Emma Watson and Dan Stevens in ‘Beauty and the Beast.’ (Photo (c) 2016 Disney Enterprises inc.)
Disney’s unveiled the official trailer for the live-action Beauty and the Beast starring Emma Watson and Dan Stevens. Directed by Bill Condon from a script by Evan Spiliotopoulos and Stephen Chbosky, the romantic drama also stars Luke Evans, Kevin Kline, Josh Gad, Ewan McGregor, Stanley Tucci, Gugu Mbatha-Raw, Audra McDonald, Ian McKellen, and Emma Thompson. Disney’s releasing Beauty and the Beast in theaters on March 17, 2017.
The Plot: Disney’s Beauty and the Beast is a live-action adaptation of the studio’s animated classic which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs. Beauty and the Beast is the fantastic journey of Belle, a bright, beautiful and independent young woman who is taken prisoner by a beast in his castle. Despite her fears, she befriends the castle’s enchanted staff and learns to look beyond the Beast’s hideous exterior and realize the kind heart and soul of the true Prince within.
The film stars Emma Watson as Belle; Dan Stevens as the Beast; Luke Evans as Gaston, the handsome, but shallow villager who woos Belle; Oscar® winner Kevin Kline as Maurice, Belle’s eccentric, but lovable father; Josh Gad as Lefou, Gaston’s long-suffering aide-de-camp; Golden Globe® nominee Ewan McGregor as Lumiere, the candelabra; Oscar nominee Stanley Tucci as Maestro Cadenza, the harpsichord; Gugu Mbatha-Raw as Plumette, the feather duster; six-time Tony Award®winner Audra McDonald as Madame Garderobe, the wardrobe; Oscar nominee Ian McKellen as Cogsworth, the mantel clock; and two-time Academy Award® winner Emma Thompson as the teapot, Mrs. Potts.
Watch the Beauty and the Beast trailer:
Emma Watson and Dan Stevens in ‘Beauty and the Beast.’ (Photo (c) 2016 Disney Enterprises inc.)Dan Stevens as The Beast in ‘Beauty and the Beast.’ (Photo (c) 2016 Disney Enterprises inc.)Emma Watson as Belle in ‘Beauty and the Beast.’ (Photo (c) 2016 Disney Enterprises inc.)Dan Stevens as The Beast in ‘Beauty and the Beast.’ (Photo (c) 2016 Disney Enterprises inc.)
Sarah Paulson as Marcia Clark and Sterling K. Brown as Christopher Darden in ‘The People v. O.J. Simpson’ (Photo Credit: FX Networks)
The People v. O.J. Simpson leads the list of the 2016 Critics’ Choice Awards television nominees as voted on by the Broadcast Television Journalists Association (BTJA). The People v. O.J. Simpson earned six nominations followed by Game of Thrones, Unbreakable Kimmy Schmidt, and The Night Manager with five each. The winners will be announced during the 2016 Critics’ Choice Awards to be held on December 11th and airing live on A&E at 8pm ET/5pm PT.
Other shows earning multiple nominations include All the Way, House of Cards, Roots, and Veep with four. American Crime, Black-ish, Killing Reagan, Modern Family, Mr. Robot, Ray Donovan, Saturday Night Live, The Crown, and Westworld each picked up three nominations this year. America’s Got Talent, Anthony Bourdain: Parts Unknown, Atlanta, Better Call Saul, Chopped, Confirmation, Fleabag, Outlander, RuPaul’s Drag Race, Silicon Valley, The Americans, The Dresser, The Good Wife, The Voice, and Transparent all earned two nominations.
TELEVISION NOMINATIONS FOR THE 22nd ANNUAL CRITICS’ CHOICE AWARDS:
BEST COMEDY SERIES
Atlanta – FX
Black-ish – ABC
Fleabag – Amazon
Modern Family – ABC
Silicon Valley – HBO
Unbreakable Kimmy Schmidt – Netflix
Veep – HBO
BEST ACTRESS IN A COMEDY SERIES
Ellie Kemper – Unbreakable Kimmy Schmidt – Netflix
Julia Louis-Dreyfus – Veep – HBO
Kate McKinnon – Saturday Night Live – NBC
Tracee Ellis Ross – Black-ish – ABC
Phoebe Waller-Bridge – Fleabag – Amazon
Constance Wu – Fresh Off the Boat – ABC
BEST ACTOR IN A COMEDY SERIES
Anthony Anderson – Black-ish – ABC
Will Forte – The Last Man on Earth – FOX
Donald Glover – Atlanta – FX
Bill Hader – Documentary Now! – IFC
Patrick Stewart – Blunt Talk – Starz
Jeffrey Tambor – Transparent – Amazon
BEST SUPPORTING ACTRESS IN A COMEDY SERIES
Julie Bowen – Modern Family – ABC
Anna Chlumsky – Veep – HBO
Allison Janney – Mom – CBS
Jane Krakowski – Unbreakable Kimmy Schmidt – Netflix
Judith Light – Transparent – Amazon
Allison Williams – Girls – HBO
BEST SUPPORTING ACTOR IN A COMEDY SERIES
Louie Anderson – Baskets – FX
Andre Braugher – Brooklyn Nine-Nine – FOX
Tituss Burgess – Unbreakable Kimmy Schmidt – Netflix
Ty Burrell – Modern Family – ABC
Tony Hale – Veep – HBO
T.J. Miller – Silicon Valley – HBO
BEST GUEST PERFORMER IN A COMEDY SERIES
Alec Baldwin – Saturday Night Live – NBC
Christine Baranski – The Big Bang Theory – CBS
Larry David – Saturday Night Live – NBC
Lisa Kudrow – Unbreakable Kimmy Schmidt – Netflix
Liam Neeson – Inside Amy Schumer – Comedy Central
BEST ANIMATED SERIES
Archer – FX
Bob’s Burgers – FOX
BoJack Horseman – Netflix
Son of Zorn – FOX
South Park – Comedy Central
The Simpsons – FOX
BEST REALITY COMPETITION SERIES
America’s Got Talent – NBC
MasterChef Junior – FOX
RuPaul’s Drag Race – Logo
Skin Wars – GSN
The Amazing Race – CBS
The Voice – NBC
BEST STRUCTURED REALITY SERIES
Chopped – Food Network
Inside The Actors Studio – Bravo
Penn & Teller: Fool Us – The CW
Project Runway – Lifetime
Shark Tank – ABC
Undercover Boss – CBS
BEST UNSTRUCTURED REALITY SERIES
Anthony Bourdain: Parts Unknown – CNN
