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Colton Haynes Discusses ‘Arrow’ and Putting on His Arsenal Costume for the First Time

Colton Haynes on Arrow, Arsenal, and the Costume
Colton Haynes at the 2014 San Diego Comic-Con (Photo by Richard Chavez / Showbiz Junkies)

Just prior to his appearance at the 2014 San Diego Comic-Con, The CW released the first photo of Colton Haynes as ‘Arsenal’ in Arrow. It was well received by fans of the comics and of the popular series, and while at Comic-Con, I had the opportunity to ask Haynes during our roundtable interview what it was like to put the suit on.

Haynes also talked about his character’s relationships in the third season and about whether we can expect to see a certain body part missing from his character in upcoming episodes.

Colton Haynes Arrow Interview

What did it feel like to put on the suit for the first time?

Colton Haynes: “I actually…I haven’t said this yet…I tried a prototype of the costume on which we were going to premiere in the last episode of the second season, and it looked nothing like how it looks now. It looked awesome, but this is just a whole level of badassness. We decided with the departure of a few of the big characters, the storyline needed to aid to them saying goodbye so we saved the costume for this, for the first episode of season three.

It’s the coolest costume in the world. And yet basically, if I lost a bunch of weight, all you have to do is put a bunch of fake stuff in the costume, and you look super buff. I ate two plates of donuts last night so, yeah.”

What was wrong with the first costume?

Colton Haynes: “Nothing was wrong with it. I think they just… It was almost the same. It just didn’t have a little bit of the black in it, because I think now it’s got black and red. But I think just over time they just decided to add stuff.”

Colton Haynes Arrow Interview
Colton Haynes as ‘Arsenal’ in Arrow (Photo Courtesy of The CW)

What’s the relationship like between Oliver and Roy in season two? Will it change a little bit and become more traditional like the comics? After how dark last season was, is it different to be playing in that new space for you?

Colton Haynes: “Well, it’s different but different in a good way. Everyone was telling me episode 20, ‘Seeing Red’, episode 19 or 20 – it’s your big episode. So I’m like, ‘Okay, hopefully I can get the script soon. I can learn all of my lines.’ I didn’t have one line the entire episode. I was in every scene, but I actually ended up pulling – I don’t know what the muscle was – we were doing all the angry faces and I had this thing where I couldn’t move the bottom of my chin.

But, anyway, now I don’t have to do that scowling because Roy has a little bit of a lighter side now. He has this funny thing with Felicity. They’re turning into this little…it’s like the scene from Bridesmaids where they’re trying to one-up each other. That’s basically me and Felicity this season. It’s nice to see a little lighter side because we go back to the cartoons and comics and stuff and it’s a little quippy. It’s not as dark this season.”

You came from Teen Wolf which was groundbreaking in the way it represented gay characters, and Arrow is the first show based on a superhero to incorporate a gay character. How do you feel about working on two shows that are giving visibility to people that aren’t often represented in the genre?

Colton Haynes: “We’ve done it and Teen Wolf‘s really done it so well. I think we need to continue to do it. My brother has been married for five years; he’s been with his husband for 15 years and they just had a baby. So in that aspect, that’s the longest relationship of anyone in my entire family, so that’s my level of commitment. I think they need to keep incorporating it. Now we need to bring male characters into it. I think it helps. It’s normal and they should keep doing it.”

What’s going to happen with your relationship with Thea now that she’s potentially a darker character?

Colton Haynes: “This is the part…there is a scene coming up between us, but we’re not that far into the episodes yet. I think Roy realizes that he messed up. The one person that shouldn’t have been lying to Thea was Roy because the love each other. But then he got caught and I think he’s just trying to busy himself right now with going out on patrols with Team Arrow and things like that. I do think that they have an understanding that there was love there and that he meant that he really did want to go away with her. So I think that we’re definitely going to see an interesting relationship with John [Barrowman’s] character, between Roy and Malcolm.”

Becoming Arsenal, will we see a change in your physical appearance?

Colton Haynes: “It’s funny. People keep asking me that and I’ve asked that myself. I’ve asked about that and the drug addiction and things like that, and they haven’t ruled it out. They have reminded me that it’s really expensive to CGI an arm off and I really don’t want to cut my arm off so… I don’t know. I don’t think we’ll see the missing arm anytime soon, but I think we are going to see a bunch of people from his past give some other characters a run for their money. I think we are going to see a little bit of Roy’s family this year too. We will hear more about them.”

How are your archery skills?

Colton Haynes: “Well my stunt double Curtis Braconnier’s archery skills are phenomenal. Yeah, I can do it if I stand still. But then they’re like, ‘Back to your training. Try a double barrel move with a kick and a thing,’ and I can’t do it. I can’t walk and chew gum at the same time. I just say I’m Curtis’ dialogue double because he does everything for me.”




