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‘Outlander: Blood of my Blood’ Episode 5 Recap: “Needfire”

Outlander: Blood of my Blood Episode 5 Recap
Sadhbh Mailn, Harriet Slater, and Conor MacNeill in ‘Outlander: Blood of my Blood’ episode 5 (Photo Credit: Starz)

Starz’s Outlander: Blood of my Blood episode five opens with Ellen (Harriet Slater) being carefully attended to by her maids. They take special care with her gorgeous dress to make sure everything is just right, with the final touch being a veil placed over her head. Jocasta (Sadhbh Malin) tells her that everyone’s waiting for her.

(What follows is a detailed recap of episode five, so there are spoilers ahead!)

The action jumps back a few hours, catching Ellen smiling while riding in the back of the carriage. Jocasta is obviously jealous, thinking about the wealth coming her sister’s way when she weds Malcolm Grant. It’s a contentious conversation, and Ellen tries to shift it, asking for advice on keeping Malcolm satisfied.

Jocasta admits her husband John only wanted a “silent prize” who knew her place and was admired but not touched. She thinks it’s possible that Malcolm will ravage Ellen at Beltane since it’s been known to happen. All sins can be cleansed by needfire during the celebration, and Ellen might get pregnant. That leads to another tense exchange about each other’s ability to have children, which only stops when Ned Gowan (Conor MacNeill) tells them to knock it off.

They arrive at the festivities, and Ned reminds Ellen not to even think about breaking off her engagement with Malcolm. If she does, she’ll face serious consequences. Ned considers Malcolm a good match, and if she messes this up, she’ll wind up married to someone much less suitable.

Julia Loses Her Only Ally

Julia (Hermione Corfield) seems nervous when Brian Fraser (Jamie Roy) asks if she’s ready. She’s worried he’ll be punished for letting her escape, but Brian’s not concerned. Julia apologizes anyway. Brian lightens the mood by discussing the delicious food in store for them at Beltane. Plus, there won’t be any fighting among the clans since it’s neutral territory.

Mistress Porter (Sara Vickers) catches them before they leave, and she insists Julia can not go. Lord Lovat will be enraged if he finds out she’s left, but Brian claims he just wants her to receive blessings for her unborn child. Brian’s mother is equally insistent; Julia is Lord Lovat’s current favorite and he’s having his seer, Maisri, brought to the castle to do a reading on the baby.

Mistress Porter breaks the news to Brian that Julia’s pregnant with Lord Lovat’s child, which will be his half-sibling. This changes everything, and he tells Julia she needs to remain at the castle. Brian’s incredibly disappointed and feels betrayed that she lied to him. (She didn’t, but she couldn’t come clean in front of his mom.)

As Brian prepares his horse for the journey, Murtagh (Rory Alexander) rides up and declares that he’s joining him. Murtagh’s hoping for another shot at Ellen MacKenzie since during Beltane all vows are forgotten. Murtagh has no idea about Brian and Ellen’s romance and wrongly believes he still has a chance of winning her away from Malcolm.

Outlander: Blood of my Blood Episode 5 Recap
Jamie Roy and Harriet Slater in ‘Outlander: Blood of my Blood’ episode 5 (Photo Credit: Starz)

Brian and Ellen Reunite at Beltane

Tents and games are set up and the mood is festive. Jocasta lies and tells Malcolm Grant (Jhon Lumsden) that Ellen’s been talking about him the whole trip. Neither Jocasta nor Ellen has celebrated Beltane at this location, and Malcolm assures them they’re in for a fun time of feasting and dancing, along with the actual Beltane ceremony. The procession to the stone circle will take place in a few hours.

Henry (Jeremy Irvine) has been nearby listening in and asks Ned about the stone circle. Ned explains Craigh na Dun is not far and that the maidens will dance there to keep the fairies from taking people. “They’re known to appear on Beltane, snatch those who don’t pay proper respects,” says Ned.

Henry gets down to actual business, confirming Lord Lovat wrote a disparaging letter about Ellen’s reputation and warned the Grants not to allow Malcolm to marry her. Ned believes Simon Fraser only wrote that letter because he hates the MacKenzies. Ned also reveals Simon’s been accused of raping a noblewoman and can’t be trusted.

Henry suggests that Isaac Grant knows all this and that he wrote back to Simon basically telling him to mind his own business. However, Isaac remains uneasy about Malcolm marrying Ellen. Ned assures Henry that any rumors are meritless.

Malcolm requests a dance and Ellen declines, claiming she’s not a good dancer. Malcolm convinces her that she could never disappoint him. She gives in and suddenly Brian’s there, taking her hand while whispering that no one will suspect a thing if they dance.

