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‘A.P. Bio’ – Eddie Leavy and Sari Arambulo Interview on NBC’s New Comedy

A.P. Bio Eddie Leavy and Sari Arambulo
Eddie Leavy as Anthony, Nick Peine as Marcus, and Tucker Albrizzi as Colin in ‘A.P. Bio’ (Photo by Vivian Zink/NBC)

NBC heads to high school with the new half-hour comedy series, A.P. Bio, starring Glenn Howerton and Patton Oswalt. The series airs on Thursdays at 8:30pm ET/PT and follows Howerton’s character, Jack Griffin, as he does everything except teach Advanced Placement Biology to a class of overachievers anxious to earn good grades. Jack’s a disgraced Harvard philosophy scholar who feels it’s beneath him to teach school and so he spends the class time forcing the students into working on fixing his personal life.

Eddie Leavy and Sari Arambulo play Anthony and Grace, two of the students not actually being taught biology by Jack Griffin. Teamed up on a recent conference call, Leavy and Arambulo discussed working with Glenn Howerton and Patton Oswalt on A.P. Bio, their characters, and their own horrible experiences with teachers.

A.P. Bio’s Eddie Leavy and Sari Arambulo Interview:

We see a lot of Glenn’s character Jack’s home life. Do we get to know much about Anthony and Grace throughout the season? Will we learn what they do after school hours and what their lives are like?

Sari Arambulo: “I think that, yes, we definitely as episodes go on we get to learn more and more about the kids. Specifically their home life as well as their personalities. I think you’re already starting to get a glimpse of Grace and I feel like the last episode that just aired you kind of get a sense of what kind of character Grace is. She is very smart and sweet and is on the student council. So, that’s definitely one of her passions. She loves to be in student government and is super organized.

It’s definitely interesting to see that side of things. And then I believe that in next week’s episode it’s the parent-teacher conference, so that’s when you’ll really get to see our home life. It was really fun to meet my onscreen mom, and same for Eddie. I think he had like both your ‘onscreen parents’ were there. So as the episodes go on, I think that you really get to start to see the kids home life and just learn more about them.”

Eddie Leavy: “Yes. And just going off of that, so next week yes you will see sort of all of our parents in a parent-teacher setting. But also, you know, I think up until this point from what viewers have seen we’ve been mostly on campus or in the classroom. And again in later episodes as we sort of get on our feet a little more and we start appearing in different locations, you know, some of our favorite episodes I think to shoot when we were actually outside of the classroom.”

Sari Arambulo: “Oh yes.”

Eddie Leavy: “[You] see what our characters were like outside of the classroom and sort of in a real world setting. So, I think the best is yet to come in terms of character development and being able to sort of see more of our characters in different scenarios. So, yes, it’s a lot of fun stuff to come.”

Sari Arambulo: “That reminded me of one of, I think, our favorite episodes we shot would be for me it was ‘House Party.’ Eddie, I remember that was so much fun to shoot with you and the rest of the cast. And we really got to – this is a later episode, I don’t want to give any spoilers away – but it’s just a really fun setting to see the kids outside of the comfort zone in this party. So, yes, stay tuned.”

Have either of you had any really horrible teacher experiences in real life?

Sari Arambulo: “I think I might. I still go to school so it’s super fresh for me to think of professors in my life. I think one that sticks out to me is in – I also study Cinematic Art at USC and one of my professors was insane. He was just super…like, he’s great, like, this is the class that everyone takes. But he is just super dramatic, kind of similar to Jack Griffin in that sense. Just over the top, super dramatic. He like has an entrance when he comes into the classroom. And if you ever participate, he’ll remember your name. It is a huge lecture hall and he’ll remember your name and then continue throughout the course of the months that you’re taking the class he’ll just continue calling on you even if you don’t know the answer. He’ll just right on the moment just call on you. So it was definitely, a nerve-racking experience to be in his class which is kind of similar to Jack Griffin.”

Eddie Leavy: “Yes, I actually have memories of getting […]a substitute teacher fired once because she was so horrible. She was verbally abusive of the kids…”

Sari Arambulo: “Oh my gosh.”

Eddie Leavy: “…in my class that we, like, honestly the kids rallied together and talked to our parents. And this was in, I think, middle school. We rallied together and we told our parents and we got her fired because she would just say the nastiest things to us. Called us idiots and dumb and gave us horrible grades for no reason. So I’ve definitely had, you know, an experience. It wasn’t as comical as A.P. Bio but definitely dealing with…”

Sari Arambulo: “It’s kind of similar to A.P. Bio, I must say.”

Eddie Leavy: “Yes, except your teacher was charming and wonderful. But, you know, this woman was pretty horrific and we got rid of her. So, yes.”

Sari Arambulo: “Way to go.”


Can you talk about your audition for the show?

Eddie Leavy: “Our experiences were similar yet different. I had one audition for the majority of the creative team. The casting directors were there, Mike O’Brien the creator was there. Some of the other executive producers were there. So they were all in one room and I thought it had really went well. And it was a really quick turnaround, you know, I auditioned and I think I found out in a day or two that they wanted to cast me as the part of Anthony.

And then the next week I remember we had a rehearsal with our director Oz Rodriguez. We started shooting shortly thereafter. So it was a pretty painless audition process, which is not normally the case. It was awesome and, you know it was a lot of fun.

Sari Arambulo: “Yes, awesome. For me it was actually pretty similar to Eddie’s situation just slightly different. I came on after the pilot was shot. […] And I remember it was two pages, super short and sweet. I went in, saw the casting directors that I kind of previously knew from another project, and just read it once, was on tape with casting, left and then I had two other auditions that day so it was kind of just out of my mind. I wasn’t really thinking about it, and then I remember finding out literally the next morning that I booked the role. And then I was on set three days later, so it was really great to have such a short and sweet audition process. I loved it.”

Eddie Leavy: “And if I may add for you how it’s really interesting to see sort of the evolution of our characters as this moves on. Obviously, you know, when they’re auditioning in the beginning they have an idea what the characters may be like but, you know, they sort of let the characters evolve when they cast the actor. I know initially my character of Anthony was supposed to be this very sort of nerdy, sort of Lord of the Rings obsessed type of character. And then Mike O’Brien the creator after we had wrapped the pilot he just sort of saw who I was and saw me at the wrap party and he was you know, ‘I just saw who you were in real life and we decided we needed to take Anthony in a little bit of a different direction that’s just more true to who you are.’

So, it’s really interesting how characters or the idea of a character can sort of start off one way but then when the actor is cast in a role they can sort of bring them to life and then it can sort of go in a different direction. It’s been really cool to see that process and to get the script every week and just see how we sort of are intertwining with our characters was a lot of fun.”

Is it easier for you to play a character who’s more closely aligned to you?