‘The Flash’ Star Grant Gustin on the Character and Season One

Grant Gustin The Flash Interview and Playing Barry Allen
Grant Gustin at the 2014 San Diego Comic-Con (Photo by Richard Chavez / Showbiz Junkies)

One of the fall’s most anticipated new series is The CW’s The Flash starring Grant Gustin as Barry Allen/The Flash. Gustin was introduced as Barry in Arrow, and fans have gotten behind this new take on the comic book character and are anxiously awaiting the series’ premiere on October 7, 2014.

Gustin joined his fellow The Flash co-stars at the San Diego Comic-Con to talk up the show during a packed Q&A with fans. He also took part in roundtable interviews to further discuss what we can expect from his take on The Flash.

Grant Gustin The Flash Interview

Are you comfortable with the character at this point?

Grant Gustin: “I am, actually. It was a little daunting when I got the role. It was a little daunting when I got the audition, actually. I was excited to have the opportunity and didn’t… I mean, some things you’re like, ‘I have a really good chance at this,’ and I didn’t necessarily think that about this role. But now that I have it I see why they wanted to go in this direction. It’s kind of a different take on The Flash and I’m definitely starting to feel like I’m in the skin and I’m having a lot of fun. The writing is like they’ve already written in my voice, so it’s easy enough to just kind of do it. And it’s just the most fun I’ve ever had, so it’s great.”

Glee was a groundbreaking show in one way and The Flash is introducing a couple of gay characters. How do you feel being involved in a show that’s giving visibility to a group that’s underrepresented in superhero projects?

Grant Gustin: “It’s great. This genre, like you said, it hasn’t really been done with this genre so it’s going to be a whole broader spectrum than Glee can bring in for fans. It’s great. I like being a part of it, so it’s fantastic.”

How much research did you end up doing to get into the character?

Grant Gustin: “I started at the beginning at first. I thought I’d go all the way back and then kind of read [it all]. Then I was like, ‘Wait a second, this is impossible. I can’t do all that.’ So I read some of the old stuff but then once I worked my way toward the new 52 series, I’m pretty much just reading that now because it’s the closest to what we’re kind of doing. But at the same time, what we’re doing has not been done in the comics. It’s a very different Barry Allen. A lot of the characters are very different than they are in the comics, but they have the same heart. I mean, I’ve done plenty of the research but Andrew Kreisberg, Geoff Johns and Greg Berlanti are my research. If I need information, I can just talk to them. I don’t have to try to flip through the comics that relates to the episode we’re doing. I just call and have a conversation with them about it.”

What’s been the biggest challenge?

Grant Gustin: “At first, I thought it was going to be the pressure I was going to get from the fans of being the right Flash. But they’ve been just really accepting, I think because of the team mostly. They earned their trust with Arrow and they trust that this is going to be good. But now I think it’s just, honestly, I’m trying to with the shooting schedule we have trying to maintain also being able to train and eat as much as I can. I’m a thin guy and just trying to maintain my body while doing the schedule.”

What sort of training do you have to do?

Grant Gustin: “It’s nothing like Stephen [Amell]. Stephen is out of his mind. He’s out of his mind. I’ve always been pretty active. I grew up dancing so I’ve got a pretty intense dance background which makes it a lot easier to pick up fight choreography and whatnot, and just kind of bring a fluidity to the movement for the role. I’ve always been pretty active and I haven’t had to make any drastic changes. I go to the gym or else I’d be 20 pounds lighter than I even am right now if I didn’t.”

When you pulled on the suit for the first time did you have a moment where you were aware of the character’s importance in the genre’s history and the fact that that suit is not just a costume?

Grant Gustin: “Yeah. And I knew that the suit would be the thing that made this feel right because it is such an iconic thing. It’s cool that it’s so different from any suit that’s ever existed. The suit was slowly pieced together on me so I never really, in the fittings, I never saw it done or anything so it’s really been this week seeing pictures of me in the suit and everybody having things of me – merchandise of me in the suit – that’s making it feel really cool. It’s going to have its place in history, no matter what else happens with The Flash going forward. We’ve got this version of it and I couldn’t be more honored that I get to be the guy in the suit.”





Interview with ‘Penny Dreadful’ Star Reeve Carney

Reeve Carney on Penny Dreadful and Dorian Gray
Eva Green and Reeve Carney in season one of ‘Penny Dreadful’ (Photo by Jonathan Hession – © 2014 Showtime)

Showtime’s Penny Dreadful will be returning for a second season in 2015, and the network celebrated the success of season one (it drew in an average of 4.8 million viewers) by bringing cast members to the San Diego Comic-Con for a Q&A with fans. The network also hosted a party in downtown San Diego at the U.S. Grant Hotel with the cast joining series creator John Logan on the red carpet.

