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‘Dawn of the Planet of the Apes’ New Poster Shows Caesar’s Not Monkeying Around

The latest poster for 20th Century Fox’s Dawn of the Planet of the Apes features Caesar (Andy Serkis) on a horse holding a rifle above his head. And, yes, the image is as awesome as you’d expect it to be. Directed by Matt Reeves, the Rise of the Planet of the Apes sequel stars Serkis, Gary Oldman, Jason Clarke, Keri Russell, Toby Kebbell, and Kodi Smit-McPhee.


20th Century Fox will launch the film in theaters on July 11, 2014.

The Plot:

A growing nation of genetically evolved apes led by Caesar is threatened by a band of human survivors of the devastating virus unleashed a decade earlier. They reach a fragile peace, but it proves short-lived, as both sides are brought to the brink of a war that will determine who will emerge as Earth’s dominant species.

Dawn of the Planet of the Apes Poster

Movie Review: ‘The Fault in Our Stars’

Fault in Our Stars
Ansel Elgort and Shailene Woodley star in ‘The Fault in Our Stars’ (Photo Credit: James Bridges- TM and © 2013 Twentieth Century Fox Film Corporation)

Apparently, I just need to keep going to movies based on books that were adapted for the screen by Scott Neustadter and Michael H. Weber. That was a fair bit of qualifying but they did write The Pink Panther 2 … nobody’s perfect. However, they penned the scripts for (500) Days of Summer, The Spectacular Now, and the recently released, The Fault in Our Stars. Loyal readers know I went head over heels for Summer and Spectacular … and sorry to ruin any surprise (if that was even possible) but I may be on my way to crushing on The Fault in Our Stars.

Originally a novel by John Green, the movie tells the story of Hazel and Augustus, played by Shailene Woodley and Ansel Elgort. If you’ve seen Divergent, you may be used to these two playing siblings but have no fear, this isn’t some backwoods Kentucky tale (sorry KY, it was you or West Virginia … damn, just insulted another state … you’re both pretty? There, fixed.). On one level, it’s your typical sappy teen love story. Of course, that these teens have been battling cancer for years adds a layer of complexity you won’t find in the town of Forks.

The movie is told from Hazel’s perspective and things being what they are when each day could be your last, it heightens every little gesture and moment between everyone in the movie. One thing to keep in mind is that if you’re a big softie, you probably want to bring some Kleenex. Like, a lot of Kleenex. I’m hardcore, so I went without tissues … and simply let the tears fall down my face and tried not to wipe too much snot on my sleeve. I know, I know. I’m adorable.

Of course, none of that comes as a surprise. This is a movie about teenagers with cancer. If you thought they were going to just recite the works of Mel Brooks, your delusions are getting worse, and I think you should seek help. And there’s no getting around it, the big C looms over the entire picture like a dark and ominous thundercloud; you know it’s going to burst into a downpour, but you just aren’t quite sure how or when.

Now, as I’ve tried to advise people in the past, I’m not so literate. I’m that guy who watches the movie and then gets the book to see what the movie got wrong. The same goes here. I’ll pick up the book shortly so I can expand upon things for myself, but all I really know is what the movie did.

So how did it do?

Well, mostly it did great. Obviously, if it brought me to tears (for a significant portion of the film), it made an emotional connection. That connection is the most important aspect of film for me on a personal level, and Woodley, Elgort, Laura Dern, Sam Trammel and almost everyone else in the cast slid their way near and dear to my heart. Yes, I know. I’m still adorable.

That doesn’t mean this is perfect, and if I were ranking the “quality” of the movie as objectively as possible, like a film critic or something, then I’d find lots of little faults … pun unintended but always welcome. The biggest issue I had with the movie was the inclusion of both Willem Dafoe (though I like him as an actor) and really, in how his character fit into the larger context of the story. He plays a writer who means a great deal to Hazel and therefore to Augustus, but the way in which he gets introduced, and the manner in which he’s portrayed almost felt like a different movie. It just didn’t fit together and I kept being pulled out of the story as my mind raced to fit this square peg into the otherwise round hole that is the film … that analogy sounded different in my head by the way.