Eddie Leavy: “Well, yes. I mean, definitely. Anthony definitely is probably a little more blunt and honest than I am in real life. But it’s definitely a lot of fun to feel you see yourself in the character and to just bring it to life. It just gives you a level of comfortability. Again, we shot this show for 3 1/2 months. I think we just got to know these characters so well and we were able to have a level of comfortability on set where we were able just to play – every week we had a director but we were able to just play with the director and bounce off each other’s energy.”

Sari Arambulo: “Yes, I just want to bounce off that. I think that we really were so lucky and blessed to have these writers who really almost tailored the characters to our personalities and kind of got to see…they saw us as people. They kind of translated that into our characters, which is really great.

Like, for example, all I really knew about Grace is that she was just sweet in the classroom, cute girl in the high school in the Biology class. But then I guess as they started to know me, they realized I was super sweet and nice so they started playing upon that more which is really great. And then they really paid attention to our relationships as well, like as people with the cast members. Eddie, I remember we just hit it off right from the get-go and I’m pretty sure the writers started to notice we always wanted to be together sitting together.

There was this one episode where they kind of just started – they gave us this one moment in the house party episode that’s going to be coming up, they just gave us this amazing moment where it was just us two. And you just kind of see our relationship and our friendship grow. So, I just think that it’s so amazing just to see the writers really take advantage of the actors and like what we can bring to the table, which is awesome.”

What is not going to happen as the show continues?

Sari Arambulo: “That’s an interesting question.”

Eddie Leavy: “We’re never going to learn biology.”

Sari Arambulo: “I was about to say that.”

Eddie Leavy: “That was said in the pilot, we stick to that. We are never going to learn biology. And is Jack ever going to really be nice?”

Sari Arambulo: “Be nice?”

Eddie Leavy: “There are moments.”

A.P. Bio Poster

What’s it been like working with Glenn Howerton and Patton Oswalt? Have you learned very much from them?

Sari Arambulo: “I loved working with both of them. We spent so much time with Glenn because of course with all of our classroom scenes he’s teaching, I guess not teaching us. So it was really fun for me as an actor just to kind of learn from him, really study his comedic talk on set, and see his process and how he really takes on the lines and makes them his own and his improv. It was just really great for me as a learning process. So, he’s really great.

This last episode that just aired which was where there’s a whole car situation and student council. I loved that week because it was great because I got to spend a lot of time with Glenn and just kind of learned about his life. We would just have great chats on set. It was really great to have that special time with him.

In terms of Patton, he is amazing. Such a pleasure to work with. Honestly, the nicest man. Every time I see Patton I just want to give him a hug. He was the nicest. And I was so starstruck by Patton at first. I remember the first table read I freaked out because I was like, ‘Oh my God, this is Remy from Ratatouille who is reading all these lines!’ and I’m obsessed with him. And, of course, I was just freaking out.

But I actually saw Patton…a really random story…long story short I saw Patton at a restaurant months before I booked A.P. Bio. I was starstruck. And then it turns out I booked this role and Patton is my principal. So I finally mustered up the courage to talk to Patton about it. And I’m like, ‘Patton, were you at this restaurant?’ It’s In My Sole and he was the nicest, sweetest man. And I was like, ‘Oh my gosh, you go to that restaurant too!’

He spent 40 minutes with me, I’m not kidding, and we just talked about food and great restaurants in L.A. Honestly, just the nicest man. I have the nicest things to say about both of them.”

Eddie Leavy: “Yes. I mean, I pretty much will echo exactly what she said. I mean I think the biggest takeaway was just learning from them. Again, we were in that classroom with Glenn a lot and just such an established actor and comedian. He sort of comes in every day and does his thing. What better acting class than that? I think for us it was just such a profound learning experience seeing his process, seeing how he approached the material, how he would do things differently every take. Same with Patton.

I mean, Patton I feel has just the most amazing comedic timing. He would improv and it would just…he was so simple. But it was so brilliant just to see his commitment to Principal Durbin. I think for me it was just incredible to spend months observing them and watching them. And, again, they’re just lovely people. Sari said it all. But, yes, the nicest so it was a pleasure.”




‘The Flash’ Season 4 Episode 16 Recap and Review: Iris Becomes the Team’s Speedster

The Flash Season 4 Episode 16 Recap
Candice Patton as Iris West in ‘The Flash’ season 4 episode 16 (Photo: Katie Yu © 2018 The CW Network)

“I lost my speed,” says a surprised Flash (Grant Gustin). “What do you mean you lost your speed?” asks a confused Joe (Jesse L. Martin) “Uh guys, I think I found it,” says a shocked Iris (Candice Patton) as she watches her hand vibrate with intense speed and energy in season four episode 16 of The CW’s The Flash.

As the episode begins, Harry (Tom Cavanagh) and Cisco (Carlos Valdes) are brainstorming at 1:01am on how to find the other bus metas before DeVoe does. Cisco’s exhausted so he calls it a night and tries to get Harry to do the same, but Harry’s determined to stay until he comes up with an idea. By pulling an all-nighter, Harry decides to go over the footage of the particle accelerator explosion and sees video of DeVoe getting hit by dark matter while wearing his thinking cap device. Harry decides to build his own thinking cap and wants to replicate the process DeVoe underwent, making him smart enough to out-think the evil mastermind.

When Harry presents his idea to Team Flash the next morning, the gang’s hesitant to go forward with it because they’re worried about Harry’s safety. Finally, Iris, Barry, and Caitlin (Danielle Panabaker) decide it’s worth exploring. However, Cisco shuts down the idea bringing up the experiment warped and changed DeVoe from being a loving husband and devoted professor to the self-absorbed, evil mastermind he is now.

Ralph (Hartley Sawyer) gets upset they aren’t going to explore the idea because he knows DeVoe is after all the bus metahumans, including him. When he walks off brooding, Iris catches up with him to give him a pep talk. It fails because Ralph points out she doesn’t know what it’s like to be out in the field risking your life to save people. She’s always safe back at S.T.A.R. Labs playing team leader.

Meanwhile at a Central City bank, a meta with the power of fire is trying to hold up the bank. A young man tries to talk him down and tries to change his mind. The man touches the fire meta and gets tossed backward. But simply by touching the bank robber, he removes his powers and accidentally transfers them to one of the citizens in the bank just by falling into him. The bank security guard tackles the meta and stops the robbery. A little while later, Joe and Cisco are investigating the robbery and are quick to realize the man in custody is the would-be robber but that his powers are now gone.

Back at S.T.A.R. Labs, Caitlin’s theorizing how the meta lost his powers when Cisco realizes looking at the bank video footage that the mystery man who was gone before Joe and Cisco arrived might be a new meta who took the fire meta’s powers. He cross-references his image in the video and identifies him as Matthew Kim (Leonardo Nam), a Central City EMT. Joe heads out to talk to him and Iris says she’ll tag along to help, a move that surprises Team Flash.

