Throughout the history of cinema there have been great famous detective partners, including Sherlock Holmes and Dr. Watson, Batman and Robin, and Lethal Weapons’ Riggs and Murtaugh. Joining that list are Hopps and Wilde, taking on the second biggest case of their careers in the animated sequel Zootopia 2.
Bunny Judy Hopps (voiced by Ginnifer Goodwin, Once Upon a Time) is determined to show all her police co-workers that she and her new partner, Nick Wilde the fox (voiced by Jason Bateman, Black Rabbit), are the dream team of partners. Unfortunately, in their desire to crack a smuggling case, they ignore orders and get caught up in a high-profile chase that causes lots of property damage in Zootopia.
Furious about their behavior, Chief Bogg (voiced by Idris Elba, A House of Dynamite) gives them an ultimatum: partners counseling to learn to work better together or he’ll split them up. They also need to lie low for a while.
Judy agrees, but she has no intention of lying low. After the high-speed chase, Judy noticed shed snakeskin at the crime scene. That’s strange because, as Nick says, “No snake has set foot in Zootopia forever.” Judy won’t be stopped and Nick finally agrees to join her investigation.
A snake sneaks into the Zootopia gala and attempts a heist, and Hopps and Wilde give chase. When Judy catches up to him, he declares, “Snakes aren’t the bad guys. I have to set things right and when I do, my family will finally be able to come home.”
Judy realizes he’s telling the truth and lets him escape. Hopps and Wilde’s “off the books” investigation leads to the discovery of a new mystery that involves a secret reptile population. The investigation will test their partnership and may even threaten to break it up.
Bright, action-packed, and visually stunning, Zootopia 2 is a funny, emotional, and creative mystery adventure with fantastic animation and a wonderful voice cast. Ginnifer Goodwin returns as the voice of Judy Hopps, who’s still upbeat and positive but now also determined to prove to everyone that she and Nick are the greatest partners of all time. Goodwin brings Judy to life once again with such energy and hopefulness that she’s impossible not to like and root for.
Jason Bateman returns as the sly fox Nick Wilde, whose life as a con artist is over and who just wants to be Judy’s partner. Bateman is perfect, giving Nick his devil-may-care attitude but also showing later in the film that although Judy’s main goal is to solve the case, Nick’s is to make sure Judy is safe. It’s the friendship and chemistry between these two characters that’s the heart and soul of the film.
The introduction of the new character Gary, a blue pit viper snake (voiced by Oscar winner Ke Huy Quan, Everything, Everywhere All at Once) and the mystery that surrounds him is also a plus and a big part of the film. However, the addition of Nibbles, the conspiracy-believing beaver (voiced by Fortune Feimster, FUBAR) who helps Hopps and Wilde on their case, quickly goes from odd but helpful to just plain annoying.
The animation and visual designs are breathtaking. Especially wondrous is the new secret area called Marsh Market and the chase through it. Also impressive is the Zootopia Gala with its lavish colors and dazzling look.
The writing is clever and witty with some very funny, laugh-out-loud lines. And of course there are positive messages for children about loyalty, not judging a book by its cover, and friendship. There is, however, a scene late in the film where Judy and Nick are both in serious danger, which might be too intense and upsetting for children under seven.
Still, with plenty of heart, glorious animation, fun action, and an extremely talented voice cast, Zootopia 2 is just as much fun as the critically acclaimed original film.
GRADE: B
Rating: PG for rude humor, action, and violence
Release Date: November 26, 2025
Running Time: 1 hour 48 minutes
Studio: Walt Disney Pictures
Eric Dane and Zachary Quinto in ‘Brilliant Minds’ season 2 episode 9 (Photo by: Pief Weyman/NBC)
NBC’s Brilliant Minds season two, episode nine, features guest star Eric Dane as a firefighter diagnosed with Amyotrophic Lateral Sclerosis (ALS, also known as Lou Gehrig’s disease). Dane confirmed in April 2025 that he was diagnosed with ALS and has become active as an advocate for ALS treatment and research.
(The following is a recap of season two, episode nine, and contains spoilers.)
Matthew (Dane) shows up for his monthly checkup with Dr. Oliver Wolf (Zachary Quinto) and points out all the fire code infractions he notices from the waiting area. Nurse Nico Silva (Al Calderon) happens to walk up just then and tosses Oliver under the bus as the floor’s fire marshal. Matthew teases Nico about ghosting a fireman he set him up with, and Oliver’s insulted that Matthew never tried to set him up with one.
Van (Alex MacNicoll) wakes up in bed next to his ex-wife, Michelle (Stacey Farber), and she definitely doesn’t want their son, Liam, to think they’re back together yet. Van’s forced to hide in a closet while Liam shows off his turkey costume.
Oliver and Dana (Aury Krebs) test Matthew’s lungs, and he’s had a significant decline, which means his respiratory muscles are getting weaker. Carol (Tamberla Perry) interrupts to warn Oliver that his mom, Muriel, is at the hospital bragging about meeting a masseuse who made her feel young. Oliver tries to get Carol to cover for him, but Carol’s got her own family issues. The entire Pearce family’s popping in for Thanksgiving.
Muriel (Donna Murphy) invites Oliver to Thanksgiving dinner because she misses him. Oliver promises to see if he can fit it in his schedule.
John Clarence Stewart as Dr. Anthony Thorne and Nabil Rajo as Sam Mapesbury in ‘Brilliant Minds’ season 2 episode 9 (Photo by: Pief Weyman/NBC)
Meanwhile, Dr. Anthony Thorne (John Clarence Stewart) is in the ER taking orders for a Thanksgiving celebration meal. Sam’s in the waiting room and when Anthony asks for his order, Sam suddenly vomits blood.
Anthony informs Ericka (Ashleigh LaThrop) that Sam’s suffering from liver failure. That’s weird since he’s not a drinker and doesn’t have a history of the disease. He’s in renal failure and might wind up needing a liver transplant.
There’s more bad news with Oliver tells Matthew that three tests in a row showed his lung function is declining. Matthew doesn’t want a breathing machine. The guys at the station have been helping him since he lost the use of his arms, but he won’t make them help him with a machine. (He’s been living at the station since his diagnosis.) Oliver thinks it’s time Matthew talks to his family so they can help him, but Matthew doesn’t want them to know about his condition.
Matthew talks with Carol and he’s dead set against telling his family. His daughter only has one semester of college left, and he won’t jeopardize her graduation. Carol gets him to admit he’s not seeing his ex-wife or daughter over the holidays, even though they always spent Thanksgiving together – even after the divorce. Carol believes telling his family gives him more power over the disease. Matthew continues to disagree.
Oliver suggests that Ericka wait to call the transplant team to assess Sam for a liver transplant. Sam’s awake and Oliver tells Ericka that a decline in his mental status is a key diagnostic sign. As long as he’s awake, the team may not assess him for a transplant.
