Lara Croft makes the leap to the big screen once again with 2018’s action-adventure film, Tomb Raider. This time around it’s Alicia Vikander, best known for The Danish Girl and Ex Machina, subbing in for Oscar winner Angelina Jolie (Girl, Interrupted). The success of the first two Lara Croft films rested squarely on Jolie’s shoulders, and 2018’s Tomb Raider requires the audience to embrace and cheer on Vikander in the lead role. Jolie’s performance was the reason the original Tomb Raider films were watchable, and Vikander’s take on the character is what makes 2018’s Tomb Raider work as well as it does.
Video game loyalists have complained about Vikander’s lack of physical resemblance to the game’s Lara Croft, but it’s impossible to complain about her commitment to the role. Vikander put on muscle and looks believable enough in the part of an action heroine who dodges bullets, leaps from cliffs, and parkours her way through forests and a tomb. It’s not the action but the plot of this video game-inspired action film that lets Vikander down.
The film introduces Lara Croft as a bike messenger struggling to make ends meet. When her fellow messengers lay down a challenge with a cash reward, she flies through traffic in a wild race through city streets. The short introduction paves the way for the main story which finds Lara following clues left by her father who disappeared seven years earlier.
Attempting to replicate his final voyage, Lara ends up in Hong Kong where she convinces boat captain Lu Ren (Daniel Wu) to follow the same course her father took years earlier. Lu is the son of the captain who piloted her dad to the uncharted island, and he’s also been left wondering what happened to his father all those years ago.
Lu and Lara form a “kids of missing dads” alliance, bonding over the fact they have so many unanswered questions. That bond comes in handy when Lu’s boat crashes into the rocks surrounding the island and they’re captured by mercenary Mathias Vogel (Walton Goggins).
Lara and Lu are forced into helping Mathias try and locate the tomb of the evil Queen Himiko. Queen Himiko’s tomb is hidden deep inside the island and Richard Croft (Dominic West) was obsessed with keeping the cursed tomb from being opened. Mathias has been hired to dig up Queen Himiko’s 2,000-year-old corpse, commanding a team of men who force captives into doing the physical labor required to unearth the dead queen.
Alicia Vikander as Lara Croft in Warner Bros. Pictures and Metro-Goldwyn-Mayer Pictures’ action adventure ‘Tomb Raider’ (Photo by Ilzek Kitshoff)
The film is Lara Croft’s story so of course she frees herself and sets about locating her father and stopping Mathias and his men from accomplishing their mission. She fearlessly goes about that task, delivering blows, shooting arrows, and basically kicking as much a** as possible.
Director Roar Uthaug doesn’t skimp on the action sequences, and the camera work and choreography are to be commended for allowing the audience to easily track who’s who in fight scenes. Video gamers will appreciate the scenes inside the tomb as they’re the closest the movies comes to capturing the feel of the game. Unfortunately, the incredible heart-pounding bike race at the start of the film proves too much for the movie to live up to as none of the subsequent action scenes generate the same adrenaline-pumping response.
It’s disappointing that the plot’s incredibly basic, and the supporting characters are never fully developed. This Tomb Raider’s only concerned with Lara Croft, with not much thought given to surrounding her with interesting characters. Vikander’s performance carries the film, but everyone else on screen is forgettable. If there’s a sequel, Vikander deserves a better story to sink her teeth into.
GRADE: B-
Release Date: March 16, 2018
Running Time: 1 hr 58 minutes
MPAA Rating: PG-13 for sequences of violence and action, and for some language
Marvel Television and Netflix confirmed Annabella Sciorra (G.L.O.W.) has signed on to the cast of season two of Marvel’s Luke Cage. According to the official announcement, Annabella Sciorra is on board to play Rosalie Carbone, “a dangerous downtown criminal underworld power player with an eye, and an agenda, toward Harlem.”
Sciorra will be joining returning Luke Cage cast members Mike Colter (Luke Cage), Simone Missick (Misty Knight), Alfre Woodard (Mariah Dillard), and Theo Rossi (Hernan ‘Shades’ Alvarez). The series is executive produced by showrunner Cheo Hodari Coker (Southland). Marvel’s Head of Television Jeph Loeb (Marvel’s Jessica Jones, Marvel’s Daredevil) and Jim Chory (Marvel’s Jessica Jones, Marvel’s Daredevil) also serve as executive producers.
