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‘Monarch: Legacy of Monsters’ Season 2 Episode 5 Recap – A Tragic Farewell

Monarch Legacy of Monsters Season 2 Episode 5 Cate and Kentaro Recap
Anna Sawai and Ren Watabe in ‘Monarch: Legacy of Monsters’ season 2 episode 5 (Photo Credit: Apple TV)

Apple TV’s Monarch: Legacy of Monsters season two, episode five, opens with a sweet moment between Hiroshi and Cate and ends with a devastating loss. In between, relationship rifts start to mend and Cate has a close-up encounter with Titan X.

(The following is a recap of season two, episode five – “Furusato” – and there are spoilers.)

Tokyo 1990 – Hiroshi (Takehiro Hira) calls Cate and tries to help her fall asleep. He reminds her of the song his mom used to sing, “Furusato,” and sings it to her now. Cate joins in. She wonders when he’ll be home and he promises it will be soon.

It turns out as he’s speaking with Cate, he’s in the hospital waiting for his son to be born. He didn’t plan to have a child with Emiko, and she wonders if they should call him Bill. He explains that it was his stepfather’s name; his dad’s name was Kentaro.

The action catches up to the end of episode four, with Hiroshi reading Keiko’s letter to Lee. He tries to blow his mom off, claiming they need to concentrate on Titan X’s approach to Santa Soledad. Keiko (Mari Yamamoto) pleads that it was a one-time mistake, and Hiroshi quotes the letter’s declaration of love. He reminds his mom that Bill also read that letter and learned about her feelings for Lee. Hiroshi blames his mom for Bill leaving, and Keiko recalls her last conversation with Bill was about his desire to get back home to their son as quickly as possible.

Santa Soledad, Southern Chile – May (Kiersey Clemons) is with Brenda (Dominique Tipper) at the Apex Cybernetics base quickly set up ahead of Titan X. It’s 13 hours until Titan X is expected and May admits she’s not sure her code is the answer. Brenda’s certain they can control the gigantic Titan if May’s code works.

Lee (Kurt Russell) has a heart-to-heart with Hiroshi, suggesting he should stop worrying about the past and focus on the future. “You got your mother back, Hiro. You did that. Do you really want to push her away now?” asks Lee. Lee knows Hiroshi’s wasting the opportunity to really connect with Keiko by being upset she fell in love with two men. Lee also points out the hypocrisy of Hiroshi being upset about that situation.

Tim (Joe Tippett) has got Monarch Outpost 18 heading to South America and Director Barris (Curtiss Cook) doesn’t understand his reasoning. Neither trusts Apex, and Tim points out his source has inside info that Apex is aware Titan X is heading to South America. Tim’s forced to admit his reliable source is Lee Shaw, which makes Barris even more leery. However, he’ll let Tim proceed if he can get more proof.

Keiko, Kentaro (Ren Watabe), Cate (Anna Sawai), and Hiroshi spend an uncomfortable amount of time on a plane in silence before Cate opens up that she heard something at the Golden Gate Bridge. She thinks she heard the ocean singing but confesses she was drunk at the time. Lee joins them with news that they’ll land in two hours and take a boat to Santa Soledad.

Kentaro wonders how they can be sure Titan X is heading there, and Keiko explains the villagers host a Co-Cai festival to celebrate the monster’s return. Bill predicted Titan X would return there every 15 years, but the Suzuki device upped his arrival by six years.

Lee believes Apex will attempt to place a neural implant in the Titan when it shows up.

Once on Santa Soledad, the group makes their way toward the village. Kentaro has a moment alone with Cate and suggests that since Hiroshi was abandoned as a kid, he may have wanted two families, so he’d never be alone. Kentaro believes he loves both his families, and Cate points out he left both. Kentaro reveals Hiroshi was destroyed when they thought Cate was dead.

Keiko wonders why Lee kept the letter, and he confesses he did it because it was all he had left of her. He thinks they just need to give Hiroshi time to come to terms with it.

At the Apex base, Jason Trissop (Cliff Curtiss) reports to his boss, Brenda, that they found a boat hidden in the cove. His orders are to make sure Lee’s group doesn’t interfere. Meanwhile, Lee’s group is above Apex’s base and calls Monarch.

The villagers left after Monarch arrived on the island and all the houses were deserted. Brenda’s not sure why Titan X comes here, but they’re moving forward on their plan to launch a drone with the projectile. Brenda believes May told the Randas about their plan, but May insists she hasn’t been in contact with them. May thinks this plan is reckless…but she also believes it will work.

Titan X landing time = 3 hours.

Lee points out a building they can use, and it appears Monarch used it in the ‘60s to wait for Titan X’s return. Keiko finds a drawing Hiroshi did as a child and realizes that Bill came back there.

Monarch Legacy of Monsters Season 2 Episode 5 Takehiro Hira and Mari Yamamoto
Takehiro Hira and Mari Yamamoto in ‘Monarch: Legacy of Monsters’ season 2 episode 5 (Photo Credit: Apple TV)

Keiko tells Hiroshi she loved his father with all her heart. She chose Bill. Hiroshi confesses he felt relief after reading the letter that he wasn’t the reason Bill left. Keiko grabs Hiroshi and holds him tight as he admits a weight’s off his shoulders now. He didn’t disappoint Bill. Keiko explains she made the decision against Bill’s and Lee’s wishes to go through the rift. She convinced them she should go down and wishes she hadn’t taken that risk. If she hadn’t made that reckless decision, she could have been there for Hiroshi.

