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The Campaign Film Review

Jason Sudeikis and Will Ferrell in The Campaign
Jason Sudeikis and Will Ferrell in 'The Campaign' - Photo © Warner Bros Pictures

Reviewed by Kevin Finnerty

“Running for office, that’s always been my dream,” says Marty Huggins (Zach Galifianakis), director of the local Tourism Center, after being told by his father (Brian Cox) that he’ll oppose current Congressman Cam Brady (Will Ferrell) for office after a small scandal has caused Brady to drop in the popularity polls in the comedy movie, The Campaign.
 
Determined to keep his seat, Brady decides to go all out and play hardball against his new opponent. Early in the campaign Marty seems to be a likable but naïve, weak/odd choice for a candidate. But with the financial backing of his new benefactors, a pair of unscrupulous power brokers known as the Moth brothers (played by Dan Aykroyd and John Lithgow) and his new overbearing, menacing campaign manager, Tim Wattley (Dylan McDermott), it’s not long before Marty becomes a strong and worthy adversary. With both candidates becoming overly obsessed with winning, they decide to throw caution, manners, ethics and morals aside and do whatever it takes to completely destroy each other to obtain public office.
 
Funny, silly, and unexpectedly mean in parts, The Campaign is a comedy that has some laugh out loud moments early in the film but quickly starts to lose both steam and laughs before the first half of the film is over. Will Ferrell delivers an adequate performances as Brady, the not-too-bright, overly-sexed career politician, a combination of George W. Bush and Bill Clinton in one who will do and say anything to hold onto his political office. But, there is no real challenge for him here. He’s played this type of character before on the small screen on Saturday Night Live.
 
Zach Galifianakis is solid as Marty, the simple, well-meaning and decent aspiring candidate who quickly starts to lose his way in pursuit of a political career. Most of the film’s early laughs are when both Will and Zach are on screen together trying sabotage and upstage each other.
 
One stand-out performance is by Dylan McDermott as the cold, ruthless, stone-faced campaign manager whose job it is to make Huggins an electable candidate. His cold stares and forceful language make his scenes with Zach some of the funniest in the film.
 
However, the movie’s tone and humor goes from being silly and funny to dark, mean and ugly in the second half, with many of the jokes being obvious and flat. The movie also becomes extremely predictable with an ending the audience will see coming a mile away.
Crude, dumb and weak, The Campaign is a political satire that ultimately comes up short on the laughs and goes too far with its mean-spiritedness.
 
GRADE: C-
 
The Campaign hits theaters on August 10, 2012 and is rated R for crude sexual content, language and brief nudity.
 

First Look: Red Dawn Trailer

Josh Peck, Josh Hutcherson and Chris Hemsworth in Red Dawn
Josh Peck, Josh Hutcherson and Chris Hemsworth in 'Red Dawn' - Photo © Open Road Films
Does this official trailer mean the Red Dawn remake will actually be hitting theaters this year? Finally? Shot back in 2009, the remake of the popular ’80s film has been shuffled around so much that it’s hard to get worked up about any announced theatrical release date. Now set for a launch on November 21, 2012, this version of everyday Americans taking on foreign invaders stars Chris Hemsworth (Thor), Josh Hutcherson (The Hunger Games), Josh Peck, Jeffrey Dean Morgan, and Isabel Lucas.
 
The Plot:
 
In Red Dawn, a city in Washington state awakens to the surreal sight of foreign paratroopers dropping from the sky – shockingly, the U.S. has been invaded and their hometown is the initial target. Quickly and without warning, the citizens find themselves prisoners and their town under enemy occupation. Determined to fight back, a group of young patriots seek refuge in the surrounding woods, training and reorganizing themselves into a guerilla group of fighters. Taking inspiration from their high school mascot, they call themselves the Wolverines, banding together to protect one another, liberate their town from its captors, and take back their freedom.
 
Watch the trailer:
 

 

‘Sons of Anarchy’ Cast Supports The Boot Campaign

Cast members from FX’s addictive, critically acclaimed series Sons of Anarchy will be participating in the 2nd Annual Boot Ride and Rally kicking off on August 26th at the Route 66 Classic Grill in Canyon Country, CA. The ride is in support of The Boot Campaign, a military non-profit organization that helps military personnel heal from “physical and emotional combat wounds.”