There’s also a very weird section where Hazel’s life is analogized to that of Anne Frank … yeah, umm … well … I tried to find a better way to say that, but really, it was just weird. If I hadn’t been so invested in the characters by this point, I’m not sure how I’d have felt about it. And unsurprisingly, there are some character dynamics that must be taken more on faith than actual development which likely were addressed much better in the book. But that’s books for you. They’ve got pages and pages to express inner motivation. Films have to show you these things and while Woodley once again delivers a character so innately fierce and vulnerable all at the same time, not everyone found a way to level me with a simple look like she did at times here. As amazing as she was in The Spectacular Now (and The Descendants), this is really her shining moment as she’s the clear lead this time around and everything hinges on her performance and her character.

I think you get the gist of things by now. You’re either okay with seeing a movie that will obviously reduce you to tears (if you’re as adorable as I am) or you would rather not get a good cry in a dark movie theater, or maybe not even in the comfort of your own home. That’s okay too. But if you think this movie sounds like something that will give you some sense of perspective, some level of connection, or maybe just some excuse for an emotional release, then please go out and watch The Fault in Our Stars. Sure, it’s not perfect, but I can tell you I’ll probably make a few more trips (on my own dime) to see this in a sublimely dark movie theater. I watch movies because they have the power to make a real connection … if not directly, then by sparking something else that just needed to be given permission to get expressed.

And for the last time, I know. I’m adorable. I just can’t help it. I could have written this with a far more objective frame of mind, but I simply don’t see why I should. This is a story about the heart, and I think speaking from mine (while listening to the movie’s soundtrack no less) is far more in line with that ideal. I’ll leave the brainy criticism to smarter critics. You’re stuck with me. For better or for worse. Now who’s adorable?

GRADE: B+

The Fault in Our Stars was directed by Josh Boone and is rated PG-13 for thematic elements, some sexuality and brief strong language.




Movie Review: ‘Edge of Tomorrow’

Edge of Tomorrow Review
Emily Blunt and Tom Cruise star in 'Edge of Tomorrow' (Photo © 2014 Warner Bros Entertainment)

It feels just like last year that Tom Cruise was trying his hand at science fiction. Say what? That was last year? Oh … Well, in any case now he’s attempting to save the human race from another extra-terrestrial threat, in the bizarrely titled, Edge of Tomorrow.

I say bizarrely because it’s based on the novella All You Need is Kill. That in itself is an odd title but I kind of like raising a middle finger to grammar every now and then. However, Edge of Tomorrow sounds more like a James Bond movie (it would have taken place right before Tomorrow Never Dies which could have been followed up by Tomorrow is Finally Here, and it’s Called Today). Who knows, maybe there is a good reason, and one of you can post that in the comment section.

But I digress…

In Edge of Tomorrow, the world has banded together to fight an alien race commonly referred to as Mimics … though the derivation of that name is never explained nor does it make much sense. I also found their design a bit derivative of video games I’ve played and even the look of generic Decepticons in Michael Bay’s parodies of the Transformers. But aesthetic aside, these Mimics have been kicking our butts, but hope has arisen in the form of a woman lovingly referred to as Full Metal Bitch (Emily Blunt). She wiped out a whole bunch of them by herself, so surely we’re about to win this war … Right?

But where’s Tom Cruise, you ask? (or at least I’m pretending you did.) He’s a semi-pretend Major who isn’t so much a soldier but a promoter, tasked with putting a good spin on the war. Through circumstance in the form of Brendan Gleeson, Cruise finds himself on the front line, which if you’ve seen the trailer, isn’t good for his health. From there it’s up to the audience to buy into the fiction science and up to Cruise and Blunt to stop those pesky aliens.