One of the show’s most intriguing characters, Dorian Gray, is played by Reeve Carney (Spider-Man: Turn Off the Dark on Broadway). Fortunately, Carney was among the show’s stars who made the trip to San Diego and who answered a few questions on the red carpet before heading into the party.

Check out what Carney had to say about whether Dorian Gray is a hero or villain of the series, what sort of research he did for the role, and what fans can expect from season two:

James Van Der Beek Joins ‘CSI: Cyber’

CBS Sets Battle Creek and CSI Cyber Premiere Dates
Dean Winters as Det. Russ Agnew and Josh Duhamel as Special Agent Milt Chamberlain in ‘Battle Creek’ (Photo: Cliff Lipson / ©2014 CBS Broadcasting, Inc. All Rights Reserved.)

James Van Der Beek, who will forever be best known for starring in Dawson’s Creek no matter how old he gets or what else he does, has been tapped to be a series regular on CSI: Cyber. CBS’s new CSI series will air during the 2014-2015 season and stars Patricia Arquette, Peter MacNicol, and Charley Koontz.

“We are excited to welcome an actor of James Ver Der Beek’s caliber to CSI: CYBER. Over his career, he has demonstrated a tremendous range of talent that makes him a perfect addition to our gifted cast,” stated the show’s executive producers.

The Plot:

CSI: Cyber is a drama inspired by the advanced technological work of real-life Cyber Psychologist Mary Aiken. The show revolves around Special Agent Avery Ryan who heads the Cyber Crime Division of the FBI, a unit at the forefront of solving illegal activities that start in the mind, live online, and play out in the real world.

[Van Der Beek] will play FBI Agent Elijah Mundo, an expert in battlefield forensics recruited by Special Agent Avery Ryan (Patricia Arquette) for his war efforts in Afghanistan. Mundo is a savant when it comes to weaponry, vehicles, and bombs. A self-proclaimed action junkie, Agent Mundo will often put himself at risk to seek permanent justice, while Ryan will level his diehard behavior with her expertise in psychology. Together, they will team up to fight the world’s toughest cyber crimes. Foreign and domestic.

 

Kim Coates and Theo Rossi on ‘Sons of Anarchy’ and Surviving the Past Six Seasons

Theo Rossi and Kim Coates Sons of Anarchy Interview
Theo Rossi as Juan Carlos ‘Juice’ Ortiz in ‘Sons of Anarchy’ (Photo by James Minchin/FX)

Tommy Flanagan, Mark Boone Jr, Drea de Matteo, and Dayton Callie took a more relaxed approach to discussing the final season of Sons of Anarchy at the 2014 San Diego Comic-Con, but Theo Rossi and Kim Coates spoke passionately about the end of the FX series that has millions of viewers captivated and looking forward to season seven while dreading the show’s end. Rossi and Coates never anticipated their characters Juice and Tig would still be standing come season seven, however they’ve learned over the years to not even attempt to predict series creator Kurt Sutter’s next move.

Theo Rossi and Kim Coates Sons of Anarchy Interview

What can you say about Tig’s relationship with Venus this season?

Kim Coates: “This season coming up? I can’t say anything, but I will say that Sutter when he does write for him or for me, it’s some of the most amazing stuff. It’s tough to write for 10 leads all the time. It is, right? And we all support each other; we’re all a bunch of character actors who love one another. Giving Tig Venus or Venus Tig that he has in the past, it’s been such a joy for me to work with [Walton] Goggins.

I mean, for him to shave his legs and getting ready and the accent, and wearing those high heel pumps – forget about it. He’s so amazing, she’s amazing. So I love it and I guess we’ll see what this season brings.”

We left Juice in a very precarious position. Can you walk us through the betrayal and what that leads us to this season?

Theo Rossi: “So obviously Juice has been battling with demons since season four, being on the opposite end of those strings, being pulled all the time. And like I just said recently, Juice is in a world that – if you think about it – he should never have been in at all. He should have been a comic book kid. He shouldn’t have been in a motorcycle club because he’s not cut out for it.

And he makes himself cut out for it by doing all these violent acts and trying to make everything better. And when you see the ending, the last two episodes, he obviously ODs again because of the guilt and gets himself in the position of telling Nero to try and cleanse himself of anything, an admittance. And then that final episode which was just circumstantial…you know, Jax, he needed to go to the only person who he felt connected to since Clay’s gone and that was Gemma, because Gemma showed him compassion and love through the ODing.