It’s true that Malcolm doesn’t suspect anything, and Ellen and Brian make plans to sneak away and meet at the old castle tower. Jocasta flirts with Murtagh, who’s watching the dance from the sidelines, explaining that her husband’s in bed with the sweating sickness. Murtagh makes her smile by asking her to dance, promising everything’s fair at Beltane.

Ellen’s named the May Queen and is told to choose her king for the night’s ceremony. All eligible men are supposed to step forward, but only Malcolm and Murtagh initially do so. Brian looks conflicted and finally joins them when even more men step into the competition. Asked which is worthy of her hand, Ellen inspects her suitors and selects Malcolm.

Outlander: Blood of my Blood Episode 5 Recap
Sara Vickers, Hermione Corfield, and Tony Curran in ‘Outlander: Blood of my Blood’ episode 5 (Photo Credit: Starz)

Back at Castle Leathers, Simon Fraser’s seer claims she sees a field of thorns, with men bleeding and tormented. Simon (Tony Curran) is not one of them. Instead, he’s away from the field, victorious. She sees that he’ll return to the powerful position he once held.

He asks about having a child worthy of his legacy, and Maisri (Katharine O’Donnelly) instructs Juilia to place an egg on her belly. Ellen then cracks it into a pitcher of water, and two yolks appear. “I see a lass all alone with dark curls and clear blue eyes,” says Maisri, and Simon doesn’t care about a girl. Maisri says the girl she described is still to come. (Julia thinks she’s talking about Claire.)

Maisri touches Julia’s stomach and declares that she’s having a boy “of great importance.” The boy will unite clans for centuries to come, according to the seer. She adds, “When the fate of our nation is in peril, he’ll have his part to play.”

In Outlander, we know that Claire’s uncle raised her after her parents perished in a car accident when she was a young child. Although Julia is determined to return to her own time in this prequel, Outlander fans know that didn’t happen. The huge unanswered questions now are whether Julia will deliver her son in the 1700s, how he will fit into the Jamie and Claire timeline, and whether Claire will learn in Outlander season eight that her parents survived and traveled to the 1700s. Will she ultimately meet relatives she didn’t know existed? And is it possible fans have already met Claire’s little brother at some point in Outlander?

Maisri’s vision leads Simon Fraser to believe the baby Julia’s carrying is a future king, which confirms Clan Fraser’s importance.

Back at the Beltane celebration, Malcolm is honored that Ellen chose him. Ellen’s still trying to figure out a way to get away and convinces Malcolm to help the men finish with the crowning ceremony’s decorations.

Meanwhile, Murtagh and Brian discuss women and what they want, with Brian suggesting Murtagh move on to a different woman.

Ellen breaks away from Jocasta, insisting she’s not going to the stones and asking for a bountiful year with Malcolm. Jocasta confesses she blames Ellen for setting her up in a joyless marriage with John Cameron, and Ellen says she finally understands how her sister feels about an arranged marriage. They strike a deal, swearing they’ll both say that they received the blessings at the stones. Instead, they’ll both do as they please.

Ellen heads straight to her secret meeting with Brian and places his hand over her heart. He does the same with hers, comparing their heartbeats. They’re caught up kissing when Murtagh approaches and watches his best friend betray him with the woman he loves. He leaves without saying a word.

Outlander: Blood of my Blood episode 5 Harriet Slater and Jamie Roy
Harriet Slater and Jamie Roy in ‘Outlander: Blood of my Blood’ (Photo Credit: Starz)

Time passes and the couple moves inside the old castle, unwilling to part. The sun is going down, but Brian doesn’t fear darkness. He’ll have the fire she lit in him to make his world glow. Ellen doesn’t fear the darkness either; it’s where she finds him each night.

Brian warns her that if they keep going, it will ruin her honor and virtue. “Ruin me,” replies Ellen. Brian stops them just as they begin to remove their clothes. He rips his clothing into strips, and they grasp hands, reciting “blood of my blood, and bone of my bone. I give you my body that we two might be one. I give you my spirit till our life shall be done.”

They share a passionate kiss and then hurry to remove their clothes. Ellen caresses Brian’s chest, and Brian helps her remove her skirt. Hands explore as the music builds and then retreats to a gentler accompaniment as Brian lays Ellen on the ground. They stop rushing and take their time enjoying their first time together. Their eyes never leave each other’s as they make love.

Later, they get to know each other a little better while relaxing in each other’s arms. He talks about Murtagh; she asks about Brian’s father and if he deserves his bad reputation. Brian admits he does, and that’s why he left Scotland last year and went to El Camino de Santiago. He needed to figure out his place in the world. There, he learned to make peace with his station. But now, because of her, he wants to be better.

Brian asks if she regrets what they just did, and Ellen doesn’t. She’s happy she made this decision for herself and will always choose him.