The ride begins at 10:30am and ends at 3pm, with a rally at The Happy Ending Bar & Restaurant in Hollywood where Blackberry Smoke will perform.

Commenting on SoA‘s involvement, Theo Rossi said, “I support the Boot Campaign for what they give to those who give so much for our country every day. The first year of the Boot Ride was an amazing experience. Seeing people come out from all over, ride and, most importantly, put on their boots, was an inspiration. This year can only be better than the last. It’s an honor to be part of this movement.”

20th Century Fox Entertainment is one of the event’s sponsors and will be donating 250 copies of Sons of Anarchy Season 4 on DVD.

Tickets for the after-ride event can be purchased by non-riders for $25.

Sons of Anarchy Season 4 DVD

Details on how you can get involved, courtesy of 20th Century Fox Home Entertainment:

  • BUY YOUR BOOT – It wouldn’t be a Boot Ride without the official Boot Campaign footwear!
  • BUY YOUR RIDE – ONLINE registration ONLY for riders and passengers. The fee is $150 per person (rider or passenger), which includes entry into both the Ride and Rally, Boot Ride 2012 t-shirt, Boot Ride 2012 commemorative patch, Mirror tag – Boot Ride 2012 bandana, Rally wristband, BBQ lunch at Route 66 Classic Grill.
  • BUY YOUR RALLY – The Rally gates open at 3pm Sunday afternoon at The Happy Ending Bar & Restaurant parking lot. Admission is $25 and includes a live performance by Blackberry Smoke, plus appearances by cast members of FX’s hit show Sons of Anarchy and other celebs.

More on The Boot Campaign:

The Boot Campaign is a grassroots military appreciation and veteran awareness campaign started by five women from Texas, known as the Boot Girls. The Boot Girls launched the Boot Campaign in 2009 to spread awareness of the needs of military personnel returning home from combat and express gratitude to the current military. Through the sale of military combat boots, the BootCampaign donates proceeds to a group of partner charities that work with soldiers healing from a variety of physical and emotional combat wounds, embodying the campaign motto that, “When They Come Back, We Give Back”.




More Channing Tatum Goodies

10 Years Poster
Poster for '10 Years' - Photo © Anchor Bay Films
Haven’t had your daily fix of Channing Tatum yet? Here you go…the official poster for Ten Years. What’s Ten Years? So glad you asked. Here’s the official synopsis:

“In this ensemble comedy, 10 Years follows a group of friends on the night of their high school reunion who, a decade later, still haven’t quite grown up. Channing Tatum plays Jake, who is deeply in love with his girlfriend (Jenna Dewan-Tatum) and ready to propose—until he runs into his high school flame (Rosario Dawson) for the first time in ten years. Jake’s friend Cully (played by funnyman Chris Pratt) married his cheerleader girlfriend (Ari Graynor), and has been looking forward to the reunion so he can finally apologize to all the classmates he bullied in high school. However, after a few too many drinks, the jock-turned-family man ends up reverting back to his old ways instead. Meanwhile, longtime rivals Marty (Justin Long) and A.J (Max Minghella) spend the night still trying to one-up each other to impress thecoolest girl in class (Lynn Collins), who now has a secret. The famous one of the group, Reeves (Oscar Isaac) is now well-known musician, but is still too shy to talk to the high school crush (Kate Mara) who inspired his one hit wonder.”
 
Ten Years hits theaters on September 14, 2012.
 

Channing Tatum and Rosario Dawson in Ten Years
Channing Tatum and Rosario Dawson in Ten Years - Photo Credit: Colleen Hayes, property of Anchor Bay Films

 
Source: Anchor Bay Films
 
Posted by Rebecca Murray

New Cirque du Soleil Worlds Away Poster and Photos Arrive

 A scene from Cirque du Soleil Worlds Away
A scene from 'Cirque du Soleil Worlds Away' - Photo © Paramount Pictures

Paramount Pictures has just unleashed new photos and a gorgeous poster from Cirque du Soleil Worlds Away, the 3D feature film coming to theaters on December 21, 2012.