And then to be in that position of seeing Tara, killing Roosevelt, and to start this relationship with Gemma, this secret that’s the biggest secret ever in Charming – you know, our hero’s wife – and how that affects going into this final season, what Kurt did and what he’s doing is mesmerizing. It’s a pleasure to read and it’s even more of an honor to play. So, I’m really excited.

Obviously Gemma and Juice are, what did Ricky Ricardo used to say, ‘Lucy, you’re in trouble! You’ve got some explaining to do!’ Juice has got some explaining to do.”

Kim Coates: “[…]That’s part of the drama, right. That’s part of the drama. We all saw the final show of the season [last year], horrific, mesmerizing, can’t wait for this season but it’s like watching the greatest train wreck. You don’t want to watch but you have to. He’s in the middle of the train wreck. There’s no doubt. So we’ve got the club and we’ve got some secrets. So this is part of the final season and I’m telling you it’s crazy.”

Theo Rossi: “Like I say, season one – we all know the show perfectly, right? – Tig goes on orders to kill Opie and he kills Donna instead, and it’s this huge secret. That’s one of our biggest heroes in Opie and it’s his wife. And you say, ‘How will he ever get out of that? Tig’s obviously going to die. He has to.’ But he’s still sitting here, because the truth is you’re never going to guess what he’s going to do because no one has a mind like [Kurt] and no one is going to figure it out.

Not another showrunner, not another writer, surely not us, because the truth is every time you try to guess, you’re wrong. And like I said to him, if him and I are sitting there in ’08 reading our first script and you tell me that Opie, Tara and Clay aren’t going to be sitting here in season seven when we’re in an interview or interviews, I would say you’re all nuts and you need to go back to wherever you came from because it’s just not true. And here we are. I stopped trying to guess a long time ago and I think that’s why everybody should just enjoy the final season. To say that about Juice, it’s just so interesting.”

Kim Coates: “I think if I may just to add to that, as characters, as actors there’s no time to reflect. You need to just keep going forward because [Kurt] is a crazy motherf*cker. Sutter, what goes on in here, we’ve stopped trying to guess – as Theo said – a long time ago. But every time we get a new script it’s like, ‘Jesus Christ!’ But there’s no time for the rear view mirror. It’s just, ‘Go! Go! Go!’ And I think it’s going to be a very sad time for the fans. They’re already sad that we’re coming to an end.

But for him and me and the rest of these wonderful actors, we’re so in it right now. There’s no time to get reflective. But on October 29th, you bet – big bottle of Crown Royal for me. Coca cola and I will suck that whole thing back because it’s been the greatest ride ever for all of us, for many reasons.”

What was your initial reaction to reading the season finale script from last year?

Theo Rossi: “Shock. Shock, because we had heard and we knew about Maggie [Siff], about Tara, but we didn’t know how. What didn’t know what was going to occur with it. We didn’t know the fringe stuff that came with it. We didn’t know the fork. We didn’t know Roosevelt. We didn’t know the hiding of evidence. We didn’t know any of that. We know what we know, and then we don’t know how it actually happens. So shock, for sure shock.

Listen, when Opie died you go, ‘Oh my god, the show’s going to end at one point.’ It’s your first realization of this is not going to run forever. This isn’t Gunsmoke. We’re not going to be doing this for 25 seasons. We’re eventually all kind of going down. And then, you read the finale and you go, ‘How do you even do another season?’ Clay had just gone and all these things had occurred that were happening, and here we are. It’s really a testament to the world that Kurt’s created and it’s a testament to the actors, the writing, everything, that it just keeps going.”

Kim Coates and Theo Rossi Sons of Anarchy Interview
Kim Coates as Alex ‘Tig’ Trager in ‘Sons of Anarchy’ (Photo by Prashant Gupta/FX)

Kim Coates: “100%. For Kurt Sutter to give Maggie and Charlie [Hunnam] what he did in that final episode, sitting at that picnic table…Do you understand? Seven years they’d been together. I almost want to start crying now. To know that it’s over, it’s done, but you’re acting it. There’s no acting required. Those two kids at those picnic tables with the f*cking Sons in the back with the kids, are they going to wipe her out right now by this tree? No. It keeps going on and on.

And Katey [Sagal] when she did the read-through, she was crying. It’s so emotional, this show, and so unbelievably epic on so many levels of family drama that we keep talking about. It’s shocking. It’s amazing.”

Theo Rossi: “And we’re a family so for us it’s like… The reason why everybody loves this show, yes, the writing, yes, the acting, yes, Kim’s good looks. But the truth is, obviously, I mean the baby blues – these are all bonuses – but the truth is is because we all truly love each other. And more than anything, we respect each other. We love each other’s work from the writing to the guy in craft service to the people working the office, and that is unheard of in television and Hollywood.

