Christopher Miller, Woody Harrelson, Phoebe Waller-Bridge, Alden Ehrenreich, Emilia Clarke, Joonas Suotamo, Phil Lord and Donald Glover on the set of ‘Solo’ (Copyright: 2017 Lucasfilm Ltd)
Lucasfilm confirmed Donald Glover will be taking on the role of a young Lando Calrissian in the upcoming Han Solo film. The as-yet-untitled Han Solo Star Wars movie has Alden Ehrenreich (Rules Don’t Apply, Beautiful Creatures) on board to play a young Han Solo and The LEGO Movie filmmakers Phil Lord and Christopher Miller attached to direct.
Ehrenreich is, of course, playing the role Harrison Ford took on in the Star Wars film franchise while Glover is the younger version of Billy Dee Williams’ Lando Calrissian. The upcoming Han Solo movie will open in theaters in 2018.
“We’re so lucky to have an artist as talented as Donald join us,” stated Lord and Miller. “These are big shoes to fill, and an even bigger cape, and this one fits him perfectly, which will save us money on alterations. Also, we’d like to publicly apologize to Donald for ruining Comic-Con for him forever.”
Glover created and is currently starring in FX’s Atlanta. His credits also include Community, The Martian, Magic Mike XXL, and the upcoming Spider-Man: Homecoming.
More on the Han Solo Film, Courtesy of Lucasfilm: “Donald Glover will join Alden Ehrenreich — previously cast as Han Solo — in bringing two iconic Star Wars characters back to the big screen, but at a time in their lives previously unexplored. This new film depicts Lando in his formative years as a scoundrel on the rise in the galaxy’s underworld — years before the events involving Han, Leia, and Darth Vader in The Empire Strikes Back and his rise to Rebel hero in Return of the Jedi.
Mark Wahlberg, Rhea Durham, and Paul Wahlberg of A&E’s ‘Wahlburgers’ (Photo Credit: A&E)A&E’s confirmed Wahlburgers will return for a seventh season on November 16, 2016. The upcoming season will kick off with back-to-back half hour episodes airing at 10pm ET/PT and 10:30pm ET/PT. All of the Wahlbergs – Paul, Donny, Mark, and mom Alma – are returning to the reality series which focuses on the family’s chain of restaurants.
Planned celebrity guest stars for season seven include Josh Duhamel, Nikki and Brie Bella, and Rick Astley. The series is executive produced by Mark Wahlberg, Donnie Wahlberg, Stephen Levinson, Rasha Drachkovitch, Archie Gips, David Hale, and Devon Hammonds.
The Plot:Wahlburgers continues to chronicle the lives of the Wahlberg family including matriarch Alma and her sons Mark, Donnie and Paul along with the rest of their family and friends. This season, we visit Mark on the Transformers: The Last Knight set where he clashes with director Michael Bay when he secretly enlists actor Josh Duhamel to join him in wearing Wahlburgers hats while filming some high octane scenes. The pressure is on for Donnie when he arrives in Coney Island to throw the ceremonial first pitch for the Brooklyn Cyclones’ Minor League baseball team only to run into former New York Met Mookie Wilson. Plus, Wahlburgers gets a visit from the WWE’s Bella Twins (Nikki and Brie Bella), Paul gets a tour of London from 80’s pop singer Rick Astley and country music star John Rich opens his hot spot Redneck Riviera right above Wahlburgers in Las Vegas. Could this mean a possible new business partnership on the horizon?
Academy Award nominee Amy Adams stars as Susan Morrow in writer/director Tom Ford’s romantic thriller ‘Nocturnal Animals’ (Photo Credit: Merrick Morton/Focus Features)
Now this is how you put together an effective trailer. Focus Features just released the official trailer for Nocturnal Animals from writer/director Tom Ford and if the movie wasn’t on your must-see list, the trailer should move it onto it. The film’s based on the novel Tony and Susan by Austin Wright and stars Jake Gyllenhaal and Amy Adams. Aaron Taylor-Johnson, Isla Fisher, Karl Glusman, Armie Hammer, Laura Linney, Andrea Riseborough, and Michael Sheen co-star in the dramatic film which is hoping for awards attention later this year. Focus Features will release the film in select cities beginning November 18, 2016, expanding into additional cities on November 23rd, and finally opening in wide release on December 9th.