Hiroshi takes a step forward in healing and owns his mistakes, too.

A flashback to 2014 shows Hiroshi just steps away from bringing flowers home when Tim calls with news a fishing trawler retrieved a Monarch bag with William Randa’s name on it. Hiroshi thinks that can wait a week, but Tim insists the contents could be important. Hiroshi changes his mind and heads back to DC without stopping to see his family.

Monarch Outpost 18’s sonar picks up something huge that suddenly appeared behind them. It looks like Titan X and it’s closing in on the ship. Titan X passes below them, rocking the ship as it heads straight to Santa Soledad. They won’t beat it to the port, so Tim warns Lee it’s on the way.

Lee and the Randas hide in the abandoned homes near the dock, avoiding Apex’s security. They enter the old tavern, realizing they’re running out of time to stop Apex. Lee spots the drone and believes they can use two metal torches to jam the drone and prevent it from flying.

They’re shocked when they spot May near the drone and they call for her to join them. May informs them Apex knows they’re there and they should leave. Cate demands to know why she’s helping Apex and May insists the work they’re doing will allow them to control the Titans. Keiko disagrees, calling it barbaric. May warns them to stay away from the drone.

After she leaves, they wonder why – if Apex thinks this is the answer – they would keep it secret from Monarch. Lee believes it’s because Apex would hold the power to create a G-Day wherever they want. They would weaponize the Titans and sell them to the highest bidder.

Monarch Legacy of Monsters Season 2 Episode 5 Mari Yamamoto and Kurt Russell
Mari Yamamoto and Kurt Russell in ‘Monarch: Legacy of Monsters’ season 2 episode 5 (Photo Credit: Apple TV)

The ground begins shaking and the Scarabs emerge from underground and head toward the sea. Apex orders their people away from the launch zone as the Scarabs scurry by. That gives Lee and the Randas the opportunity to make their move. They grab the poles as hundreds of Scarabs head toward them, and Lee orders his group back inside. He remains by the drone but is too late to stop it from launching.

Lee’s stuck in the middle of the road as Scarabs run over him heading to the water. His leg is injured, but he survives and as they take him back inside, Cate remains in the street. She hears Titan X and approaches the dock as it rises from the water.

Hiroshi realizes Cate’s still outside and sees her standing in front of Titan X. It doesn’t attack her but does bite at the drone buzzing its head. After it flies by, he returns his attention to Cate, and they seem to be communicating without speaking.

Brenda orders the drone to fire, insisting to May that this is how they’ll save Cate. The drone lands on one of Titan X’s legs and the monster screams in pain. Cate holds her head, also whimpering in pain.

Apex’s equipment indicates the injection has affected Titan X’s somatic responses as planned, and full cognitive override should be next. However, May’s system shows the Titan has too many neurons and her code isn’t scaled up enough to handle it. Brenda orders her to fix it but May can’t.

Hiroshi remains with Cate as her nose bleeds and she groans in pain. Lee, Keiko, and Kentaro step outside as the Scarabs break off the leg with the projectile. It crashes onto the land and knocks Cate and Hiroshi off their feet. Lee, Keiko, and Kentaro run for cover as inside Apex’s command center Brenda orders everyone to evacuate.

Titan X growls as it wipes out the Apex facility before returning to the ocean.

Cate’s able to stand but Hiroshi’s badly injured. Kentaro runs for help and Keiko holds Hiroshi as he tells Cate he missed so much of her life. She tells him he’ll be okay, but Hiroshi knows he’s dying. Keiko sings “Furusato,” the song she sang to comfort him as a child. Cate and Hiroshi join her, sharing one final moment together. Hiroshi becomes too weak to sing but Cate and Keiko don’t stop. Hiroshi holds Cate’s face as he passes away.

Monarch Outpost 18 lands and Tim orders his people to lock the site down and preserve everything.

Brenda and May survived the attack and remain at the camp, but Jason drives away after taking hard drives from the command center.

Kentaro missed saying goodbye to his father. Tim and the medics walk up but there’s nothing they can do.

The End of Oak Street Trailer: Anne Hathaway, Ewan McGregor and Dinosaurs

What would you do if you woke up one day and discovered your street had mysteriously moved to a world with dinosaurs? Anne Hathaway and Ewan McGregor are faced with that prospect in Warner Bros. Pictures’ The End of Oak Street.

Maisy Stella and Christian Convery also star in the mystery thriller from writer-director David Robert Mitchell (It Follows). J.J. Abrams, Hannah Minghella, Jon Cohen, David Robert Mitchell, Matt Jackson, and Tommy Harper serve as producers. 

Warner Bros. Pictures has set an August 14, 2026 release in theaters and IMAX.

The End of Oak Street Ewan McGregor and Anne Hathaway
EWAN McGREGOR, CHRISTIAN CONVERY, MAISY STELLA, and ANNE HATHAWAY in ‘The End Of Oak Street’ (Photo Courtesy Warner Bros. Pictures)

Warner Bros Pictures’ synopsis reads: “After a mysterious cosmic event rips Oak Street from suburbia and transports their neighborhood to someplace unknown, the Platt family soon discovers that their very survival depends on them sticking together as they navigate their now unrecognizable surroundings.”

Chris Bender, Jake Weiner, Joanne Lee, and Leeann Stonebreaker executive produce. The behind-the-scenes team includes director of photography Michael Gioulakis, production designer Maya Shimoguchi, editor John Axelrad, composer Michael Giacchino, and costume designer Erin Benach.