When Joe and Iris talk to Matthew, he panics believing they want to take away his powers. He grabs Iris and holds her at knife point. Joe sends an alert on his phone and The Flash speeds there to stop him. The Flash shoves Matthew away from Iris but by doing it Kim accidentally transfers The Flash’s powers to Iris.

At S.T.A.R. Labs, Caitlin runs tests and tells Team Flash that for now Iris has Barry’s powers and Barry is back to being his normal human self. Barry asks if she can find a way to reverse it and Caitlin says she’ll try. In the meantime, Barry tells Iris he’ll train her to be a speedster.

Harry approaches Cisco to help him with his thinking cap creation and again Cisco refuses. An upset Harry storms off. Caitlin, who was in earshot, confronts Cisco and tells him he should help Harry. Cisco reminds her of how the experiment changed DeVoe’s personality, but Caitlin points out Harry’s going to create it with or without him so he should help and make sure it doesn’t happen to Harry.

The Flash Season 4 Episode 16 Recap
Grant Gustin as Barry Allen and Candice Patton as Iris West (Photo: Katie Yu © 2018 The CW Network)

Barry’s sulking about losing his powers and Iris assures him Caitlin will find a way to fix it when Caitlin calls both of them about a high-rise fire and people being trapped. Iris speeds out to save the day using a mask Jesse Quick used to wear. With Barry’s coaching, she’s able to get the five residents out but when she goes back in to put out the fire creating wind tunnels as Barry has done time and time again she does it wrong. She makes the fire worse and a beam collapses on her, trapping her.

Barry tries to tell her to phase through the beam and she has to reach down inside herself and feel it, but the scared and inexperienced speedster begins to panic. Realizing she won’t be able to do it, Cisco breaches into the building, grabs Iris, and breaches them back to S.T.A.R. Labs. (Hello…Cisco should have breached Killer Frost into the building so she could put out the fire and Iris should have stayed back at S.T.A.R. Labs).

A little later, Caitlin again encourages Cisco to help a struggling Harry with his thinking cap, giving him the Caitlin “puppy dog eyes” look which Cisco can never say no to. He tells Harry he’ll help him but that he has to promise not to use any dark matter which he agrees to.

Iris is running around the speed lab to burn off steam and admits to Barry she feels the need to prove to herself she can be fearless like she once was. Another call comes in about a new fiery meta outside the same bank. Team Flash sees Matthew’s there to try to take away the meta’s powers. Barry suggests that Cisco and Caitlin handle this but Iris assures them she will handle it. As she’s about to go, Cisco pulls out a new speedster suit. Iris speeds into it and off to the bank.

Matthew tries to stop the meta but almost gets roasted alive. Thankfully, Iris grabs him and speeds him out of the line of fire. She puts the power-reducing cuffs on him and faces off with the fire meta who starts shooting fire at her at a temperature of 800 degrees (the same temperature as lava). The fire meta makes a thermo-cyclone that threatens to destroy nearby buildings. Iris again starts to panic asking what she should do. Harry uses his almost finished thinking cap and comes up with an idea. Iris needs to run on water on the nearby bay and create a tidal wave to put out the tower of fire. At first, Iris says she can’t but Barry is successful in convincing her she can, promising he’ll talk her through it. Iris speeds across the bay with Barry’s coaching and she’s able to create the huge wave which douses the fire.

Back at S.T.A.R. Labs, Matthew apologizes for the chaos he created and returns Barry’s powers to him. Iris admits it was fun to run on water but will be happy to get back behind the desk at S.T.A.R. Labs. Barry races around a few times to make sure he has his powers and Cisco declares, “My boy‘s back!” Team Flash talks to Matthew about joining them in their fight against DeVoe and he agrees, asking, “How do we start?” Cisco starts by giving him a tour.

Iris reaches out to Ralph to stay close to Matthew saying he’ll need a buddy. Ralph apologizes to her about what he said earlier about not risking her life.

At their apartment, Barry double checks with Iris being okay with not being a speedster anymore. She tells him he was always meant to be The Flash with his desire to help people and being the light for everyone when all goes dark. She confides that her strength is her writing and tells him she’s going to go back to being a journalist.

The final scene shows Harry and Cisco working on the thinking cap. Harry outs it on and Cisco wants to turn it off, worried it’s been too long. After Cisco turns it off, Harry reveals he knows the names of the other two bus metas.

The Flash Season 4 Episode 16 Review:

More gimmick than substance, season four episode 16 titled “Run, Iris, Run” is a forced and contrived outing front-lining Iris as the new hero of Central City while benching Barry, Killer Frost, and for the most part, Cisco. This is a poorly written episode with Team Flash encouraging Iris to race out and play hero with people’s lives while in other seasons of the series it would be weeks or months before they let a rookie speedster take on a crisis or villain solo. It just doesn’t ring true to what Team Flash has done in the past with new speedsters like Kid Flash or Jesse Quick. The scene where Iris races off to save people from a fire after barely getting her new powers also lacks any common sense and logic. It’s so obvious Vibe and Killer Frost could have easily saved the residents and put out the fire as a team.

The one thing this episode does prove is that the writers and showrunner don’t seem to know what to do with the character Iris West. Keeping her as Team Leader doesn’t make any sense with Barry and Harry both at S.T.A.R. Labs. What might be best is to let Iris go back to being a journalist and have her own storyline separate from Team Flash, similar to what they did with her in the first two seasons of the show.

With Harry identifying the last two bus metas and with Matthew joining Team Flash to fight DeVoe, it should be very interesting and exciting to see what Team Flash comes up with to stop the evil mastermind.

GRADE: C

More on The Flash Season 4:
The Flash Season 4 Episode 1 Recap
The Flash Season 4 Episode 2 Recap
The Flash Season 4 Episode 3 Recap
The Flash Season 4 Episode 4 Recap
The Flash Season 4 Episode 5 Recap
The Flash Season 4 Episode 6 Recap
The Flash Season 4 Episode 7 Recap
The Flash Season 4 Episode 8 Recap
The Flash Season 4 Episode 9 Recap
The Flash Season 4 Episode 10 Recap
The Flash Season 4 Episode 11 Recap
The Flash Season 4 Episode 12 Recap
The Flash Season 4 Episode 13 Recap
The Flash Season 4 Episode 14 Recap
The Flash Season 4 Episode 15 Recap
The Flash Season 4 Episode 17 Recap
The Flash Season 4 Episode 18 Recap
The Flash Season 4 Episode 19 Recap
The Flash Season 4 Episode 21 Recap
The Flash Season 4 Episode 22 Recap

Grant Gustin Interview
Danielle Panabaker Interview
Candice Patton Interview
Todd Helbing Interview
Tom Cavanagh Interview
Keiynan Lonsdale Interview
Carlos Valdes Interview




‘Life Itself’ Teaser Trailer and Poster: Oscar Isaac and Olivia Wilde Star in This Romantic Drama

Amazon Studios has released the teaser trailer for the dramatic film, Life Itself. The trailer for the romantic drama, which comes from the creative mind behind NBC’s award-winning This is Us, proclaims “There’s no greater story than life…itself.”