You may be saying to yourself, “Self, did Ian just write fiction science”? The answer is yes, yes I did. You see, the thing I’m still trying to sort out is whether or not to just accept the explanation the film gives for how Tom Cruise keeps playing Groundhog Day or to throw a temper tantrum and call the script out for effectively doing little more than spouting gibberish.

I haven’t read the source material, but from what the Internet tells me (and the Internet never lies), it seems a slight adjustment was made in how the time loop works exactly. That said, I guess the best thing to do for my mental health is to let it go. But if you’re the type of person to call shenanigans on seemingly lazy science fiction, I’m guessing you already had other plans when people told you Tom Cruise made another film in the genre.

My other big gripe is the ending. I won’t spoil it for you because I’m a nice guy who genuinely cares that readers don’t feel like their valuable time spent reading my drivel is wasted. The same cannot be said of the screenwriters for the film. Without tipping my hand too much, let’s just say the final few minutes are horse manure and most likely the result of test audiences. I read a synopsis of an earlier draft to this script, and while I wouldn’t put that on par with Mamet, it’s far less condescending than what ultimately ended up on screen as the “finished” version.

Negatives aside, the movie is paced quite well, and director Doug Liman and his editing team did a good job of visually conveying the time loops so that the audience truly understood what was happening but at the same time were constantly moving forward with the progression of events. Also, for all my bad-mouthing, that 8-year-old kid in me still enjoys seeing Tom Cruise playing the hero and I’d watch Emily Blunt read the phone book so that element is a no-brainer. (And seeing her kick ass reminded me how much better she would have been as the Black Widow in the Marvel movies as was originally intended.)

Additionally, the production and visual effects team did a nice job of presenting futuristic machines and technology while still grounding it in a world not too far removed from our own. More astounding is that the 3D works in this movie! Yes, you just read that sentence. Seriously, if you’re going to see this movie, cough up the extra lung and see it in the third dimension. It’s not the best 3D I’ve seen, but it’s effective and adds to the action scenes nicely.

So as you’ve surmised, I don’t hate Edge of Tomorrow. It’s not amazing science fiction, and I want the ending cut from the metaphorical film reel and burned. However, if all you want is some action and you haven’t lost the ability to like Tom Cruise, this is a decent diversion and when all is said and done, you should feel like you got what you expected.

GRADE: C+

Edge of Tomorrow opens in theaters on June 6, 2014 and is rated PG-13 for intense sequences of sci-fi action and violence, language and brief suggestive material.




‘Medusa’ Animated Movie in the Works at Sony Pictures Animation

Sony Pictures Animation Medusa Movie

The story of Medusa is going to come to life on the big screen in an animated comedy set up at Sony Pictures Animation. The studio just picked up the pitch by Todd Alcott and Holly Golden and has set Lauren Faust to direct. According to Sony, this Medusa movie will be an all-new story about the snake-headed mythological creature.

“After hearing the ingeniously funny pitch from Todd and Holly, we could immediately see the enormous potential in the idea,” explained Sony Pictures Animation president of production Michelle Raimo Kouyate. “And when Lauren Faust, a uniquely gifted animation filmmaker with a real talent for relating to audiences, connected with the project, we knew the combination of her vision and their story would create something extraordinary. Medusa will be a clever, heartfelt animated comedy about a girl who’s having the ultimate bad hair day.”

“Todd and Holly’s version of the tale of Medusa is filled with so many of my favorite ideas to work with: magic, mythology, humor and strong, funny, extremely relatable characters. I was excited by the idea of showing the comedy behind an otherwise horrific monster, and I was really drawn to the writer’s unique re-imagining of Greek mythology,” said director Faust. “In our story, we meet Medusa as a young human, who, like so many of us, is overwhelmed with trying to fit a certain mold to please others. Her resulting popularity ticks off the wrong Goddess who turns her into the snake-haired monster we all know and fear. Medusa sets out on a quest to reverse this curse with the help of a goofy team of oddball and misfit mythological creatures who help her learn that what makes you different is, in fact, what makes you strong.”

