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John Oliver on Investigative Journalism, Russell Crowe’s Jockstrap, Donald Trump, and Deadly Hippos

Last Week Tonight with John Oliver
John Oliver on ‘Last Week Tonight’ season 5 (Photo by Eric Liebowitz/HBO)

John Oliver took a break from Last Week Tonight to meet with the Television Critics Association for the first time since launching his HBO show. In his first session, Oliver was simply breaking out from The Daily Show and trying something new. Now Last Week Tonight joins his previous comedy news show as a real source of news for viewers. John Oliver himself debates that fact.

“Do they [get news from me], though?” Oliver said. “I’m not sure how much I’m buying the premise of that. Some of our main stories, people may not know much about, so we might be presenting [new information]. It depends what you mean by news. Whether it’s getting the current affairs of the week from us? I think there’s many, many different sources people get information from now. I don’t think they’re waiting to hear us on a Sunday about that.”

Perhaps not the breaking headlines, but some of Oliver’s in depth reporting is unique to Last Week Tonight.

“Yeah, we work on stories for generally a month, those 20-minute stories,” Oliver said. “We fact check everything, mainly because you just don’t want to get something wrong, not just because you would be in legal problems. You can be in legal problems without doing anything wrong, hypothetically. But also because you don’t want to build all that work on foundations that fall apart. So, you don’t want to undercut your own argument by it being inaccurate.”


One example of those stories was Oliver’s coverage of predatory companies who buy people’s medical debt.

“That would be a pretty good example of when it feels like you want to show as well as tell people about something,” Oliver said. “So you want to demonstrate that what you’re saying is accurate. Like, you give people a kind of real world proof of concept. So it’s one thing to say, you know, there are predatory companies that can buy people’s medical debt, and then turn their lives upside-down in the process, and the barrier of entry is too low to get into this. Saying that is true, but it feels like it kind of lands a little harder occasionally if you say and the barrier is too low to get into this, and I can prove that’s true. I am now a medical debt company, and I have done this. It’s kind of like showing that you have the ingredients for an atom bomb, and you shouldn’t have had access to those.”

For the opening segments on the week’s news, Donald Trump is unavoidable.

“He’s a gift that keeps on giving the way a fire hose keeps on giving, and you wish it would stop occasionally,” Oliver said. “We try and compartmentalize him on our show so that to the extent that we talk about what he’s done that week, we’ll try and do it in the first 10 minutes and, ideally, in the first couple of minutes of those 10 minutes just so that we can kind of say, ‘Yes, we know he said that thing,’ and then we can move on and talk about something else. The problem is, we try to be wary of him cannibalizing the show. So we try and protect that main story from him as much as is humanly possible.”

More important stories, like buying Russell Crowe’s jockstrap from Cinderella Man on eBay, and giving it to the last Blockbuster Video store in Alaska. Now even that store is closing.

“We initially bought it thinking this would be fun to do something with and then tried to force it on a Blockbuster in Alaska,” Oliver said. “They were extremely gracious in taking it and displaying it in the manner in which it deserves to be displayed. Sadly, it does not sustain that dying business model. But, you know, maybe that jockstrap will kind of orbit businesses like a Zelig in the future, just wherever there’s a problematic business seemingly in its last embers, Russell Crowe’s jockstrap will be there.”

John Oliver’s animal impersonations were a topic of conversation too. Raccoons aren’t the only creatures on his hit list.

“I’d like someone to impersonate a hippo and be honest that they’re killing machines,” Oliver said. “They’re one of the most dangerous animals on Earth, and I just don’t understand why they have such a prevalent friendly face in children’s literature. I have a tiny child, so it’s hard to see friendly hippos smiling in stories and not say, ‘You do realize how many people they kill, not for food, but just to watch someone die each year. These are monstrous animals who have no place in your book. Anyway, next page. It’s a giraffe. I’ve got no quarrel with them.’”

It’s rarer that Oliver will feature an in-studio interview, or go on location. Those times he did were too important to overlook.

“Talking to Snowden in Moscow was a production nightmare, and we didn’t tell HBO we’d gone until we got back, but they were fine with it,” Oliver revealed. “With Snowden the reason to do that was that he’s incredibly smart, but like lots of people who are smart, in very particular ways, he’s not the best communicator of what’s in his head. So I wanted to kind of try and find ways to get what he was saying to carry to people who do not have the technical knowledge that he has, which is most of us.”

Oliver also loves to feature renowned people who are secretly hilarious.