The Plot: Winner of the Grand Jury Prize at the 2016 Venice International Film Festival, Nocturnal Animals is a haunting romantic thriller of shocking intimacy and gripping tension that explores the thin lines between love and cruelty, and revenge and redemption. Academy Award nominees Amy Adams and Jake Gyllenhaal star as a divorced couple discovering dark truths about each other and themselves in Nocturnal Animals.
Tom Cruise plays Jack Reacher in ‘Jack Reacher: Never Go Back’ from Paramount Pictures and Skydance Productions.
“Major Turner has been arrested,” says Col. Morgan (Holt McCallany). “On what charge?” asks Jack Reacher (Tom Cruise). “Espionage,” replies Morgan as Reacher quickly begins to realize that his friend Turner (Cobie Smulders) is being set up in the action film sequel, Jack Reacher: Never Go Back.
After having a few pleasant phone conversations and helping each other out with a few legal issues, Reacher decides to go to D.C. and meet in person Major Turner, the new person in charge of his old unit. When he arrives and goes to see her, he’s surprised to find out she’s been arrested for espionage. After doing a little digging and talking to her lawyer, Reacher discovers she’s being set up. But before he can get in to see her, he’s also wrongly arrested by the military for a crime he didn’t commit. So Reacher uses his unique skills to break himself and Major Turner out of the military holding facility and go on the run to uncover and expose a military conspiracy and clear both their names while trying to keep safe a 15-year-old girl who just might be Reacher’s daughter.
Unoriginal and unimpressive, Jack Reacher: Never Go Back is a formulaic action mystery that isn’t that mysterious and has mediocre action scenes. It’s a perfect example of a forgettable sequel. Tom Cruise seems almost uncomfortable in this his second outing as the former military policeman turned wanderer/protector of the wrongly accused. It’s obvious he’s trying to show how Reacher is used to working and being on his own and how being with Turner and the young girl is new and awkward for him, but it only comes across as a stilted and at times robotic performance.
Cobie Smulders is horribly miscast as the framed Major who’s forced to go on the run with Reacher to clear her name. She has zero chemistry with Cruise, something that is clearly evident in the few quiet scenes between the two characters. Plus, the Major never comes across as a true military leader.
The script is weak, with bad dialogue and a plot that feels like it belongs on a television crime show…actually it might have been already. There is NO character development of any of the villains; they are all just brooding thugs and none of their action scenes are actually exciting. In short, Jack Reacher: Never Go Back is an unnecessary and unworthy sequel that should be missed especially by true action film fans.
GRADE: C-
MPAA Rating: PG-13 for sequences of violence and action, some bloody images, language and thematic elements
Last week Supernatural opened season 12 with a kidnapped Sam, a parent returning from the dead, and a hunt for Lucifer’s whereabouts. This week, we get to see how they build onto these budding storylines. As episode two begins, it turns out being held captive might not be as bad as it started out for Sam (Jared Padalecki). We open finding him having some naked time with Antonia, his captor, and answering her questions in between sessions of getting dirty. Yet while Sam is busy…ummm…getting busy, Dean (Jensen Ackles) is still searching for his little brother.
Back at the bunker, Dean has done everything he can think of to find a lead using the computer and is on a call only to find out that Castiel (Misha Collins) hasn’t had any more luck searching everywhere he can think of that Antonia would be hiding Sam. Dean has an idea to check real estate offices for recent purchases or rentals, figuring that if they own their own plane they might have procured a hideout in a legit way. During the conversation, Dean mentions that he feels weird being there alone with his mother, Mary. He doesn’t know what to say to her, and he doesn’t want to overwhelm her during this re-entry into the world of the living. Cas advises Dean not to overthink and make things more difficult than they need to be.