“I’ve been a huge fan of hers since Spike Lee’s Jungle Fever, and Anabella Sciorra is no joke as Rosalie Carbone,” stated series executive producer and showrunner Cheo Hodari Coker. “You haven’t seen her this gangster since her thrilling turn as Tony’s formidable flame Gloria Trillo on Season Three of The Sopranos. I’m thrilled her introduction to the Marvel Universe will be on Marvel’s Luke Cage.”
“We couldn’t be happier to be working with such an incredible talent,” said executive producer Jeph Loeb. “This character is complex and layered and Annabella is the perfect actress to portray her.”
Netflix has set a June 22, 2018 release date for all 13 episodes of season two.
Sciorra was nominated in 2001 for a Primetime Emmy in the Outstanding Guest Actress in a Drama Series category for playing Gloria Trillo on HBO’s The Sopranos. She was also nominated for an Independent Spirit Award in 1990 for Best Female Lead in True Love.
The Marvel’s Luke Cage Plot: After clearing his name, Luke Cage (Mike Colter) has become a celebrity on the streets of Harlem with a reputation as bulletproof as his skin. But being so well known has only increased the pressure he feels to protect the community. With the rise of a formidable new foe, Luke is forced to confront the fine line that separates a hero from a villain.
Warner Bros Pictures just released a new trailer for Steven Spielberg’s Ready Player One. The new trailer titled “Dreamer” reveals more of the world of the science fiction film which is based on the bestselling novel by Ernest Cline.
The cast is led by Tye Sheridan (X-Men: Apocalypse, Mud) and includes Olivia Cooke (Me and Earl and the Dying Girl, Bates Motel), Ben Mendelsohn (Rogue One – A Star Wars Story, Bloodline), and T.J. Miller (Deadpool, Silicon Valley). Simon Pegg (the Star Trek movies, the Mission: Impossible franchise) and Oscar winner Mark Rylance (Bridge of Spies, Dunkirk) also star in the much anticipated action adventure film.
Zak Penn and Ernest Cline wrote the script. Donald De Line, Steven Spielberg, Kristie Macosko Krieger, and Dan Farah served as producers, with Adam Somner, Daniel Lupi, Chris deFaria and Bruce Berman executive producing. The behind the scenes team includes Janusz Kaminski as director of photography, Adam Stockhausen as production designer, Michael Kahn and Sarah Broshar as editors, and Kasia Walicka Maimone as costume designer. Alan Silvestri (the Back to the Future films, Forrest Gump) composed the music.
Warner Bros. Pictures and Amblin Entertainment present in association with Village Roadshow Pictures, an Amblin Production, and De Line Pictures Production. Warner Bros Pictures has set a Thursday, March 29, 2018 theatrical release date.
The Plot: The film is set in 2045, with the world on the brink of chaos and collapse. But the people have found salvation in the OASIS, an expansive virtual reality universe created by the brilliant and eccentric James Halliday (Mark Rylance). When Halliday dies, he leaves his immense fortune to the first person to find a digital Easter egg he has hidden somewhere in the OASIS, sparking a contest that grips the entire world. When an unlikely young hero named Wade Watts (Tye Sheridan) decides to join the contest, he is hurled into a breakneck, reality-bending treasure hunt through a fantastical universe of mystery, discovery and danger.
Poster for Warner Bros Pictures’ ‘Ready Player One.’
The CW’s The 100 finally returns to the network’s primetime schedule on Tuesday, April 24, 2018 at 9pm ET/PT. Season five of the gritty sci-fi series is set more than six years after the events of season four. With the Earth about to become unlivable, groups were separated and forced to do whatever was necessary to survive. Now, six years later, season five will find the survivors needing to regroup and protect the one inhabitable piece of land left on the planet.
During the San Diego Comic Con, Richard Harmon (‘John Murphy’) discussed what fans of The 100 can expect when the series returns for season five. Harmon also talked about Murphy and Raven’s relationship, and Murphy’s growth over the previous four seasons.
The 100 Richard Harmon Interview:
Where do we pick up with Murphy at the beginning of season five?
