
Stephen Colbert recalls begging for iPhones, iPads, and receiving an email from Steve Jobs himself after showing off his iPad at the Grammys in this video clip from The Colbert Show.

Stephen Colbert recalls begging for iPhones, iPads, and receiving an email from Steve Jobs himself after showing off his iPad at the Grammys in this video clip from The Colbert Show.

The grand prize winner will receive a 3-day, 2-night trip for two to Los Angeles (including air transportation and accommodations) and tickets to see the premiere screening of The Twilight Saga: Breaking Dawn – Part 1. The winner also gets a $500 travel stipend and gift pack.
In order to enter, Twilight fans must ‘like’ the Time Warner Cable Facebook and fill out the online registration form. Complete details are available at www.facebook.com/timewarnercable.
Time Warner will be announcing the winner on (or around) October 26th.
Source: Time Warner

Official Synopsis: Set on Christmas night, the story of Arthur Christmas at last reveals the incredible, never-before seen answer to every child’s question: ‘So how does Santa deliver all those presents in one night?’ The answer: Santa’s exhilarating, ultra-high-tech operation hidden beneath the North Pole. But at the heart of the film is a story with the ingredients of a Christmas classic – a family in a state of comic dysfunction and an unlikely hero, Arthur, with an urgent mission that must be completed before Christmas morning dawns.
Watch the trailer:
More on Arthur Christmas:
—Photos and poster
—News and cast list

Little monsters, we have some news just for you. The HBO special Lady Gaga Presents The Monster Ball Tour at Madison Square Garden is coming out on Blu-ray and DVD on November 21, 2011 complete with never-before-seen footage.
In addition, Born This Way The Remix with 14 tracks of remixes by artists, including Foster the People, Michael Woods, and The Weeknd, is also releasing on Nov. 21st. And for those really into Gaga, there will be a special package called Born This Way, The Collection that will include the “multi-platinum 17-track record Born This Way, the brand new Born This Way The Remix album and the Monster Ball Tour DVD.”
More on Lady Gaga [From the Official Press Release]:
Lady Gaga’s third studio album, Born This Way, broke the iTunes record for the fastest rise to the # 1 on release day. The singles from the album, including “Born This Way,” “Judas,” “The Edge of Glory” and “Yoü and I” have sold a combined total of more than 7 million copies in the US alone. The first single from the album, the title track “Born This Way,” set a music industry record by becoming the fastest single in history to reach sales of 1,000,000 copies (five days after its February 11th release).
Only the 19th single to ever debut at #1 on the Billboard Hot 100 (issue date February 26, 2011), the recording was Lady Gaga’s third #1 on the chart. On iTunes, the song debuted at the top spot in 14 countries, including the U.S., and hit #1 in all 23 iTunes stores worldwide its first week out. The singles from the album, including “Born This Way”, “Judas”, “The Edge of Glory” & “Yoü & I” have sold a combined total of more than 6 million copies in the US alone.
In less than three years, Lady Gaga has earned numerous achievements including five Grammy Awards amongst twelve nominations, two Guinness World Records and the estimated sale of 23 million albums and 64 million singles worldwide. Billboard named her both the “2010 Artist of the Year” and the top selling artist of 2010 ranking her as the 73rd Artist of the 2000’s decade.
Gaga has been included in Time’s annual “The 2010 Time 100” list of the most influential people in the world as well as Forbes’ list of the “The World’s Most Powerful Celebrities” in the world. Forbes also placed her at number seven on their annual list of the world’s “100 Most Powerful Women.” With over 1.9 billion combined views of all her videos online, Lady Gaga is one of the biggest living people on Facebook with over 44 million ‘likes’ and is #1 on Twitter with over 14 million followers. Lady Gaga is the only artist in the digital era to top the 5 million sales mark with her first two hits.

Season six of Dexter kicked off on October 2, 2011 with the serial killer attending his high school reunion and discovering that in the years since he graduated, he’s become a celebrity to his class mates. Of course, he didn’t just show up at the reunion to drink and dance; Dexter (Michael C Hall) was there on the hunt for a bully from high school who had gotten away with murder.
The first season six episode also introduced us to an interesting pair of killers played by Edward James Olmos and Colin Hanks, and caught us up on Debra’s (Jennifer Carpenter) personal life and Batista’s (David Zayas) divorce from Maria LaGuerta (Lauren Velez).
Episode twp, airing on October 9, offers up this synopsis: “To solve a mysterious and macabre murder, Homicide brings in Brother Sam, a minister with a criminal past whom Dexter recognizes as a fellow killer that might have found a cover even better than his own; now a local hero, Debra is surprised by two life-changing proposals.”