Chrisley Knows Best – USA Network
Deadliest Catch – Discovery
Ice Road Truckers – History
Intervention – A&E
Naked and Afraid – Discovery
BEST TALK SHOW
Full Frontal with Samantha Bee – TBS
Jimmy Kimmel Live! – ABC
Last Week Tonight with John Oliver – HBO
The Daily Show with Trevor Noah – Comedy Central
The Late Late Show with James Corden – CBS
The Tonight Show Starring Jimmy Fallon – NBC
BEST REALITY SHOW HOST
Ted Allen – Chopped – Food Network
Tom Bergeron – Dancing with the Stars – ABC
Anthony Bourdain – Anthony Bourdain: Parts Unknown – CNN
Nick Cannon – America’s Got Talent – NBC
Carson Daly – The Voice – NBC
RuPaul – RuPaul’s Drag Race – Logo
BEST SUPPORTING ACTOR IN A DRAMA SERIES
Peter Dinklage – Game of Thrones – HBO
Kit Harington – Game of Thrones – HBO
John Lithgow – The Crown – Netflix
Michael McKean – Better Call Saul – AMC
Christian Slater – Mr. Robot – USA Network
Jon Voight – Ray Donovan – Showtime
BEST SUPPORTING ACTRESS IN A DRAMA SERIES
Christine Baranski – The Good Wife – CBS
Emilia Clarke – Game of Thrones – HBO
Lena Headey – Game of Thrones – HBO
Thandie Newton – Westworld – HBO
Maura Tierney – The Affair – Showtime
Constance Zimmer – UnREAL – Lifetime
BEST ACTOR IN A DRAMA SERIES
Sam Heughan – Outlander – Starz
Rami Malek – Mr. Robot – USA Network
Bob Odenkirk – Better Call Saul – AMC
Matthew Rhys – The Americans – FX
Liev Schreiber – Ray Donovan – Showtime
Kevin Spacey – House of Cards – Netflix
BEST ACTRESS IN A DRAMA SERIES
Caitriona Balfe – Outlander – Starz
Viola Davis – How to Get Away with Murder – ABC
Tatiana Maslany – Orphan Black – BBC America
Keri Russell – The Americans – FX
Evan Rachel Wood – Westworld – HBO
Robin Wright – House of Cards – Netflix
BEST DRAMA SERIES
Better Call Saul – AMC
Game of Thrones – HBO
Mr. Robot – USA Network
Stranger Things – Netflix
The Crown – Netflix
This Is Us – NBC
Westworld – HBO
BEST GUEST PERFORMER IN A DRAMA SERIES
Mahershala Ali – House of Cards – Netflix
Lisa Bonet – Ray Donovan – Showtime
Ellen Burstyn – House of Cards – Netflix
Michael J. Fox – The Good Wife – CBS
Jared Harris – The Crown – Netflix
Jeffrey Dean Morgan – The Walking Dead – AMC
BEST MOVIE MADE FOR TELEVISION OR LIMITED SERIES
All the Way – HBO
Confirmation – HBO
Killing Reagan – National Geographic
Roots – History
The Night Manager – AMC
The People v. O.J. Simpson – FX
BEST ACTOR IN A MOVIE MADE FOR TELEVISION OR LIMITED SERIES
Bryan Cranston – All the Way – HBO
Benedict Cumberbatch – Sherlock: The Abominable Bride – PBS
Cuba Gooding Jr. – The People v. O.J. Simpson – FX
Tom Hiddleston – The Night Manager – AMC
Tim Matheson – Killing Reagan – National Geographic
Courtney B. Vance – The People v. O.J. Simpson – FX
BEST SUPPORTING ACTOR IN A MOVIE MADE FOR TELEVISION OR LIMITED SERIES
Sterling K. Brown – The People v. O.J. Simpson – FX
Lane Garrison – Roots – History
Frank Langella – All the Way – HBO
Hugh Laurie – The Night Manager – AMC
John Travolta – The People v. O.J. Simpson – FX
Forest Whitaker – Roots – History
BEST ACTRESS IN A MOVIE MADE FOR TELEVISION OR LIMITED SERIES
Olivia Colman – The Night Manager – AMC
Felicity Huffman – American Crime – ABC
Cynthia Nixon – Killing Reagan – National Geographic
Sarah Paulson – The People v. O.J. Simpson – FX
Lili Taylor – American Crime – ABC
Kerry Washington – Confirmation – HBO
BEST SUPPORTING ACTRESS IN A MOVIE MADE FOR TELEVISION OR LIMITED SERIES
Elizabeth Debicki – The Night Manager – AMC
Regina King – American Crime – ABC
Sarah Lancashire – The Dresser – Starz
Melissa Leo – All the Way – HBO
Anna Paquin – Roots – History
Emily Watson – The Dresser – Starz
Doctor Strange won’t be three-peating in first place as next weekend will see the release of Warner Bros’ much-anticipated new Harry Potter film, Fantastic Beasts and Where to Find Them, starring Eddie Redmayne. The film marks J.K. Rowling’s first as a screenwriter and is based on the book used by Hogwarts students.
Evan Rachel Wood and Jimmi Simpson in ‘Westworld’ (Photo: John P. Johnson / HBO)
HBO’s Westworld pulled off yet another game-changer with episode seven airing on November 13, 2016. Forget what you thought you knew about the world of the hosts as episode seven titled ‘Trompe L’Oeil’ took the series an unexpected direction. The episode opened with Bernard (Jeffrey Wright) dreaming about being with his young son in the hospital as he was dying. He wakes, grabbing a framed photo of his son in happier times.
At the Delos headquarters, Hector (Rodrigo Santoro) is being examined by Bernard, relating an incident in which a guest told him he wanted to take a piece of him home in his luggage. Bernard wonders if it changed his world view, and Hector assures him it didn’t. He’s unaffected when shown photos of the real world.
Bernard asks after Elsie (Shannon Woodward) and is told she just started her leave.
William (Jimmi Simpson) and Lawrence (Clifton Collins Jr) play cards on the train while Dolores (Evan Rachel Wood) refuses to interact with Lawrence. Lawrence apologizes for what he’s done to her family, but it’s the government’s fault – not his. Lawrence thinks William has more of an appetite for this sort of adventure than he thinks, and just then they spot heads on spikes outside the train, placed there by the Ghost Nation.