Murtagh stalks around the grounds, grabs a drink, and runs straight into Arch Bug. They’re both looking for a fight, and Arch delivers a vicious beating while warning Murtagh to stay away from Ellen MacKenzie.

Over at Castle Leathers, Davina Porter points out to Simon that Maisri never called Julia’s baby his. She warns Lord Lovat that Julia can’t be trusted and that she was already pregnant when she showed up at Castle Leathers. Davina confesses she doesn’t have any proof and that she hasn’t told anyone else this. Simon reacts by ordering Davina to take over all of Julia’s duties and to keep this knowledge a secret. If she ever mentions this to anyone, she’ll be killed.

It’s late at night when Ned asks Henry if he found his woman. Henry didn’t, admitting he hoped he would since all the women from the surrounding area attend the festival. Ned confesses he was forced apart from the only woman he loved and had to choose between torment and starting over. He chose to work with Red Jacob and Clan MacKenzie. Ned’s worried that Henry will make the wrong choice, and Henry assures him there is only one choice. He will find the love of his life.

Julia’s alone when she places her wedding ring back on her finger.

Ellen and Brian have finally parted, and Malcolm finds her and gives her a piece of jewelry he made back when they were just children as a token of his affection. She says she’ll treasure it, but doesn’t reply when he says he can’t believe she’s his.

Jocasta finds Murtagh drunk and angry and takes care of his wounds. He explains it’s not a physical injury; he wants to be wanted. Jocasta understands and feels the same. They’re passionately kissing when Murtagh ruins it by saying, “Ellen.”

Jocasta leaves, sobbing.

Outlander: Blood of my Blood Episode 5 Recap
Sadhbh Mailn in ‘Outlander: Blood of my Blood’ episode 5 (Photo Credit: Starz)

While Beltane’s King and Queen ceremony is in full swing, at Castle Leathers Julia writes to Henry, telling him she intended to keep the promises they made when they exchanged vows.

Malcolm and Ellen, wearing the gorgeous dress and veil from the beginning of the episode, make their way down the path lined with attendees. Murtagh and Jocasta are among those watching from the sidelines, as is Brian. Murtagh spots the man who’s been like a brother and watches as his friend never takes his eyes off Ellen.

Henry misses the ceremony, returning to his tent and rubbing the St. Anthony pendant Julia gave him. Simultaneously, Julia holds her wedding ring and kisses it, while her voiceover recites their wedding vows.

Malcolm removes the veil from Ellen’s face, and she sees Brian in the crowd. Malcolm leans in for a kiss and the crowd cheers. Continuing with the voiceover, Julia says that their passion, memories, and children are more powerful than their vows. The camera remains on alternating close-ups of Ellen and Brian as Julia says, “I will burn for you, my love, always.”

 

 

‘Lost in the Jungle’ Documentary Drops a Trailer Ahead of Telluride Festival Premiere

National Geographic Documentary Films’ Lost in the Jungle dives into the incredible rescue of children forced to survive on their own following a plane crash. Directed by Free Solo‘s Oscar-winning team Chai Vasarhelyi and Jimmy Chin and BAFTA winner Juan Camilo Cruz (Venezuela: Country of Lost Children), Lost in the Jungle will stream on National Geographic on September 12, 2025 and on Disney+ beginning September 13.

National Geographic offers this synopsis: “After a deadly plane crash strands four young siblings deep within the Amazon, a dramatic rescue mission unfolds, uniting Indigenous trackers and the Colombian military in a race against time. For the first time ever, Lost in the Jungle offers the exclusive account of this incredible true story directly from the children themselves and the rescuers who scoured the rainforest for a grueling 40 days and nights to find them. Lost in the Jungle is a gripping tale of survival, courage, and hope.”

Cruz, Vasarhelyi, and Chin serve as producers, along with Simon Chinn, Jonathan Chinn, Mark Grieco, Anna Barnes, and Guillermo Galdos. Carolyn Bernstein, Tim Horsburgh, Josh Braun, Luis Del Valle, and Hollman Morris are the executive producers.

“Chai and Jimmy are gifted storytellers whose inspiring films celebrate unlikely heroes who push the limits of human potential. We’re delighted to partner with them once again, alongside talented Colombian filmmaker Juan Camilo Cruz and our longtime collaborators at Lightbox—truly a powerhouse team,” stated Carolyn Bernstein, EVP of Documentary Films at National Geographic. “The journey of these courageous children is nothing short of astonishing, and we’re so proud to bring their unforgettable story to the world.”

“This story intrigued us from the very first time we heard about it,” commented director Jimmy Chin. “Working with Juan and the amazing team in Colombia allowed us to really showcase incredible details about the rescue and survival like never before. We hope audiences leave as inspired as we were by Lesly and the powerful partnership among the rescue teams.”