 

Memory of a Killer Episode 9: Angelo Races to Stop The Ferryman After Shocking Reveal

Fox’s Memory of a Killer didn’t wait until the season finale to reveal the identity of The Ferryman. Episode eight confirmed it’s a character viewers know well, but the revelation was still a shocker. (No spoilers here.) Next up, episode nine—”Shoot the Piano Player”—will air on Monday, March 30, 2026 at 9pm ET/PT.

“Shoot the Piano Player” Plot: After a stunning reveal, Angelo races against the clock to protect the ones he loves from The Ferryman’s path of death and destruction.

Patrick Dempsey stars as Angelo Flannery, Michael Imperioli plays Dutch, Richard Harmon is Joe, Odeya Rush is Maria, Daniel David Stewart is Jeff, and Peter Gadiot plays Dave. Aaron Zelman and Glenn Kessler serve as co-showrunners and executive producers.

Memory of a Killer Episode 9 Patrick Dempsey
Patrick Dempsey in ‘MEMORY OF A KILLER’ episode 9 (Photo by Christos Kalohoridis © 2026 Fox Media LLC)

Memory of a Killer Synopsis, Courtesy of Fox:

Inspired by the book and 2003 award-winning Belgian film De Zaak AlzheimerMemory of A Killer is a dramatic thriller starring Emmy nominee Patrick Dempsey as a hitman, Angelo Doyle, leading a dangerous double life while hiding an even deadlier personal secret. Emmy winner Michael Imperioli stars opposite Dempsey in the role of Dutch, Angelo’s oldest friend and an accomplished chef whose restaurant is a front for criminal enterprise.

Michael Imperioli in episode 9
Michael Imperioli in the “Shoot the Piano Player” episode (Photo by Christos Kalohoridis © 2026 Fox Media LLC)
Patrick Dempsey
Patrick Dempsey in the “Shoot the Piano Player” episode (Photo by Christos Kalohoridis © 2026 Fox Media LLC)
Richard Clarkin and Michael Imperioli
Richard Clarkin and Michael Imperioli in episode 9 (Photo by Christos Kalohoridis © 2026 Fox Media LLC)
Odeya Rush
Odeya Rush in the “Shoot the Piano Player” episode (Photo by Christos Kalohoridis © 2026 Fox Media LLC)

 

Harry Potter Series: First Teaser, Official Title & Premiere Date

HBO’s Harry Potter season one has an official title – Harry Potter and the Philosopher’s Stone – and its first lengthy teaser trailer. The two-minute teaser introduces the show’s versions of Harry, Ron, and Hermione along with other key players. And of course the YouTube comment section is filled with fans sharing their opinions of the series’ versions vs. the films’ stars and engaging in heated (to put it mildly) debates. (Check it out at your own risk.)

Dominic McLaughlin stars as Harry Potter, Arabella Stanton stars as Hermione Granger, and Alastair Stout stars as Ron Weasley. John Lithgow plays Albus Dumbledore, Janet McTeer is Minerva McGonagall, Paapa Essiedu is Severus Snape, Nick Frost is Rubeus Hagrid, Rory Wilmot is Neville Longbottom, and Lox Pratt is Draco Malfoy.

Harry Potter and the Philosopher's Stone
Alastair Stout, Dominic McLaughlin and Arabella Stanton in ‘Harry Potter and the Philosopher’s Stone’ (Photograph by Aidan Monaghan/HBO)

The huge ensemble also includes Leo Earley as Seamus Finnigan, Elijah Oshin as Dean Thomas, Tristan Harland as Fred Weasley, Gabriel Harland as George Weasley, Ruari Spooner as Percy Weasley, and Alessia Leoni as Parvati Patil. Sienna Moosah plays Lavender Brown, Finn Stephens is Vincent Crabbe, William Nash is Gregory Goyle, Warwick Davis is Filius Flitwick, and Sirine Saba is Pomona Sprout.

Rounding out the cast are Daniel Rigby as Vernon Dursley, Bel Powley as Petunia Dursley, Paul Whitehouse as Argus Filch, Johnny Flynn as Lucius Malfoy, Bertie Carvel as Cornelius Fudge, Luke Thallon as Quirinus Quirrell, Katherine Parkinson as Molly Weasley, Amos Kitson as Dudley Dursley, and Gracie Cochrane as Ginny Weasley. Richard Durden is Cuthbert Binns, Louise Brealey is Rolanda Hooch, Bríd Brennan is Poppy Pomfrey, Leigh Gill is Griphook, and Anton Lesser is Garrick Ollivander.

HBO’s official synopsis of the eight-episode season reads, “There is nothing special about Harry Potter—at least that’s what his Aunt Petunia always says. On his 11th birthday, a letter of admittance to Hogwarts School of Witchcraft and Wizardry opens up a hidden world for Harry: one of fun, friendship, and magic. But with this new adventure comes great risk as Harry is forced to face a dangerous enemy from his past.”

Author J.K. Rowling is involved as an executive producer along with Neil Blair, Ruth Kenley-Letts, and David Heyman. Francesca Gardiner adapted Rowling’s first novel and Mark Mylod directs multiple episodes. Both also serve as executive producers.