“With the Dalai Lama, I’d read one interview where he talked about how much he liked to laugh, how much he kind of liked the utility of laughter,” Oliver said. “I thought, ‘Oh, that’d be an interesting side of him to try and play with.’ Similarly, Stephen Hawking, I knew he was a funny person, and he often kind of got reduced just to this emblem of science, and I kind of wanted to get to the human being in him, because he was a cheeky, cheeky person.”

Last Week Tonight with John Oliver airs Sunday nights on HBO.




‘The Last Ship’ Debuts a New Trailer Ahead of the Final Season’s Premiere

TNT’s released a new 30 second trailer for the fifth and final season of The Last Ship. The series’ final season is set to premiere on September 9, 2018 at 9pm ET/PT.

Season four of the one-hour drama was among the top five cable dramas in viewers, according to TNT. The network reports season four reached 24 million viewers across all platforms.

The cast of season five includes Eric Dane (Grey’s Anatomy), Bridget Regan (Agent Carter), and Travis Van Winkle (Heart of Dixie). Adam Baldwin (Firefly, Chuck), Bren Foster (Days of Our Lives), Charles Parnell (Pariah), Marissa Neitling (Leverage), Christina Elmore (Fruitvale Station), Jocko Sims (Masters of Sex), Kevin Michael Martin, Emerson Brooks (Captain America: Winter Soldier), and Jodie Turner Smith (Newness) also star in the show’s final season.

The Last Ship was created by Hank Steinberg and Steven Kane. Steinberg and Kane serve as executive producers along with Michael Bay, Brad Fuller, Andrew Form, and director Paul Holahan. Kane is also the final season’s showrunner.

The Season 5 Plot: This season, the world is finally recovering from the deadly virus that devastated the population, but global political unrest remains. Tom Chandler (Dane) has retired and his former crew has scattered, many having risen in the ranks within the Navy. Sasha Cooper (Regan), Lieutenant Danny Green (Van Winkle), SBS WO-N Wolf Taylor (Foster) and Sergeant Azima Kandie (Turner Smith) are on a covert mission in Panama. When they are wrongly blamed for an attack on the Panamanian president, the consequences for the United States are dire. The Nathan James must fight to prevent invasion by Latin America – and the next world war.

Season five is The Last Ship at its most epic, upping the ante on action and excitement, but at its core, it underscores the costs of prolonged war and the toll it takes on the heroes who fight it.

The Last Ship
A scene from season 4 of ‘The Last Ship’ (Photo by Doug Hyun / TNT)




Florida Drama ‘Queen Fur’ Earns a Pilot Order at Showtime

Queen Fur star Lily Mae Harrington
Lily Mae Harrington will star in ‘Queen Fur’ (Photo Credit: Showtime)

Showtime’s ordered a pilot for Queen Fur, an hour-long drama set in Central Florida. Queen Fur comes from Eileen Myers )Big Love) who is writing and executive producing the pilot. Sian Heder (Orange is the New Black) is directing.

The pilot will star Lily Mae Harrington (Some Freaks, Sing It!) with Deb Spera (Army Wives, Criminal Minds) on board as an executive producer.

“Eileen has created a uniquely twisted female empowerment story that surprises at every turn,” stated Gary Levine, President of Programming, Showtime Networks Inc while announcing the show’s pilot. “I am confident that Lily Mae Harrington, playing this feisty, sexually confident, gun-toting underdog, will have audiences laughing, gasping and, ultimately, cheering for her!”

Queen Fur is a Showtime and Sony Pictures Television production.

After making her television debut as a semi-finalist on The Glee Project, Lily Mae Harrington appeared in Room 104, Loserville, Disjointed, and Pee Wee’s Big Holiday.

Director Heder earned a WGA Award nominations for her work on Orange is the New Black. Her directing credits also include episodes of GLOW and The Path, as well as the feature film Tallulah starring Ellen Page and Allison Janney. Myers’ writing credits include Masters of Sex, Last Resort, Hung, and Dark Blue.

The Plot: Queen Fur is set in a small town in Central Florida – a place where beauty pageants, gun culture, Cuban revolutionaries and Southern hospitality co-exist and collide. And at the center of it all is Macy Dunleavy (Harrington) – a curvy, sexy, unapologetic high school dropout who is finding her womanhood and is ready to seize a big opportunity.




‘A Discovery of Witches’ – Teresa Palmer and Lachlan MacKinnon on Witches, Vampires, and Deborah Harkness’ Books

Sky’s A Discovery of Witches presented its first-ever panel at the 2018 San Diego Comic Con featuring the series’ stars Teresa Palmer, Alex Kingston, Valarie Pettiford, and Owen Teale, as well as executive producer Lachlan MacKinnon and author Deborah Harkness. The series is based on Harkness’ bestselling books about a witch and a vampire who break the rules and fall in love. Teresa Palmer stars as Diana Bishop, a powerful witch who spent the majority of her life refusing to do magic. Matthew Goode plays Matthew Clairmont, the vampire who is fated to be a part of Diana’s life.