The Story:

From the big top to the big screen, visionary filmmaker James Cameron and director Andrew Adamson (Shrek, Narnia) invite you and your family on an all new 3D adventure: Cirque du Soleil Worlds Away.   A young couple who is separated, must journey through the astonishing and dreamlike worlds of Cirque du Soleil to find each other, as audiences experience the immersive 3D technology that will allow them to leap, soar, swim, and dance with the performers.  

Cirque du Soleil Worlds Away Poster

A scene from Cirque du Soleil Worlds Away

A scene from Cirque du Soleil Worlds AwayA scene from Cirque du Soleil Worlds Away

Source: Paramount Pictures

Ryan Lochte on ‘The Bachelor?’

I’m fairly certain three-time Olympian Ryan Lochte’s future won’t be in hosting a talk show or providing commentary during swimming meets. The winner of five medals during the 2012 London Olympics has been making the interview rounds following the completion of the swimming portion of the Games, and he’s great to look at, talented in the pool, but he might want to stay away from talking too much in front of cameras.

Everything that’s been put out on video with Lochte recently just hasn’t indicated the 28 year old swimmer is ready to move on to acting. However, in his interview with Matt Lauer on Today he indicates he’s considering spending time in the spotlight on a reality TV show.

“Hopefully…we’ll see what happens. I’m definitely looking towards Dancing With the Stars and The Bachelor, so we’ll see what happens,” said Lochte. “I definitely want to move to LA. That’s been a big goal of mine – getting into fashion. Because, you know what? That is my passion.”

And in case you missed it on Funny or Die, Lochte’s “Peeing in the Poo” video is embedded above.

Movie Review: ‘The Bourne Legacy’

The Bourne Legacy.
Jeremy Renner and Rachel Weisz in a scene from ‘The Bourne Legacy’ (Photo © Universal Pictures)

Robert Ludlam wrote three books about Jason Bourne: The Bourne Identity, The Bourne Supremacy, and The Bourne Ultimatum. After his passing in 2001, Eric Van Lustbader took up the series and has since written seven (yes, SEVEN) additions to the Bourne canon. A quick comparison between the synopsis for number four, The Bourne Legacy, and the film sharing that title sees drastic differences: most importantly that the book is still about Jason Bourne.

After director Paul Greengrass left the film project, Matt Damon packed up as well; leaving a large, tax-sheltered hole where Universal was hoping big piles of cash would be dumped. A logical plan was then put in place, bumping one of the co-writers of the previous three films’ screenplays into the director’s chair. Thankfully, with that person being Tony Gilroy, it’s not a cop-out (he previously directed Michael Clayton). His intimate knowledge of the film series seemed like a perfect match and he once again co-wrote the screenplay. Problem is, this was no longer The Bourne Legacy as a new character had to be brought in (Jeremy Renner‘s Aaron Cross). Instead, what we have is a film I prefer to call ReBourne.

More than an easy quip, that moniker would be far more helpful for fans of the franchise when trying to temper their expectations. Now, I’m not saying this was a bad movie; it’s actually quite good. They wove the timeline of the last films in with this one, making it feel like an organic extension of what we’ve been told up to this point.

Renner is a wonderful addition to the world Matt Damon introduced audiences to and Rachel Weisz makes for a tremendously romantic and intellectual match (how she manages to make me believe she’s in love with each and every actor she works with is astounding). The story unfolds in an engaging manner, the action is decent, and the new version of Moby’s Extreme Ways introduced at the end of the third film is back again as the end credits get rolling (some version of the song has been there for each previous film).

However, problems arose when I stopped to gather my thoughts and put the events of the film into a larger context. What follows after this paragraph isn’t quite spoiler material in terms of specific plot elements but might lay out more than you want to know ahead of time. If all you’re interested in is whether or not you should see the movie, the short answer is ‘yes,’ assuming you liked the other three. I have no idea why you’d be interested in seeing it if you didn’t.