Relativity chose to release The Raven trailer today, October 7th, because it’s the 162nd anniversary of Edgar Allan Poe’s mysterious death. And to celebrate Poe’s life, Relativity’s put together a packet of background information on both the film and Edgar Allan Poe.
About Edgar Allan Poe [Courtesy of Relativity Media:]
· Poe wrote a fabricated news story of a balloon trip across the ocean to garner attention and publicity in New York City.
· Poe was a champion for higher wages for writers and international copyright law, as his writings were continuously published without him getting credit or compensation.
· Prior to becoming Poe’s wife at the age of 13, his female cousin Virginia acted as a courier, delivering letters to Poe’s lady loves.
· From 1949 to 2009, a mysterious figure has left a half-empty bottle of cognac and 3 roses on Poe’s grave every day on his birthday.
· Poe formulated rules for the short story, including that it should relate a complete action and take place within one day in one place.
· Poe was deeply interested by cryptography, the creation and translation of secret codes, and was very proud of his ability to translate them. He would challenge readers of various publications where he worked to send him codes to decipher and, by all accounts, he seemed able to unlock the secrets to any he received.
· Poe’s lifelong dream of owning and operating his own publication never came to fruition.
· Poe met with Charles Dickens while Dickens was in the US on a lecture tour, and solicited his help with getting published in England—nothing ever came of it.
· Poe’s grandfather was an important figure in the American Revolution, contributing a large sum of his own money to outfit local branches of the Continental Army. His wife, Poe’s grandmother, personally sewed over 500 soldiers’ uniforms for Lafayette’s troops as they passed through Baltimore.
· Poe joined the Army in 1827, lying to recruiters about his age and name. He also published his first collection of poetry during this time. He achieved the rank of Sergeant Major.
· Poe experienced periods of extreme destitution, often having to burn his furniture to keep warm during the winter.
· Poe successfully sought expulsion from West Point. That being said, he was one of the top students in his class.
· Wrote poetic tributes to all the pivotal women in his life.
· Poe had two biological siblings, but all were raised in separate foster homes.
· Poe’s childhood hero was Lord Byron.
· The Poe House and Museum in Baltimore is in jeopardy of being closed in mid-2012 due to Baltimore City budget cuts. The city eliminated the Museum’s funding in 2010.
Edgar Allan Poe’s Body of Work:
“A Dream” (1827)
“Evening Star” (1827)
“The Happiest Day, the Happiest Hour” (1827)
“The Lake. To” (1827)
“Song” (1827)
“Stanzas” (1827)
“Al Aaraaf” (1829)
“Fairy Land” (1829)
“Romance” (1829)
“To The River” (1829)
“Sonnet – To Science” (1829)
“Spirits of the Dead” (1829)
“The City in the Sea” (1831)
“The Sleeper” (1831)
“Israfel” (1831)
“Lenore” (1831)
“The Coliseum” (1833)
“Manuscript Found in a Bottle” (1833)
“The Assignation” (1834)
“Berenice” (1835)
“Hymn” (1835)
“Bridal Balad” (1837)
“Sonnet – To Zante” (1837)
“Ligeia” (1838)
“Silence – A Fable” (1838)
“The Fall of the House of Usher” (1839)
“The Haunted Palace” (1839)
“Sonnet – Silence” (1840)
“The Murders in the Rue Morgue” (1841)
“William Wilson” (1842)
“The Conqueror Worm” (1843)
“The Gold Bug” (1843)
“The Angel of the Odd” (1844)
“The Balloon Hoax” (1844)
“Dream-Land” (1844)
“A Descent Into The Maelström” (1845)
“Hop-Frog” (1845)
“The Black Cat” (1845)
“The Facts in the Case of M. Valdemar” (1845)
“The Man of the Crowd” (1845)
“The Purloined Letter” (1845)
“The Purloined Letter” (1845)
“The Raven” (1845)
“The Valley of Unrest” (1845)
“Eulalie” (1845)
“The Cask of Amontillado” (1846)
“Ulalame” (1847)
“Eureka” (1848)
“Annabel Lee” (1849)
“The Bells” (1849)
“Eldorado” (1849)
“For Annie” (1849)
“Mesmeric Revelation” (1849)
“A Dream Within A Dream” (1850)
“A Valentine” (1850)
“Eleonora” (1850)
“The Imp of the Perverse” (1850)
“The Island of the Fay” (1850)
“The Masque of the Red Death” (1850)
“Never Bet the Devil Your Head” (1850)
“The Oval Portrait” (1850)
“The Pit and the Pendulum” (1850)
“The Premature Burial” (1850)
“Some Words With a Mummy” (1850)
“The Spectacles” (1850)
“The System of Dr. Tarr and Prof. Fether” (1856)
“The Tell-Tale Heart” (1850)
“Bon-Bon” (1850)
“Elizabeth” (1850)
“Loss of Breath” (1850)
“Serenade” (1850)
“The Domain of Arnheim” (1850)
“Alone” (1875)
“The Devil in the Belfry” (Unknown)
“Imitation” (Unknown)
About The Raven [Courtesy of Relativity Media]:
Edgar Allan Poe (John Cusack) joins forces with a young Baltimore detective (Luke Evans) to hunt down a mad serial killer who’s using Poe’s own works as the basis in a string of brutal murders. Directed by James McTeigue, the film also stars Alice Eve, Brendan Gleeson and Oliver Jackson-Cohen.
When a mother and daughter are found brutally murdered in 19th century Baltimore, Detective Emmett Fields (Evans) makes a startling discovery: the crime resembles a fictional murder described in gory detail in the local newspaper—part of a collection of stories penned by struggling writer and social pariah Edgar Allan Poe. But even as Poe is questioned by police, another grisly murder occurs, also inspired by a popular Poe story.
Realizing a serial killer is on the loose using Poe’s writings as the backdrop for his bloody rampage, Fields enlists the author’s help in stopping the attacks. But when it appears someone close to Poe may become the murderer’s next victim, the stakes become even higher and the inventor of the detective story calls on his own powers of deduction to try to solve the case before it’s too late.