Richard Harmon: “We pick up six years and seven days down the line from season four. We pick up and I’m assuming I will have shorter hair because I personally have shorter hair. I’ve been telling everyone, ‘Get ready for short-hair sexy Murphy.’ That’s what we plan this year. That’s what we’re selling this season. Short-hair and sex appeal. (Laughing) That’s what I want and that’s what I’m getting.”
We’ve gotten to watch Murphy really grow over the seasons. Is that progression still something we can expect to see happen?
Richard Harmon: “100%. I mean as a human you’ve got to grow, right? You’ve got to evolve or you go extinct. So, clearly in the six years that’s going to mean a lot of things have happened. Or, the weird thing about us in space is that maybe not a lot has happened because we’re just there on the ring. We’re living day-to-day. There’s no crazy battle that we’re having to fight. It’s just about the day-to-day living, and that’s not Murphy’s style. For him, the progression currently is going to come through that and how he handles that. But, also, it might be a progression; there might be a regression with his character through that.”
Jason Rothenberg mentioned there will be an interesting dynamic between Murphy and Raven. What can you say about that?
Richard Harmon: “I know that that is a relationship that I’ve really wanted to explore further because there is such a great chemistry together. I don’t know where along the four years that happened for me and Lindsey (Morgan). It just sort of…when you throw us together in scenes, there’s a good amount of chemistry between the two of those characters and the way we play them. I really love working with her, so I hope to explore that further – that weird, unlikely friendship/enemy/who the heck knows. But, I’m very excited for it. When they told me that we’re going to have more scenes together, that was a big plus for me.”
Are we going to see a lot of what happened on the ship? Will there be a lot of flashbacks?
Richard Harmon: “I would hope. Here’s the thing, we’re going to find out a lot about what the six years have been like for all of us. In the first episode, there’s a lot of stuff in it that was alluded to, even with my character, that I don’t know yet. They kind of angle toward things that have happened without straight out saying it. I think there’s certain things that will take a while to really understand why we are the way we are six years later and what we’ve all done and how we’ve lived. One way or another through flashbacks or just us talking about it, we will find out about those six years. The questions will be answered…at least nine out of 10. Seven out of 10 – seven out of 10 questions will be answered, and then a lot more questions will be asked. And then we’re going to do this all again next year, hopefully.”
Do you feel like you’re playing a different character with the time jump?
Richard Harmon: “I don’t think I have to change. I mean, I think there will be change. It’s not like a challenge…well, it is a challenge but it’s more a freeing and sort of fun thing that I don’t have to so much stick with all of the decisions that I’ve made over the last four years. When you make them and it’s such a continuous storyline, you sort of have to deal with the baggage and what you’ve done. Six years later, a lot of therapy can happen in six years. I don’t need to keep that baggage if I don’t want to. Or, I can if I do. But the thing is it’s very freeing, I found what we’re doing this year. I think all the actors would probably tell you the same thing.”
The CW’s Riverdale season two episode 15 found Jughead continuing his investigation into Hiram Lodge and his plans for the town, with Archie spilling the beans and revealing Hiram owns the diner. Fred seriously considered running for mayor until he learned Hiram only wanted him to take the job in order to turn Southside High School into a private prison. With Fred out of the race, Hermione Lodge stepped up to run.
Betty’s relationship with Chick further deteriorated. She had a DNA test done and he’s not who he says he is. To wrap up a busy episode, the episode ended with Archie taking a blood oath that bonded him to the Lodges.
Up next, season two episode 16 titled “Primary Colors” will air on March 21, 2018. Sherwin Shilati directed from a script by James DeWille.
The season two cast includes KJ Apa as Archie Andrews, Lili Reinhart as Betty Cooper, Camila Mendes as Veronica Lodge, Cole Sprouse as Jughead Jones, Madelaine Petsch as Cheryl Blossom, Marisol Nichols as Hermione Lodge, Mӓdchen Amick as Alice Cooper, Luke Perry as Fred Andrews, Casey Cott as Kevin Keller, Ashleigh Murray as Josie McCoy, Mark Consuelos as Hiram Lodge, and Skeet Ulrich as FP Jones.
