invites Anthony to the dinner party that Oliver’s throwing as a weird scheme to reunite with Josh. Neither Carol nor Anthony thinks it’s time to take their relationship public, so they’ll try to keep their hands off each other.

Josh pauses by Greer and Fox’s room as they pack up with Sage to leave the hospital. Oliver’s smiling while holding the baby and that freezes Josh in his tracks.

Alyssa’s given Tess a locker key and inside is a bag full of cash from recent robberies.

Brilliant Minds Season 2 Episode 18 Recap
Teddy Sears, John Clarence Stewart, Tamberla Perry, and Zachary Quinto in ‘Brilliant Minds’ season 2 episode 18 (Photo by: Pief Weyman/NBC)

Josh arrives at Oliver’s place for the dinner party and Oliver’s surprised that Beau’s not with him. And it turns out Oliver’s just serving a huge platter of sausages to Carol, Anthony, Josh, Dana, Ericka, and Nico. He thanks his friends for their support and for welcoming him back to Bronx General. However, he suggests to his guests that they stop walking on eggshells and tell him if they don’t like his muffins. Nico confirms Oliver isn’t a good baker.

Dana quietly mentions to Oliver that she wants to investigate Amelia Frederick. She doesn’t think Oliver is being paranoid. Dana’s worried that Amelia’s exploiting the system. Oliver toasts to their investigation.

Later, Josh helps with the dishes, and Oliver finally realizes he just threw a sausage party. Josh responds, “Yeah …if they didn’t know you were gay before.” They laugh and Oliver says he’s trying to do new things and be more open and honest about his needs. That prompts Josh into admitting that he and Beau are taking a break because Beau thinks he has feelings for Oliver.

Josh confesses he’s working on figuring it out.

 

Spider-Man: Brand New Day Trailer Reveals Hulk Action

Marvel Studios’ new trailer for Spider-Man: Brand New Day dishes up more Hulk action than previous videos. We also get a better look at Peter’s life post-Spider-Man: No Way Home and more details on his relationships with Bruce Banner and Frank Castle. 

Tom Holland is back as the webslinger, Zendaya returns as MJ, Jacob Batalon’s back as Ned, and Mark Ruffalo reprises his role as Bruce Banner/The Hulk. Jon Bernthal is Frank Castle/The Punisher, Michael Mando is Mac Gargan, and Tramell Tillman is Bill. Stranger ThingsSadie Sink also stars.

Spider-Man: Brand New Day Tom Holland
Spider-Man and Boomerang in Columbia Pictures ‘SPIDER-MAN: BRAND NEW DAY’ (Copyright
©2026 CTMG. MARVEL and all related character names: © & ™ 2026 MARVEL)

“It’s a BRAND NEW DAY for Peter Parker. Fighting crime full-time as Spider-Man in a world that doesn’t remember him—and the pressure of seeing his old friends move on without him—sparks a change in Peter he may not have the power to control. But that transformation might also be the only thing that can stop a shocking new threat to the city and those he loves—a powerful villain no one can even see,” reads Marvel Studios’ synopsis. “The world may have forgotten Peter Parker, but he hasn’t forgotten them.”

Chris McKenna, Erik Sommers, and Justin Kuritzkes wrote the screenplay, and Destin Daniel Cretton (Shang-Chi and the Legend of the Ten Rings) directs. Kevin Feige, Amy Pascal, Avi Arad, and Rachel O’Connor serve as producers, with Louis D’Esposito and David Cain executive producing.

Homestead Rescue Spinoff: Raney Family Returns in New Intervention Series

On Discovery Channel’s Homestead Rescue: Intervention, the Raney family travels to remote homesteads where it’s obvious their help is desperately needed. But unlike the original Homestead Rescue, the new series has the family showing up without the property owners asking them to.

The spinoff premieres on July 14, 2026, with new episodes airing on Tuesdays at 8pm ET/PT. The season kicks off in Alaska before heading to homesteads in Montana, Arizona, New Mexico, North Carolina, and Vermont.