As the call ends and Mary (Samantha Smith) enters the room, she reveals that she overheard Dean’s concerns. He assured her that he is thrilled she is back with them. She’s happy to hear it and states it’s just going to take her some time to catch up. However, she shares her own worries, including how she will face Sam. If she had never made the deal with the yellow-eyed demon in the first place, then he wouldn’t have come for Sam. She feels guilty because, in her mind, she started all of it. She brought the monsters into their lives.
We rejoin Sam then as he is sharing stories of their lives as hunters with Antonia while they rest. She is intrigued by the tales, especially the parts where he talks about other hunters. During the discussion, she is surprised that with these hunters running around the country there’s still such a huge supernatural problem in the United States. As she’s planting a seed that maybe some of the hunters are compromised, Sam begins to have flashes. He sees the torture, the basement, and before he can process it is back in the chair with Antonia watching him. It turns out she knows some spells and potions, allowing her to plant the scene of them in his head so she could get the information she wanted.
Yet, Antonia isn’t done. There’s more she wants to know. Doing the spell again would liquefy his brain, so that option is out and she would have to go back to inflicting pain. Torture wasn’t in her training, but she sure seems to enjoy it. So it begins, and she says she wants names and addresses of all the hunters. Also, she wants to discuss Sam’s past relationship with the demon, Ruby. She gets a bit distracted though, when a call comes in from a man telling her she’s in trouble and that Miss Watt has been killed by “Dean and friends.”
The next morning, Mary shares with Dean that she dreamt about times she had forgotten, funny stuff John had done. Before she has the opportunity to elaborate, Castiel calls with a lead. He found out about a recently rented house in the area of their search. And when he checked it out, found it to be heavily warded. Mary jumps up, ready to go, but Dean asks her to stay behind. He explains when she appears confused that he can’t do his job and worry about her at the same time. With a smile, Mary assures him she can handle herself.
This episode then takes us to Rowena (Ruth Connell). That’s right, the feisty red-headed witch has returned too. We find her having lunch with a man that is apparently quite wealthy. Then Crowley shows up, posing as a waiter, and it’s obvious her son just ruined her day. They go to talk privately and we find out that Rowena is attempting to put all this monster, Heaven and Hell, business behind her. But of course, he wants a favor. He needs her to help him settle a score with Lucifer.
At this point, we flash over to our guest star, Rick Springfield, playing a rock star named Vince Vicente. After finishing a performance, he declines going out to party afterward with his bandmate. The man tells Vince that he needs to start living his life and it is revealed that his wife Jen had died and the rocker is still in mourning. As he is left alone, it appears he isn’t so alone when the lights flicker, a cold breeze blows, and the framed picture of Jen falls face-down. Hurry, grab the salt!
Later, back in his hotel room which is decorated with pictures of the woman he lost all over the place, the weirdness begins again. As Vince is washing his face, he hallucinates that the water turns to blood which understandably freaks him out. No sooner is the water back to normal than the lights begin to flicker again and Jen’s pictures begin to fly around the room. He hears her voice just before he sees her standing before him.
When he asks her why she’s there, she claims that she needed to say sorry, that swallowing the pills was selfish. She explains that at the time, she’d felt it only fair to leave him after all the times he’d left her. And she tells him they can be together again. He doesn’t understand how, with her being a ghost. She corrects him; she’s an angel and can take away his pain, and bring him peace. All she needs is to be invited in, and the moment he agrees, her eyes turn red and we know he’s not going to be himself anymore.