In addition to hosting a Q&A with fans, the A Discovery of Witches team participated in roundtable interviews to discuss the show’s first season and the challenges of bringing the book to life on the small screen. Teresa Palmer was paired up with executive producer Lachlan MacKinnon during the interviews, and the pair not only provided insight into the show’s first season but also showed off the series’ version of Ashmole 782, a book that plays a pivotal role in Harkness’ book series.

Teresa Palmer and Lachlan MacKinnon A Discovery of Witches Interview:

Congratulations on the deal with Sundance to air the series. Has that been in the works for a while?

Lachlan MacKinnon: “It has been for some time and we just wanted to make sure we do the best for the show. And Sundance was the channel that gave us everything we felt we needed.”

What was the process for you to land the role?

Teresa Palmer: “I was sent the script by my agent, read it, fell in love with it, thought it was a wonderful role. I was like, ‘Help me! How do I get this job!’ I actually met with (executive producer) Jane Tranter last June, maybe, and I thought she was such an intelligent woman. The way she broke down the world and the story and the character arc, it sounded so enticing and I wanted to be a part of it.

We decided that I would jump into a chemistry read with Matthew Goode who was already cast. We met and from that moment we were just inseparable. If you ask anyone on the set, we were like brother and sister. We had such a good comradery and really playful energy with each other. We had fun so that the chemistry was already there straight off the bat. We were each other’s teammates and that was important for a television show of this scale.”


For those who aren’t familiar with the books, can you describe Diana?

Teresa Palmer: “She’s a historian, an academic, she’s very interested in alchemy and she’s currently studying. She’s a witch as well. She’s denying her heritage. She wants to be a normal person. She wants to live a normal life. She’s struggling against the fact that she does have powers and she is a witch. She wants to deny that part of herself. And then as the story unravels, she’s forced to embrace who she is and really become her authentic self, which is the most powerful witch around. She falls for Matthew Clairemont and he helps her to just embrace who she is.

I love the dynamic. It’s a dangerous dynamic. Interspecies relationships are strictly forbidden, so they end up going on this journey that’s really scary and can be dark at times. But, it’s romantic and passionate and adventurous. There’s no other choice; they have to be together. Their love is so strong that they’re drawn to each other.”

Were you familiar with the books before you took on the role?

Teresa Palmer: “I wasn’t, actually. I have three children and I haven’t read books in a long time. (Laughing) I think I just missed the boat on reading the books, and then of course when this script landed on my doorstep I jumped into the books. I actually did the audiobooks because I can drive and listen. When the kids were asleep I put the audio books on because they weren’t quite appropriate for a three-year-old. So, I would listen to the audio books.

I loved it. It was just this incredibly fantastical, mythical world that I was enticed by and intrigued by, and wanted to know more about.”

How do you feel about delivering on the anticipation by fans of a series based on the books?

Lachlan MacKinnon: “I can’t wait to see their response to it. It’s been very important to us to work closely with Deb to make sure the series is as authentic to the world that she’s created as possible. As always with an adaptation you’re taking one medium and creating a new medium. With a novel, you can use the first-person narrator to set up and establish the world, and set up the characters and the relationships. Whereas in a television series it’s so dull to do that because it’s just speech. We then found ourselves having some conversations with Deborah about maybe bringing characters who were later in the book, bringing them in a little bit earlier so that we set up the world because it was important to set up the witches and vampires and demons.”

So much of what we learn about Diana and her magical abilities has to do with how things smell and feel. How does that come across in the series?

Teresa Palmer: “Yeah, it’s really interesting because in the book she’s the narrator so you’re hearing through her voice which you can’t really do that in a television show. So, it was quite interesting to figure out how do we explain the magic and her feelings without having narration.

I would get on the phone with Deb or even just over Instagram if she wasn’t in town and I would ask her about specific scenes when it involved the magic because I think every reader when they hear, ‘Diana performs witchwind,’ they have an idea of how that might look. And I just wanted to know, ‘How did you envision that, Deb? How did you see it coming from her body? Was it just an organic thing? Did it come out rapidly or does she work on it and it builds up?’