Oliver, Ericka, and Carol present Sam’s case to Dr. Josh Nichols (Teddy Sears), and he doesn’t believe Sam’s a good candidate because he’s unhoused and unstable. Carol makes the case that Sam wanted to get better, but Josh reminds them that Sam’s alone and doesn’t have anyone to monitor his meds. Ericka’s upset that Sam’s going to get overlooked and Carol suggests they talk to Sam while he’s still capable of discussing a transplant.
Carol and Oliver speak privately, and she agrees to present Sam’s case to the transport board. As for Matthew, ALS is progressing faster than they expected and Oliver’s worried he’s wasting the limited time he has left avoiding those closest to him.
Oliver’s going to head to the fire station, and Carol teases him about checking out firefighters. Oliver confesses he’s seen their 2026 calendar and thinks Mr. October’s hot.
Ericka talks to Sam about his condition, and he reveals he never used her credit card. The medication was helping but then he was beaten by strangers who stole her card. He avoided the hospital since he promised he’d bring back the card. Sam was taking acetaminophen for pain, and that caused his liver failure. He confesses he doesn’t want to die, but he’s already dead to his family.
Oliver sits in as Matthew speaks to a group of kids at the station about what to do in case of a fire. He introduces the kids to the station’s dog, Fred, and they’re super excited. Unfortunately for Matthew, his ex, Alicia (Mädchen Amick), shows up just then to yell at him about skipping Thanksgiving. Matthew no longer has a choice about telling his family.
Eric Dane as Matthew Ramati, Mädchen Amick as Alicia Ramati, Chloe Avakian as Gabby Ramati, Tamberla Perry as Dr. Carol Pierce, and Zachary Quinto as Dr. Oliver Wolf in ‘Brilliant Minds’ season 2 episode 9 (Photo by: Pief Weyman/NBC)
Oliver, Carol, Alicia, Matthew, and his daughter Gabby discuss his condition, and Alicia is furious he hid this from them. Alicia and Gabby want everything that can be done to be done to treat Matthew, and Oliver assures them they are exploring trials. There’s extensive research being done and hope for successful treatment in the future.
Matthew speaks up after Alicia declares he’s going to move in with her, and she’ll take care of him. His daughter is going to leave school to help too, and Matthew is livid. He doesn’t want to be a burden on them. Matthew is adamant that he’ll fight this on his own.
Ericka, Van, and Michelle try to find Sam’s family, but thus far they’re not finding anyone. Van’s shocked at how difficult it is to qualify for a transplant; you need two people to commit to being caretakers. Dana rushes in with a possible number for Sam’s family!
Ericka calls Sam’s mom to let her know what’s happening. His mom is shocked and can’t even respond.
Carol and Alicia discuss Matthew’s current condition and what led to divorce. Alicia’s surprised Matthew’s in therapy and that he actually talks. Alicia reveals Matthew used to be a talker but stopped after 9/11. Matthew came home that day but was never the same. All she ever wanted was for Matthew to admit he wasn’t fine.
Matthew’s at the station when steam comes from the coffee pot. He can’t use his arms, so he uses his body to take care of the problem. A short while later, Oliver patches up his forehead, but Matthew doesn’t reveal how he fell. He just chalks it up to being clumsy.
They candidly discuss his condition, and Matthew admits when he adapts to a loss, he loses something else. He is still determined to protect Gabby and Alicia.
Fire Chief Dennis, aka Mr. October, visits Oliver at the hospital, sorry they left Matthew alone at the station. Dennis reveals Matthew trained him and made him believe he could do anything. He wishes they could do more for Matthew, and Oliver thinks they can.
Sam’s family rushes to the hospital, and his dad says the only place they want to be is with him. It’s not long before Sam stops speaking and Ericka and Oliver rush in with a team. His brain is swelling and they need to hyperventilate him and give him meds. Sam doesn’t have much longer unless he gets a liver.
Oliver explains to Sam’s family that he’s not on the list for a transplant because he doesn’t have a support system. His parents immediately volunteer. They used to be close but the voices in his head turned him against his family. Sam ordered them to stay away, but his mom feels guilty. Ericka realizes they have a life in Ohio, and Sam’s dad assures them they can rent a place here – if that’s what Sam needs. They will never let him go again.
Matthew reluctantly agrees to take the BIPAC machine that Oliver suggests if it will help him stop having a repeated nightmare. Oliver has Matthew walk him through the dream of his house burning to the ground as his family cries out. Matthew can’t save them, but Oliver flips the scenario, asking if it’s possible his family is supposed to save him.
Muriel arrives at Oliver’s and it’s obvious no one has been there in a long time. There are cups everywhere, and all his beloved ferns are dead. She gets to work cleaning up and finally breaks down sobbing.
Carol and Oliver break the bad news to Ericka that the transplant committee rejected Sam. Oliver promises he’ll keep reaching out to different transplant teams but for now they just have to hold out hope.
Matthew invited Oliver to his family dinner and Oliver takes a pie meant for the staff since he can’t show up empty-handed. The family gathers around the table and each shares what they are grateful for. Matthew’s grateful for his family but adds that he won’t burden them. He’s arranged to move into a facility that will take care of him. Alicia and Oliver assure him his family won’t be doing it alone. His fellow firefighters have all volunteered to help Alicia if he moves back in with her.
As they’re talking, fire trucks pull up outside. It’s not just the firefighters who are there to support Matthew; it’s dozens of people who Matthew saved over the years.
Back at the hospital, Carol’s family shows up with food for the staff Thanksgiving meal. Carol introduces her sister, Helen, to Anthony, who’s super excited to try Carol’s sweet potato pie. Helen approves of the flirting until Anthony reveals he’s a Cowboys fan.
Van, Michelle, and Liam have their own family table in the break room and Michelle reveals it’s their first family dinner together. They kiss and Liam is all smiles.
Alicia and Matthew have a quiet moment together, and they reconnect. Matthew also reconnects with Gabby, taking her to an art gallery like he used to when she was growing up.
Ericka serves Sam’s family dinner around his bed.
Oliver’s shocked to see his mom whipping up Thanksgiving dinner at his place. She keeps up a running dialogue, but Oliver finally stops her. They don’t need to talk about his dad.
In the following days, Oliver helps Matthew record a message to his daughter, Gabby. He confesses that allowing himself to be rescued when he doesn’t want to accept help is the bravest thing he’s ever done. “But it is worth it, if it means more time with you,” says Matthew.
Episode nine ends with a suggestion to visit iamals.org/progress for more information on helping to end ALS.
Season two hasn’t dropped yet, but Netflix’s One Piece is already setting sail on season three. The streamer announced production has begun in South Africa on the third season, with four season two cast members upped to series regulars.
Season two will premiere on March 10, 2026, almost three years after the release of season one. Netflix hasn’t announced a target release date for season three.
Iñaki Godoy stars as Monkey D. Luffy, Mackenyu is Zoro, Emily Rudd is Nami, Jacob Romero is Usopp, Taz Skylar plays Sanji, and Charithra Chandran is Miss Wednesday. Mikaela Hoover (Chopper), Joe Manganiello (Mr. 0), Lera Abova (Miss All Sunday) and Sendhil Ramamurthy (Nefartari Cobra) have all been upped to series regulars for season three.