Sony Pictures Animation hasn’t announced a release date for Medusa.




New Kids on the Block Start Shooting a New Reality Series

Rock This Boat: New Kids on the Block Show

Filming just began on a new reality series titled Rock This Boat: New Kids on the Block airing on TVGN. The eight-episode series follows the boy band (well, now men band) and the thousands of fans who are so dedicated to the group that they’ve actually made the annual five-day cruise with the band sell out five years in a row.

Rock This Boat: New Kids on the Block will take the audience at home (not the 3,000 vacationers aboard the cruise) behind the scenes with the guys in the band.

Here’s the details, courtesy of TVGN:

Multiple groups of fans will be featured during the series, including: a pair of Seattle-based sisters with a room back home devoted to their NKOTB memorabilia and who vow to do anything to get close to the band while on the cruise; an over the top Ohio mother leaving her husband and kids behind for some wild fun in the sun; an excited bride-to-be boarding the cruise with both her fiancé and bridesmaids in tow with the hopes of having her dream wedding officiated by Donnie Wahlberg; and a group of kilt-wearing Scotsmen who are looking forward to setting sail with a boat full of women.

Lives are set aside and intense planning commences as these fans get ready to relive their glory days with NKOTB on a cruise from NYC to Bermuda. The featured fans will be filmed at all hours, rocking out to NKOTB live performances and participating in the cruise’s many theme nights: The Masquerade Ball, Cowboy Up! Party, Night at the Movies and The GPS United Nations Party. The fans participating in the filming of the show will be followed by more than 50 members of the production crew, who will be capturing all of the antics and everlasting memories on-board.


By Rebecca Murray

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Watch the New ‘If I Stay’ Prologue with Chloe Grace Moretz

If I Stay Movie
Chloe Grace Moretz and Jamie Blackley in ‘If I Stay’ (Photo © 2014 Warner Bros Entertainment and Metro-Goldwyn-Mayer)

A case could be made for Chloe Grace Moretz to earn the title of the best young actress of her generation, and with If I Stay it appears she’ll be adding to the argument in her favor – not that there’s an official sash and crown given to the winner. This new video, courtesy of Warner Bros Pictures, features the prologue to the film from director R.J. Cutler and is based on the bestselling, critically acclaimed book by Gayle Forman.

In addition to Moretz, the cast includes Jamie Blackley, Mireille Enos, and Joshua Leonard.

Warner Bros Pictures will release If I Stay in theaters on August 22, 2014.

The Plot:

Mia Hall (Chloë Grace Moretz) thought the hardest decision she would ever face would be whether to pursue her musical dreams at Juilliard or follow a different path to be with the love of her life, Adam (Jamie Blackley). But what should have been a carefree family drive changes everything in an instant, and now her own life hangs in the balance. Caught between life and death for one revealing day, Mia has only one decision left, which will not only decide her future but her ultimate fate.

Watch the trailer:

Just How Big is ‘Game of Thrones’?

Game of Thrones is Huge
Emilia Clarke in 'Game of Thrones' season four episode seven (Photo: Helen Sloan/courtesy of HBO)

The riveting series based on George R.R. Martin’s bestselling “A Song of Ice and Fire” book series is now the most popular series in HBO’s history. The network just confirmed the numbers today, and Game of Thrones now ranks first among all original series ever to air on HBO.

According to HBO, Game of Thrones season four has been averaging 18.4 million viewers. Its numbers are high enough to knock the 2002 season of The Sopranos and its 18.2 million viewers off the top of the chart. And, looking back, season three of Game of Thrones was drawing in 14.4 million viewers.