Lost in the Jungle Poster
Poster for ‘Lost in the Jungle’ (Photo Credit: National Geographic)

‘Star Wars: Starfighter’ Finalizes Cast, Adds Amy Adams and Matt Smith

Star Wars: Starfighter
Ryan Gosling and Flynn Gray on the ‘Star Wars: Starfighter’ set (Photo Credit:
Ed Miller / Lucasfilm)

Lucasfilm confirmed production is underway on the standalone Star Wars film, Star Wars: Starfighter. And with filming getting underway, Lucasfilm announced the actors who will be starring alongside three-time Oscar nominee Ryan Gosling (Barbie) in the project.

Six-time Oscar nominee Amy Adams (Disenchanted), Matt Smith (House of the Dragon), Flynn Gray (Borderline), Mia Goth (the X films), Aaron Pierre (Genius), Simon Bird (Everyone Else Burns), Jamael Westman (Good Grief), and Daniel Ings (The Gentlemen) have signed on to the Star Wars film, which will focus on a time period that hasn’t been seen in any previous entry of the franchise. Lucasfilm previously teased that the film is set five years after the events of 2019’s Star Wars: Episode IX – The Rise of Skywalker

“I feel a profound sense of excitement and honor as we begin production on Star Wars: Starfighter,” stated filmmaker Shawn Levy. “From the day Kathy Kennedy called me up, inviting me to develop an original adventure in this incredible Star Wars galaxy, this experience has been a dream come true, creatively and personally. Star Wars shaped my sense of what story can do, how characters and cinematic moments can live with us forever. To join this storytelling galaxy with such brilliant collaborators onscreen and off, is the thrill of a lifetime.”

Shawn Levy (Deadpool & Wolverine) is directing from a screenplay by Jonathan Tropper (Warrior). Levy and Kathleen Kennedy are serving as producers. Executive producers include Ryan Gosling, Dan Levine, Mary McLaglen, and Josh McLaglen.

Lucasfilm has set a May 28, 2027 theatrical release date.

Ariana Grande Announces 2026 Tour Dates

Wicked Ariana Grande and Cynthia Erivo
Ariana Grande is Glinda and Cynthia Erivo is Elphaba in ‘WICKED’ (Photo © Universal Studios)

Grammy winner Ariana Grande is going to have a very busy 2026. After reprising her role as Glinda in Wicked: For Good, releasing in theaters on November 21, 2025, Grande is taking on a starring role in the upcoming fourth Meet the Fockers film, Focker In-Law, targeting a Thanksgiving 2026 release. The Oscar nominee will also be embarking on a tour, her first in seven years.

“The Eternal Sunshine Tour” will kick off on June 6, 2026 in Oakland, CA. The much-anticipated tour will stop in cities including Atlanta, Brooklyn, Los Angeles, Sunrise, Chicago, Boston, Montreal, and Austin. The only confirmed stop outside of North America is a five-concert run at the O2 in London. 

Grande broke the news on Instagram, releasing the concert tour dates and details on ticket sales:

“see you next year ♡ 🧸

north america:
9.9 presale / 9.10 onsale (10am local)

london:
9.16 presale / 9.18 onsale (10am local)

presale sign up open now thru 9.7 (11am et, 2pm et, 7pm bst)”

Ariana Grande’s The Eternal Sunshine 2026 Tour Dates:

  • 06/06/26 – Oakland, CA @ Oakland Arena
  • 06/09/26 – Oakland, CA @ Oakland Arena
  • 06/13/26 – Los Angeles, CA @ Crypto.com Arena
  • 06/14/26 – Los Angeles, CA @ Crypto.com Arena
  • 06/17/26 – Los Angeles, CA @ Kia Forum
  • 06/19/26 – Los Angeles, CA @ Kia Forum
  • 06/24/26 – Austin, TX @ Moody Center
  • 06/26/26 – Austin, TX @ Moody Center
  • 06/30/26 – Sunrise, FL @ Amerant Bank Arena
  • 07/02/26 – Sunrise, FL @ Amerant Bank Arena
  • 07/06/26 – Atlanta, GA @ State Farm Arena
  • 07/08/26 – Atlanta, GA @ State Farm Arena
  • 07/12/26 – Brooklyn, NY @ Barclays Center
  • 07/13/26 – Brooklyn, NY @ Barclays Center
  • 07/16/26 – Brooklyn, NY @ Barclays Center
  • 07/18/26 – Brooklyn, NY @ Barclays Center
  • 07/22/26 – Boston, MA @ TD Garden
  • 07/24/26 – Boston, MA @ TD Garden
  • 07/28/26 – Montreal, QC @ Bell Centre
  • 07/30/26 – Montreal, QC @ Bell Centre
  • 08/03/26 – Chicago, IL @ United Center
  • 08/05/26 – Chicago, IL @ United Center
  • 08/15/26 – London, UK @ The O2
  • 08/16/26 – London, UK @ The O2 
  • 08/19/26 – London, UK @ The O2 
  • 08/20/26 – London, UK @ The O2 
  • 08/23/26 – London, UK @ The O2 