Joining the popular series, based on Eiichiro Oda’s bestselling manga series of all time, are Cole Escola as Bon Clay and Xolo Maridueña as Portgas D. Ace. Joe Tracz and Ian Stokes are season three co-showrunners, writers, and executive producers. Additional executive producers include Eiichiro Oda, Marty Adelstein, Becky Clements, Tetsu Fujimura, Chris Symes, Christoph Schrewe, and Steven Maeda.
The series is produced by Tomorrow Studios (an ITV Studios partner) and Netflix.
Sinners tops the 2026 Critics Choice Awards shortlists for below-the-line categories, earning at least one spot on each of the 11 lists. The upcoming 31st Annual Critics Choice Awards marks the first time a special Below-the-Line Nominating Committee was used to narrow the list of possible contenders.
The 11 categories include Best Casting and Ensemble, Best Cinematography, Best Costume Design, Best Editing, Best Hair and Makeup, Best Production Design, Best Score, Best Song, Best Sound, Best Stunt Design, and Best Visual Effects.
F1, Frankenstein, and Wicked: For Good each earned spots on nine of the 11 lists. The complete list of final nominees will be announced on Friday, December 5, 2025 at 9am PT.
The 2026 Critics Choice Awards will take place at the Barker Hangar in Santa Monica and will be broadcast live on Sunday, January 4th, on E! and USA Network beginning at 7pm ET/PT (tape delayed on the West Coast). Chelsea Handler is returning to host the awards show for the fourth consecutive year.
BEST CASTING AND ENSEMBLE
Susanne Scheel – A House of Dynamite (Netflix)
Nina Gold – Hamnet (Focus Features)
Douglas Aibel, Nina Gold – Jay Kelly (Netflix)
Rich Delia – The Long Walk (Lionsgate)
Jennifer Venditti – Marty Supreme (A24)
No Other Choice (Neon)
Cassandra Kulukundis – One Battle After Another (Warner Bros.)
Rebecca Dealy – The Plague (IFC)
Kei Kawamura, Yumi Takada – Rental Family (Searchlight Pictures)
Gabriel Domingues – The Secret Agent (Neon)
Francine Maisler – Sinners (Warner Bros.)
Tiffany Little Canfield, Bernard Telsey – Wicked: For Good (Universal Pictures)
BEST CINEMATOGRAPHY
Anthony Dod Mantle – 28 Years Later (Sony Pictures)
Claudio Miranda – F1 (Apple Original Films/Warner Bros.)
Dan Laustsen – Frankenstein (Netflix)
Łukasz Żal – Hamnet (Focus Features)
Linus Sandgren – Jay Kelly (Netflix)
Darius Khondji – Marty Supreme (A24)
Kim Woo-hyung – No Other Choice (Neon)
David Chambille – Nouvelle Vague (Netflix)
Michael Bauman – One Battle After Another (Warner Bros.)
Steven Breckon – The Plague (IFC)
Autumn Durald Arkapaw – Sinners (Warner Bros.)
Adolpho Veloso – Train Dreams (Netflix)
BEST PRODUCTION DESIGN
Jeremy Hindle, David Schlesinger – A House of Dynamite (Netflix)
Ben Munro, Mark Tildesley, Reynan Castro Del Rosario, Andrew McCarthy, Véronique Melery – F1 (Apple Original Films/Warner Bros.)
Kasra Farahani, Jille Azis – The Fantastic Four: First Steps (Marvel Studios)
Tamara Deverell, Shane Vieau – Frankenstein (Netflix)
Fiona Crombie, Alice Felton – Hamnet (Focus Features)
Cara Brower, Stella Fox – Hedda (Amazon MGM Studios)
Jack Fisk, Adam Willis – Marty Supreme (A24)
Ryu Seong-hie – No Other Choice (Neon)
Inbal Weinberg, Kendall Anderson – Roofman (Paramount Pictures)
Jørgen Stangebye Larsen, Catrine Gormsen – Sentimental Value (Neon)
Hannah Beachler, Monique Champagne – Sinners (Warner Bros.)
Nathan Crowley, Lee Sandales – Wicked: For Good (Universal Pictures)
BEST EDITING
Kirk Baxter – A House of Dynamite (Netflix)
Stephen Mirrione – F1 (Apple Original Films/Warner Bros.)
Evan Schiff – Frankenstein (Netflix)
Chloé Zhao, Affonso Gonçalves – Hamnet (Focus Features)
Amir Etminan – It Was Just an Accident (Neon)
Ronald Bronstein, Josh Safdie – Marty Supreme (A24)
Kim Sang-bum, Kim Ho-bin – No Other Choice (Neon)
Andy Jurgensen – One Battle After Another (Warner Bros.)
Viridiana Lieberman – The Perfect Neighbor (Netflix)
Michael P. Shawver – Sinners (Warner Bros.)
Bob Ducsay – Wake Up Dead Man: A Knives Out Mystery (Netflix)
Joe Murphy – Weapons (Warner Bros.)
BEST COSTUME DESIGN
Alexandra Byrne – The Fantastic Four: First Steps (Marvel Studios)
Kate Hawley – Frankenstein (Netflix)
Malgosia Turzanska – Hamnet (Focus Features)
Lindsay Pugh – Hedda (Amazon MGM Studios)
Colleen Atwood – Kiss of the Spider Woman (Lionsgate/Roadside Attractions)
Miyako Bellizzi – Marty Supreme (A24)
Colleen Atwood – One Battle After Another (Warner Bros.)
Rita Azevedo – The Secret Agent (Neon)
Ruth E. Carter – Sinners (Warner Bros.)
Ernesto Martinez – Song Sung Blue (Focus Features)
Małgorzata Karpiuk – The Testament of Ann Lee (Searchlight Pictures)
Paul Tazewell – Wicked: For Good (Universal Pictures)
BEST HAIR AND MAKEUP
28 Years Later (Sony Pictures) Bugonia (Focus Features)
Frankenstein (Netflix)
Hedda – Amazon MGM Studios)
Kiss of the Spider Woman (Lionsgate/Roadside Attractions)
Kokuho (Gkids)
Sinners (Warner Bros.)
The Smashing Machine (A24)
Superman (Warner Bros.)
The Ugly Stepsister (IFC)
Weapons (Warner Bros.)
Wicked: For Good (Universal Pictures)
BEST VISUAL EFFECTS
F1 (Apple Original Films/Warner Bros.)
The Fantastic Four: First Steps (Marvel Studios)
Frankenstein (Netflix)
How to Train Your Dragon (Universal Pictures) Mickey 17 (Warner Bros.)
Mission: Impossible – The Final Reckoning (Paramount Pictures)
Predator: Badlands (20th Century Studios)
Sinners (Warner Bros.)
Sketch (Angel)
Superman (Warner Bros.)
Tron: Ares (Walt Disney Pictures)
Wicked: For Good (Universal Pictures)
BEST STUNT DESIGN
Ballerina (Lionsgate)
F1 (Apple Original Films/Warner Bros.)