One of my personal favorite shows, So You Think You Can Dance, will be brought back for a ninth season, so says Fox. The network announced on October 6, 2011 that the show will return next summer and confirmed audition information will be announced soon.
In the official press release, President of Alternative Entertainment at Fox Broadcasting Company Mike Darnell, stated, “For the past eight seasons, So You Think You Can Dance has been a huge part of our success. We are excited to bring the series and an incredible set of new dancers back for another fantastic season.”
The reality dance show created by Simon Fuller and Nigel Lythgoe continues to enchant viewers, ranking #1 in its time period among Adults 18-49, Adults 18-34 and Teens this summer.
Source: Fox – October 6, 2011

The Plot: Charlize Theron plays Mavis Gary, a writer of teen literature who returns to her small hometown to reclaim her happily married high school sweetheart (Patrick Wilson). When returning home proves more difficult than she thought, Mavis forms an unusual bond with a former classmate (Patton Oswalt) who hasn’t quite gotten over high school, either.

A father and son. A man and a woman. A tech-savvy boy and the robot he discovered in a junkyard. A washed-up boxer and dreams of grandeur. Oddly enough, not much time is spent on the boy coping with the loss of his mother angle, but pretty much every other blatant attempt to provoke sympathy is somewhere to be found in Real Steel. (Surprise, it’s a Disney film! – Wait, why aren’t you surprised?)
Also not surprising is that like cobbling together an actual robot whose carcass is found in a trash heap, the film is assembled from the spare parts of others that have come before it. Whether it’s shades of almost every Rocky installment, The Iron Giant, Star Wars Episode I: The Phantom Menace, whatever reluctant parent Lifetime channel film you can think of, or even some musical notes composer Danny Elfman lifted from his own work on Good Will Hunting, the whole production is a hodgepodge of clichés, stereotypes, and oft-repeated cinematic themes.
At the helm of it all is director Shawn Levy, responsible for such cinematic marvels as the Night at the Museum franchise (1 AND 2, don’t get excited), The Pink Panther reboot debacle, and the disappointingly flat Date Night. His ability to hammer home the blatantly obvious is on full display, culminated in this film during the final fight with a series of slow-motion, teary-eyed looks between the major characters that bordered on nauseatingly cheesy (just a warning for the cinematically lactose intolerant).
On the plus side, the robots and their fighting look great. Sugar Ray Leonard helped out on the boxing side of things, giving all of the bouts a sense of strategy and not simply a heap of punch-counterpunch antics. On the visual side of things, animatronics supervisor John Rosengrant, whose team at Legacy Effects had worked on Iron Man and Terminator: Salvation, delivered detailed and exciting mechanical pugilists. Mixing and matching with CGI, what makes Real Steel succeed in regards to its core feature is that the robots feel like they have weight and presence, which if done solely via computers would likely not have come off right (i.e. Yoda in the Star Wars prequels).
The acting is on par with any other generic Disney sports movie. Hugh Jackman plays his role as a mix of Wolverine and his character from Swordfish (never thought I’d mention that movie again). Evangeline Lilly gets to look pretty as she so often does and Dakota Goyo does his best to avoid the full Anakin Skywalker comparison (uncanny resemblance, robot-building expertise, dead mommy issues).
Supporting cast members like Kevin Durand and Anthony Mackie help to inject a little energy into the project. Though others come off as cartoonish, like the lovely Olga Fonda (no relation to Jane, Peter, or Henry) who was born in Russia but plays her Russian character so broadly and with such a noticeable accent, I was expecting her to say “Moose and Squirrel” at every turn. Likewise, Karl Yune imbues his turn as a Japanese robot designer with the subtlety of a kid-friendly anime with its own card game.
