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‘Gotham’ Season 3 Episode 4 Recap: New Day Rising

Gotham Season 3 Episode 4
Camren Bicondova and David Mazouz in the “Mad City: New Day Rising” ‘Gotham’ (Photo by Jessica Miglio © 2016 Fox Broadcasting Co)

Lee’s back, Alice is hiding from the Mad Hatter, and Penguin has turned into a politician in Fox’s Gotham season three episode four. Titled ‘New Day Rising’ and airing on October 10, 2016, episode four begins with Harvey Bullock (Donal Logue) interrogating Alice (Naian Gonzalez Norvind) at the station. Alice explains her brother Jervis Tetch/Mad Hatter kept her locked up for years and she’s scared of him. She only ran away to Gotham to get away from Jervis, and unfortunately Hugo Strange found her and locked her up. Alice warns Harvey her brother is coming for her and no one understands what he’s capable of.

Meanwhile, Jervis (Benedict Samuel) has found an old amusement park he thinks would be perfect for his sister. He tells the owner that only reuniting with his sister will keep him sane, delivering that statement immediately before killing the owner.

Election day comes and Oswald Cobblepot (Robin Lord Taylor) and Aubrey James (Richard Kind) are running neck-and-neck. At Oswald’s campaign headquarters Ed Nygma (Cory Michael Smith) thanks his new BFF for everything. Oswald’s framed their Arkham release certificates and Butch (Drew Powell) interrupts the two to tell Oswald he’s needed. (Butch doesn’t hide the fact he doesn’t like Ed and the feeling appears to be mutual.)

At the GCPD station, Captain Barnes (Michael Chiklis) is yelling, once again, at Jim Gordon (Ben McKenzie) because of this new problem on his desk: what to do with Alice. Barnes wants blood drawn from Alice and he wants Jervis brought in for questioning. Barnes warns Jim to stay away from Jervis, but Jim pretty much just tells him off.

Lee (Morena Baccarin) draws blood from Alice, asking her about her blood condition. Alice says just by coming into contact with her blood a person is changed. She thinks it “brings out a person’s true nature.” Alice says Jervis isn’t infected but instead says they’re two sides of a coin. She’s the blood; he’s the mind. Jervis preys on fear, anger, and regret.

Outside the station, the campaigning continues with Oswald using the “Make Gotham Safe Again” slogan to rally the citizens. After pushing the button to cross the street and hearing its little rhythmic clips, Jim is immediately back under by Jervis’ control. Jim steps in front of a truck and is almost killed. A stranger pulls him away just in time.

Alfred (Sean Pertwee) discovers the car is in an impound lot and Bruce (David Mazouz) asks Alfred if he thinks Five went to the city to impersonate him, wondering where he would go. Alfred definitely thinks so but doesn’t know where he went. Alfred mentions the address of where the car was found and Bruce figures out Five went to see Selina.

Five and Selina (Camren Bicondova) are walking around the city and Five doesn’t understand half of what she’s saying. She heads into a betting parlor to rob it, causing a fight to create a diversion. She starts gathering up cash but she’s caught by the boss and one of his henchmen.

Oswald delivers a speech to his supporters, telling them there’s nothing they can’t do. Ed sees Butch at the back of the room pass an envelope to a member of the election board. Ed takes a look at what’s inside the envelope as Butch tells one of his men to secretly follow Ed for the rest of the day.

Jim visits Barbara (Erin Richards) at the club, asking if she knows where Jervis is. Barbara isn’t much of a help, but then Jim tells her he needs this favor. He tells her Jervis is dangerous and Barbara finally reveals Jervis was in earlier, looking to hire some muscle for an upcoming performance.

Jervis finds his muscle in wrestling siblings, the Tweed Brothers. He wants them to help break Alice out of the GCPD, hypnotizing the brothers to get them to agree.

Selina’s tied up and is about to have her fingers cut off when Five interrupts, taking out both of the men without breaking a sweat. He frees Selina and they run out of the building.

A radio broadcaster says Oswald’s campaign has been run on name-calling and fear-mongering but his message of “Make Gotham Safe Again” seems to have connected with voters.

Jim meets with Captain Barnes, asking for five minutes with Alice. Jim confesses that Alice’s brother did something to him and Captain Barnes is sympathetic. He tells Jim to make peace with his decisions and then agrees to let Jim speak with Alice for five minutes.

Selina asks Five (who she still thinks is Bruce) how he took out those men. She then sees a huge cut on his stomach along with scars. She figures out he’s not Bruce and wants to who/know what he is.

Ed wants to know if Oswald realizes Butch is paying off officials, and Oswald admits he does. Ed tells him he can win it without cheating and wants Oswald to call off Butch. Just then a little girl interrupts, thanking Oswald for getting rid of the monsters. Oswald says he feels wanted and then Ed pays the little girl, trying to prove a point. Oswald tells Ed to stay out of his business.

Jim speaks with Alice, telling her he needs her help finding Jervis. She knows he’s in Jim’s head, but she doesn’t know how to stop it. She says Jervis has tapped into something he’s struggling with and tells him there’s always a trigger. They figure out anything resembling Jervis’ watch ticking will trigger the impulse to kill himself. He also did this to Alice when she was a kid, giving her thoughts she shouldn’t have and that’s why she wants to kill him.

The Tweed brothers, dressed in their wrestling attire, disrupt the Gotham City police station. Jervis’ voice is heard over the loudspeaker and the five Tweed brothers start throwing officers around. Jim attempts to escape with Alice and Jervis spots them, pulling out his watch. Jim yells for Alice to leave as Jim points his own gun at his head. Captain Barnes knocks him out before he can pull the trigger.

It looks like Selina’s gotten over being freaked out by Bruce’s doppelgänger. She stitches him up and he tells her whatever they did to him at Indian Hill caused him to never feel pain. Five tells her that when Bruce didn’t have the answers he was looking for, he left Wayne Manor. She asks why he pretended to be Bruce and he says it was because of how she looked at Bruce. Five’s never had a friend and wanted to feel what it was like. She tells him he’s more normal than he thinks and they kiss!

Jim comes to and he’s handcuffed to a chair in Lee’s office. He wants to be uncuffed but she won’t set him free because she doesn’t know what she’d do if something happened to him. She says she had no choice but to move on, after crying herself to sleep every night. She wanted him to show up at her door and he never did. She turned to Mario because he helped her pull herself back together. The only thing Jim has to say in response is, “The past is the past. There’s nothing I can do to change that.” Lee puts him on a 48-hour suicide watch.

Butch promises all of the gangsters that they’ll run the city when Oswald is mayor and they toast to the news. Just then the guy he assigned to keep an eye on Ed reports he lost him. Butch receives a phone call and they all rush out.

Two Tweeds are dead, two escaped, and Harvey interrogates the one who was caught. Harvey tries to get through to the Tweed by talking about his brothers, and even says he was a fan of the Tweeds when they wrestled. He threatens to burn the dead Tweeds’ wrestling masks and the remaining Tweed tells him where Jervis took Alice.

Jervis took Alice to the old amusement park and he needs her to understand how important she is to him. Jervis begins taking her blood. Meanwhile, Harvey frees Jim (Lee told Harvey where Jim was headed) and together they head out to find Jervis.