Bernard tries to reach Elsie but the computer can’t locate her, so he heads off to a meeting with Theresa (Sidse Babett Knudsen). He doesn’t tell Theresa what Elsie found out, and assures her his department will be very professional during the board member’s visit and will stop second-guessing her department.
Theresa hears people having sex and finds board member Charlotte Hale (Tessa Thompson) with Hector tied to her bed. Charlotte puts Hector on pause so she and Theresa can talk, telling Theresa the board’s worried about the host who killed himself and about Dr. Ford using half the park’s resources to build a new narrative. Charlotte reminds Theresa the board is only interested in the intellectual property, not the hosts themselves. 35 years of raw information exists only in this building with Dr. Ford, and Charlotte says the board is going to ask Dr. Ford to retire. That’s why Theresa is stealing all the code now; the Board doesn’t want Dr. Ford to delete it on his way out before they get their hands on it. And, the board needs to demonstrate how dangerous the hosts can be and it can’t be someone they expect. They also need a “blood sacrifice” to appease the board.
Maeve (with newly enhanced intelligence) heads to the saloon and turns off the player piano. Maeve (Thandie Newton) utters a line of dialogue from her programming but then improvises to ask Clementine (Angela Sarafyan) if she ever dreams she’s someone else. She also asks her if this is the life she wants, and Clementine says her family farm is in bad shape and that’s why she’s a prostitute. Being a hooker’s a short-term solution to help her family survive. As they’re in the middle of the conversation, all of the hosts in the room freeze (Maeve doesn’t and has to pretend) as technicians walk in. The techs take Clementine away.
Back on the train, Dolores and William talk about riding a train filled with explosives through scalping territory. William wants to know how she’s sure this place she’s looking for exists, and Dolores admits she’s not sure. Still, whatever she finds, she’ll never go back. William confesses as a kid he lived in books, dreaming he was inside of them. This place reminds him of that, and he wants to know what it all means. Dolores answers, saying, “I don’t want to be in a story,” and that she just wants to be in the moment she’s in. William tells her about Julia, Logan’s sister, and that he’s marrying her when he gets home. Dolores is taken aback, but William insists he’ll still help her find what she’s looking for. She leaves the room, upset, and William follows her and finds her crying. He confesses he’s gone through life pretending but now that he’s here, he feels he no longer has to pretend. He’s alive and doesn’t want to go back to pretending. They kiss, long and passionately.
Back at headquarters, Charlotte and Theresa meet with Dr. Ford (Anthony Hopkins) and Bernard. Charlotte reveals they’ve checked the last aborted updates and Theresa reports they found something quite disturbing. They wake up Clementine, setting her back to her previous update. (All the infected hosts have been rolled back to their prior builds.) They watch as another host pretending to be a guest beats her and she begs for their help. They freeze the action and reset Clementine’s memory, and put her through the event again. This time she beats the crap out of the other host.
They attempt to freeze her but she keeps moving, licking blood from her fingers. She goes after Ashley (Luke Hemsworth) and he’s forced to shoot her. The malfunctioning hosts are remembering their experiences and acting on them; they’re holding grudges and responding to them. Theresa says some of the techs have also voiced these concerns, blaming this all on Bernard. Charlotte says within the next six months they must rebuild all the hosts which basically means they’ll lobotomize them. She fires Bernard, making him the scapegoat. He doesn’t believe he’s been fired, but no one stands up for him, not even Theresa.
William and Dolores apparently went further than just kissing, and Dolores wants to know if he regrets it. In answer, he kisses her again and says he doesn’t. Home feels unreal to William now and he’s figured out Westworld reveals your deepest self. He’s wanted to leave Logan behind for a long time and he’s never felt like he does now with Dolores. He notices she’s drawn something and she explains it’s a landscape of somewhere new. She imagined a place where mountains meet the sea and then drew it. She asks what he dreams of but before he can answer the train brakes to an emergency stop.
Large rocks block the tracks and a group of men with guns pull up alongside the train. It’s not the Ghost Nation; it’s the Confederales. They shoot a Gatling gun at the train and then as they’re looking at their handiwork, a man leaves the train on horseback with a white flag. He’s loaded with dynamite and Lawrence shoots him, making him blow up. It takes out some of the men but not all, and off William, Lawrence, and Dolores ride, shooting back at their pursuers. Dolores is knocked off her horse and William rescues her, staying ahead of the Confederales who are now firing the Gatling gun again from a wagon. The chase continues but now the Ghost Nation enters the fray, killing the Confederales and scalping them, allowing William, Dolores, and Lawrence to escape.
They make it to a cliff and Dolores yells for them to stop. The view is of the landscape she painted that morning, which she didn’t think was real. William can’t believe it, and Lawrence suggests they keep on riding. However, Dolores and William decide to part ways with Lawrence and head out into uncharted territory. Lawrence warns them no one has ever come back from there.
Back at Delos headquarters, a tech works with Felix (Leonardo Nam) on Maeve. Felix tells his co-worker he’ll finish up and once she leaves, Maeve says she’s there looking for Clementine. She wants him to find her now, and the computer says she’s in the body shop. Felix says they can’t go there because management is there, but Maeve won’t take no for an answer. They make their way to the room and watch from the outside as Sylvester (Ptolemy Slocum) and Theresa work on Clementine. He lobotomizes her as Maeve watches, obviously upset about what’s happening to her friend.
Jeffrey Wright and Sidse Babett Knudsen in ‘Westworld’ (Photo: John P. Johnson/HBO)
Bernard asks Theresa to step outside the room and reveals he knows the performance she and Charlotte put on was a sham. He also says he knows she was responsible for the satellite transmissions. Bernard goes on to reveal they don’t know how the hosts work but there’s definitely something wrong with them. The ability to deviate from programming is dangerous, and the hosts have been on the verge of some kind of dramatic change. Theresa says the park is always her chief concern, and then Bernard tells her he needs to show her something.