Frankenstein (Netflix)
Mission: Impossible – The Final Reckoning (Paramount Pictures)
One Battle After Another (Warner Bros.)
Predator: Badlands (20th Century Studios)
Sinners (Warner Bros.)
The Smashing Machine (A24)
Superman (Warner Bros.)
Thunderbolts* (Marvel Studios)
Warfare (A24)
Wicked: For Good (Universal Pictures)
BEST SONG
“Clothed by the Sun” – Daniel Blumberg – The Testament of Ann Lee (Searchlight Pictures)
“Dear Me” – Diane Warren – Diane Warren: Relentless (Greenwich Entertainment)
“Drive” – Ed Sheeran, John Mayer, Blake Slatkin – F1 (Apple Original Films/Warner Bros.)
“The Girl in the Bubble” – Stephen Schwartz – Wicked: For Good (Universal Pictures)
“Golden” – Ejae, Mark Sonnenblick, Ido, 24, Teddy – KPop Demon Hunters (Netflix)
“Highest 2 Lowest” – Howard Drossin, Aiyana-Lee – Highest 2 Lowest (A24/Apple Original Films)
“I Lied to You” – Raphael Saadiq, Ludwig Göransson – Sinners (Warner Bros.)
“Last Time (I Seen the Sun)” – Alice Smith, Miles Caton, Ludwig Göransson – Sinners (Warner Bros.)
“Lose My Mind” – Don Toliver, Doja Cat, Hans Zimmer, Ryan Tedder, Grant Boutin – F1 (Apple Original Films/Warner Bros.)
“No Place Like Home” – Stephen Schwartz – Wicked: For Good (Universal Pictures)
“Pale, Pale Moon” – Brittany Howard, Ludwig Göransson – Sinners (Warner Bros.)
“Train Dreams” – Nick Cave, Bryce Dessner – Train Dreams (Netflix)
BEST SCORE
Volker Bertelmann – A House of Dynamite (Netflix)
Jerskin Fendrix – Bugonia (Focus Features)
Hans Zimmer – F1 (Apple Original Films/Warner Bros.)
Alexandre Desplat – Frankenstein (Netflix)
Max Richter – Hamnet (Focus Features)
Hildur Guðnadóttir – Hedda (Amazon MGM Studios)
Daniel Lopatin – Marty Supreme (A24)
Jonny Greenwood – One Battle After Another (Warner Bros.)
Johan Lenox – The Plague (IFC)
Ludwig Göransson – Sinners (Warner Bros.)
Kangding Ray – Sirāt (Neon)
Nine Inch Nails – Tron: Ares (Walt Disney Pictures)
BEST SOUND
A House of Dynamite (Netflix)
F1 (Apple Original Films/Warner Bros.)
Frankenstein (Netflix)
Hamnet (Focus Features)
If I Had Legs I’d Kick You (A24)
The Lost Bus (Apple Original Films)
One Battle After Another (Warner Bros.)
Sinners (Warner Bros.)
Sirāt (Neon)
Superman (Warner Bros.)
Warfare (A24)
Wicked: For Good (Universal Pictures)
HBO’s first teaser for season four of Industry is set to Nina Simone’s “Lilac Wine.” And while there are only three short lines of dialogue, it’s enough to build the excitement for the new season.
HBO’s short video accompanied the reveal of the fourth season’s release date. The eight-episode third season ended on September 29, 2024, and season four – which also consists of eight episodes – will premiere on Sunday, January 11, 2026 at 9pm ET/PT.
“At the top of their game and living the lives they set out to have as Pierpoint grads, Harper and Yasmin are drawn into a high-stakes, globetrotting cat-and-mouse game when a splashy fintech darling bursts onto the London scene,” reads HBO’s synopsis. “As Yasmin navigates her relationship with tech founder Sir Henry Muck and Harper is pulled into the orbit of enigmatic executive Whitney Halberstram, their twisted friendship begins to warp and ignite under the pressure of money, power, and the desire to be on top.”
Myha’la stars in Industry season 4 (Photograph by Simon Ridgway/HBO)
Season four stars Myha’la, Marisa Abela, Kit Harington, Ken Leung, Max Minghella, Miriam Petche, Sagar Radia, and Toheeb Jimoh. Charlie Heaton, Amy James-Kelly, Roger Barclay, Andrew Havill, Kiernan Shipka, and Kal Penn also star. Rounding out the cast are Jack Farthing, Stephen Campbell Moore, Claire Forlani, and Edward Holcroft.
Mickey Down and Konrad Kay created the critically acclaimed drama and serve as writers, directors, and executive producers. Additional executive producers include Jane Tranter, Kate Crowther, Ryan Rasmussen, Kathleen McCaffrey, and Rebecca Ferguson. Michelle Savill and Luke Snellin also directed episodes of season four.
CBS’s Marshals extended teaser shows Kayce’s new unit isn’t sure he can cut it. Obviously, they know nothing about the Duttons.
The Yellowstone spinoff stars Luke Grimes, reprising his role as Kayce Dutton. Brecken Merrill returns as Tate, Gil Birmingham’s back as Thomas Rainwater, and Mo Brings Plenty returns as Mo. Season one also stars Logan Marshall-Green as Pete Calvin, Arielle Kebbel as Belle Skinner, Ash Santos as Andrea Cruz, and Tatanka Means as Miles Kittle.
The new series will premiere on Sunday, March 1, 2026 at 8pm ET/PT.
“With the Yellowstone Ranch behind him, Dutton joins an elite unit of U.S. Marshals, combining his skills as a cowboy and Navy SEAL to bring range justice to Montana. Kayce and his teammates – Pete Calvin (Marshall-Green), Belle Skinner (Kebbel), Andrea Cruz (Santos) and Miles Kittle (Means) – must balance the high psychological cost of serving as the last line of defense in the region’s war on violence with their duty to their families, which for Kayce includes his son Tate (Merrill) and his confidantes Thomas Rainwater (Birmingham) and Mo (Brings Plenty) from the Broken Rock reservation.”
Yellowstone wrapped up its five-season run on December 15, 2024.
Elizabeth Olsen, Miles Teller, and Callum Turner in ‘Eternity’ (Credit: Leah Gallo / A24)
Have you ever thought about what happens after you die? We’re not necessarily talking Heaven and Hell or Valhalla here, just…what happens? Do you stay on the Earth in a different spiritual plane, or are you just bones in the ground and worm food? Or…does your soul move on to another place and start anew? That last theory is at the center of the new movie, Eternity, from Dating Amber director David Freyne.
Eternity is about an elderly man named Larry (The Gorge’s Miles Teller) who passes away while choking on a pretzel and finds himself with a choice to be made. With the help of his “Afterlife Coordinator,” Anna (Da’Vine Joy Randolph from The Holdovers), he must decide which of the “eternities” laid out before him he wants to spend his eternity in. He wants to wait for his wife of 65 years, Joan (Elizabeth Olsen from the Marvel Universe), to join him so they can make the decision together. And with Joan suffering from cancer, she should be along shortly.