Bruce and Alfred find Five up on the roof by Selina’s pigeons. Bruce’s pissed at Five for impersonating him, but Five is strangely calm. Five and Bruce argue and then Five says he’s leaving and knows he doesn’t belong in Gotham. He jumps off the roof and lands without injuring himself. Before he goes he tells Bruce to say goodbye to Selina and thank her for the kiss.

Alice wants to know what Jervis will do with her blood and he says he’ll put it in the public’s water. She promises to do whatever he says. Harvey and Jim show up and tell Jervis to let Alice go. Jervis says he’ll free Jim from the impulse if he lets him take Alice. Jim refuses and a Tweed starts a metronome. Jim begins losing control of his gun and is suddenly frozen in an inner struggle as a gunfight breaks out. Jim sees visions of Lee kissing Mario and recalls saying the past is the past. He regains control and shoots the metronome. The spell’s broken and Alice tries to get away from Jervis. She falls to her death and Jervis goes crazy.

The paramedics bag up Alice and Captain Barnes confronts Harvey about freeing Jim against his orders. Barnes says Jim will get him killed, but Harvey promises to never turn his back on his partner.

Ed and Oswald wait for the election results, and Butch comes in and attacks Ed. Ed took all the money back from the district officials and Oswald’s incredulous. Butch is about to shoot Ed and Oswald asks why he shouldn’t let him. Just then a cheer breaks out because Oswald has won the election, fair and square. It was a landslide decision. Oswald cries and can’t believe they really wanted him as mayor. Ed tells him if he would have bought the election he never would have known if the people really loved him. Now he knows for sure. Ed assures Oswald he believes in him. Oswald turns his anger on Butch and now it’s Ed who is Oswald’s number one guy.

Bruce and Alfred drink tea and wonder why Hugo created Five in the first place. With everything going on, the one thing that bothers Bruce the most is the idea Selina kissed Five. He asks Alfred if he thinks that Five was lying and Alfred refuses to have the conversation. Bruce finally decides Selina must have thought Five was him.

Lee and Jim have a semi-friendly conversation back at the station, and Jim lets her know he’s no longer controlled by Jervis. And then comes the big confession… Jim tells Lee she was right about everything and that he’s happy for her – or at least trying to be.

Five’s walking down the street when the leader of the Court of Owls tells him he can be so much more than Bruce Wayne. He’s drugged and taken away in a car.

Oswald accepts the role as mayor, introducing Edward Nygma as his Chief of Staff. Ed’s surprised and Butch is definitely jealous.

Back at the amusement park, Barnes sees blood is dripping from somewhere and a drop hits his eye. Something changes within him.




10 Most Realistic Films About Going Insane

Spider star Ralph Fiennes
Ralph Fiennes stars in ‘Spider’ (Photo © Sony Pictures Classics)

Going insane is a terrifying thing and it’s often been used as the foundation for horror films ranging from Psycho to The Shining. Depicting a deteriorating mind is tempting for filmmakers but often the resulting films are designed as showcases for actors who want to chew up the scenery (this happens in a good way with Whatever Happened to Baby Jane?) or as glossed over stories of recovery (A Beautiful Mind, Girl, Interrupted). Here is a list of films that either place you in the head of a character who is insane to convey what that outlook on the world is like or that realistically try to depict what mental illness is like. There are a lot of films to choose from but this is a starting point of some of the best and most serious or sincere explorations of the topic.

1. A Woman Under the Influence (1974)
John Cassavetes directs his wife Gena Rowlands in this portrait of a wife and mother who struggles with mental illness. Rowlands is heartbreakingly good as Mabel, and Peter Falk, as her husband Nick, shows the role love and patience can play in coping with mental illness. An honest, raw, and deeply moving film that is one of the most realistic explorations of insanity ever put on film.

2. Repulsion (1965)
Roman Polanski’s Repulsion is perhaps the best film (although stiff competition from Spider and many of the works of David Lynch) at conveying what it might feel like to be inside the mind of someone going insane. Catherine Deneuve (no stranger to playing insane; see her work in Belle Du Jour) is a woman repulsed by sex and by the behavior of her sister’s boyfriend. The film provides a first-person perspective on a descent into depression and madness, stunningly conveying the kind of horrific visions Deneuve’s character is haunted by.

3. Spider (2002)
David Cronenberg’s Spider is right up there with Repulsion for putting us into the head of someone slipping into madness. Both films create worlds where we can’t tell what’s real and what’s in the character’s head. Cronenberg and Polanski make us understand how that inability to distinguish that difference is the very root of their characters’ insanity. Ralph Fiennes is a mentally disturbed man who lives in a halfway house and is thought to be on the road to recovery. But through the course of the film he slips back into a world he has created where he replays a pivotal moment from his childhood. Meticulously crafted and absolutely riveting, this is one of the most unnerving portraits of what it feels like to lose your grasp on the real world.

4. Frances (1982)
This biography of actress Frances Farmer is chilling in the way it portrays the mental health world of the recent past when lobotomy was considered acceptable treatment for someone who might have just been stubborn, strong-willed, opinionated, and just not willing to conform to a conventional lifestyle. The film is realistic in depicting how someone can lose control over his or her own life and be subjected to sanctioned abuse and horrific institutional treatment. Jessica Lange delivers a ferocious performance, which makes the character’s tragic end all the more painful.

5. The Snake Pit (1948)
Anatole Litvak’s film is very much a product of Hollywood but it is significant for being one of the first films to tackle the taboo topic of mental illness, and to try and remove the stigma from people who have been labeled as mentally ill. Based on Mary Jane Ward’s autobiographical book, the film served up a scathing indictment of how psychiatric patients were treated. Litvak asked star Olivia DeHavilland to visit mental institutions and attend psychiatric lectures, and she supposedly threw herself into doing research for the film. A little dated now but no less powerful, and extremely significant in terms of turning attention to mental health treatment and its patients.

6. Through a Glass Darkly (1961)
Ingmar Berman has dealt repeatedly with characters that are suffering from mental illness of varying degrees and it was difficult to pick which one was best. Persona and Hour of the Wolf were also strong contenders but Through a Glass Darkly stands out as the most realistic. It focuses, as with A Woman Under the Influence, on how a family copes with the deteriorating mental state of one member. In this case, it is the eldest daughter played by Harriet Andersson.

7. Betty Blue (1986)
Jean-Jacques Beineix’s film starts almost like a romantic comedy but then descends into a brutal portrait of a woman whose insanity often results in violence. Beatrice Dalle is terrifyingly good as a woman whose proclivity for violence can be dangerous to both those around her and to herself.

8. We Need to Talk About Kevin (2011)
Lynne Ramsay’s film looks at mental illness from the outside taking the point of view of a mother (magnificently played by Tilda Swinton) whose son displays increasingly disturbing and manipulative behavior. This film explores the darker side of insanity to ask what happens if we can’t reach or help a family member and feel challenged to continue loving him or her.

9. Taxi Driver (1976)
Martin Scorsese’s film about Travis Bickle is an intense look at what can unhinge a mind and lead to violence. The irony here, though, is that the violence gets interpreted by society as something heroic. Robert De Niro’s performance as Travis captures a man who is wound too tight and ready to explode. It provides insights into the kinds of things that can trigger violence in someone like Travis Bickle.