The “Chapter Twenty-Nine: Primary Colors” Plot: A HOUSE DIVIDED — In the aftermath of Hiram’s (Mark Consuelos) newly announced plans for Riverdale, Jughead (Cole Sprouse) resorts to drastic measures to voice his opposition. After making her own big announcement, Hermoine’s (Marisol Nichols) friend Andy Cohen (guest star Andy Cohen) comes to town to lend a hand. Meanwhile, Veronica (Camila Mendes) goes against her parent’s wishes to keep a low profile when she decides to run for student council president. Elsewhere, Mary (guest star Molly Ringwald) arrives in Riverdale just as tensions between Fred (Luke Perry) and Archie (KJ Apa) reach a breaking point. Finally, following a series of mysterious events, Cheryl (Madelaine Petsch) begins to fear that someone is out to get her.
Jon Jon Briones as Modesto Cunanan and Darren Criss as Andrew Cunanan in ‘The Assassination of Gianni Versace: American Crime Story’ episode 8 (Photo by Ray Mickshaw / FX)
FX’s dramatic thriller The Assassination of Gianni Versace: American Crime Story heads toward the season finale with episode eight airing March 14, 2018. The episode titled “Creator/Destroyer” begins in Italy in 1957. A young Gianni Versace sits in the corner of the room, sketching dresses. His mother, a dressmaker, looks at his sketches and tells him he must do what he loves as a profession. She offers to teach him about dressmaking.
Gianni’s love of designing clothing earns the ridicule of his fellow students. His teacher labels him a pervert after looking at his drawings in class.
At home, his mother is fully supportive of his vision. She doesn’t care about his teacher’s opinion and suggests he make the dress he’s designed. When he says it’s too hard, his mother advises him success only comes with hard work.
The timeline switches to San Diego in 1980. Andrew’s parents pack up their home and move to a bigger house in a much nicer neighborhood. Andrew, the youngest of four children, seems to have a special relationship with his father – a much closer one than Modesto “Pete” Cunanan has with his other children. As the rest of the family unpacks, Pete (Jon Jon Briones) gives Andrew a tour of the house. He informs Andrew that he gets the master bedroom, saying he’s special. “When you feel special, success will follow,” says his father.
Andrew’s siblings share one small room and his parents share another. (This truly is a bizarre family.)
Andrew and his father dress in suits and then his mother, Mary Anne, escorts him to The Bishop’s School, an exclusive school in La Jolla. He participates in the interview process to see if he’s accepted into the school, choosing his answers carefully to make the best first impression.
Meanwhile, Pete interviews for a job as a stockbroker. He’s not like the others interviewing, pulling himself up from his bootstraps while others graduated from Ivy League schools. He spends much of his time discussing his upbringing and personal history, rather than his skills. (It’s obvious Andrew’s gift for gab and embellishing stories is inherited from his father.)
Later at home, Pete tells his wife and Andrew that he didn’t get the stockbroker job and acts devastated. He quickly switches to being “on,” saying he was joking and did get hired by Merrill Lynch. He’ll make $60,000 to start, promising they’ll eat like kings from now on. His other children arrive to share in the good news, but the mood turns sour. Pete becomes angry at Mary Anne because she believed he didn’t get hired. She was too quick to accept that, and he bats her hands away when she tries to apologize.
Pete wonders if his wife needs her medication checked, saying he doesn’t want to put her back in the hospital. She tries to lighten the mood, declaring they need to celebrate.
In the evenings, Pete reads The Art of Conversation in bed to Andrew. Andrew doesn’t want to read the whole book, but his dad insists his son needs to know everything from calling cards to reading menus. “It’s not enough to be smart. You need to fit in,” he explains.
Andrew worries he won’t get into Bishop’s, but his dad insists he’ll get accepted. It’s the reason they moved to this neighborhood.
The letter from Bishop’s arrives and Andrew cries. His mom doesn’t understand his tears since he got in. His father arrives home, grabs the letter, hugs Andrew, and then drops to the ground and kisses Andrew’s feet. (Papa Cunanan takes creepy to a whole new level.)
Pete arrives at work where a co-worker enthusiastically congratulates him for beating out 500 applicants. Pete gets busy working the phones, but his potential customer hangs up and doesn’t want to buy the suggested stocks. Instead of hanging up and trying someone else, Pete pretends the man’s still on the line and acts like he made a sale.