People are just usually, like the second they call ‘cut’ they’re on their phone. They walk away with their handlers or whatever people have. I don’t even know. Where we are hanging out. We just hang out all the time because we enjoy each other and we appreciate each other. I’ve known Kim’s work since he’s been doing movies since 1926…”

Kim Coates: “I look very good for my age.”

Theo Rossi: “And I love everything he’s ever been in, so that’s a huge part of it.”





‘The Walk’ Trots Out New Photos with Joseph Gordon-Levitt

The Walk Photos and News
Steve Valentine, Benedict Samuel, Cesar Domboy, Charlotte Le Bon, James Badge Dale, Joseph Gordon-Levitt, Clement Sibony, and Ben Schwartz in TriStar Pictures’ THE WALK (©2014 CTMG, INC)

In honor of the 40th anniversary of Philippe Petit’s walk between the Twin Towers in NYC, TriStar Pictures has released two photos from the film based on Petit’s book To Reach the Clouds. The studio’s also announced the movie’s title. The film is now officially titled The Walk and will open in theaters on October 2, 2015.

Directed by Robert Zemeckis, Joseph Gordon-Levitt takes on the role of Petit with support from Ben Kingsley, James Badge Dale, Ben Schwartz, Charlotte Le Bon, Clément Sibony and César Domboy. Zemeckis and Christopher Browne co-wrote the screenplay, and Zemeckis, Steve Starkey, and Jack Rapke produced the film.

TriStar Pictures will release The Walk in both 3D and IMAX 3D.

The Plot: 

Twelve people have walked on the moon, but only one man has ever, or will ever, walk in the immense void between the World Trade Center towers.  Guided by his real-life mentor, Papa Rudy (Kingsley), and aided by an unlikely band of international recruits, Petit and his gang overcome long odds, betrayals, dissension and countless close calls to conceive and execute their mad plan.  Robert Zemeckis, the director of such marvels as Forrest Gump, Cast Away, Back to the Future, Polar Express, and Flight, again uses cutting edge technology in the service of an emotional, character-driven story.  With innovative photorealistic techniques and IMAX 3D wizardry, The Walk is true big-screen cinema, a chance for moviegoers to viscerally experience the feeling of reaching the clouds. The film is a love letter to Paris and New York City in the 1970s, but most of all, to the Towers of the World Trade Center.

 

The Walk Movie Photos and News
Annie (Charlotte Le Bon) and Philippe Petit (Joseph Gordon-Levitt) in TriStar Pictures’ THE WALK. (©2014 CTMG, INC)




Toby Jones and Melissa Leo Talk About ‘Wayward Pines’

Melissa Leo and Toby Jones Wayward Pines Interview
Melissa Leo stars in ‘Wayward Pines’ (Photo by James Minchin/©2014 Fox Broadcasting Co.)

Producer M. Night Shyamalan gathered an impressive, award-winning cast for Fox’s event series Wayward Pines, with Oscar winner Melissa Leo (The Fighter) and Emmy, BAFTA, and Screen Actors Guild nominee Toby Jones among the big names who have pivotal roles in the thriller. While the series is still months off from airing on Fox, cast members including Leo and Jones were among those promoting the show at the 2014 San Diego Comic-Con.

In addition to participating in a panel with Comic-Con attendees, Leo and Jones teamed up to discuss the project in a roundtable interview in which they talked about their characters and why they signed on to Wayward Pines in the first place.

Melissa Leo and Toby Jones Wayward Pines Interview

Was it the character, the script, or M. Night Shyamalan? What was the initial appeal?

Melissa Leo: “Mostly, I really love working, so when something is done, I’m always looking for something else. Night is really the thing that made me even practically sight unseen go down and do it. I had a really wonderful conversation with him in deciding to do it, more so than the script itself. The notion that the character that I would play would have an integral involvement in the storytelling and not simply be an interesting character there because she’s interesting but there for a reason…when I heard that from him, I completely signed on to do it. To work with Matt [Dillon], and it just kept getting sweeter as they hired more and more actors to come in and join up – Toby Jones. And after we began shooting, Hope Davis came and joined us. It was incredible.”

Did you know exactly what was going to happen over the course of the series or just the first episode?

Toby Jones: “I think it was different for different people. I didn’t know the books so I just was told the arc of the whole story. And then they told me who was involved and it was really the combination of this shattering twist in the show that no one can talk about, and the quality of the actors involved, goes without saying. So that was the thing that brought me on board.”

Does it also help that it’s a short run of 10 episodes?

Toby Jones and Melissa Leo Wayward Pines Interview
Toby Jones in ‘Wayward Pines’ (Photo by James Minchin © 2014 Fox Broadcasting Co.)