10. The Fisher King (1991)
Terry Gilliam has dealt with elements of insanity in many of his films be it Jonathan Pryce’s character in Brazil who escapes torture by going to a world he’s created in his head or the drug induced insanity of Fear and Loathing in Las Vegas. But in The Fisher King the setting and the exploration are the most rooted in the real world. Jeff Bridges plays a former radio shock jock who becomes depressed and suicidal after his on-air advice leads to violence. He meets up with a homeless man played by Robin Williams who is on a quest for the Holy Grail.

The film depicts two kinds of mental illness, one that might be manageable with treatment and one that might not. Plus it has Gilliam’s outrageous cinematic style.




Green Day Announces 2017 Revolution Radio North American Tour Dates

Green Day Tour 2017

Green Day will be on the road in 2017 with their Revolution Radio North American Tour in support of the band’s latest album which dropped on October 7, 2016. Joining Green Day – vocalist/guitarist Billie Joe Armstrong, bassist Mike Dirnt, and drummer Tré Cool – on all dates of the 2017 tour will be Against Me!. The Revolution Radio North American Tour will kick off in Phoenix, Arizona on March 1st and finish up in San Diego on April 8th.

The Rock and Roll Hall of Fame inductees have sold more than 75 million records and have earned five Grammy Awards: Best Alternative Album for Dookie, Best Rock Album for American Idiot, Record of the Year for “Boulevard of Broken Dreams”, Best Rock Album for the second time for 21st Century Breakdown, and Best Musical Show Album for American Idiot: The Original Broadway Cast Recording. In 2015, Green Day released Heart Like a Hand Grenade, a behind-the-scenes documentary about their album, American Idiot.

Tickets for the 2017 tour will go on sale to the general public on October 14, 2016. Fan club members are able to participate in the presale beginning on October 14th. Visit www.greenday.com for more info.

Green Day 2017 Live Tour Dates:

3/1 Phoenix, AZ – Talking Stick Resort Arena
3/2 El Paso, TX – El Paso County Coliseum
3/4 Dallas, TX – American Airlines Center
3/5 Houston, TX – Toyota Center
3/7 Tulsa, OK – BOK Center
3/8 North Little Rock, AR – Verizon Arena
3/10 Duluth, GA – Infinite Energy Center
3/12 Norfolk, VA – Constant Convocation Center
3/13 Washington, DC – Verizon Center
3/15 Brooklyn, NY – Barclays Center
3/17 Worcester, MA – DCU Center
3/19 London, ON – Budweiser Gardens
3/20 Hamilton, ON – FirstOntario Centre
3/22 Montreal, QC – Bell Centre
3/23 Quebec, QC – Vidéotron Centre
3/25 Pittsburgh, PA – Petersen Events Center
3/27 Detroit, MI – Joe Louis Arena
3/28 Champaign, IL – State Farm Center
3/30 Green Bay, WI – Resch Center
4/1 Saint Paul, MN – Xcel Energy Center
4/3 Des Moines, IA – Wells Fargo Arena
4/5 Broomfield, CO – 1stBank Center
4/7 Las Vegas, NV – MGM Grand Garden Arena
4/8 San Diego, CA – Valley View Casino Center





2016 Critics’ Choice Documentary Awards Nominees Announced

Gleason Documentary Film
A scene from ‘Gleason.’

2016 marks the first year the Critics’ Choice Documentary Awards will be held and today the nominations were announced, with 13th, 30 For 30: O.J: Made in America, and Gleason leading the pack of nominees. 13th, 30 For 30, and Gleason each received five nominations. The Critics’ Choice Documentary Awards were created to recognize the best in documentary features and non-fiction television. Winners will be announced during a ceremony to be held at BRIC in Brooklyn, New York, on November 3, 2016.

Members of the Broadcast Film Critics Association and the Broadcast Television Journalists Association voted on this year’s nominees. “It is an amazing time for documentaries, with the ever-increasing number of platforms enabling producers to reach enthusiastic and growing audiences for non-fiction storytelling,” said BFCA and BTJA President Joey Berlin. “This is clearly demonstrated in the depth and quality of our inaugural nominees. We have a wealth of brilliant creators who are bringing to light some of the most entertaining and illuminating stories being told today. Indeed, documentary filmmaking is modern investigative journalism. We look forward to celebrating all these fine and important achievements at the first Critics’ Choice Documentary Awards gala on November 3rd.”


Special awards will be given honoring this year’s Most Compelling Living Subject of a Documentary at the first-ever event. The honorees include Danny Fields (Danny Says), Iggy Pop (Gimme Danger), Kirsten Johnson (Cameraperson), Owen Suskind (Life, Animated), Sharon Jones (Miss Sharon Jones!), Steve Gleason (Gleason), and Theo Padnos (Theo Who Lived).

2016 Critics’ Choice Documentary Awards Nominees:

BEST DOCUMENTARY FEATURE
13th (Netflix/Kandoo Films)
30 For 30: O.J.: Made in America (ESPN/Laylow Films)
Cameraperson (Janus Films/Fork Films/Big Mouth Productions)
Fire at Sea (Kino Lorber/Stemal Entertainment/21 Unofilm/Cinecittà Luce/Rai Cinema/Les Films d’Ici/Arte France Cinéma)
Gleason (Open Road/Amazon/Exhibit A)
Life, Animated (A&E IndieFilms/The Orchard/Motto Pictures/Roger Ross Williams Productions)
Tickled (Magnolia/A Ticklish Tale/Fumes Production/Horseshoe Films)
Tower (Kino Lorber/ITVS/Meredith Vieira Productions/GTS Films/Diana DiMenna Film)
Weiner (Sundance Selects/Motto Pictures/Edgeline Films)
The Witness (FilmRise/Five More Minutes Productions)

BEST DIRECTION OF A DOCUMENTARY FEATURE
Ezra Edelman – 30 For 30: O.J.: Made in America (ESPN/Laylow Films)
Ron Howard – The Beatles: Eight Days a Week – The Touring Years (Hulu/Imagine Entertainment/Apple Corps)
Kirsten Johnson – Cameraperson (Janus Films/Fork Films/Big Mouth Productions)
Keith Maitland – Tower (Kino Lorber/ITVS/Meredith Vieira Productions/GTS Films/Diana DiMenna Film)
Clay Tweel – Gleason (Open Road/Amazon/Exhibit A)
Roger Ross Williams – Life, Animated (A&E IndieFilms/The Orchard/Motto Pictures/Roger Ross Williams Productions)

BEST FIRST DOCUMENTARY FEATURE
Otto Bell – The Eagle Huntress (Sony Pictures Classics/Kissaki Films/Stacey Reiss Productions)
David Farrier and Dylan Reeve – Tickled (Magnolia/A Ticklish Tale/Fumes Production/Horseshoe Films)
Adam Irving – Off the Rails (The Film Collaborative/Zipper Bros Films)
Josh Kriegman and Elyse Steinberg – Weiner (Sundance Selects/Motto Pictures/Edgeline Films)
James D. Solomon – The Witness (FilmRise/Five More Minutes Productions)
Nanfu Wang – Hooligan Sparrow (The Film Collaborative/Little Horse Crossing the River)