Also working against things is a 2-hour-plus runtime. Having so many different themes to address bloats what should be a succinct and simple script that barely crosses the 90-minute mark. Seeing as it’s all completely formulaic and predictable, the tediousness of working through it all seems unnecessary. And bottom line, the target audience is 13-year-old boys or anyone who wants to see the cheesiest cinematic rendition of Rock ‘Em Sock ‘Em Robots.
If that’s you, then I suppose Real Steel is up your alley, and it gets a 2.5 out of 5 (the runtime knocking it down a peg). I was personally hoping for more of a “Robot Jox” vibe, but if they had added a nationalism/post-WWIII theme, it may well have pushed the film towards the 3-hour mark and I had more than enough of what was on the screen as it stands.
GRADE: C
Real Steel hits theaters on October 7, 2011 and is rated PG-13 for some violence, intense action and brief language.

Are you glued to cable news channels? Is listening to campaign rhetoric your idea of a good time? Oh, and most importantly, are you a Democrat? If the answer to all three questions isn’t an unmitigated ‘yes,’ then feel free to cross The Ides of March off your To-Do list.
In the film, director/co-writer/co-star/co-producer George Clooney examines some behind-the-scenes political intrigue of a Democratic Presidential Primary fight between a Governor promising hope and change (played by Clooney himself) and an essentially unimportant Senator representing the status quo (so unimportant I won’t even name the actor).
But don’t worry too much about that, the plot is really centered on the campaign managers and their machinations. Paul Giamatti is doing what he can to see the Senator gain the nomination while Philip Seymour Hoffman and Ryan Gosling attempt to work their magic for the Governor. Everything is blunt and predictable, not just in the political propaganda but in how the backstabbing and power brokering play out; Anyone familiar with this story structure will likely see any attempt to create a twist coming like some screenwriting 101 paint-by-number exercise.
On the plus side, the acting overall is fairly good. Clooney does the usual impersonation of his own public persona. Gosling has a way of making any interaction seem intimate and magnetic. And Evan Rachel Wood once again plays a young girl navigating an adult world. The two standout performances come from Giamatti and Hoffman. They’re the only members of the cast that make the constant scheming seem both intelligent and fun. Playing cynics is no stretch for either, but it’s a wonderful job of casting.
Stepping behind the camera, Clooney’s direction once again favors the actors, relying on frequent close-ups to ensure that if people take one thing away from it all, it’s how gosh darn good the performances were. And while that’s true for the most part, the heavy-handedness of the project as a whole never really allows us to settle down and become invested in the proceedings. It’s more like a teleplay with some slick production value.
There’s nothing glaringly wrong with the film, but in the current landscape of political gridlock and finger-pointing, the ability of audiences to leave the real world behind is lost. Normally, it wouldn’t seem important to harp on that point, but the wheeling and dealing aspects are so overwrought and obvious that being something purely entertaining would have been a preferred alternative. What passes for cleverness in the script is overshadowed by politics and if there’s one thing people don’t believe in these days, it’s politicians.
So although the underlying message fluctuates between ‘Power Corrupts’ and ‘Hell Hath No Fury Like a Campaign Manager Scorned,’ the overt images and sound bytes hit the political nail on the Donkey’s head far too squarely. The Ides of March showcases a bevy of talented actors, but like the elected officials it illustrates, much of the flash and panache is merely a facade and it eventually comes crumbling down.
GRADE: C
The Ides of March hits theaters on October 7, 2011 and is rated R for pervasive language.