Toby Jones: “Yeah, it really does. It’s a big thing. Particularly coming from the UK, you’ve got family back home. Do you move everyone over? So the fact that it’s contained, it’s very, very short.”

And you’re both so busy as actors.

Toby Jones: “We’re all superstitious about saying we’ve got very busy movie careers. It’s true that both of us have done many different kinds of projects. I don’t know about Melissa, but I thrive on contrast. I don’t want to be stuck in one thing.”

Can you talk about putting on the nurse’s uniform? What kind of nurse she is and how that changes your performance?

Melissa Leo: “Yeah, costuming is always extremely important to me and I knew that I was going to be playing a nurse. I had lovely conversations with our amazing costume designer, Mary Vogt. We were so much on the same page. There’s a whole mystery to be unraveled about when our story is taking place and there was something about a style, of a period of clothing that, quite frankly, looks well on me. So Mary and I decided the sort of ’40ish informed style of the nurse’s uniform, very specific about things with her that she responded amazingly to me. I prefer clothing that has a weight to it and that it not be too gossamer; that wasn’t going to help me be her. So the fabric even that the nurse’s uniform is made of is a really important part of who Nurse Pam is.”

Toby, what helped you get into the character?

Toby Jones: [Laughing] “It’s always music to your ears when you hear that your character is wealthy.”

How did the different directors for each episode affect you?

Toby Jones: “I found that very challenging. It’s not what I am used to, because in a way then the actor is responsible for the character. Now, normally it’s the actor and the director responsible. The director really is responsible for making a coherent episode in this country. I found that a big change and it took a while to get used to the fact that I have to put my own input in. ‘I really don’t think that’s a good idea,’ or ‘That’s a great idea,’ like that.”

Melissa Leo: “The director also, I don’t even know that directors realize this as completely as someone who’s worked on television with different directors for every episode, basically all the television I’ve ever done. So very rarely, maybe, a director will do two or three episodes of a season, but not that one person. The director is the captain of the ship without a question, and no matter what their talent or energy level is at, everyone on the crew, all eyes to the captain.

So if they come in going, ‘I don’t know, maybe we’ll do this, maybe we’ll do that,’ you’ve got 10 days to shoot sort of going you’re not sure what you’re doing. Then you’ll get another director come in and they go, ‘Okay, this is so exciting. We’re gonna…’ And everybody, even the grips and electricians, get a little more excited. So the flow of the shooting day changes with the director, almost even more in my opinion than the look of the show.”





Daniel Radcliffe on ‘Horns,’ Dark Projects, and Disguising Himself as Spider-Man

Daniel Radcliffe Horns Interview
Daniel Radcliffe in Horns (Photo Courtesy of RADiUS-TWC)

Daniel Radcliffe never made it to the San Diego Comic-Con anytime over the course of the eight Harry Potter films, but he did show up at the sold-out event for Horns, a dark comedy/horror fantasy coming to theaters on October 31, 2014. Radcliffe took his cue from other famous Comic-Con visitors and hit the floor dressed in a complete Spider-Man costume. He was able to walk around the San Diego Convention Center without getting trampled and he even posed in front of the Sharknado 2 poster.

Radcliffe said being able to snap a picture with the Sharknado 2 poster was “awesome” and he couldn’t wait to watch the sequel. Proclaiming his love for the first Sharknado during a press conference at Comic-Con, Radcliffe said, “I loved it! That’s why I’m so excited about Sharknado 2. I can say that un-ironically. I really, really enjoyed it. It was fantastic!”

But back to Horns… The big screen adaptation of Joe Hill’s novel finds Radcliffe playing Ig, a guy who gets blamed for the murder of his girlfriend. No one believes he’s innocent and to make matters even worse, a pair of horns start growing out of his head. He also discovers that with the horns comes supernatural powers which he uses to find the real killer.

Daniel Radcliffe Horns Interview

What was the appeal of starring in Horns?

Daniel Radcliffe: “It’s an amazing book and the adaptation of the book into a script was fantastic. I like things that take an idea that everyone can relate to, in some way – and not necessarily being accused of murdering your girlfriend – but the idea of being an outsider and experiencing loneliness and coping with loss, and finding a really original, crazy way to deal with that topic.

People talk about this film as being fantasy or horror, but I’ve always seen it as being magical realism in the sense that most of the world is very, very grounded in reality, apart from this one fantastical thing that is happening in the middle of it.”

Did you have any reservations about taking on such a dark story?

Daniel Radcliffe: “I definitely didn’t have any reservations in terms of the darkness of the movie. Even Harry Potter had quite a lot of darkness in it. Doing things like Equus and The Cripple of Inishmaan and Kill Your Darlings, I like getting involved in that kind of stuff.”