BEST POLITICAL DOCUMENTARY
13th (Netflix/Kandoo Films)
30 For 30: O.J.: Made in America (ESPN/Laylow Films)
Audrie & Daisy (Netflix/Actual Films)
Newtown (Abramorama/Mile 22/Independent Television Service)
Weiner (Sundance Selects/Motto Pictures/Edgeline Films)
Zero Days (Magnolia/Jigsaw Productions/Participant Media)

BEST DOCUMENTARY FEATURE (TV/STREAMING)
13th (Netflix/Kandoo Films)
30 For 30: Fantastic Lies (ESPN)
Amanda Knox (Netflix/Plus Pictures)
Audrie & Daisy (Netflix/Actual Films)
Before the Flood (National Geographic/Appian Way/Insurgent Docs/RatPac Documentary Films)
Holy Hell (CNN/WRA Productions)
Into the Inferno (Netflix/Herzog-Film/Matter of Fact Media/Spring Films)
Jim: The James Foley Story (HBO/Kunhardt Films)
Mapplethorpe: Look at the Pictures (HBO/Film Manufacturers/World of Wonder Productions)
Rats (Discovery Channel/Dakota Group/Submarine Entertainment/Warrior Poets)

BEST DIRECTOR (TV/STREAMING)
Fenton Bailey and Randy Barbato – Mapplethorpe: Look at the Pictures (HBO/Film Manufacturers/World of Wonder Productions)
Rod Blackhurst and Brian McGinn – Amanda Knox (Netflix/Plus Pictures)
Ava DuVernay – 13th (Netflix/Kandoo Films)
Werner Herzog – Into the Inferno (Netflix/Herzog-Film/Matter of Fact Media/Spring Films)
Morgan Spurlock – Rats (Discovery Channel/Dakota Group/Submarine Entertainment/Warrior Poets)
Fisher Stevens – Before the Flood (National Geographic/Appian Way/Insurgent Docs/RatPac Documentary Films)

BEST FIRST FEATURE (TV/STREAMING)
Everything is Copy – Jacob Bernstein and Nick Hooker (HBO/Loveless)
Holy Hell – Will Allen (CNN/WRA Productions)
Mavis! – Jessica Edwards (HBO/Film First Co.)
My Beautiful Broken Brain – Sophie Robinson and Lotje Sodderland (Netflix)
Southwest of Salem: The Story of the San Antonio Four – Deborah Esquenazi (Investigation Discovery/Motto Pictures/Naked Edge Films)
Team Foxcatcher – Jon Greenhalgh (Netflix/Hattasan Productions/Madrose Productions)

BEST LIMITED DOCUMENTARY SERIES
30 For 30: O.J.: Made in America (ESPN/Laylow Films)
The Circus: Inside the Greatest Political Show on Earth (Showtime/Left/Right)
The Eighties (CNN)
The Hunt (BBC America/Silverback Films/NDR Naturfilm)
Jackie Robinson (PBS/Florentine Films)
Soundbreaking: Stories From the Cutting Edge of Recorded Music (PBS/Higher Ground/Show of Force)

BEST ONGOING DOCUMENTARY SERIES
30 for 30 (ESPN)
Frontline (PBS)
Last Chance U (Netflix)
Morgan Spurlock Inside Man (CNN)
POV (PBS)
This Is Life with Lisa Ling (CNN)

BEST SONG IN A DOCUMENTARY
“Angel by the Wings” – The Eagle Huntress – Written by Sia – Performed by Sia (Sony Pictures Classics/Kissaki Films/Stacey Reiss Productions)
“The Empty Chair” – Jim: The James Foley Story – Written by Sting and J. Ralph – Performed by Sting (HBO/Kunhardt Films)
“Flicker” – Audrie & Daisy – Written by Tori Amos – Performed by Tori Amos (Netflix/Actual Films)
“Hoping and Healing” – Gleason – Written by Mike McCready – Performed by Mike McCready (Open Road/Amazon/Exhibit A)
“I’m Still Here” – Miss Sharon Jones! – Written by Sharon Jones – Performed by Sharon Jones & The Dap-Kings (Cabin Creek Films/Starz Digital Media)
“Letters to the Free” – 13th – Written by Common, Karriem Riggins and Robert Glasper – Performed by Common featuring Bilal (Netflix/Kandoo Films)

BEST SPORTS DOCUMENTARY
30 For 30: Fantastic Lies (ESPN)
30 For 30: O.J.: Made in America (ESPN/Laylow Films)
Dark Horse (Sony Pictures Classics)
The Eagle Huntress (Sony Pictures Classics/Kissaki Films/Stacey Reiss Productions)
Gleason (Open Road/Amazon/Exhibit A)
Jackie Robinson (PBS/Florentine Films)
Keepers of the Game (Tribeca Digital Studios/Flatbush Pictures)

BEST MUSIC DOCUMENTARY
The Beatles: Eight Days a Week – The Touring Years (Hulu/Imagine Entertainment/Apple Corps)
Gimme Danger (Magnolia/Amazon)
Miss Sharon Jones! (Cabin Creek Films/Starz Digital Media)
The Music of Strangers (Participant Media/Tremolo Productions)
Presenting Princess Shaw (Magnolia)
We Are X (Drafthouse Films)

MOST INNOVATIVE DOCUMENTARY
Cameraperson (Janus Films/Fork Films/Big Mouth Productions)
Kate Plays Christine (Grasshopper Film/4th Row Films/Faliro House Productions/Prewar Cinema Productions)
Life, Animated (A&E IndieFilms/The Orchard/Motto Pictures/Roger Ross Williams Productions)
Nuts (Amazon/mTuckman Media/Cartuna/Gland Power Films)
Tower (Kino Lorber/ITVS/Meredith Vieira Productions/GTS Films/Diana DiMenna Film
Under The Sun (Icarus Films/Vertov Studio/Saxonia Entertainment/Hypermarket Film)




‘The Emoji Movie’ Adds James Corden and Ilana Glazer

EmojiMovie James Corden and Ilana Glazer

James Corden (Into the Woods, The Late Late Show) and Broad City‘s Ilana Glazer have signed on to The Emoji Movie. Corden and Glazer join T.J. Miller (Silicon Valley, Deadpool) in the Sony Pictures Animation project directed by Anthony Leondis and set to open on August 11, 2017.


“Over six billion emojis are texted every day, and emojis have become a universal language that transcends age and culture. The power of emojis is that they allow you to express yourself in a fast and very fun way, and that is what our movie is about: self expression. We are very lucky to have some of the smartest and funniest actors today bringing their unique voices to this movie,” said President of Sony Pictures Animation Kristine Belson.

“Hi-5 is a high-five emoji who is a highly motivated, and highly dramatic, hand on a mission (sorry), and the brilliantly versatile, ebullient and always lovable James Corden fits this part like a glove (sorry again). For the rebel ‘break all the codes’ computer programmer emoji Jailbreak, Ilana Glazer is the kind of singularly free-spirited, fearless and funny actress to make girls really feel the empowered ‘nobody’s gonna keep me in a cage’ attitude this character exudes. And, of course, T.J. Miller has proven himself to be one of the most genuinely inventive comedic actors around, uniquely capable of connecting and who can convey just about any expression–and often does!” said director Leondis.