Dan Fogelman wrote and directed Life Itself, with Marty Bowen, Wyck Godfrey and Aaron Ryder producing. The cast includes Oscar Isaac (Star Wars: The Last Jedi), Olivia Wilde (Doll & Em), Mandy Patinkin (Homeland, Wonder), Olivia Cooke (Bates Motel), Laia Costa (Piercing), Annette Bening (Film Stars Don’t Die in Liverpool), and Antonio Banderas (The 33).

Amazon Studios has set a September 21, 2018 theatrical release date. Life Itself is rated R for language including sexual references, some violent images and brief drug use.

The Plot: Life Itself centers on a couple (Oscar Isaac and Olivia Wilde) that lead a multi generational love story spanning both decades and continents, from the streets of New York to the Spanish countryside, and are all connected by a single event.

Life Itself Teaser Trailer and Poster
Poster for ‘Life Itself’ starring Oscar Isaac and Olivia Wilde (Photo Courtesy of Amazon Studios)




Elton John Grammy Salute Performers and Songs Announced

Elton John Grammy Salute Performers
Elton John and stars perform “I’m Still Standing” on ‘Elton John: I’m Still Standing – A Grammy® Salute (Photo by Michele Crowe © 2017 CBS Broadcasting, Inc)

The star-studded list of performers set to honor Elton John during Elton John: I’m Still Standing – A Grammy Salute has been revealed, with artists including Lady Gaga and Sam Smith paying tribute to the iconic performer. CBS will broadcast the tribute on Tuesday, April 10, 2018 at 9pm ET/PT, with the network promising a two-hour event featuring more than a dozen of the artist’s biggest hits.

In addition to Elton John, Sam Smith, and Lady Gaga, the list of artists includes Miley Cyrus, Ed Sheeran, Maren Morris, Shawn Mendes, Little Big Town, Kesha, John Legend, Alessia Cara, Christopher Jackson, SZA, Chris Martin, Valerie Simpson, and Miranda Lambert. According to CBS, John Batiste, Neil Patrick Harris, Anna Kendrick, Gayle King, Lucy Liu, and Hailee Steinfeld will also appear in the two-hour tribute.

The Elton John: I’m Still Standing – A Grammy Salute Artists List:

  • “The Bitch Is Back” – Miley Cyrus
  • “Candle in the Wind” – Ed Sheeran
  • “Daniel” – Sam Smith
  • “I Guess That’s Why They Call It the Blues” – Alessia Cara
  • “Your Song” – Lady Gaga
  • “Rocket Man” – Little Big Town
  • “Border Song” – Christopher Jackson & Valerie Simpson
  • “Don’t Go Breaking My Heart” – SZA & Shawn Mendes
  • “Mona Lisas and Mad Hatters” – Maren Morris
  • “We All Fall in Love Sometimes” – Chris Martin
  • “My Father’s Gun” – Miranda Lambert
  • “Goodbye Yellow Brick Road” – Kesha
  • “Don’t Let the Sun Go Down on Me” – John Legend
  • “Bennie and the Jets” – Elton John
  • “Philadelphia Freedom” – Elton John
  • “I’m Still Standing” – Elton John and Ensemble

The Elton John: I’m Still Standing – A Grammy Salute special is produced by Ron Basile and executive produced by Ken Ehrlich and Rac Clark. David Wild is the special’s writer. AEG Ehrlich Ventures, The Recording Academy and CBS previously presented the Sinatra 100 – An All-Star GRAMMY Concert, Stevie Wonder: Songs in the Key of Life – An All-Star GRAMMY Salute, The Beatles: The Night That Changed America – A GRAMMY Salute, and Stayin’ Alive: A GRAMMY Salute to the Music of the Bee Gees musical tributes.




‘Once Upon a Time’s Jennifer Morrison Directs ‘Supergirl’s Melissa Benoist in ‘Sun Dogs’

Once Upon a Time star Jennifer Morrison makes her feature film directorial debut with Sun Dogs, a comedy/drama which just released a new lengthy trailer. Sun Dogs stars Supergirl‘s Melissa Benoist, I’m Dying Up Here‘s Michael Angarano, Oscar winner Allison Janney (I, Tonya), and Modern Family‘s Ed O’Neill.

Jennifer Morrison directed from a script by Anthony Tambakis (Jane Got a Gun, Warrior). Morrison also acts in the feature film along with Alvin “Xzibit” Joiner (Hawaii Five-O), Eric Christian Olsen (NCIS: Los Angeles), and J.R. Ramirez (Marvel’s Jessica Jones).

Sun Dogs is set to premiere on April 6, 2018 on Netflix.

The film, which isn’t yet rated, was shot in Santa Clarita, CA and premiered at the Los Angeles Film Festival. It also played at the 2017 Savannah Film Festival and 2018 Mammoth Film Festival. Morrison took home the Best Narrative Feature award at the Savannah festival and was a triple winner at the Mammoth festival (Achievement in Filmmaking, Best Picture, and Grand Jury Award).


Actor/director Jennifer Morrison starred as Emma Swan for six seasons on Once Upon a Time. The series went through a major reboot for its seventh season, with only Lana Parrilla, Robert Carlyle, and Colin O’Donoghue remaining as part of the main cast. Ratings fell and ultimately ABC opted not to renew the series for an eighth season.

Morrison’s acting credits also include The List, The Darkness, How I Met Your Mother, Star Trek: Into Darkness, and House M.D..

The Plot: A young man (Michael Angarano) determined to be a military hero, ends up on a misguided adventure with his family and new friend Tally (Melissa Benoist), which leads him to the most unlikely realization of how he can courageously “save lives.”

Sun Dogs from Jennifer Morrison
Michael Angarano stars in ‘Sun Dogs’ (Photo Credit: Netflix)




‘Fantastic Beasts: The Crimes of Grindelwald’ Official Teaser Trailer: Dumbledore Warns Newt

The two-minute teaser trailer for Warner Bros Pictures’ Fantastic Beasts: The Crimes of Grindelwald begins with Professor Dumbledore (Jude Law) being questioned about Newt Scamander’s whereabouts. Smiling, Dumbledore replies, “If you’d ever had the pleasure to teach him, you’d know Newt is not a great follower of orders.”