That afternoon, Pete returns home and surprises Andrew with a new car. Andrew’s definitely not old enough to drive, but Pete doesn’t care. Mary Anne follows them outside and is shocked to hear Pete bought a car for Andrew when their two oldest children are actually old enough to drive. Pete claims he bought the car as a present because Andrew got into Bishop’s. He grabs Mary Anne by the throat, telling her he doesn’t want Andrew to end up like her.
Pete sits in the passenger seat and calls his youngest son “special.” He also confesses he thinks Andrew is his best friend. His other children aren’t special. He then explains that Andrew’s mom was hospitalized for depression when he was born, and he believes she has a weak mind.
Andrew’s already in bed as his father dresses for bed. They discuss Andrew’s future plans for employment, with Andrew suggesting maybe he’ll be a novelist. Pete sits on the edge of Andrew’s bed and reminds him that when he was small, he burned his foot. Pete picked him up and Andrew didn’t make a sound. He repeats “not a sound” as he leans over Andrew and turns off the light.
A few years later, a teenage Andrew (Darren Criss) pulls up to Bishop’s in his car, dressed in a suit and carrying a briefcase. (He fits in with the other students.) While the other students strike the same pose for school photos, Andrew acts rebellious and unbuttons his shirt, exposing his chest but keeping his tie in place.
Pete arrives at work, but now he’s working for a less reputable firm and sitting in a cubicle. He works the phones and offers a client a new opportunity to make her money back. He wants to liquidate her late husband’s pension, but her son grabs the phone and yells at him for attempting to steal a 90-year-old woman’s money. He promises to hunt Pete down, and Pete abruptly hangs up.
At home, Andrew’s mom asks about his special lady. He smells nice and she assumes it’s because of a woman. He claims the lady is older than 30, and Mary Anne’s not shocked. In fact, she thinks young men should be with older women.
Andrew meets an older man and tells him that while it’s great he buys him gifts, their relationship means more than just that to him. They head to a house party and the older man refuses to go in. He’s married and he needs to keep his relationship with Andrew a secret. Andrew’s disappointed and the man kicks him out of the car.
Andrew enters the party, dressed in a red leather jumpsuit. He takes over the dance floor and everyone watches from the sidelines. Finally, Elizabeth (Annaleigh Ashford) joins him on the floor. She tells him he looks fabulous.
This is Andrew and Elizabeth’s first meeting and he’s sure she doesn’t go to Bishop’s. If she did, they’d be best friends. She leans in and tells him a secret. She confesses she’s an imposter; she’s actually married. She has a boring house, a boring husband, and she’s just at the party keeping an eye on her friend’s house. She’s a grown-up, but that doesn’t bother Andrew. They instantly bond over their dreams. He even reveals he wants to seek out his heroes, including Versace.
Pete arrives at work and is immediately brought into a meeting with his supervisors. He’s accused of trading in non-existent stocks. The elderly woman’s son made this claim, and his bosses think he’s done something unethical. They wonder why he changed jobs so much and why he would want to go from Merrill Lynch to their firm. They also reveal the Feds are involved and they’re examining Pete’s entire employment history. Pete claims he has nothing to hide.
After the meeting, his co-workers stare at him as he walks through the hall. He returns to his cubicle and begins shredding his paperwork until the shredder jams. He finally sits in his desk chair and silently screams. He then pulls himself together, takes out a credit card, and books a flight out of town.
The FBI arrives with an arrest warrant for Modesto Cunanan. The receptionist warns Pete to leave now and he uses the fire exit to escape.
Over at Bishop’s, the yearbooks are out and Andrew was voted “Most Likely to be Remembered.”
Pete races home, leaving the car running in the driveway as he runs upstairs. He pries open the floor in the closet and withdraws large stacks of cash. When Mary Anne asks what he’s doing, he shoves her to the floor. Before he can leave his house, the FBI arrive at his front door. He makes a break out the back, climbing over a fence.
Darren Criss as Andrew Cunanan (Photo by Ray Mickshaw / FX)
Andrew arrives and parks across the street, realizing the FBI are in his driveway. Andrew sees his dad carrying a large bag scurrying over the fence, and his dad grabs his car keys and races away. He warns Andrew, “Don’t believe a word they say.”