The Plot: The Emoji Movie unlocks the never-before-seen secret world inside your smartphone. Hidden within the messaging app is Textopolis, a bustling city where all your favorite emojis live, hoping to be selected by the phone’s user. In this world, each emoji has only one facial expression – except for Gene (Miller), an exuberant emoji who was born without a filter and is bursting with multiple expressions. Determined to become “normal” like the other emojis, Gene enlists the help of his handy best friend Hi-5 (Corden) and the notorious code breaker emoji Jailbreak (Glazer). Together, they embark on an epic “app-venture” through the apps on the phone, each its own wild and fun world, to find the Code that will fix Gene. But when a greater danger threatens the phone, the fate of all emojis depends on these three unlikely friends who must save their world before it’s deleted forever.




2016 American Music Awards Nominees: Drake Sets a New Record

American Music Awards 2016 Led by Drake

Drake earned 13 American Music Awards nominations, breaking Michael Jackson’s record of 11 nominations in a single year. Following behind Drake on the list of 2016 American Music Awards nominees is Rihanna with seven nominations and Adele tying with Justin Bieber with five each. Beyonce and The Chainsmokers picked up four nominations, and Bryson Tiller, Twenty One Pilots, Carrie Underwood, Fetty Wap and The Weeknd were each nominated three times. The 2016 awards show will be held on November 20th and broadcast live on ABC beginning at 8pm ET.

The winners will be determined by fan votes via AMAvote.com or by posting a tweet that includes the nominee’s Twitter handle, the category, and #AMA.

2016 AMERICAN MUSIC AWARDS® NOMINEES:


ARTIST OF THE YEAR
• Adele
• Beyoncé
• Justin Bieber
• Drake
• Selena Gomez
• Ariana Grande
• Rihanna
• Twenty One Pilots
• Carrie Underwood
• The Weeknd

NEW ARTIST OF THE YEAR UN-LEASHED BY T-MOBILE
• Alessia Cara
• The Chainsmokers
• DNCE
• Shawn Mendes
• ZAYN

COLLABORATION OF THE YEAR
• The Chainsmokers Featuring Daya “Don’t Let Me Down”
• Drake Featuring Wizkid & Kyla “One Dance”
• Fifth Harmony Featuring Ty Dolla $ign “Work From Home”
• Rihanna Featuring Drake “Work”
• Meghan Trainor Featuring John Legend “Like I’m Gonna Lose You”

TOUR OF THE YEAR
• Beyoncé
• Madonna
• Bruce Springsteen & the E Street Band

VIDEO OF THE YEAR
• Justin Bieber “Sorry”
• Desiigner “Panda”
• Rihanna Featuring Drake “Work”

FAVORITE MALE ARTIST – POP/ROCK
• Justin Bieber
• Drake
• The Weeknd

FAVORITE FEMALE ARTIST – POP/ROCK
• Adele
• Selena Gomez
• Rihanna

FAVORITE DUO OR GROUP – POP/ROCK
• The Chainsmokers
• DNCE
• Twenty One Pilots

FAVORITE ALBUM – POP/ROCK
• Adele “25”
• Justin Bieber “Purpose”
• Drake “Views”

FAVORITE SONG- POP/ROCK
• Adele “Hello”
• Justin Bieber “Love Yourself”
• Drake Featuring Wizkid & Kyla “One Dance”

FAVORITE MALE ARTIST – COUNTRY
• Luke Bryan
• Thomas Rhett
• Blake Shelton

FAVORITE FEMALE ARTIST – COUNTRY
• Kelsea Ballerini
• Cam
• Carrie Underwood

FAVORITE DUO or GROUP – COUNTRY
• Florida Georgia Line
• Old Dominion
• Zac Brown Band

FAVORITE ALBUM – COUNTRY
• Luke Bryan “Kill the Lights”
• Chris Stapleton “Traveller”
• Carrie Underwood “Storyteller”

FAVORITE SONG – COUNTRY
• Florida Georgia Line “H.O.L.Y.”
• Tim McGraw “Humble And Kind”
• Thomas Rhett “Die A Happy Man”

FAVORITE ARTIST – RAP/HIP-HOP
• Drake
• Fetty Wap
• Future

FAVORITE ALBUM – RAP/HIP-HOP
• Drake “Views”
• Drake & Future “What A Time To Be Alive”
• Fetty Wap “Fetty Wap”

FAVORITE SONG – RAP/HIP-HOP
• Desiigner “Panda”
• Drake “Hotline Bling”
• Fetty Wap “679”

FAVORITE MALE ARTIST – SOUL/R&B
• Chris Brown
• Bryson Tiller
• The Weeknd

FAVORITE FEMALE ARTIST – SOUL/R&B
• Beyoncé
• Janet Jackson
• Rihanna

FAVORITE ALBUM – SOUL/R&B
• Beyoncé “Lemonade”
• Rihanna “Anti”
• Bryson Tiller “T R A P S O U L”

FAVORITE SONG – SOUL/R&B
• Drake Featuring Wizkid & Kyla “One Dance”
• Rihanna Featuring Drake “Work”
• Bryson Tiller “Don’t”

FAVORITE ARTIST – ALTERNATIVE ROCK
• Coldplay
• Twenty One Pilots
• X Ambassadors

FAVORITE ARTIST – ADULT CONTEMPORARY
• Adele
• Rachel Platten
• Meghan Trainor

FAVORITE ARTIST – LATIN
• J Balvin
• Enrique Iglesias
• Nicky Jam

FAVORITE ARTIST – CONTEMPORARY INSPIRATIONAL
• Lauren Daigle
• Hillsong UNITED
• Chris Tomlin

FAVORITE ARTIST – ELECTRONIC DANCE MUSIC (EDM)
• The Chainsmokers
• Calvin Harris
• Major Lazer

TOP SOUNDTRACK
• Purple Rain
• Star Wars: The Force Awakens
• Suicide Squad: The Album




John Noble Will Be Back on ‘Sleepy Hollow’

Sleepy Hollow stars John Noble and Tom Mison
John Noble and Tom Mison in ‘Sleepy Hollow’ (Photo © Fox Broadcasting Co)

A familiar face will be back on Sleepy Hollow. Fox didn’t give away any details other than to say John Noble will return for Sleepy Hollow season four. The fourth season of the supernatural series will air in 2017 and apparently Noble will somehow return from the dead after his character, Henry Parrish, was killed off at the end of season two.


In the short but sweet press release, the network said, “Crane is reminded that nothing is permanent in the world of the supernatural.” Does this mean we can expect the return of other characters killed off over the course of the first three seasons? Maybe we’ll see Abbie Mills (Nicole Beharie), one of the show’s two leads who was killed off in season three? It’s not likely as Beharie wanted off the show, but that “nothing is permanent” comment is intriguing.

Season four will star Tom Mison as Ichabod Crane, Lyndie Greenwood as Jenny Mills, Janina Gavankar as Diana Thomas, and Jeremy Davies as Malcolm Dreyfuss.

The season four plot: Sleepy Hollow returns for a groundbreaking fourth season full of supernatural creatures, inexplicable events and the search for the truth about the lives of Witnesses.