The trailer also features the beloved professor warning Newt (Eddie Redmayne) that he must pick a side. “I can’t move against Grindelwald. It has to be you,” says Dumbledore.

“This November Who Will Stand Against the Darkness?”

Eddie Redmayne leads the cast that includes Katherine Waterston, Dan Fogler, Alison Sudol, Ezra Miller, Jude Law, Johnny Depp, Zoë Kravitz, Callum Turner, Claudia Kim, William Nadylam, Kevin Guthrie, Carmen Ejogo, and Poppy Corby-Tuech. Harry Potter veteran David Yates directed Fantastic Beasts: The Crimes of Grindelwald from a script by J.K. Rowling. David Heyman, J.K. Rowling, Steve Kloves and Lionel Wigram served as producers on the much-anticipated 2018 journey into the world of wizards.


Warner Bros Pictures will release the second of five Fantastic Beasts films on November 16, 2018.

The Plot: At the end of the first film, the powerful Dark wizard Gellert Grindelwald (Johnny Depp) was captured by MACUSA (Magical Congress of the United States of America), with the help of Newt Scamander (Eddie Redmayne). But, making good on his threat, Grindelwald escaped custody and has set about gathering followers, most unsuspecting of his true agenda: to raise pure-blood wizards up to rule over all non-magical beings.

In an effort to thwart Grindelwald’s plans, Albus Dumbledore (Jude Law) enlists his former student Newt Scamander, who agrees to help, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world.

Fantastic Beasts: The Crimes of Grindelwald Poster and Trailer
Jude Law and Eddie Redmayne star in ‘Fantastic Beasts: The Crimes of Grindelwald’ (Photo Courtesy of Warner Bros Pictures)




‘Lost in Space’ New Video: Behind the Scenes of the Sci-Fi Series

Netflix’s upcoming new take on the classic science fiction series Lost in Space has just unveiled a new behind-the-scenes video featuring interviews with the cast. Toby Stephens (Black Sails), head of the family who becomes lost in space, says the series follows the characters as they react to this new alien world. “You’re crash-landing on this planet. You’re encountering alien species. You’re in Zero G,” says Stephens.

In Netflix’s latest video, the series’ youngest star, Max Jenkins, describes the show as a family adventure. “It includes space ships. It includes robots. It is action-packed,” says Jenkins.

“It’s 30 years in the future,” explains Molly Parker who plays Maureen Robinson. “It’s a family that has been going through some emotional stress and some disconnections.”

Netflix will premiere Lost in Space on April 13, 2018.


The Plot: Set 30 years in the future, colonization in space is now a reality, and the Robinson family is among those tested and selected to make a new life for themselves in a better world. But when the new colonists find themselves abruptly torn off course en route to their new home they must forge new alliances and work together to survive in a dangerous alien environment, light-years from their original destination.

Lost in Space stars Toby Stephens as John Robinson and Molly Parker as Maureen Robinson, the family’s parental leaders who are struggling with their estranged relationship in the midst of trying to keep their family safe. As the Robinson kids, Taylor Russell is the strong-willed and confident Judy, Mina Sundwell is the quick-witted and definitive middle-child Penny, and Max Jenkins is the curious and sensitive Will Robinson, the youngest and most vulnerable of the clan, who forms an unlikely and inexplicable bond with a sentient robotic alien being.

Stranded along with the Robinsons are two outsiders who find themselves thrown together by circumstance and a mutual knack for deception. The unsettlingly charismatic Dr. Smith played by Parker Posey is a master manipulator with an inscrutable end game. And the roguish, but inadvertently charming Don West, played by Ignacio Serricchio), is a highly-skilled, blue collar contractor, who had no intention of joining the colony, let alone crash landing on a lost planet.

Lost in Space TV Series Toby Stephens
Toby Stephens, Taylor Russell, and Mina Sundwall in ‘Lost in Space’ (Photo Courtesy of Netflix)




‘iZombie’ Season 4 Episode 4 Preview: Brainless in Seattle Part 2 Photos and Plot

Part one of The CW’s iZombie season four’s “Brainless in Seattle” two-parter found Liv cooking up a romantic’s brains and then falling in love with “the one” multiple times. Season four episode three also included a fun montage of Ravi trying on different outfits and looks as he got ready to accompany Liv and Peyton to a club.

Season four episode four airing March 19, 2018 continues the storyline as Liv and Clive hunt for a killer. Season four episode four was directed by Michael Fields from a script by Heather V. Regnier.

The cast of season four includes Rose McIver as Olivia “Liv” Moore, Malcolm Goodwin as Clive Babineaux, Rahul Kohli as Dr. Ravi Chakrabarti, Robert Buckley as Major Lilywhite, David Anders as Blaine DeBeers, Aly Michalka as Peyton Charles, and Robert Knepper as Angus McDonough.

The “Brainless in Seattle, Part 2” Plot: LOVE IS A MANY SPLENDORED THING, PART 2 — Liv (Rose McIver) and Clive (Malcolm Goodwin) discover the murder they are investigating was the work of a serial killer. Meanwhile, Major (Robert Buckley) enters dangerous territory.

More on iZombie Season 4:

iZombie Season 4 Episode 4 Preview
Aly Michalka as Peyton, Rose McIver as Liv, Rahul Kohli as Ravi and Robert Buckley as Major in ‘iZombie’ season 4 episode 4 (Photo: Shane Harvey © 2018 The CW Network)
iZombie Season 4 Episode 4 Preview
Rose McIver as Liv and Keenan Tracey as Tim (Photo: Shane Harvey © 2018 The CW Network)
iZombie Season 4 Episode 4 Preview
Aly Michalka as Peyton, Robert Buckley as Major and Rahul Kohli as Ravi (Photo: Shane Harvey © 2018 The CW Network)
iZombie Season 4 Episode 4 Preview
Rahul Kohli as Ravi and Rose McIver as Liv (Photo: Shane Harvey © 2018 The CW Network)
iZombie Season 4 Episode 4 Preview
Keenan Tracey as Tim and Rose McIver as Liv (Photo: Shane Harvey © 2018 The CW Network)
iZombie Season 4 Episode 4 Preview
Robert Buckley as Major in ‘iZombie’ season 4 episode 4 (Photo: Ricardo Hubbs © 2018 The CW Network)
iZombie Season 4 Episode 4 Preview
Keenan Tracey as Tim and Rose McIver as Liv (Photo: Shane Harvey © 2018 The CW Network)




‘Lucifer’ Season 3 Episode 17 Recap: Let Pinhead Sing!