Mary Anne tells Andrew his dad emptied the bank accounts and maxed out the credit cards. The FBI continue their search of the home as Mary Anne informs Pete the house was sold weeks ago. Pete knew they were coming and left his family penniless and homeless.
Andrew packs his clothes, telling his mom he’s going to search for his father. Mary Anne’s sure Pete fled to Manila, and she blames herself for not saying something sooner. Andrew writes notes to his mom in response, just in case the FBI are listening. He believes his dad left money hidden, but Mary Anne knows that’s not true.
Mary Anne begs her son not to go, and he grabs her face and covers her mouth. He insists she’s wrong about his father.
Andrew flies to Manila and takes a cab to what’s apparently a very bad neighborhood. He arrives at the address and it’s a tiny house. He introduces himself as Modesto’s son. The man who answered the door is Pete’s brother, and he takes Andrew to see Pete in a small building behind the main house.
The door opens as Andrew knocks. He walks in and sees the sparsely decorated home, complete with a hammock as a bed. His father is there, reading the paper. He receives a hug from his dad who says, “I knew you’d come!”
Andrew asks if there’s any money and questions Pete about selling the house. Pete says there are millions, but he can’t get to them. He claims the money is out of reach.
Later, Andrew can’t sleep and wakes up his father. Pete’s adjusted to life back in Manila, but Andrew is having a hard time. He gets his dad to confess there isn’t any money and there isn’t a plan. Andrew calls his dad a liar and a thief, but Pete thinks his crime was he stole too little. He should have taken more, not just what he needed for his family.
Andrew’s ashamed of his father and doesn’t want to be him any longer. (He’s wanted to be just like his dad his entire life.) Andrew admits he did research on Manila before the trip. He also reveals he wanted to look up his dad in California’s Top 500 Stockbrokers. The book doesn’t exist and when Andrew cries, Pete calls him weak – just like Mary Anne. He yells at Andrew, calling him a sissy kid with a sissy mind. He spits on his son, telling him he’s ashamed of him. When his dad slaps him, Andrew picks up a knife. Pete taunts him, telling him to be a man and do it. Andrew can’t, crying and shaking his head no. Pete says, “You don’t have it in you.”
As he cries, Andrew’s blood drips from the knife. He’s sliced his hand gripping the blade.
Andrew returns home as all the family’s belongings are being loaded into a truck under the watchful eyes of the FBI. When he enters his bedroom, it’s already been completely packed up. He tosses his remaining belongings across the room, ripping and kicking the few items left.
Later, Andrew applies for a job at Rite Aid. When the store manager asks if Andrew’s Filipino, Andrew tries to avoid the question and then lies and says his dad owns multiple pineapple plantations in Manila.
Freeform’s sending off its award-winning series The Fosters with a three night series finale. The one-hour drama will be ending its five-season run over the course of three consecutive nights: Monday, June 4, 2018, at 8pm ET/PT; Tuesday, June 5th; and Wednesday, June 6th. The network confirmed the June 6th episode will be “supersized.”
Over the course of its five seasons, The Fosters has earned the GLAAD Media Award for Outstanding Drama Series and the Television Academy Honors Award. The series also earned 14 Teen Choice Awards nominations, winning the Choice TV Breakout Show in 2013. And, The Fosters won two Television Critics Association Awards in the Outstanding Achievement in Youth Programming category in 2014 and 2015.
In addition to revealing the three-night series finale dates, the network announced special guest stars who will be helping to say goodbye to the series. Abigail Cowen (Wisdom of the Crowd) will return as Eliza, Brandon’s fiancé. Robert Gant (Queer as Folk), Susan Walters (Teen Wolf), Beau Mirchoff (Awkward.) and Spencer List (The Bachelors) will play Eliza’s parents and brothers, respectively. Dallas Young will guest star as Corey, a charismatic foster child.
The series is executive produced by Jennifer Lopez (Shades of Blue), Greg Gugliotta, Elaine Goldsmith-Thomas and Benny Medina. Bradley Bredeweg, and Peter Paige created the series and also serve as executive producers and writers.