Sylvester tells Maeve he didn’t want to retire Clementine but was forced to. If he didn’t, someone else would. He also claims he did it for her, and Maeve doesn’t believe it and insists he has to do one more thing for her. She doesn’t want to be a “survivor” anymore and wants to leave. They are going to help her, she says, but Sylvester laughs. He doesn’t think she understands the company will do whatever it takes to keep her there. It’s a suicide mission to try to escape. She tells him she thought they were gods but has realized they’re just men…and she knows men. She’s not afraid of dying, however, if they don’t help her, she’ll kill them.
Bernard and Theresa head into the park, and Theresa confesses she was charged with securing the company’s intellectual property. She tells him Dr. Ford would have destroyed the IP on his way out, and then she asks if he believes the company’s interests are really just about tourists playing cowboy.
Bernard takes Theresa to Dr. Ford’s secret house with the hosts who are made to look and act like his family. It’s dark inside and Bernard can’t find the hosts. Theresa spots a door and they head downstairs to a remote diagnostic facility under the cottage. The facility has newer equipment and Theresa figures out Ford’s been making his own hosts and telling no one. She finds designs on a desk, including the Dolores prototype. And then she seems upset and asks Bernard to take a look at one of the drawings. It’s of Bernard, but he can’t see the drawing. He is a host!
Dr. Ford arrives and tells Theresa Bernard is free of the burden of self-doubt. Theresa calls him a monster and Bernard’s completely confused by what’s going on, obviously unaware he’s a host. She wants to know if that’s why Bernard was intimate with her, and now Bernard’s beginning to panic thinking about his wife, his dead son, and all these things he believed were real. Dr. Ford shuts him down so he’ll stop getting worked up.
Theresa looks at Dr. Ford as though she’d love to slap him while he continues to explain about the hosts. He has come to think of consciousness as a burden and a weight, and he’s spared them that along with anxiety and self-loathing. The hosts are the ones who are free and under his control. But then Theresa says Bernard isn’t under his control because he brought her there to show him the facility. Of course, it turns out Dr. Ford instigated the visit, not Bernard, and Theresa threatens him with the board. She says he’s played god too long, but Dr. Ford knows the board will do nothing because he’s too valuable to them. He also knows that now the situation demands a blood sacrifice (just like Charlotte and Theresa discussed earlier).
Dr. Ford asks Theresa if she really believed he’d let her take the place from him. She wants to know what happened to his brother, Arnold, and if Bernard took him out in the woods to get rid of him. Dr. Ford doesn’t deny having Arnold killed, but it probably wasn’t Bernard that did the deed. Theresa tries using her phone but it doesn’t work as Dr. Ford leans in and whispers in her ear, ‘Like I said, I built all of this.” He tells Bernard to “help” Theresa and Bernard takes off his jacket and tie. Bernard doesn’t listen to Theresa as she begs for her life. He smashes her head in with his fist and then puts his tie and jacket back on. Dr. Ford tells him to head back because they have much work to do on the new storylines.
Paramount Pictures unveiled the first official trailer and teaser poster for Ghost in the Shell during a fan event in Tokyo. The special event included new footage as well as a behind the scenes look at the costumes and props from the film based on the popular Kodansha Comics manga. Scarlett Johansson leads the cast as Major, with Pilou Asbaek, Takeshi Kitano, Juliette Binoche, Michael Pitt co-starring.
Directed by Rupert Sanders (Snow White and the Huntsman), Ghost in the Shell will open in theaters on March 31, 2017.
The Plot:Ghost in the Shell follows Major, a special ops, one-of-a-kind human-cyborg hybrid, who leads the elite task force Section 9. Devoted to stopping the most dangerous criminals and extremists, Section 9 is faced with an enemy whose singular goal is to wipe out Hanka Robotic’s advancements in cyber technology.
Dirk Gently (Samuel Barnett) and Todd Brotzman (Elijah Wood) in ‘Dirk Gently’s Holistic Detective Agency’ (Photo by Bettina Strauss/BBCA)
Season one of BBC America’s Dirk Gently’s Holistic Detective Agency continues with episode four titled ‘Watkin,’ premiering on November 12, 2016. Episode three ended with Todd admitting that just maybe Dirk isn’t completely crazy and could possibly be onto something. We also learned in episode three that Todd’s sister, Amanda, wants to be involved in whatever it is Todd, Dirk, and Farah are up to. Plus, Bart’s reluctant passenger Ken has decided she’s a killer angel. Unfortunately, episode four concentrates on Todd and Dirk so killer angel Bart and her co-pilot are absent for the entire 60 minutes. Hopefully, we’ll get to catch up with the pair in episode five.
Episode four begins with FBI Agent Weedle (David Lewis), the agent who survived the attack on the bridge, being brought in to see Gordon (Aaron Douglas). He’s placed in a bizarre machine and winds up in the body of a mouse. The mouse is killed and the body of the agent is now inhabited by one of the bald cult member dudes.
Todd’s new roommate, his sister Amanda (Hannah Marks), munches on cereal and wonders why his apartment has been trashed. Down on the street, Dirk’s excited about something Farah’s done and wants Todd (Elijah Wood) to come check it out. Amanda doesn’t understand why Todd’s not excited to go hang out with a magic detective and hot chick, and Amanda begs to be a part of whatever is going on. Todd decides to go with Farah (Jade Eshete) and Dirk (Samuel Barnett), against his better judgment, thanks to Amanda’s prompting. (Amanda thinks her brother has the hots for Farah and suggests he wear his cool jacket.)
Back in 1978 Edgar Spring buried a power grid under Springsborough, but Farah never asked Patrick anything about his father so she’s just as in the dark as Todd and Dirk are about why Edgar felt it necessary to do that. Dirk and Farah think the power grid is actually the lost machine Gordon and his weird gang have been trying to find. As they’re trying to follow the map, the trio stop walking because Dirk thinks the machine is right in front of them in what looks like a brick electrical room with a fence around it. Dirk has a mini conversation with himself about climbing the fence but then he can’t actually get himself over it and needs Todd to push his bum.
Meanwhile at the police station, Agent Weedle who isn’t Agent Weedle anymore pays a visit to detectives Estevez (Neil Brown Jr) and Zimmerfield (Richard Schiff). He asks about Farah and is acting really bizarre, but they hand over the info they’ve collected anyway. Then Weedle lets slip they have the missing bodies from the morgue, which confuses the detectives because the FBI claimed they didn’t have them. Weedle wants to know if they’ve found Dirk, if they’ve arrested Todd, and if anyone has said anything about the Corgi. When the detectives want to know more about the Corgi, Weedle says he didn’t mention a Corgi…which he literally did two seconds earlier. Weedle insults the detectives and finally, Zimmerfield asks where his partner Nathan is and Weedle completely ignores the question. When he leaves, they figure out there’s something seriously wrong. Estevez lifts the lid off a box and the Corgi’s inside, sitting quietly and behaving herself. “There’s something weird about that dog,” says Zimmerfield.