Dominic McLaughlin as Harry
Dominic McLaughlin as Harry (Photograph by Aidan Monaghan/HBO)
Arabella Stanton as Hermione
Arabella Stanton as Hermione (Photograph by Aidan Monaghan/HBO)
Alastair Stout as Ron
Alastair Stout as Ron (Photograph by Aidan Monaghan/HBO)
Nick Frost as Hagrid
Nick Frost as Hagrid (Photograph by Aidan Monaghan/HBO)

 

10 Femme-Centric Horror Films for Women’s History Month and Beyond

Alpha Femme Centric Women's History Month Movies
A scene from ‘Alpha’ (Photo Courtesy of Neon)

I was hoping to find ten films directed by women opening in March to celebrate Women’s History Month, but sadly that bar was too high. I discovered that a new study by the USC Annenberg Inclusion Initiative found that only nine women were among the 110 directors behind the top 100-grossing films in 2025, that’s a mere 8.1 percent and a drop from the 13.4 percentage in 2024. But on the good news front, the Academy of Motion Picture Arts and Sciences reported a record 76 women were nominated for the 98th Academy Awards (the previous record of 71 was set in 2023) with Autumn Durald Arkapaw making history as the first woman — as well as the first Black person and first Filipina — to win Best Cinematography.

So slow progress is being made, and milestones are being set. Hollywood is turning to women with proven track records to direct films that are more products with brand appeal than exciting creative ventures. So, Greta Gerwig is doing a new Narnia adaptation and Susanne Bier is helming a Practical Magic sequel. But women are being embraced by the horror genre where I found a solid number of not just female-helmed and female-centric projects but also a lot of original screenplays. So here are 10 femme-centric horror films to look forward to this year.

1000 Women in Horror (currently streaming on Shudder)

Let’s start with a film that is already available streaming on Shudder but which sets the tone for this list, 1000 Women in Horror. This documentary directed by Donna Davies interviews women horror creators about their work and why they love the horror genre. The best person in the film, not surprisingly, is Alexandra Heller-Nicholas, author of the book that inspired the documentary. Her book celebrated the contributions of women to the horror genre from the late 19th century to 2018. But the interviews in the doc seem skewed toward filmmakers featured on Shudder rather than on getting the most exciting female horror creators. I would have loved to hear from Kathryn Bigelow, Nia DaCosta, Julia Ducournau, Coralie Fargeat, Jennifer Kent, and Rose Glass in addition to or instead of Gigi Saul Guerrero, Jenn Wexler, and April Wolfe.

This doc is not as good as the Horror Noire one but it’s a great starting point for a discussion of women in horror. I highly recommend reading the book.

Alpha (Now in theaters)

The most exciting femme-centric project on the 2026 docket is hands down Alpha from French filmmaker Julia Ducournau. She burst on the horror scene in 2016 with Raw, which put cannibalism on the menu in a fresh new way, and followed that up with an even bolder, more impossible-to-define film, Titane. I am 100 percent down for anything she does.

I thought Alpha had already come and gone because it was screened at Cannes last year and garnered a nomination for the Palm D’Or. But it is only now getting a U.S. theatrical release. Alpha is a troubled 13-year-old living with her single mom, but everything changes when she returns from school with a tattoo. The film is an allegory about AIDS, otherness, generational trauma, and family, and yes, body horror does come into play, but in a very different way than her previous films. This one is less in-your-face provocative and more existential and contemplative.

The Blood Countess (Opening October 30)

This film demands attention for two key reasons: Countess Báthory is a 16th-century serial killer of mythic proportions (the female counterpart to Vlad the Impaler) who purportedly tortured and murdered hundreds of young women, and Isabelle Huppert is an actress that is always worth watching.

The film is listed as a horror comedy vaguely inspired by the mythology surrounding the Hungarian countess. In the film, Báthory (Huppert) resurfaces in Vienna with her maid (Birgit Minichmayr) seeking to recover a red elixir of life while trying to evade her nephew, his therapist, vampirologists, and police. There is also a dangerous book that, if found and read, could threaten the vampire realm.

The film is directed by visual artist-turned-filmmaker Ulrike Ottinger, who previously made mostly documentaries. But reportedly, she has been pursuing this project for years with, at one point, Tilda Swinton in talks to play Báthory, which would have also been great.

Nightborn (Opening later this year)

Hanna Bergholm’s Hatching explored themes of motherhood with an audaciously fresh eye. So, to discover she is tackling parenthood again made me excited about the potential. As with Hatching, the notion of perfection rears its head. Saga dreams of starting a perfect family with her British husband Jon. They decide to move to the house where she spent much of her childhood, but it is deep in the Finnish forest. When her son is born, Saga immediately suspects there is something terribly wrong with the infant. Her marriage starts to crumble, but Saga worries that something even worse lurks on the horizon.

In Hatching, Bergholm gave us a dangerous creature that reflected a young girl’s desperate desire to please her perfectionist mother. Bergholm’s film had a visual beauty that slowly starts to decay. She told me in an interview, “I wanted to use all the things that are considered to be lovely, and everything is so well in place and so organized that it kind of starts to look a bit dead. And that’s where I was aiming at to get this kind of pretty but uncomfortable feeling for the audience.”

Looking forward to some more beauty and discomfort from this promising director.

Is God Is (Opening May 15)

Aleshea Harris is a young talent without any feature films under her belt, so it is surprising and delightful that she has managed to bring her own play to the screen. Harris makes her feature writing/directing debut with Is God Is. It serves up a thriller about twin sisters who are ordered by their mother to kill their abusive father.

The cast includes Vivica A. Fox as the demanding mother who is known as “SHE” or “God,” and Sterling K. Brown as the abusive father who set fire to his family years ago. Literally set fire, leaving them physically scarred. The trailer looks promising, mixing humor with family trauma and bold visuals.