So, it was quite technical – each and every one of the magic sequences. There’s a lot of stunt work involved. I didn’t have to do a ton of stunts. I did actually some of the Satu stuff in the story. When I’m captured by Satu, we did a lot of wire work and big green screen. It was really fun. But Owen Teale for the witchwind portion they brought in massive fans and they put a huge fan on me and they put a huge fan on him, these big, industrial ones…”

Lachlan MacKinnon: “Like jet engines.”

Teresa Palmer: “Yeah, it was! Your hair was flying around and I had tears streaming out of my eyes from the wind. And then he was put on wires and sort of thrown back. It works really well. We used a lot of practical effects which I loved because I’ve done a lot things where there’s so many CGI sequences but in our show we don’t have hardly any CGI, which is lovely.”

Lachlan MacKinnon: “Getting back to the magic itself, with Owen for example and the stunts that we did, one of the reasons that we decided to build the Bodleian Library at the studio that we had in Wales is that we had full control over the space. We built a replica of the library within the studio space and just the detail. James North, our production designer, did a phenomenal job, and Deb knows the library very well.”

Teresa Palmer: “It’s an exact replica. You wouldn’t know the difference.”

Lachlan MacKinnon: “It’s amazing just walking into the space.”

Teresa Palmer: “It was a pity to have to take it down. Everyone was really sad about that. Same with the other beautiful set pieces too, and the houses that we built. There was just so much attention to detail and I remember each and every one of us was like, ‘Can James fly over to America and do my house for me? Can he build a set for me?’

So, it was actually sad to say goodbye to some of the sets. But, who knows? Maybe season two we’ll bring them back.”

Will we see anything from the second book or does it concentrate only on the first?

Teresa Palmer: “Only the first. Oh, hang on, what about the very last…?”

Lachlan MacKinnon: “No, we won’t see that.”

Teresa Palmer: (Laughing) “We won’t see that.”

Lachlan MacKinnon: “Spoiler alert!”

What did you learn about witchcraft that you didn’t know before?

Teresa Palmer: “Goodness. It’s very elemental, I think. She has witchwind abilities, she has witchwater, she can time travel. She can light things on fire. It feels boundless, her powers. I think whenever I looked at anything to do with witchcraft, it feels like they’re very specific the things that they can do. But in terms of Diana, she’s the most powerful witch in the world. She can do anything and that was quite surprising and exciting to delve into. I’m really looking forward to seeing how that further develops in the next series.”

Lachlan MacKinnon: “It’s something that we’re careful when dealing with the audience. We want to take the audience on the journey of understanding Diana’s relationship with magic and the fact that she’s in denial of her powers and she slowly begins to reconnect with them. It’s almost like a slow burn, in some respects. But some do come up quite accidentally.”

Teresa Palmer: “She’s quite endearing.”

Lachlan MacKinnon: “There’s a big story there that will play out for the audience who are watching. It just goes to another level.”

Will we see Diana on horseback?

Teresa Palmer: “Yes. You probably saw a little bit of it in the trailer. It was great because I haven’t ridden horses since I was 12 and then I got to go…We worked with the Devil’s Horsemen who did Wonder Woman and all these amazing big films and they provided the horses for them. So, Matthew and I both did about six hours-worth of horseback riding, just training and learning to be with the horse. And then we had a day of filming with them and got to cantor and take them for a trot.

It’s funny because then I wrapped A Discovery of Witches and I went on to play a jockey in Ride Like a Girl directed by Rachel Griffiths. I jumped on a horse and they’re like, ‘Have you ridden recently?’ I was like, ‘Well, actually, on A Discovery of Witches…’ So, it was really helpful for me.”

Projecting into the future, is it the plan to be three seasons? Any plans to branch out to original material?

Lachlan MacKinnon: (Smiling) “I could not possibly comment.”

Teresa Palmer: (Laughing) “We think it will be ongoing.”

Lachlan MacKinnon: “I think the relationship between Matthew and Diana, the chemistry, is incredible. So, yeah, watch this space.”

More on A Discovery of Witches:

A Discovery of Witches stars Matthew Goode and Teresa Palmer
Matthew Goode and Teresa Palmer star in Sky’s ‘A Discovery of Witches.’




‘Ozark’ Unveils the Official Trailer for Season 2

Netflix has released the full trailer for the dramatic series, Ozark, starring Jason Bateman and Laura Linney. Season two will premiere on August 31, 2018.

In addition to Bateman and Linney, the season two cast includes Julia Garner (The Americans, Waco) and Janet McTeer (Jessica Jones, Battle Creek). Bateman, Chris Mundy, Bill Dubuque, and Mark Williams serve as executive producers, with Bateman also directing the first two episodes.