Farah cuts the lock and opens the gate, all while Dirk is still clinging to the fence attempting to climb over it. The threesome study the little electrical building while Farah says this is all her fault because she wasn’t there to protect Patrick from being murdered. While Todd and Farah talk, on the other side of the little building Dirk figures out the crank he took from the Spring mansion fits in a hole in the wall. He screams and Farah and Todd come running, but although they hear him, they have no idea where he is. Dirk claims he’s fallen into a trap and it’s dangerous. He turned the crank, which he admits was a bad decision and shouldn’t have been done unsupervised. Todd sees the crank still in the hole on the wall, pulls it out, and also falls down into the trap. Farah can only shake her head.
Amanda’s a bit freaked out when FBI Agent Weedle knocks on Todd’s apartment door asking for Todd.
So, now we’re underground with Dirk and Todd, and Dirk’s holding his magic lightbulb. He thinks the dark corridor is a clue, and from above ground Farah tries to get them out of the trap. Her rescue attempt is interrupted when she gets a call from Amanda about the FBI agent at the door. Amanda geeks out over her brother being trapped in a secret passage – she’s living this investigation vicariously through Todd – and Farah tells her not to let the agent in. Farah’s spidey senses are tingling and she leaves Dirk and Todd to go help Amanda. Of course, Dirk is doing everything Todd tells him not to do, including heading down a dark passageway.
Gordon brings a woman a present at a bar. She tells him she’s not going to change the way she feels, and he says it’s the last present he’ll bring her.
FBI Agent Weedle tries the door, discovers it’s broken, and comes inside even though Amanda tells him not to.
Dirk leads the way with his magical lightbulb, which he’s named an ever-bulb because it uses electricity from his body, and they come across a door. Todd points out that this whole thing – the lightbulb, the underground rooms, etc – is weird and wants to know what Spring wants. Just then the door opens by itself. Lightbulbs covering the walls and ceiling turn on all around them, flooding the room with bright white light. The walls begin closing in on Dirk and Todd, and Todd thinks they’re going to be burned and crushed to death.
Todd starts breaking the lightbulbs, but that doesn’t work. Dirk still thinks they’re going to die but now Todd starts to believe this is all a test. Todd thinks they need to put the magic lightbulb in an empty socket, but that’s not the solution. Dirk then has the bright idea that it’s not a bulb, it’s a doorknob. They screw it in and barely escape the room, but now Dirk is the one who’s afraid of exploring dark corridors. Todd leads the way with the lightbulb.
Agent Weedle wants to know why Todd stole the Corgi, which prompts Amanda to ask if he’s high. He threatens her with arrest and that’s when Farah finally arrives. Weedle flashes his badge and Farah makes him step outside. Farah asks him a series of questions and then tells him his safety’s off and his holster’s on backward. She asks who he really is and he calls her unstable and panic-prone. Farah seems to have some sort of breakdown when confronted with her background and she gives Weedle back his gun.
Todd and Dirk come upon a dead end, and Dirk is being even less helpful than usual. Todd wants to touch things but Dirk tries to get him to slow down and think things through. Dirk finally apologizes for being difficult, and Todd reassures him they’ll be fine.
Back at Todd’s place, Weedle waits outside in his car while Farah protects Amanda in the apartment.
Todd stares at a golden rhino head on the door and tries to figure out how to open it. Dirk finds a plaque that reads “Here lies Pepe unless otherwise activated” under a stand with a large golden rhino horn. Dirk remembers Patrick’s pet rhino was named Pepe which means Patrick’s been down in this secret chamber. Patrick left the crank as a clue and now by Dirk placing his hand on the plaque, the door seems ready to open. Todd looks squarely in the rhino’s eyes and a holographic rhino with electricity zaps both Dirk and Todd. They fall to the floor, with patches of burning areas on their bodies. Dirk says Pepe on the door is some kind of “electrical ghost rhino” and then Todd has another bright idea – link arms and touch the rhino on the door at the same time as they touch the rhino’s horn. The electricity surges through them and the door opens!
Back at the bar, Gordon convinces the woman to open the bag. It’s a yak fur coat and the woman recognizes it as rock star Lux DuJour’s coat. Gordon promises to show her where Lux is if she goes with him.
The FBI agent leaves as the Rowdy 3 van pulls up outside. Amanda thinks they should call Dirk.
Todd and Dirk have come to what they believe is the final room in this secret underground chamber. There’s a machine there that Dirk believes was used by Edgar Spring to power Springsborough. As they look into the machine, bright colored symbols appear on the wall. Dirk touches the kitten then the shark and the dog followed by the girl. The symbols disappear and numbers take their place. He pushes 3 and then 1, and a map with a trail and Xs appear. Unfortunately, the map disappears before they get a good look after a series of little electrical explosions that throw Dirk and Todd into a panic.
Amanda and Farah smell fire and Farah sees a small trail of smoke emerging from the sidewalk area outside Todd’s apartment building. They rush downstairs and hear Todd and Dirk screaming behind a wall. Todd tells Farah to break through the wall and she shoots at it as the Rowdy 3 arrive. They break through the wall with a sledgehammer and pull Todd and Dirk to safety. Farah, Amanda, and Todd watch as they surround Dirk and suck something from him. They leave saying he was tasty. Todd screams, “Who are those guys?!”
Back in Todd’s apartment, the foursome go over the clues. Edward built the maze and the power node, but Patrick built the traps. Dirk and Todd tell Farah and Amanda there was another map but it only appeared briefly before the room started to blow. And Amanda, who wasn’t in that room with them, describes the map they saw. She’s had a vision of the map and heads back into the secret room, puts the crank in a clock, and the map is exposed again. She said it was a hunch and just then a message pops up that reads, “Save her Dirk and Todd.” Farah recognizes the map as a place four hours away and they decide they’ll leave in the morning.