Are you attracted to supernatural movies?

Daniel Radcliffe: “Yeah, I do like the genre because anything can happen in it. As long as you play by your own rules, you can do whatever you’d like. It’s not an intentional thing that I’m picking all of this really dark work, but I guess I enjoy it. People do talk about Horns, The Woman in Black, and Frankenstein as being things that are all of one genre, but they actually aren’t.

The Woman in Black is the most traditional horror film you can get and Horns is the least. And with a film like Frankenstein, it more falls into the adventure category than anything else. I hope it’s going to be a great film. So, I can’t explain my attraction to dark material but I don’t think it’s going to end soon.”

Were there any specific challenges in preparing for this film?

Daniel Radcliffe: “It’s a challenging part and there’s a lot to mine, in terms of what he has gone through prior to the beginning of the film and as he’s going through it. I broke down the script, the way that I would approach anything. And then you have the more superficial but fun challenges of the prosthetics, which is mainly a challenge of staying still, for me.”

You’ve said before that you use music to get into the right headspace for your roles. What music did you listen to for Horns?

Daniel Radcliffe Horns Interview
Daniel Radcliffe in Horns (Photo Courtesy of RADiUS-TWC)

Daniel Radcliffe: “I made a playlist, and I do always make playlists for characters. There was a song that actually ended up in the movie by a band called The Shivers called ‘Lonely Road,’ and there was a lot of Metallica and Megadeth. There was some Radiohead and Hope of the States. There was a lot. It stretched onto two discs by the end of it. And I still make discs.”

How did you handle the balance between Ig’s demonic persona and his attempt to prove his innocence?

Daniel Radcliffe: “There is always something more interesting about a part that is multifaceted and has a dark side and is more true to life, even in this very heightened world that we’re in in the film. He’s a true anti-hero. He is absolutely good and you should root for him and be with him all the way, but that’s not to say that he doesn’t do some questionable things. But, even he questions them. It’s not without consequence. He learns from that so that he can be, in some sense, redeemed by the end.”

What kind of director is Alexandre Aja?

Daniel Radcliffe: “I really cannot say enough nice things about Alex, but I’m going to. The story I’ll tell you exemplifies why he is so brilliant. At the end of the film, after we finished the last shot, myself, the script supervisor, some of the grips and some of the camera guys all stood around for an hour, talking about what a pleasure it had been to work for him. You might hear that from actors, but that is very rare to happen across the crew.

Some directors walk onto the set with the attitude that they are the only person with the creative impulse and they are the only artist on that set. Immediately, a crew feels that because a film crew is a group of incredibly talented, technically skilled people with many different roles. If they know they’re being listened to and collaborated with, rather than just being told what to do, it inspires me and them. It made it a pleasure to come to work every day. You knew that he was going to create one of those awesome moments, and it was a pleasure to be a part of his vision every day. It really was.”

Did you connect to the symbolism in this film?

Daniel Radcliffe: “I’m not a religious person, but I have always been fascinated by the mythology and imagery in all religions, particularly Christianity, which has got some fantastic stuff in there. Weirdly, when we first met we had a discussion and I was worried that I came off a little bit creepy with my obsession with the devil as a character in literature. He is traditionally this very, very charismatic character, so I was very excited to play him. And the snakes were awesome. I had a six-foot long python wrapped around me for the last half of the film, which is the best prop any actor can ever have. There’s no acting required when you’re wearing a snake.

A lot of symbolism got built into the movie. One of my favorite things is that all of the driver’s registration plates in the movie are Bible verses, which relate very specifically towards the characters. There are many things for people to discover on the second watching of this.”

You’re 25 now, do you have an idea of what you want to be doing and where you’ll be over the next 25 years?

Daniel Radcliffe: “Not specifically. I hope that, in 25 years time, I will have a family. I would like to have directed by then, as well. That’s something I really want to do, down the line. But I just want to keep working, really. I just want to keep acting. Playing one part for a very long time builds up in you a desire to play as many different things as you can, so I’m really enjoying that at the moment. So, I don’t know what it will hold but I’m really looking forward to it.”




Frances Fisher on ‘Resurrection’ and What’s Coming Up on Season Two

Frances Fisher Resurrection Interview
Landon Gimenez and Frances Fisher star in ‘Resurrection’ (Photo © 2014 American Broadcasting Companies, Inc)

ABC’s Resurrection left viewers wanting more, ending its short season one run with the arrival of more deceased citizens of Arcadia, Missouri and leaving fans of the series to wonder what the real story is behind the resurrection of so many of the dead. And while series star Frances Fisher was careful not to give away any spoilers during our interview at the 2014 San Diego Comic-Con, she did reveal that another one of her character’s family members will be back in season two.