The Season 2 Plot: In its much-anticipated second season, Ozark continues to follow Marty Bryde and his family as they navigate the murky waters of life within a dangerous drug cartel. With Del out, the crime syndicate sends their ruthless attorney Helen Pierce to town to shake things up just as The Byrdes are finally settling in.

Marty and Wendy struggle to balance their family interests amid the escalating dangers presented by their partnerships with the power-hungry Snells, the cartel and their new deputy, Ruth Langmore, whose father Cade has been released from prison. The stakes are even higher than before and The Byrdes soon realize they have to go all in before they can get out.

A Look Back at Season 1: A Chicago financial advisor, who has been quietly laundering money for a drug kingpin, must quickly uproot his family and move the operation to The Ozarks, after his partner is caught cheating the business. There, he bumps heads with both a local drug dealer whose business he inadvertently interrupts, and a clan of ruffians, led by their 19-year-old niece, who want his money, all the while avoiding the eye of a tenacious FBI agent. He must complete his laundering, to save the life of his family, as they struggle to find their own path in this seemingly foreign way of life.

Ozark Season 2
Laura Linney and Jason Bateman in ‘Ozark’ season 2 (Photo Credit: Netflix)




‘Arrow’ Season 7 – Stephen Amell Interview on Oliver’s Time in Jail

The CW’s Arrow season six ended with Oliver Queen (Stephen Amell) turning himself in and admitting he’s the Green Arrow so that his friends would remain safe. Season seven will pick up with Oliver serving time in prison, a rough situation for a vigilante who’s put so many of his fellow prisoners in jail.

The cast and executive producers were once again a big draw at the San Diego Comic Con, and even though Amell was unable to divulge just how long Oliver will remain behind bars, he did provide a few clues as to what’s going down in the seventh season. During our roundtable interview, Stephen Amell discussed Oliver’s predicament, the beard, and the Batwoman news.

Stephen Amell Arrow Interview:

What’s life behind bars going to be like for Oliver?

Stephen Amell: “It’s one day at a time. This will make more sense when you see the trailer. It’s one day at a time. Oliver has his head down. He’s trying to avoid conflict and he’s just pressing on.”

In an odd way do you feel like after the way season six ended, Oliver’s in one of the best places he’s been in mentally even though he’s in prison?

Stephen Amell: “No. He’s in a horrible place when we start the year. He made this deal with the FBI and he gave himself up. He’s really got to question was it all for nothing because Diaz is alive, you know? He’s put himself in prison with a bunch of people that he sent to prison. It’s bad in there for him. Really, really bad.”

Can you tell us how long the beard will stay?

Stephen Amell: (Smiling) “No.”


How are you liking it?

Stephen Amell: “I love it, man. I love it. There’s a little couple grays in here. You know what? It’s very, very exciting too, if Oliver gets out of prison I’m excited to see how he’ll interact in Star City with people knowing his identity. But being in prison – that’s a new thing for me to do. We’re 140 episodes in so having something new to do is exciting.”

Can we expect surprising alliances during his prison time?

Stephen Amell: “Yep. You know, you’ll see in the trailer we did get some people to come back to the show that we haven’t seen in a while that are in prison with him. That’s pretty cool.”

Will that make his time easier?

Stephen Amell: (Shaking his head no.) “He put them in prison.”

How are you feeling about this year’s crossover with Batwoman? It’s obviously very exciting.

Stephen Amell: “I can’t say shit! (Laughing) I do know that when it got pitched to me, when Greg pitched it to me, I was like, ‘Oh, man, that’s awesome. Really?!’ Because we went so big with the crossover last year, you can’t go bigger. You have to go more about the characters and the story.”

The news Batwoman will be part of the crossover is out, so what’s it like having that character come into this world and kind of acknowledging Gotham does exist in this universe?

Stephen Amell: “I think it’s great. The more the merrier. I’ve always taken a lot of pride in the fact that our show has helped – certainly not been instrumental – but has helped and lent a hand to other shows.

I hope that David Rappaport nails the Batwoman casting; I hope she’s awesome. I hope that their show does 10 years. We’ll see. I don’t know.”

Typically, Batman is the human king in the DC world, but you make us believe Arrow could take him.

Stephen Amell: “By take him, I would just have Superman fly him out to space. I’ve never understood that. (Laughing) I’ve never understood why he doesn’t just f*cking fly him out to space.

Batman’s Batman, man. Look, someone played Green Arrow before me. Someone’s going to play it after me. I’m very, very comfortable with his spot within the DC Universe that I just hope that as a caretaker for Oliver Queen that I’ve done him a little bit of justice.”