‘Once Upon a Time’ Season 6 Episode 3 Recap: The Other Shoe

Once Upon a Time season 6 episode 3
Colin O’Donoghue and Jennifer Morrison in ‘Once Upon a Time’ season 6 episode 3 (Photo by Jack Rowand / ABC)

ABC’s Once Upon a Time season six episode three found much of the story centering around Cinderella, one stepsister, and her evil stepmother. It also delivered one of the most romantic kisses in the series’ history, but viewers had to wait until the end of the episode to see a fan favorite couple experiencing one of their happiest moments. Airing on October 9, 2016, the episode titled ‘The Other Shoe’ also revealed Hook to be an unexpectedly fun babysitter.

Snow (Ginnifer Goodwin) and David (Josh Dallas) accompany Regina (Lana Parrilla) to visit Hyde (Sam Witwer), with Regina bringing lasagna. They enter his cell and he’s already feasting on a gourmet dinner courtesy of the Evil Queen. If Regina lets him loose, he’ll give her the information. Otherwise it’s a no-go.

Henry (Jared Gilmore), Hook (Colin O’Donoghue), and Emma (Jennifer Morrison) go over Henry’s list of all the Storybrooke newcomers. They’re trying to figure out who might still be missing in the woods. Ashley (Jessy Schram) and Thomas (Tim Phillipps) show up with their young daughter, Alexandra, and Ashley wants to offer the newbies free babysitting. She needs the list to figure out who has kids. Hook proves he’s an adorable babysitter by putting whipped cream on his nose and making funny noises. (How sweet!) Emma smiles from the counter, watching Hook entertain Ashley’s child, while Ashley wants to know the scoop on his relationship with Emma. Will they have a fairy tale ending? He says they’re taking it slow and he’s still sleeping on a cot in a pirate ship by a pregnant lady who snores.


Flashback to Ashley/Ella sweeping up the courtyard when the Prince’s footman, Jacob (Max Lloyd-Jones), arrives with an invitation to the Royal Ball. Ashley’s wicked stepmom and stepsisters push her out of the way, insulting the footman as they drool over the invitation.

Inside the estate, Ella asks if she can go but they just laugh at her. She even shows them a gorgeous pink dress that was her mother’s which her stepmom promptly gives to her daughter to toss in the fire. Ashley retrieves it but it’s ruined. They laugh at poor Ella who has cinders on her… Get it? Cinderella. They leave her crying over the dress and who should appear but her mouse friend, Gus. A key falls from the dress and she remembers her mom telling her a story about a magic key just like that one that could take you to the Land of Untold Stories. She locks the key away, not believing in magic.

Emma visits Archie (Raphael Sbarge) and confesses she’s jealous of Ashley and her perfect family. She’s upset her magic is failing and she’s still having visions. She says she deserves a future which she can’t give to Hook, and she’s sad she doesn’t get her happy ending. Archie tells her it’s not about the ending but about how she lives her life.

Thomas tells Emma Ashley’s taken off and left a note saying she has to find Clorinda (Mekenna Melvin), her stepsister. Ashley took Thomas’ rifle and he thinks she might be going to kill Clorinda. Emma uses Cinderella’s shoe (not a glass slipper but a tennis shoe) to locate her.

Jekyll (Hank Harris) is working on a way to tell if the Evil Queen is still alive and how to destroy her. Regina, Snow, and David are helping him, but it’s no use. Regina’s tired of being one step behind the Evil Queen and Snow suggests she try to think like her. Regina figures out she needs to talk to Zelena. She leaves, and Snow’s worried their life is just “defeat and repeat.” David says it will be normal some day, and Snow says she wants to teach again and David is totally supportive. Then she looks down at Jekyll’s table of beakers and chemicals and thinks she knows how to help him.

Hook and Henry are practicing sword fighting with sticks and having a good time doing it. Emma walks up and Henry wants to come with them to find Ashley. Off they go, following the flying shoe.

Gus (the man, not the mouse) accompanies Cinderella to the ball, saying whatever she owes Rumpelstiltskin is worth it. She looks gorgeous and bumps, literally, into Snow White. They exchange compliments and Prince Thomas looks on, smiling from a distance. Cinderella and Prince Thomas flirt and then dance, and he asks her name but she doesn’t tell him. He calls her “The Girl with the Glass Slippers.” They’re having a wonderful time but he has to leave for a quick piece of business. After he walks, Cinderella spots him giving her stepsister a rose. Her stepmother approaches, telling her Thomas and Clorinda are laughing at her and that she’s just a big joke. Cinderella runs out of the ball, leaving her shoe behind.

Back in Storybrooke, David asks Gold (Robert Carlyle) where he got the coin the Evil Queen gave him. He wants to know if his father’s death was really an accident, and Gold checks out the inventory record. David tells him to name his price and Gold asks how badly he wants the deal.

Flashback to Cinderella and she’s holding onto her one remaining gold slipper. Gus, the mouse, reminds her about the magic key and Cinderella uses it to open a wardrobe cabinet. A portal is exposed and Clorinda stops her from leaving, telling her the Prince loves her. Cinderella thinks she’s being made fun of again, but Clorinda says the rose was actually from the Prince’s footman. They’re in love and getting married. Cinderella can’t believe it and Clorinda says she was only cruel to him when he came by the house because her mother wouldn’t allow the relationship. She apologizes for everything and says she’s off to meet her love and then they’ll leave and start their life together.

Back in Storybrooke, Emma, Hook, and David find Ashley and she definitely has Thomas’ rifle. Ashley says she’s not trying to hurt Clorinda, she’s trying to help her. She says Clorinda was never wicked, she was. Emma tells her she can change and fix it, and Ashley says she has to do it for herself, asking if Emma knows what it feels like when all of your happiness is a lie. Emma’s hand starts shaking and she says she does know that feeling. Ashley runs away and Emma’s magic won’t work to stop her. Hook pulls her in and hugs her.

Regina visits Zelena (Rebecca Mader) and sees the rattle and realizes the Evil Queen was there. Regina wants Zelena to give it back, telling Zelena she’s just trying to help her.

The Evil Queen asks Emma if she’s having trouble with her magic and Henry tells her to go away. She doesn’t, saying she raised him and she’s as much his mother as Regina is. Emma pulls Henry away and the Evil Queen says Regina didn’t have her happy ending because she wasn’t strong enough to let her story run its course. The Evil Queen claims to be strong enough to see it through, but gives Emma a heads up Cinderella’s story won’t end well. The Evil Queen wants to hurt Emma and that’s why she won’t let Cinderella have a happy ending. She’ll make all the happy endings turn to dust. She uses her magic to send Emma, Henry, and Hook away.

Belle’s reading a book about pregnancies when David shows up to give her a cassette tape from Gold. David delivered it as part of the deal he struck to get info on his dad, and Belle (Emilie de Ravin) takes it to help him out so he can say he fulfilled his part of the bargain.

Emma wonders if because Ashley was her first save, that means everything she did after that can be undone. Hook and Henry tell her to imagine she’s back working as a bail bondswoman since she doesn’t have magic. Together they figure out Ashley’s trying to find Clorinda and they use the book to find out what happened to her.

Another flashback shows the evil stepmother knows Clorinda is gone. Cinderella says the Prince is looking for her and he wants to marry her. The evil stepmom insults her, saying she looks like a trash bin. She finds the glass slipper and holds it hostage until Cinderella says where Clorinda went. She then shatters the shoe which was Cinderella’s only proof she’s the woman the Prince is looking for.