Gordon takes the woman back to where Lux’s things are stored. Gordon shows her the machine that swaps bodies, telling her they kidnapped rich people and used them until they didn’t need them anymore. Retired people, athletes, actors, rock stars…they’ve been doing it for 50 years and Lux was one of them. Gordon then introduces her to his friends. He puts on the yak fur coat and tells the assembled gang the other machine is in their grasp. He doesn’t want what Lux wanted and he kills the woman by bashing her over the head with a guitar.
Fox’s The Exorcist season one episode five revealed the surprise twist that Angela Rance (Geena Davis) is actually Regan MacNeil. Episode six explored the reaction of Angela’s family, her priests, and the media to the news of Angela’s past exorcism. Episode seven titled ‘Father of Lies’ and airing on November 11, 2016 found strangers turning on the Rance family, the press questioning why Casey hasn’t returned home, and Father Tomas and Marcus working with the nuns to try and vanquish the demon.
Episode seven, one of the show’s most disturbing those far, opens with a flashback to nine days prior. Father Tomas (Alfonso Herrera) drives Marcus (Ben Daniels) and a physically exhausted Casey (Hannah Kasulka) to the convent because they need Mother Bernadette’s assistance. Tomas wants to tell the Rances they’ve found Casey, but Marcus says absolutely not. He explains this is a demon with a 40-year grudge and doesn’t want Henry and Angela to witness what it’s doing to their daughter.
Present day, Father Tomas leads a service which includes a prayer for the safe return of Casey. While he’s preaching to his parishioners, Tomas is remembering intimate times with Jessica.
The Rance family return home after the service and are surrounded by the media. Chris MacNeil (Sharon Gless) asks them to please let the family alone, but of course they don’t listen.
Mother Bernadette (Deanna Dunagan) says in the nine days they’ve had Casey, the demon has tripled in strength. If they fail, they’ll be unleashing a terrible evil on the world.
In an empty field, volunteers are still searching for Casey. Bishop Egan (Brad Armacost) meets up with Father Tomas during the search and admits he was wrong in not sanctioning the exorcism. He wants to know Marcus’ whereabouts but Tomas doesn’t want to give it up. Bishop calls Marcus an enemy of the Church and Tomas again denies he’s seen Marcus.
Back at the Rance home, a national TV show interviews the family to keep spreading the word about the search for Casey. The interviewer asks if Casey’s disappearance is related to what happened to Angela as a child. When the family won’t answer that, she follows up by asking if Casey is a danger to the public, what happened to the ambulance personnel, and did she really attack a man on the L Train. The family’s upset by this line of questioning and when the interviewer then asks about the psych hold Casey was placed under, Angela calls an end to the interview.
The nuns are obviously going through physical and mental trauma as they work on freeing Casey from the demon. Mother Bernadette, Father Tomas, and Marcus continue with the exorcism which has lasted on and off for nearly two weeks. Casey looks horrible and the room is falling apart around her, with books flying and drawers pulled out. A nun is tossed with just a simple look by Casey, and Father Tomas is bitten by the demon.
Father Tomas dresses the bite wound on his hand, while Marcus says this demon is like a big, bloody shark. Marcus confesses he almost killed Casey in the water but God ripped through his hands and brought her back. He considers Casey his ward now. Tomas wants to know if he really felt God in his hands and if so does that mean God saved both Casey and the demon? Marcus tells him not to go there and to not question what happened.
Henry (Alan Ruck) and Angela leave the house and there are both protestors and supporters outside along with reporters. The wife of the ambulance driver approaches Angela in tears, blaming the “little demon girl” for her husband’s death. Angela apologizes, saying she tried to stop them. Henry rushes her back inside the house and away from the crowd.
Bishop Egan and Father Bennett don’t realize they’re meeting with devil worshippers as they go over the final details on the Pope’s visit. Father Bennett wants to know about the security that’s lined up and isn’t happy with Superintendent Jaffey’s arrangements. Father Bennett says there are too many risks with this new plan and he wants them to go back to the original plan and head straight to the stadium. Jaffey (Tim Hopper) tries to assure them they’ve handled big events before (including President Obama’s visit), and Father Simon (the man who led the secret ceremony at Maria’s party) chimes in that he’s gone over all the new precautions. Father Bennett doesn’t know Father Simon (Francis Giunan) or why he’s at the meeting. Maria explains Simon heads up fundraising and that’s why he’s part of the group. Father Bennett tells the group about what he’s discovered about their fundraising and about Tattersall Landscaping’s $3 million Papal planning committee donation. Tattersall, which is owned by the Walters family, went out of business years ago so how did it make this huge donation? Father Simon promises to look into it.
Over at the Rance house, Father Tomas asks Chris what Georgetown was like. She says it was like free-falling down a flight of stairs. Fortunately, they had good priests who gave their lives to save them.
Father Tomas lies to Angela and the family that he hasn’t talked to Marcus, and Angela’s worried Casey and the demon have been integrated. She asks Father Tomas if he thinks Casey’s alive and he says yes, assuring her he has faith. She wants to know how God could let this happen.
Father Tomas returns to the convent and finds Casey’s condition has deteriorated even further. Veins are showing all over her face and her body is failing. (The makeup is outstanding as Casey looks grotesque!) The demon’s been quiet all morning as it attacks her from within. If they can’t draw it out and finish the exorcism, Casey will die.
Mother Bernadette sedated Casey and Marcus is upset he can’t wake her up to continue the exorcism. The nuns have decided to allow Casey to pass without any more suffering. Mother Bernadette says Casey is rotting before their eyes and that the belladonna ensures they don’t release the integrated souls back into the world. The sisters will not play any further roles in helping Marcus and Father Tomas with the exorcism. She tells Marcus to think about whether he’s doing this now for his own sake or for Casey’s.
Angela and her mom look at a photo album that has pictures of Casey and Kat as kids. Angela talks about Kat’s birth after 17 hours of labor, and Chris says she knows Angela is a wonderful mom. Angela recalls that when she was a kid, she sat on Steve McQueen’s lap and sang “Jingle Bells.” She also confesses she believed her mom got off easy but now she realizes how hard it is to watch someone go through a possession. Angela still doesn’t remember what happened in that room, but knows she felt so dirty she believed she’d never feel clean again. If Casey comes home, Angela will tell her she’s clean and that none of this was her fault. As she explains what she’ll do, Angela places a photo of Casey in a water glass and then cleans it off as though she’s scrubbing the real Casey. Tears well up in Chris’ eyes as she watches her daughter wipe Casey’s photo dry.