Two episodes remain in season four of the Game of Thrones, executive produced by David Benioff, D.B. Weiss, Carolyn Strauss, Frank Doelger and Bernadette Caulfield. The cast of season four includes Peter Dinklage, Nikolaj Coster-Waldau, Lena Headey, Emilia Clarke, Charles Dance, Aidan Gillen, Jack Gleeson, Kit Harington, Diana Rigg, Sophie Turner, Maisie Williams, Isaac Hempstead Wright, Alfie Allen, Jerome Flynn, Conleth Hill, John Bradley, Gwendoline Christie, Liam Cunningham, Stephen Dillane, Natalie Dormer, Iain Glen, Kristofer Hivju, Sibel Kekilli, Rose Leslie, Rory McCann, Michael McElhatton, Iwan Rheon and Carice van Houten.

Source: HBO


-Posted by Rebecca Murray

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Lifetime Adds More Unscripted Shows to Its Programming Slate

Lifetime Unscripted Series

Lifetime’s continuing to add new unscripted programs to its roster of shows, with four just announced unscripted series getting a greenlight from the network. In addition, three new series have moved into the development stage. Announcing all the new series, Rob Sharenow, Executive Vice President and General Manager of Lifetime, stated, “As we continue to raise the bar across all of our programming, unscripted is playing an important role in placing Lifetime in the cultural zeitgeist and introducing the network to the next generation of our viewers.”

“With larger-than-life characters and never-before-seen worlds, each of these projects will push our boundaries and strengthen our position as a leader in the unscripted space,” added Sharenow.

Born in the Wild

For expecting mothers and fathers in their third trimester of pregnancy, things couldn’t get much wilder. From the mood swings and false alarms to the crazy food cravings, learning to expect the unexpected becomes a way of life in the final days leading up to birth. But what happens when the craziest experience of a woman’s life becomes truly wild, and soon-to-be parents decide to take on an unassisted birth in the outdoors? Born in the Wild will document the journeys of young, expectant parents who have chosen to give birth “in the wild.”

Produced by Matador, Born in the Wild is executive produced by Jay Peterson, Todd Lubin, Yoshi Stone, alongside Lifetime’s Eli Lehrer, Mary Donahue and Mariana Flynn. Lifetime has ordered eight hour-long episodes of Born in the Wild.

Girlfriend Intervention

Girlfriend Intervention stars four wise, poised and stylish African American women, who, in each episode, help a white sister seeking a complete makeover to restore her confidence and inner glow. Making over their wardrobes, beauty routines, homes and minds, they teach these women how to embrace and celebrate their lives, speak their mind, lighten up and love themselves again. Our four experts carry themselves with a great deal of pride, style and, most importantly, self-confidence. Where does it come from and how can it be obtained? Who better to teach a woman how to get that sparkle in her eye and spring back in her step? Each week, Girlfriend Intervention follows a woman whose personal space and self-esteem are in desperate need of a major makeover and a life-giving dose of diva inspiration. Our hosts, beauty pro Tracy Balan, home and sanctuary guru Nikki Chu, style and fashion maven Tiffiny Dixon and soul coach Tanisha Thomas, help these women break it down and tell it like it is.

Girlfriend Intervention is produced by World of Wonder. Fenton Bailey, Randy Barbato and Tom Campbell and Marilyn Wilson serve as executive producers, along with Lifetime’s Eli Lehrer, Mary Donahue and Mariana Flynn. Camilla Rahaman is co-executive producer. Lifetime has ordered eight one-hour episodes of Girlfriend Intervention.

Kosher Soul

This is the swirl like you’ve never seen it before. Celebrity stylist, comedian, sometime performer and reformed man about town O’Neal McKnight is getting married to fellow celebrity fashion stylist Miriam Sternoff, who plays grown-up to his arrested adolescent. O’Neal is African American, from a very rural part of the south; Miriam is Jewish, from the northwest by way of upper-middle-class New York City; and her mom, who strikes terror into O’Neal’s heart, is insistent that their children be raised Jewish. So O’Neal, who had not always been the best boyfriend to Miriam back in the day, is converting in an effort to show he’s serious about marriage and his wife’s belief system. O’Neal and Miriam, and their cosmopolitan circle of Los Angeles friends, spare no sacred cow as they explore and poke fun at the differences in their cultures. We’ll watch emotions run high as Miriam’s family wonders how authentic O’Neal’s conversion is, and these two completely different people try to form a union and live as one. Will their love be able to survive?