Lucifer Season 3 Episode 17 Recap
Tom Ellis and Aimee Garcia in ‘Lucifer’ season 3 episode 17 (Photo by Erik Voake / FOX)

Fox’s Lucifer writers rewarded Lucifans with a treat by creating an episode that once again allowed Tom Ellis to show off his singing voice. Season three episode 17 was set in the music world with Chloe (Lauren German) and her partner, who’s acting more bizarre than usual in this episode, attempting to keep a superstar singer safe.

The March 12, 2018 episode begins backstage at a packed concert with Axara (Skye Townsend) preparing to hit the stage wearing a mask. She’s surrounded by backup dancers and as the crowd gets into the number, an explosion occurs on stage. It turns out the diva isn’t dead; it was a dancer wearing Axara’s mask who bit the dust.

Over at Dr. Linda’s office, Lucifer tells his friend/therapist he’s done trying to help Cain and now he has time to buy the pet shark he’s always wanted. When she suggests he’s backing off because he’s worried about Chloe getting hurt, Lucifer fails to notice she’s actually referencing her dysfunctional relationships with Amenadiel and Maze. Lucifer thinks he understands her point and decides maybe he should stop poking the bear (his dad) for a while.

At the station, Marcus Pierce (Tom Welling) is strumming a guitar and singing “Dust in the Wind.” He sounds depressed and Ella (Aimee Garcia) arrives to cheer him up, wearing a Snow-Flakes T-shirt. She has a present – a compliment box – and inside are positive notes about him to cheer him up. When she pulls out the notes, they’re all compliments about his really nice arms.

After leaving his office, Ella commands Dan (Kevin Alejandro) cheer up Pierce. Dan knows Pierce isn’t a fan of his, but Ella gets him to agree to try anyway because she refuses to take no for an answer.

So, it turns out backup dancer Jill switched positions with Axara at the last minute, and they’d never switched positions before the attack. Ella determines a firework killed Jill and it was definitely meant for Axara. The backup dancers are concerned it’s too dangerous to continue the tour. While this discussion’s going on, Lucifer’s lost in his own world. He’s figured out that if he removes Chloe from his spotlight, then he can keep poking his dad without worrying about her getting hurt.

Next, Chloe and Lucifer talk to Axara’s bodyguard, Bob, who for some reason Lucifer calls Rob. Bob joins them to talk to Axara, and she informs them an ex-backup singer named Patrick might want to hurt her. She and her friend/assistant Cece (Jillian Rose Reed) reveal Patrick threatened her just last week.

Linda (Rachael Harris) arrives at Maze’s place with a gift for her former BFF. It’s a hatchet to bury the hatchet. She apologizes through the door, saying she broke up with Amenadiel because no man is worth losing their friendship. Maze (Lesley-Ann Brandt) doesn’t reply.

Chloe and Lucifer talk to Patrick in the interrogation room, and he’s accompanied by his lawyer. Chloe tells Patrick they know he had a backstage pass, but he claims he wasn’t fired. He hated working for Axara because she was a b*tch, and Lucifer does his mind trick and gets Patrick to admit he wanted to be a better version of Axara which couldn’t happen if Axara was dead. Patrick has a solid alibi since he was doing his own show at the time of the murder.

Chloe, Lucifer, and Ella look through Axara’s social media and Lucifer surprises Ella with a shirt that reads “World’s Greatest Forensic Scientist.” Ella loves it and Chloe just looks confused. Ella reveals there are a zillion suspects, but Chloe says the killer had to have an all-access pass. They discover the winner of a contest for a backstage pass the night of the murder was Benny Parker, an obsessed fan.

Lucifer and Chloe head over to question Benny, and Lucifer’s acting weird. Chloe thinks Lucifer’s realized the job is super dangerous and his fear of losing her is making him focus on other people. She’s fine with that if he needs to “reverse Oprah” her. Lucifer says he’s not afraid…he’s just spreading the love.

They try Benny’s door and discover he’s dead on the floor of his apartment.

Back at the station, Ella reads Benny’s suicide note. He claims to have lived for Axara and now he’s died for her. They believe it’s a murder-suicide since he had time to plant the firework that killed Jill.

Lucifer shows up at the station with a bunch of hats and T-shirts from Axara, plus an autographed photo for Ella. Axara’s thrilled they’ve solved the case and her show can go, and Lucifer even sings out like Axara while holding a bobblehead. Chloe informs him the case is definitely not closed yet.

Charlotte (Tricia Helfer) meets with Dr. Linda, but Linda’s sidetracked. Charlotte asks what’s on her mind and Linda admits she’s having a fight with a friend. Charlotte reminds her that mediating conflicts is her specialty. She’s super excited to help Linda, although part of the giddiness could be from the drinks at lunch.

Ella fills Chloe in on the news that Benny died before the firework exploded. His suicide was staged before the concert at the Bowl which means the killer is still out there. Lucifer’s continuing his celebration of everyone but Chloe, naming a temp Employee of the Month.

Dan and Marcus commiserate over beers at Lux. Dan tries to get Marcus to open up about what’s bothering him, admitting he’s in a much better place himself after opening up and talking about his problems. Marcus explains life is an eternal wasteland, a dark void, a beaten dog on the side of the road… Dan looks stunned and replies, “Maybe we all are just dust in the wind.”

Lucifer Season 3 Episode 17 Recap
Lauren German and Tom Ellis (Photo by Erik Voake / FOX)

Chloe and Lucifer visit Axara to inform her she can’t perform tomorrow night because the killer’s still out there. She’s getting acupuncture as they talk, and Lucifer declares, “I say we let Pinhead sing!” As they debate whether or not it’s too dangerous, bullets fly and Chloe covers Axara’s body to keep her safe.

The police hunt for the shooter while Lucifer comforts Axara. Chloe tells her there’s no show because she’s under 24-hour protection. Ella arrives with a gun and she’s going to head back to the station to check it out. Lucifer volunteers to stay with Axara, suggesting they keep her safe at his penthouse. Chloe agrees but tells him if she’s not safe then his duties are revoked. Lucifer laughs like a teenage boy at the word “duties.”

Axara practices with a dancer while bodyguard Bob watches over her in Lucifer’s penthouse. Lucifer arrives home with smoothie supplies and asks what he can do to help her. She wants to know if he can play the piano, and they sit down together on the piano bench to sing. She says his A Flat is out of tune and decides to take a break rather than sing off-key. Lucifer then volunteers to make her a smoothie without washing the vegetables and they get into a tussle over the blender, with both covered in smoothie as a result of their argument.

Chloe brings Axara’s manager to the station because it turns out the gun recovered at the shooting is his. He explains he has an insurance policy on Axara, but it doesn’t make sense that he would kill her. She’s worth more to him alive than dead. Despite his protests, Chloe places him under arrest.