‘Caught Stealing’ Review: Austin Butler, Zoe Kravitz, and a Scene-Stealing Cat

Caught Stealing Review
Austin Butler in ‘Caught Stealing’ (Photo Credit: Sony Pictures)

When I first heard about Caught Stealing, the new movie from eccentric filmmaker/auteur Darren Aronofsky, the first place my mind went was to “Been Caught Stealin’,” the Jane’s Addiction song that owned alternative radio in the early nineties. Then, after hearing that it was a crime thriller, I thought it might be more literal—about a guy who gets “caught stealing.” It was only after the first scene of the movie and the subsequent title card when I realized it was a baseball metaphor.

Or maybe, knowing Aronofsky’s work, it’s all three.

Caught Stealing stars Austin Butler (Elvis) as Hank Thompson, a washed-up baseball player-turned-bartender who, despite living in New York City, is a massive San Francisco Giants fan. One evening after work, he returns home to find his neighbor, a British punk rocker named Russ (Matt Smith from House of the Dragon), asking him to take care of his cat, Bud (played by Tonic the Cat). This simple favor tosses Hank headfirst into a war between the Russian Mafia and some violent Hasidic criminals.

You never know which Darren Aronofsky you’re going to get when you go into one of his movies. It could be the genius who crafted The Wrestler or it could be the hack who plopped out Noah. Caught Stealing is somewhere in between. The screenplay for the movie was adapted by Charlie Huston (who created the TV series Powers) from his own novel of the same name, and the tone feels odd for Aronofsky. It almost feels like Aronofsky is shooting a Quentin Tarantino script, except that DA doesn’t do ironic humor half as well as QT does.

And this awkward attempt at humor is what ultimately hinders Caught Stealing. Huston’s plot is engaging enough, full of twists and turns that are always one step ahead of the viewer. But the overall vibe is just…strange, especially for a filmmaker with a style as unique as Aronofsky. It’s a bit of a shoot-em-up in the same vein as Guy Ritchie, but with a storyline that could have come from Walter Hill. It’s almost as if the whole identity of the movie is that it is a mashup of other movies’ identities.

For his part, Austin Butler does well with the thin character that he is given. Hank’s backstory is revealed, but how it affects his current life is only hinted at. There’s a scene later in the film where he’s taking pitches in a batting cage, and it feels like this should be more impactful, but as is, it just seems tacked on. His baseball career ended before it even started, yet his connection to the sport that he loves and was taken from him is reduced to the simple “Go Giants!” that he and his mother say as they end their phone calls. Hank just seems like an undercooked character.

Now, Hank’s girlfriend, Yvonne, played by Zoë Kravitz (Big Little Lies), is another story. With her limited screentime and typical role as basically the “caring love interest,” Yvonne is essentially the main character that the audience cares about. It helps that Yvonne is a more relatable character than Hank, but Kravitz elicits the only real emotional response from the audience, a response that is amplified by the scorching chemistry between her and Butler. Yvonne is set up as a side character, but Kravitz steals the movie.

Also of note are the performances of Liev Schreiber and Vincent D’Onofrio, both of whom are chameleonic in their portrayals of the Hebrew crime lords, characters who are themselves chameleonic as they hop the fence between the trappings of their orthodox faith and the brutality of their underworld misdeeds. And it’s not just the long beards and dark clothing—these guys become their characters, much more so than any of the guys who play the Russian mobsters, or even Regina King, who shows up as a detective. The performances in Caught Stealing are hit and miss, but Kravitz, Schreiber, and D’Onofrio are definitely the hits.

And then, there’s the cat. Tonic also steals every scene as Hank’s impromptu foster cat, Bud. I’ve been lobbying for a Best Animal Performance Oscar for years now, and this season’s frontrunner so far would have to be Tonic (but, to be fair, only because Krypto in Superman was mostly CGI).

On the Aronofsky scale, Caught Stealing falls below the average line, but that probably says more about the overall quality of the filmmaker’s catalog than it does this particular movie. As a standalone crime movie, it’s passably entertaining, if a bit forgettable. As an Aronofsky movie, it doesn’t compete. While it doesn’t quite strike out, it’s far from hitting a home run. Let’s just say it’s a swing and a miss.