Discovery Channel offers this synopsis and premiere episode details:

“Wilderness living experts Marty and Matt Raney and Misty Bilodeau heed desperate pleas from concerned family, friends, or neighbors of homesteaders living beyond the edge of survival and who are too proud to ask for help. After ambushing the off-gridders with an intervention rescue, the Raneys must confront a new range of challenges and emotions to save the failing homesteads, fractured families, and fading dreams. 

In the premiere episode, a desperate uncle pleads for an intervention of his niece’s family. Jon and Leighann are determined to go it alone despite being dangerously unprepared for their new life in the wilderness of Alaska. Sleeping in tents beside a mold-infested cabin as winter and predators close in, they must accept help…or risk everything. 

In Montana, a previously rescued homesteader pleads for the Raneys to intervene with a family lacking critical infrastructure just 5 weeks from winter. In the mountains of North Carolina, a mother and sister fear for a 34-year-old off-gridder’s safety, as he struggles to survive using videos he watches online. And in Vermont, a desperate plea comes from within, where a wife has been pushed to the breaking point with a husband who believes extreme hardship and danger means living out his rugged dream.”

Homestead Rescue: Intervention Poster
Poster for ‘Homestead Rescue: Intervention’ (Photo Credit: Discovery Channel)

Toy Story 5 Review: Pixar Discovers Its Soul Again in Tech-Age Sequel

Toy Story 5 Review
Jessie, Buzz Lightyear, and Woody in Disney and Pixar’s ‘TOY STORY 5’ (Photo © 2026 Disney/Pixar)

Cowgirl Jessie, cowboy Woody, Buzz Lightyear, Rex the dinosaur, and Mr. and Mrs. Potato Head are back for another adventure, this time taking on tech in the latest installment of Disney/Pixar’s blockbuster animated franchise, Toy Story 5.

The fifth film of the series begins with eight-year-old Bonnie (voiced by Scarlett Spears) playing with her toys in her front yard. Bonnie wishes she could make friends with the kids across the street but is painfully shy and always freezes or runs away whenever they notice her. She asks her parents why she doesn’t have any friends, which upsets them. So, to help Bonnie, the parents decide to get her the new tech tablet Lilypad (voiced by Greta Lee), something kids her age use to chat and schedule sleepovers.

Bonnie spends all day and parts of the night (even past her bedtime) using the device and completely ignores her toys. Nervous about being replaced by Lilypad, Jessie (voiced by Joan Cusack) attempts to convince the tech tablet that she and her fellow toys have been trying all summer to help Bonnie make friends and that now she’s ruining it. Lilypad insists that she can help Bonnie and that Bonnie needs her, not her old toys. A physical scuffle ensues that ends when Bonnie retrieves her new favorite companion.

Jessie, Buzz (voiced by Tim Allen), and the entire ensemble of toys fear their time playing with Bonnie might be coming to an end. So late that night, Jessie reaches out to the one toy who might be able to do something about the situation. She uses an old toy walkie talkie to call Woody (voiced by Tom Hanks), telling him that tech has invaded Bonnie’s home. Woody confirms it’s bad for toys all over the place; he’s finding more and more abandoned toys each day. Toys are for playing, but tech is for everything

“I’m losing Bonnie to this device,” says a defeated-sounding Jessie. Hearing the sadness in her voice, Woody decides to head to Bonnie’s and reunite with Jessie, Buzz, Bullseye, and the rest of the gang to help them get Lilypad to realize that Bonnie still needs her toys and playtime with real friends – in person and not on a screen or chat room.

Cute, funny, and topical, Toy Story 5 is a heartfelt and entertaining return of the superb Pixar animated film series. The film ranks right up with the first three films and is a huge improvement over the fourth installment.

This time Jessie takes center stage as the leader of the group, struggling desperately not to lose Bonnie at such a young age to a new tech device while needing other old tech toys to help her in her struggle against Lilypad. The return of Woody, who is showing even more wear and tear as the oldest toy of the group, and his reunion with Buzz is both emotional and hilarious. It’s these two classic characters and their friendship that has always been the soul of the film franchise.