Arrow season seven will premiere on The CW on October 15, 2018.

Arrow Season 7 Stephen Amell
‘Arrow’ stars David Ramsey, Stephen Amell, and Emily Bett Rickards at the Warner Bros. booth during Comic-Con 2018 (© 2018 WBEI. All Rights Reserved)




‘Supergirl’ Season 4 – Katie McGrath Interview on Lena Luthor’s Journey

During roundtable interviews at the 2018 San Diego Comic Con, Supergirl‘s Katie McGrath (‘Lena Luthor’) explained what it is she finds so appealing about her character. “I think what’s great about Lena as a character is because she’s not a superhero, she’s human, and humans – I don’t know about you – I’m not a good guy, I’m not a bad guy, I’m somewhere in between,” said McGrath when asked if Lena will struggle with the dark side. “I think that’s what Lena is and I think that’s what she’s struggling with – being a human surrounded by heroes. She’s surrounded by Supergirl and Martian Manhunter. These people are all heroes and she’s just trying to do what she thinks is right.”

McGrath believes in season four of Supergirl fans will see Lena attempting to make the right choices, but not everyone will view her decisions the same way. “You realize that not everybody sees ‘right’ as the same thing,” said McGrath. “Not everybody sees good as the same thing. So, when she does something good that can be taken and used for bad.”

Katie McGrath Supergirl Interview:

What will Lena be up to in season four?

Katie McGrath: “You’re going to see her be a lot more in touch with creating technologies and her intelligence and using that for the good of humanity. And obviously she’s got the powerful rock and what that means when you have a very intelligent woman and a very powerful artifact together. What’s going to happen? But whether that gets used for good or bad…that’s up to the show.”

Does Lena’s response and anger toward Supergirl feel real to you?

Katie McGrath: “Yes, it does because you’ve got to think that there’s so much… For Supergirl (Melissa Benoist) and a Luthor to even be friends is a huge deal but underneath it all they’ve still got their family histories together. They’re friends but underneath you’re dealing with years and years of past and I think it’s not that moment – it’s about everything that leads up to that. It’s about Lena believing that people mistrust her for being a Luthor and then when her friend does that she’s like, ‘I knew it. I knew it. I knew you thought about me like everyone else does.’


I think it broke her because she spent her whole life trying to be her own woman. And then to have somebody who she respected take that away from her, she’s broken. It was a big deal. I know Supergirl’s the good guy but she dropped the ball on her friend. She did and she knew it. She admitted it.

But, sometimes with friends things are broken and they’re hard to put back. And also for Lena the real tight friendship is always Kara. She respected and worked with Supergirl but her friend and best friend is Kara, and obviously Lena doesn’t know they’re the same person.”

Doesn’t she though?

Katie McGrath: (Laughing) “Guys, I’m going to say it again. It’s the whole structure of the show that we have to believe that. She flies, for a start, so if we believe she flies we’re going to have to believe that Lena thinks she’s two different people.

But, for her, she respected very much Supergirl but her best friend was Kara. I think if it had been Kara she would have worked more to rebuild that friendship. But I think because it was Supergirl and she’s a Luthor, and the worst thing that she thought could happen as a Luthor was that a Super would be like, ‘Sorry, you’re evil.’

She’s like, ‘Yeah. How can I trust you again because you never trusted me?’”

What do you think the storyline’s going to be for Lena in regards to Sam and Ruby? Will they be around anymore?

Katie McGrath: “I hope they come back. I don’t know. I honestly don’t know. I loved that friendship. If I could have Odette (Annable) here now I would. It breaks my heart. She’s wonderful and she brought something very special to the show. And, we will miss her terribly. But it was one of those ones where again it was a one-year contract. She was great and amazing.

I loved that relationship and I loved the way that over the show…for me, you were able to see Lena be flat-out good. This was just it, she was good. She was trying to help her best friend and it was very clear cut. There was no gray area. I think that’s rare with Lena because there’s always kind of an angle. But with Sam, it was just clear that she just wanted to help her best friend.”

What does Lena see in James and what does James see in Lena?

Katie McGrath: “Have you seen James? (Laughing) You’ve met Mehcad…I feel like that answers your question. Also, have you met me? I think James also again is a new type of hero and I think she sees a good man. In the world that we’re living in now, a good man can be hard to find but James Olsen 100% is. I think as well for her a man like James also who’s so close to Superman, who sees in her only good and who sees in her who she really is and doesn’t see her as a Luthor, I think that for Lena is a very powerful thing. I think that’s the basis of where they started the relationship and that’s how they moved on.

Plus, he’s hot.”