And she does arrive shortly…but her first husband, a handsome soldier named Luke (Callum Turner from Green Room), is also waiting for her and has been for 67 years. Joan must choose which of her two loves she wants to spend her eternity with, and each of them tries to convince her that they are the correct choice.
The screenplay for Eternity was written by Patrick Cunnane (Designated Survivor) along with Freyne, and it’s about as unique as a romantic comedy can get. It has all the usual trappings of the genre – it’s full of heart and humor, with just enough intrigue to keep things moving forward. But the love triangle combined with Joan’s seemingly impossible choice makes it fresh and interesting. It’s a rom-com with a twist.
The romance part of the equation stems from Joan having to choose between her first love, the handsome and dashing Luke, and the man she spent most of her life with, her supposed soulmate Larry. And with eternity itself on the line, the stakes could not get any higher for Joan. Despite all of his faults, the audience is clearly rooting for the cantankerous Larry, but there’s no denying that, even after 67 years being apart, there are still feelings between Joan and Luke. And Callum Turner’s Luke is hard to dislike.
The comedy part of the movie is delivered mostly by Miles Teller and Da’Vine Joy Randolph. The incarnations of the characters in the afterlife are images of them when they were happiest in life, so Teller’s Larry is basically a cranky old man in the body of a handsome young man. And that combination is hysterical. Randolph is the clown to Teller’s straight man, providing him his afterlife guidance with plenty of wit and sarcasm. Much of this can be attributed to the film’s whip-smart writing, but it’s difficult to imagine another actress doing what Randolph does with the role. She’s hilarious.
For a movie that’s ultimately about a forever choice, Joan does change her mind a few times, and this back-and-forth indecision – and the guys’ reactions to it – leads to some fun twists and turns in the movie. Both Larry and Luke have made their afterlife choices, so not only is Joan choosing between her two loves, she’s choosing between their eternity choices as well. The ending may be predictable, but the path the movie takes getting there is anything but. And that’s what makes the movie so enjoyable.
Eternity is not your mother’s romantic comedy. Considering that the characters are mostly elderly people in the bodies of young’uns, it’s surprisingly hip and cool. And its premise keeps the movie and its audience on its toes. Even those who usually are not fans of rom-coms will like it. Those who usually are fans of rom-coms will love it.
GRADE: A
Rating: PG-13 for sexual content and some strong language
Runtime: 1 hour 52 minutes
Release Date: November 26, 2025
Studio: A24
CBS’s Tracker season three, episode six, takes the action to Fort Wayne, Indiana. A two-person crime scene cleaning crew from Biozone takes care of a house where an elderly man fell down the stairs and died. His wife died in the back bedroom. Both deaths were ruled accidental. The cleaner in charge of the back bedroom at the Hardens’ home snaps photos of the death area stains.
(The following is a recap of season three episode six and there are spoilers.)
Randy (Chris Lee) fills Colter (Justin Hartley) in on a new case involving Biozone. Margot Webster, one of the cleaners, is missing and her boss/cleaning partner, Ruth (Rebecca Field), is worried. She’s been missing 24 hours and Ruth’s offering a $10,000 reward. Ruth says Margot didn’t show up to clean up after a triple homicide. Margot didn’t respond to calls, her phone’s at home, and her car is missing.
Ruth recalls that Margot was getting lots of messages as they were leaving the Hardens’ house. She thinks it was a new guy Margot was seeing. Apparently, Margot met the guy in a chat room for the Toybox Killer, but her boss doesn’t know the guy’s name. Margot was fascinated by the grisly crime scenes but didn’t discuss what she did after hours.
Randy hasn’t gotten anything helpful off of Margot’s phone. No one called or texted Margot except for Ruth over the last 72 hours. Fortunately, Randy did get a hit on her car and sends Colter its location.
Reenie’s in Houston so it’s only Mel (Cassady McClincy Zhang) and Randy at the office. Randy fills her in on Colter’s current case, noting that Margot was a true crime buff. Mel has a few ideas on sites Margot might have been posting on, and Randy’s impressed.
Colter arrives at Margot’s car before it can be towed. It’s unlocked and Colter sees a spot of blood. He also finds another phone. Colter calls Randy, certain this is where Margot was taken from. The phone Randy’s been checking is her work-issued phone. The one Colter found is her personal phone. Randy accesses it and there are lots of texts. One of Margot’s shows she was meeting someone at the usual spot and thought she had something big. The text included a series of photos that were too large to send.
Colter notices a restaurant nearby and thinks that might be where they were meeting. Randy discovers the number she was texting was a burner phone that’s pinging 20 miles from Colter’s location. Cops are there and have the area blocked off when Colter arrives. An officer refuses to tell him if the body behind a dumpster is Margot’s. The body is wheeled away close to Colter, and he gets a look at her face.
Randy had sent a pin to the burner phone’s location, and Colter realizes it’s nearby. He looks at the small crowd that’s gathered and calls the number. It rings inside a car, but the owner drives away quickly. Colter snaps a photo of the plate as it takes off, and Randy gets an address.
Colter actually beats the car to the location and watches as the driver goes inside a building. Colter follows him, gun drawn, and sees murder boards with crime scene photos. He hears screaming from another room and barges in. The screaming is from 9-1-1 recordings, and the driver turns them off while claiming he had nothing to do with Margot’s disappearance. Colter snatches his ID and the man confirms his name’s Gunther (Connor Paolo). Apparently, he heard the call on the police scanner and went to the scene to see if it was Margot.
Gunther’s a freelancer who takes photos of crime scenes and that’s why he had a camera out the window when Colter called his phone. He took off because he thought Colter was a cop. Another guy tries to sneak up on Colter, but Colter’s far too skilled to let some random dude get the jump on him. The guy introduces himself as Eddie (Jay Lee) and Colter finally puts his gun down.
Eddie collects and sells crime scene memorabilia. They met Margot online and investigate cases that interest them. Colter learns that when she didn’t meet up with them two nights ago, they staked out her apartment and work. They think something bad must have happened but don’t recognize the photos Margo was trying to send them. However, Margot did tell them that the circumstances around the deaths at the Harden house were strange.
Colter tries to leave to head to the Harden house, but Gunther and Eddie insist on tagging along. They know Margot and can help him figure out what she was up to at the Hardens. Plus, Eddie is a whiz at crime scene timelines and is an entomologist.
Once they arrive at the Hardens’ place, Gunther explains that Nancy Harden was wheelchair bound. Her caretaker/husband, Mort, used a walker to get around. He fell down the stairs, cracked his head open, and Nancy died three days later from starvation. Neighbors discovered their bodies a week later. Eddie believes Nancy died eight and a half days before her discovery, based on blowflies.
Eddie and Gunther were going to investigate the deaths with Margot after she flagged them as suspicious. They look at marks on the stairs and Colter determines that some are from a person being dragged upstairs. Colter wonders if they drew a killer’s attention by posting about the Hardens online.