Back at the convent, Father Tomas thinks he can convince Mother Bernadette to change her mind. Or, maybe they should take Casey to the hospital. Marcus says no to both suggestions and leans over Casey’s horribly bruised and bloody body. He whispers to the demon, telling it it’s loved. Father Tomas says the Rance family has the right to say goodbye and then Casey – not the demon – begs them to stop.
Father Bennett visits the Tattersall Landscaping building that night and the storage area is empty. There aren’t any supplies on the rows of shelves and there’s no evidence any landscaping business takes place at the location. The lights flicker and then he hears a metallic sounding noise. He spots a row of knives hanging on the wall and an oven where they cooked the body parts from the murder victims. He looks at the ashes and realizes what he’s seeing. He opens a door and chopped up bodies are piled inside. Men begin attacking him but Father Bennett’s able to hold them off, although it appears something’s wrong when he attempts to rid one of the men of the demon inside him.
Father Tomas has apparently given up trying to stay away from Jessica (Mouzam Makkar) and is back in her bed once again. She remembers when she first fell in love with him, and it’s a story he hasn’t heard before. She wants time to stop now so they can stay together, but she knows there’s something wrong. Tomas says he’s waiting for a sign but it hasn’t come.
Marcus holds Casey’s hand, begging her to keep fighting. Her breathing has slowed and she’s no longer moving.
Father Tomas heads to a drug store to get something for the bite wound on his hand. The guy on duty can’t give him anything because Tomas doesn’t have a prescription, and when a customer wants a selfie with him, Tomas gets upset and repeatedly pushes him. The guy’s finally had enough and punches Tomas in the face. The police come as does Tomas’ benefactor, Maria Walters. She tells him the guy declined to press charges and she wants to know if he was drunk. Tomas says no, it was just stupidity and he didn’t know who else to call. He wonders if she’s ever been in a situation where the only way to do the right thing is to do something wrong. Maria has, and Tomas says one little lie just for the greater good is what he told himself. But that one lie has multiplied and now he realizes he’s not the rising star everyone believes him to be. The truth is he’s losing himself. Maria appears to be happy about Tomas’ torment, although she keeps her smile in check.
Casey continues to draw breath slowly as Marcus sits at her side. Mother Bernadette enters the room with a note (it’s during the hours when the nuns are under the vow of silence) that reads, “Let her go. It’s time.” And, truthfully, Casey looks like she’s been dead for days. Her skin is dark, her face is barely recognizable, her teeth are rotting, and she’s completely still. Her chest barely rises as she draws breath. Then, suddenly, she takes in a big gulp of air.
Father Tomas returns to the Rance house because Angela is not doing well. She’s huddled in the bathtub and she’s muttering and fidgeting and seems unaware of her surroundings. She says when Casey ran away she could feel inside her that Casey was still okay, but today the feeling is gone. She’s empty and part of her is gone, which means Casey is gone.
At the convent, Mother Bernadette helps Marcus tend to what appears to be the final moments in Casey’s life. Marcus is about to give Casey a drink with belladonna but he stops, saying it’s wrong and that God has his hands. He tells Mother Bernadette he won’t interfere. Just then Father Tomas arrives with Angela, and Casey smiles, her eyes flash red, and she sits up. The demon calls Angela a sow, which is what the demon called Regan MacNeil as a child.
Are you ready for the Thanksgiving and winter holidays? Fox is, and their holiday program will include a repeat airing of Ice Age: A Mammoth Christmas, a new Showtime at the Apollo special, and Queen Latifah and Snoop Dogg hosting Pitbull’s New Year’s Revolution. The network also has special holiday-themed episodes set for Son of Zorn, Bob’s Burgers, Lethal Weapon, and New Girl, among other shows.
Fox’s 2016 Holiday Programming:
Sunday, Nov. 13
SON OF ZORN (8:30-9:00 PM ET/PT) – “The Battle of Thanksgiving”
After a pep talk from Linda (Artemis Pebdani), Zorn (Jason Sudeikis) crashes Edie’s (Cheryl Hines) Thanksgiving to prove to Edie’s mom how much he’s matured. It goes well at first, until Edie’s mom (guest star Jenny O’Hara) shares her views on Zephyria. Meanwhile, Alan (Johnny Pemberton) butters up his grandmother to get her to pay for his expensive summer music camp. Also, after Thanksgiving, Zorn consults fellow Zephyrian Dr. Klorpins (guest voice Nick Offerman) via Facetime, when he develops a mysterious itch.
Sunday, Nov. 20
BOB’S BURGERS (8:30-9:00 PM ET/PT) – “The Quirk-ducers” – Airing at a special time
The kids have their half day before Thanksgiving cancelled because of Mr. Frond’s (guest voice David Herman) idea for a play. Gene (Eugene Mirman) and Louise (Kristen Schaal) come up with an idea to sabotage the play with Tina’s (Dan Mintz) holiday fan fiction in order to get their half day back.
Tuesday, Nov. 22
BROOKLYN NINE-NINE (8:00-8:31 PM ET/PT) – “Mr. Santiago”
At Amy’s (Melissa Fumero) intricately planned Thanksgiving dinner, Jake (Andy Samberg) goes “full Santiago” (binder and all) in order to impress her father (guest star Jimmy Smits), a former cop. With Jake and Amy’s focus elsewhere, Charles (Joe Lo Truglio) is left on turkey duty and Holt (Andre Braugher) helps Pimento (guest star Jason Mantzoukas) cope after learning he can no longer work for the NYPD.
NEW GIRL (8:31-9:01 PM ET/PT) – “Last Thanksgiving”
Jess (Zooey Deschanel) is set on making the gang’s last Thanksgiving at the loft the best one ever, while playing nurse to her new wheelchair-stricken boyfriend, Robbie (Nelson Franklin). Meanwhile, Schmidt (Max Greenfield) and Cece (Hannah Simone) have to babysit a heartsick Gavin (guest star Peter Gallagher) who’s just been dumped by his girlfriend.