GRADE: C+

Rating: R for strong violent content, brief drug use, some sexuality, nudity, and pervasive language
Release Date: August 29, 2025
Running Time: 1 hour 47 minutes

‘Monster: The Ed Gein Story’: Charlie Hunnam Posters and Premiere Date News

Monster: The Ed Gein Story Poster Charlie Hunnam
Poster for ‘Monster: The Ed Gein Story’ (Photo Credit: Netflix)

Ryan Murphy and Ian Brennan’s newest addition to the Monster anthology series, Monster: The Ed Gein Story, will premiere on October 3, 2025 on Netflix. The streamer announced the premiere date and released three horror-themed posters starring Charlie Hunnam (Sons of Anarchy) as the titular monster.

The eight-episode season also stars Suzanna Son (Fear Street: Prom Queen) as Adeline Watkins, Tom Hollander (Feud: Capote vs. The Swans), Laurie Metcalf (Lady Bird) as Augusta Gein, Vicky Krieps (Old) as Ilse Koch, Olivia Williams (Dune: Prophecy) as Alma Reville, Joey Pollari (American Crime) as Anthony Perkins, and Tyler Jacob Moore (Perry Mason) as Sheriff Schley. Charlie Hall (Single Drunk Female) plays Deputy Worden, Will Brill (Fellow Travelers) is Tobe Hooper, Mimi Kennedy (Midnight in Paris) is Dr. Mildred Newman, Robin Weigert (Smile) is Enid Watkins, and Lesley Manville (Another Year) plays Bernice Worden.

“Serial killer. Grave robber. Psycho. In the frozen fields of 1950s rural Wisconsin, a friendly, mild-mannered recluse named Eddie Gein lived quietly on a decaying farm—hiding a house of horrors so gruesome it would redefine the American nightmare. Driven by isolation, psychosis, and an all-consuming obsession with his mother, Gein’s perverse crimes birthed a new kind of monster that would haunt Hollywood for decades,” reads Netflix’s synopsis. “From Psycho to The Texas Chainsaw Massacre to The Silence of the Lambs, Gein’s macabre legacy gave birth to fictional monsters born in his image and ignited a cultural obsession with the criminally deviant. Ed Gein didn’t just influence a genre—he became the blueprint for modern horror.”

Executive producers include Ryan Murphy, Ian Brennan, Max Winkler, Eric Kovtun, Scott Robertson, Nissa Diederich, Louise Shore, Carl Franklin, and Charlie Hunnam. Ian Brennan wrote the new season and directed two episodes. Max Winkler directed six.

Charlie Hunnam
Charlie Hunnam (Photo Credit: Netflix)
Charlie Hunnam
Charlie Hunnam (Photo Credit: Netflix

Harlan Coben’s Lazarus Gets October Premiere and Unveils First Photos

Harlan Coben's Lazarus
Sam Claflin and Bill Nighy in ‘Harlan Coben’s Lazarus’ (Credit: Ben Blackall © Amazon Content Services LLC)

Prime Video has set an October 22, 2025 premiere date for Harlan Coben’s Lazarus, with the streamer confirming all six episodes will be available for bingeing. Additionally, Prime Video released the first photos from the thriller created by bestselling author Coben and BAFTA winner Danny Brocklehurst.

Sam Claflin (Daisy Jones & the Six) and Oscar nominee Bill Nighy (The First Omen) star as Joel Lazarus and Dr. Jonathan Lazarus. The series also stars Alexandra Roach as Jenna Lazarus, David Fynn as Seth McGovern, Karla Crome as Bella Catton, and Kate Ashfield as Detective Alison Brown.

Harlan Coben’s Lazarus follows Joel Lazarus (Claflin) who returns home after his father Dr. Jonathan Lazarus (Nighy) dies by suicide and begins to have disturbing experiences that can’t be explained,” reads Prime Video’s synopsis. “He quickly becomes entangled in a series of cold-case murders as he grapples with the mystery of his father’s death and his sister’s murder 25 years ago.”

Harlan Coben and Danny Brocklehurst serve as writers and executive producers, along with BAFTA winner Nicola Shindler, Richard Fee, and Sam Claflin. Wayne Che Yip directed the first two episodes and executive produced. The series is produced by Amazon MGM Studios and Quay Street Productions in association with Final Twist Productions.