He looks around a little more and discovers a small hidden room. It’s obvious someone was hanging out in it; there are food containers on the floor. Eddie figures out that based on the larvae, the food was eaten around the time of Nancy’s death. That means someone was in the house at the time of the elderly couple’s deaths. Colter believes the killer took Mort upstairs and pushed him down. Then he sat in the secret room and watched Nancy starve to death.
This doesn’t explain why the killer went after Margot. Colter spots a drawing that looks like angel wings on the secret room’s door. Gunther thinks he’s seen it before and will look through the crime scene database they’re compiling.
And a short while later Gunther is proven correct. He finds the angel wing drawing in a photo from Linda and Debra Appelbaums’ murder scene. They died from carbon monoxide poisoning. The daughter was disabled, like Mrs. Harden, and the mom was her caretaker, like Mr. Harden. Margot must have realized the cases were connected.
Gunther does a little research on a rival forum and finds the case of Harry and Marie Rafferty. The angel wings were there too, and one of the Raffertys was disabled. Colter realizes the killer is targeting patients and their caregivers, and it’s likely the killer knew them.
Colter asks Randy to cross-reference the Hardens, Raffertys, and Appelbaums and see if they had anything in common—like a rehab center. Randy quickly discovers all three families were clients of the Vorhees Physical Therapy Center.
Eddie and Gunther keep digging for more potential victims while Colter heads to Vorhees. The employee isn’t helpful; everything is confidential. Before he leaves, Colter sees a flyer with photos of siblings Lisa and Hank Brooks who recently died in a fire. One of them was paralyzed. The flyer has the angel wings symbol at the bottom, and the employee says an aide named Francis made it.
Colter uses the employee’s computer when he steps away and gets info on Francis Gable.
A brief scene shows Francis serving a meal to his mom and a tied up and gagged Margot (Cassandra Naud).
Colter heads to Francis’ address and breaks into the house, gun drawn (of course). He looks around the place and heads down to the basement. Francis apparently took a cue from Norman Bates (and/or Ed Gein) and has his dead mom’s body seated at a table. There’s a man’s body in a nearby bed, and the angel wings design is painted on the wall.
Francis drives Margot, still tied up but no longer gagged, to a remote location. He admits he’s been watching her and knows all about her. Francis kidnapped her because of her posts about the Appelbaums. She was too smart and getting too close to figuring out his identity. Francis thinks she’s looking for attention and that’s why she posted about the Hardens.
Margot keeps him talking as he leans her against the outside of the car. She sees a farmer on a tractor not far away, and Francis warns that if she screams, he’ll burn the farm alive.
Colter calls the cops and tells Randy that the bodies have been there for decades. Colter tethers Randy into Randy’s laptop and Randy can tell Francis has been looking at Margot’s online activity. Mel interrupts with a list of dual caregiver and patient deaths in the region that were ruled as accidental. It’s a fairly lengthy list from the last 25 years.
Colter thinks Margot’s still alive because there’s evidence he was feeding her.
Margot believes Francis views himself as an angel of mercy. Francis confesses he watched his mom take care of his disabled brother and decided they were alive but weren’t really living. His mother spent all her time taking care of his brother and never noticed him.
Francis puts Margot back in the car and drives off while Randy’s telling Colter about Francis’ mom and brother. They vanished 25 years ago, and Colter realizes that those must be the bodies he found. Colter also figures out Francis is keeping Margot alive to get her to lead him to Eddie and Gunther.
Randy wants him to take backup to Gunther’s place, but Colter won’t. He’s sure Francis will kill Margot if he sees the cops.
Francis pulls up near Gunther and Eddie’s and orders Margot to take him inside to meet her friends. Margot insists they don’t know anything, but Francis teases that when he’s done, she can clean up the scene. Margot suddenly headbutts him, but he stops her from escaping.
Colter calls Eddie and Gunther as he races back to their place. Unfortunately, they don’t hear the phone and don’t know Francis is inside their building. (Doesn’t anyone lock their doors anymore?!)
Colter pulls up outside and hears Margot screaming from the backseat of Francis’ car. Colter has her call 9-1-1 as he runs to save Eddie and Gunter. Francis is suffocating Gunter when Colter confronts him. Francis launches himself at Colter and tries to choke him, but Colter picks up scissors and stabs him in the chest.
Colter checks on Gunther and Eddie and they’re both okay. The cops and EMTs arrive, along with Margot’s boss who hands over the $10,000 reward. Margot’s thankful that Ruth cared enough to hire Colter. Eddie and Gunther rush over for a group hug, happy to have their true crime partner back. Colter praises Margot’s work on finding a serial killer, and the threesome want to make Colter part of their team. Colter thinks they can manage it on their own, but it’s obvious he likes all three. He even says he may take them up on their offer to be consultants if he ever needs help.
Episode six ends with Randy informing Colter he found something in the records on David Pearson that Russell sent over. Something important enough that Colter should check it out.
Jeremy Renner as Mike McLusky and Taylor Handley as Kyle McLusky in ‘Mayor of Kingstown’ episode 5, season 4 (Credit: Dennis P. Mong Jr./Paramount+)
Paramount+’s Mayor of Kingstown season four, episode five, begins with Bunny (Tobi Bamtefa) supervising as guns are loaded onto a train, hidden behind trash. The outside of the container is marked, while unknown to Bunny, Cortez watches all this going down through binoculars.
(The following is a recap of season four, episode five, “Damned,” and there are spoilers.)
Bunny confirms drugs will come in via the same delivery system later that night. He confesses to being impressed with Frank’s system.
Mike (Jeremy Renner) visits Kyle (Taylor Handley), and Kyle’s looking better. Mike breaks the news that it’s Merle Callahan in the cell next to him and Kyle’s enraged. He had no idea that he’d been talking to Merle. Kyle lies and says advice is the only thing Merle has offered and promises not to let Merle know he’s onto him. Merle will do anything to get to Mike, and the brothers are sure he’ll hurt Tracy if that’s what it takes. She needs to be moved out of Kingstown immediately.
Mike promises he’s taking care of it as Kyle panics. There’s pressure on his chest and it takes him a minute to get his breathing under control. Mike assures him he’ll get through it; he just needs to keep it together.
Mike gets into a shoving match with Torres (Clayton Cardenas) after showing up at the warden’s office without an appointment. Warden Hobbs (Edie Falco) stops the confrontation, and Mike is livid that Merle is next to Kyle. Hobbs claims it’s a mix-up and says she just found out yesterday. She insists paperwork’s been filed to move Merle.
Hobbs seems a little surprised that Mike has figured out the rise of the Colombian cartel inside the prison and on the streets is tied to her employment as warden. She fights back by suggesting he’s just frustrated because he no longer has power within the prison walls.
Mike continues to insist she’s bought and paid for by the Colombians, and Hobbs continues to deny it. Hobbs wonders what Merle did that has Mike so upset, and Mike suggests she move him to gen pop. “As far as what he’s done, he’s taught me how to kill,” says Mike.