The Fosters Series Details:The Fosters is a compelling, one-hour drama about a multi-ethnic family mix of adopted and biological teenaged kids being raised by two moms. Stef Adams Foster (Teri Polo), a dedicated police officer, and her wife, Lena Adams Foster (Sherri Saum), a school vice principal, have built a close-knit, loving family with Stef’s biological son from a previous marriage, Brandon (David Lambert); their adopted twins, Mariana (Cierra Ramirez) and Jesus (Noah Centineo); and adopted siblings Jude (Hayden Byerly) and his half-sister, Callie (Maia Mitchell).
Teri Polo, Sherri Saum, Hayden Byerly, Cierra Ramirez, Maia Mitchell, Noah Centineo, and David Lambert in ‘The Fosters’ (Freeform/Vu Ong)
Fox’s Lucifer season three episode 17 centered around the attempted murder of a popular singer which gave the writers a chance to finally write new scenes with Tom Ellis singing. Episode 17 also found the sexy Devil attempting to stay away from Chloe in order to protect her from his dad. Chloe figured out what he was doing, but not the reasoning behind it. The episode ended with a jealous Lucifer watching Chloe and Pierce leave the police station together on their way to a concert.
Up next, season three episode 18 airing March 19, 2018 at 8pm ET/PT. The guest cast of “The Last Heartbreak” includes Fiona Gubelmann as Kay/Maddie, Joshua Gomez as Neil Berger, and Andrew Leeds as Joel.
Season three stars Tom Ellis as Lucifer, Lauren German as Chloe, DB Woodside as Amenadiel, Lesley-Ann Brandt as Maze, Kevin Alejandro as Dan, Scarlett Estevez as Trixie, Rachael Harris as Linda Martin, Tricia Helfer as Charlotte, Aimee Garcia as Ella, and Tom Welling as Marcus Pierce/Cain.
“The Last Heartbreak” Plot: As Chloe and Lucifer go on the hunt for a serial killer targeting couples in love, Pierce realizes the case is connected to a murder he previously solved…in 1958. Then, Lucifer becomes upset when Pierce has a change of heart about an important decision in the all-new “The Last Heartbreak” episode of Lucifer.
Tom Welling and Aimee Garcia in ‘Lucifer’ season 3 episode 18 (Photo by Ray Mickshaw / FOX)Tom Welling in season 3 episode 18 (Photo by Ray Mickshaw / FOX)Tom Welling and Tom Ellis in season 3 episode 18 (Photo by Ray Mickshaw / FOX)Tom Ellis in ‘Lucifer’ season 3 episode 18 (Photo by Ray Mickshaw / FOX)Tom Ellis as Lucifer Morningstar (Photo by Ray Mickshaw / FOX)
A&E’s ratings have continuously improved over the last 12 months and with viewership for the network growing, Executive Vice President and Head of Programming Elaine Frontain Bryant announced the addition of four new projects. Many Sides of Jane, Lost for Life, The Accused, and Employable Me have all been greenlit by the network, joining A&E’sLeah Remini: Scientology and the Aftermath, Born This Way, Intervention, Biography, and Live PD.
“A&E has been leading the reality revolution, doubling down on our slate of brave nonfiction storytelling, moving away from scripted drama and refocusing our programming and development on what we do best,” stated Frontain Bryant. “A&E continues to invest in provocative, high-quality content that sparks meaningful conversation and resonates with our loyal audience. Not many networks can proudly say that they currently have four Emmy-award winning series on their schedule.”
A&E’s New Original Series:
Many Sides of Jane (working title) – 6 x 60 min
Jane is a 28-year-old woman from Boise, Idaho who has Dissociative Identity Disorder – commonly referred to as multiple personality disorder. Her 9+ personalities, ranging in age from 6-27 years old, appear at any time, usually triggered by stress. Diagnosed only two years ago, she is on a journey to understand what caused the D.I.D. as well as to figure out how she can best co-exist with her many “parts,” as she calls them. As a full-time single mother of two, Jane is also studying for a Ph.D in Biology. She’ll be coming to terms with her childhood, her relationship with her family, and launching her career.
Many Sides of Jane (working title) is produced by Renegade 83 for A&E Network. Executive producers for Renegade 83 are Jay Renfroe, David Garfinkle and Erica Hanson. Executive producers for A&E are Elaine Frontain Bryant, Shelly Tatro and Brad Abramson.