Lifetime has ordered 12 half-hour episodes of Kosher Soul, which will be produced by Ish Entertainment. Michael Hirschorn, Melissa Cooper, Wendy Roth, and Rasheed Daniel as well as Lifetime’s Eli Lehrer, Mary Donahue and Mariana Flynn executive produce.

Threads

Hosted by Vanessa Simmons (Run’s House) and featuring judges Christian Siriano (Project Runway Season Four winner), Seventeen Fashion Director Gina Kelly and Accessories Editor Jasmine Snow, and YouTube style guru Ingrid Nilsen (@missglamorazzi, 2.5 million subscribers), Threads is a competition series showcasing America’s most talented young fashion designers. Each week, three new contestants pull out their scissors, sketchbooks and skills to see who can out-design the competition and set the new standard for the future of fashion. Challenges will be fast-paced, unpredictable and far from child’s play as these nascent fashion powerhouses compete for a prize package worth $25,000, including $10,000 to be used at any Jo-Ann’s Fabrics & Crafts store or Joann.com, a scholarship to the Fashion Institute of Design & Merchandising (FIDM) in Los Angeles and a top of the line sewing and embroidery studio courtesy of Brother International Corporation. Special guests this season include television personality and host Kelly Osbourne, actress, singer and dancer Zendaya and actress and model Jaime King.

Lifetime has ordered eight episodes of Threads, which hails from The Weinstein Company, Full Picture and Sara Rea Productions. Executive producers include Bob and Harvey Weinstein (Co-Chairmen of The Weinstein Company), Meryl Poster, Patrick Reardon and Barbara Schneeweiss of The Weinstein Company, Jane Cha and Desiree Gruber of Full Picture and Sara Rea. Eli Lehrer, Mary Donahue and David Hillman of Lifetime also executive produce.


Smile

Imagine having teeth so damaged that you can’t smile. Imagine not dating, working or even leaving the house because of the horrid state of your teeth. For some Americans, this is their shocking reality, and this series explores what happens when they are offered the chance of a lifetime – the chance to smile. Smile is a bold, new hour-long series that documents the emotional and psychological journeys of people attempting to fix their lives by fixing their teeth. The program is from 11th Street Productions and executive produced by Morgan J. Freeman and Dia Sokol Savage. Eli Lehrer, Mary Donahue and Colleen Conway Grogan of Lifetime also executive produce.

Ugly Models

From executive producers rock icon Gene Simmons, Jon Murray, Jeff Jenkins and Gil Goldschein, the workplace docu-series Ugly Models will chronicle the American expansion of the U.K.-based modeling outfit, which prides itself on being the most successful and one-of-a-kind agency in the world representing character models with unique and unusual looks. Having conquered England, now the company is ready to make a go of it on the other side of the pond, and this project will be there to document the process. Ugly Models is from Bunim-Murray Productions. Eli Lehrer, Mary Donahue and Mariana Flynn of Lifetime also executive produce.

Worst Stylist Ever

Worst Stylist Ever is a competition-reality show that will redefine the term “bad hair day.” Each self-contained episode of this series will feature four of the world’s most inadequate hair stylists as they are put through a series of challenges to determine the best of the worst. At stake each week is a scholarship to a prestigious beauty school and perhaps the opportunity to finally learn how to stop savaging women’s hair and have a chance at a career. Produced by Haymaker, Worst Stylist Ever will be executive produced by Aaron Rothman and Irad Eyal, and Eli Lehrer, Mary Donahue and Paul Hardy of Lifetime.