In Storybrooke, Ashley finds Clorinda and she’s been hurt. She promises to fix their story but it’s a trick and her leg isn’t really injured. The evil stepmother makes herself known, picking up the rifle and aiming it at Ashley.

Flashback again, and this time Cinderella’s locked in her house. The Prince and Snow White ring the bell and Snow knows Cinderella’s inside even if she doesn’t answer. Just then Gus makes his way outside and into the carriage with the key to the house. Inside, Cinderella’s cleaning up and she apologizes because she’s no one. The Prince asks her name and she tells him it’s Ella. The Prince gets on his knee and proposes, calling her Princess Ella. He slips a ring on her finger and they kiss! Snow looks on, smiling. Ella thanks Snow and then Thomas promises her new shoes, but she says there’s something she needs to fix first.

Clorinda tells Jacob about the special key, explaining where they’d end up if they used it. They agree to go and just then the evil stepmother comes and knocks Jacob out. Cinderella stops her stepmom and she shows them Thomas’ ring, saying she’s engaged. The evil stepmom is pissed and she takes the key, opening the portal and grabbing Clorinda before stepping through.

In Storybrooke, Ashley tries to explain she was just trying to help Clorinda and Jacob get their happy ending and that maybe that can happen in Storybrooke. Clorinda didn’t know Jacob was in Storybrooke, and Ashley tells her they’re actually standing in the barn at his farm. Evil stepmom appears with Jacob who she’s tied up and Clorinda is incredibly happy to see him. Stepmom explains the Evil Queen is helping her find the “missing pieces” of her betrayal. She’s about to shoot Jacob and instead aims at Ashley when she steps in front of the gun. Stepmom puts down the gun, opting to stab Ashley through the stomach. Emma, Hook, and Henry arrive right after Ashley’s been stabbed, but Emma’s magic isn’t working so she can’t heal her. Henry tells Emma she can do it and it works! Ashley’s healed and she apologizes to Clorinda who accepts. Emma and Hook hug and he says, “You did it, Swan.”

Regina, Snow, and Jekyll head to a garage that has a complete lab set up. And who does it belong to? Dr. Whale (David Anders), of course. He says they can help themselves to anything but what’s in the frig (warning them it’s not food). He introduces himself to Dr. Jekyll as Dr. Frankenstein. Jekyll’s impressed and Snow and Regina laugh over the Dr. Jekyll and Dr. Frankenstein tag-team. Then Snow gets the idea that these two could be really first-rate high school science teachers. Regina looks at her like she’s lost her mind.

Emma finally asks Hook to move in with her. She knows everything in life is uncertain, but says she can make some space in her closet full of red jackets for some black leather. Hook has a huge smile as he says he’d love to move in. They kiss, a long, lingering romantic kiss that ends with them touching noses.

David is still up late at night and he’s looking over the inventory note from Gold that indicates his dad wasn’t killed in the accident. He was actually stabbed and that means his killer could still be out there. Snow tries to convince him to leave it alone and not to seek vengeance. She reminds him they have a town, their daughter, and a son who really needs him. “It may not be epic but it is the most important thing we will ever do and it won’t happen if you’re off seeking revenge for some decades-old crime.” David answers by saying, “Being there for you…how could that not be epic?” He decides to burn the note but after Snow leaves the room he changes his mind.

Meanwhile Belle listens to the tape which is a good night poem from Gold.

The Evil Queen visits Hyde and she’s mad the savior won again. She still needs his help and he can’t do it from inside the cell. She gets rid of his handcuffs and opens his cell door.





Box Office: ‘Girl on the Train’ Rides Into the Weekend in 1st Place

Girl on the Train stars Emily Blunt and Justin Theroux
Justin Theroux and Emily Blunt in ‘The Girl on the Train’ (Photo Credit: DreamWorks Pictures)

The opening weekend box office for The Girl on the Train was just about as expected even though many theaters throughout Florida and nearby states closed due to Hurricane Matthew. Pre-release projections had the big screen adaptation of Paula Hawkins’ novel opening domestically at $27 million, and it opened with $24 million which isn’t far off. However, critics haven’t been kind to the dramatic film starring Emily Blunt and its RottenTomatoes rating is currently at just 44% fresh. Ticket buyers have also found the film to be lacking, with the movie’s overall opening weekend score sitting at B- on CinemaScore. Odds are this Train will be halted at the station and won’t have much in the way of legs at the box office.

The weekend’s other wide releases – Birth of a Nation and Middle School: The Worst Years of My Life – actually earned higher marks from ticket buyers than The Girl on the Train. Birth of a Nation, which went into the opening weekend with the controversy still swirling around director/actor Nate Parker, was given an A grade by ticket buyers and is at 79% fresh on RottenTomatoes. Middle School earned an A- and a 59% RottenTomatoes score.


Box Office Top 10: October 7-9, 2016

  1. The Girl on the Train – $24,660,000
  2. Miss Peregrine’s Home for Peculiar Children – $15,000,000
  3. Deepwater Horizon – $11,750,000
  4. The Magnificent Seven – $9,150,000
  5. Storks – $8,450,000
  6. The Birth of a Nation – $7,100,000
  7. Middle School: The Worst Years of My Life – $6,900,000
  8. Sully – $5,270,000
  9. Masterminds – $4,100,000
  10. Queen of Katwe – $1,618,000




‘Westworld’ Season 1 Episode 2 Recap: Chestnut

Westworld stars Ben Barnes and Jimmi Simpson episode 2
Ben Barnes and Jimmi Simpson in ‘Westworld’ episode 2 (Photo by John P. Johnson / HBO)

HBO made the second episode of Westworld, the network’s new sci-fi action drama based on the 1973 film, available a few days early. Why? Possibly because its East Coast premiere on October 9, 2016 was directly opposite the second Presidential Debate. Episode two titled ‘Chestnut’ introduced two new key characters – William (Jimmi Simpson) and Logan (played by Ben Barnes) – and also further delved into the possibility some of the hosts have retained memories of previous storylines.

Season one episode two opens with Dolores (Evan Rachel Wood) walking outside in the middle of the night, listening to a voice inside her head asking if she remembers.

William and Logan are heading to Delos’ offices, the company that runs the Westworld park. They’re discussing what’s in store once they make it to Westworld. Arriving at the check-in they’re met by employees (everyone is dressed in pure white) and a rep asks William personal questions since it’s his first visit, including his medical and psychological background. The rep explains he needs to make choices, like what he’ll wear, the sort of man he’ll be, his weapons, and other accessories. He seems overwhelmed by everything and the rep (who is a host) tells him they are all there for him.

Elsie Hughes (Shannon Woodward) thinks there’s something messed up with Dolores’ cognition. Elsie wants to pull Dolores because she thinks whatever she has could be fixed, but Bernard Lowe (Jeffrey Wright) tells her to let it be.

Back in Westworld, Dolores walks through town but hears the voice in her head say “remember.” She looks down the street and sees all the dead bodies from the day before. She then quotes the same line from Romeo and Juliet her father said to her, and Maeve (Thandie Newton) stands there, confused.