Charlotte mediates a meeting between Linda and Maze. Maze is pissed Linda lied to her, and Linda wishes she could take it back and apologizes. She tells Maze she misses her. Charlotte wants to know if Maze has anything to apologize for, and she claims she doesn’t. Maze didn’t do anything, according to her, and Linda finally has had enough. She’s angry Maze called dibs on someone she didn’t even have feelings for. Maze counters with, “I’m a demon. What do you expect?” Maze refuses to admit she did anything wrong and thinks Linda forgot the hoes before bros rule. Linda reveals Amenadiel is the one man she cared about in a really long time and yet she gave him up because of their friendship. Maze responds, “Go to hell,” and Linda’s done with mediation.

After they change out of smoothie-covered clothing, Axara wants to have sex asserting it calms her down before a show. Lucifer doesn’t want to have sex and says he’s not in the mood. Axara doesn’t think he likes her and he admits he’s only helping her because he’s trying to take his mind off Chloe. Axara wonders why he’s trying to convince himself he doesn’t like Chloe, but Lucifer says it’s because of his father. He’s afraid his dad will come after who he cares about. Axara assumes his all-powerful dad works in politics and tells him no one would come between him and what he’s passionate about in life. He thanks her for the advice and makes them another drink. When he returns, she’s gone.

Ella delivers a toxicology report to Chloe, and it shows Benny was forced to eat vegetables along with the pills that killed him. He was fed kale and raw turmeric, and it sounds like the smoothie that Axara drinks. They decide the manager isn’t the killer.

Dan and Marcus continue to talk, and then he waves over Amenadiel. Dan had no idea Marcus and Amenadiel know each other, and Dan heads out to a food truck to give them time to talk. Amenadiel tells Marcus this ends now, he’s done letting him defy his father. Marcus agrees, saying he’s done trying to end his curse. Amenadiel is sort of happy since he passed his test, and Marcus wonders if that’s the case, why aren’t his wings back? Amenadiel thinks maybe it’s a multiple part test, and Marcus is amazed he can have faith and hope when he’s on a loop of endless suffering.

As they talk, Axara begins singing at the piano. Dan reminds Lucifer Axara’s supposed to be in lockdown, and Lucifer rushes to retrieve her. Axara doesn’t listen to Lucifer and drags him into a duet on “I Will Survive.” They wind up grabbing the mic from one another, trying to upstage each other. Someone hands Lucifer his own mic and they continue singing. (We have had entirely too little of Tom Ellis singing this season!)

Song over, Axara says no one will scare her from the spotlight. Axara’s friend Cece approaches with a knife, angry that Lucifer was supposed to keep Axara safe and instead she’s put herself back in the spotlight.

Cece can’t believe Axara won’t stop performing even after people have died. She’s upset Axara keeps adding more shows, and Cece’s tired of sharing her with the public. She reminds Axara they used to perform to Beyoncé when they were younger, just the two of them. Cece confesses she loves her, and Axara can’t believe Cece would try and trick her like this.

Chloe arrives, demanding Cece drop the knife. When Cece turns to attack Chloe, Lucifer smashes her to the floor. Lucifer has a knife in his shoulder, but he’s not even aware of the wound because he’s worried about Chloe. She tries to control the bleeding and Lucifer holds her hand against his chest.

Amenadiel and Marcus watch this and Amenadiel tells Marcus this is why he’s got to have faith. “If my brother, the Devil, can have that…” Marcus finishes his sentence, “Maybe I can too.”

Back at the station, Marcus is in a much better mood. He congratulates Chloe on solving the case. Chloe has VIP tickets to Axara’s concert as a thank you gift and Marcus invites himself to be her +1. Chloe agrees.

Lucifer arrives, all bandaged up and back to his normal self. He’s decided he can’t control the world around Chloe and then he notices she has tickets to Axara’s show. He wants to know when he’s supposed to pick her up, and she breaks the news Pierce is going with her. Lucifer, disappointed, walks away saying he’s heard Axara’s amazing live.

Lucifer watches Pierce flirt with Chloe at her desk before they walk out of the station together. He looks incredibly sad.

Maze unwraps Linda’s hatchet and breaks it in half.

Lucifer visits Dr. Linda and he’s devastated. ”I think I made a horrible mistake,” he confesses.

More on Lucifer Season 3:
Lucifer Season 3 Episode 1 “They’re Back, Aren’t They” Recap
Lucifer Season 3 Episode 2 “The One with the Baby Carrot” Recap
Lucifer Season 3 Episode 3 “Mr. and Mrs. Mazikeen Smith” Recap
Lucifer Season 3 Episode 4 “What Would Lucifer Do?” Recap
Lucifer Season 3 Episode 5 “Welcome Back, Charlotte Richards” Recap
Lucifer Season 3 Episode 6 “Vegas With Some Radish” Recap
Lucifer Season 3 Episode 7 “Off the Record” Recap
Lucifer Season 3 Episode 8 “Chloe Does Lucifer” Recap
Lucifer Season 3 Episode 9 “The Sinnerman” Recap
Lucifer Season 3 Episode 10 “The Sin Bin” Recap
Lucifer Season 3 Episode 11 “City of Angels?” Recap
Lucifer Season 3 Episode 12 “All About Her” Recap
Lucifer Season 3 Episode 13 “Til Death Do Us Part” Recap
Lucifer Season 3 Episode 14 “My Brother’s Keeper” Recap
Lucifer Season 3 Episode 15 “High School Poppycock” Recap
Lucifer Season 3 Episode 16 “Infernal Guinea Pig” Recap
Lucifer Season 3 Episode 18 “The Last Heartbreak” Recap
Lucifer Season 3 Episode 19 “Orange is the New Maze” Recap
Lucifer Season 3 Episode 20 “Angel of San Bernardino” Recap
Lucifer Season 3 Episode 21 “Anything Pierce Can Do I Can Do Better” Recap
Lucifer Season 3 Episode 23 “Quintessential Deckerstar” Recap
Lucifer Season 3 Episode 24 “A Devil of My Word” Recap
Lucifer Season 3 Bonus Episode “Boo Normal” Recap
Lucifer Season 3 Bonus Episode “Once Upon a Time” Recap




‘Casablanca’ 75th Anniversary Celebration: A Look Back at the Classic Romance

Casablanca 75th Anniversary
Humphrey Bogart and Ingrid Bergman in a scene from ‘Casablanca’ (Photo Credit: Warner Bros.)

Does everybody come to Rick’s? Apparently so, in this classic Warner Bros World War II story of love, romance, desperation, gallantry, and double-crossing! Now celebrating its 75th anniversary, Casablanca has taken its place as one of the all-time greatest films ever made.