The voice work from the cast is excellent, as always, and the animation is mesmerizing. Especially stunning is the scene where the toys race on horseback down a road, dodging cars while the sun sets in the sky to get back to Bonnie. It’s truly breathtaking.

Directed by Andrew Stanton, Toy Story 5 also has wonderful messages for all ages about the importance of play, children using their imagination, and the strength of friendship, loyalty, and love. Full of heart, humor, and adventure, Toy Story 5 is a more than worthy addition to the animated film franchise and destined to become another Pixar classic.

GRADE: A

Rating: PG for some thematic elements and rude humor
Runtime: 1 hour 42 minutes
Release Date: June 19, 2026

           

 

Tom Hiddleston Hosts National Geographic’s Pompeii: Out of Time

Loki‘s Tom Hiddleston guides viewers through the final hours of Pompeii in National Geographic’s Pompeii: Out of Time. The three-part docudrama will premiere on National Geographic on July 22, 2026 at 9pm ET/PT and on July 23 on Disney+ and Hulu.

“The ancient world has compelled my imagination and curiosity for as long as I can remember: I’ve been fascinated by it all my life,” stated Hiddleston. “Classical Antiquity is the foundation and cornerstone of Western and European culture. To visit Pompeii is to feel the distance of the 2,000 years between now and then compress. The past becomes the present; the past feels so close. Tangible, honest, and real. Our relationship with the past is alive—studying who we were in order to understand who we are. Pompeii is a gateway for that conversation.

It’s a privilege to host this visually immersive and dynamic series. Pompeii is often remembered for how its story ended. But by looking closer, we can uncover the details of people’s lives, the choices they made, and the moments that came before the city was buried. To revisit the final hours of those ordinary people, caught in an extraordinary moment, and to help bring these remarkable human stories back into the light is a genuine honor.”

Jessica Ruston and Mark Ravenhill are the writers. Tom Hiddleston reunites with Loki’s Kevin R. Wright for the docudrama, with Wright serving as an additional writer and executive producer. Tom Barbor-Might guides the docudrama as showrunner, writer, and director. Additional executive producers include Grant Mansfield, Helen Flint, Alan Eyres, and Carolyn Payne. 

Pompeii: Out of Time Poster Tom Hiddleston
‘Pompeii: Out of Time’ poster with Tom Hiddleston (Photo Credit: National Geographic)

National Geographic offers this description of the event series:

“Host and Loki star Tom Hiddleston and Loki executive producer Kevin R. Wright reunite for the series, a fusion of cinematic scripted drama and investigative documentary storytelling that transports audiences to ancient Rome in the hours before and during the eruption of Mount Vesuvius. Guided by a team of archaeologists, historians, geologists, and disaster experts, he uncovers remarkable evidence—and the stories of real people that challenge long-held assumptions about Pompeii and its final hours—not least revealing that many of those caught up in the disaster had the chance to survive.

With a twist of his hand, Golden Globe and Olivier-winning Hiddleston journeys back in time, stepping into cinematic scripted sequences following the lives of real Romans caught in Vesuvius’ path.

Following a teenage apprentice, a powerful businesswoman, and a mysterious Praetorian Guard, he pieces together how each confronted impossible choices as disaster loomed. As the volcano awakens and the countdown to catastrophe begins, the evidence converges in a gripping race against time to uncover who survived, who perished, and what determined their fate.

Bringing a bold cinematic vision shaped by his work on Marvel’s critically acclaimed Loki, executive producer Kevin R. Wright helps reimagine how history is brought to the screen for modern audiences. Blending cutting-edge archaeological discoveries, expert analysis, and deeply personal storytelling, the series reframes Pompeii not as a story of destruction but as a human drama of resilience, sacrifice, and survival, revealing the lives, choices, and destinies of those who stood in the shadow of Vesuvius.”

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