William’s last decision before heading out on the train to the Westworld park is to pick either a white hat or a black hat. He chooses white.

William bellies up to the bar and is served a whiskey, and Logan arrives wearing a black hat. As William asks how they get into the park he discovers he’s on a train. Logan, who’s visited the park before, tells him he has no idea what he’s getting himself into and Logan thinks he’ll ultimately beg him to stay. Westworld will answer the question of who he really is, according to Logan.

In Westworld, the sheriff prepares to hang an outlaw for murder. Just then The Man in Black (Ed Harris) rides up and wants the hanging stopped so he can talk to the outlaw. The sheriff and his men refuse so The Man in Black kills everyone except the guy in the noose. The Man in Black throws Kissy’s scalp at Lawrence (Clifton Collins Jr), and Lawrence claims not to know what it is. It’s the maze at the deepest level of the game, so says The Man in Black.

At the saloon/whorehouse, Maeve talks to one of the newcomers and tells him in her dreams she’s free. He pulls his hand away from her but Maeve continues talking. She’s having visions of Indians scalping cowboys. The man walks away as she freezes up and the tech team manipulates her settings to make her more sexually aggressive because the clients aren’t into her like they used to be. If that doesn’t work, they’ll pull her permanently from Westworld.

Bernard talks to Dr. Robert Ford (Sir Anthony Hopkins) about why Peter Abernathy was so damaged, believing the photo alone couldn’t have caused the breakdown. Robert says it’s all so complicated; it’s witchcraft and they create life out of chaos.

The train finally arrives at the station and William and Logan walk into town. William’s tentative but Logan knows his way around. It’s all bigger than William expected and Logan says he’s never even reached the end of the park yet. Logan tells him not to fall for any of the hosts or their plans for big adventures after a drunk tries to talk to William. Into the bar they head.

Inside Dolores’s head, Bernard asks her if she’s told anyone about their talks. She hasn’t, and he asks her if anyone has updated her core characteristics. He reminds her again not to mention their talks, telling her there’s something different about the way she thinks. He’s fascinated by it. She’s told to erase their current interaction.

Maeve is hitting on a female guest and she’s super aggressive. The woman turns her down and Maeve orders a drink, talking to Clementine (Angela Sarafyan) at the bar who tells her she’s having nightmares. After Clementine leaves her, Maeve has visions again of an attack.

Back at the administrative complex it’s decided to decommission Maeve after tonight. No one wants her. Clementine will get her job as the madam of the whorehouse.

Theresa Cullen (Sidse Babett Knudsen) wants to be sure Bernard will be ready for the launch and that all the hosts have been checked out and are working.

Logan and William are having a nice meal, and Logan offers to shoot someone to see if they’re real or hosts. An old drunk from the street wanders to their table and Logan tries to get him to leave. He’s offering William the opportunity to go treasure hunting and Logan stabs him through the hand and leaves him bleeding at their table. He heads off to have an orgy while William spends time with Clementine. William doesn’t want to have sex with her because he has someone real waiting at home.

Back at the administrative complex they are designing new hosts when Lee Sizemore (Simon Quarterman) has a fit because a Native American doesn’t look like what he imagined. Lee wants Theresa to deactivate 50 hosts to make room for his new ones, but she says he can have 20 spots for his new storyline.

Dr. Ford goes for a walk in Westworld where a kid asks him if he’s lost. The kid is bored and Dr. Ford asks him if he wants to go for a stroll.

The Man in Black makes Lawrence tag along behind his horse all the way to a cantina which is actually Lawrence’s neighborhood. The Man in Black says he knows everything about him, except he didn’t know Lawrence had a family. They’re talking as Lawrence’s child and wife hug him and as The Man in Black places a row of bullets on the table. He wants to know where the entrance is to the maze and Lawrence won’t tell him. The Man in Black hands two bullets to Lawrence’s daughter. The barkeep serves them whiskey, and The Man in Black kills him. The Man in Black tells Lawrence he’s been coming here for 30 years and he’s prepared when Lawrence’s cousins arrive to rescue him, killing them all along with everyone else who tries to protect Lawrence. Only his wife and daughter remain when a bullet shatters the bottle he’s holding. A few more of Lawrence’s friends die and The Man in Black takes back the two bullets.

Lawrence swears he doesn’t know how to find the maze as The Man in Black dances with Lawrence’s wife. He puts the gun to her head and kills her. He pulls the trigger back and prepares to kill the daughter but she looks at him and says, “The maze isn’t meant for you.” She gives him the information on where it’s located and Lawrence tells him to leave them alone. The Man in Black says no, puts the noose around Lawrence’s neck again, and says, “This time I’m never going back.”

Dr. Ford and the boy look out over the landscape. He tells the boy to look harder, to listen to the church bell as they look over nothing. A snake rattles and Dr. Ford freezes him, controlling him by one finger. Then he sends the snake away. He tells the boy not to come back again and sends him away. (The boy is a host.)

Theresa visits Bernard at his place after work and apparently they’re in a relationship. He asks her to stay after sex so they can talk. She jokes that he never talks and yet his creations are always talking to each other even when there aren’t any guests around.

Elsie puts Maeve through a diagnostic test, bumping up all of her emotions 1.5%. Her assistant wants to know if they dream, and Elsie says no. They do however have the concept of nightmares in case their memories aren’t wiped.

Maeve is back at work at the whorehouse, and this time the guest’s interested in her when she sets him up with Clementine. Maeve and Teddy Flood (James Marsden) have a chat at the bar as a fight breaks out behind them. They toast to their indiscretions and a guest shoots up Teddy, saying, “Now that’s a f**king vacation!”

Westworld star Thandie Newton episode 2
Thandie Newton in ‘Westworld’ episode two (Photo by John P. Johnson/HBO)

That night Maeve continues to have visions of past events including having a young daughter and a farmhouse. They had a happy life until they were caught up in the middle of a fight between cowboys and Indians. She tried to save her daughter but was chased down, found by The Man in Black, and scalped.

Maeve counts backward from three as she’s being worked on by technicians. She’s awake and they freak out when she opens her eyes and moves. She grabs a scalpel – they forgot to put her in sleep mode – and she holds them off and leaves the room. She runs down the hall, naked and with her stomach cut open. She sees the escalator and leaves the building. Once outside she runs into a nearby building where she sees other hosts being worked on, naked, in a large glass tank. The two technicians catch up with her and inject her with something to put her to sleep.

Dolores once again wakes in the middle of the night and heads outside. She digs up a gun.

The staff has gathered and Lee explains the new storylines that will include cannibalism. He proudly declares it will be the apex of what the park will provide: horror, romance, and titillation. The new storyline will take place on the outskirts of the town and guests will have to work hard to get to “Odyssey on Red River.” Dr. Ford listens and says no. He doesn’t like it, saying it’s not enough. Lee was supposed to give the guests a reason to come back – the subtleties and the details – because they discover something they don’t think anyone has ever noticed before.

William spots Dolores loading up her saddlebags and hands her the canned food she drops. William tips his hat to her and heads out with Logan.

Dr. Ford and Bernard take a walk through the park, and Dr. Ford says he’s been working on a new idea for some time. “Something quite original,” he says as he looks at a cross.

Additional Westworld Episodes:




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