Saccharine (Opening May 22)

Japanese Australian writer, director, and producer Natalie Erika James won acclaim for debut feature Relic at the 2020 Sundance Film Festival. Now she hops on the body horror bandwagon with her story about Hana, a med student who becomes terrorized by a hungry ghost after taking part in an obscure weight loss craze that involves eating human ashes.

Saccharine screened at Sundance earlier this year, and the program description called it, “revoltingly punchy, modern, and timely take on body horror. Through sickeningly syrupy scenes of literal and spiritual consumption, Midori Francis embodies Hana, a body-dysmorphic young woman bent on chasing her weight goal at all costs. The archetypal myth of the hungry ghost manifests literally, creating a uniquely tense atmosphere fit for a physically and metaphorically dangerous haunt. The viscosity of James’ exploration of haunting and body horror in the era of accessible weight-loss medications is especially poignant.”

Sounds promising.

Slanted Femme Centric Womens History Month
Mckenna Grace and Amelie Zilber in ‘Slanted’ (Credit: Bleecker Street and Tideline Entertainment)

Slanted (Opened earlier this month in select theaters)

Also diving into body horror is filmmaker Amy Wang. The film premiered at the 2025 South by Southwest Film and TV Festival but only hit theaters earlier, and quietly, this month. The body horror-comedy, written and directed by Wang, focuses on a Chinese American teenager (Shirley Chen) who opts for experimental ethnic modification surgery so that she will look less Asian and fit in with the popular kids. And if that sounds like a terrible idea… it is. Things, as you’d expect, start to go terribly wrong.

Forbidden Fruits (Now in theaters)

This has Diablo Cody as a producer, Lily Houghton adapting her stage play of the woman came the beginning of sin and through her we all die, and Meredith Alloway as co-writer and director. Not sure how much of the play’s assessment of modern feminism, commercialized by the media and exploited by the masses, will make it into the film but it provides an interesting background for what is being marketed as more of a witchy horror comedy.

A young woman named Apple (get the Biblical Eve reference there?) leads a secret witch cult with coworkers but a new hire at the mall questions their sisterhood, which leads to potential violence.

Didn’t Die (Opened earlier this month)

Zombies are always a good option. Filmmaker Meera Menon co-wrote Didn’t Die with her cinematographer-husband Paul Gleason. They opted to shoot in black and white for this zombie apocalypse film that also has comic overtones. So how does a podcaster keep hold of an audience when the zombie apocalypse hits, wiping out much of humanity and turning many into braindead creatures who crave flesh rather than something to listen to.

Always looking for a fresh take on the zombie genre.

Pretty Lethal Women Filmmakers
Avantika, Lana Condor, Maddie Ziegler, Millicent Simmonds, and Iris Apatow in ‘Pretty Lethal’ (Photo Credit: Prime Video)

Pretty Lethal (Now in theaters)

Director Vicky Jewson and writer Kate Freund deliver Pretty Lethal, about a group of ballerinas trying to escape from a remote inn (are there any other kinds?) after their bus breaks down on the way to a dance competition. After Ballerina from the John Wick universe, we can probably expect these women to execute a Pas de Basque as expertly as a lethal blow.

Jewson previously directed the action film Close with Noomi Rapace in 2019. Maybe Timothée Chalamet should meet up with these ballet dancers.

Bonus: Last Chance Motel

This is still in production, but a horror film helmed by two notable scream queens from the Halloween franchise – Danielle Harris and Scout Taylor-Compton – deserves mention. The plot involves a newlywed couple who foolishly pick a secluded, desolate motel deep in the Nevada desert only to discover it is run by a bloodthirsty family with dark secrets. Of course!

Elsbeth Season 3 Episode 14 Preview: J. Smith-Cameron Guest Stars

Elsbeth Season 3 Episode 14 J Smith Cameron and Carrie Preston
Wendell Pierce as Captain Wagner , J. Smith-Cameron as Isadora “Izzy” Lancaster and Carrie Preston as Elsbeth Tascioni in season 3 episode 14 (Photo © 2026 CBS Broadcasting, Inc)

Succession‘s J. Smith-Cameron slides into the guest-starring role of Isadora, director of New York’s most prestigious debutante ball on CBS’s Elsbeth season three, episode 14. The series is taking a three-week break and returns on Thursday, April 2, 2026 at 10pm ET/PT.

“Deadutante” Plot: After a powerful patriarch is stabbed with a sword at New York’s most exclusive debutante ball, Elsbeth must engage in hand-in-glove combat with the imperious ball director. Erica Larson wrote the episode and Peter Sollett directed.

Carrie Preston returns to star as the titular character. Wendell Pierce is also back as Captain C.W. Wagner for the series’ third season.

Carrie Preston
Carrie Preston in season 3 episode 14 (Photo: Michael Parmelee © 2026 CBS Broadcasting, Inc)

Elsbeth Season 3 Description:

Emmy Award winner Carrie Preston returns as Elsbeth Tascioni, the cunning yet unconventional consent decree attorney working with the NYPD to track down New York’s most well-heeled murderers utilizing her unique intuitive insight. The critically acclaimed series enters its third season with fresh cases, new characters, and unexpected challenges for Elsbeth and the 11th Precinct, led by her boss, Captain C.W. Wagner (Pierce).

FBI Season 8 Episode 16 Preview: Maggie Returns After Erin’s Death

Maggie returns after the tragic death of her sister and Mayor of Kingstown‘s Necar Zadegan guest stars as CIA Deputy Chief of Station Nikki Reynard on CBS’s FBI season eight, episode 16. Directed by Anna Dokoza, episode 16—”3 Up, 3 Down”—will air on Monday, March 30, 2026 at 9pm ET/PT.