Sunday, Nov. 27
ICE AGE: A MAMMOTH CHRISTMAS (7:00-7:30 PM ET/PT) – Annual Return
America’s favorite arctic herd is busy decorating for the holiday season. In his rush to help, Sid (John Leguizamo) destroys Manny’s (Ray Romano) favorite decorations. Manny is so upset he convinces Sid he is now on Santa’s naughty list. Sid, Crash (Seann William Scott), Eddie (Josh Peck) and Peaches (Ciara Bravo) take off for the North Pole to plead their case to Santa (Billy Gardell). Meanwhile, Manny, Ellie (Queen Latifah) and Diego (Denis Leary), worry over Peaches’ safety and race to find her. Back at the North Pole, Sid and his crew accidentally destroy Santa’s Workshop on Christmas Eve, and it’s up to these newfound friends to orchestrate a Christmas miracle. The special, directed by Karen Disher, also features the voice talent of Chris Wedge, T.J. Miller and Judah Friedlander. An encore airs on Tuesday, Dec. 20 (8:00-8:30 PM ET/PT).
BOB’S BURGERS (7:30-8:00 PM ET/PT) – “The Last Gingerbread House on the Left”
Bob (H. Jon Benjamin) gets roped into competing in a secret Gingerbread house-building contest. Meanwhile, Linda (John Roberts) and the kids decide to go caroling, but their neighbors are not in the Christmas spirit.
Monday, Dec. 5
SHOWTIME AT THE APOLLO (8:00-10:00 PM ET/PT) – All-New Special
Emmy Award-winning personality Steve Harvey will host this two-hour event and reimagining of the classic talent showcase series, in which Harvey will celebrate his return to the famed theater, where he launched his own career, and where he’ll be joined by some of the biggest stars in comedy and music.
Wednesday, Dec. 7
LETHAL WEAPON (8:00-9:00 PM ET/PT) – “Jingle Bell Glock”
The whole precinct’s holiday celebrations are cut short when they’re called to examine a ruthless homicide linked to Eddie Flores (guest star Raul Casso), the deranged nephew of a notable drug lord who has a previous history with Riggs (Clayne Crawford). The holiday season weighs heavily on Riggs, who flashes back to past Christmases with his former wife, Miranda (guest star Floriana Lima). Murtaugh (Damon Wayans) is also a little preoccupied with his neighbor’s obnoxious holiday decorations.
Thursday, Dec. 8
TARAJI’S WHITE HOT HOLIDAYS (8:00-9:00 PM ET/PT) – All-New Special
EMPIRE’S Taraji P. Henson is back this holiday season to spread cheer, goodwill and some holiday magic in an all-new music and variety special, renditions of classic holiday songs by entertainment superstars, including EMPIRE’s Jussie Smollett, Taye Diggs, Pharrell Williams, Missy Elliott, Alicia Keys, Darryl McDaniels of Run-DMC, Snoop Dogg and TLC. The event also will include cameo appearances by acclaimed actor and filmmaker Tyler Perry and BROOKLYN NINE-NINE’s Terry Crews, among other surprise guests and performances. An encore airs Friday, Dec. 23 (8:00-9:00 PM ET/PT).
Sunday, Dec. 11
THE SIMPSONS (8:00-8:30 PM ET/PT) – “The Nightmare After Krustmas”
Krusty (Dan Castellaneta) tries to impress his daughter (guest voice Natasha Lyonne) as they spend Christmas with the Simpsons. Meanwhile, Reverend Lovejoy (Harry Shearer) seeks converts after church attendance plummets, and Maggie is haunted by a spooky Christmas toy. Comedian Jackie Mason also makes a guest-voice appearance. An encore airs on Christmas, Sunday, Dec. 25 (8:00-8:30 PM ET/PT).
SON OF ZORN (8:30-9:00 PM ET/PT) – “The War on Grafelnik”
Torn between Edie’s Christmas and Zorn’s Grafelnik – the Zephyrian holiday of revenge – Alan realizes he can play his parents off each other to get better presents.
FAMILY GUY (9:00-9:30 PM ET/PT) – “How the Griffin Stole Christmas”
Peter (Seth MacFarlane) is asked to fill in for the mall Santa and gets drunk on the power. Meanwhile, Stewie (MacFarlane) and Brian (MacFarlane) crash holiday office parties for the free food, drama and women.
Tuesday, Dec. 13
BROOKLYN NINE-NINE (8:00-8:31 PM ET/PT) – “Captain Latvia”
Charles enlists Jake’s help in tracking down his son’s favorite toy for Christmas, and the pair finds themselves accidentally facing off against a Latvian criminal ring as a result. Back at the precinct, the team gears up for their annual Christmas carol competition against their sworn enemy: the MTA.
NEW GIRL (8:31-9:01 PM ET/PT) – “Christmas Eve Eve”
Jess struggles to keep the loft’s Secret Santa afloat, while helping Reagan (guest star Megan Fox) plan a Christmas surprise for Nick (Jake Johnson). When Winston (Lamorne Morris) believes his gift for Cece won’t be delivered in time, Winston and Schmidt go on a mission to track it down.
Saturday, Dec. 31
PITBULL’S NEW YEAR’S REVOLUTION (11:00 PM-12:30 AM ET live-CT/MT/PT tape-delayed) – All-New Special
Armando Christian Perez, aka Pitbull, will ring in the New Year LIVE from the sandy beaches of America’s hottest city – Miami – alongside hosts Queen Latifah and Snoop Dogg. Pitbull will perform and be joined by some of his favorite A-list musicians, DJs and celebrity friends for this unforgettable live event.
The 2017 Oscar Animated Feature Film category will consist of a maximum of five films because more than 16 movies qualified for consideration. Nominees will be announced on Tuesday, January 24, 2017. Winners will be revealed during the 89th Oscars on Sunday, February 26, 2017.
USA Network confirmed a pilot pick up of Unsolved, a true crime serial from Emmy winner Anthony Hemingway (The People v. O.J. Simpson: American Crime Story). The scripted serial will examine the murder investigations of rappers Tupac Shakur and Biggie Smalls, with former LAPD Detective Greg Kading serving as the pilot’s consultant and as a co-executive producer. Hemingway will direct and executive produce along with Mark Taylor and Kyle Long. Long’s writing the pilot.
Kading led the law enforcement task force investigating Tupac Shakur and Biggie Smalls’ murders. Kading chronicled the investigation in his book, Murder Rap: The Untold Story of Biggie Smalls & Tupac Shakur Murder Investigations.
The network has not revealed when they plan on premiering Unsolved or any details on casting. In addition to Unsolved, USA Network has given pilot orders to The Sinner starring Jessica Biel, Damnation, and The Tap.