Sam Claflin and David Fynn
Sam Claflin and David Fynn (Credit: Ben Blackall © Amazon Content Services LLC)
Bill Nighy
Bill Nighy (Credit: Ben Blackall © Amazon Content Services LLC)
Bill Nighy and Sam Claflin
Bill Nighy and Sam Claflin (Credit: Ben Blackall © Amazon Content Services LLC)
Sam Claflin
Sam Claflin (Credit: Ben Blackall © Amazon Content Services LLC)
Alexandra Roach, Sam Claflin, Kate Ashfield
Alexandra Roach, Sam Claflin, and Kate Ashfield in ‘Harlan Coben’s Lazarus’ (Credit: Ben Blackall © Amazon Content Services LLC)

 

‘Lucky Dog’ Spinoff Focuses on Australian Rescue Dogs

Lucky Dog Brandon McMillan
Brandon McMillan hosts ‘Lucky Dog: Down Under’ (Photo Courtesy of CBS)

Lucky Dog‘s Brandon McMillan will showcase the rescue, rehabilitation, and training of Australian shelter dogs in the spinoff, Lucky Dog: Down Under. The new series will be part of a Lucky Dog block, airing on Saturday mornings on CBS after Lucky Dog: Reunions

Lucky Dog: Down Under will premiere on October 4, 2025.

Lucky Dog: Down Under captures the heartwarming stories of Australian shelter dogs as they transition from rescue and rehabilitation to cherished members of loving families,” reads CBS’s synopsis. “Whether it’s a scrappy terrier, an energetic kelpie, or a partially deaf cattle dog, audiences will discover that second chances can transform lives on both ends of the leash.” 

The original Lucky Dog series, based on The Dog House Australia, has helped find new homes for 200 dogs, according to Hearst Media Production Group (HMPG). 

“The Lucky Dog franchise has informed and captivated audiences for more than a decade,” stated Bryan Curb, HMPG executive vice president and general manager, education/information. “Taking viewers Down Under will add an international spin with uplifting stories told by America’s favorite animal trainer, Brandon.”

The popular Saturday morning series has won three Daytime Emmy Awards, including two for McMillas as Outstanding Host in a Lifestyle/Travel/Children’s or Family Viewing Program. Debuting in 2013, the family-friendly series has also earned 55 Telly Awards, seven Parents’ Choice Awards, and five Cynopsis Kids Imagination Awards.

‘Jaws’ 50th Anniversary Celebration: The First Summer Blockbuster Returns to Theaters

Jaws 50th Anniversary
Robert Shaw, Roy Scheider, and Richard Dreyfuss in ‘Jaws’ (Photo © Universal Pictures)

50 years ago on June 20, 1975, Universal Studios released Jaws, a film about a great white shark terrorizing the fictional beach community of Amity Island, creating the very first summer blockbuster. And it was all due to the vision and talent of a young director named Steven Spielberg.

Jaws, the film that scared people out of the ocean and into the movie theaters, is celebrating its 50th anniversary this year. As part of the summer-long celebration, the PG-rated thriller is returning to the big screen for a Labor Day weekend run beginning August 29, 2025.

Before celebrating its return, let’s examine just how the summer blockbuster about a man-eating shark and those trying to stop it came to be. It was 1973 when movie producers Richard D. Zanuck and David Brown purchased the rights to Peter Benchley’s novel Jaws before it was published. They were extremely impressed with the manuscript, which they read in a single night, so they took a chance and quickly secured the rights to adapt it into a feature film.

Their first choice for a director of the film, Dick Richards, didn’t work out due to the fact he kept calling the shark a whale, which upset the producers and Peter Benchley. Realizing he wasn’t going to work out, Zanuck and Brown started a search for a new director. Word reached them that Steven Spielberg was very interested in helming the film. Zanuck, Brown, and Spielberg met with Benchley, who appreciated that Spielberg understood what his novel was about and liked his take on it.

Now, the search was on to cast the three male leads of the film. Many names were thrown around, including Lee Marvin, Jon Voight, Timothy Bottoms, and Jeff Bridges. Spielberg met with Richard Dreyfuss, hot off the George Lucas hit film American Graffiti and offered him the part of Matt Hooper, the young oceanographer and shark expert. Dreyfuss turned it down, telling Spielberg that the film sounded like a b*tch to shoot. However, after seeing his performance in The Apprenticeship of Duddy Kravitz and thinking he’d never work again, Dreyfuss called Spielberg and begged him for the part.

It was at a party that Spielberg found his Police Chief Martin Brody when he met Oscar-winning actor Roy Scheider. Spielberg was depressed about the casting process and Scheider just happened to ask what was wrong. Spielberg described the plot of Jaws and the character of Chief Brody, and Scheider suggested himself for the part.

To play Quint, the grizzled shark hunter, Spielberg originally wanted Lee Marvin but he quickly turned it down, having no interest in the role. Next, he wanted actor Sterling Hayden, who played the corrupt police captain gunned down by Al Pacino’s Michael Corleone in The Godfather. However, Hayden also turned down the role. Zanuck and Brown stepped in and suggested Robert Shaw, who they had worked with on The Sting. Shaw accepted the role, rounding out the principal cast.