“3 Up, 3 Down” Plot: A double homicide in Brooklyn sets the team after a corrupt longshoreman but they soon discover something sinister has been smuggled into NY. As they race to stop the threat, Isobel enlists the help of CIA’s Deputy Chief of Station Nikki Reynard.

Missy Peregrym stars as Special Agent Maggie Bell, Zeeko Zaki plays Special Agent Omar Adom “OA” Zidan, Jeremy Sisto returns as Assistant Special Agent in Charge Jubal Valentine, Alana De La Garza is Special Agent in Charge Isobel Castille, John Boyd stars as Special Agent Stuart Scola, and Juliana Aidén Martinez plays Eva Ramos.

FBI Season 8 Episode 16 Missy Peregrym and Zeeko Zako
Zeeko Zaki as Special Agent Omar Adom ‘OA’ Zidan and Missy Peregrym as Special Agent Maggie Bell in ‘FBI’ season 8 episode 16 (Photo: Bennett Raglin © 2026 CBS Broadcasting, Inc)

FBI Season 8 Description, Courtesy of CBS:

FBI is a fast-paced drama about the inner workings of the New York office of the Federal Bureau of Investigation. This elite unit brings to bear all their talents, intellect, and technical expertise on major cases in order to keep New York and the country safe. Born into a multigenerational law enforcement family, Special Agent Maggie Bell commits deeply to the people she works with as well as those she protects.

Her partner is Special Agent Omar Adom “OA” Zidan, a West Point graduate via Bushwick who spent two years undercover for the DEA before being cherry-picked by the FBI. Overseeing them is Special Agent in Charge Isobel Castille, who operates under intense pressure and has undeniable command authority.

The team also includes Assistant Special Agent in Charge Jubal Valentine, the nerve center of the office, whose ability to easily relate to and engage with both superiors and subordinates makes him a master motivator, as well as Special Agent Stuart Scola, an Ivy League-educated Wall Streeter-turned-FBI agent. These first-class agents tenaciously investigate cases of tremendous magnitude, including terrorism, organized crime, and counterintelligence.

Juliana Aiden Martinez and John Boyd
Juliana Aidén Martinez as Eva Ramos and John Boyd as Special Agent Stuart Scola in season 8 episode 16 (Photo: Bennett Raglin © 2026 CBS Broadcasting, Inc)
Necar Zadegan and Alana De La Garza
Necar Zadegan as Deputy Chief of Station Nikki Reynard, Alana De La Garza as Special Agent in Charge Isobel Castille, and Jeremy Sisto as Assistant Special Agent in Charge Jubal Valentine in season 8 episode 16 (Photo © 2025 CBS Broadcasting, Inc)
Lisa M Hodsoll, Juliana Aiden Martinez and John Boyd
Lisa M. Hodsoll as Captain Hannah Greene, Juliana Aidén Martinez as Eva Ramos and John Boyd as Special Agent Stuart Scola in season 8 episode 16 (Photo: Bennett Raglin © 2026 CBS Broadcasting, Inc)
FBI Season 8 Episode 16 Zeeko Zaki nad Missy Peregrym
Zeeko Zaki as Special Agent Omar Adom ‘OA’ Zidan and Missy Peregrym as Special Agent Maggie Bell in season 8 episode 16 (Photo: Bennett Raglin © 2026 CBS Broadcasting, Inc)

Charlize Theron vs. Taron Egerton: ‘Apex’ Trailer Reveals Survival Thriller

Charlize Theron faces off against Taron Egerton in the trailer for Netflix’s Apex. Baltasar Kormákur directs the action thriller, and the trailer shows Theron’s Sasha is the prey of Egerton’s Ben, a sadistic killer.

Jeremy Robbins wrote the screenplay and Eric Bana also stars.

“A grieving woman testing her limits in the Australian wilderness is suddenly ensnared in a deadly game with a ruthless predator,” reads Netflix’s synopsis. And Theron describes it as a psychological thriller. “It’s really a story about survival, not just physically but emotionally. And it’s about finding out what you’re made of,” said the Oscar winner in an interview with Tudum.

Egerton has a take on Ben that differs from the trailer’s depiction and the synopsis. “In my version of the story, Ben is the hero,” Egerton told Tudum. “Everything has to make sense for him. So part of my job is to craft a spiritual code for him.”

Netflix has set an April 24, 2026 streaming release.

Director Kormákur, Charlize Theron, Peter Chernin, Jenno Topping, David Ready, Ian Bryce, A.J. Dix, and Beth Kono. 

Apex Poster with Taron Egerton and Charlize Theron
Apex poster with Taron Egerton and Charlize Theron (Photo Credit: Netflix)

High Potential Season 2 Episode 16 Recap: A Deadly Concrete Cover-Up

High Potential Season 2 Episode 16 Recap Karadec and Morgan
Daniel Sunjata and Kaitlin Olson in ‘High Potential’ season 2 episode 16 (Disney/Mitchell Haaseth)

A self-driving delivery vehicle has blood on its tires as ABC’s High Potential season two, episode 16 opens. The blood belongs to Tyler Villanueva, the case of the week, who was found dangling from an empty building.

(The following is a recap of season two, episode 16, and there are spoilers.)

Willa Quinn is still in LA and attempted to visit Hayworth in jail but got turned away after Selena put her on the restricted visitors list. Lt. Selena Soto (Judy Reyes) suggests they move Hayworth to protected custody, just in case Willa sends an inmate after him. Daphne (Javicia Leslie) confirms Captain Wagner has a team surveilling Willa.