In the meantime, Rowena performs a spell to try and find Lucifer while she and Crowley bicker. We find out that he wants his mother’s help to put Lucifer back in his cage. She tries to walk away then, not wanting to be pulled back into all of this mess. Crowley, not one to take no for an answer, threatens to tell her beau about who she really is. Stuck and thoroughly blackmailed, Rowena reminds him that Lucifer can’t be caged back up while he’s in a vessel. But Crowley apparently has a plan and claims he won’t be in one by the time they are ready.
As we flash back to the others, we find Dean and Mary on the way to meet up with Castiel. Dean comments that he can’t believe he let her come along, to which she replies with some humor that she’s the mother so he has to do what she says. On a more serious note, Mary explains that the woman holding Sam will be expecting Dean, but that she definitely would not be expecting her to show up. The realization hits Dean about how good of a hunter she was, and she agrees. Mary states that all hunters end up the same way though, dead, and not from natural causes.
Dean fills in some more details about their life during the ride such as how consumed John was with finding the thing that killed Mary, and how differently Dean and Sam had seen the hunter life. He tells her how Sam went to Stanford and had actually gotten away from it. Mary is obviously bothered that Sam hadn’t managed to stay out of the monster-hunting lifestyle.
The two eventually get to their destination and Dean decides to go take a look at the house, alone. No damsel in distress, Mary informs Dean that he cannot stop her from hunting. After getting a look from Dean pleading for help, Cas tries by reminding Mary that he’s locked out thanks to the wards and would like some company. Despite the lame excuse, the woman does stay behind while her eldest son canvases the house. He does manage to find a cellar, but it is locked tight, and before he can do anything about the lock he realizes he’s standing on a strange symbol. Letting out a curse as he’s surrounded by light, Dean knows he’s hosed.
Big things are also happening elsewhere. We find Crowley sitting on the throne reserved for the King of Hell. Lucifer, now wearing his Vince meatsuit, confronts the demon and the battle of wills begins. Crowley suggests that instead of wasting his time on demons, Lucifer should reclaim his rightful place in Heaven while Crowley takes care of Hell. It’s tempting, but his contempt for Crowley is far too deep to agree. It was all a ruse anyway because Rowena comes in and does a paralyzing spell on Lucifer. The spell won’t hold him long, but Crowley is unfazed, holding up what Lucifer assumes is holy water. Only it’s actually sulfuric acid. Sure, it won’t hurt Lucifer, but Crowley really just needs to hurt the vessel.
The acid is tossed and the vessel begins to burn, triggering the next part of Crowley’s plan. Rowena does another spell to send Lucifer back to his cage. As if it would be that easy. Even the spell keeping Lucifer from moving no longer works and we’re left looking at a rather gruesome Rick Springfield while waiting for the proverbial crap to hit the fan. Fortunately for anyone with a weak stomach, Lucifer heals his vessel and looks at Crowley with pure dangerous fury.
In true Crowley form, when faced with a fight he knows he can’t win, Crowley disappears leaving Rowena alone with the fallen angel that has already killed her once before. He decides not to kill her again, instead he will keep her as a prisoner and use all that power she possesses. A declaration that horrifies her. It’s safe to say that Rowena isn’t fangirling over Lucifer anymore.
Now let’s see how this episode ends for the Winchester brothers. Antonia graces a bloody and injured Sam again, who is still maintaining his strong stance of “screw yourself.” That is until she reveals that she now has Dean and threatens that he’ll have to watch his brother go through the same treatment he’s received. Once Dean is bound and she’s had the opportunity to beat him up a bit, Antonia begins trying to get under his skin by bringing up the man’s friendship with the vampire Benny, revealing how much she already knows about them.
While giving threats and describing the parts of the body most sensitive to pain, Mary shows up with a gun and tells the younger woman to “get away from her boys.” Did anyone really think she would meekly wait at the car? Sam, having no idea Mary had been brought back until now, is shocked to see her.