Based on the play Everybody Comes to Rick’s, a 1940 play written by playwright Murray Burnett and his co-writer Joan Alison, Warners assigned the screenwriting twin brothers Julius and Philip G. Epstein, and Howard Koch, to pen the shooting script. Also brought in to contribute to the screenplay was Casey Robinson. He would not take screen credit for his writing because he vowed never to acknowledge anything he didn’t write as sole screenwriter. This cost him an Oscar® when the statues were handed out.

Robinson was famous for writing a string of Bette Davis hits (Dark Victory, Now, Voyager, All This, and Heaven Too, The Old Maid, The Corn is Green), another Bogart hit (Passage to Marseilles), an Errol Flynn swashbuckler (Captain Blood), and a Ronald Reagan tearjerker (King’s Row), all at Warner Bros. He later left the studio for MGM and then 20th Century Fox.

The handsome Utah native (1903-1979) was married to premiere ballet dancer Tamara Toumanova. Ms. Toumanova made a name for herself in films by starring in several musicals (Invitation to the Dance with Gene Kelly at MGM, Tonight We Sing, Deep in My Heart, Torn Curtain, Billy Wilder’s The Private Life of Sherlock Holmes). Toumanova made her screen debut as Gregory Peck’s beautiful leading lady in Days of Glory in 1944. She was married to Casey Robinson from 1944 to 1955.

Humphrey Bogart was one of Warner Bros. biggest stars after appearing in several hits for the studio, such as The Petrified Forest (1936), Dark Victory (1939) with the bug-eyed Bette Davis, and The Maltese Falcon (1941). He was the only person who was right to play Rick. Jack Warner had originally had in mind future President Ronald Reagan to play Rick and Ann Sheridan to play the Ingrid Bergman part of Ilsa. Bad casting, one could say? Fortunately for the world, that casting fell by the wayside, and movie fans got the stars they wanted and loved.

On screen, Bogart and Bergman were equally matched. But as is always the case in Hollywood, nothing is what it seems. At only 5’-8” tall, Bogart was no match vertically with the gargantuan Bergman. The studio carpenters built elevated wooden blocks that could be attached to Bogart’s shoes to make him seem taller than Ms. Bergman in their clinches together! Sometimes they had to dig trenches for Bergman to walk in while Bogie towered over her above the trench. These scenes were shot from the waist up, of course, so that the Frankenstein soles on Bogie’s shoes did not show. A little lift never hurts.

Director Michael Curtiz, born in Hungary, cast the many parts of the film with refugees who fled Europe and the Nazis. A casual observation of the film’s actors will prove this. One part he did not cast with a refugee was the part Joy Page played (Annina Brandel, the young bride who may have to sleep with the corrupt Capt. Renault – Claude Rains – to get exit papers for her and her husband, played by Helmut Dantine.)

Ms. Page was the daughter of Ann Boyar who married studio mogul Jack Warner after she divorced her first husband, Joy’s father. Thus, Page was the stepdaughter of the infamous Jack L. Warner, the man who also signed her paycheck. Warner proved there was no nepotism involving his stepdaughter because he refused to sign her to a long-term contract or cast her in any further Warner Bros. films. She got back at her meanie stepdad by marrying William T. Orr, the man who ran Warner Bros television projects! Page died at 83 in 2008.

For me, the greatest actor in the film is Claude Rains who has the very best lines as the scoundrel Captain Renault. He holds the key to getting from Casablanca to Lisbon and subsequent freedom for those who are desperate to get the necessary papers for passage. Rains, born in Clapham, London, November 10, 1889 was a natural to appear on the stage because his father was an actor.

Rains made his debut at age 11. Rains was in New York in 1927 doing plays on Broadway when he was signed to a Universal Pictures contract for his first picture, The Invisible Man, in which he was a sensation using only his voice. By 1936 he moved across the San Fernando Valley to the Warner Bros. studio where he played a variety of roles, always stealing the picture from the star. One star he did not steal away scenes from was the formidable Queen of the Warner Bros. lot, fireball Bette Davis. They made four hit pictures together, Juarez (1939), Now, Voyager (1942), Mr. Skeffington (1944), and Deception (1946). But Rains is best remembered for his larcenous police Captain who is “Shocked! Shocked, to find gambling here!’ in Rick’s Casino as he picks up his winnings.

And yes, there are stellar performances by nearly every actor in the film. Paul Henreid was the third star of the film, playing Ilsa’s elegant freedom-fighting husband. Who can forget the slimy Ugarte, played by Peter Lorre (Fritz Lang’s 1931 horror film, M) who fled the real Nazis to become a star in the United States. The loveable S.Z. Sakall played Carl the waiter. He, too, had fled Europe only to become one of the most memorable and cuddly stars in many movies.

The despicable Major Strasser was played by former German film star Conrad Veidt. Ironically, he fled the Nazis only to end up playing Nazis in most of his American movies. And Sam, yes Sam, how can we not give him a special place in the annals of memorable characters? Without Dooley Wilson as Sam playing and singing the classic song “As Time Goes By” on the piano, Casablanca probably would not have become the classic it has been for 75 years.

Genre: Romance/ World War II Drama/ Adventure
Studio: Warner Bros.
Producers: Jack L. Warner, Hal B. Wallis
MPAA Rating: PG for mild violence
Our Rating: A
Running Time: 104 minutes
Format: Black and White
Budget: $950,000
Filming Dates: May 25, 1942 thru August 3, 1942

Crew:
Art Direction: Carl Jules Weyl
Assistant Director: Lee Katz
Cinematography: Arthur Edeson
Costumes: Orry-Kelly
Editing: Owen Marks
Makeup: Perc Westmore
Music: Max Steiner
Production Management: Al Alleborn
Set Decoration: George James Hopkins
Set Designer: Harper Goff
Sound: Francis J. Scheid, Edward Ullman (recordist)
Writing Credits: Julius & Philip G. Epstein (twins), Howard Koch, screenplay; Casey Robinson, uncredited screenplay; Murray Burnett, Joan Alison, original play
Director: Michael Curtiz

Cast:
Humphrey Bogart: Rick Blaine
Ingrid Bergman: Ilsa Lund
Paul Henreid: Victor Laszlo
Claude Rains: Captain Louis Renault
Conrad Veidt: Major Heinrich Strasser
Sydney Greenstreet: Signor Ferrari
Peter Lorre: Ugarte
S.Z. Sakall: Carl
Madeleine Lebeau: Yvonne
Dooley Wilson: Sam
Joy Page: Annina Brandel
Helmut Dantine: Jean Brandel
John Qualen: Berger
Leonid Kinsky: Sascha
Curt Bois: Pickpocket
Norma Varden: Wife of Pickpocketed Englishman
Marcel Dalio: Croupier
Dan Seymour: Abdul
Monte Blue: An American
Trude Berliner: Baccarat player




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