Lost for Life (working title) – 8 x 60 min
There is no crime worse than murder, and no murder more shocking than one committed by a child. For decades the courts showed these young killers no mercy, but due to a recent Supreme Court decision, now those sentenced to mandatory life without parole may get a second chance. In 2012, the Supreme Court ruled that mandatory life terms without parole for juveniles was “cruel and unusual punishment,” deeming it unconstitutional. In January of 2016, the U.S. Supreme Court said it must be applied retroactively. Now, all of those sentenced as juveniles to mandatory life in prison have a chance to plead their case. Access to the criminals, victims, lawyers, and courts will allow viewers to be taken through the original crime, as well as experience the unfolding of an intense legal battle.
Lost for Life (working title) is produced by IPC Television for A&E Network. Executive producers for IPC Television are Eli Holzman, Aaron Saidman and Peter LoGreco. Executive producers for A&E are Elaine Frontain Bryant, Amy Savitsky and Evan Lerner.
The Accused (working title) – 8 x 60 min The Accused (working title) tells the dramatic stories of people at the most vital and most terrifying moment of their lives. This gripping series reveals the true inside story of what happens when someone is accused of a crime they believe they did not commit. Featuring the defendant, their family and their legal teams, The Accused (working title) reveals the personal cost of every charge, watching each case unfold from the defendant’s point of view. It shares every twist and turn of this traumatic experience from their first meeting with their lawyers right up to the verdict allowing viewers to judge the subject’s innocence for themselves.
The Accused (working title) is produced by Brinkworth Films for A&E Network. Executive producers for Brinkworth Films are Malcolm Brinkworth and Xander Brinkworth. Elaine Frontain Bryant, Shelly Tatro and Brad Holcman serve as executive producers for A&E Network.
Employable Me (working title) – 8 x 60 min
Finding a job is hard enough, but when you have a mental disability, it can be even harder. Many people with these challenges face unemployment, yet so many people with disabilities have unique skills that make them excellent workers. This groundbreaking series unlocks their “secret powers” to help them land their dream jobs and gain a new independence in life.
Employable Me (working title) is produced by Optomen Productions for A&E Network. Ricky Kelehar, Maria Silver and Joseph Eardly serve as executive producers for Optomen Productions. Elaine Frontain Bryant, Shelly Tatro and Brad Holcman serve as executive producers for A&E Network.
STXfilms released a new official trailer for the dramatic thriller, Adrift, based on harrowing true events. The trailer introduces Shailene Woodley (Fault in Our Stars, the Divergent film franchise) and Sam Claflin (Me Before You, The Hunger Games films) as an adventurous young couple who set out to sea only to get caught up in a gigantic storm.
The romantic drama is based on Tami Oldham Ashcraft and Susea McGearhart’s book, Red Sky in Mourning: A True Story of Love, Loss, and Survival at Sea, published in October 1998. Adrift is directed by Baltasar Kormákur from a screenplay by Aaron Kandell, Jordan Kandell and David Branson Smith. Baltasar Kormákur, Aaron Kandell, and Jordan Kandell also served as producers.
Baltasar Kormákur’s directing credits include Everest with Jake Gyllenhaal, 2 Guns starring Denzel Washington, Contraband with Mark Wahlberg, Inhale with Diane Kruger, and A Little Trip to Heaven starring Jeremy Renner.
STXfilms is set to release Adrift in theaters on June 1, 2018.
The Plot:Adrift is based on the inspiring true story of two free spirits whose chance encounter leads them first to love, and then to the adventure of a lifetime. As the two avid sailors set out on a journey across the ocean, Tami Oldham (Shailene Woodley) and Richard Sharp (Sam Claflin) couldn’t anticipate they would be sailing directly into one of the most catastrophic hurricanes in recorded history.
In the aftermath of the storm, Tami awakens to find Richard badly injured and their boat in ruins. With no hope for rescue, Tami must find the strength and determination to save herself and the only man she has ever loved. Adrift is the unforgettable story about the resilience of the human spirit and the transcendent power of love.
Sam Claflin and Shailene Woodley star in the romantic drama, ‘Adrift’ (Courtesy of STXfilms)