Antonia goes on the offensive, and a girl fight begins, only these are some tough girls. Dean gets himself free and puts a stop to it once he has the gun. But Antonia refused to be beaten, doing some sort of spell that begins to choke Mary. She explains to Dean that if he kills her, Mary dies. So, he gives her the gun…just before knocking her out cold. Sam is worried about what that will do to Mary, but Dean says he knows it was mind-control which she couldn’t very well do while unconscious. Just as we think they might get out of there after all, the British man who had called Antonia earlier shows up, blocking the doorway.
However, it seems he only wants to talk. The man, Mick, explains that they do want to know about the Winchesters. After all, they seem to be carrying on the work of the Men of Letters, to a point. He also states that Antonia took things too far and she will face consequences back in London. He wants to work with them and other hunters, trying to convince Dean and Sam that he is on their side by mentioning that he took down the wards so Castiel could come into the house, knowing the angel could destroy him. There’s no way the boys are going to agree that easily. So he offers his card and asks what they could lose, besides their worst nightmares.
Back at the bunker, they have a family meal of takeout and decide they don’t believe or trust these Men of Letters while Dean happily pigs out on some pie and Sam tries to process that his mother is alive and with them.
Later that night, Sam brings his mom tea and shares that he can understand coming back and not feeling like you fit in if she wants to talk. What Mary wants is to know all about their lives, to fill in the blanks. He gives her John’s journal, says it keeps their father with them, and might help her fill in some of the gaps. Before he leaves, she asks why he returned to hunting to which he replies that this is his family and hunting is what they do. In a heart-wrenching moment, a teary-eyed Sam professes that having her there with them fills in the biggest blank.
Before we are done though, we see Antonia getting a tongue-lashing from her colleague. She admits that she wants to destroy every obstacle to making the world safe from supernatural beings, even the hunters. He assures her that they will do what needs to be done, even if it means there is a possibility of him getting his hands dirty. Apparently, they’ve called in a mystery man named Mr. Catch.
As the episode concludes, Mary appears upset looking through the John’s journal, Sam is contemplative in his room and Dean is looking through photographs of their family. We are also given a flash of Mr. Catch packing up at a hotel, complete with sinister mood music, hinting that things are only going to get worse.
CBS has greenlit Salvation, a new event series from Alex Kurtzman’s Secret Hideout. The network recently confirmed it isn’t bringing back American Gothic or BrainDead, freeing up time slots on their 2017 summer schedule. Salvation, a one-hour serialized drama, will join returning CBS’ summer series Zoo (season three) and Big Brother for the 2017 season.
“Salvation is the type of fast-paced, dramatic ride that viewers look for in a summer event series,” said Glenn Geller, President, CBS Entertainment. “We’re excited to launch another high concept, highly promotable show with great auspices that adds to our roster of year-round, original scripted programming.”
Salvation season one will consist of 13 episodes and will executive produced by Kurtzman, Liz Kruger, Craig Shapiro, Heather Kadin, and Peter Lenkov. The series is based on Matt Wheeler’s short story, with Kruger and Shapiro writing season one. CBS hasn’t announced any casting details.
The Plot: A suspense thriller, Salvation centers on an MIT grad student and a tech superstar who bring a low-level Pentagon official a staggering discovery – that an asteroid is just six months away from colliding with Earth.
Devon Terrell and Anya Taylor-Joy in ‘Barry’ (Photo Credit: Linda Kallerus / Netflix)
Netflix has set a December 16, 2016 premiere date for Barry, the dramatic film based on a year in the life of Barack Obama. Barry, which is also showing off a teaser trailer, is currently sitting at 92% fresh on RottenTomatoes. Variety calls it a “canny and absorbing drama” while Guardian says it’s a “real movie about real problems, that just happens to be about a real person.” Directed by Vikram Gandhi (Vice), the cast is led by newcomer Devon Terrell as Barack Obama. The cast also includes Ashley Judd, Jenna Elfman, Jason Mitchell, Ellar Coltrane, Avi Nash, and Anya Taylor-Joy.