Morgan (Kaitlin Olson) and the team arrive at the crime scene, and it’s obvious Tyler was a graffiti artist. He was hit with a cylindrical object and then fell over a balcony. Morgan and Karadec (Daniel Sunjata) examine the second floor he fell from, and the area’s filled with graffiti. Morgan appreciates it; Karadec thinks it’s disgusting vandalism.

Blood spots indicate where Tyler, who goes by Dfnkt, was struck and then hit the ledge and fell over. Morgan points out Tyler’s final art piece and that he was painting over someone else’s work. The tagger’s code is taken seriously and “ragging” over a completed piece could lead to violence. Suspect number one: the tagger whose work was covered up.

They don’t know the name of the original tagger and come up empty when looking through the binder of graffiti collected by the gang unit. Morgan suggests that they need to speak with someone who knows the tagger scene. Fortunately, she’s got just the person in mind.

Willa Quinn (Jennifer Jason Leigh) shows up uninvited at the station and Karadec stops Morgan from trying to speak with her. Selena asks what brought her to LA and Willa claims she’s there to clear her name. Willa offers a deal: she’ll help with Roman’s case using her contacts if Selena lets her speak with Hayworth. Selena doesn’t go for it and reveals they were able to pull messages from the BlackBerry in Roman’s backpack. The messages are in code but match the day that Roman disappeared. It’s possible the messages are instructions, and Selena’s sure Hayworth will help them crack the code. (Not even Morgan can decipher it.)

Morgan attempts to talk to Willa as she leaves but Karadec holds her back. Selena’s certain that Willa’s scared and Hayworth will tell them why. On a happier note, Lucia put in an offer on a house and the seller accepted it. Morgan’s surprised that Karadec might be moving in with her after such a short time back together.

High Potential Season 2 Episode 16 Recap
Kaitlin Olson and June Carryl in ‘High Potential’ season 2 episode 16 (Disney/Mitchell Haaseth)

Morgan’s tagger expert is her old friend Nicole (June Carryl), who she hasn’t seen in 16 years. After a warm hug, Nicole looks at the artwork and is shocked that Dfnkt is dead. Nicole points out specific parts of the artwork behind Tyler’s and says it’s by Psyclops. Apparently, he and Dfnkt had an ongoing beef.

Nicole doesn’t know his real name, but Morgan notices all the paint cans are from the same store where he works. (She knows that given the state of the cans.)

Captain Nick Wagner (Steve Howey) is summoned by his dad to discuss his potential run for the senate. He’s launching a panel to look for corruption and thinks that Morgan would be the perfect fit. He’d like to offer her a full-time job, but Nick’s certain Morgan won’t want to work with him. His dad forces him to agree to ask her.

Oz (Deniz Akdeniz) and Daphne head to the hardware store, and after a short chase, they learn Psyclops, real name Antoine, and Dfnkt were working together. Psyclops insists they called a truce and were being paid to tag the building where Dfnkt died. He doesn’t know who paid them via crypto, and he’s got an alibi for the time Dfnkt was murdered.

Nick tells Morgan about the job offer from the city council (not mentioning his dad) and Morgan dismisses it.

The building was owned by a consortium that went broke, and Morgan looks up the architect. His name’s Gerald Lee and articles confirm he was proud of the building and called it “an inseparable part” of his soul.

Morgan and Karadec question Gerald (Alex Quijano) and he’s shocked someone would hire taggers to deface it. Gerald reveals the graffiti lowered the building’s value, which worked out well. The price was reasonable enough for someone to buy it and finish the building. Gerald reluctantly gives them the buyer’s name.

Karadec and Morgan head to Brad Latmore’s house, and Brad’s wife assumes they’re there about the graffiti on their garage door. It’s a snake with the words “pay up” next to it, and it’s definitely Dfnkt’s work. He was probably there right before he died.

Brad (Diedrich Bader) is the head of acquisitions for the company that bought the building, and the graffiti proves he hired the taggers. Brad claims he didn’t kill Dfnkt, but he did hire the taggers using his daughter’s college plan. He’s got proof that he paid the taggers before Dfnkt was killed.

Karadec thinks Dfnkt wasn’t killed over tagging. They return to the building to look for something they missed and discover a pile of pallets. Inside it are a propane torch and multiple propane tanks. There’s a latex glove with gas hanging over it, and Morgan warns Karadec to stop touching the pile. Once the gas eats through the glove, the whole building will explode. Karadec sends Morgan out of the building, convinced there’s still time to turn off the propane tank.

Morgan runs outside and seconds later there’s an explosion. Karadec comes out, but he’s got a head injury and falls unconscious into Morgan’s lap.

Morgan wakes up, head bandaged, in the hospital and mistakes Lucia (Susan Kelechi Watson) for Morgan. Morgan walks in shortly after and she calls Karadec a moron before giving him a gallbladder from the hospital gift shop along with a chocolate chip cookie minus the chocolate chips. (Karadec is such a weirdo when it comes to food!)

The building is still standing and no one was injured, apart from Karadec.

Lucia has a heart-to-heart with Morgan and confesses that she was alone in a restaurant waiting for Karadec and thinking back to when he used to get so absorbed in his cases and stand her up. She credits Morgan with positive changes in Karadec and thanks her for being such a good friend to him.

Karadec’s out of commission for a few days so the team continues without him. One of the propane tanks was probably the murder weapon, so the arsonist is the killer. Dfnkt likely walked in on the arsonist and was killed because of what he saw. Wagner wants in on the case after he checks on Karadec, and Selena suggests Morgan take him along when she questions Brad again.