Jeremy Renner as Mike McLusky and Edie Falco as Nina Hobbs in ‘Mayor of Kingstown’ episode 5, season 4 (Credit: Dennis P. Mong Jr./Paramount+)
Over at the station, Captain Walter (Rob Kirkland) informs Ian (Hugh Dillon) that the grand jury is convening in two days. He will be indicted. Evelyn Foley only takes cases she can win to the grand jury. Plus, the public doesn’t like cops right now. Walter warns him Evelyn will make him appear to be worse than the criminals he takes off the streets.
Mike calls Ian to alert him that Kyle and Merle are neighbors and that Hobbs needs her cage rattled. Ian promises to take care of it but hopes Kyle won’t be on the losing end. Mike’s next conversation about Merle is with Tracy (Nishi Munshi), and they both assume the Aryan Brotherhood is responsible for her car alarm and the kitchen window being partially opened. Mike and Kyle want her to flee the state, but Tracy doesn’t want to leave. Mike insists it’s important that she survives and this is the only way to keep her safe. Tracy reminds him that everyone he tries to keep safe ends up hurt, including his mom and Mitch.
Tracy doesn’t want to leave but packs up anyway, knowing it’s for the best. KPD will escort her to the state line. She plans on staying at her sister’s home in Ohio.
Jeremy Renner as Mike McLusky and Nishi Munshi as Tracy in ‘Mayor of Kingstown’ episode 5, season 4 (Credit: Dennis P. Mong Jr./Paramount+)
Ian and Stevie (Derek Webster) watch Hobbs drive away from the prison and have units pull her over. The cops inform her that they received a tip she has contraband in her vehicle. Hobbs asks to see the warrant and Ian has Stevie back him up when he lies and says she granted them access.
Ian finds a gun case and takes her weapon, without telling her he’s removed it. They wrap up the stop, and Ian claims it was bad intel that made them pull her over. She asks about Carney’s murder investigation and Ian says it’s open and could lead in any direction.
Hobbs immediately checks the gun case and bangs the steering wheel in frustration when she confirms her gun is gone.
Ian meets Mike at the diner and shows him Hobbs’ weapon. Ian is now convinced she’s connected to the cartel because the fully automatic gun doesn’t have a serial number and has an epoxy grip. Plus, she has a secret compartment where it’s kept in the passenger seat. It’s an impressive amount of firepower and she must know how to use it. Ian claims he can book her on the gun and scandalize DOC to get rid of her.
Mike thinks they need to be patient. She’s connected to powerful people, and she knows Ian has her gun. Mike thinks she’ll eventually ask him about it. They can arrest her now or hold off to get bigger fish. Ian disagrees and wants to bring her in. The streets are quiet now and it would be good to keep it that way. Mike reminds him it’s always calm before the storm.
After meeting with Mike, Ian tells Robert (Hamish Allan-Headley) that he’s about to get indicted for Morrissey’s murder and that Evelyn has a witness. Ian only knows the witness is a food delivery guy, and Robert’s all in on finding him and convincing him not to testify.
Mike visits Evelyn (Necar Zadegan) at home to find out what it’ll take to get Kyle out of prison. Evelyn confirms she wants Robert but doesn’t need Mike to get him. If she indicts Ian, he’ll rat on Robert rather than serve time. Mike isn’t sure about that. According to Evelyn, only someone bigger than Robert would make her let Kyle out of jail. Evelyn believes Kyle will get through this.
Merle (Richard Brake) is savvy enough to understand that Kyle’s treating him differently because Mike now knows he’s his neighbor. He recalls the first time he saw Mike going berserk on three inmates. Mike could tune out everything while fighting, and Merle claims he saved Mike that day. He also insists he kept Mike alive inside and is keeping him alive outside. Merle calls himself Mike’s keeper. He also realizes there must be something Kyle’s hiding that would make him agree to prison time after shooting a fellow cop.
“Who are you here for, brother?” asks Merle. Kyle doesn’t respond.
Robert and Ian follow the food delivery guy and Robert chambers a bullet before stepping out of his car. Robert approaches Reggie the delivery man, lying that there have been package thefts and they need to speak with him. Reggie knows it’s about the grand jury and refuses to speak with Robert. Ian joins them and of course Reggie recognizes him. He threatens to record them and accuses them of tampering with a witness. When he pulls out his phone to go live, Robert shoots him. Reggie pleads with them to let him live, swearing he won’t say anything. Robert indicates it’s Ian’s turn to shoot, and Ian does, finishing him off.
Ian and Robert dump Reggie’s body in the river after removing their slugs from his body. They toss him into the water and watch as Reggie’s body sinks.
Cortez (Derek Rivera) organizes the cartel soldiers, and they stop the train in a secluded spot. Gunshots ring out as they find the marked container.
It’s late at night when Mike makes it to his office and discovers the warden’s there to see him. She agrees to move Merle and says he wins. Mike reminds her he can help her, but Hobbs doesn’t reply to his offer.
Mike has another unexpected visitor after Hobbs leaves, and he grabs his gun before responding to a knock. It turns out it’s Cindy (Laura Benanti), stopping by after her kids said he came over to see her when she wasn’t there. Mike confirms he stopped by to warn her that Hobbs has been compromised and can’t be trusted.
Meanwhile, guards show up at Kyle’s cell and handcuff him. He’s told he’s being taken for R&R and Merle yells out, “Kill whatever comes close to you.”
Kyle’s moved into a bed in gen pop. The other prisoners in the large room watch as he heads to his cot, no longer safe in a single, isolated cell.
Bunny interrupts Mike’s quiet time with Cindy, telling him to get to a bird’s eye. Mike and Cindy step out on the roof and watch a train fully engulfed in flames rolling down the tracks through town. Bunny confirms his product was on that train. He’s ready to go to war with the Colombians.
A scene from ‘Spinal Tap II: The End Continues’ (Photo Courtesy of Bleecker Street)
HBO Max’s December 2025 lineup includes a new season of NFL Films’ Hard Knocks, a comedy special with Sarah Sherman, and a documentary on the short life of Jeff Buckley. The December calendar of premieres also includes the sequel to The Brothers McMullen, a documentary on Counting Crows, and Spinal Tap II: The End Continues.
HBO MAX PREMIERES – DECEMBER 2025
December 1
90 Day Fiancé: Happily Ever After: Pillow Talk, Season 9 (TLC)
Adult Swim Yule Log (Adult Swim)
Adult Swim Yule Log 2: Branchin’ Out (Adult Swim)
Atomic Blonde
Battle of the Sexes
Bright Leaf
Christmas with the Kranks
Dames
DeLorean
Diary of a Wimpy Kid: Dog Days
Girls Trip
Gunsmoke in Tucson
Hidden Figures
I’ll See You in My Dreams (1952)
Illegal
Jim Thorpe: All-American
Jimmy the Gent
Key Largo
Kid Galahad
Larceny Inc.