That out of the way, I’d really like to know why, aside from financial gain, Tony Gilroy bothered to make the movie at all. Due to the need to introduce a new character, this is essentially an origin film. That makes sense. But aside from the differences in how much Aaron Cross knows about the super secret program he’s involved with and a lack of amnesia, nearly every beat of the movie is a distorted mirror of The Bourne Identity.

We have a non-spy female love interest who initially is a means to an end but becomes much more than that. The CIA wants nothing more than to mitigate any possible blowback that might occur if the public finds out about their shady projects that don’t officially exist. The chase spans across country borders, and you had better believe there’s another specially trained assassin tasked with finding our hero and making him dead.

I’m almost more upset about this film than the completely unnecessary foreign film remakes for audiences unwilling to read subtitles that continue to make my blood boil. At least those are known quantities. This is a wolf in sheep’s clothing, purporting to propel the franchise in a new direction but ultimately leaving us at the same point the first film did. If they follow through with the trajectory of The Bourne Supremacy, Rachel Weisz may not want to plan to be a part of this franchise after the next movie.

And make no mistake, there will be more. It’s highly doubtful audiences will resist the urge to see what is one of the surer bets of the summer, there are six more novels already in publication to draw ideas from (or two movies if they keep up with these shenanigans), and what studio doesn’t want to make money? While I will continue to be interested in future installments, I can only hope that the story will veer from it’s previous path and not just because at some point there will be an offer Damon (and possibly Greengrass) can’t refuse.

The end goal is so obviously a team-up of these two very capable killing machines with hearts of gold. After all, if The Avengers taught Hollywood anything, it’s that building anticipation for some grand collaboration will probably net you even bigger piles of cash to stick in even bigger, tax-sheltered holes. And that’s the true goal of movie-making these days, isn’t it?

GRADE: B-

The Bourne Legacy hits theaters on August 10, 2012 and is rated PG-13 for violence and action sequences.




Say Good-Bye to The Closer

GW Bailey and James Duff from The Closer
The Closer’s G.W. Bailey and James Duff accept a certificate of the most contributions to a greeting card from Guinness World Records adjudicator Michael Empric. - Photo Courtesy of TNT
One final episode and then The Closer will be gone. The series finale airs on Sunday, August 13, 2012 at 9pm (followed by the series premiere of Major Crimes), and in support and appreciation of the show, fans have been signing a “Thank-Yew” card online. In fact, so many fans – over 17,000 – have signed the card that it’s now the new Guinness World Record holder for the “most contributions ever on a greeting card.”

The card has been available online since February, with The Closer fans adding personal messages about what the show has meant to them the past six months. TNT even set up a huge 10-foot version of the card during a special fan screening of The Closer in Hollywood.

With three days left until the final episode, it’s not too late to add your signature and message to the card. Add your message at http://Thankyew.com

Movie Review: ‘The Campaign’

Zach Galifianakis and Will Ferrell in The Campaign
Zach Galifianakis and Will Ferrell in 'The Campaign' - Photo © Warner Bros Pictures

As the upcoming Presidential election draws nearer, it only seems right that a comedy take advantage of the subject material. Enter Will Ferrell and Zach Galifianakis as opposing North Carolina congressional candidates in The Campaign.

Directed by Jay Roach, who helmed both the Meet the Parents and Austin Powers trilogies, the movie is both farce and satire. Ferrell plays a four-term incumbent Democrat modeled seemingly after politicians like Bill Clinton and Gary Hart but with the similar brash cluelessness the former SNL alum used to play George W. Bush. Galifianakis once again steps into the shoes of a rather odd individual, a man running on the Republican ticket thanks to the deep pockets of greedy benefactors (Dan Aykroyd & John Lithgow) but at heart a very simple man with ideals as pure as his behavior is strange.

The comedy naturally derives from watching these polar opposites attempt to win over voters either through shameless pandering or vicious mud-slinging. A talented supporting cast, including Jason Sudeikis, Dylan McDermott, Bryan Cox, and Karen Maruyama, make sure any moments not dominated by the two leads round out this exaggerated examination of the American political system.