Frances Fisher Resurrection Interview

What can you tell us about the new season?

Frances Fisher: “I can tell you a little bit, as much as what we talked about this morning, because I don’t know how much we’re supposed to give away. There will be other people coming back, more come back, and one is Henry’s mother who comes back and has an agenda. We don’t even know what it is but I know that there’s something going on there. I don’t quite know what and I don’t trust her.”

How would you feel if somebody came back?

Frances Fisher: “Well, it would depend on who it was.”

Who would you like to come back?

Frances Fisher: “Well, obviously, I think we all would like our parents to come back, our siblings, family members. I have friends I’ve lost that it’d be great to see them again. I think that’s why the show resonates so much for people because we all have that experience of losing somebody and wanting to talk to them again or ask them the questions we never asked.”

Have you read the novel?

Frances Fisher: “Yeah, but not before I got the job. I just read the script and fell in love with it, fell in love with Lucille. Then when I was cast, they said, ‘You can read the book, The Returned by Jason Mott but the story as it’s told in television terms is not exactly the same as the book,’ because it’s a worldwide phenomenon in The Returned and they wanted to start it out really small. One family, one small town, and then grow it hopefully over seven or eight seasons – if we get lucky.”

How did you, as an actress, figure out what your character did to cope in all those years after the death of your son?

Frances Fisher: “Well, you kind of look at your own life and how I’ve coped with the death of my mother when I was 15 in different ways, in different stages in your life you cope differently. We had talked earlier with Aaron [Zelman], our creator, we had talked about how important was it for us to fill in the history. And he said, ‘You’ll get it as we write it. You’ll learn more history.’

But for myself, I like to write a character history so I wrote an elaborate character history of myself. I didn’t share it with anybody because it might be completely different from what anybody else thinks or it might not jibe with Henry’s history, but it was good for myself to have that in my bag of tricks. And also, both Kurtwood [Smith] and I read books on parents dealing with losing their children and that gave us a real visceral knowledge of what other parents have actually gone through since, thank God, I’ve not experienced that.”

How do you and Kurtwood make it feel like a real marriage?

Frances Fisher: “I guess it’s just because both Kurtwood and I are veteran actors at this point in our lives. We, first of all, like each other as people which helps. We get along and it just seems like they cast us really well together because there’s no oil and water feeling. It’s like there’s a very symbiotic feeling between us and I even buy when I look on the screen that these two people have been married together and they’ve been through things. As you know in real life, because you’ve gone through something doesn’t mean you wear it on your sleeve either. You can have it all inside and you still function in the everyday world.”

What’s your take on death and the belief that we continue?

Frances Fisher: “Well, I believe the spirit continues. I’m a student of A Course in Miracles and the way the Course explains it, that birth is not the beginning of life and death is not the end of life. It’s just as if you drop a suit of clothes and you come in, in spirit, embody this body and you drop the body when it’s no longer needed and you go on. Your spirit, the essence of you, the energy of you continues on. Where? Who knows?”

Is that a form of reincarnation?

Frances Fisher: “I think reincarnation is something else. I think that’s where you actually, you’re a spirit in a different body. People say, ‘I think we knew each other in a past life.’ I don’t know about that. I’ve always thought, and I’ve always thought this since I was very young, that whatever you can conceive and you believe in, that’s what your experience is. So I think that, I mean, there are 7 billion people on this planet alone. Think about all the other lifeforms in this vast universe. Who knows what’s possible? I’m spiritual, not religious.”





Dakota Fanning Signs Up for ‘American Pastoral’

Dakota Fanning Joins American Pastoral
Dakota Fanning (Photo by Richard Chavez/ShowbizJunkies)

Just days after Lakeshore Entertainment announced Jennifer Connelly’s co-starring with Ewan McGregor in American Pastoral comes news that Dakota Fanning has also signed on to the film. According to the official announcement, Fanning will play McGregor and Connelly’s daughter, Merry. Based on the award-winning novel by Philip Roth, American Pastoral will be directed by Philip Noyce from a screenplay by John Romano (Lincoln Lawyer).

“The role of ‘Merry’ is an extremely complex part, and I believe that Dakota Fanning will break our hearts with her performance,” said Lakeshore President Gary Lucchesi.

Filming will take place in Pittsburgh next March.

The Plot:

American Pastoral follows Seymour “Swede” Levov, a legendary high school athlete, who grows up to marry a former beauty queen and inherits his father’s business. Swede’s seemingly perfect life shatters when his daughter rebels by becoming a revolutionary and committing a deadly act of political terrorism during the Vietnam War.


-By Rebecca Murray

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