Netflix picked up the film following its premiere at the Toronto Film Festival. Barry was produced by Dana O’Keefe, Teddy Schwarzman, Ben Stillman, and Vikram Gandhi, with Daniel Steinman executive producing.
The Plot: A young Barack Obama, known to his friends as “Barry,” arrives in New York City in the fall of 1981 to begin his junior year at Columbia University. In a crime-ridden and racially charged environment, Barry finds himself pulled between various social spheres and struggles to maintain a series of increasingly strained relationships with his Kansas-born mother, his estranged Kenyan father, and his classmates. Barry is the story of a young man grappling with those same issues that his country, and arguably the world, are still coming to terms with 35 years later.
Claire Foy and Matt Smith star in ‘The Crown’ (Photo by Alex Bailey / Netflix)
Netflix’s The Crown explores the life of Queen Elizabeth in the first years of her reign, and the new trailer explores Queen Elizabeth’s relationship with her sister, Princess Margaret, and her husband, Prince Philip. The upcoming dramatic series was written by Peter Morgan (The Queen, Frost/Nixon), directed by Stephen Daldry (The Hours, Billy Elliot), and stars Claire Foy as Queen Elizabeth II, Matt Smith as Prince Philip, John Lithgow as Sir Winston Churchill, Victoria Hamilton as the Queen Mother, Jared Harris as King George VI, Vanessa Kirby as Princess Margaret, and Dame Eileen Atkins as Queen Mary.
All 10 episodes of The Crown will be released on November 4, 2016 for your binge-watching pleasure.
The Plot:The Crown focuses on Queen Elizabeth II as a 25-year-old newlywed faced with the daunting prospect of leading the world’s most famous monarchy while forging a relationship with legendary Prime Minister, Sir Winston Churchill. The British Empire is in decline, the political world is in disarray, and a young woman takes the throne….a new era is dawning. Peter Morgan’s masterfully researched scripts reveal the Queen’s private journey behind the public facade with daring frankness. Prepare to be welcomed into the coveted world of power and privilege and behind locked doors in Westminster and Buckingham Palace….the leaders of an empire await.
Based on the award-winning play, The Audience, The Crown tells the inside story of Queen Elizabeth II’s early reign, revealing the personal intrigues, romances, and political rivalries behind the great events that shaped the second half of the 20th Century.
Hugh Jackman’s back again as the steely-clawed mutant in Logan, directed by James Mangold. The first official trailer reveals we catch up with older Logan who seems to be mentoring/protecting a younger mutant girl. Charles Xavier (Patrick Stewart) also reenters Logan’s life in this first real look at footage from the 2017 release. Mangold, Scott Frank, and Michael Green wrote the script, and Richard E. Grant, Boyd Holbrook, Stephen Merchant, and Dafne Keen co-star. 20th Century Fox will release Logan in theaters on March 3, 2017.
The release of the first trailer comes after director Mangold and Logan star Jackman released the film’s title and poster on social media. The footage shows this new Wolverine movie will be more somber, although not necessarily less action-filled.
20th Century Fox has released the first teaser trailer and poster for director Gore Verbinski’s new psychological thriller, A Cure for Wellness. Verbinski (The Lone Ranger, Pirates of the Caribbean) produced and co-wrote the story with Justin Haythe, and Haythe is credited with the screenplay. A Cure for Wellness stars Dane DeHaan (The Amazing Spider-Man 2), Jason Isaacs (The Infiltrator), and Mia Goth (Everest), and is set to open in theaters on February 17, 2017.
The Plot: An ambitious young executive is sent to retrieve his company’s CEO from an idyllic but mysterious “wellness center” at a remote location in the Swiss Alps. He soon suspects that the spa’s miraculous treatments are not what they seem. When he begins to unravel its terrifying secrets, his sanity is tested, as he finds himself diagnosed with the same curious illness that keeps all the guests here longing for the cure.