To no surprise, the comedy is a mix of satiric observations, awkward personalities, and vulgar/over-the-top setups; and if one were looking for a simplistic cinematic comparison, this is Talladega Nights trading in Nascar for the House of Representatives. Weaving between the types of comedy keeps the film from feeling monotonous, as does the brisk runtime of 85 minutes (including a joke or two in the credits just to warn those of you who bolt for the exit door when the text starts to roll across the screen).

One’s enjoyment of the picture squarely falls on the appeal of its leading men. Neither is exploring new territory, and it’s purely personal taste if one will be satisfied that each delivers exactly the type of performance and character that would be expected of them. Anyone suffering from comedy fatigue in the case of either actor won’t find anything fresh to rekindle that initial spark that brought each to the forefront of mainstream comedy success.

That being said, the similarities to real-life election practices and corruption rampant in American politics still rings through the humor on display. Only time will tell if it has the ability to get better upon subsequent viewings like others from its stars (Anchorman, The Hangover). Assuming you still look forward to films from Ferrell and Galifianakis, The Campaign will fill the comedy void amongst wide releases of late. If either, or both, of the actors have worn out their welcome, seek movie entertainment elsewhere.

GRADE: C

The Campaign hits theaters on August 10, 2012 and is rated R for crude sexual content, language and brief nudity.




Film Review – ‘Ai Weiwei: Never Sorry’

Ai Weiwei Review
Ai Weiwei in a scene from Alison Klayman’s AI WEIWEI: NEVER SORRY. Photo Courtesy of Never Sorry LLC. A Sundance Selects release.

It seems appropriate that as the 2012 Olympics come to a close, the documentary Ai Weiwei: Never Sorry continues to find limited release in the states. If that comment doesn’t make any sense, it’s probably because you’re like me and had forgotten/never knew that Ai Weiwei was the artist who designed the Beijing National Stadium commonly referred to as the Bird’s Nest which figured so prominently into the 2008 Olympics.

Weiwei is a very respected figure in the art world, and unsurprisingly even more so in China amongst the populace who share his beliefs that the voice of the people should be heard; without fear of reprisal from a government that routinely detains, beats, and ‘disappears’ those who challenge the system. His art often speaks to creating a more open society with greater levels of transparency and equality.

Now, as someone who very rarely uses the Twitter account they started on a lark years ago, I had no idea how prominent a figure Weiwei was in the world of social media. Of course, that wasn’t where he began to speak out against China’s intolerance for social unrest, but after they shut down his blog, Weiwei found that Twitter was a way around the national firewall and has since used it to great effect.

This trend of using social media to effect change socially and politically isn’t quite a new thing but has been gaining more legitimacy in the last few years; one needs only look at recent uprisings in the Middle East and how Facebook helped organizers in their endeavors to see the results.

Sure, the documentary is 95% focused on Weiwei; how he became so prominent worldwide for his efforts, and spotlighting the series of events that took place following the Beijing Olympics and the devastating 2008 Sichuan earthquake which would lead to his own detainment by the Chinese government. However, as well plotted out as all of those segments are, it’s the larger message regarding how social media has changed the paradigm of how we all communicate with one another that makes this documentary so fascinating to watch.

This isn’t a brand new insight, but with the speed of technology and access to news increasing each and every day, the role of social media to ensure everyone has the opportunity to be heard is only now beginning to be taken seriously. As fewer and fewer corporations control the flow of information, it has become even more important for so-called average citizens to speak out when something isn’t being said and to allow for more than the two or three major headlines it seems can be handled at any one time by the big outlets.

Taking all of that into perspective elevates the importance of Ai Weiwei: Never Sorry. It’s a fairly standard bio-pic, albeit about a rather fascinating individual who has not only great artistic talent but also shows great courage to rise up in a society that has so often only told its people to stay down. Adding the extra layers of technology’s role in an ever-shrinking global community puts the film over the top and makes it one of the best documentaries of 2012.

GRADE: B+

Ai Weiwei: Never Sorry hits theaters on August 10, 2012 and is rated R for some language.




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