Spielberg decided to throw out all the side stories in the novel—how the mafia forces the mayor to keep the beaches open and the affair Hooper has with Brody’s wife—and streamlined it to a simple man-against-beast story. 

The filming turned into a very real nightmare for the cast, crew, and director. Spielberg decided to shoot the movie on the ocean off Martha’s Vineyard, but the salt water was brutal on the parts of the mechanical sharks built to be the titular Great White. Many filming days were lost due to the shark not working. 

In an interview on The Rachael Ray Show, Dreyfuss shared an interesting behind-the-scenes tidbit. “You could follow the progress of the film by the amount of radio mics there were all over the island, right, even if you didn’t care. And you heard, ‘The shark is not working. The shark is not working.’ The shark never worked, and Steven Spielberg had to reconceive the film because the shark never worked.”

Spielberg decided to film as many scenes as he could without showing the shark, which turned out to help add to the suspense and tension of the film. Ultimately, Bruce, the crew’s nickname for the mechanical shark after Spielberg’s lawyer Bruce Ramer, started working. The cast and crew worked through the summer and finished over budget and behind schedule in October 1974.

Jaws Summer Blockbuster
A scene from ‘Jaws’ (Photo © Universal Pictures)

The script was also an issue, going through rewrites and having scenes added late in the process. One particular stroke of genius was Spielberg wanting to give Quint a reason for his obsession with hunting and killing sharks. Howard Sackler, an uncredited writer, came up with the idea of Quint being a survivor of the USS Indianapolis disaster. Sackler wrote the first version of the speech, but it was too short and he wouldn’t expand on it. Spielberg asked John Milius to work on it, and he wrote a much longer version that felt like it was too much. Robert Shaw, who was also a published author and playwright, took the drafts of the monologue and wrote his own version. Shaw’s version is the one used in the movie, and the Indianapolis monologue is the emotional centerpiece of the film. As Spielberg told Vanity Fair, the monologue is Shaw’s version of Milius’s version of Sackler’s version.

It was just two notes—a “figuration based on a semitone of E and F,” per The Legacy of John Williams—that became one of the most memorable and terrifying film themes in history. American composer and conductor John Williams had worked with Spielberg on his film The Sugarland Express, and Spielberg believed he was perfect to write the musical score for Jaws. Williams said in an interview that he saw the main theme of Jaws as an embodiment of the shark itself. The simple notes could be manipulated to slow down or speed up as the Great White hunted. The result was an iconic piece of music that was simple, driving, and unstoppable, just like the attack of the shark.

However, when Williams first played the main theme for Spielberg, the director thought Williams was joking. I thought he had a great sense of humor and he was putting me on. And he said, ‘No, that’s the theme to Jaws!’ I said, ‘Play it again,’ and he played it again and again… and suddenly it seemed right. John found a signature for the entire movie,” explained Spielberg on a DVD featurette.

Jaws grossed more than $7 million over its opening weekend. It went on to break all the box office records at that time, ringing up $260+ million domestically during its first run to become the highest-grossing film, a record it held until Star Wars’ release in 1977. It was also the first movie to earn over $100 million domestically and won three Academy Awards: Best Film Editing, Best Original Score, and Best Sound.

The 50th anniversary re-release will screen in 4K, IMAX, RealD 3D, 4DX, and D-BOX, making it the perfect time to relive the thrills of the first-ever summer blockbuster in theaters. The bigger the screen, the better.




‘Hamnet’ Teaser Trailer Starring Paul Mescal and Jessie Buckley

Focus Features acquired Hamnet, based on Maggie O’Farrell’s award-winning novel, in August 2024 and today they’ve unveiled the first official teaser trailer. The period drama stars Oscar nominee Paul Mescal (Aftersun) as William Shakespeare and Oscar nominee Jessie Buckley (The Lost Daughter) as his wife, Anne Hathaway, also referred to as Agnes.

“From Academy Award-winning writer/director Chloé Zhao, Hamnet tells the powerful story of love and loss that inspired the creation of Shakespeare’s timeless masterpiece, Hamlet,” reads Focus Features’ synopsis.

Two-time Oscar nominee Emily Watson and Joe Alwyn also star.  Author Maggie O’Farrell co-wrote the screenplay with Chloé Zhao, and Liza Marshall, Pippa Harris, Nicolas Gonda, Sam Mendes, and Steven Spielberg serve as producers. Zhao, Kristie Macosko Krieger, and Laurie Borg executive produce.

Focus Features has set a Thursday, November 27, 2025 limited release, expanding nationwide on Friday, December 12.

Hamnet Jessie Buckley and Paul Mescal
Jessie Buckley stars as Agnes and Paul Mescal as William Shakespeare in ‘HAMNET’ (Photo Credit: Agata Grzybowska / © 2025 FOCUS FEATURES LLC)

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