Do you think the conflict could grow into at some point where we do end up with a Lena/Supergirl Lex/Superman parallel?

Katie McGrath: “I mean, I don’t know why you want me to be Lex. We’re our own. This is what I find so funny about this is that you’ve got this amazing storyline between Superman and Lex. This is archetypal – everybody knows it. But that doesn’t mean that’s what we have to do. That doesn’t mean that Lena is Lex. And it doesn’t mean that Supergirl is Superman. We are creating our own stories and we’re creating our own characters. It doesn’t necessarily mean we have to follow what Superman did. It doesn’t necessarily mean that the women have to follow what the men did before them.

It’s their own story. They’ve worked very hard to create these characters and to create these wonderful storylines. And, yes, they can harken back to the original comic but at the same time it’s separate. So, it could happen. I mean, I don’t know what they’re going to do. But, wouldn’t you like to see something different?”

Supergirl season four will premiere on The CW on October 14, 2018.

Supergirl Season 4 Katie McGrath
‘Supergirl’ star Katie McGrath at the Warner Bros. booth during Comic-Con 2018 (© 2018 WBEI. All Rights Reserved)




‘The Little Drummer Girl’ Starring Alexander Skarsgard Will Premiere in November

The Little Drummer Girl stars Alexander Skarsgard and Florence Pugh
Charlie Ross (Florence Pugh) and Becker (Alexander Skarsgård) in ‘The Little Drummer Girl’ (Photo by Jonathan Olley/AMC/Ink Factory)

The television adaptation of John le Carré’s bestselling novel The Little Drummer Girl will debut on AMC this November. The mini-series is made up of six parts and was adapted for the screen by Michael Lesslie (Assassin’s Creed) and Claire Wilson (Partners in Crime). Park Chan-wook (Oldboy, The Handmaiden, Stoker) makes his television directorial debut with the much-anticipated mini-series.

The cast is led by Emmy Award winner Alexander Skarsgård (Big Little Lies) as Becker, two-time Oscar nominee Michael Shannon (The Shape of Water, Nocturnal Animals) as Kurtz, and BAFTA nominated Florence Pugh (Lady Macbeth) as Charlie. Lubna Azabal, Michael Moshonov, Alessandro Piavani, and Kate Sumpter are also featured in multiple episodes.

The Little Drummer Girl is executive produced by Simon Cornwell, Stephen Cornwell, John le Carré, Mona Qureshi, Joe Tsai, Arthur Wang, Wonjo Jeong, and Park Chan-wook. The mini-series is a BBC, AMC and The Ink Factory production, in partnership with 127 Wall.

Park Chan-wook shot the series on the streets of London and Prague as well as at the Acropolis and Temple of Poseidon in Athens.

The Plot: Blurring the fine lines between love and hate; truth and fiction; and right and wrong; The Little Drummer Girl weaves a suspenseful and explosive story of espionage and high-stakes international intrigue. Set in the late 1970s, the pulsating thriller follows Charlie (Pugh), a fiery actress and idealist whose resolve is tested after she meets the mysterious Becker (Skarsgård,) while on holiday in Greece.

It quickly becomes apparent that his intentions are not what they seem, and her encounter with him entangles her in a complex plot devised by the spy mastermind Kurtz (Shannon). Charlie takes on the role of a lifetime as a double agent while remaining uncertain of her own loyalties.




‘Better Call Saul,’ ‘Fear the Walking Dead,’ and ‘McMafia’ Earn Renewals

Better Call Saul stars Rhea Seehorn and Bob Odenkirk
Rhea Seehorn as Kim Wexler and Bob Odenkirk as Jimmy McGill in ‘Better Call Saul’ (Photo Credit: Nicole Wilder/AMC/Sony Pictures Television)

AMC has renewed three of its dramatic shows: Better Call Saul, Fear the Walking Dead, and McMafia. Better Call Saul earned a fifth season order prior to the debut of season four. Fear the Walking Dead also picked up a fifth season renewal order just weeks before the show returns for the second half of season four. McMafia premiered on February 26, 2018 and will return for a second season in 2019.

“In an environment where viewer choice is almost unlimited, the success of these shows is especially meaningful, with characters and stories that our viewers connect with and return to season after season,” stated David Madden, president of original programming for AMC, SundanceTV and AMC Studios. “It’s a privilege to continue collaborating with and sharing the vision of the talented creatives behind these series, and we’re excited to start exploring the next chapter in the lives of these unique and complex characters.”