Law of the Badlands
Little Caesar
Liz and the Blue Bird
Lu Over the Wall
Mad Men, Seasons 1-7
Mandalay
Millennium Actress
Mind Game
Miss Congeniality
Miss Congeniality 2: Armed and Fabulous
Mission to Moscow
My Dream is Yours
Ne Zha
Night and Day
Perfect Blue
Pierrot le fou
Racket Busters
Riffraff
Romance on the High Seas
Santa Fe Trail
Shin Godzilla (GKIDS)
Shining Victory
Shoeshine
Sing and Like It
Song of My City
Summer Wars
Table 19
Taking Woodstock
The Color Purple (1985)
The Colors Within
The Damned Don’t Cry
The Girl Who Leapt Through Time
The Goonies
The Matrimonial Bed
The Private Lives of Elizabeth and Essex
The Sea Wolf (1941)
The Seventh Victim
The Shop Around the Corner
They Won’t Believe Me
Tiny Furniture
Trouble Along the Way
Walk Softly, Stranger
Walk the Dark Street
Wedding Crashers
Wilson
Wolf Children
X-Men First Class
Paul Anka: His Way (HBO Original) – From teen idol to chart-topping songwriter, Paul Anka has spent seven decades as one of the most prolific musicians in the world and he’s still going. Part road movie and part living biography, Paul Anka: His Way traces the iconic Canadian’s journey through stardom and constant reinvention in an ever-changing industry.
December 2
Capital One MLB Open
Chopped: Volume 4, Season 63 (Food Network)
New Orleans: Soul of a City (CNN Original Series)
“The Hidden Homeless,” The Whole Story with Anderson Cooper (CNN Original)
Hard Knocks: In Season with the NFC East (HBO Original) – Hard Knocks: In Season with the NFC East will follow the reigning Super Bowl LIX champion Philadelphia Eagles, the Dallas Cowboys, the New York Giants, and the Washington Commanders during the final stretch of the NFL season. From wins and losses to injuries and adversity, the series will capture an inside look at life in one of football’s most historic divisions.
December 3
Fixer to Fabulous, Season 7 (HGTV)
Jeff Buckley (Courtesy of Dana Tynan 1996)
December 4
About Face, Season 1 (TLC)
Cheap A$$ Beach Houses, Season 1 (HGTV)
Dunkman, Season 1
Dylan’s Playtime Adventures, Season 1D (Max Original)
Architecton (A24) – An extraordinary journey through the material that makes up our habitat: concrete, and its ancestor, stone. Victor Kossakovsky raises a fundamental question: how do we inhabit the world of tomorrow?
It’s Never Over, Jeff Buckley (HBO Original) – Through rare archival footage and deeply personal accounts, this documentary explores the extraordinary life, singular talent, and untimely death of Jeff Buckley — the enigmatic artist whose haunting voice and only album, “Grace,” left an indelible mark on music history.
December 5
Batwheels, Season 3A (Cartoon Network)
House Hunters International: Volume 9, Season 205 (HGTV)
House Hunters: Volume 10, Season 247 (HGTV)
The Family McMullen (2025) – 30 years after Edward Burns’ The Brothers McMullen wowed critics and audiences—winning the Grand Jury Prize at the Sundance Film Festival—with its exploration of the lives and struggles of three Irish American brothers from Long Island, New York, the family returns in the long-awaited follow-up, The Family McMullen. The new film tracks the romantic entanglements of a now 50-something Barry McMullen (Burns) and his 20-something kids, as well as his brother Patrick (Michael McGlone) and widowed sister-in-law Molly (Connie Britton), each facing unexpected romantic hurdles of their own.
December 7
The Christmas Showdown (OWN)
December 8
90 Day Fiancé: Before the 90 Days, Season 8 (TLC)
December 9
Bugs Bunny Builders, Season 2I (Cartoon Network)
Fixer Upper: Colorado Mountain House (Magnolia Network)
December 11
Wizkid: Long Live Lagos (HBO Original) – An intimate and heart-thumping documentary following Wizkid’s rise to global stardom, and how he has reshaped the way Africa is seen — and heard — around the world. Blending revealing moments, explosive performances, and cultural commentary, the film captures how Wizkid is using his platform to change perceptions, reclaim post-colonialidentity, and inspire a new generation.
December 12
Stolen Children (HBO Original)
This Is Spinal Tap
Sarah Squirm: Live + In the Flesh (HBO Original) – Sarah Sherman’s unholy alter ego, Sarah Squirm, slithers onto your screen in her first stand-up comedy special. After four seasons (and counting) on Saturday Night Live, the comedian rips off the straitjacket, unleashing a festering and hilarious hour of bodily fluids, open-wound confessionals, and jokes that will leave scars on your soul.
Spinal Tap II: The End Continues – The band reunite after a 15-year break for one final concert.
December 13
Vantara: Sanctuary Stories, Season 1 (Animal Planet)
December 14
Toad and Friends, Season 1D
Very Merry Mystery (OWN)
December 15
Assassination in the Valley of the Kings (Discovery)
The Bold Type, Seasons 1-5
Tony Shalhoub Breaking Bread (CNN Original Series)
Truck U, Season 21
White House Christmas (HGTV)
December 16
The Secrets We Bury (ID)
“MisinfoNation: White Genocide,” The Whole Story with Anderson Cooper (CNN Original)
December 17
Obsession: The Murder of a Beauty Queen (HBO Original)
December 18
Saving Yellowstone with Dennis Quaid, Season 1 (Animal Planet)
Counting Crows: Have You Seen Me Lately? (HBO Original) – A revealing portrait of Counting Crows frontman Adam Duritz, and the emotional and creative toll a band’s meteoric rise can have on a musical artist. The documentary traces how he navigated early fame while crafting a raw, defiant follow-up to the band’s iconic debut album.
December 19
House Hunters: Volume 10, Season 248 (HGTV)
Teen Titans Go!, Season 9F (Cartoon Network)
December 20
Adult Swim’s The Elephant (Adult Swim)
December 21
Secrets in the Sand, Season 2 (Science)
December 22
Aztec Batman: Clash of Empires (2025)
The Last Captains, Season 1 (Discovery)
December 23
“The Exorcists,” The Whole Story with Anderson Cooper (CNN Original)
December 24
Guy’s Grocery Games, Season 40 (Food Network)
Ne Zha II (A24) – A rebellious young boy, Ne Zha, is feared by the gods and born to mortal parents with wild, uncontrolled powers. Now he’s faced with an ancient force intent on destroying humanity, he must grow up to become the hero the world needs.
December 25
Happy And You Know It (HBO Original) – A joyful and surprising journey into the fascinating world of toddler pop, the film explores why kids’ music is so catchy, can be deeply meaningful, and how AI is taking hold and shaping the industry. The film features appearances by The Wiggles, Laurie Berkner, and other musicians.
December 26
Heaven (HBO Original)
December 27
Junk or Jackpot?, Season 1 (HGTV)
December 28
Home Reimagined, Season 1B (Magnolia Network)
My Pet Ate What!?, Season 1 (Animal Planet)
December 29
Celebrity IOU, Season 11 (HGTV)
Two Guys Garage, Season 24
December 31
Building Outside the Lines, Season 3 (Magnolia Network)