Source: Lifetime

By Rebecca Murray

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Bill Condon Will Take on ‘Beauty and the Beast’

Bill Condon to direct Beauty and the Beast
Bill Condon (Photo © Richard Chavez)

Variety’s reporting Bill Condon has been tapped to direct a live-action version of Disney’s animated tale Beauty and the Beast. Evan Spiliotopoulos is working on a script for the Disney film, which will be based on the Oscar-nominated 1991 animated movie.

Disney’s Beauty and the Beast isn’t the only project based on the classic story that’s in the works. Guillermo del Toro has been attached to a version of the story set up at Warner Bros Pictures and with Emma Watson eyed to play the ‘Beauty’ part of the tale. And, of course, The CW is currently airing a Beauty and the Beast series that’s a contemporary take on the story.

Condon’s known to millions of sparkling vampire fans as the director of The Twilight Saga: Breaking Dawn – Parts 1 and 2, but his filmography is actually pretty diverse. In addition to the Twilight movies, Condon’s directed Dreamgirls, Kinsey, Gods and Monsters, and The Fifth Estate.

Bradley Cooper Joins Paul Newman’s Hole in the Wall Gang Camp Board of Directors

Bradley Cooper Joins Hole in the Wall Gang Board of Directors
Bradley Cooper - Photo © Richard Chavez

Bradley Cooper, soon to be heard voicing a raccoon in Guardians of the Galaxy, has committed to being a part of Paul Newman’s The Hole in the Wall Gang Camp as a member of the Board of Directors. Cooper volunteered to help out seriously ill children who suffered from immunology disorders at the camp back in 2006, and his continuing support of the organization led to a position on the Board.

“Today, as the very first campers of the summer arrive at The Hole in the Wall Gang Camp for a healing week of fun and friendship, their excitement is matched by our own as we share the wonderful news that Bradley Cooper has joined our Board of Directors,” said Board Chair Ray Lamontagne. “The fact that Bradley spent a week in the cabins as a volunteer counselor gives him a wonderful insight into what The Hole in the Wall Gang Camp calls ‘a different kind of healing,’ and his longtime friendship to the organization is a beautifully fitting testament to Paul Newman’s enduring legacy.”

“When I spent a week at The Hole in the Wall Gang Camp as a counselor, I was amazed at how the spirit of Camp is able to help kids facing so much escape their illness, make fast friends and remember what being a kid is all about,” said Cooper. “I am excited to be joining The Hole in the Wall Gang Camp’s Board of Directors at a time when the organization is growing its services to bring the magic of Hole in the Wall to even more children and families throughout the Northeast, including my hometown of Philadelphia, where the Hospital Outreach Program is bringing Camp fun to kids at their bedsides.”

Details on The Hole in the Wall Gang Camp:

“The Hole in the Wall Gang Camp has a long history of celebrity advocacy. In addition to founder Paul Newman, the Camp has benefitted from the spirited involvement of many well-known celebrity friends since its founding in 1988, most notably at the Camp’s Fandango Benefit Gala that is held at Hole in the Wall every September. Cooper is part of a next generation of celebrity friends who hopes that his involvement will inspire others to get involved and support the Camp’s mission as it continues to expand its services for seriously ill children and their families.

In addition to the Hospital Outreach Program’s recent expansion into Philadelphia in 2013, The Hole in the Wall Gang Camp is also in the process of extending that program’s year-round services to New Jersey. Additionally, a whole new mobile Camp program – CampOut – is now bringing Hole in the Wall programming to camper homes, neighborhoods and communities via a fun-filled, whimsically appointed van. The Connecticut-based Camp, which served 288 children its first summer, now serves more than 25,000 seriously ill children and family members throughout the Northeast annually.

Founded in 1988 by Paul Newman, The Hole in the Wall Gang Camp is a community dedicated to providing “a different kind of healing” to seriously ill children and their families through a variety of year-round programs. The Camp delivers fun, friendship and a healthy dose of mischief through its signature summer program and weekend sessions at the Camp facility in Ashford, Conn. as well as outreach to hospitals, clinics and communities across the Northeast. All services are free of charge. For more information, visit holeinthewallgang.org.




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