Better Call Saul will kick off its fourth season on August 6, 2018 at 9pm ET/PT. The series is executive produced by Peter Gould, Vince Gilligan, Mark Johnson, Melissa Bernstein, Thomas Schnauz and Gennifer Hutchison, and stars Bob Odenkirk, Jonathan Banks, Rhea Seehorn, Patrick Fabian, Michael Mando and Giancarlo Esposito.

The first half of Fear the Walking Dead found veteran characters biting the dust, opening space for stories involving new characters played by Maggie Grace, Jenna Elfman, and Garret Dillahunt. The Walking Dead‘s Lennie James made the leap to Fear the Walking Dead in season four after the TWD spinoff did a time jump that put its action after the events in season eight of the show that spawned it.

The Fear the Walking Dead season four cast also includes Alycia Debnam-Carey, Colman Domingo, and Danay Garcia. The zombie apocalypse thriller is executive produced by Scott M. Gimple, Andrew Chambliss, Ian Goldberg, Robert Kirkman, David Alpert, Gale Anne Hurd, and Greg Nicotero.

McMafia was created by Hossein Amini and James Watkins, and is inspired by the book by Misha Glenny. Season one of the global organized crime thriller starred James Norton, Juliet Rylance, David Strathairn, Faye Marsay, Aleksey Serebryakov, and Maria Shukshina.

The Better Call Saul Season 4 Plot: In Better Call Saul’s fourth season, Chuck’s death catalyzes Jimmy McGill’s (Odenkirk) transformation into Saul Goodman. In the wake of his loss, Jimmy takes steps into the criminal world that will put his future as a lawyer – and his relationship with Kim (Seehorn) – in jeopardy. Chuck’s (Michael McKean) death deeply affects former colleagues Howard (Fabian) and Kim as well, putting the two of them once again on opposite sides of a battle sparked by the Brothers McGill.

Meanwhile, Mike Ehrmantraut takes a more active role as Madrigal Electromotive’s newest (and most thorough) security consultant. It’s a volatile time to be in Gus Fring’s employ, as Hector’s collapse sends shock waves throughout the Albuquerque underworld and throws the cartel into chaos — tearing apart both Gus and Nacho’s well-laid plans. While Gus changes course, Nacho finds himself in the crosshairs of deadly forces.

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‘Lord of the Rings’ Amazon Series Signs Up JD Payne and Patrick McKay

The Lord of the Rings Signs Up JD Payne and Patrick McKay
JD Payne and Patrick McKay (Photo Credit: Amazon Studios)

Amazon Studios announced they’ve found the team to guide The Lord of the Rings series. JD Payne and Patrick McKay are now on board to develop the series based on the bestselling fantasy novels by J.R.R. Tolkien.

In making the announcement of Payne and McKay’s involvement, Amazon said they’d gone to Middle Earth and back to find the right people to handle transitioning Tolkien’s work into a television series. The duo have been collaborating for more than 20 years after meeting on their high school debate team. Their previous projects include writing Star Trek 4 and handling the screenplay of Disney’s Jungle Cruise starring Emily Blunt and Dwayne Johnson.

“The rich world that J.R.R. Tolkien created is filled with majesty and heart, wisdom and complexity,” stated Payne and McKay. “We are absolutely thrilled to be partnering with Amazon to bring it to life anew. We feel like Frodo, setting out from the Shire, with a great responsibility in our care — it is the beginning of the adventure of a lifetime.”

The series already has a multiple-season commitment and will be produced by Amazon Studios in cooperation with the Tolkien Estate and Trust, HarperCollins, and New Line Cinema, a division of Warner Bros. Entertainment.

Back when the series was announced in November 2017, Amazon Studios’ Head of Scripted Series Sharon Tal Yguado said, “The Lord of the Rings is a cultural phenomenon that has captured the imagination of generations of fans through literature and the big screen. We are honored to be working with the Tolkien Estate and Trust, HarperCollins and New Line on this exciting collaboration for television and are thrilled to be taking The Lord of the Rings fans on a new epic journey in Middle Earth.”

Not much is known about the series other than it will “explore new storylines preceding J.R.R. Tolkien’s The Fellowship of the Ring.”

Tolkien’s novels were previously adapted into feature films that grossed more than $6 billion over their theatrical runs. The films were directed by Peter Jackson and starred Elijah Wood as Frodo, Viggo Mortensen as Aragorn, Ian McKellen as Gandalf, Liv Tyler as Arwen, Sean Astin as Sam, Dominic Monaghan as Merry, Billy Boyd as Pippin, Orlando Bloom as Legolas, John Rhys-Davies as Gimli, Andy Serkis as Gollum, and Hugo Weaving as Elrond.




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