Morgan tells Wagner that she’s interested in the job offer, but Wagner warns her not to take it. She’d be working for his dad, and Wagner apologizes for not telling her that upfront. Morgan, of course, knew that already and isn’t interested in the job. She was just testing to see if he’d be honest about it.

Brad insists they didn’t want to level the building. It’s in an area that’s growing and the rents will go up. Morgan points out the model of the building he has is rotated 90 degrees in the wrong direction, and Brad reveals the original client asked for that change at the last minute.

Morgan points out that it’s incredibly hot because the side with the most sun has the most concrete. Brad says that’s a problem because it’s designed not to get hot. If it heats up, the building could collapse.

High Potential Season 2 Episode 16 Recap
Deniz Akdeniz, Judy Reyes, and Javicia Leslie in ‘High Potential’ season 2 episode 16 (Disney/Mitchell Haaseth)

Later, the team gives Karadec a hard time for calling in for an update. Morgan informs him the arson was to cover for the fact the building was going to collapse. They’ve got building plans that show a change in orientation, and when it heats up, the earthquake shock absorbers don’t work. Any earthquake bigger than a 5 will take it down. The fire was meant to damage the concrete side of the building so that that side would need to be redesigned. This all points to Lee the architect.

Lee was attempting to make the fire look like the taggers did it. He’s now fled, and they’ve got alerts out to stop him from taking public transportation. Daphne reports his last purchase was a sleeping bag and a lantern.

Lucia doesn’t fall for Karadec’s fake-sleeping and knows he called work. But Karadec’s out of the doghouse when he surprises her with a meal from the fancy restaurant where they were supposed to have a date.

“I love you, Lucia,” says Karadec. She replies, “I love you too, Adam.”

Morgan, Daphne, and Oz look through Gerald Lee’s office, and Morgan finds a piece of bendable concrete Lee used on multiple buildings. That piece is the key to where he’s hiding.

Lee’s arrested and Morgan jokes that he’s going to love the gray walls in prison. Selena wonders how the brick led to Lee’s hiding place, and Morgan explains his first time using bendable concrete was on an underground bunker. (Lee had news articles and models all over his office.)

Nicole arrives and Selena thanks her for her help. The taggers wanted Nicole to thank Morgan for finding the Dfnkt’s killer. Plus, she wanted to give Morgan a book Roman gave her on Frida Kahlo. Nicole wants her to pass it on to Ava. Morgan thinks Ava would like to talk to her and Nicole says to call her anytime.

Morgan takes the model to show Karadec just as Selena receives a call from Willa. Willa reveals the FBI took Hayworth into federal custody after receiving a tip he had info on the cold case murder of FBI Agent Lila Flynn. Willa did this to move him out of Selena’s reach and into hers.

Willa pours herself a glass of whiskey and sits for a chat with Nick Wagner’s dad. Willa’s behind the request to move Morgan from Major Crimes, which isn’t going to happen. Wagner’s dad did Willa’s “errand” and doesn’t want to be involved any further.

“Do I need to remind you that we’re in this together? I know where all the bodies are buried,” warns Willa. She threatens to take him down if she goes down.

 

 

Monarch: Legacy of Monsters Season 2 Episode 5 Preview – Cate Meets Titan X

Apple TV’s first clip from the upcoming fifth episode of Monarch: Legacy of Monsters season two shows Cate coming face-to-face with Titan X. Episode five, “Furusato,” premieres on Friday, March 27, 2026 on Apple TV.

“Furusato” Plot: In Santa Soledad, Titan X becomes a target for Apex, forcing Shaw and the Randas to infiltrate the covert experiment.

Kurt Russell and Wyatt Russell star as Colonel Lee Shaw, Anna Sawai plays Cate, Kiersey Clemons is May, Ren Watabe is Kentaro, Mari Yamamoto is Keiko, Joe Tippett is Tim, Anders Holm stars as Bill, and Takehiro Hira plays Hiroshi. Season two guest stars include Amber Midthunder, Curtiss Cook, Cliff Curtis, Dominique Tipper, and Camilo Jiménez Varón.

Monarch Legacy of Monsters Season 2 Episode 5 Cate and Kentaro
Anna Sawai and Ren Watabe in ‘Monarch: Legacy of Monsters’ season 2 episode 5 (Photo Credit: Apple TV)

Monarch: Legacy of Monsters Season 2 Details, Courtesy of Apple TV

Season one of Monarch: Legacy of Monsters tracks two siblings looking to uncover their family’s connection to the secretive organization known as Monarch. Clues lead them into the world of monsters and ultimately down the rabbit hole to Army officer Lee Shaw, taking place in the 1950s and half a century later where Monarch is threatened by what Shaw knows.

Season two will pick up with the fate of Monarch—and the world—hanging in the balance. The dramatic saga reveals buried secrets that reunite our heroes (and villains) on Kong’s Skull Island and a new, mysterious village where a mythical Titan rises from the sea. The ripple effects of the past make waves in the present day, blurring the bonds between family, friend, and foe—all with the threat of a titan event on the horizon.

Mari Yamamoto and Kurt Russell
Mari Yamamoto and Kurt Russell in season 2 episode 5 (Photo Credit: Apple TV)
Takehiro Hira and Mari Yamamoto
Takehiro Hira and Mari Yamamoto in season 2 episode 5 (Photo Credit: Apple TV)
Joe Tippett
Joe Tippett in season 2 episode 5 (Photo Credit: Apple TV)

 

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